LED Indicators Lights On the back of the Phase One H 5 are two sets of LED indicator lights. A red and green light on the left and a red and green light on the right. The left and right pairs are identical and should always display the same thing. These lights indicate the camera back status. The list below describes what the status lights indicate: Green Lights Steadily On This means that the Phase One H 5 is receiving power and is ready to capture images. Green Lights Flickering After capturing an image the green lights will flicker on and off while transfering the image to the computer. Both Red and Green Lights Steadily On If the camera is improperly shut down or an error occurs both sets of lights may stay lit. If this happens, quit the LightPhase software, unplug the camera back and wait ten seconds, then replug the camera. No Lights On If the camera is properly plugged in and receiving power and their are no lights on, the camera back has shut down or may be damaged. Unplug all connectors, inspect all cables for damage, examine the IEEE 1394 card (if in use) for proper installation and reconnect everything. If the problem persists, contact your Phase One dealer for assistance.

Install the Software

2 Install the Software
After the computer is restarted, the software that will control the IEEE 1394 card must be installed, as well as the software for the Phase One H 5. We have included one easy-to-use installer that will place all of the necessary software on the computer. Follow these steps to install the software. 1) Place the included CD-ROM into the CD drive. 2) Double-click the item marked Install Capture One. 3) Read the software license, and, if in agreement, click the Agree button to continue with the installation. Otherwise, click Cancel to quit the installation. 4) When prompted for the Adobe Photoshop Plug-Ins folder, choose the correct folder from the list. Be sure to choose the Photoshop folder, as there may be many different plug-in folders on the hard disk. If installation is made on a non-English Macintosh, the installer may not be able to locate the Photoshop plug-ins folder, so be sure to select the proper plug-in location.
5) Follow the on-screen prompts. When the installation is completed, restart the computer. Installed Items The installer creates a folder on your hard disk called Capture One. This folder contains the application as well as several sub-folders. They are: Captures As photographs are taken with the Phase One H 5, this is the default location where raw capture files are stored. Also, you may organize your raw capture files by creating new folder on the harddrive. Previews The software application automatically creates a low resolution (approximately 1MB) preview image to use for color and tonal adjustments. All preview files are stored in the Previews folder. If any files are deleted from here the program will automatically generate new previews the next time the Capture One software is started. Images By default developed images will be placed in this folder. Again, the preferences can be used to change where developed files will be placed. Goodies The Goodies folder holds aliases to files on the install disk as well as other related files.

Editing and Selecting Images
4 Editing and Selecting Images
Editing After taking photographs, the next step in the process is to choose which images to keep and develop. Select Capture Collection from the Window menu at the top of the screen. (Command-2). The Capture Collection is similar to a contact sheet. It displays thumbnail images of all of the photos taken with the Phase One H 5.
Deleting To delete an image, simply click on the thumbnail to select it. A blue box will appear around the image to show that it is selected. Click the Trash Can icon at the top of the Capture Collection window. Multiple images can be selected by clicking on the first image thumbnail, and then Shift-clicking on any other images you wish to select (hold down the shift button on the keyboard and click on the next image). Each image will have a blue box around it to show that it is selected. After selecting all of the images to be deleted, click the Trash Can icon to remove them.
A deleted image is moved to the Trash folder of the Capture Collection. If an image is mistakenly deleted it can be restored to its original location by clicking on the Trash can icon marked with a red X.
The Preview Window in detail The Preview Window is divided into several sections to help evaluate and control the development of images. The file name of the current preview is shown at the top of the Preview Window for easy reference. On the right of the window, at the top, is a row of buttons used to access the tools that control the image. These tools will be covered individually later in this guide. Below the tools section is a display providing information on exposure, development, color and gray balancing. A description of their function and use follows below. Exposure Monitor The Exposure Monitor is located below the Tools. This is a basic graphical gauge of the overall exposure of the image in the Preview Window. If the indicator line is in the green area, the exposure is considered acceptable. If the pointer is in the red area it is overexposed. If it is in the white area it is underexposed. The Phase One H 5 is sensitive to overexposure. Avoid shooting images when the indicator line is in the red area. Here are examples of what the meter will look like with different exposures:

Simply follow these steps: 1) Open the image to be corrected in the Preview Window. 2) Choose Gray Balance from the Camera menu. 3) Click the pointer on an area, which must be neutral gray in the final image. If the image contains no white or gray, repeat the shot and include something such as the Kodak Q14 Step Wedge. Select the step with an RGB value of between 200 and 225, this will yield a well-balanced image. 4) Click Apply. The gray balance will now be applied to all consecutive images. Other gray balancing options available to ensure flexibility and to improve workflow. They are :
Apply to Image When selected, the chosen gray balance will be applied to the current image and all subsequent images, until a new gray balance is set. Current Capture This only changes the gray balance of the current capture. All subsequent captures retain the gray balance set under Apply to Image. All Selected Captures Include a gray card in the first shot, and apply the gray balance setting to all other selected images. To use the All Selected Captures option, first open the image with the step wedge in the Preview Window. Then return to the Capture Collection and select all the other images to be balanced. Now return to the Preview Window and select Gray Balance from the Camera menu. Finally click on the step wedge and choose All Selected Captures from the pop-up menu.
Finally there are three options designed to help in the gray balancing process. Restore All adjustments to the gray balance are cancelled and previously defined values are used. Reset All color balancing is cancelled. Pick Position With the gray balancing tool active, hold down the command key. A lock is now visible next to the gray balancing tool. Click on a neutral area in the image. The exact position is now locked and recorded next to the Pick Position button. To release the tool click on the Pick Position button. Developing Images Images captured by the Phase One H 5 camera are stored as raw calibrated files. They must by processed by the Capture One before they can be used in any other program. The raw files can be archived and processed at a later time, or processed immediately. Archiving raw files saves space and allows access to raw, un-manipulated, 16 bit data. Using raw files makes it possible to process one single image for various purposes; a high resolution color image for a printed page, a low resolution image for a web site and a third copy to be used in black and white. To process an image, it first must be opened in the preview window. If you think of the development stage as similar to printing in the darkroom, it may help. After loading the image into the Preview Window the first step will be to gray balance and crop the image.

Crop Mask Tool When turned on, the Crop Mask tool will mask the area of the preview image that is outside the selected crop area. Double-clicking this tool allows you to set the color and opacity of the crop mask. This tool is a useful feature when showing images on-screen, as the cropped area is clearly shown.
Zoom Tool Select the Zoom tool and click on the preview image to zoom in. Use option-click (Alt key) to zoom out. Remember, the preview image is only a low-resolution image and will quickly pixilated when enlarged.
Grid Tool Two different grids can be used to help align and measure the objects in images. Click the Grid tool to turn the grid on. Double-click the tool to toggle between the two types of grids and to set different grid options.
Eyedropper The Eyedropper tool is used to read the RGB values of a paticular area of an image. Change the sample size by double clicking the tool icon. The default size is a 5x5 pixel area. This does not need to be changed, unless a reading from a smaller area is required. Exposure Warning Tool This tool quickly shows which areas of the image are either over or under exposed. Much like Photoshops Gamut Warning tool, when the Exposure Warning Tool is activated a colored mask will be applied to the image showing which areas of the image are above or below a set exposure value. Double-click the tool icon to set the over and under exposure values and to change the highlight colors.
In general, if the exposure warning is shown over a large area of the selected image, it indicates that the exposure level may need to be adjusted. Highlight areas are more critical than the shadows. Preserve highlight detail by not allowing values greater than 240.
Further control of the tonal range is possible by unchecking the Preserve Color Balance box. Each color channel can then be adjusted individually. A particular color is defined for the lightest, or darkest, part of the image by checking the Target Colors box. This reveals a sliding scale and two color selection buttons. A single click on the light, or dark, color selection buttons enables selection of a target color. The sliding scale enables adjustment of color saturation. The Gradation Curves pane allows the control of an infinite number of points along the curve of an image (compared to the two points of the Tonal Range pane). The curve starts out as a linear curve. By clicking on the curve a point can be added that can be adjusted to control the image tone. To observe the effect of this tool, place a point on the middle of the curve and pull it up slightly. The midtones of the image become lighter. Other areas of the image are also lightened to some extent, so it may be necessary to place other point on the curve to control this. There are also easy to use up/down buttons to adjust brightness and contrast. Experiment with the buttons to quickly control the image curve.

7) Finally, connect one end of the included IEEE 1394 cable to any one of the empty ports on the newly installed card, or the built-in 1394 port. Connect the other end to the camera back. These cables can only be inserted one way and may require a little pressure to insert. 8) Please note: For the Mamiya RZ the camera must be set to take multiple exposures in order to use the Phase One H 5. The multiple exposure selector (M) is combined with the film back revolve switch (R).
Other Photographic Equipment While the Phase One H 5 has been made as compatible as possible with photographic equipment, there are a few issues to be aware of:
1) When using the Phase One H 5 with a Hasselblad 555ELD, the setting on the front of the Hasselblad needs to be in the Film position. 2) When using the Phase One H 5 on a view camera use the Two Shot Mode. This means that the shutter release is activated twice. To shoot an image, release the shutter, reset it, and shoot again. The first shot wakes the camera up, and the second is the actual exposure. Alternatively, pressing the Capture button in the preview window will wake the camera up and then the shutter can be fired once to take a photo. The camera will remain awake for 20 seconds or until the next capture. 3) When used on a Mamiya RZ67 Pro II the selector on the right side of the camera body must be in the M position. 4) The Phase One H 5 fully conforms with the ISO 10330 Standard for Photographic Strobe Systems; unfortunately not all strobe manufacturers comply with this standard. Check with the manufacturer of your strobe system to prevent damage. 5) The Strobe Equipment section of this guide provides a list of devices that have been tested with the Phase One H 5.
4) Connect the included Sync Cable from the lens flash sync to either the connector on the camera back marked C or the the Mamiya Mounting plate. 5) If using a motorised camera, connect the included Motor Cable to the connector on the right side of the camera back marked M. 6) If flash is used then connect the Flash Sync Cable (not included) from the strobes to the connector on the right side of the Phase One H 5 marked F.

11 Install the Software

After the computer is restarted, the software that will control the IEEE 1394 card must be installed, as well as the software for the Phase One H 5. We have included one easy-to-use installer that will place all of the necessary software on the computer. Follow these steps to install the software. 1) Place the included CD-ROM into the CD drive. Double-click the CD-ROM icon. 2) Double-click the item marked CaptureOne Inst.exe. 3) Read the software license, and, if in agreement, click the Agree button to continue with the installation. Otherwise, click Cancel to quit the installation. 4) When prompted for the Adobe Photoshop Plug-Ins folder, choose the correct folder from the list. Be sure to choose the Photoshop folder, as there may be many different plug-in folders on the hard disk. If installation is made on a non-english PC, the installer may not be able to locate the Photoshop plug-ins folder, so be sure to select the proper plug-in location. 5) Follow the on-screen prompts. When the installation is completed, restart the computer. Once restarted, plug the camera back into the IEEE1394 port. The driver for the Phase One H 5 is automatically copied into the Windows driver directory during installation and this should ensure that the Driver Wizard does not appear when the camera back is connected for the first time. If Windows does detect new hardware (the camera back) and asks for a driver, then click on the Browse button and direct the Driver Wizard to the c:/CaptureOne/ directory for the correct driver file.

Floppy disk installation for portable solution If the Phase One portable solution is used, then installation can be performed from a floppy disk instead of from a CD-ROM. Copy the file CaptureOne Inst.exe from the CD-ROM to a floppy disk and run CaptureOne Inst.exe on the portable computer. Restart the computer after installation. Installed Items The installer creates a folder on your hard disk called Capture One Basic. This folder contains the application as well as several sub-folders. They are: Captures As photographs are taken with the camera, this is the default location where raw capture files are stored. Also, you may organize your raw capture files by creating new folders on the harddrive. Previews The Capture One application automatically creates a low resolution (approximately 1MB) preview image to use for color and tonal adjustments. All preview files are stored in this Previews folder. If any files are deleted from here the program will automatically generate new previews the next time the software application is started or if previews are missing then press the Refresh button to refresh the capture collection. Images By default developed images will be placed in this folder. Again, the preferences can be used to change where developed files will be placed.
Using the Phase One H 5 Phase One has made using the Phase One H 5 as close to using film as digital photography can be. The first step to using the camera back is to start the application. Double-click the Capture One short-cut. Double-click the application icon to start the application that controls the camera back. After a few seconds the software will make a small click sound and the camera will beep. These two sounds indicate that everything is ready. In practice the Phase One H 5 can now take pictures. However before shooting it is a good idea to ensure that the software settings are optimal. This will ensure the best possible image quality and workflow.

12 Software Set-up

At this point it may be a good idea to set up Photoshop and the system for Color Management. A brief guide to Color Management and Profiles is provided in the Tools or Preferences section of this manual. Taking Photographs The Phase One H 5 is designed for ease of use and high performance. First time digital photographers, as well as experienced digital photographers, can immediately begin taking images of excellent quality. The Phase One H 5 can capture one image every 1.5 seconds. The camera makes a small beep when it is ready to capture the next image. If an attempt is made to shoot too quickly the camera will still respond, but images will not be recorded. Selecting Landscape or Portrait Orientation The Phase One H 5 can be mounted on a wide range of professional medium format cameras, technical cameras (also referred to as view cameras) and other camera systems where image orientation is not automatically detected. Here camera orientation must be determined manually in the Capture One Software. Select the desired camera orientation in the Preferences dialogue box. Images will automatically be rotated to landscape or portrait orientation. Organizing Images Creating folders to hold captures and choosing session names, before or during shooting, will save time during the processing stage. If, for instance, there is a photo session of a model with three different colored outfits, three separate session folders can be created in advance. When shooting, just select one of the three folders for image storage. Organizing files as you are shooting will save time later when you want to print a contact sheet or archive files.

Once the trash has been emptied the images are gone for good, so be careful! Images can be instantly and permanently deleted by selecting them and then pressing Control-Delete on the keyboard; be careful when using this feature! Once an image is deleted it is gone forever. Previewing While the Capture Collection is a good place to evaluate images quickly, the Preview Window will provide a much better view of an image. To preview an image, choose one of the images from the Capture Collection and click it. The thumbnail will then open in the larger Preview Window. The Preview Window provides improved image evaluation, as well as tools for adjustment of exposure, contrast and sharpness of the photo.
Function Tabs and Window The Function Tabs add features to the Phase One H 5 software without adding the clutter of multiple dialog boxes. Click on a tab to change the contents of the Function window and to enhance and evaluate the image before developing. The tabs are arranged in a logical workflow sequence. Capture Tab The Capture tab is the option used most while shooting. This tab shows basic information about the most recently captured image. The top part of the window displays a histogram.
Conversely, if the image is a dark subject (or is underexposed) then the data will all be to the left side of the graph. A well exposed image of a normal scene will have most of the graph data spiked in the middle with some highlight and shadow pixels to the right and left.
The Exposure area also has a powerful feature that can warn of overexposed, and underexposed, images. Exposure Window A histogram is simply a graphical representation of where the pixels are distributed in an image. The right hand side of the graph represents white or light colored pixels, while the left is dark or black pixels. If the image is of a light colored scene (or is overexposed) then most of the pixels (and the graph data) will be to the right. Remaining Resources Also in the Preview Tab window is the section called Remaining Resources. This section helps gauge how much hard disk space is available. Some laptop computers also support a battery display which indicates the charge level.
The Power status indicator will display battery strength, AC source status, as well as the status of the camera back battery, if used. For this feature to work correctly, settings must be altered in the Windows Power Management Control Panel. (Start > Settings > Control Panels > Power Management/Options). Set the Power Scheme to be a Portable/Laptop
Unlike many other digital camera systems Phase One has made the Gray Balance feature of the application easy to use. Simply follow these steps: 1) Open the image to be processed in the Preview Window. 2) Choose the Gray Balance tab. 3) Click the pointer on an area of the image that should be neutral gray. If there is nothing in the scene that is white or gray, include something such as a Kodak Q14 Step Wedge.

Embed information in TIFF files For easy file tracking or integration with database systems you can choose to embed information in the developed TIFF file.
This way you will always be able to identify your developed TIFF file later on in the process. Automatic Preview Enhancement The automatic preview enhancement guarantees that image previews are generated in a high quality in order to ensure an optimum image evaluation on the monitor. It takes a while for the Capture One Software to generate these previews and in some cases, for instance if you are working on-location with a lower performance portable computer, it might be a good idea to suspend this process to save time. Go to the Workflow menu and choose 'Suspend Preview Enhancement'. The preview enhancement is resumed again the same way.
Go to 'Preferences' in the File menu, select 'Develop settings' and check 'Include capture information in TIFF Caption'. Once checked, information such as path file name, ID and Image Capture Software version is embedded in the TIFF image's caption tag. Example A TIFF file called "Outline" includes the following information: Capturefile: D:\portraits\Outline (corresponds to the actual path file name) CaptureSN: BR000059.001825 (corresponds to the unique ID of the capture file) Software: Capture One Basic 1.0 for Windows
Previews that have not yet been enhanced are marked with a small cyan mark in the Capture Collection. Developing Images captured by the Phase One H 5 digital camera back are stored as raw calibrated files. They must by processed by the Capture One application before they can be used in any other program. The raw files can be archived and processed at a later time, or processed immediately. Archiving raw files saves space and makes it possible to process one single image for various purposes; a high resolution color image for a printed page or a low resolution image for a web site.
To process an image, it first must be opened in the preview window. It may help to think of the development stage as similar to print making in the darkroom. After loading the image into the Preview Window the first step will be to gray balance and crop the image. Then adjust the brightness, contrast and color. Finally the image is devolped by clicking on the Develop button. This section of the application is used to control the final output size of the image to be developed. A full image, with no cropping will read approximately 26x17 cm (10x7 inches) at 300 pixels (dots) per inch. The file size of this is approximately 18MB, as listed in the File Size section. If a crop is made, the output size of the cropped area will be listed in the Width, Height and Resolution fields. If it is known what size the image will be in its final printed form, the measurements can be entered here. Clicking the Soft Proofing button will apply the color settings, selected in the preferences. Images can also be named in the Image title field. Naming images at this stage will make it easier to find and identify the photos later. If no name is assigned, the application names images automatically, based upon selected preferences.

At the bottom of the Develop tab is a status bar that shows a development progress bar and the percentage of the image that has been developed and the approximate time left to develop the image. After development images can be automatically opened in Photoshop. Images shot in portrait mode must be rotated using Photoshops Rotate command. Export Previews The export preview function allows generation of low resolution previews of the captured images. These previews can be sent to the customer for approval or used in image databases, on web sites or as contact sheets. The capture file you wish to export is selected the Capture Collection. Then you go to the Collection pull-down menu and select 'Export previews.' and the Export previews dialogue box appears (c.f. screen dump). The dialogue box provides you with the following options:
Destination folder The Destination Folder is where you organize the workflow. You choose your own destination folder. If no destination folder is selected then a default folder called 'Exported Previews' is created inside the capture collection folder. Name postfix In this field you can add unique image names/ID. To process the previews click on the 'Export' button. All settings in the dialogue box are stored as default settings and can be reused or changed at any time. Create CD-ROM and Web index As a special feature you can use the export previews function to create CD-ROM and Web indexes. To do so please use the following set-up: Select medium JPEG compression Scale the images between 15% to 25% Apply color management and select the 'sRGB' destination profile Use the default destination folder Check the 'Create HTML index' box Enter a caption for the HTML page Press the 'Export' button
Then you burn the entire capture collection on a CD-ROM. The CD-ROM now includes all capture files as well as all the image previews. Also, if you have an Internet browser installed on your computer, you may double-click on the Index.html and view all previews (c.f. above example) via the Internet.

14 Tools

Many of the tools in the Phase One application act in much the same way as the tools of popular image editing applications such as Adobe Photoshop. Many of these tools actually come from the traditional world; the cropping tool is the first example of this, mimicking the cropping Ls used by artists and photographers. Where tool preferences can be set, right-clicking on the tool icon gives access to the preferences dialog box. Eyedropper The Eyedropper tool is used to read the RGB values of a particular area of an image. The area measures 3x3 pixels. Zoom Tool Select the Zoom tool and click on the preview image to zoom in. Use option-click (Alt key) to zoom out. Remember, the preview image is only a low resolution image and will quickly pixelate when enlarged. Click the black arrow to the right. A zoom slider appears, which allows you to zoom in and out. Cropping Select the Crop Tool, located above the Preview Window. Move the on-screen pointer to the image in the Preview Window. Click and drag the mouse so that a box is drawn surrounding the area of the image to be selected. Then release the mouse button. The rectangular box, which now surrounds part of the image, can be adjusted in size and position. There are points at the corners of this box, that can be clicked and draged, to change size and position.

Crop Mask Tool When turned on, the Crop Mask Tool will mask the area of the preview image that is outside the selected crop area. Right-clicking the Cropping Tool allows the color and opacity of the crop mask to be set. This tool is a useful feature when showing images on-screen, as the cropped area is clearly shown.
In general, if the exposure warning is shown over a large area of the selected image, it indicates that the exposure level may need to be adjusted. Highlight areas are more critical than the shadows. Preserve highlight detail by not allowing values greater than 240. Gray Scale Viewing The preview is shown in grayscale. This does not affect the developed file. Soft Proofing and Color Management The Phase One H 5 is designed to work as part of an ICC color management workflow. The camera, monitor and printer are specified in the Capture One application, and the processed image will be customized for that specific input and output configuration. By pressing the soft proofing button the application will display the image according to its color management settings. It is important to select the appropriate camera profile before shooting, however, if required changes can be made to the profile settings from one capture to another. This is done by means of the ICC profile pull-down menus in the Tool Settings dialogue box. The effects of the changes are seen immediately in the preview and collection views provided that the color management button is active.
Exposure Warning Tool This tool quickly shows which areas of the image are either over or under exposed. Much like Photoshops Gamut Warning tool, when the Exposure Warning Tool is activated a colored mask will be applied to the image showing which areas of the image are above or below a set exposure value. Right-click the tool icon to set the over and under exposure values and to change the highlight colors.
To use Color Management effectively, the profiles of the camera, monitor and destination must be defined. If all three devices are not correctly specified there is a risk that the final image will not correspond to the captured image. The Capture One Software installs basic profiles for Phase One H 5 as well as a generic monitor profile (Phase One - PC monitor) and a selection of destination profiles. To set ICC profiles right-click on the Color Management button. A brief guide to preference settings is provided here: Camera Profile Select the correct profile: Phase One H 5 product Flash, Phase One H 5 Tungsten, Phase One H 5 Outdoor Daylight or Phase One H 5 Portrait. Destination (working space) Select between the available profiles. Monitor A default monitor profile is selected. To enable the monitor selection check the Enable Box. When setting up ICC profiles select from the Develop tab/Color Management workflow either Embed Camera Profile or Match to Destination.

14.6 14.7

Camera Info

15 Camera Info

The Phase One H 5 has an info function that displays important information about the connected camera back. This information can be invaluable in troubleshooting problems. If you ever need to contact technical support, be sure to have this information available. To access this data choose About from the Help menu. See also Trouble Shooting.

16 Additional Features

Demoirize Plug-in The Phase One Demoirize plug-in for Adobe Photoshop allows you to remove moir patterns from your images by means of three different filtering modes: Advanced, Unicolor textiles as well as Skin and Hair. The Demoirize plug-in window is divided into two separate previews: Original Image, which displays the image before it was corrected (to the left) and Corrected Image, which displays the image after it was corrected (to the right). The plug-in is enclosed on the CD-ROM and will be placed in Adobe Photoshops plug-ins folder when you install the Capture One Software. Advanced mode Advanced mode is a new filter tool. It is also the default mode of the Demoirize plug-in. In advanced mode the filter estimates colors by means of the Quality/Speed slider and the Pattern Size slider. Often the color moir is visible by multiple red/green or blue/yellow areas of discoloration. These areas of discoloration are seen as bands or stripes. The larger the band or stripe, the larger the pattern size setting should be. Pattern size The best way of finding the optimal pattern size is by setting the Quality/Speed slider to Speed while moving the Pattern Size slider towards Large. While moving the slider the effects of corrections are seen on the screen. Selecting a larger than necessary pattern size will not generally enhance the result. A circular arrow icon that turns indicates that the Demoirize filter is currently calculating image data.
Quality/Speed When large areas of moir stripes and bands are present the Quality/ Speed slider should be set towards Quality, at the cost of Speed. Use the Quality setting when details smaller that the selected pattern size should be less affected by the filtering. Using advanced mode on skin and hair For skin and hair surfaces the optimal settings for the advanced filter would be to position the Quality/Speed slider at Speed and the Pattern Size slider very close to Small. Please note that large color moir areas in hair may require a larger pattern size setting. Using advanced mode on textiles On textile the optimal settings for the advanced filter would be to position the Quality/Speed slider towards Speed, or in an intermediate position. Then move the Pattern Size slider to the smallest possible setting. In many cases the masking of unicolored, or nearly unicolored areas, may be carried out less accurately with the advanced filter compared to the Unicolor textiles filter. Since masking depends very much on the type of image, it is recommended to test different masking and filter settings.

Trouble shooting

17 Trouble Shooting
If technical problems are experienced when working with the Capture One Software it may be neccessary to contact Phase Ones Technical Support department. Phase One recommends that you do a screen dump of your system configuration. This can be done in the menu Help/About, then press Print Screen to generate a screen dump of the current settings. Then open and save the screen dump in any image editing software. Fax or e-mail your Camera Info and the System Profile to Phase Ones Technical Support department.

Strobe Equipment

18 Strobe Equipment
Strobe Equipment Compatibility Phase Ones single shot digital imaging systems support photographic strobe equipment that is regulated by the ISO standard 10330. However, since some strobe equipment does not comply with this standard, Phase One has expanded the LightPhase /Phase One H 20 tolerances past those of the ISO standard. If your strobe system does not comply with the abovementioned ISO standard please use the tolerances in the below tables as reference. Trigger specifications for Phase One H 5 (S/N # BR, BS, BT) LP Batch 2/3 Voltage* Current** Fall time*** ISO Standard Max. Phase One H 5 Max. 24V DC 500V DC 100mA 1A 1ms 1ms
Notes: * Voltage across the sync terminals of the camera and the ignition terminals in the flash ** Current through camera sync terminal *** The time it takes for the camera to short-circuit Also, please note that many of the strobe systems in the below tables have not been thoroughly tested by Phase One. However, if they carry a + under status, then they either comply with the above-mentioned ISO standard or stay within the max./min. limits below.
Strobe compatibility with all Phase One H 5 (S/N #: BR, BS, BT) Strobe Systems Balcar P4 pack Bowens Estime 3000 Bowens Estime 3000AMF Bowens Estime 3000ASC Bowens Esprit Bowens Esprit Bowens Esprit Bowens Esprit Bowens Esprit Bowens Duo Bowens Equipe Bowens Redwing Bowens Travelite Bowens Prolite (old) Bowens Traveller G (Old) Bowens Estime 250(old) Broncolor IRI (old) Broncolor IRS 2 (old) Broncolor Graphite Broncolor Fashion Broncolor Opus4 Broncolor IRX 2 Broncolor IRQ Comet S-2400A Comet ALS-2400A Comet SS-600 Comet CA-1600 Comet CX-124T Comet CX-124III Comet CB-2400III Comet CRW-1200 Comet CT-150

+6 +6 +6 +6 +6 +6 +6 +6 +6 +6 +6 +6 +6 +6 +6 +6 +6
Phase One H 5 for Mamiya 645AF (S/N #: BT) Camera Systems Mamiya 645AF Lenses Mamiya 645AF Status + Status +
Lenses via Adaptors Sinar 4x5 > f-90mm Horseman 4x5 > f-90mm Toyo 4x5 > f-90mm Arca Swiss 4x5 > f-90mm Linhof 4x5 > f-90mm Cambo 4x5 > f-90mm Electronic Shutters Horseman ISS-G2 Shutter

+ +6 +6 +6 +6 +6

Notes: 1. Works in "two-shot mode": Release shutter once to wake up the Phase One H 5 prior to capture 2. Does not work with FE lenses - works with C, CB, CF, CFA, CFi lenses 3. Requires special cable to enable capture from host computer 4. Press Capture button on host computer prior to release button on camera body 5. Camera must be operated in "FILM" mode. A cable between LightPhase and camera body is only required if mounting the LightPhase in landscape mode 6. Via optional adaptor from Phase One or 3rd party manufacturers
Phase One H 5 for CONTAX 645 (S/N #: BS) Camera Systems CONTAX 645 Lenses CONTAX 645 Lenses via Adaptors Hasselblad Carl Zeiss CONTAX 35mm Nikon 35mm Pentax 35mm Sinar 4x5 > f-90mm Horseman 4x5 > f-90mm Toyo 4x5 > f-90mm Arca Swiss 4x5 > f-90mm Linhof 4x5 > f-90mm Cambo 4x5 > f-90mm Electronic Shutters Horseman ISS-G2 Shutter Status + Status +
+6 +6 +6 +6 +6 +6 +6 +6 +6 +6

Part No: 8001700