98 TANNOY REVOLUTION SIGNATURE 2,900 Approx www.tannoy.com
The ugly-duckling subwoofer is forced to hide its drivers in disgrace behind its prettier sisters
HOME CINEMA CHOICE MAY 2008

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REVIEWS 99

Children of the Revolution
Beauty is in the ear of the beholder. Adam Rayner enjoys a Tannoy speaker system thats way too cool for simple station announcements.
t must be difcult to be a brand like Tannoy. As with Xerox, Hoover and Sellotape, its name has become a label that now applies to a whole category of stuff. But if you thought that all its loudspeakers could handle were raspy announcements up and down supermarket aisles, then youre much mistaken. The brands Revolution Signature range of home cinema speakers auditioned here are evolved way past this illustrious history. And although Tannoy still makes speakers with names rather than numbers, this new lineup is denitely a 21st Century AV offering, with some style and pizzazz, too.
suspension to it it looks like it might hit the oor. Of course, it doesnt, but the supplied spikes are a good idea. There is, in fact, an extra sheet in the instruction book, that has clearly been printed and added afterwards, that suggests use of the small cup-shaped thingies underneath the spikes, when the sub is used on a hard oor. This woofer was probably rattling like a ballbearing in the back of Transit van before these were added for use in marble halls. The moving
Product: Surround speaker system with highquality sound, and good looks Position: Audiophile grade boxes positioned below Tannoys Dimension and Prestige lines Peers: DLS Home Audio R66 system B&W 600 series PSB G Design series
mass of the woofer must be considerable.
There are some useful controls on the TS12. You get a continuously variable phase knob to go from 0-180 and LF extension control with adjustment marked from 50Hz to 40Hz to 30Hz. A Music label adorns the 50Hz setting. 30Hz is the Theater (sic) setting obviously meant for sale in the USA then. Crossover frequency is selectable between 50Hz and 150Hz.

Odd one out

Well, style and pizzazz except for the subwoofer, that is, which is designed to be hidden or at least not looked at. It is as ugly as an ogre in comparison to the lovely, lustrous woodwork the other teardropshaped boxes are wrapped in. The woofer is from a series simply called TS as in, er, Tannoy Subwoofer, and boasts a soft grey nish. The one in this array is the biggest, a 12in job with 500W in its guts. It has a sexy set of balanced inputs and outputs on XLR plugs, as well as the de-rigeur phono inputs. Theres no silly high level speaker nonsense on the back of this one. The subwoofer res downwards and the driver has a huge surround

The main course

Away from the boxy, drab subwoofer, the main speakers (centre, rears and fronts) are gorgeous to behold. They are all bi-wire/bi-amp style with a set of binding posts for HF and LF input, connected with a jumper bar until you do so. Also and I have never seen this on a speaker before there is a fth green terminal that, when connected to your AV hardware, electrically earths
the driver chassis. This reduces RF noise in the system and, claims Tannoy, brings substantial improvements in mid-range clarity. The supplied manual is excellent, despite one simple malapropism. Discrete means separate, as in ve discrete channels. The manual refers to discreet channels, which means they are unassuming and would not offend the neighbours. This is patently untrue, as in addition to a serious slice of power-handling, the high-frequency drivers within the dual concentric Tulip waveguides give these speakers a slice of efciency too. A gure of 89dB means they bloody stonk. Put simply, you can wake the dead, let alone the neighbours. All the enclosures are equipped with a 6in dual-concentric Tannoy driver that reaches right up to bat frequencies. This gives a lovely image and stage, with pin-sharp placement of sounds within the eld around you. The DC6 rears have just one of these, while the DC6T towers have an extra bass-only driver to add to the air owing in and out of the sexy, curved port beneath. The centre D6LCR is obviously designed for all-stage use as well. It has no port, but in addition to the same driver complement as the towers, gets another that looks the same but isnt driven. This passive radiator gives the loudspeaker some of the bass-boosting benets of a port but keeps the cabinet sealed. The air pressure inside the cabinet

MAY 2008 HOME CINEMA CHOICE

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100 REVIEWS

Specifications
Tannoy Revolution Signature DC6 Drive Units: 1 x 6in paper pulp cone; 1 x 1in HF dome Enclosure: Front ported Frequency Response: 46Hz-35kHz Sensitivity: 88dB (2.83V @1m) Power Handling: 20-150W Dimensions: 226(w) x 365(h) x 225(d)mm Weight: 7.2Kg Connections: Twin sets of bi-wirable binding posts plus earth connection point Tannoy Revolution Signature DC6T Drive Units: 2 x 6in paper pulp cone; 1 x 1in HF dome Enclosure: Front ported Frequency Response: 34Hz-35kHz Sensitivity: 89dB (2.83V @1m) Power Handling: 20-175W Dimensions: 226(w) x 950(h) x 225(d)mm Weight: 16.4Kg Connections: Twin sets of bi-wirable binding posts plus earth connection point Revolution Signature DC6LCR Drive Units: 3 x 6in paper pulp cone; 1 x 1in HF dome Enclosure: Sealed with a passive radiator cone Frequency Response: 36Hz-35kHz Sensitivity: 89dB (2.83V @1m) Power Handling: 20-175 Watts Dimensions: 600(w) x 226(h) x 225(d)mm Weight: 12.2Kg Connections: Twin sets of bi-wireable binding posts plus earth connection point Tannoy TS12 subwoofer Drive Unit: 12in long-throw with large top roll suspension Enclosure: Sealed Frequency Response: -6dB @ 26Hz, On board power: 500W RMS Dimensions: 335(w) x 372(h) x 335(d)mm Weight: 12.5Kg Connections: Balanced XLR in and outputs plus twin RCA inputs URL: www.techradar.com/241528
Centre point: The Tannoy centre features three 6in drivers and can be used for left and right as well
aids the drivers suspension and allows the cone to hit deep-down low frequencies at high volumes without getting into a ap. They all feature natty hiddenmagnetically stuck-on grilles.

Sting in the tail

For testing I red up the old DTS/ DVD-Audio dual-format disc of Stings Brand New Day album, opting for the DTS track. Sting was immediately right in front of me and at face height, with percussion to the back right and a swirly synth line running in the back left zone. Cymbals hung in space, rare and delicate enough to hear the ting! of wooden stick-tip on bronze. All of this was underpinned with a deep tight bass. The performace is very hi- and very clear. I got goose bumps. Now, when cranked to the ends of an amps ability these horns can get harsh but that is sheer idiocy. I actually got the sound level meter out and found an easy 93dB. It was loud, just waiting for peaks and thumps and was plenty potent. Its just so clean and easy, you dont perceive the level so oppressively. Delicacy and grace with power, like a boxer with the soul of a concert pianist. With Sting warbling away I found myself grooving off,
Hide it: The TS-12 isnt styled to match any particular Tannoy loudspeaker, so tuck it away out of sight
losing the work plot. I had to force myself, with some discipline, to go check out a lm. The Simpsons Movie is, of course, mostly a Foley job, but there are moments of sheer brilliance that show off the speakers ability to recreate space and feeling. When Homer arrives late to church with his family he is heard with perfect clarity from within, exclaiming that the churchgoers cannot hear his rant as They are too busy talking to their phoney baloney God! Our favourite cartoon family enters to a sudden aching silence (04:27), felt by the echo of the doors opening into an utterly dumbfounded congregation. The audio mix is done brilliant justice by these speakers. At 10mins 50secs Bart shoots his dad repeatedly with a BB gun, and, through this system, the pops really sound like they hurt. Detail resolution is excellent. At 17min 3secs Flanders makes Bart the worlds most elaborate mug of cocoa. I counted no fewer than eleven separate delicate Foley effects, from spray cream to a blowtorch scorching a marshmallow that crackles just a little before Bart grabs it from a window sill and goes off into mid-distance to exclaim Oh my God! quietly to himself. Sound like this isnt just about power and efciency its about control and richness, too. And these Tannoys excel. Itd rate them as a bit special. Revolutionary even

VERDICT

Tannoy Revolution Signature 2,900 Approx Highs: Tremendous resolution and detail; brilliant imaging and staging Lows: Can get harsh if driven too loud; subwoofer doesnt match the looks of the rest Performance: Design: Features:

Overall:

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Revolution Signature Manual AW:Layout 1

14/1/08

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O W N E R S

M A N U A L

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CONTENTS
INTRODUCTION DRIVER TECHNOLOGY CABLE CHOICE STAND MOUNTING MODELS CONNECTION IN SINGLE WIRE MODE 06 BI-AMPING GRILLES CENTRE CHANNEL SPEAKER TECHNICAL SPECIFICATIONS SET-UP DIAGRAMS 09 010-011 012-013

WARRANTY

No maintenance of the Revolution loudspeaker is necessary. Please register your Tannoy product online at www.tannoy.com. All of our products have been produced and tested with care and precision to give first-class service. All passive components are guaranteed for a period of five years from the date of purchase from an authorised Tannoy dealer subject to the absence or evidence of misuse, overload, or accidental damage. All active and electronic components are guaranteed for a period of one year from the date of purchase from an authorised Tannoy dealer subject to the absence of, or evidence of, misuse, overload or accidental damage. If at any time during this warranty period the equipment proves to be defective for any reason other than accident, misuse, neglect, unauthorised modification or fair wear and tear, we will repair any such manufacturing defect or, at our option, replace it without charge for labour, parts or return carriage. If you suspect a problem with a Tannoy product then, in the first instance, discuss it with your Tannoy dealer. If you require further assistance then we ask that you deal directly with your local Tannoy distributor. If you cannot locate your distributor please contact Customer Services, Tannoy Ltd at the address given below. Customer Services, Tannoy Ltd., Rosehall Industrial Estate, Coatbridge, Strathclyde ML5 4TF, Scotland Telephone: Fax: E-mail: +428230 +428230 enquiries@tannoy.com (National) (International) (National) (International)
Do not ship any product to Tannoy without previous authorisation. Our policy commits us to incorporating improvements to our products through continuous research and development. Please confirm current specifications for critical applications with your supplier.
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INTRODUCTION
Thank you for selecting Tannoy loudspeakers developed in the UK by our dedicated team of design engineers. They are the choice of discriminating music lovers the world over. Musical excellence is designed into our loudspeakers from the start. Careful selection of the very best components combined with strict quality control procedures in the production process ensures this level of excellence is maintained. To gain maximum performance from your loudspeakers, please take time to read this owner's manual in full before installation. Once you have set up your new loudspeakers please complete and return the registration document this does not limit your legal rights. Loudspeakers are electromechanical devices that 'run-in' through use; performance will therefore improve after an initial period of 24hrs use. Once they have been further run-in over a longer period, there will be clear enhancement of the stereo imaging, mid-band quality and bass performance characteristics. We are confident that you will continue to enjoy your new Tannoy Revolution Signature loudspeakers for many years to come.

DRIVER TECHNOLOGY

Dual Concentric Tannoy Dual Concentric drivers have been incorporated into the Revolution Signature loudspeakers. Intensive research and development has produced an all-new version of this proven technology that builds upon the legendary performance of this exclusive Tannoy driver design. The time coherent, point source and constant directivity nature of the dispersion characteristics inherent in the Dual makes it an accepted industry standard in studio monitoring. By exceeding the rigorous demands of the recording and mastering environment Tannoy can ensure that playback performance in the home for multi channel home cinema, is strictly controlled to accurately reflect the sound engineers artistry. In nature all sounds emanate from a single point in space. The high frequency unit of the Dual, centrally mounted in the throat of the main mid/bass driver, is so positioned as to acoustically replicate this single point source; delivering an incredibly natural sound with a very wide imaging sweet spot that creates an expansive soundstage with remarkably focused placement of images.

Wideband Technology

Tannoy has incorporated its own WideBand technology into the design of these drivers. Not only does this exceptional in-house technology resolve fine detail of high frequency information but it also effectively enhances the listening experience throughout the whole frequency range. The WideBand high frequency system creates an increased immediacy, airiness and impact, making music and movie sound more natural and true to life. Sounds contain transient information and rich harmonics beyond the range of human hearing for pure tones. Even low frequencies have leading edge transients reaching 30kHz. Tannoy WideBand high frequency units will accurately reproduce the leading edge of individual sounds allowing the listener to experience the entire bandwidth, by extending the frequency response well beyond that of conventional loudspeakers. In addition, the extension of the frequency response, by fully two octaves, corrects time and phase response within the bandwidth of normal human hearing. Taking these acoustical phase anomalies beyond the audible range adds realism to the soundstage through improvements in imaging and the placement of sounds.

AMPLIFIER CHOICE

Consult the product specification as this clearly shows the acceptable power range for amplifier matching to your speakers. The high peak power handling of Tannoy loudspeakers permits responsible use with more powerful amplifiers please read the Warranty. As with all loudspeaker systems, the power handling is a function of voice coil thermal capacity. Care should be taken to avoid overdriving any amplifier, as this will cause output overload resulting in 'clipping' or distortion within the output signal. This, if done for any extended period, will cause damage to the speakers. Generally an amplifier of higher power that is running hard, but free of distortion, will do less damage to the loudspeaker than a lower power amplifier continually clipping. Remember also that a high powered amplifier running at less than 90% of output power generally sounds a great deal better than a lower powered example struggling to achieve 100%. An amplifier with insufficient drive capability will not allow the full performance of the loudspeakers to be realised.

REVOLUTION SIGNATURE MANUAL

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CABLE CHOICE
Always use the best quality of cable available within your budget. High quality audio signals passing from the amplifier to the loudspeaker are unusual in their demands on the cable. Wide dynamic range and frequency bandwidth information has to coexist with the ability to transmit peak currents of at least 10amps, without incurring any loss or signal impairment. This explains why the sound quality of the information reproduced by the loudspeakers is so dependant on the physical properties of the cables connecting them to the amplifier. We would recommend that you always keep the cable runs the same length for left and right speakers. Remember, cable construction can affect the sound quality so be prepared to experiment to find a cable that suits your ear and audio system.

UNPACKING

To unpack the loudspeakers from their boxes remove tape from the top then fold the flaps right back before inverting the carton and contents. Lift the carton clear of the contents then remove all inner packaging. It is strongly recommended that you store all the packaging to allow protected transportation in future. (See fig.1)

TERMINAL PANEL

An exclusive five way terminal panel has been designed for the Revolution Signature range to optimise performance further by take advantage of the driver earthing facility. Use a shielded or screened loudspeaker cable; connecting the screening termination to the earth or 'ground' (green) terminal on the loudspeaker and to the ground or earth connection on the amplifier. Alternatively if you are not using a screened loudspeaker cable but wish to utilise the earthing facility, run a single cable between the earth or 'ground' (green) terminal on the loudspeaker to the earth (ground) connection on the amplifier. (See fig.2)

FLOOR STANDING MODELS

Revolution Signature floor-standing models perform best with carpet piercing spikes fitted. These are supplied, along with lock nuts, and should be inserted into the threaded holes in the base of the cabinet. Level the speaker and then tighten the lock nuts firmly but without using undue force. Spike locating cups are provided in the accessory pack and these may be used to protect sensitive floor surfaces.

Warning:

Ensure that the spikes are levelled and that the lock nuts are tightened firmly. The spikes should be pushed through the carpet to locate into the flooring surface by applying pressure to the top of the cabinet. If using on a sensitive floor surface place the protective cups under the levelled spikes. Failure to do so could render the speaker unsteady and result in damage or injury should it be knocked over.
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STAND MOUNTING MODELS
Stand mounting or bookshelf speakers should be located securely on stands or a shelf in an appropriate position to place the Dual Concentric driver high frequency unit roughly at ear height when seated in the chosen listening position. Positioning recommendations for stand-mounted speakers can be found under the section entitled Positioning and fine-tuning. For the centre speakers, locate on the plinth provided.

INSTALLATION

To avoid potential damage to your loudspeaker, ensure that the amplifier is switched OFF prior to connecting or disconnecting any cables. Before switching on double check that all connections are secure and that polarity is correct.

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CONNECTION IN SINGLE WIRE MODE
The terminal panels have captive link bars fitted as standard to link the positive and negative HF and LF terminals respectively. These must be removed to bi-wire the speakers - see section entitled Connection in Bi-wire mode. For optimum performance in single wire mode, loudspeaker cable connections from the amplifier should be made to the high frequency (HF) terminals of the loudspeaker: (See fig. 3) The positive (plus) terminal on the amplifier left channel (marked + or coloured red) must be connected to the positive HF terminal on the left speaker. The left speaker is the one on the left as you look at the stereo pair from your listening position. The negative (minus) terminal on the amplifier left channel (marked - or coloured black) must be connected to the negative HF terminal on the left speaker. Repeat this connection process for the right speaker. Remember that the positive (+ or red) on the amplifier must be connected to the positive (+ or red) on the speaker and the negative (- or black) to negative. Select a signal source, such as a CD player; switch on the amplifier and slowly turn up the volume control to check that both loudspeakers are reproducing bass and treble information.

CONNECTION IN BI-WIRE MODE
Please note in bi-wire mode that the link bars must be removed. Unscrew the knurled nuts on both the positive and negative HF and LF terminals and remove the link bars and then replace the colour coded nuts, as they will be required to clamp the bi-wire cables in place. Retain the link bars in a safe place for possible future use. (See fig. 4) Be sure that the amplifier is switched off and then prepare the two sets of cabling for each 'side' of the system separately. Measure and cut four lengths of cable, two per speaker. Label two of the cable lengths Left LF and Left HF (low frequency and high frequency) then repeat this process for the right pair. If your amplifier is not equipped with separate output terminals for bass and treble information then, at the amplifier end of the cables, twist the Left LF+ (positive) and the Left HF+ (positive) together. Connect these to the amplifier Left channel positive terminal marked + (plus) or coloured red. Twist the Left LF- (negative) and the HF- (negative) cables together and connect them to the amplifier Left channel negative terminal marked - (minus) or coloured black. At the loudspeaker end connect the cables labelled Left LF+ and Left LF- to the left hand loudspeaker LF terminals, ensuring that you note the polarity markings on the cable sheathing. Then proceed to connect the Left HF+ and Left HF- to the HF terminals on the same loudspeaker. Repeat this process to connect the right hand loudspeaker to the amplifier right channel output, once again ensuring that polarity is correct throughout. Switch the amplifier on with the volume control set at its lowest setting. Select a favourite source and slowly turn up the volume to a low level. Check that bass and treble information is being reproduced from both speakers - if not, switch off the amplifier and recheck the connections.
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BI-AMPING
Bi-Amping extends the principle of bi-wiring one stage further. In this connection option separate power amplifiers are used for bass and treble signals in each loudspeaker. Four mono (or two stereo) amplifiers of the same type are required for a stereo pair of loudspeakers. Ensure that the cable links between the loudspeaker terminals are removed and that correct polarity is maintained throughout. If two stereo amplifiers are used, it is recommended that one amplifier supply bass information to left and right loudspeakers and the other, the treble information. (See fig. 5)

CONNECTION OF EARTH OR 'GROUND' LEAD
Use of a shielded or screened loudspeaker cable will offer further performance advantages when used with the five-way terminal panel. The screening termination should be connected to the earth or ground (green) terminal on the loudspeaker and to the ground or earth connection on the amplifier. Alternatively if you are not using a screened loudspeaker cable but wish to utilise the earthing facility, run a single cable between the earth or 'ground' (green) terminal on the loudspeaker to the earth (ground) connection on the amplifier. Avoid potential damage to your amplifier - ensure that all connections are secure and the polarity is correct in all wiring. (Method illustrated on all terminal panel sketches)
POSITIONING AND FINE-TUNING
To get best results from your new Tannoy Revolution Signature loudspeakers it is worthwhile spending a little time finding the optimum set-up configuration. Begin by angling the speakers towards your chosen listening position, usually this is on the centre line of the room, so that when seated you can just see the inner side panel of each speaker. The front of the loudspeaker should not be obstructed in any way. The loudspeakers should be located between 1.5 to 4.5 metres (5ft to 15ft) apart - with the listening position set slightly further away than the speakers are apart. Avoid positioning the loudspeakers in corners of the room, as this will have a negative effect on performance. Ideally, maintain a distance of at least 0.5 metres (20 inches) from the rear wall, and 1 metre (39 inches) from the side. With the speaker in its listening position, rock the loudspeaker gently from side to side so that the spikes find their way through the weave of the carpet and on to the solid surface below. Once fine adjustments have been made to the spikes, to level the loudspeaker and ensure stability, tighten the lock nuts firmly but without using undue force (See fig. 6).

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GRILLES
The main Revolution Signature grille has been designed to provide acoustic transparency. However, for ultimate fidelity the enthusiast will appreciate the slight improvement in clarity and detail that is achieved by removing the grilles during listening.

CARE OF CABINET

The cabinets should only be cleaned with a dry cloth or with a light application of quality non-silicone furniture polish.
REVOLUTION SIGNATURE DC HOME THEATRE 5.1 - GENERAL INFORMATION
Unlike other forms of encoded surround audio, 5.1 offers full bandwidth capability for the surround and centre channels, with the ability to treat the subwoofer as a single discreet channel for special effects playback or, for music applications, as a dedicated low frequency instrument channel. This places new demands on the surround and centre channel loudspeakers in both the mixing environment and the playback environment. The 5.1 format allows the mix engineer in the recording studio to assign audio information to one or more discreet channels of playback; providing very vivid and exacting localisation for the apparent sound sources in the listening environment. To reliably recreate that accurate localisation during playback, the selection and location of loudspeakers becomes the single most critical issue next to the talent of the mix engineer in the studio. (See fig.7)

THE SYSTEM

A fully operational 5.1 system consists of two main front loudspeakers, two rear effects speakers at the rear (usually wall mounted) and a centre channel. The subwoofer provides the.1 part of the system. Total design compatibility, ensuring all models share the same acoustical balance and dispersion characteristics, means that it is essential that an Revolution Signature A/V system is built around only Revolution Signature Dual Concentric models (it is not possible to mix in products with other driver types) as the acoustic integration of each has been optimised only for use as a complete system. In Home Theatre applications this acoustic benefit provides a very focussed soundstage retaining natural voicing and ensuring that aural effects and speech localisation 'pan' from left to right and front to rear seamlessly.

SCREENING

The large magnet assemblies on the loudspeaker drive units of all Revolution Signature models are fully screened to eliminate colour-fringing effects when mounted close to CRT television monitors. However, some very sensitive CRT televisions may show picture distortion. If that is the case, move the loudspeaker further away from television.

FRONT SPEAKERS

The ultra wide dynamic range and power handling capability of Revolution Signature loudspeakers will provide a stunning home cinema experience. The speakers should be positioned on either side of the TV or projection screen and then placed in line with the screen surface.
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CENTRE CHANNEL SPEAKER
In all cases the centre channel speaker should be positioned as near to the TV screen as possible. The viewing position when seated determines the ideal mounting height, but in all cases this should be as close as possible to ear height. As with the main speakers the front baffle panel should be as near as possible in line with the screen surface. The Revolution Signature DC LCR centre channel can be wired in single wire, bi-wire or bi-amp modes. Please refer to figs. 3, 4 & 5 for connection guidance bearing in mind that connection should be made to the dedicated centre channel output on your A/V processor amplifier/s.
Ensure that the chosen support platform is strong and stable enough to take the weight of the Revolution Signature DC LCR. It is not recommended that speaker be balanced on top of the tv or plasma screen.

REAR EFFECTS SPEAKERS

The integrity of the special effects soundstage created by the source material will be compromised if the speakers are installed on the sidewalls, for that reason they should always be placed behind the main viewing position. The placement of floor standing (Revolution Signature DC4 T, DC6 T) or stand mounted (DC4, DC6) speakers at the rear should mirror as near as possible the location of the front pair and 0.5 metres (20 inches) from the rear wall.

SUBWOOFER

As the subwoofer only produces low frequency, therefore monaural information, it is difficult to detect its location by ear. It could as a result be situated anywhere in the room, but optimum performance will be gained by locating the subwoofer between the main stereo pair of speakers. Bass output will increase when placed next to a wall or in a corner so use the subwoofer volume control to balance the output with the rest of the system. Please refer to the manual supplied with the subwoofer for advice on installation and set-up.

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TECHNICAL SPECIFICATIONS
Revolution Signature DC4 PERFORMANCE Recommended amplifier power (Watts RMS) Continuous power handling (Watts Peak RMS) Peak power handling (Watts) Sensitivity (2.83 Volts @ 1m) Nominal Impedance (Ohms) Frequency response (-6dB) Dispersion (degrees conical) 200 87dB 8 62Hz 54kHz 20 100
Revolution Signature DC4 T
Revolution Signature DC4LCR

20 125

250 87dB 8 55Hz 54kHz 90
DRIVE UNITS Dual Concentric high frequency 19mm (0.75) Titanium dome With Tulip WaveGuideTM Dual Concentric low frequency 100mm (4) treated paper pulp cone with Rubber surround. 33mm (1.33) edge wound voice coil Bass Driver Passive Radiator 19mm (0.75) Titanium dome With Tulip WaveGuideTM 100mm (4) treated paper pulp cone with Rubber surround. 33mm (1.33) edge wound voice coil 100mm (4) treated paper pulp cone with Rubber surround. 33mm (1.33) Wound voice coil 19mm (0.75) Titanium dome With Tulip WaveGuideTM 100mm (4) treated paper pulp cone with Rubber surround. 33mm (1.33) edge wound voice coil 100mm (4) treated paper pulp cone with Rubber surround. 33mm (1.33) Wound voice coil 100mm (4) treated paper pulp cone with Rubber surround
CROSSOVER Crossover frequency Crossover Type 1.5kHz Passive low loss 2nd order LF, 1st order HF 1.5kHz Passive low loss 2nd order LF, 1st order HF 1.5kHz Passive low loss 2nd order LF, 1st order HF
CONSTRUCTION Enclosure type Volume Dimensions (excl grille) H x W x D Front ported 4.2L (0.148 cu. ft.) 270 x 169 x 175mm (10.63 x 6.65 x 6.89) Weight Finish 4.1kg (9.04lbs) Light oak and Espresso Front ported 10.5L (0.37 cu. ft.) 850 x 169 x 175mm (33.46 x 6.65 x 6.89) 10.5kg (23.15lbs) Light oak and Espresso Passive Radiator ported 7.7L (0.272 cu. ft.) 169 x 448.5 x 175mm (6.65 x 17.66 x 6.89) 6.8kg (15.0lbs) Light oak and Espresso

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Revolution Signature DC6 PERFORMANCE Recommended amplifier power (Watts RMS) Continuous power handling (Watts Peak RMS) Peak power handling (Watts) Sensitivity (2.83 Volts @ 1m) Nominal Impedance (Ohms) Frequency response (-6dB) Dispersion (degrees conical) 300 88dB 8 46Hz 35kHz 20 150
Revolution Signature DC6 T
Revolution Signature D6LCR

20 175

350 89dB 8 34Hz 35kHz 90

350 89dB 8 36Hz 35kHz 90

DRIVE UNITS Dual Concentric high frequency 25mm (1) Titanium dome With Tulip WaveGuideTM Dual Concentric low frequency 150mm (6) treated paper pulp cone with Rubber surround. 44mm (1.75) edge wound voice coil Bass Driver Passive Radiator 25mm (1) Titanium dome With Tulip WaveGuideTM 150mm (6) treated paper pulp cone with Rubber surround. 44mm (1.75) edge wound voice coil 150mm (6) treated paper pulp cone with Rubber surround. 44mm (1.75) Wound voice coil 25mm (1) Titanium dome With Tulip WaveGuideTM 150mm (6) treated paper pulp cone with Rubber surround. 44mm (1.75) edge wound voice coil 150mm (6) treated paper pulp cone with Rubber surround. 44mm (1.75) Wound voice coil 150mm (6) treated paper pulp cone with Rubber surround
CROSSOVER Crossover frequency Crossover Type 1.8kHz Passive low loss 2nd order LF, 1st order HF 1.7kHz Passive low loss 2nd order LF, 1st order HF 1.7kHz Passive low loss 2nd order LF, 1st order HF
CONSTRUCTION Enclosure type Volume Dimensions (excl grille) H x W x D Front ported 10.8L (0.381 cu. ft.) 365 x 226 x 225mm (14.37 x 8.90 x 8.86) Weight Finish 7.2kg (15.87lbs) Light oak and Espresso Front ported 29.6L (1.045 cu. ft.) 950 x 226 x 225mm (37.40 x 8.90 x 8.86) 16.4kg (36.16lbs) Light oak and Espresso Passive Radiator ported 18.4L (0.650 cu. ft.) 226 x 600 x 225mm (8.90 x 23.62 x 8.86) 12.2kg (26.9lbs) Light oak and Espresso

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SET-UP DIAGRAMS

Fig.1 Unpacking

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Fig.2 DC Terminal Panel
HIGH FREQUENCY POSITIVE(+) TERMINAL
HIGH FREQUENCY NEGATIVE(-) TERMINAL
LOW FREQUENCY POSITIVE(+) TERMINAL
LOW FREQUENCY NEGATIVE(-) TERMINAL
'EARTH' OR 'GROUND' TERMINAL

Fig.3 Single Wire Mode

TO RIGHT SPEAKER

POWER AMPLIFIER

TO 'GROUND' OR 'EARTH' CONNECTION ON AMPLIFIER (OPTIONAL)

LINKS IN PLACE

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Fig.4 Bi-Wire Mode

LINKS REMOVED

Fig.5 Bi-Amp Mode

HIGH FREQUENCY POWER AMPLIFIER
LOW FREQUENCY POWER AMPLIFIER
TO 'GROUND' OR 'EARTH' CONNECTION ON HIGH FREQUENCY AMPLIFIER (OPTIONAL)
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Fig.6 Recommended Positioning - Stereo Pair
0.5 METRES OR MORE 1.5 TO 4.5 METRES

1 METRE OR MORE

Fig.7 Recommended Positioning - Home Cinema

1.0 METRE OR MORE

1.5 TO 4.5 METRES

0.5 METRE OR MORE

Page 16

REVISION DATE: 14 Jan 08

Tannoy United Kingdom Tannoy North America Tannoy Deutschland Tannoy France
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6481 0518

Tannoy adopts a policy of continuous improvement and product specification is subject to change.