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Roland VG-88

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Additional Functions

This document provides descriptions and explanations only for the following features added in Version 2. Please read this while also referring to the VG-88 Owners Manual.

Additional Algorithms

New algorithms have been added to the COSM guitar, COSM amp, and effects (Modulation, Wah).

COSM Guitar

With the addition of Sitar, Wave Synth, and Nylon II, which produces an even more realistic nylon guitar tone, the VG-88 now features 22 different COSM guitar types in all.

COSM Amp

The addition of 18 new amp algorithms now means you have a total of 32 amp types to choose from.

Modulation

Addition of Defretter and Uni-V brings the total number of modulation algorithms to 12.
5 types of COSM Wah, modeling vintage wah and other wah sounds, have been added to the Pedal Wah, so now you can choose from 6 different pedal wah sounds.

Additional Functions

GK Connection Detect
A new function, which automatically detects whether or not a GK instrument is connected, and further, provides for the switching of the internal settings, has been added. Even when the instrument is only connected to GUITAR INPUT, you can use all the functions except COSM GUITAR (including the COSM AMP, effects, tuner, and other features).

Bulk Load in Play page

It is possible to receive the bulk dump data in Play page.
Copyright 2002 ROLAND CORPORATION All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION.
Chapter 5. Parameter Guide

COSM GUITAR

Selects the COSM guitar type.
These settings adjust the sitar's characteristic buzzing sound and tone.
NYLONII (nylon string guitar II)
This is a newly developed nylon string guitar sound included with Version 2. The parameters for this algorithm differ from those used in NYLON STRINGS.
(PAGE2) NYLON2 (PAGE3) EQ (p. 45)

PICKUP

This is the switch that selects pickups.

FRONT:

Use the front pickup.
Use both front and rear pickups.
REAR: PAN (p. 45) MIXER (p. 45)

Use the rear pickup.

PIEZO:
* The reference pages can be found in the VG-88 Owners Manual.
This simulates the sitar's characteristic buzzing sound and its changes in timbre.
(PAGE2) SITAR (PAGE3) EQ (p. 45)

Use the Piezo pickup.

BODY [0100]
This adjusts the body resonance. The body resonance is boosted as the settings value is increased. * The body resonance is monophonic. This means that if this Body parameter is set to 100, the panning of each string will have less effect.

PAN (p. 45)

MIXER (p. 45)

WAVE SYNTH

This is a synth sound that processes the string signal direct from the GK pickup.
(PAGE2) WAVE (PAGE3) EQ (p. 45)
SENS (sensitivity) [0100]
Adjusts the input sensitivity.

TONE [-50+50]

PAN (p. 45) MIXER (p. 45)
Adjusts the tone of the pickup. Positive (+) values will boost the high range.

NYLONII

ATTACK [0100]
Specifies the strength of the attack when you pluck the string strongly. As this setting is increased, the attack will be sharper, and the sound will be crisper.

LEVEL [0100]

Sets the volume of the pickup.

COLOR [0100]

Adjusts the overall tone quality of the sitar.

DECAY [0100]

Adjusts the time it takes following the attack for the tone to change.
This adjusts the body resonance. The body resonance is boosted as the setting's value is increased. * The body resonance is monophonic. This means that if this Body parameter is set to 100, the panning of each string will have less effect.

BUZZ [0100]

This adjusts the amount of characteristic buzz produced by the buzz bridge when the strings make contact with it.
Adjust the tone. Positive (+) values will boost the high range.
ATK LEV (attack level) [0100]
Adjusts the volume level of the attack.

Adjust the volume.

Chapter 5. Parameter Guide F.DECAY (filter decay) [0100]
Adjusts the time for the modulation of the filtering from F.ATTACK and F.DEPTH to stabilize.
These settings determine the waveform and volume of the synth sound, adjust filters, and affect other aspects of the sound.
F.DEPTH (filter depth) [-50+50]
This adjusts the depth of the filter. When the value is higher, the filter will change more drastically. The polarity of the filter will be opposite with + and -.
Selects the wave type on which the synth sound is based.
Creates a synth sound with a sawtooth waveform.

SQUARE:

Creates a synth sound with a square waveform.
This controls the input sensitivity of the wave synth.
Adjusts the time it takes for the synth sound to rise after a string is plucked. When it is set to a lower value, the sound will rise quickly. When it is set higher, the sound will rise slowly.
Adjusts the time it takes for the synth sound to decay. The synth sound decays more quickly when this parameter is set to a lower value. Setting a higher value increases the decay time.
Adjusts the volume of the synth sound.

CUTOFF [0100]

This adjusts the frequency at which the filter cuts off the sounds harmonic components (the cutoff frequency). This parameter determines the sound that will result after the filter has stopped varying due to F.DEPTH.

RESO (resonance) [0100]

This sets the degree of resonance (distinctiveness) of the sound. A higher value results in a sound that is more unique and extraordinary.
F.TYPE (filter type) [-12 dB, -24 dB]
Selects the level of attenuation in the filter. The -24 dB setting has very steep filtering characteristics.
F.ATTACK (filter attack) [0100]
Sets the TVF attack time.

COSM AMP

* The trademarks listed in this document are trademarks of their respective owners, which are separate companies from Roland. Those companies are not affiliated with Roland and have not licensed or authorized Rolands VG-88. Their marks are used solely to identify the equipment whose sound is simulated by Rolands VG-88.

The amp types indicated with a are those added in Version 2.

JC-120:

MS1959(I):
This models the sound input to Input I on a Marshall 1959.

MS1959(II):

The sound of the Roland JC-120 (Jazz Chorus 120), a favorite of pro musicians around the world. JAZZ COMBO: This is a sound suited to jazz.

CLEAN TWIN:

This models the sound input to Input II on a Marshall 1959.

MS1959(I+II):

This models the sound of a Marshall 1959 with Inputs I and II connected in parallel. MS HI-GAIN: This models the sound of a Marshall with a modified midrange boost. R-FIER RED: This models the lead channel of a MESA/Boogie Dual Rectifier. R-FIER ORANGE: This models the rhythm channel of a MESA/Boogie Dual Rectifier. R-FIER VINT: This models a MESA/Boogie Rectifier with VINTAGE SW on.

SLDN LEAD:

This models a Fender Twin Reverb. PRO CRUNCH: This models a Fender Pro Reverb. TWEED: This models a Fender Bassman Combo.

CRUNCH:

Allows you to obtain a crunch effect that creates a natural distortion. STACK CRUNCH: This is a crunch sound with high gain.

MATCH DRIVE:

This models the sound input to left input on a Matchless D/C-30. MATCH LEAD: This models the sound input to right input on a Matchless D/C-30. FAT MATCH: This models the sound of a MATCHLESS with a modified high gain. VO CLEAN: This models the clean sound of a VOX AC-30TB.

VO DRIVE:

This models a Soldano SLO-100. DRIVE STACK: This is a drive sound with high gain. LEAD STACK: This is a lead sound with high gain.

METAL 5150:

This models the lead channel of a Peavey EVH 5150.

METAL DRIVE:

This models the drive sound of a VOX AC-30TB. VO LEAD: This models the lead sound of the VOX AC-30TB.

BLUES:

A high gain and powerful metal sound. METAL STACK: This is a drive sound suited to metal. METAL LEAD: This is a lead sound suited to metal.

AC.GUITAR:

A lead sound with a rich middle ideal for Blues. BG RHYTHM: This models the rhythm channel of a MESA/Boogie. BG DRIVE: This models a MESA/Boogie with TREBLE SHIFT SW on.

BG LEAD:

This is a preamp for electric-acoustic guitars.

PRESENCE

* This appears only when anything other than "MATCH DRIVE," "MATCH LEAD," "FAT MATCH," "VO DRIVE," "VO LEAD," or "VO CLEAN" is selected for the COSM GUITAR TYPE setting.
This models the lead sound of the MESA/Boogie combo amp.

HIGH CUT

* This appears only when "MATCH DRIVE," "MATCH LEAD," "FAT MATCH," "VO DRIVE," "VO LEAD," or "VO CLEAN" is selected for the COSM GUITAR TYPE setting.

SPEAKER

The speaker types indicated with a are those added in Version 2.

fig.ver2-01

SP Simulator Type SMALL MIDDLE JC-120 TWIN ON TWIN OFF PRO RVB TWEED MATCH ON MATCH OFF VO ON VO OFF BG STACK ON BG STACK OFF MS STACK ON MS STACK OFF R-FIER METAL STACK ACOUSTIC

Cabinet

Small open-back enclosure Open-back enclosure

Speaker Unit

10 inch 12 inch

Microphone Setting

On Mic On Mic On Mic On Mic Off Mic On Mic On Mic On Mic Off Mic On Mic Off Mic OnMic Off Mic On Mic Off Mic Off Mic Off Mic FLAT

Comments

Open-back enclosure 12 inch (two units) Open-back enclosure 12 inch (two units) Open-back enclosure 12 inch (two units) Open-back enclosure 12 inch Open-back enclosure 10 inch (four units) Open-back enclosure 12 inch (two units) Open-back enclosure 12 inch (two units) Open-back enclosure 12 inch (two units) Open-back enclosure 12 inch (two units) Large Sealed enclosure 12 inch (two units) Large sealed enclosure 12 inch (two units) Large sealed enclosure 12 inch (four units) Large sealed enclosure 12 inch (four units) Large dual stack Large dual stack 12 inch (four units) 12 inch (four units)
Roland JC-120 Simulation A setting suitable for CLEAN TWIN A setting suitable for CLEAN TWIN A setting suitable for PRO CRUNCH A setting suitable for TWEED A setting suitable for MATCH DRIVE A setting suitable for MATCH DRIVE A setting suitable for VO DRIVE A setting suitable for VO DRIVE A setting suitable for BG Lead A setting suitable for BG Lead A setting suitable for MS1959 A setting suitable for MS1959 A setting suitable for R-FIER

EFFECTS

5types od COSM wah have been added, you can now select from 6 different types of pedal wah.

MOD (modulation)

DEFRETTER:
When PEDAL WAH is selected as the type MODEL
This selects the pedal wah model.

ORIGINAL:

This effect allows you to use a conventional guitar to simulate a fretless guitar.

UNI-V:

Although this resembles a phaser effect, it also provides a unique undulation that you cant get with a regular phaser.
This is the original VG-88 pedal wah sound.

CRY WAH:

When DEFRETTER is selected as the type SENS (sensitivity) [0100]
This controls the input sensitivity of the defretter.
This models the sound of the CRY BABY wah pedal popular in the 70s.

VO WAH:

This models the sound of the VOX V846.

FAT WAH:

This a wah sound featuring a bold tone.

LIGHT WAH:

Adjusts the attack of the picking sound.
This wah has a refined sound with no unusual characteristics.

7STR WAH:

DEPTH [0100]
This controls the ratio of the harmonics.
Wah featuring a broader range of variations for the seven-string guitar. This is very effective when used in combination with the COSM GUITAR pitch shift.
Adjusts the amount of blurring between the notes.
E.LEVEL (effect level) [0100]
Adjusts the volume of the defretter sound.
D.LEVEL (direct level) [0100]
Adjusts the volume of the direct sound.
When UNI-V is selected as the type RATE [0100, BPM DEPTH [0100]
Adjusts the depth of the Uni-V effect.
Adjusts the rate of the Uni-V effect.
Adjusts the volume of the Uni-V effect.
Chapter 6. Changing the system settings

GK pickup settings

Setting the Automatic GK Connection Detect Function
Version 2 includes a function that automatically distinguishes whether or not a GK instrument is connected, while allowing you to switch the internal settings, thus enabling you to use all the functions except COSM GUITAR (including the COSM AMP, effects, tuner, and other features), even if the instrument is only connected to GUITAR INPUT. * You should normally use this with the AUTO setting (the default value). If this function does not work properly, such as when using a pickup other than the GK-2A, use the following steps to change the setting.
1. Make sure youre in Play page.
If youre not in Play page, press [EXIT] several times.
2. Press [F6] (SYSTEM). 3. Press [F1] (DRIVER). 4. Press [PAGE

fig.ver2-02

] to access page 4.
5. Rotate [VALUE] to set the value.
AUTO: The GK connection is determined automatically, and switching of the internal settings is enabled. The settings used for the GK connection remain in effect at all times. The settings used for the GUITAR INPUT connection remain in effect at all times.

ON: OFF:

6. Press [EXIT] several times to return to the Play page.

Chapter 7. Using MIDI

Transmitting/receiving all sound data
Receiving settings from an external device (BULK LOAD)
Version 2 allows to receive the bulk dump data in Play page.
1. Make sure you're in Play page.
2. Transmit the bulk data from the external MIDI device.

Every time one patch is received on Version 2, the display shows this patch. * Please use the data dumped from the VG-88 for transmitting the data.
PEDAL/ASSIGN Parameter List
NYLONII ATTACK BODY TONE LEVEL PICKUP BODY SENS TONE LEVEL COLOR DECAY BUZZ ATK LEV SHAPE SENS ATTACK DECAY LEVEL CUTOFF RESO F.ATTACK F.DECAY F.DEPTH

WAVE (WAVE SYNTH)

FX:DEFRET (DEFRETTER) SENS ATTACK DEPTH RESO TONE E.LEVEL D.LEVEL RATE DEPTH LEVEL

FX:UNI-V (UNI-V)

No. USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER 1-1 1-2 1-3 1-4 2-1 2-2 2-3 2-4 3-1 3-2 3-3 3-4 4-1 4-2 4-3 4-4 5-1 5-2 5-3 5-4 6-1 6-2 6-3 6-4 7-1 7-2 7-3 7-4 8-1 8-2 8-3 8-4 9-1 9-2 9-3 9-4 10-1 10-2 10-3 10-4 Name V-GUITAR AcGt12st TEXS ST NYLON II WAH DRV SITAR FRETLESS ECHO PAD PKdNYLON 12st+EGt VIOLIN ORGAN BG DRV AcGt+BS Raga SYN LEAD Heavy! Chord -1OCT ST BASS DRV RTHM LD CAPO -4 MTL SLD PAN SFX WoodStoc Anlg SYN TELE MOD Em9 LP WAH 12ST AG WAVE w ROTARY CHOWAH FLAMENCO BIG METL FAT BASS METAL ST StudioAG CrunchTL ARPEGGIO

Version 2

PATCH LIST
No. USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER 21-1 21-2 21-3 21-4 22-1 22-2 22-3 22-4 23-1 23-2 23-3 23-4 24-1 24-2 24-3 24-4 25-1 25-2 25-3 25-4 Name FAT 1959 TELE DRV SPACSTRT OCT SFX 80s BG FAT BG TL+BODY SYN LD 2 70s LED TexsLead DarkJAZZ Bell Mix WAH LEAD FuzzLead CLEAN 12 BASS AMP AngleWAH HARDROCK 60sECHO BAMBOO
The new patches indicated with a are those installed in Version 2. No. USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER USER 11-1 11-2 11-3 11-4 12-1 12-2 12-3 12-4 13-1 13-2 13-3 13-4 14-1 14-2 14-3 14-4 15-1 15-2 15-3 15-4 16-1 16-2 16-3 16-4 17-1 17-2 17-3 17-4 18-1 18-2 18-3 18-4 19-1 19-2 19-3 19-4 20-1 20-2 20-3 20-4 Name FatMETAL Ac PIEZO f HOLE RICK 12 DropD -2 DETUNE12 JAZZBOX BOWED WAH TL ALL E JAZZ TL DRV BASS MetalWah NASH Gt BODY 12 STEP SFX WAH +7 BANJO PD SHIFT SlowEcho MTL SOLO CAPO 7 TL TWIN OCTAVE24 CoolLead MINI AMP OPEN E SMOOTH FatBlues DRVCLN STRATCru 12st OCT OctMetal LIP MTL R&R BRASS+Gt LP DRIVE SMOKER BG CRUNC SLOW ATK
No. PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET 26-1 26-2 26-3 26-4 27-1 27-2 27-3 27-4 28-1 28-2 28-3 28-4 29-1 29-2 29-3 29-4 30-1 30-2 30-3 30-4 31-1 31-2 31-3 31-4 32-1 32-2 32-3 32-4 33-1 33-2 33-3 33-4 34-1 34-2 34-3 34-4 35-1 35-2 35-3 35-4 36-1 36-2 36-3 36-4 37-1 37-2 37-3 37-4 38-1 38-2 38-3 38-4 39-1 39-2 39-3 39-4

Name V-GUITAR AcGt12st TEXS ST NYLON II WAH DRV SITAR FRETLESS ECHO PAD PKdNYLON 12st+EGt VIOLIN ORGAN BG DRV AcGt+BS Raga SYN LEAD -1OCT ST MTL SLD TELE MOD WAVE w JAZZ TL BODY 12 PD SHIFT TL TWIN SPACSTRT TL+BODY DarkJAZZ CLEAN 12 JC CLEAN HARMO 12 American 60s BOX 335CUTIN COOLJAZZ E SITAR ST LINE SlowGEAR EchoJAZZ MatchWa CLEAN ST CH JAZZ MildJazz R+F CUT TwCHORUS LP FRONT BRT HALF MILD TL TELE BRT CLN-LEAD COMP JC RICK CLN TweedWah BIG METL CrunchTL f HOLE JAZZBOX
No. PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET 40-1 40-2 40-3 40-4 41-1 41-2 41-3 41-4 42-1 42-2 42-3 42-4 43-1 43-2 43-3 43-4 44-1 44-2 44-3 44-4 45-1 45-2 45-3 45-4 46-1 46-2 46-3 46-4 47-1 47-2 47-3 47-4 48-1 48-2 48-3 48-4 49-1 49-2 49-3 49-4 50-1 50-2 50-3 50-4 51-1 51-2 51-3 51-4 52-1 52-2 52-3 52-4 53-1 53-2 53-3 53-4
Name OPEN E STRATCru R&R BG CRUNC 60sECHO PHASE LP CRY TELE HALF DRV 60s R&R ST STACK NATURAL BLUES MS SmallAmp TELE TW WahCRUNC EC LEAD Heavy! RTHM LD WoodStoc LP WAH CHOWAH METAL ST FatMETAL DropD -2 WAH TL MetalWah WAH +7 MTL SOLO CoolLead FatBlues OctMetal LP DRIVE FAT 1959 80s BG 70s LED WAH LEAD AngleWAH 70s MS BOOGIE BLUES MINI AMP DRVCLN LIP MTL SMOKER TELE DRV FAT BG TexsLead FuzzLead HARDROCK DROP D REVERSE JB LEAD OCT DIST PAF LEAD POLYDIST FUZZ BOX
No. PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET PRESET 54-1 54-2 54-3 54-4 55-1 55-2 55-3 55-4 56-1 56-2 56-3 56-4 57-1 57-2 57-3 57-4 58-1 58-2 58-3 58-4 59-1 59-2 59-3 59-4 60-1 60-2 60-3 60-4 61-1 61-2 61-3 61-4 62-1 62-2 62-3 62-4 63-1 63-2 63-3 63-4 64-1 64-2 64-3 64-4 65-1 65-2 65-3 65-4

Name TIGHT MT CH DRIVE BEAT DRV PEDAL+12 Chord CAPO -4 Anlg SYN 12ST AG FLAMENCO StudioAG Ac PIEZO DETUNE12 ALL E NASH Gt BANJO CAPO 7 BASS DRV PAN SFX Em9 ROTARY FAT BASS ARPEGGIO RICK 12 BOWED DRV BASS STEP SFX SlowEcho OCTAVE24 SMOOTH 12st OCT BRASS+Gt SLOW ATK OCT SFX SYN LD 2 Bell Mix BASS AMP BAMBOO 12st 5th CRYSTAL RezoBASS SPACE DS MildHorn NoizLoop PWM LEAD SoftLead DrvSYNTH GONG VIRUS

03129367

02-10-E1-11TP

 

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