Using the [LOCATE] Keys To Enter Characters & Numbers
The [LOCATE] keys in the LOCATE/NUMBER section can be used to enter characters and numbers in the same way as the number palette. Repeatedly press the appropriate [LOCATE] key (09) to select the required number or character. The numbers and characters selected by each key are as follows:
[LOCATE] Key Number Selected Number/Character (Arrows indicate selection sequence) 0 1PQRSpqrs 2TUVtuv 3 W X Y Z w x y z 4GHIghi 5JKLjkl 6MNOmno 7 8ABCabc 9DEFdef
The inverted edit position can also be moved left or right by using the [DATA/JOG] dial.
F INS button Inserts an under-bar space (_) at the inverted edit position. All characters following the insert are moved to the right. Pressing the [INC] key has the same effect as the INS button.
To add characters to a name that has less than the maximum number of characters, move the cursor to the INS button and press the [ENTER] key to insert _, then change the name as required.

Switching Mixing Layers

Switching mixing layers affects the functions of [ON] keys 112, [SEL] keys 112, and faders 112, allowing efcient control in a variety of signalrouting congurations. Remote control of external equipment is also possible. Different mixing layers are selected via the keys in the LAYER section. The key corresponding to the currently selected mixing layer will be lit. The mixer section controls correspond to the various mixing layers as follows:
LAYER Section Key [IN 1-8] [IN 9-16] [MASTER] [TRACK 1-12] [TRACK 13-24] [REMOTE] Bus Masters 12 Fader Section STEREO

Layer Section

Input Channels 18 Input Channels 916 No Control AUX Send Masters 14 Track Channels 112 Track Channels 1324 *
Effect Return Channels 14 Effect Return Channels 14 Effect Send Masters 14 Stereo Output Channel Control
* Operation depends on settings. Refer to page 204 for details.
For example, if the LAYER section [IN 1-8] key is engaged and the [SEL] 1 key is pressed, input channel 1 will be selected. If the LAYER section [TRACK 1-12] is then engaged and the same [SEL] 1 key is pressed, track channel 1 will be selected.
The [STEREO SEL] key, [STEREO ON] key, and [STEREO] fader always control the stereo output channel. These controls are not affected by layer switching.
Using the Selected Channel section
You can use the knobs and keys of the Selected Channel section to directly operate the mix parameters (EQ, dynamics, pan, etc.) of the currently selected channel.
1 Use the [SEL] keys or [STEREO SEL] key to select the
channel that you want to operate. The currently selected channel is indicated in the upper left of the screen. The channels correspond to each key as follows.

5 Move the cursor to the POST FADER button
in the lower area of the screen and press the [ENTER] key. When the POST FADER button is turned on the signal levels immediately following the fader are displayed on the meters. indicator lights to switch to the IN 1-8 mixing layer. You can now use [ON] keys 18, [SEL] keys 18, and faders 18 to operate input channels 18.
If the stereo meter does not respond even though the input channel level meter is showing the presence of a signal when the [STEREO] fader is raised, check that the input channel is patched to the stereo bus ( p. 105).
6 Press the Layer section [IN 1-8] so that its
With the initial default settings the signals from [MIC/LINE INPUT] jacks 18 are assigned to the corresponding input channels 18. You can change these settings as required. Refer to Direct recording and Mixed recording on page 49 for details.
That completes the initial setup and level adjustment procedure required to begin recording on the AW2400. Levels will have to be readjusted whenever you change the microphone or instrument input connections or change the output level of an instrument (level changes will often occur when you change synth patches). By using the [GAIN] knob to raise the level as far as possible without allowing distortion to occur, you can ensure that the input signal is converted into digital form with the highest possible quality before it is input to the mixer section.
7 Make sure that the [ON] key for the channel
receiving the microphone or instrument signal is engaged and its indicator is lit, then raise the channel fader to the 0dB position. If you play the instrument or play into the microphone you should see the level meter on the display respond accordingly, but you wont hear any output from your monitor system yet because the [STEREO] fader is still all the way down.

Chapter 4

Listening to the demo song
When the AW2400 is shipped from the factory, its hard disk contains a demo song. This chapter explains how to load and play back the demo song.

Loading the demo song

Heres how to load the demo song from the hard disk.
1 Press the Work Navigate section [SONG]
key. The SONG screen will appear, where you can save or load songs. the [SONG] key as many times as necessary, or by pressing the [F1] key after pressing the [SONG] key. In this page, you can select a song on the hard disk, and load or delete it. B
3 Move the cursor to the song list, and then
use the [DATA/JOG] dial or [INC]/[DEC] keys to select the song The_Only_One.
2 Call the Song List page by either pressing
4 Move the cursor to the LOAD button in the
screen, and press the [ENTER] key. A popup window like the following will appear. This window asks you whether you want to save the current song.
1 Song list This area lists the songs that are saved on the hard disk. The line enclosed by the dotted frame in the center of the list indicates the song that is selected for operations. The highlighted line indicates the song that is currently loaded into the AW2400. (This is called the current song.)

2 In the transport section, hold down the REC
[] key and press the PLAY [ Recording will begin. ] key.

Punch-in/out

If you make a mistake while overdubbing, you can re-record just the region in which you made the mistake. This process is called punch-in/out. Punch-in/out can be performed either as manual punch-in/out in which you switch between recording and playback manually, or as auto punch-in/out in which recording and playback will switch automatically when you reach the locations you specify beforehand.

Manual punch-in/out

Heres how to perform punch-in/out using the keys of the transport section or a foot switch.
7 To stop playback, press the STOP [] key
(or press the foot switch). The [UNDO/REDO] key in the data entry / control section will light.
1 If you want to perform punch-in/out using a
foot switch, connect a separately sold foot switch (Yamaha FC5 or equivalent) to the rear panel FOOT SW jack.
If no track has been enabled for recording, the foot switch will alternate between Play and Stop operations.
2 Call the RECORD screen Direct page, and 3
8 To listen to the newly-recorded content,
make sure that your instrument/mic is assigned to the track on which you want to punch-in. Locate to a point earlier than where you want to punch-in. For details on Locate operation, refer to Move To a Specied Location on page 87. You may nd it convenient to register a marker at a location one or two measures earlier than the point at which you want to punch-in, so you can quickly return to that point. (For details on registering a marker p. 90) ] key. (Alternatively, press the foot switch.) The song will begin playing. At this time, the track playback sound of the recording-destination track channel will be sent to the stereo bus, so you will not be able to monitor the input signal. recording, hold down the PLAY [ ] key and press the REC [] key (or press the foot switch once again), and begin playing your instrument. The recording-destination track will switch from playback to recording (punch-in). ing, press the PLAY [ ] key (or press the foot switch). The recording-destination track will switch from recording back to playback (punch-out).
locate to a point just before the punch-in point, and press the PLAY [ ] key. content, save the song. (For details on saving p. 57) If you decide to re-do the recording, press the [UNDO/ REDO] key to cancel the recording, and repeat steps 37.
The following diagram shows the manual punch-in/out procedure.
9 If you are satised with the newly-recorded
4 Press the Transport section PLAY [

You can also select a track by repeatedly pressing the [SEL] key of a track channel. If you move the cursor to the SAFE button and press the [ENTER] key, all connections will be cancelled. The track numbers of muted tracks will be displayed as (mute), but you can still record to muted tracks. If an unpaired track is selected as a recording-destination, the pan of the corresponding track channels will be set to the center. If two paired tracks are selected, the pan of the corresponding odd-numbered/even-numbered track channels will be spread to left and right respectively.
If you are using an effect via an effect bus, the bounce operation will not include the effect sound unless you add the signal of the corresponding effect return channel to the bounce-destination bus. For details, refer to Applying Effects via Send and Return ( p. 117).
6 Raise the [STEREO] fader and the faders of
the track channel(s) you selected as the bounce-destination to the 0 dB position.
To control the effect return channels, make the Layer section [IN 1-8] key (or [IN 9-16] key) light.
In the RECORD TRACK area, select a bounce-destination track, move the cursor to the symbol for that track, and press the [ENTER] key. You can select up to four bounce-destination tracks. The odd-numbered tracks can be connected to Bus1 L or Bus2 L, and the even-numbered tracks can be connected to Bus1 R or Bus2 R. The [SEL] key will blink red, indicates that the corresponding track is selected as the bounce-destination. In the same way as for the PLAY TRACK, you can repeatedly press the [ENTER] key to select the signal of the desired input bus. For example if you move the cursor to the symbol for RECORD TRACK 1 and repeatedly press the [ENTER] key, the screen will change as follows.

A Connected to BUS1 L

7 Press the RTZ [
] key to rewind the song. Then hold down the REC [] key and press the PLAY [ ] key. The song will begin playing back, and will be recorded on the bounce-destination track(s). of the bounce-source track channels and effect return channels to an appropriate level. Adjust the pan, EQ, and dynamics of each channel as necessary.
8 While you record the song, raise the faders
The bounce-destination faders and pans will not affect the content that is recorded. When Auto Punch-in/out is engaged, you can monitor the bounce source track channels during playback even when not recording.

If you want to defeat all assignments for the mute group youre currently operating, hold down the Display section [SHIFT] key and press the [F1] key. If you want to defeat all assignments in the Mute Grp. page, hold down the [Display section [SHIFT] key and press the [F2] key.

other mute groups.

5 To enable a mute group, move the cursor to 6 Operate a channel that is assigned to a
1 ENABLE eld Use these buttons to switch mute groups EH on/off, or to select the mute group that you want to operate. The EH buttons will be highlighted to indicate mute groups that are turned on. B INPUT eld C TRACK eld These areas indicate the mute group to which each input channel 116 and track channel 124 is assigned. The symbol indicates channels that are assigned, and the. symbol indicates channels that are not assigned.
the EH buttons and press the [ENTER] key. Buttons EH can be turned on/off independently. mute group. The [ON] keys of all channels assigned to that mute group will operate simultaneously.
If you make mute group assignments while the [ON] keys of the assigned channels are in a mixed state (some on, some off), the on/off setting of each channel will alternate. The mute group assignments in the Mute Grp. page can be copied to the Fader Grp. page by holding down the Display section [SHIFT] key and pressing the [F4] key.
button EH of the mute group that you want to operate.
You cant assign a single channel to more than one mute group.

Using the Solo function

Solo is a function that lets you monitor only a specic channel. The AW2400 provides a versatile Solo function that lets you make Solo settings that are best for your situation.
3 Use the SOLO MODE eld to choose the
operating mode for the Solo function. You can turn on one or the other of the following buttons.
RECORDING SOLO button If this button is on, the soloed signal(s) will be sent via the dedicated Solo bus and output from the [MONITOR OUT] jacks and [PHONES] jack. This will not affect the signals that are being output from the stereo bus or Bus 1/Bus 2. With this setting, even channels that are not assigned to the stereo bus or Bus B/bus 2, or channels whose [ON] key is off, can be monitored from the [MONITOR OUT] jacks or [PHONES] jack. This setting is convenient when you want to monitor only specic channels without affecting the recorded content while recording tracks or during mixdown. MIXDOWN SOLO button If this button is on, only the soloed signal(s) will be sent via the stereo bus and output from the [STEREO OUT] jacks, [MONITOR OUT] jacks, and [PHONES] jack; other channels will be muted. With this setting, you wont be able to monitor channels that are not assigned to the stereo bus, or channels whose [ON] key is turned off. This setting is convenient when you want everything except for the specied channel(s) to be muted.

Track operations and editing AW2400 Owners Manual

Audio track operations

About audio tracks
Audio tracks are physical recording areas used to record and play back audio data. The AW2400 lets you use 24 audio tracks. In a 16-bit song you can play back up to 24 tracks simultaneously, and in a 24-bit song you can play back up to 12 tracks simultaneously. However, the number of tracks that can actually be played back simultaneously is limited by the number of tracks that are currently in record-ready mode. Please note that putting more tracks in record-ready mode will forcibly mute a corresponding number of playback tracks. The following table shows the number of tracks that can be simultaneously recorded/played for a 16-bit or 24-bit song.
Song Bit Depth Max. Simultaneous Record Tracks bits : 1 0* bits : 1 0* Max. Simultaneous Play Tracks 8 : 23 24* 4 : 11 12*
This page contains the following items.

B C D E F

1 TRACK Here you can select the track to be controlled in the screen. Choose from 124 (audio tracks 124) or ST (stereo track). The number and name of the virtual track selected for the current track are shown below this eld. B MUTE button You can move the cursor to this button and press the [ENTER] key to switch muting on/off for the currently selected track. C RENAME button You can move the cursor to this button and press the [ENTER] key to access the NAME EDIT popup window, where you can edit the name of the currently selected track. D WAVE button If you move the cursor to this button and press the [ENTER] key, the waveform of the currently selected track will be displayed. For details, refer to Finding a location while viewing the waveform ( p. 95). E REMAIN This indicates the remaining recordable time. F Metronome button/knob Here you can switch the metronome on/off and adjust the volume. The volume can be adjusted in a range of -96 to +12 dB. For details, refer to Using the Metronome ( p. 62). G MUTE indicator If a track is muted, its MUTE indicator changes to. H Track View This area shows whether tracks 124 contain data, and indicates the marker locations.
* For mixdown the number of simultaneous record tracks is two, and the number of simultaneous playback tracks is 24 for 16-bit songs, or 12 for 24-bit songs.
For example in a 16-bit song, each track you place in record-ready mode will decrease the number of simultaneously-playable tracks by one. (Muting will begin with higher-numbered tracks.) If youve placed the maximum of sixteen tracks in record-ready mode, a maximum of eight tracks can be played back simultaneously. If you want to return a muted track to playable condition, you must rst reduce the number of tracks that are in recordready mode, and then defeat muting on the track you want to play back.

Viewing all audio tracks

In the TRACK screen View page you can view all tracks to see whether they contain data, and switch muting on/off for each track. To call this page press the Work Navigate section [TRACK] key as many times as necessary, or press the [F1] key after pressing the [TRACK] key.

Importing data from an existing song
Heres how selected types of data such as scenes or libraries can be imported into the current song from a song saved on the hard disk.
When you execute this import operation, the previous data for that item in the current song will be lost. Use this procedure with caution.
the Work Navigate section [SONG] key as many times as necessary, or by pressing the [F1] key after pressing the [SONG] key. The SONG screen Song List page will appear. The currently selected song in the Song List will be highlighted (inverted). SORT box, and use the [DATA/JOG] dial to select the song to be imported. The line enclosed by the dotted frame is the song you have selected as the import-source. and press the [ENTER] key. A popup window will appear which allows you to select the data to be imported.
3 Move the cursor to the MIXER IMP button,
You can choose one or more of the following items.
SCENE button. Scene memories TEMPO button. Tempo map LIBRARY button. EQ, dynamics, effects, and channel libraries
items you want to import to the current song, then move the cursor to the OK button and press the [ENTER] key. Importing will begin. When the data has been imported, you will return to the screen of step 1.
4 Select the button(s) corresponding to the
Editing various settings for the song
Heres how to edit various settings for a song, such as selecting the counter display format and time code format.
These settings apply only to the current song. Before you perform this procedure, load the song to be edited. The counter display setting will be saved with the song data when the song is saved.
Work Navigate section [SONG] key as many times as necessary, or by pressing the [F2] key after pressing the [SONG] key. The SONG screen Setting page will appear.
The counter in the upper right of the display always shows the current location in measure/beat units, relative to the Start point. The measure/beat display will depend on the settings in the Tempo page of the EDIT screen. For details, refer to Creating a tempo map ( p. 175).
3 To change the time code frame rate move
the cursor to the 24, 25, 30, or 30D button and press the [ENTER] key. You can choose one of the following frame rates to specify the minimum unit of time code.
24..24 frames/second 25..25 frames/second 30..30 frames/second (30 non-drop frame) 30D.29.97 frames/second (30 drop-frame)

ON/OFF button (TX).Turns program change transmission on or off. ECHO button (TX).Received program change messages are re-transmitted (echoed) via the MIDI OUT/ THRU connector (or USB connector or digital I/O card output port). ON/OFF button (RX)..Turns program change reception on or off. OMNI button (RX)..Program change messages can be received on all MIDI channels, regardless of the MIDI receive channel setting.
1 PORT eld Selects the connector(s)/port(s) to be used for MIDI message transmission and reception. Press the [ENTER] key to conrm your selection.
The connectors/ports that can be selected for MIDI transmission (TX) and reception (RX) are as follows:
Items MIDI USB 1 USB 2 USB 3 SLOT
TX (Transmission) [MIDI OUT/THRU] connector USB connector output port 1 USB connector output port 2 USB connector output port 3 Digital I/O card output port
RX (Reception) [MIDI IN] connector USB connector input port 1 USB connector input port 2 USB connector input port 3 Digital I/O card output port
In the SCENE screen PGM Assign page you can specify the scene number that will correspond to each program change number ( p. 201).
It may be necessary to install an appropriate USB MIDI driver in order to use the USB connector for MIDI communication on computers ( p. 266). To connect to a computer using the MY16-mLAN digital I/O card, install the MY16-mLAN card in the digital I/O slot and select SLOT. The appropriate mLAN driver must be installed on the computer.
D CONTROL CHANGE eld Species how MIDI control change messages will be transmitted and received. If control change transmission and reception are enabled, the corresponding control change message will be transmitted when you operate any of the AW2400s channel mix parameters (fader, pan, effect send, etc.). When a control change message is received, the corresponding AW2400 mix parameter will change. The following items are available:
ON/OFF button (TX).Turns control change transmission on or off. ECHO button (TX).Received control change messages are re-transmitted (echoed) via the MIDI OUT/ THRU connector (or USB connector or digital I/O card output port). ON/OFF button (RX)..Turns control change reception on or off. OMNI button (RX)..Control change messages can be received on all MIDI channels, regardless of the MIDI receive channel setting.

Depending on the media and the state of the hard disk, it is possible that an error may occur while the data is being written. (If you are using a CD-R, this will make the media unusable.) You can turn on the TEST button to check whether an error will occur before you actually write the disc. If an error occurs during the test, halt the procedure, and either reduce the write speed or set the UNDERRUN PROTECT button to ENABLE.
4 If desired, set the UNDERRUN PROTECT
The CD-RW drive factory settings can be restored from the CD screen CD Setting page by pressing the [F3] key (DEFAULT) while holding the [SHIFT] key.
If the UNDERRUN PROTECT button is set to ENABLE, the TEST button will automatically be turned off. Also, if the TEST button is turned on, the UNDERRUN PROTECT button will automatically be set to DISABLE.
button to ENABLE. The AW2400 CD-RW drive has a function to prevent buffer underrun errors that can occur if data transfer cannot keep up with the write speed. Switch the UNDERRUN PROTECT button to the ENABLE setting to prevent buffer underruns.

Writing audio data

Heres how to write the audio data from the stereo track of each song to a CD-R/RW disc in CDDA format.
Audio data write operations are accessed via the CD screen Write page. To call this page press the Work Navigate section [CD] key as many times as necessary, or press the [F1] key after pressing the [CD] key. This page contains the following items.
F DELETE button Deletes the selected song from the list. G WRITE button Executes the actual CD write operation. H FINALIZE button (only displayed for TRACK AT ONCE) Finalizes the disc so that it can be played on a CD-RW drive or standard audio CD player.
If you turn on the TRACK AT ONCE button
If you turn on the DISC AT ONCE button
G H 1 Track list This is a list of the songs containing stereo tracks that will be written to the CD-R/RW media. The line enclosed by a dotted frame is currently selected for operations. If no songs have been registered, this will indicate -NO TRACK-. If audio data has already been written to the inserted CDR/RW media but the media has not yet been nalized, --EXIST-- will be displayed for the already-written data. B TRACK AT ONCE button Turn this button on to create an audio CD using the Track At Once method. C DISC AT ONCE button Turn this button on to create an audio CD using the Disc At Once method. D ADD button Adds a song at the end of the track list. E INSERT button Inserts a new song in front of the song currently selected in the list.
I MARKER button (only displayed for DISC AT ONCE) For each stereo track, this enables or disables the markers that have been set within that song. When you move the cursor to this button and press the [ENTER] key, the start point, end point and markers within the currently selected stereo track will be enabled. (A ag icon will appear at the right of the list.) If markers are enabled for a stereo track, a track number will be written to the CD at the location of each marker. Regardless of any areas of silence, the entire region from the Start point to the End point will be written.

5 Move the cursor to the From V.TR, From 2
Move the cursor to the edit command eld and use the [DATA/JOG] dial or [INC]/[DEC] keys to select EXPORT. selected edit command. The display will appear as follows.
3 Press the [ENTER] key to conrm the
If you selected ALL as the export source, all the recorded tracks will be exported automatically. It is not possible to specify the virtual track number for each.
6 When you have nished setting the param-
eters, move the cursor to the EXECUTE button and press the [ENTER] key. If a source other than ALL is selected the NAME EDIT popup window will appear, allowing you to enter a le name. If you select ALL as the source the NAME EDIT popup window will appear, allowing you to enter a folder name. The WAV les (TRACK_01.WAV TRACK_24.WAV) will be stored in the new folder, which will be created inside the Transport folder.
Importing Copied WAV Files From the Computer
This procedure allows you to import WAV les transferred from a computer to the Transport folder to be imported into specied audio tracks.
1 Switch to the USB Storage Mode ( p. 230)
and display the AW2400 internal hard disk on the computer screen.
2 Copy the WAV les from the computer to
the AW2400 Transport folder. The Transport folder is located in the AW2400-2 drive. nect the AW2400 from the computer and exit the USB Storage Mode ( p. 232).
3 When the les have been copied, discon4 Call the EDIT screen Edit page by either 7 Enter an appropriate le or folder name via 8 To execute the export operation, move the
the NAME EDIT popup window, as required. For details on how to enter a name, refer to page 32. cursor to the OK button and press the [ENTER] key. The export operation will begin. If you move the cursor to the CANCEL button (instead of the OK button) and press the [ENTER] key, the export operation will be cancelled. (However, it is not possible to abort the export process once it has been started.)
pressing the Work Navigate section [EDIT] key as many times as necessary, or by pressing the [F1] key after pressing the [EDIT] key. and use the [DATA/JOG] dial or [INC]/[DEC] keys to select IMPORT USB WAV. selected edit command. The display will appear as follows. C
5 Move the cursor to the edit command eld 6 Press the [ENTER] key to conrm the
Since the AW2400 does not keep track of the date and time, dummy values will be written as the le creation date and time of the WAV les. Tracks that do not contain data in the specied region will not be exported.
B Switch to the USB Storage Mode ( p. 230) and display the AW2400 internal hard disk on the computer screen. Transport folder.
10 Open the AW2400-2 drive to access the 11 Copy the WAV les exported to the Transport folder to the computer. WAV les in the Transport folder can also be directly accessed from computer applications. F G H I
12 When the les have been copied, disconnect the AW2400 from the computer and exit the USB Storage Mode ( p. 232).

Gate Parameter list Compressor Parameter list

Gate Parameter list

(fs = 44.1 kHz) # Title Type Parameter Threshold (dB) Range (dB) 1 Gate GATE Attack (ms) Hold (ms) Decay (ms) Threshold (dB) Range (dB) 2 Ducking DUCKING Attack (ms) Hold (ms) Decay (ms) Value -26 -2.-19 -1.20 S 6.32 S 4 A. Dr. SN GATE 3 A. Dr. BD GATE # Title Type Parameter Threshold (dB) Range (dB) Attack (ms) Hold (ms) Decay (ms) Threshold (dB) Range (dB) Attack (ms) Hold (ms) Decay (ms) Value -11 -1.-8 -0.63 238
Compressor Parameter list
(fs = 44.1 kHz) # Title Type Parameter Threshold (dB) Ratio ( :1) 1 Comp COMP Attack (ms) Out gain (dB) Knee Release (ms) Threshold (dB) Ratio ( :1) 2 Expand EXPAND Attack (ms) Out gain (dB) Knee Release (ms) Threshold (dB) Ratio ( :1) 3 Compander (H) COMPAND-H Attack (ms) Out gain (dB) Width (dB) Release (ms) Threshold (dB) Ratio ( :1) 4 Compander (S) COMPAND-S Attack (ms) Out gain (dB) Width (dB) Release (ms) Threshold (dB) Ratio ( :1) 5 A. Dr. BD COMP Attack (ms) Out gain (dB) Knee Release (ms) Threshold (dB) Ratio ( :1) 6 A. Dr. BD COMPAND-H Attack (ms) Out gain (dB) Width (dB) Release (ms) Threshold (dB) Ratio ( :1) 7 A. Dr. SN COMP Attack (ms) Out gain (dB) Knee Release (ms) Value -8 2.0.250 -23 1.3.70 -10 3.0.250 -25 0.180 -9 5.58 -11 3.-1.192 -17 2.3.Syn. Bass COMP 13 E. B. Slap COMP 12 E. B. Finger COMP 11 A. Dr. OverTop COMPAND-S 10 A. Dr. Tom EXPAND 9 A. Dr. SN COMPAND-S 8 A. Dr. SN EXPAND # Title Type Parameter Threshold (dB) Ratio ( :1) Attack (ms) Out gain (dB) Knee Release (ms) Threshold (dB) Ratio ( :1) Attack (ms) Out gain (dB) Width (dB) Release (ms) Threshold (dB) Ratio ( :1) Attack (ms) Out gain (dB) Knee Release (ms) Threshold (dB) Ratio ( :1) Attack (ms) Out gain (dB) Width (dB) Release (ms) Threshold (dB) Ratio ( :1) Attack (ms) Out gain (dB) Knee Release (ms) Threshold (dB) Ratio ( :1) Attack (ms) Out gain (dB) Knee Release (ms) Threshold (dB) Ratio ( :1) Attack (ms) Out gain (dB) Knee Release (ms) Value -0 0.151 -8 1.0.128 -2 5.749 -38 -3.842 -15 4.470 -12 1.4.0 hard 133 -10 3.3.0 hard 250
Parameter Threshold (dB) Ratio ( :1) Attack (ms) Out gain (dB) Knee Release (ms) Threshold (dB) Ratio ( :1) Attack (ms) Out gain (dB) Knee Release (ms) Threshold (dB) Ratio ( :1) Attack (ms) Out gain (dB) Knee Release (ms) Threshold (dB) Ratio ( :1) Attack (ms) Out gain (dB) Knee Release (ms) Threshold (dB) Ratio ( :1) Attack (ms) Out gain (dB) Knee Release (ms) Threshold (dB) Ratio ( :1) Attack (ms) Out gain (dB) Knee Release (ms) Threshold (dB) Ratio ( :1) Attack (ms) Out gain (dB) Knee Release (ms) Threshold (dB) Ratio ( :1) Attack (ms) Out gain (dB) Knee Release (ms) Threshold (dB) Ratio ( :1) Attack (ms) Out gain (dB) Knee Release (ms) Threshold (dB) Ratio ( :1) Attack (ms) Out gain (dB) Width (dB) Release (ms) Threshold (dB) Ratio ( :1) Attack (ms) Out gain (dB) Knee Release (ms)

DISTORTION One input, two output distortion effect.
Parameter DST TYPE DRIVE MASTER TONE N. GATE Range DST1, DST2, OVD1, OVD2, CRUNCH -10 to +Description Distortion type (DST = distortion, OVD = overdrive) Distortion drive Master volume Tone Noise reduction
AMP SIMULATE One input, two output guitar amp simulator.
Parameter AMP TYPE DST TYPE DRIVE MASTER BASS MIDDLE TREBLE CAB DEP EQ F EQ G EQ Q N. GATE
Range Guitar amp simulation type
DST1, DST2, OVD1, OVD2, CRUNCH 0100 0100% 1008.00 kHz -12.0 to +12.0 dB 10.00.10 020
Distortion type (DST = distortion, OVD = overdrive) Distortion drive Master volume Bass tone control Middle tone control High tone control Speaker cabinet simulation depth Parametric equalizer frequency Parametric equalizer gain Parametric equalizer bandwidth Noise reduction
*1. STK-M1, STK-M2, THRASH, MIDBST, CMB-PG, CMB-VR, CMB-DX, CMB-TW, MINI, FLAT
DYNA. FILTER Two input, two output dynamically controlled lter.
Parameter SOURCE SENSE DIR. DECAY TYPE OFFSET RESO. LEVEL Range INPUT, MIDI 0100 UP, DOWN
Description Control source: input signal or MIDI Note On velocity Sensitivity Upward or downward frequency change Filter frequency change decay speed Filter type Filter frequency offset Filter resonance Output Level

LPF, HPF, BPF 0100

*1. 6 ms46.0 s (fs=44.1 kHz), 5 ms42.3 s (fs=48 kHz)
DYNA. FLANGE Two input, two output dynamically controlled anger.
Parameter SOURCE SENSE DIR. DECAY OFFSET FB.GAIN LSH F LSH G EQ F EQ G EQ Q HSH F HSH G Range INPUT, MIDI 0100 UP, DOWN
Description Control source: input signal or MIDI Note On velocity Sensitivity Upward or downward frequency change Decay speed Delay time offset Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) Low shelving lter frequency Low shelving lter gain EQ (peaking type) frequency EQ (peaking type) gain EQ (peaking type) bandwidth High shelving lter frequency High shelving lter gain
0100 -99 to +99% 21.2 Hz8.00 kHz -12.0 to +12.0 dB 100 Hz8.00 kHz -12.0 to +12.0 dB 10.00.10 50.0 Hz16.0 kHz -12.0 to +12.0 dB

Set the MIDI through function.

3.1.10. MMC MODE

Select whether the AW2400 will be the MMC MASTER or SLAVE.

3.1.11. MMC Dev.

Specify the ID number that will be used when transmitting or receiving MMC commands.

3.1.12. MTC SYNC MODE

Select whether the AW2400 will be the MTC MASTER or SLAVE.

5. MIDI format details

5.1. NOTE OFF (8n)

< Reception >

Received when [Rx CH] matches. Used to control Effects/Pitch Fix. Refer NOTE ON for details.
STATUS DATA 1000nnnn 8n Note Off Message 0nnnnnnn nn Note No. 0vvvvvvv vv Velocity (ignored)

3.1.13. MTC SYNC AVERAGE

When the AW2400 is functioning as a MTC SLAVE, this setting species how it will follow the MTC data. Set this to 0 if the incoming MTC data has a highly accurate timing; set this to 1 or 2 if the timing of the incoming MTC data is not as accurate (such as when receiving MTC from a software sequencer).

3.1.14. MTC SYNC OFFSET

When the AW2400 is functioning as a MTC SLAVE, this setting adds an offset to the received MTC data. The received time code value shifted by this amount will correspond to the location indicated by the internal time code of the AW2400.

5.2. NOTE ON (9n)

Received when [Rx CH] matches. Used to control Effects/Pitch Fix. Refer below for details. Velocity of 0x00 is equivalent to Note-Off.
STATUS DATA 1001nnnn 9n Note On Message 0nnnnnnn nn Note No. 0vvvvvvv vv Velocity (1-127:On, 0:Off)

3.1.15. SYNC OUT

Turn on/off the output of MTC/MIDI CLOCK.

4. MIDI format list

4.1. CHANNEL MESSAGE
Command 8n 9n Bn Cn NOTE OFF NOTE ON CONTROL CHANGE PROGRAM CHANGE Rx/Tx Rx Rx Rx/Tx Rx/Tx function Control the internal effect Control the internal effect Edit parameters Switch scene memories
* Effect control by Note 1: Dynamic Flange/Dynamic Phase/Dynamic Filter When the SOURCE parameter is set to MIDI, the note velocity (both note-on and note-off) is used to control the Modulation frequency width.

5.3. CONTROL CHANGE (Bn)

If [Control Change Rx] is On, control change messages will be recevied when [MIDI Rx Ch] matches. However, if [MIDI Rx Ch] is OMNI or [Control Change Mode] is 1, reception will occur regardless of MIDI channel.
4.2. SYSTEM COMMON MESSAGE
Command F1 F2 MIDI TIME CODE SONG POSITION POINTER Rx/Tx Rx/Tx Tx function MTC transmission Song position transmission

< Transmission >