Operation Manual

Introduction
Thank you for selecting the ZOOM 607 (hereafter simply called the "607"). Please take the time to read this manual carefully so as to get the most out of the unit and to ensure optimum performance and reliability. Retain this manual, the warranty card and all other documentation for future reference.

Contents

SAFETY PRECAUTIONS 2 Features 3 Basic Terms 4 Operating the Unit on Battery Power 5 Controls and Functions / Connections 6 Selecting Patches for Play 8 Using the Expression Pedal 10 Using the Tuner Function 12 Making/Changing DRIVE Module Settings 14 Editing a Patch 16 Storing/Copying Patches 18 Changing the "Patch Call" Method 20 Restoring the Factory Defaults 22 Adjusting the Expression Pedal 23 Effect Sequence 24 Effect Parameters 25 Specifications 38 Usage Precautions 39 Troubleshooting 39 Patch List

SAFETY PRECAUTIONS

In this manual, symbols are used to highlight warnings and cautions for you to read so that accidents can be prevented. The meanings of these symbols are as follows: This symbol indicates explanations about extremely dangerous Warning matters. If users ignore this symbol and handle the device the wrong way, serious injury or death could result. This symbol indicates explanations about dangerous matters. If users Caution ignore this symbol and handle the device the wrong way, bodily injury and damage to the equipment could result. Please observe the following safety tips and precautions to ensure hazard-free use of the 607.

Features

The 607 is a sophisticated multi-effect processor for bass guitar with the following great features.

Battery operation

Use four IEC R6 (size AA) 1.5 V batteries (alkaline/manganese). The 607 cannot be used for recharging. Pay close attention to the labelling of the battery to make sure you choose the correct type. If the 607 is not to be used for an extended period of time, remove the battery from the unit. If battery leakage has occurred, wipe the battery compartment and the battery terminals carefully to remove all remnants of battery fluid. While using the unit, the battery compartment cover should be closed.
Outstanding performance The 607 provides a palette of 35 built-in high-quality effects, including a wide variation of distortion settings and flexible modulation effects. Up to nine effects can be used simultaneously. In terms of performance and features, the 607 far surpasses everything in its class. Built-in expression pedal The integrated pedal makes it easy to adjust effect depth or volume during play. Use it to adjust gain, get a gutsy pitch bend, or perform many other advanced functions. Smooth operation feel The intuitive operation of the unit is derived from the highly popular ZOOM 506 II. Dedicated selectors for the most important distortion effects make the 607 a snap to use. Controlling distortion type and intensity during a performance is smooth and easy. Built-in auto-chromatic tuner The integrated auto-chromatic tuning function is tailored to the needs of the bass guitarist and can be used on stage. Dual power supply enables operation anywhere The dual power supply allows the unit to be powered either from an AC adapter or from four IEC R6 (size AA) batteries. Continuous operation time on batteries is 7 hours with manganese batteries and 24 hours with alkaline batteries.

DRIVE LED

Indicates the on/off status of the DRIVE module.

PEDAL ASSIGN LEDs

Indicate which module is being controlled by the expression pedal.

DRIVE selector

Selects the distortion (effect type) used in the DRIVE module.

PLAY/EDIT selector

Switches between play mode and edit mode and also serves to select the module for editing.

GAIN [+] / [-] keys

Adjust the DRIVE module distortion intensity and gain.
Expression pedal VALUE [+] / [-] keys
Serve for adjusting settings, switching banks, etc. Serves to adjust the intensity or level of a specific module in real time. The pedal also incorporates an on/off switch for modules.

[W] / [Q] foot switches

These switches let you select patches, operate the tuner function, etc.

Rear Panel

INPUT jack
Connect the bass guitar to this jack. When the 607 is operated on battery power, the jack also serves as on/off switch. Plugging a cable into the jack turns the unit on.

OUTPUT jack

This jack is used for conection to a bass guitar amplifier or a pair of stereo headphones. A Y-splitter cable can also be used in this jack to conect the 607 to two amplifiers.

DC 9V (AC adapter) jack

The dedicated AC adapter AD-0006 (9 V DC, 300 mA, center minus) can be connected here. Connecting the adapter here turns the unit on.
Selecting Patches for Play
To try out the 607, we recommend that you simply play your instrument while switching patches. This will let you quickly see what the 607 can do.
To directly switch the bank
You can use the VALUE [+] / [-] keys to directly switch among the banks A - G.

Power-on

When using the 607 on batteries, plug a shielded cable with mono phone plug into the INPUT jack of the 607.
When using the 607 with the AC adapter, plug the adapter into the outlet and plug the cable from the adapter into the DC 9V jack on the 607. Turn power to the bass amplifier on, and adjust the volume to a suitable level.

To adjust the master volume
Keep both VALUE [+] / [-] keys depressed for more than 1 second.
While the master volume setting is shown, pressing the VALUE [+] / [-] key changes the setting.
The setting range is 0 - 50. When the unit is turned off and on again, the setting will be reset to 40.
When using headphones, the master volume setting can be used to adjust the listening volume.

Set 607 to play mode

When the [PLAY/EDIT] selector is set to a different position, set it to "PLAY". The currently selected bank and patch number are shown on the display.
Immediately after turning on power to the 607, the unit will be in play mode even if the [PLAY/EDIT] selector is set to a different position.

Switch patches

To switch patches in play mode, use the [W]/[ Q ] foot switches.

Patch number

Using the Expression Pedal
The 607 has a built-in expression pedal which can be used to control a selected effect parameter or the volume level with your foot.

Operate the pedal

Rock the pedal back and forth while playing your instrument.
Select the module to be controlled by the pedal
Press the PEDAL ASSIGN key until the LED corresponding to the desired module is lit.
The LED indicators show which module is currently assigned to the pedal. The following modules can be selected.
WAH Effect parameter or WAH module DRIVE Effect parameter of DRIVE module MOD/PITCH Effect parameter of MOD/PITCH (modulation/pitch) module DLY/REV Effect parameter of DLY/REV (delay/reverb) module VOL. Overall patch volume All PEDAL ASSIGN LEDs out Expression pedal is inactive.

Rock back and forth

The effect of operating the pedal will differ, depending on which module was selected in step. Try moving the pedal to hear the actual sound change.
To switch the module on and off
Push the pedal fully down.
The currently lit PEDAL ASSIGN LED starts to flash, and the corresponding module is turned off. To return to the on setting, push the pedal down once more.
Assignment of modules to the pedal and module on/off status can be stored as part of a patch ( p. 18). The pedal sensitivity can be adjusted ( p. 23).

The actual effect of operating the expression pedal will depend on which effect parameter is selected for the respective module. If you select a module that is set to OFF in the current patch, the module becomes ON when the pedal is assigned to it. If you later assign the pedal to another module, the previous module becomes OFF again. In the bypass mode (effects temporarily switched off), the pedal is automatically assigned to VOL.
Push fully down When VOL. is assigned, the pedal does not perform on/off switching.

Using the Tuner Function

The 607 incorporates an auto-chromatic tuner for guitars. To use the tuner function, the built-in effects must be bypassed (temporarily turned off) or muted (original sound and effect sound turned off).
Adjusting the reference pitch of the tuner
The default reference pitch of the tuner (the setting which is established when the unit is turned on) is center A = 440 Hz. You can fine-tune this reference pitch if desired.
The tuner function is not available if the PLAY/EDIT selector is set to a position other than PLAY.

Switch to bypass or mute

Press both [W] / [Q] foot switches together.
Pressing and immediately releasing the switches sets the unit to the bypass condition. Pressing and holding the switches for at least 1 second sets the unit to the mute condition. Using the Tuner Function
Press one of the VALUE [+] / [-] keys.
The current reference pitch is shown for about 2 seconds. The default setting is "40" (center A = 440 Hz).
Use the VALUE [+] / [-] keys to adjust the setting.
The setting range is 35 - 45 (center A = 435 to 445 Hz).
When power to the unit is turned off and on again, the setting reverts to the default of "40" (center A = 440 Hz).

Bypass

Tune the guitar
Play the open string you want to tune, and watch the display.
The left side of the display shows the note which is closest to the current pitch.
Pitch is high Pitch is correct

Return to play mode

Press one of the [W] / [Q] foot switches.

Pitch is low

The right side of the display shows a symbol that indicates by how much the tuning is off.
Indication turns faster the more the pitch is off.
Tune the other strings in the same way.
Making/Changing DRIVE Module Settings
The DRIVE module comprises various distortion types and gain settings, which can be adjusted with the dedicated selector and keys at any time.
The following operation can be carried out in play mode or edit mode.
Adjust the DRIVE module gain
Press one of the GAIN [+] / [-] keys.
Depending on which effect type is currently selected, distortion depth or signal gain changes. The GAIN parameter value is shown for about 2 seconds on the display. Making/Changing DRIVE Module Settings

Select the DRIVE module distortion type
Use the DRIVE selector to select the desired distortion type (effect type).
The selected effect type name is shown for about 2 seconds on the display. For a detailed list of effect types, see the section "Effect Parameters" at the end of this manual. Making/Changing DRIVE Module Settings
To switch the DRIVE module on or off
Press the GAIN [+] / [-] keys together.
When the DRIVE module is switched off, the DRIVE LED at the top right of the DRIVE selector goes out.
The change made in this way is only temporary. When you select a different patch, the setting will revert to the original condition. If you want to keep the change, store the patch, as described on page 18.
By setting the PLAY/EDIT selector to the DRIVE position, you can check the current effect type.
When the DRIVE LED is out, the DRIVE module is off. If you switch to a different effect type in this condition, the module is automatically turned on.

Editing a Patch

Editing means changing the various effect parameter settings of a patch. Use an existing patch as a starting point and adjust the parameters to create your own original sound.
Adjust the parameter setting value
Use the VALUE [+] / [-] keys.
The keys operate as follows. Keeping one key depressed: Value changes continuously. Hold down one key while pressing the other key: Value increases rapidly. Pressing both keys simultaneously: Switch to next effect type in same module.
Select the effect parameter
Use the PLAY/EDIT selector to select the module and parameter you want to edit.
The 607 switches to the edit mode and the value of the currently selected effect parameter appears on the display. When the 607 is in edit mode, a dot is shown in the bottom right corner of the display.

Parameter value

Changing the module on/off setting
For information on effect modules and parameters, see the section "Effect Parameters" at the end of this manual.
The DRIVE module can also be directly edited by using the DRIVE selector and GAIN [+] / [-] keys ( p. 14).
This switches the effect module that was selected with the PLAY/EDIT selector on or off.
When the PLAY/EDIT selector is set to "CONTOUR" or "TIME", pressing the [W] / [Q] foot switches together has no effect.

Terminate the edit mode

Set the PLAY/EDIT selector to "PLAY". The unit reverts to the play mode.

Changing the "Patch call" method back to direct select
To change the "Patch call" method back to normal direct select operation, simply turn the unit off and back on again.
This will return the patch select method to the default setting.
Restoring the Factory Defaults
The 607 comes with 42 recommended patches (factory default patches). Even if you overwrite any of these patches, you can restore the original contents of the patch at any time. There are two ways of restoring factory defaults. "All Initialize" returns the entire set of patches to the original condition. "Factory Recall" restores a specific patch to the original condition. 1. While holding down the STORE key, turn the unit on. The indication "AL" flashes on the display.
Adjusting the Expression Pedal
The expression pedal of the 607 is adjusted for optimum operation at the factory, but sometimes, readjustment may be necessary. If the action of the pedal seems to be insufficient, or if a large change occurs even if the pedal is only lightly pushed, adjust the pedal as follows. 1. While holding down the PEDAL ASSIGN key, turn the unit on. The indication "dn" flashes on the display.
I To perform All Initialize
2. Press the STORE key once more. All patch settings are returned to the factory default condition, and the unit switches to play mode. To cancel All Initialize, press the VALUE [-] key.
2. With the expression pedal fully raised, press the STORE key. The display indication changes to "UP".

Pedal fully raised

All user-created patches will be lost when performing All Initialize. Use this function with care.
I To perform Factory Recall
2. Use the [W] / [Q] foot switches to select the patch you want to return to the original condition. The specified bank and patch number flashes on the display. During Factory Recall, the VALUE [+] / [-] keys cannot be used to switch the bank only. 3. Press the STORE key once more. The settings of the specified patch are returned to the factory default condition. If desired, repeat steps 2 and 3 to restore other patches. To terminate the Factory Recall operation, press the VALUE [-] key. The unit will switch to the play mode at this point.
3. Push the expression pedal fully down and then lift your foot off the pedal. When you release your foot, the pedal goes back a little.
Push strongly, so that pedal touches here
When foot is lifted, pedal returns slightly
4. Press the STORE key. The adjustment is completed, and the unit returns to the play mode.
The point where the STORE key is pressed in step 3 determines the module on/off switching point. If you want the pedal to perform on/off switching with a lighter touch, push the key at a somewhat higher position of the pedal.

Effect Sequence

A patch of the 607 can be thought of as 8 effect modules connected in series, as shown in the illustration below. Depending on the on/off setting of the individual modules, you can use all eight effect modules together or use only specific modules. Effect module sequence and effect types

Effect module

Effect Parameters
This section explains all effect types and parameters in the effect modules. How to read the "Effect Parameters" listing
Shows the settings that can be selected for each module with the VALUE [+] / [-] keys. Depending on the selected effect module, the effect type, parameter setting value, or both are shown.
Effect type only shown Parameter setting value only shown

Effect type

Setting value

COMP/LIMIT

COMPRESSOR LIMITER

FAT WAH RESONANT WAH

TE CLN FDR DRV AC DRV BANDPASS ENH HIPASS ENH CLEAN RICH SLAP EDGE DIST FUZZ

4 BAND EQ

AMP MOD/PITCH DLY/REV
BOX COMBO STACK CHORUS 1 CHORUS 2 FLANGER PHASE SHIFT STEP CRY1 CRY2 DEFRET BASS SYNTH OCTAVE CHORUS PITCH SHIFT PEDAL PITCH DELAY ECHO HALL ROOM
Effect type and parameter setting value shown Effect type Setting value
The illustration shows the selector position for calling up the effect module/effect parameter.

WAH module

This module comprises two types of wah. Use the VALUE [+] / [-] keys to select the effect type and adjust the effect intensity.
For some effect modules, you can select among several effect types. For example, the MOD/PITCH module offers the choices CHORUS, FLANGER, and PHASE SHIFT. In this module, you can also have two effect types operating in succession, such as OCTAVE CHORUS.

FAT WAH

T This effect type applies automatic wah which is dependent on playing in intensity. The wide emphasis frequency range gives a solid, fat sound. Hi Higher setting values result in higher input sensitivity for the auto wah ef effect, so that wah operates also with low input signal levels. ffect, Sh h hifts the frequency emphasized by the wah effect up or down.

RESO RESONANT WAH

ts the frequency emphasized by the wah effect up or down. he

Turns the WAH module off.

Module on/off

For every effect module, one of the settings is " ". When this is selected, the respective module is turned off.

Pedal icon

The effect of moving the pedal when the expression pedal has been assigned to the module with the PEDAL ASSIGN key is explained here.

PATCH LEVEL

Adjusts the overall volume of the patch. A value of 25 corresponds to unity gain (input level and output level are equal).

COMP/LIMIT module

This module is comprised of the compressor and limiter effect types. Use the VALUE [+] / [-] keys to select the effect type and adjust the effect intensity.
This effect type applies automatic wah that is dependent on playing intensity. The wide emphasis frequency range gives a solid, fat sound. Higher setting values result in higher input sensitivity for the auto wah effect, so that wah also operates with low input signal levels. Shifts the frequency emphasized by the wah effect up or down.

RESONANT WAH

This wah effect has a more narrow emphasis frequency range resulting in a sound with a strong character. Higher setting values result in higher input sensitivity for the auto wah effect. Shifts the frequency emphasized by the wah effect up or down.

COMPRESSOR (Compressor)

This effect type attenuates high-level signal components and boosts lowlevel signal components, thereby keeping the overall signal level within a certain range. The effect prolongs sustain and makes the sound more uniform. Higher setting values result in stronger compression.

LEVEL LEVEL

Compressor

Original sound

LIMITER (Limiter)
This effect type attenuates peak levels and prevents overload of the next module. Higher setting values result in stronger limiter action.

Limiter

TIME TIME

OFF (Off)

Turns the COMP/LIMIT module off.

DRIVE module

In addition to five distortion type effects, this module is also comprised of four clean effect types and two enhancers. Use the VALUE [+] / [-] keys to select the effect type and the GAIN [+] / [-] keys to adjust the gain.
Adjusts the drive module gain over the range of 1 - 30 (common to all effect types in the DRIVE module).

DIST (distortion effect)

Distortion sound for hard rock.

FUZZ (distortion effect)

Wild fuzz sound.
Turns the DRIVE module off.
EQ module (basic parameter)
This module contains a 4-band equalizer. Use the VALUE [+] / [-] keys to select the EQ characteristics.

TE CLN (TE Clean)

High-class clean sound with prominent midrange.

FDR DRV (FDR Drive)

Drive sound simulating a built-in type tube amplifier driven to distortion.

AC DRV (AC Drive)

Overdrive sound with strong midrange.
4 BAND EQ (4-Band Equalizer)
Allows boost or cut in the bass/middle/high/presence band. You can select one of 50 available patterns (1 - 50). 1 - 10: Lower values result in attenuated highs and emphasized lows. 11 - 20: Lower values result in lower emphasized frequency. 21 - 24: Lower values result in emphasized midrange. 25: Flat characteristics 26 - 30: Higher values result in emphasized highs. 31 - 40: Higher values result in higher emphasized frequency. 41 - 50: Higher values result in emphasized presence and lows.
BANDPASS ENH (Bandpass Enhancer)
Enhancer using a bandpass filter. Makes the sound more distinct.
HIPASS ENH (High-Pass Enhancer)
Enhancer using a high-pass filter, resulting in a different sonic character from the bandpass enhancer.
CLEAN (clean type effect)
Clean sound with flat characteristics.

RICH (clean type effect)

Rich clean sound with emphasized bass range.

Turns the EQ module off.

SLAP (clean type effect)
Clean sound suitable for the slap playing style.

EDGE (distortion effect)

Treble-rich overdrive sound.

CONTOUR

ZNR/AMP

MOD/PITCH

EQ module extended parameters
These parameters serve to adjust the effect operation for the effect type selected with the EQ module basic parameters.
Simulates a large built-in type bass amplifier. When this setting is selected, the amp simulator is on and ZNR is off.

ZNR + COMBO

ZNR and combo amp simulator are both on. Increasing the right-digit value results in more efficient noise reduction.

CONTOUR (Contour)

Using the 0 value as a reference (flat setting), negative values cause an increasing boost in the low range and positive values cause an increasing boost in the high range. When the EQ module is On, this parameter is always active. Check this parameter if the 4-band EQ effect type setting does not seem to produce the desired results.
Simulates a stack type bass guitar amplifier. When this setting is selected, the amp simulator is on and ZNR is off.

ZNR + STACK

ZNR and stack amp simulator are both on. Increasing the right-digit value results in more efficient noise reduction.

(Off indication)

The ZNR/AMP module is off.

ZNR/AMP module

This module is comprised of ZNR (ZOOM Noise Reduction) for reducing noise during play pauses or silent passages, and an amp simulator which simulates the sound of various bass guitar amplifiers. Use the VALUE [+] / [-] keys to adjust the ZNR threshold or select the type of amplifier.

Pedal fully raised L1 L2 L3 L4 L5 L6 Lcent 0 cent 0 cent 0 cent 0 cent -1 octave + original sound -700 cent (7 semitones down) + original sound - (0 Hz) + original sound - (0 Hz) + original sound Pedal fully pushed down -100 cent (semitone down) +1 octave +2 octaves -1 octave -2 octaves +1 octave + original sound +500 cent (5 semitones down) + original sound +1 octave +1 octave + original sound
Turns the MOD/PITCH module off.

DLY/REV

DLY/REV module (basic parameters)
This module contains delay and reverb effects. Use the VALUE [+] / [-] keys to select the effect type and adjust the effect intensity.
Adjusts the ratio between original and effect sound (common to all effect types in the DLY/REV module).
DLY/REV module (extended parameters)
These parameters serve to adjust the delay time or reverb time for the effect type selected with the DLY/REV module basic parameters. The parameters are linked to the DLY/REV module and are off when the DLY/REV module is off.

DELAY TIME (Delay Time)

(When DELAY or ECHO is selected as effect type) Sets the delay time in the range from 1 - 37. The actual delay time is the setting value x 10 (ms). (Example: A setting of "15" results in a delay time of 150 ms.)

DELAY (Delay)

This is a conventional digital delay effect. By using the output in stereo, you can achieve a ping-pong delay where the delay sound alternates between the left and right channels. The right-digit setting values control the feedback (number of repetitions) and the mixing ratio between original sound and effect sound.
Original sound Delay sound
REVERB TIME (Reverb Time)

Delay time

(When HALL or ROOM is selected as effect type) Sets the reverb time in the range from 1 - 10. Higher right-digit setting values result in longer reverb time.

ECHO (Echo)

This is a delay effect with a warm sound similar to a tape echo. By using the output in stereo, you can achieve a ping-pong delay where the delay sound alternates between the left and right channels. The right-digit setting values control the feedback (number of repetitions) and the mixing ratio between original sound and effect sound.

HALL (Hall)

This is a reverb effect that produces a sound similar to the reverberation in a concert hall. Higher right-digit setting values result in stronger reverb.

ROOM (Room)

This is a reverb effect that simulates the reverberation in a room. Higher right-digit setting values result in stronger reverb.
Turns the DLY/REV module off.

Specifications

Built-in effects Effect modules Banks and patches A/D converter D/A converter Sampling frequency Input max. 9 simultaneous / 35 total max. 8 simultaneous 7 banks x 6 patches = 42 patches (rewritable, with memory store capability) 20 bit, 64 times oversampling 20 bit, 8 times oversampling 31.25 kHz BASS GUITAR input: standard mono phone jack (rated input level -20 dBm/input impedance 470 kilohms) Standard stereo phone jack (doubles as line and headphone jack) (maximum output level +5 dBm/output load impedance 10 kilohms or more) 2-digit 7-segment LED PEDAL ASSIGN LEDs, DRIVE LED Separately available AC adapter, 9 V DC, 300 mA (center minus plug) (ZOOM AD-0006) Four IEC R6 (size AA) batteries Battery life: approx. 24 hours continuous operation (alkaline batteries) / approx. 7 hours continuous operation (manganese batteries) 233 mm (W) x 159 mm (D) x 54 mm (H) 600 g (without batteries)

Usage Precautions

Electrical interference
For safety considerations, the 607 has been designed to provide maximum protection against the emission of electromagnetic radiation from inside the device, and protection from external interference. However, equipment that is very susceptible to interference or that emits powerful electromagnetic waves should not be placed near the 607, as the possibility of interference cannot be ruled out entirely. With any type of digital control device, the 607 included, electromagnetic interference can cause malfunctioning and can corrupt or destroy data. Care should be taken to minimize the risk of damage.

Cleaning

Use a soft, dry cloth to clean the 607. If necessary, slightly moisten the cloth. Do not use abrasive cleanser, wax, or solvents (such as paint thinner or cleaning alcohol), since these may dull the finish or damage the surface. Please keep this manual in a convenient place for future reference.

Output

Display Power requirements

Troubleshooting

No power
Refer to "1. Power-on" on page 8.

Patch does not change

Check whether patch call method is set to pre-select (see page 20).

Dimensions Weight

No sound
Is the expression pedal fully raised? For some patches, the expression pedal controls the volume and the pedal must be pushed down to obtain a suitable volume.

High level of noise

Is ZOOM AC adapter being used? Be sure to use only adapter for 9 V DC, 300 mA with center minus plug (ZOOM AD-0006).
Usage Precautions / Troubleshooting
0 dBm = 0.775 Vrms Design and specifications subject to change without notice.
Operating the expression pedal Battery life is short does not give the desired effect.
Try adjusting the expression pedal sensitivity (see page 23).
Are manganese batteries being used? Continuous operation time is 24 hours with alkaline batteries but only 7 hours with manganese batteries. The use of alkaline batteries is recommended. ZOOM 607

Patch List

BANK PATCH PATCH NAME

[DEMO]

[ARTIST/ MODEL]

[COLOR]

[ACTIVE]

[VARIATION]

[LINE]
SLAP SOLO FDR DRIVEN MELODY ACOUSTIC TRACEY ANALOG SYNTH AMPIG BIG FUZZ FRETLESS GROUND FUNKY TAURUS HEAVY ROCK MILLER'S SLAP BILLY'S DRIVE JACO FLANGING PICK MUSIC COMBO WILD WAH BASS LEAD CLEAR CLEAN HEAVY DISTORTION U.K.ROCK S-W.R AUTO WAH CYCLONE DROP LINE CHORUS HIGH TONE AMP UNITE OCTAVE UP JET BEAT DETUNE SOLO TALK DRASTIC STEP PHASE SLAP PEDAL PITCH COMP CLEAN 70'S DRIVE FAT CLEAN SYNTH FEEL BOTTOM LINE GROOVE SLAP

COMMENT Orthodox slap sound with flanger flavoring. Overdriven FDR bass amplifier sound. Solo sound with chorus and echo effects. Old style famous tube amp sound. British famous amplifier sound. Fat & cool bass sound with bass-synth effect. Low range boost bass amplifier sound. Fuzz tone sound. Fretless bass sound for lead. Modern funky slap bass sound. Fat vintage auto-wah bass sound. Heavy rock sound with octave effect. Danceable slap solo sound. Great for super-fast right hand play. Fretless bass sound for rear pickup play. A.Jackson style flanging sound for pick play. Combo style famous amplifier sound. Combination of resonant-wah with driven sound. Great fat distorted bass sound for lead. Clear clean bass sound. High gain distortion sound. Tight bass sound with chorus effect. Super wide range sound for slap. Funky auto-wah sound. Lead synthesizer bass sound. A unique "raindrop" sound. Chorus tone with doubling effect. High tone bass amplifier sound with delay effect. Wah and octave funk bass sound. Direct + upper 1-octave pitch shift sound. For eighth note play with pedal-flanger jet sound. Detune bass sound for solo play. Talking bass sound with cry effect. Drastic pedal-step solo sound. Slap sound with phase effect. Overdriven bass sound with pedal pitch shifter effect. Slap sound with compressor effect. Vintage overdriven sound. Fat clean bass sound. A unique bass sound with bass-synth effect. Heavy bottom bass sound. Good for slap style of band music.
VOLUME VOLUME CHORUS GAIN GAIN DELAY GAIN GAIN DEFRET GAIN GAIN OCTAVE ROOM HALL DEFRET FLANGER VOLUME RESONANT WAH VOLUME HALL GAIN CHORUS VOLUME FAT WAH GAIN RESONANT WAH CHORUS DELAY FAT WAH PITCH SHIFT FLANGER PITCH SHIFT CRY STEP PHASE SHIFT PEDAL PITCH VOLUME GAIN CHORUS BASS SYNTH OCTAVE VOLUME
It is recommended to set the ZNR (Zoom Noise Reduction) value for each patch to match the guitar being used.

ZOOM CORPORATION

NOAH Bldg., 2-10-2, Miyanishi-cho, Fuchu-shi, Tokyo 183-0022, Japan PHONE: +81-42-369-7116 FAX: +81-42-369-7115 Web Site: http://www.zoom.co.jp Printed in Japan 607-5000-1