For battery operation the instrument requires six 1.5V AA size, LR6 or equivalent batteries. (Alkaline batteries are recommended.) When battery power becomes too low for proper operation, the volume may be reduced, the sound may be distorted, and other problems may occur. When this happens, make sure to replace all batteries, following the precautions listed below. CAUTION
Use alkaline batteries for this instrument. Other types of batteries (including rechargeable batteries) may have sudden drops of power when battery power becomes low. Make sure to install the batteries with the proper orientation, maintaining the correct polarity (as shown). Incorrect battery installation may result in heat, re and/or leaking of corrosive chemicals. When the batteries run down, replace them with a complete set of six new batteries. NEVER mix old and new batteries. Do not use different kinds of batteries (e.g. alkaline and manganese) at the same time. If the instrument is not to be in use for a long time, remove the batteries from it, in order to prevent possible uid leakage from the battery.

Turning the Power On

Press the [STANDBY/ON] switch to turn on the power. The power indicator located to the left of the [STANDBY/ON] switch lights up. Pressing the switch again turns the power off.
When using a power adaptor, even when the power is off, a small amount of electricity is still being consumed by the instrument. When you are not using the instrument for a long time, make sure to unplug the AC power adaptor from the wall AC outlet, and/or remove the batteries from the instrument.

Setting the Volume

Initially set the [MASTER VOLUME] slider about halfway between the MIN and MAX settings. Then, when you start playing, re-adjust the [MASTER VOLUME] slider to the most comfortable listening level.

TERMINOLOGY

MASTER VOLUME: The volume level of the entire keyboard sound

The level decreases.

The level increases.

Using the Pedal

[SUSTAIN] jack This jack is for connecting an optional pedal. The pedal functions in the same way as a damper pedal on an acoustic piano. Connect an optional pedal to this jack and press the pedal to sustain the sound. Do not press the footswitch while turning the power on. Doing this changes the recognized polarity of the footswitch, resulting in reversed footswitch operation. If you connect an optional pedal of FC3, the half pedal function* can be used. * half pedal function While you playing the piano with SUSTAIN and if you need to delete the cloudy sound, release the foot from pedal to half position.
Make sure that power is OFF when connecting or disconnecting the pedal.

Using Headphones

Connect a set of headphones to the [PHONES/OUTPUT] jack. CAUTION
To protect your hearing, avoid listening to the NP-30/YNP-25 at a high volume level for long periods of time.

Music Rest

The NP-30/YNP-25 includes a music rest that can be attached to the instrument by inserting it into the slot at the top of the control panel.
Since speakers are built into the instrument you should be careful to never leave any video tapes, cassette tapes, oppy disks or any kind of magnetic storage media on the paneldoing so may result in data loss or damage to the items. Also avoid using the instrument near a television or computer monitor, since interference may result.
Reference Listening to the Demo Songs
Listening to the Demo Songs
Demo songs are provided that effectively demonstrate each of the voices.
1. Press the [STANDBY/ON] switch to turn the power
When the power is turned ON, the power indicator located to the left of the [STANDBY/ON] switch lights up.
Refer to the voice list on page 18 for more information on the characteristics of each preset voice.

2. Adjust the volume.

Initially set the [MASTER VOLUME] slider about half way between the MIN and MAX settings. Then, when you start playing, re-adjust the [MASTER VOLUME] slider to the most comfortable listening level.
The demo songs will not be transmitted via MIDI.
3. Press the [SONG W/A] button to listen to the demo songs.
The GRAND PIANO 1 demo song will start. Demo songs provided for each voice and the piano preset songs will play back in sequence until you press the A [SONG W/A] button. Changing a Demo Song You can change to another demo song during playback by pressing the VOICE/SONG [BACK<<] or [>>NEXT] button. For selecting a demo song using the keyboard, press one of the C1A1 keys while A holding down the [SONG W/A] button.

Demo Song List

G1 G#1

Voice Name

HARPSICHORD 1 HARPSICHORD 2 Gavotte

Invention No. 1

Composer

J.S. Bach J.S. Bach

The demonstration pieces listed above are short rearranged excerpts of the original compositions. All other songs are original ( 2005 Yamaha Corporation).
4. Press the [SONG W/A] button to

stop the voice demo.

Listening to the Piano Preset Songs
The NP-30/YNP-25 provides performance data for piano songs as well as voice demo songs, for your listening pleasure.
1. While holding down the [SONG W/A] button, press
one of the C2A2 keys to select a song to play back.
The number of each piano preset song is assigned to the C2A2 keys. A While holding down the [SONG W/A] button, press the A#2 key to play all preset songs consecutively in sequence.
Song: On the NP-30/YNP-25, performance data is called a Song. This includes demonstration tunes and piano preset tunes. Preset: Preset Data supplied with the internal memory of the NP-30/ YNP-25 shipped from the factory.
You can play the keyboard along with the preset song. You can change the voice playing on the keyboard.

When you select a different song (or a different song is selected during chained playback), an appropriate reverb type will be selected accordingly.
The piano preset songs are not transmitted via MIDI.

Piano Preset Song List

Menuett G dur BWV.Anh.114 Turkish March (Piano Sonate No.11 K.331) Fr Elise Valse op.64-1 Petit chien Trumerei Dollys Dreaming and Awakening Arabesque Humoresque The Entertainer La Fille aux Cheveux de Lin
J.S. Bach W.A. Mozart L.v. Beethoven F.F. Chopin R. Schumann T. Oesten J.F.F. Burgmller A. Dvork S. Joplin C.A. Debussy
Press the VOICE/SONG [BACK<<] or [>>NEXT] button to change to the next piano song.
2. Press the [SONG W/A] button to

stop playback.

To continue playing other songs, see step 1 above.

Using the Metronome

This instrument features a built-in metronome (a device that keeps an accurate tempo) that is convenient for practicing.
1. Press the [METRONOME ON/OFF]
button to turn on the metronome.
Start the metronome. Determine the time signature While holding down the [METRONOME ON/OFF] button, press one of the C3 F3 keys. The rst beat is accented with a bell sound and the rest with clicks. Default set is 0/4 (C3). In this setting, clicks sound in all beats.
Key C3 C#3 D3 D#3 E3 F3 Time signature 0/4 2/4 3/4 4/4 5/4 6/4
Adjust the Tempo The tempo of the metronome and song playback can be set from 32 to 280 beats per minute. A number is assigned to each of the following keys. While holding down the [METRONOME ON/OFF] button, press a sequence of C4A4 keys to specify a three-digit number. Select a number starting from the left-most digit. For example, to set the tempo 95, press the C4 (0), A4 (9) and F4 (5) keys in sequence.
Using the Metronome Increasing the tempo value in steps of one: While holding down the [METRONOME ON/OFF] button, press the C#5 key. Decreasing the tempo value in steps of one: While holding down the [METRONOME ON/OFF] button, press the B4 key. Increasing the tempo value in steps of ten: While holding down the [METRONOME ON/OFF] button, press the D5 key. Decreasing the tempo value in steps of ten: While holding down the [METRONOME ON/OFF] button, press the A#4 key. Resetting the tempo to default: While holding down the [METRONOME ON/OFF] button, press the C5 key.

A#4 (-10) C#5 (+1)

B4 (-1) D5 (+10) C6 C5 (default)
Adjusting the volume You can change the volume of the metronome sound. While holding down the [METRONOME ON/OFF] button, press one of the C1 G2 keys to determine the volume. Pressing a higher key in the key range results in a higher volume, while pressing a lower key results in lower volume.

Metronome volume range: C1 (1)G2 (20) Default setting: A1 (10)

C1 (1)

G2 (20)
2. Press the [METRONOME ON/OFF]
button to stop the Metronome.
Selecting & Playing Voices

Selecting Voices

1. While holding down the [GRAND PIANO] button,
press one of the C1A1 keys to select a voice.
Pressing the VOICE/SONG [BACK<<] or [>>NEXT] button switches among the following ten voices.

Grand Piano 1

Description
Recorded samples from a full concert grand piano. Perfect for classical compositions as well as any other style that requires acoustic piano. Clear piano with bright reverb. Good for popular music. An electronic piano sound created by FM synthesis. Good for popular music. The sound of an electric piano using hammer-struck metallic tines. Soft tone when played lightly, and an aggressive tone when played hard. This is a typical pipe organ sound (8' + 4' + 2'). Good for sacred music from the Baroque period. This is the organs full coupler sound, often associated with Bachs Toccata and Fugue. Spacious and large-scale string ensemble. Try combining this voice with piano in DUAL. The denitive instrument for baroque music. Since the strings of a harpsichord are plucked, there is no touch response. Mixes the same voice an octave higher for a more brilliant tone. The sound of a vibraphone played with relatively soft mallets.

C#1 D1 D#1

Grand Piano 2 E. Piano 1 E. Piano 2
To familiarize yourself with the characteristics of the voices, listen to the demo songs for each voice (page 14).
Voice: On the NP-30/YNP-25, the term voice means instrument sound.

E1 F1 F#1 G1 G#1 A1

Church Organ 1 Church Organ 2 Strings Harpsichord 1 Harpsichord 2 Vibraphone
When you select a voice, an appropriate reverb type will be selected automatically (page 20).
Re-adjust the [MASTER VOLUME] slider for the most comfortable listening level during your performance.

Combining Voices (Dual)

You can play voices simultaneously across the entire range of the keyboard. In this way, you can combine similar voices to create a thicker sound.
press two keys in the range of C1 through A1 simultaneously (or press one key while holding another) to engage Dual.
Refer to Selecting Voices on page 18 for more information on the voices that are assigned to the keys.
The voice assigned to the lower key will be designated as Voice 1, and the voice assigned to the higher key will be designated as Voice 2. You can make the following settings for Voices 1 and 2 in Dual: Setting the Octave You can shift the pitch up and down in octave steps for Voice 1 and Voice 2 independently. Depending on which voices you combine in Dual, the combination may sound better if one of the voices is shifted up or down an octave. While holding down the [GRAND PIANO] button, press one of the C4F4 keys.

Voice 1 Voice 2

Reverb in Dual
The reverb type assigned to Voice 1 will take priority. If the reverb assigned to Voice 1 is set to OFF, the reverb assigned to Voice 2 will be in effect.

Voice 1

C4 C#4 D4

Voice 2

D#4 E4 F4
Setting the Balance You can adjust the volume balance between two voices. For example, you can set one voice as the main voice with a louder setting, and make the other voice softer. While holding down the [GRAND PIANO] button, press one of the F#4F#5 keys. A setting of 0 produces an equal balance between the two Dual voices. Settings below 0 increase the volume of Voice 2 in relation to Voice 1, and settings above 0 increase the volume of Voice 1 in relation to Voice 2.

F#4 (-6) F#5 (+6)

2. While holding down the [GRAND PIANO] button,
press one of the C1A1 keys (or press the [GRAND PIANO/VOICE] button) to exit Dual and return to the normal single-voice play.
Adding Variations to the Sound Reverb
This control enables you to select four different types of reverb effect that add extra depth and expression to the sound to create a realistic acoustic ambience.

C2 C#2 D2 D#2 E2

Reverb Type
Room Hall1 Hall2 Stage Off
This setting adds a continuous reverb effect to the sound, similar to the acoustic reverberation you would hear in a room. For a bigger reverb sound, use the HALL 1 setting. This effect simulates the natural reverberation of a small-size concert hall. For a truly spacious reverb sound, use the HALL 2 setting. This effect simulates the natural reverberation of a large concert hall. Simulates the reverb of a stage environment. No effect is applied.
Selecting a Reverb Type While holding down the [GRAND PIANO] button, press one of the C2E2 keys to select a reverb type.
Adjusting Reverb Depth While holding down the [GRAND PIANO] button, press one of the C3A#3 keys to adjust the reverb depth for the selected voice.

A#3: depth 10

Reverb depth range: 0 (no effect) 10 (maximum depth)

C3: depth 0

The depth value increases as you press higher keys.

While holding down the [GRAND PIANO] button, press the B3 key to set the reverb to the depth most suitable for the selected voice.
The default reverb type (including OFF) and depth settings are different for each voice.

Transposition

The Transpose function makes it possible to shift the pitch of the entire keyboard up or down in semitone intervals to facilitate playing in difcult key signatures, and to let you easily match the pitch of the keyboard to the range of a singer or other instruments. For example, if you set the transposition amount to +5, playing key C produces pitch F. In this way, you can play a song as though it were in C major, and the NP-30/YNP-25 will transpose it to the key of F.
Setting the amount of transposition A While holding down the [SONG W/A] and [GRAND PIANO] buttons, press one of the F#2F#3 keys to set the desired amount of transposition.

F#2 F#3

Transpose: Changing the key signature. On the NP-30/YNP-25, transposing shifts the pitch of the entire keyboard.

C2 -6 -4 -2 +1 +3 +6

-5 -3 -+2 +4 +5
To transpose the pitch down (in semitone steps) A While holding down the [SONG W/A] and [GRAND PIANO] buttons, press any key between F#2 and B2. To transpose the pitch up (in semitone steps) A While holding down the [SONG W/A] and [GRAND PIANO] buttons, press any key between C#3 and F#3. To restore the normal pitch A While holding down the [SONG W/A] and [GRAND PIANO] buttons, press the C3 key.
Transposition range: F#2 (-6 semitones) C3 (normal pitch) F#3 (+6 semitones)

Fine tuning of the Pitch

You can ne tune the pitch of the entire instrument. This function is useful when you play the NP30/YNP-25 along with other instruments or CD music.
Setting the Pitch To raise the pitch (in steps of roughly 0.2 Hz): Hold down the E0, F0 and G0 keys simultaneously and press any key between C3 and B3. To lower the pitch (in steps of roughly 0.2 Hz): Hold down the E0, F0 and F#0 keys simultaneously and press any key between C3 and B3. To restore standard pitch: Hold down the E0, F0, F#0 and G0 keys simultaneously and press any key between C3 and B3.

Hz (Hertz):

This unit of measurement refers to the frequency of a sound and represents the number of times a sound wave vibrates in a second.

E0 G0 F0

Default setting:
The Default setting refers to the factory setting obtained when you rst turn on the power to the NP30/YNP-25.

C1 C2 C3 B3

E0 F0 F#0
Setting range: 427.0453.0 Hz Standard pitch: 440.0 Hz

Touch Sensitivity

You can adjust the volume level that changes depending on how fast or strong you hit the keys. The following four settings are available.

A5 A#5 B5 C6

FIXED SOFT MEDIUM HARD
The volume level does not change at all regardless of whether you play the keyboard soft or hard. The volume level does not change much when you play the keyboard soft or hard. This is the standard piano touch response (default setting). The volume level changes very widely from pianissimo to fortissimo to facilitate dynamic and dramatic expression. You have to hit the keys hard to produce a loud sound.
Setting the Touch Sensitivity Type While holding down the [GRAND PIANO] button, press one of the A5C6 keys to select the desired touch sensitivity.
The touch sensitivity settings may have little or no effect with Church Organ 1, 2 and Harpsichord 1, 2 voices that are not normally responsive to keyboard dynamics. Default setting: B5
Connecting MIDI Instruments
The NP-30/YNP-25 features MIDI IN/OUT terminals, allowing you to connect the NP-30/YNP-25 to other instruments and devicesincluding computersand take advantage of the various performance and recording capabilities in MIDI applications.
Connecting MIDI [IN] [OUT] terminals
MIDI [IN] [OUT] terminals
Use MIDI cables to connect external MIDI devices to these connectors.

About MIDI

MIDI (Musical Instrument Digital Interface) is a standard format for data transmission/reception. It enables the transfer of performance data and commands between MIDI devices and personal computers. Using MIDI, you can control a connected MIDI device from the NP-30/YNP-25, or control the NP-30/YNP-25 from a connected MIDI device or computer.

A While holding down the [SONG W/A] and [GRAND PIANO] buttons, press the C#6 key. Pressing the C#6 key repeatedly toggles between Program Change On and Off.
For information on program change numbers for each of the NP-30s/YNP-25s voices, refer to MIDI Data Format on page 28. Default setting: ON

Control Change ON/OFF

Normally the NP-30/YNP-25 will respond to MIDI control change data received from an external MIDI device or keyboard, causing the voice on the corresponding channel to be affected by pedal and other control settings received from the controlling device (the keyboard voice is not affected). The NP-30/YNP-25 also transmits MIDI control change information when the pedal or other appropriate controls are operated. This function makes it possible to cancel control change data reception and transmission so that, for example, the NP-30s/YNP-25s pedal and other controls can be operated without affecting an external MIDI device.
A While holding down the [SONG W/A] and [GRAND PIANO] buttons, press the D6 key. Pressing the D6 key repeatedly toggles between Control Change On and Off.
For information on control changes that can be used with the NP-30/YNP-25, refer to MIDI Data Format on page 28. Default setting: ON

Troubleshooting

Problem
The NP-30/YNP-25 does not turn on.
Possible Cause and Solution
The NP-30/YNP-25 has not been plugged in properly. Securely insert the female plug into the jack on the NP-30/YNP-25, and the male plug into a proper AC outlet (page 11). The batteries are low or dead. Replace all six batteries with completely new alkaline ones, or use the optional AC adaptor.
Noise is heard from the speakers or headphones.
The noise may be due to interference caused by the use of a mobile phone in close proximity to the NP-30/YNP-25. Turn off the mobile phone, or use it further away from the NP-30/YNP-25. The batteries are low or dead. Replace all six batteries with completely new alkaline ones, or use the optional AC adaptor.
The overall volume is low, or no sound is heard.
The Master Volume is set too low; set it to an appropriate level using the [MASTER VOLUME] control. Make sure a pair of headphones is not connected to the headphones jack (page 13). Make sure that Local Control (page 25) is ON. The batteries are low or dead. Replace all six batteries with completely new alkaline ones, or use the optional AC adaptor.

The sound is distorted.

If you are using manganese batteries with the instrument, try replacing them with a set of new alkaline batteries. Alternately, you could use the AC adaptor instead, or try turning down the volume. The pedal cable/plug may not be properly connected. Make sure to securely insert the pedal plug into the SUSTAIN jack (page 13).

The sustain pedal has no effect.

Optional Equipment

Foot Pedal (FC3/FC4/FC5) Keyboard Stand (L-2C) USB-MIDI interface (UX16 ) Headphones (HPE-150/HPE-30)

MIDI Data Format

If youre already very familiar with MIDI, or are using a computer to control your music hardware with computer-generated MIDI messages, the data provided in this section can help you to control the NP-30/YNP-25.

1. NOTE ON/OFF

Data format: [9nH] -> [kk] -> [vv]
9nH = Note ON/OFF event (n = channel number) kk = Note number (Transmit: 09H78H = A-2C8 / Receive: 00H7FH = C-2G8) vv = Velocity (Key ON = 01H7FH, Key OFF = 00H)

3. MODE MESSAGES

Data format: [BnH] -> [cc] -> [vv]
BnH = Control event (n = channel number) cc = Control number vv = Data Range (1) All Sound Off ccH Parameter 78H All Sound Off (2) Reset All Controllers ccH Parameter 79H Reset All Controllers Resets controllers as follows. Controller Expression Sustain Pedal Sostenuto Soft Pedal Data Range (vvH) 00H Data Range (vvH) 00H Value 127 (max) 0 (off) 0 (off) 0 (off)
Data format: [8nH] -> [kk] -> [vv] (reception only)
8nH = Note OFF event (n = channel number) kk = Note number: 00H7FH = C-2G8) vv = Velocity

2. CONTROL CHANGE

BnH = Control change (n = channel number) cc = Control number vv = Data Range (1) Bank Select ccH Parameter Data Range (vvH) 00H Bank Select MSB 00H:Normal 20H Bank Select LSB 00H.7FH Bank selection processing does not occur until receipt of next Program Change message. (2) Main Volume ccH Parameter 07H Volume MSB Data Range (vvH) 00H.7FH
(3) Local Control (reception only) ccH Parameter Data Range (vvH) 7AH Local Control 00H (off), 7FH (on) (4) All Notes Off ccH Parameter Data Range (vvH) 7BH All Notes Off 00H Switches OFF all the notes that are currently ON on the specied channel. Any notes being held by the sustain or sostenuto pedal will continue to sound until the pedal is released. (5) Omni Off (reception only) ccH Parameter Data Range (vvH) 7CH Omni Off 00H Same processing as for All Notes Off. (6) Omni On (reception only) ccH Parameter Data Range (vvH) 7DH Omni On 00H Same processing as for All Notes Off. (7) Mono (reception only) ccH Parameter Data Range (vvH) 7EH Mono 00H Same processing as for All Sound Off. (8) Poly (reception only) ccH Parameter Data Range (vvH) 7FH Poly 00H Same processing as for All Sound Off. When Control Change is turned OFF, Control Change messages will not be transmitted or received. Local on/off, OMNI on/off are not transmitted. (The appropriate note off number is supplied with All Note Off transmission). When a voice bank MSB/LSB is received, the number is stored in the internal buffer regardless of the received order, then the stored value is used to select the appropriate voice when a program change message is received. Poly mode is always active. This mode will not change when the instrument receives a MONO/POLY mode message.

11. SYSTEM EXCLUSIVE MESSAGES (Others)
Data format: [F0H] -> [43H] -> [1nH] -> [27H] -> [30H] -> [00H] -> [00H] -> [mmH] -> [llH] -> [ccH] -> [F7H]
Master Tuning (XG and last message priority) simultaneously changes the pitch of all channels. F0H = Exclusive Status 43H = Yamaha ID 1nH = When received, n=0F. When transmitted, n=0. 27H = Model ID of TG100 30H = Sub ID 00H = 00H = mmH = Master Tune MSB llH = Master Tune LSB ccH = irrelevant (under 7FH) F7H = End of Exclusive
Data format: [F0H] -> [43H] -> [0nH] -> [4CH] -> [aaH] -> [bbH] -> [hhH] -> [mmH] -> [llH] ->[ddH] ->.-> [ccH] -> [F7H]
F0H = Exclusive status 43H = YAMAHA ID 0nH = When received, n=0F. When transmitted, n=0. 4CH = Model ID of XG aaH = ByteCount bbH = ByteCount hhH = Address High mmH = Address Mid llH = Address Low ddH = Data | | | | ccH = Check sum F7H = End of Exclusive Receipt of the XG SYSTEM ON message causes reinitialization of relevant parameters and Control Change values. Allow sufcient time for processing to execute (about 50 msec) before sending the NP-30/YNP-25 another message. XG Native Parameter Change message may contain two or four bytes of parameter data (depending on the parameter size). For information about the Address and Byte Count values, refer to Table 1 below. Note that the tables Total Size value gives the size of a bulk block. Only the top address of the block (00H, 00H, 00H) is valid as a bulk data address.
9. SYSTEM EXCLUSIVE MESSAGES (Digital Piano MIDI Format)
Data format: [F0H] -> [43H] -> [73H] -> [01H] -> [nnH] -> [F7H]
F0H = 43H = 73H = 01H = nnH = 02H 03H F7H = Exclusive status Yamaha ID Digital Piano ID Product ID (digital piano common) Substatus Internal MIDI clock External MIDI clock End of Exclusive

<Table 1>

MIDI Parameter Change table (SYSTEM) Address (H) Size (H) Data (H) 020C05F4(*1) 1 7E 7F TOTAL SIZE 07 007F Parameter MASTER TUNE Description -50+50[cent] 1st bit 30 bit 1512 2nd bit 30 bit 118 3rd bit 30 bit 74 4th bit 30 bit 00=XG sytem ON 00=ON (receive only) Default value (H) 400
MASTER VOLUME XG SYSTEM ON RESET ALL PARAMETERS
*1: Values lower than 020CH select -50 cents. Values higher than 05F4H select +50 cents.

<Table 2>

MIDI Parameter Change table (EFFECT 1)
Refer to the Effect MIDI Map for a complete list of Reverb, Chorus and Variation type numbers. Address (H) 00 Size (H) 2 Data (H) 007F 007F Parameter REVERB TYPE MSB REVERB TYPE LSB Description Refer to Effect MIDI Map 00 : basic type Refer to Effect MIDI Map 00 : basic type Default value (H) 01 (=HALL1) (=Effect off) 00

When an optional FC3 Foot Pedal is connected, the half pedal effect can be used. Specications and descriptions in this owners manual are for information purposes only. Yamaha Corp. reserves the right to change or modify products or specications at any time without prior notice. Since specications, equipment or options may not be the same in every locale, please check with your Yamaha dealer.
Combining Voices (Dual)..19 Connecting a Personal Computer..24
Song... 15 [SONG W/A] button.. 14, 15 Specifications.. 34 [STANDBY/ON] switch.. 12 Start/stop playback... 15 Demo songs... 14 Piano Preset Song.. 15 [SUSTAIN] jack.. 13
DC IN 12V...11 Default setting...21 Demo Songs...14 Dual....19
[GRAND PIANO] button..18, 19, 20, 22 Touch Sensitivity... 22 Transposition... 21 Troubleshooting.. 27 Tuning Fine tuning of the Pitch.. 21

Hz (Hertz)...21

[MASTER VOLUME] slider..13 Metronome...16 MIDI [IN] [OUT]...23 MIDI Data Format...28 MIDI Implementation Chart..32 MIDI terminals...23 Music Rest..13 Voice... 18 VOICE/SONG [BACK<<], [>>NEXT] button... 14, 15, 18

Optional Equipment..27

Panel Controls and Terminals..10 [PHONES/OUTPUT] jack..13 Piano Preset Songs...15 PRECAUTIONS..4, 5 Preset songs Piano Preset Songs..15

Reverb...20

For details of products, please contact your nearest Yamaha representative or the authorized distributor listed below. Pour plus de dtails sur les produits, veuillez-vous adresser Yamaha ou au distributeur le plus proche de vous gurant dans la liste suivante.
Die Einzelheiten zu Produkten sind bei Ihrer unten aufgefhrten Niederlassung und bei Yamaha Vertragshndlern in den jeweiligen Bestimmungslndern erhltlich. Para detalles sobre productos, contacte su tienda Yamaha ms cercana o el distribuidor autorizado que se lista debajo.

NORTH AMERICA

CANADA
Yamaha Canada Music Ltd. 135 Milner Avenue, Scarborough, Ontario, M1S 3R1, Canada Tel: 416-298-1311
THE NETHERLANDS/ BELGIUM/LUXEMBOURG
Yamaha Music Central Europe GmbH, Branch Benelux Clarissenhof 5-b, 4133 AB Vianen, The Netherlands Tel: 0347-358 040
THE PEOPLES REPUBLIC OF CHINA
Yamaha Music & Electronics (China) Co.,Ltd. 25/F., United Plaza, 1468 Nanjing Road (West), Jingan, Shanghai, China Tel: 021-6247-2211

PANAMA AND OTHER LATIN AMERICAN COUNTRIES/ CARIBBEAN COUNTRIES
Yamaha Music Latin America, S.A. Torre Banco General, Piso 7, Urbanizacin Marbella, Calle 47 y Aquilino de la Guardia, Ciudad de Panam, Panam Tel: +507-269-5311

SINGAPORE

Yamaha Music Asia Pte., Ltd. #03-11 A-Z Building 140 Paya Lebor Road, Singapore 409015 Tel: 747-4374

FINLAND

F-Musiikki Oy Kluuvikatu 6, P.O. Box 260, SF-00101 Helsinki, Finland Tel: 09 618511

TAIWAN

Yamaha KHS Music Co., Ltd. 3F, #6, Sec.2, Nan Jing E. Rd. Taipei. Taiwan 104, R.O.C. Tel: 02-2511-8688

EUROPE

THE UNITED KINGDOM
Yamaha-Kemble Music (U.K.) Ltd. Sherbourne Drive, Tilbrook, Milton Keynes, MK7 8BL, England Tel: 01908-366700

NORWAY

Norsk lial av Yamaha Scandinavia AB Grini Nringspark 1 N-1345 sters, Norway Tel: 77 70

THAILAND

Siam Music Yamaha Co., Ltd. 891/1 Siam Motors Building, 15-16 oor Rama 1 road, Wangmai, Pathumwan Bangkok 10330, Thailand Tel: 02-215-2626

ICELAND

Skifan HF Skeifan 17 P.O. Box 8120 IS-128 Reykjavik, Iceland Tel: 525 5000

IRELAND

Danfay Ltd. 61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin Tel: 01-2859177

OTHER ASIAN COUNTRIES

Yamaha Corporation, Asia-Pacic Music Marketing Group Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2317

GERMANY

Yamaha Music Central Europe GmbH Siemensstrae 22-34, 25462 Rellingen, Germany Tel: 04101-3030

OTHER EUROPEAN COUNTRIES

Yamaha Music Central Europe GmbH Siemensstrae 22-34, 25462 Rellingen, Germany Tel: +49-4101-3030
SWITZERLAND/LIECHTENSTEIN
Yamaha Music Central Europe GmbH, Branch Switzerland Seefeldstrasse 94, 8008 Zrich, Switzerland Tel: 01-383 3990

AFRICA

Yamaha Corporation, Asia-Pacic Music Marketing Group Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2312

OCEANIA

AUSTRALIA
Yamaha Music Australia Pty. Ltd. Level 1, 99 Queensbridge Street, Southbank, Victoria 3006, Australia Tel: 3-9693-5111

AUSTRIA

Yamaha Music Central Europe GmbH, Branch Austria Schleiergasse 20, A-1100 Wien, Austria Tel: 01-60203900

MIDDLE EAST

TURKEY/CYPRUS

NEW ZEALAND

Music Houses of N.Z. Ltd. 146/148 Captain Springs Road, Te Papapa, Auckland, New Zealand Tel: 9-634-0099
CZECH REPUBLIC/SLOVAKIA/ HUNGARY/SLOVENIA
Yamaha Music Central Europe GmbH, Branch Austria, CEE Department Schleiergasse 20, A-1100 Wien, Austria Tel: 01-602039025

OTHER COUNTRIES

Yamaha Music Gulf FZE LOB 16-513, P.O.Box 17328, Jubel Ali, Dubai, United Arab Emirates Tel: +971-4-881-5868
COUNTRIES AND TRUST TERRITORIES IN PACIFIC OCEAN

POLAND

Yamaha Music Central Europe GmbH Sp.z. o.o. Oddzial w Polsce ul. 17 Stycznia 56, PL-02-146 Warszawa, Poland Tel: 022-868-07-57
HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division
Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650 Tel: +81-53-460-3273

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Yamaha Home Keyboards Home Page (English Only) http://music.yamaha.com/homekeyboard Yamaha Manual Library http://www.yamaha.co.jp/manual/
U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation 2007 Yamaha Corporation WJ15960 703POXXXX.X-01A0 Printed in China