Fantom-S Fantom-S88

Workstation keyboard

TurboStart

Selecting Patches by Category
You can quickly select patches from any of 38 different categories. Use the following steps to find patches by category: 1. Press PATCH/RHYTHM so its lit. 2. Press F1 (Kbd Part). 3. Press F3 (Patch List). 4. Press F6 so a checkmark appears next to Categ. 5. Press F1 (5) or F2 (6) to select a category. 6. Turn the VALUE dial to audition the patches in the selected category.

Its a Fact

Rolands Fantom-S and Fantom-S88 workstation keyboards are complete solutions for professional music production. The 61-note Fantom-S and 88note Fantom-S88 both feature seamless integration of audio and MIDIplus advanced sampling. Advanced music production studios with 61-note Keyboard (Fantom-S) or 88-note Progressive Hammer-Action keyboard (Fantom-S88) Seamless integration of audio and MIDI using ROM waves and user sampling with realtime timestretch capability All new patches and rhythm sets built from new 64 MB wave ROM 32 MB sample RAM (expandable up to 288 MB) with.WAV/AIFF compatibility. 16 MB flash RAM retains your favorite sounds; optional SmartMedia storage. New Skip Back Sampling for continuous samplingnever lose an idea again! DYNAMIC PAD BANK with 16 velocity-sensitive pads for easy sample triggering 3 MFX processors, plus dedicated reverb, chorus and new mastering processor Expandable via four optional SRX-Series Wave Expansion Boards. USB port for.WAV/AIFF file exchange with a PC or Mac 4 Line outputs, 2 stereo or 4 mono; stereo line input and 24 bit S/P DIF digital output.

Layering Two Patches

Multiple sounds in a performance can be layered together. Use the following procedure to layer Part 1 with Part 2: 1. Press LAYER/SPLIT so its lit. 2. Turn the VALUE dial to select PRST: 01 Seq: Template. 3. Use CURSOR 5 or 6 and the VALUE dial to place a checkmark next to Parts 1 and 2. 4 Press F2 (Part View). 5. Turn the VALUE dial to select PR-B 104 Warm Strings as the patch for Part 2. 6. Press CURSOR 5 to highlight Part 1. 7. Turn the VALUE dial to select PR-A 003 Warm Piano. 8. Play the layered piano and string sounds.

Playing the Demo Songs

The Fantom-S /-S88 has five built-in demo songs. To play them: 1. Press MENU. 2. Turn the VALUE dial to select Demo Play. 3. Press ENTER. 4. Turn the VALUE dial to select a song. 5. Press ENTER. 6. When youre done listening, press F8 (Exit).

Creating a Split

After creating a layer, creating a split is easy. Follow these steps to create a split between Parts 1 and 2. 1. Follow Steps 1-7 of Layering Two Patches above. 2. Press LAYER/SPLIT so its lit. 3. Press F3 (Key Range). 4. Press CURSOR 5 or 6 to select PART 1. 5. Turn the VALUE dial to select C4 in the box below Lower. 6. Press CURSOR 6 to select PART 2. 7. Press CURSOR 4 to highlight the box below Upper. 8. Turn the VALUE dial to select B3. 9. Play the keyboard to hear the newly created split between PR-B 104 Warm Strings on the left and PR-A 003 Warm Piano on the right.
Selecting and Auditioning Patches
Use the following steps to hear some of the patches in the Fantom-S and Fantom-S88: 1. Press PATCH/RHYTHM so its lit. 2. Press F1 (Kbd Part). 3. Turn the VALUE dial to select a patch. 4. Play the selected patch.

TBS186

2003 Roland Corporation U.S.

www.RolandUS.com

Faxback #20219

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Note: To audition the selected sample, press and hold F8 (Preview) to hear it. 4. 5. 6. 7. 8. Press F7 (Load Utility). Press F2 (To Pad). Press the DYNAMIC PAD that you want to use. Press F8 (Exec) twiceAssign to pad completed briefly appears in the display. Press the DYNAMIC PAD to audition its sample.
Auditioning the Rhythm Sets with the DYNAMIC PADS
The Fantom-S/-S88 has rhythm sets that contain a variety of percussion instruments and special-effects sounds. Use the following steps to audition the different sets while playing the DYNAMIC PADS: 1. Press PATCH/RHYTHM so its lit. 2. Press F2 (Pad Part). 3. Turn the VALUE dial to select a rhythm set. 4. Play the DYNAMIC PADS.
Writing a Sample into Memory
Newly recorded samples must be written into the memory before turning off the Fantom-S/-S88 otherwise, the sample will be lost. Use the following procedure to save a sample: 1. Press SAMPLE LIST so its lit. 2. Turn VALUE to select the desired sample. 3. Press WRITE. 4. Press F3 (Sample). 5. Use the VALUE dial and CURSOR buttons to name the sample. 6. Press F8 (Write). 7. Press F2 to select Userif youre using a SmartMedia card, press F3 to select Card. 8. Turn the VALUE dial to select a destination for the sample. 9. Press F8 (Write). 10. Press F8 (Exec).

Sampling

The Fantom-S and Fantom-S88 contain a sampler for recording audio sources from a microphone or CD and so on. Use the following steps to sample: 1. Connect a microphone or CD player to the appropriate input on the back of the Fantom. 2. Press INPUT SETTING so its lit. 3. Turn the VALUE dial to select the appropriate input selection. Note: If youre using a microphone, first confirm that any amplifiers or monitors are turned down before selecting MICROPHONE. 4. 5. 6. Press the SAMPLING button so its flashing. Press F1 (Sampling). Speak into the microphone or play the external sound source while turning the LEVEL control knob clockwise to adjust your input levels.

Assigning the D Beam

You can assign various functions to the D Beam. Use the following steps to set up the D Beam for controlling the resonance in a patch. 1. Press PATCH/RHYTHM until its lit. 2. Press F1 (Kbd Part). 3. Turn the VALUE dial to select PR-A: 029 Remember. 4. Press ASSIGNABLE under the D Beam until its lit. 5. Press F5 (Ctrl Setting). 6. Press F1 (5) or F2 (6) to select D Beam (Asgn). 7. Use CURSOR 5 or 6 to highlight the Type box. 8. Turn VALUE to select CC71:RESONANCE. 9. Play the keyboard while slowly raising and lowering your hand over the D Beam.
Note: If the levels are too high, the PEAK indicator which is next to the LEVEL control knob lights. If this occurs, reduce the input level. 7. 8. 9. 10. Press F8 (Start). Perform or play whatever it is youre sampling. Press F7 (Stop) when youre finished. Press and hold F8 (Preview) to hear the sample.
Assigning a Sample to a DYNAMIC PAD
Now that weve sampled a sound, lets assign it to a DYNAMIC PAD: 1. Press PATCH/RHYTHM so its lit. 2. Press SAMPLE LIST so its lit. 3. Turn the VALUE dial to select the sample you wish to assignthe selected sample is highlighted.

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Cover_US

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*"Phantom" is a registered trademark of and is licensed by Phantom Guitar Works.

Specifications

Keyboard [S] 61 keys (with velocity and channel aftertouch) [S88] 88 keys (Progressive Hammer-Action mechanism and channel aftertouch) 64 voices (shared with the sampling section) 16 parts 64 M bytes (16-bit linear equivalent), Waveforms: 1,228 Patches: [S] 640 + 256 (GM2) / [S88] 648 + 256 (GM2), Rhythm Sets: 32 + 9 (GM2), Performances: 64 Patches: 256, Rhythm Sets: 32, Performances: 64 Patches: 256, Rhythm Sets: 32, Performances: 64 16-bit linear (File Type:.WAV/AIFF) 44.1 kHz (fixed) Effects
Maximum Polyphony Parts Wave Memory Preset Memory User Memory Card Memory (SmartMedia) Data Format Sampling Frequency Maximum Sampling Time
<Resolution> 480 TPQN <Tempo> 5300 <Note Capacity> approx. 400,000 notes <Song Length> 9,998 measures <Recording Method> Realtime recording, Step recording
Multi-Effects: 3 systems, [S] 77 types / [S88] 78 types, Chorus: 3 types, Reverb: 5 types, Input Effect: 6 types, Mastering Effect: 3-band Compressor

Connectors

Headphones Jack, A (MIX) Output Jacks (L (MONO), R) (1/4 inch TRS phone type), B Output Jacks (L, R) (1/4 inch phone type), Input Jacks (L (MONO)/MIC, R) (1/4 inch phone type), Hold Pedal Jack (Half Pedal possible), Control Pedal Jack (assignable), MIDI Connectors (IN, OUT, THRU), USB Connector [supports file transfer (mass storage class)], Digital Audio Interface (COAXIAL/OPTICAL OUTPUT only), AC Inlet AC 117 V, AC 230 V, AC 240 V 17 W [S] 1,050 (W) x 358 (D) x 109 (H) mm, 41-3/8 (W) x 14-1/8 (D) x 4-5/16 (H) inches [S88] 1,408 (W) x 455 (D) x 151 (H) mm, 55-7/16 (W) x 17-15/16 (D) x 6 (H) inches [S] 12.5 kg / 27 lbs 9 oz [S88] 29.5 kg / 65 lbs 1 oz Quick Start, Owner's Manual, Sound/Parameter List, Sample Data (Audio) CD, CD-ROM (Editor), Power Cord Wave Expansion Board: SRX Series, Keyboard Stand: [S] KS-12 / [S88] KS-17, Pedal Switch: DP Series, Foot Switch: BOSS FS-5U, Expression Pedal: EV-5
*1 If the maximum DIMM expansion is installed, only two SRX slots will be available.

Expansion Slot

<Internal sound generator expansion(Waveforms, Patch)>
SRX expansion boards: 4 slots *1 <Sampling memory expansion> DIMM: 1 slot (supports 128 M bytes, 256 M bytes (3.3 V)) <Memory card expansion> SmartMedia card: 1 slot (supports 8 M bytes/16 M bytes/ 32 M bytes/64 M bytes/128 M bytes (3.3 V))
Power Supply Power Consumption Dimensions
<Internal memory (32 M bytes) only>
mono: 360 sec. approx., stereo: 180 sec. approx. <with DIMM (288 M bytes)> mono: 54 min. approx., stereo: 27 min. approx. Arpeggiator Rhythm Pattern Chord Memory Display Pads Controllers
Preset: 128, User: 128 Preset: 256 (32 groups), User: 256 (32 groups) Preset: 64, User: x 240 dots, four-shade graphic LCD (QVGA) 16 pads, Velocity and Aftertouch sensitive Pitch Bend/Modulation Lever, Control Knobs x 4, Assignable Switch x 2, D Beam Controller
Weight Accessories Options
Number of Samples Sequencer
User memory: 2,000 (maximum total approximately 16 M bytes), Card memory: 7,000 (128 M bytes SmartMedia)

<Tracks>

Phrase tracks (16 MIDI channels per track): 16, Pattern track (16 MIDI channels per track): 1, Tempo track: 1, Beat track: 1
* The Pattern Track can hold up to 100 patterns.

Fantom-S88 Rear Panel

Fantom-S Rear Panel

Roland Corporation U.S.

5100 S. Eastern Avenue, P.O.Box 910921, Los Angeles, CA90091-0921 Phone: (323) 890-3700 Fax: (323) 890-3701 Visit us online at www.RolandUS.com
All specifications and appearances are subject to change without notice. All trademarks are the property of their respective companies.
Printed in Japan Feb. 2003 RAM-3650 PBL-GEN-SE D-4

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The Perfect Marriage of Sampling and Synthesis.
The Fantom-S Series is more than just a workstation with sampling. Its a complete solution for professional music production. With seamless integration of audio and MIDI, new Skip Back Sampling, a Dynamic Pad Bank and USB, the 61-note Fantom-S and 88-note Fantom-S88 have everything to take your music from idea to completion. The workstation has evolved into a digital studio, and its called the Fantom-S Series.
Advanced music production studios with seamless integration of audio and MIDI All-new Patches and Rhythm Sets expandable via 4 optional SRX-Series boards Professional sampling with realtime timestretch and.WAV/AIFF compatibility New Skip Back Sampling* continuously records your performance New Dynamic Pad Bank with 16 velocity-sensitive pads for easy sample triggering 3 MFX processors, plus dedicated reverb, chorus and mastering processor 4 Line outputs, stereo Line input, 24-bit S/PDIF digital output and USB port
*Skip Back Sampling function patent pending.

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A Revolutionary Music Production Tool.
s Sample Edit (Chop) Window
s Dynamic Pad Bank and Patch Play Window
The screen is divided to show you the currently selected Patch for the keyboard and the currently selected Patch for the Dynamic Pad Bank.
Whether you prefer working with audio, MIDI or both, Rolands new Fantom-S Series offers an elegant and musical production environment with everything you need. Start with an expandable stereo 4-Tone synthesis engine with all-new Patches and Rhythm Sets. Then add your own sounds with the Fantom-S/-S88s unique user sampling functions. Now put it all together using the programmable Arpeggiator and sequencer, resample your entire composition and export the audio to a computer. There has never been a faster way to make music!

Sampled waveforms are displayed graphically for quick editing, and can be automatically divided into 16 slices using the Chop function.

New ROM Waves

Sampl ing

.WAV/AIFF SMF

CD Burning Internet Audio CD

s User Programmable LFO

Similar to a Step Modulator, this function allows you to program cyclic modulation (such as filter cutoff, pitch, etc.) using 16 steps.

Resampling with effects

on the way audio and MIDI are integrated. The result is a fluid
entire song! And editing samples is now easier than ever, thanks to a large 1/4 VGA display with helpful graphic icons including full waveform editing with zoom capabilities.
Fresh Sounds for Your Next Hit
Roland keyboards are known for great sounds, and the Fantom-S Series is no exception. Both models feature a brand-new 64MB wave ROM with hundreds of stereo-sampled waves. The result is an entirely new set of Patches and Rhythm Sets that cover everything a modern composer needs. The drum kits, in particular, are exceptional, as are the new bass sounds, leads and pads. All of the Patches have been expertly programmed for maximum expression. Try the acoustic guitar Patches if you need proof!
environment in which both worlds can come together as one. Audio can be sampled using the stereo analog inputs or imported via USB (.WAV/AIFF formats only). It can then be integrated directly as a synth waveform or sequenced alongside MIDI tracks. And if you change tempo, the Fantom-S/-S88 will even timestretch your phrases automatically!

New Dynamic Pad Bank

One of the Fantom-S/-S88s coolest addition is the Dynamic Pad

USB Sample Exchange

The Fantom-S Series makes importing samples from a PC or Mac simple, thanks to a built-in USB port. Just browse your computers hard drive for.WAV and AIFF files, and import the sounds you want using simple drag-and-drop commands (the Fantom-S/-S88 will appear on your computer as a hard drive). Now the audio can be used as a synth waveform or even assigned to the Dynamic Pad Bank for sequencing. Likewise, you can also export a fully mastered song to your computer for burning CDs or MP3 creation.

The Fantom-S/-S88 is also the first instrument to feature Rolands new Skip Back Sampling technology. This function continuously records your performances behind-the-scenes so youll never lose a great idea. (The audio captured can be truncated based on
Bank, which features 16 velocity-sensitive pads for programming drums and triggering phrases. These time-tested rubber pads not only feel great, but they also make sequencing drum patterns more natural and fun. Of course, the pads can also be used to trigger audio phrases and RPS patterns, making the Dynamic Pad Bank a great way to create phrase-based music quickly especially when combined with Skip Back Sampling.
Professional Sampling and Editing
When it comes to sampling, the Fantom-S Series is hard to beat. To start, both models feature a generous 32MB of sample memory,
musical beats.) Skip Back Sampling also makes for an easy way to resample any realtime knob and controller tweaksanother Roland first! And with 16MB of flash RAM and optional SmartMedia storage, saving your samples is ultra-convenient.
*Requires optional DIMM memory. 288MB possible only in 2x SRX Mode. When using four SRX expansions, sample memory can be expanded to 192MB maximum.
Complete Audio/MIDI Integration
The idea behind the original Fantom was to keep the music flowing. So for the Fantom-S/-S88, a strong emphasis was placed

s Expansion Slot

With room for up to four SRX-Series Expansion Boards, the Fantom-S/-S88 can be customized to suit musical applications from orchestral sounds to dance music.
which can be expanded to a whopping 288MB*thats more than any other workstation keyboard and enough space to resample an
Rolands Premier Sound Library
The SRX-Series is Rolands next-generation sound library for SRXpandable instruments like the Fantom-S/-S88. With a strong focus on quality, each 64MB-equivalent expansion is loaded with sounds for all types of applications and genres. And with nine titles to choose from and more on the way, theres an SRX expansion thats right for you.

SRX-01

SRX-02

SRX-03

SRX-04

SRX-05

SRX-06

SRX-07

SRX-08

SRX-09

Dynamic Drum Kits

Concert Piano

Studio SRX

Symphonique Strings

Supreme Dance

Complete Orchestra

Ultimate Keys

Platinum Trax

World Collection

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A New Level of Expression.

s Layer View Window

Here you can view up to four multitimbral parts at once, making it easy to select Patches and set key ranges when creating splits and layers.

s D Beam

The D Beam Controller uses an infrared beam of light to send various controller changes depending on the function selected (Solo Synth, Pad Trigger, Assignable).
*D Beam light has been colored for illustrative purposes only. Actual infrared light beam is invisible.

s V-LINK

With V-LINK, musicians can trigger and control Edirol video products from the Fantom-S/-S88s keyboard and pads using a single-cable connection.
s Performance Mixer Window
Make adjustments to a multitimbral Performance like track level, panning and effects sends.
Streamlined Mixing and Performance Setup
To make mixing easier, Roland gave the Fantom-S/-S88 a new Mixer View screen. Similar to the look and feel of a digital mixer, this screen offers intuitive graphic editing of a multitimbral Performanceallowing you to change track levels, panning and effects settings using four front-panel knobs. Now mixing your song feels less like a workstation and more like a studio! And setting up the Performance is just as simple, thanks to a new Layer View screen with quick graphic editing of layering and key zones.
reverb and a dedicated chorus processor that can also create delay. Up to three multi-effects processors are available in Performance mode, giving you everything from COSM Guitar Amp Modeling and Lo-Fi processing to tempo-synced delay, Slicer, Isolator, multiple effects chains and more. (In Performance mode, all three MFX can be configured for parallel or serial use.) A dedicated mastering processor lets you add the finishing touch with multi-band compression. Combined with the resampling feature, the Fantom-S/-S88s effects processors can be used to create entirely new sounds.

taken this function to the next level by adding full programmability. Now you can graphically program your own 32-step patterns with individual velocity value bar graphs for each step! Use the Arpeggiator to create anything from wild synth patterns to bass lines and chord comping, or add realisticsounding drums with the Rhythm Generator. And with the Fantom-S/-S88s D Beam Controller, you can adjust controllers like filter cutoff or volume, trigger pads, or even play melodies using an infrared beam of light.
unique Progressive HammerAction Keyboard and Sympathetic Resonance effect). You can even open and close the lid at various angles using an exclusive graphic editing screen.
V-LINK Onboard Video Control
With Rolands V-LINK feature, musicians can integrate video clips with their music for a more captivating performance. Using the optional Edirol DV-7PR Digital Video Workstation (sold separately), you can trigger video clips from the Fantom-S/-S88s sequencer or
Workstation or Stage Piano? Programmable Arpeggiator and D Beam
The original Fantoms Arpeggiator and Rhythm Generator proved to be very popular with musicians for their ability to create exciting riffs and motifs. For the Fantom-S Series, Roland has Choose the Fantom-S88 and youll get both. Simply press the Piano Mode button, and this 88-note workstation will automatically call up an acoustic piano Patch, which can be played as expressively as a concert grand (thanks to Rolands
Dynamic Pad Bank. Capture your background music using Skip Back Sampling and paste it with the video clip onto a single pad. Any audio/visual combination you perform can be instantly recalled! This is the future of performance. And the Fantom-S Series can take you there today.

The Word on Effects

The Fantom-S/-S88 is loaded with pro-quality effects to take your song all the way to final mixdown. To start, you get 24-bit
s Programmable Arpeggiator s MFX Edit Window
Use this screen to edit the four major parameters of an MFX processor. Simply twist the Fantom-S/-S88's knobs and the changes are reflected onscreen. More detailed parameter editing is also available. Create your own arpeggiator patterns by inputting notes in the 32-step grid. Parameters such as pitch, velocity and note duration can be specified for each step.

s Mastering Window

The Fantom-S/-S88s mastering processor offers split-frequency compression. Here you can adjust the compressor settings for each frequency band (Hi, Mid, Lo).