The ART Model 311

Precision Stereo 2-Way Active Crossover with Subwoofer Output

USERS GUIDE

TABLE OF CONTENTS Introduction... 3 Installation... AC Power Hookup... Analog Audio Connections... Safety Precautions... 4 4
Controls.... 5 Power Switch.... 5 Low Output Level Control... 5 Low Cut Filter Switch... 5 Crossover Frequency Control... 5 High Output Level Control... 6 Phase Switch.... 6 Sub Output Level Control... 6 Subwoofer Frequency Control... 6 Connections... XLR Input Jacks (Rear).. Input Jacks (Rear)... Output Jacks (Rear).. 7 7
Operation.... 8 Warranty Information... 10 Service... Specifications... 12

INTRODUCTION

Thank you for purchasing an ART 311 - and congratulations: You now own one of the most versatile crossovers available. Offering a superb level of sound quality, the 311 circuit design, combined with a straightforward user interface, quickly and easily gives you access to all of its features. The Model 311 has been carefully designed, engineered and manufactured to provide you with years of great sound and reliable service. Youll find it useful for pa systems for live sound reinforcement, public address, karaoke and other various signal processing applications. General Overview The Model 311 is a fourth order Linkwitz-Riley Stereo 2-Way electronic crossover with additional subwoofer output. Each channel of the 311 crossover splits the frequency of an input signal into two separate signals, which may then be sent to amplifiers, or other signal processing equipment in a sound system. FEATURES: Balanced XLR and inputs Outputs 4-pole Linkwitz-Riley filter design (24dB/octave) Phase Reverse Switch on each channels High Output Switchable Low Cut (30Hz) filters on each channel and subwoofer Wide crossover frequency range (250Hz to 6kHz) Independent output level controls for each output Low noise circuitry Fully shielded all-steel chassis Internal AC power supply with standard IEC connector Designed and developed in the USA

INSTALLATION

The 311 may be used in a wide variety of applications and environments. Enclosed in a rack-mountable, all-steel enclosure, the unit is designed for continuous professional use. Mounting location is not critical. However, for greater reliability we recommend that you not place the unit on top of power amps or other sources of heat. AC POWER HOOKUP The 311 has an internal power supply designed to operate at 115 VAC @ 50 to 60 Hz. Units manufactured for use outside the United States of America have been modified to comply with the required electrical specifications. Before plugging the 311 into the main AC line, make sure that all of the equipment following the crossover outputs, are turned off or all of the outputs are turned down. ANALOG AUDIO CONNECTIONS Audio input connections to the 311 are balanced XLR (Pin 2 = Hot (+), Pin 3 = Cold (-), Pin 1 = Ground) and phone plug (Tip = Hot (+), Ring = Cold (-), Sleeve = Ground). All output connections are unbalanced (Tip = Hot (+), Sleeve = Ground). SAFETY PRECAUTIONS Warning: To avoid the risk of shock or fire, do not expose this unit to moisture. Refer all servicing to qualified personnel. Do not remove the metal cover; there are no user-serviceable parts inside. When applicable, only use the power adapter that came with this unit or one obtained from ARTs Customer Service Department.

CONTROLS

POWER SWITCH The power switch applies and removes power to the Crossover. Make sure all equipment after the 311 is either off or the outputs are turned all the way down before turning on or off the 311. LOW OUTPUT LEVEL CONTROL Each channel of the 311 has a Low Output Level control. These controls are used to trim the output levels to the Low Output jacks on the rear of the unit. They cover the range of 30dB to +10dB of output gain trim, as indicated on the front panel. In most cases you would set them to 0dB, for flattest response from the Crossover. You can use these controls to compensate for amplifier gain variations or efficiency of your speakers. LOW CUT FILTER SWITCH The Low Cut switch activates a 30Hz high pass filter. There is one for each of the Low Outputs and 1 for the Subwoofer Output. This filter is a 2-pole Butterworth design (12dB/octave). Its response reduces spurious subsonic frequencies, which tightens up the low end and helps to protect your amplifiers and speakers. CROSSOVER FREQUENCY CONTROL Each channel of the 311 has a crossover Frequency control to set the crossover point for the high and low frequencies. All frequencies below the set frequency will be sent to the Low output and all frequencies above the set frequency will be sent to the High output.

The main crossover filters are 4-pole Linkwitz-Riley designs (24dB/octave). This yields a sharp rolloff to help protect speakers and the outputs sum to a flat response. HIGH OUTPUT LEVEL CONTROL Each channel of the 311 has a High Output Level control. These controls are used to trim the output levels to the High Output Jacks on the rear of the unit. They cover the range of 30dB to +10dB of output gain trim, as indicated on the front panel. In most cases you would set them to 0dB, for flattest response from the Crossover. You can use these controls to compensate for amplifier gain variations or efficiency of your speakers. PHASE SWITCH The Phase switch is used to switch the polarity (invert the phase) of the signal going to the High Outputs. Normally you would leave this switch in the Norm position. Putting the switch in the Invert position may be done to help correct audible phase related problems. SUB OUTPUT LEVEL CONTROL This control is used to trim the audio output level to the Subwoofer Output Jack on the rear of the unit. This signal is used to provide extra bass via a mono subwoofer in your system. SUBWOOFER FREQUENCY CONTROL The Subwoofer Frequency control sets the crossover point for signals going to the Subwoofer Output. For this function, both of the input channel signals are combined and frequencies below the set frequency will be sent to the Subwoofer Output. This is in addition to the normal signals that are sent to each of the channels other outputs.

CONNECTIONS

It is easy to interface the unit with a wide variety of equipment. The rear panel has balanced XLR and inputs as well as unbalanced outputs. XLR INPUT JACKS (REAR) The XLR input connections are balanced and follow the AES standard for wiring: Pin 1 = Ground, Pin 2 = Hot (+), Pin 3 = Cold (-). This input parallels the inputs. INPUT JACKS (REAR) The input connections are balanced with Tip = Hot (+), Ring = Cold (-), and Sleeve = Ground. This input directly parallels the XLR input. OUTPUT JACKS (REAR) The Output jacks are unbalanced. Tip = Hot (+) and Sleeve = Ground. They are used for sending signals to amplifiers, or other unbalanced configurations.

OPERATION

The following guideline refers to a P.A. system, but the same basic ideas apply to a home recording setup or a Hi-Fi system. A stereo 2-way sound system is typically set up as follows: Separate high frequency (horn or tweeter) and low frequency (bass) cabinets are used for each side (left and right) of the sound system. The crossover is used to split each side of the stereo signal into two frequency bands, which will feed separate power amplifiers. This arrangement accomplishes two things: it allows the proper frequencies to be routed to the proper speaker cabinets and it allows the amplifier to produce power more efficiently to the speakers it is driving. It is very important that you use caution when selecting the crossover points for any system. Refer to the documentation that came with your speaker cabinets for information on their proper frequency ranges. This is especially important for high frequency horns; damage may occur from sending lower frequencies than specified into the drivers! Signal Flow In most situations, the crossover is the last piece of equipment in the signal chain before the power amplifiers. Signal flow is as follows: From the output of the mixer to an equalizer (Sometimes, for system protection, a limiter is placed between the mixer outputs and the equalizer, or after the equalizer.) From the equalizer to the crossover. From the crossover to the power amplifiers. From the power amplifiers to the speaker cabinets. Here are some tips to help you with your initial setup. 1. Set all level controls to their full counter-clockwise position (-30dB.) 2. Connect the outputs of your mixer (or equalizer) to the inputs of the 311. If stereo, Channel One is Left.

3. Connect the Low output of Channel One to the power amplifier powering the low frequency cabinets (left). 4. Connect the High output of Channel One to the power amplifier powering the high frequency cabinets (left). 5. Repeat for the right side of the system (Channel Two). 6. Connect the Subwoofer output to the subwoofer amplifier. 7. Set the crossover frequency for both channels (they should be the same if your PA cabinets are the same). 8. Set the crossover frequency for the Subwoofer output to that recommended for the Subwoofer. 9. With the power amplifier volume controls turned all the way down, turn on all equipment in the system. 10. With a program source running through the system, turn up the power amplifier volume controls and slowly turn up the crossover output controls while checking each individual output for sound and performance.

WARRANTY INFORMATION

Limited Warranty
Applied Research and Technology will provide warranty and service for this unit in accordance with the following warrants: Applied Research and Technology, (A R T) warrants to the original purchaser that this product and the components thereof will be free from defects in workmanship and materials for a period of one year from the date of purchase. Applied Research and Technology will, without charge, repair or replace, at its option, defective product or component parts upon prepaid delivery to the factory service department or authorized service center, accompanied by proof of purchase date in the form of a valid sales receipt. Exclusions: This warranty does not apply in the event of misuse or abuse of the product or as a result of unauthorized alterations or repairs. This warranty is void if the serial number is altered, defaced, or removed. ART reserves the right to make changes in design or make additions to or improvements upon this product without any obligation to install the same on products previously manufactured. ART shall not be liable for any consequential damages, including without limitation damages resulting from loss of use. Some states do not allow limitations of incidental or consequential damages, so the above limitation or exclusion may not apply to you. This warranty gives you specific rights and you may have other rights, which vary, from state to state. For units purchased outside the United States, an authorized distributor of Applied Research and Technology will provide service.

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SERVICE
The following information is provided in the unlikely event that your unit requires service. 1) Be sure that the unit is the cause of the problem. Check to make sure the unit has the proper power supplied, all cables are connected correctly, and the cables themselves are in working condition. 2) If you find the unit to be at fault, write down a complete description of the problem, including how and when the problem occurs. Please write down a description of your complete setup before calling Customer Service. 3) Contact our Customer Service Department at (585) 436-2720 for your Return Authorization number or questions regarding technical assistance or repairs. Customer Service hours are 9:00 AM to 5:00 PM Eastern Time, Monday through Friday. 4) Pack the unit in its original carton or a reasonable substitute. The packing box is not recommended as a shipping carton. Put the packaged unit in another box for shipping. Print the RA number clearly on the outside of the shipping box. Print your return shipping address on the outside of the box. 5) Include with your unit: a return shipping address (we cannot ship to a P.O. Box), a copy of your purchase receipt, a daytime phone number, and a description of the problem. 6) Ship your unit (keep your manual!) to: APPLIED RESEARCH AND TECHNOLOGY 215 TREMONT STREET ROCHESTER, NEW YORK 14608 ATTN: REPAIR DEPARTMENT RA# ____________________

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311 SPECIFICATIONS
Dimensions Weight Input Connections Output Connections Input Impedance Output Impedance Maximum Input Level Maximum Output Level CMRR Frequency Response Signal to Noise Ratio 1.75H x 19W x 5.5D 4.85 lbs. (2.2 kg) XLR, TRS, balanced TS, unbalanced 100K ohms 220 ohms +21dBu +21dBu >75dB (typical @ 1kHz) 10Hz to 40kHz, +/-.5dB >95dB, Ref: 0dBu 20Hz to 20kHz, unweighted Dynamic Range >114dB Total Harmonic Distortion <0.01% (20Hz-20kHz,0dBu) Crossover Filter Type Fourth-order Linkwitz-Riley, 24dB/octave, state-variable Crossover Frequency Range 250Hz to 6kHz Subwoofer Filter Type Two-pole Butterworth, 12dB/ octave Subwoofer Frequency Range 50Hz to 250Hz Power Requirements USA 110-125V AC / 50-60hz/ 15W Export units configured for country of destination. ART maintains a policy of constant product improvement. ART reserves the right to make changes in design or make additions to or improvements upon this product without any obligation to install same on products previously manufactured. Therefore, specifications are subject to change without notice.
Applied Research & Technology
215 Tremont Street Rochester, New York 14608 U.S.A. (585) 436-2720 - Voice www.artproaudio.com (585) 436-3942 - FAX E-mail: cserve@artproaudio.com 2002 Applied Research & Technology

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311-5004-100

Technical Data

Art 311 dSZ

Ear simulator data

EN / IEC 60118 and IEC 60711 Output sound pressure level (Input 90 dB SPL)

Maximum 138 dB SPL

dB SPL 140 130

1600 Hz 133 dB SPL

Frequency response Max. gain (Input 90 dB SPL)
Compact high gain BTE with battery size 13 and digital SurroundZoom Acoustic gain (Input 50 dB SPL) Maximum 68 dB

dB 80 70

1600 Hz 65 dB

RTG 58 dB

Frequency response Max. gain (Input 50 dB SPL) Reference test gain (Input 60 dB SPL)
Frequency range (DIN 45605) Total harmonic distortion Warning to dispenser: This hearing instrument has an output sound pressure level that can exceed 132 dB SPL. Special care should be taken when fitting this instrument as there is a risk of impairing the residual hearing of the user.
<Hz 500 Hz 2.5% Quiescent 1.0 mA 19 dB SPL 800 Hz 1.5% Working 1.1 mA 1600 Hz 1.0%

Battery current

Equivalent input noise level
Unless otherwise specified, all data obtained are measured with the hook type HEand in linear measurement setting. Note: Measurements with pure tones of a digitial hearing instrument can result in a wavy freuqency response. This is an artifact resulting from the use of a very narrowband input signal and does not reflect the actual performance with naturally occuring broadband input signals. Measurements were taken in August 2006 and are subject to change without notice.
Induction coil sensitivity (Input 1 mA/m)

Maximum 99 dB SPL

dB SPL 130 120

1600 Hz 96 dB SPL

Frequency response Reference test gain (Input 31.6 mA/m)
Dynamic data Compression Attack time 1 ms Recovery time 10 ms
V1.00/2006-09/FO Phonak AG All rights reserved / page 1/2

2 cm3 coupler data

ANSI S3.22-1996 Output sound pressure level (Input 90 dB SPL)
Input / Output characteristics at 2000 Hz Maximum 130 dB SPL <133 dB SPL

HFA 127 dB SPL

P out dB SPL 130
Frequency response Full-on-gain (Input 90 dB SPL)
Full-on-gain Reference test gain

100 P in dB SPL

100 90
Acoustic gain (Input 50 dB SPL)

Maximum 63 dB

dB 70 60

HFA 60 dB

RTG 50 dB
Frequency response Full-on-gain (Input 50 dB SPL) Reference test gain (Input 60 dB SPL)
Frequency range Total harmonic distortion
<Hz 500 Hz 2.0 % <5.0 % Quiescent 1.0 mA 800 Hz 1.0 % <4.0 % Working 1.1 mA <1.3 mA 1600 Hz 1.0% <4.0 %

19 dB SPL < 22 dB SPL

Induction coil sensitivity (Input 31.6 mA/m)

HFA SPLIV 110 dB SPL

dB SPL 120 110

TLS 0 dB

V1.00/2006-09/FO Phonak AG All rights reserved / page 2/2