Cubase SX3 / 01V96 V2 Setup and Operation

Page 1

This document describes setup and operation for remote control of Cubase SX from the 01V96 digital mixing console. These instructions apply to 01V96 V2.0 or higher and Cubase SX V3.0.0 or higher. Driver Installation 1) Connect your PC or Macintosh computer The 01V96 should be connected to your computer by connecting the TO HOST USB port on the 01V96 to a USB port on your computer. Install Driver Once your computer is connected, you will need to install the USB-MIDI driver included on the 01V96 CD-ROM. It is recommended that you install the latest driver which can be downloaded from www.yamahaproaudio.com
Configuring 01V96 V2 1) 2) Press the [DIO/SETUP] display access key and select the MIDI/TO HOST screen. Set the DAW port assignment to USB 2-3 (this allows USB port 1 to be used for the Studio Manager 01V96 Editor software. Note: you must use USB ports 2-3 for DAW Control and USB port 1 for the 01V96 Studio Manager Editor if you intend to use these two applications simultaneously. Press the [DIO/SETUP] display access key and select the REMOTE page. Then assign CUBASE SX as the Target for the Remote layer. (See About Remote Function in the 01V96 manual for more information.) Press the [REMOTE] LAYER button to select the Cubase SX Remote Control Layer. When the Cubase SX Remote Control Layer is selected, the 01V96s control surface controls Cubase SX rather than the internal mixing of the 01V96. In order to control the 01V96, you need to select an Input Channel Layer or the Master Layer. Audio mixing on the Input and Master Layers continues while the Cubase SX Layer is selected.
Cubase SX3 / 01V96 V2 Setup and Operation Configuring Cubase SX V3.0.0 or higher 1) 2) Click on the Devices menu and select Device Setup.

Page 2

Click on the + icon (Add Device), then click on Yamaha 01V96 V2. This will cause Yamaha 01V96 V2 to appear in the Devices column on the left side of this window. In the right side of the Device Setup window, assign 01V96 V2 to the correct MIDI Input and Output ports. For example, if you have chosen USB 2-3 on 01V96 V2, choose YAMAHA USB 0-2 in Windows XP/2000 systems (choose YAMAHA 01V96 Port2 in Mac OS X). Then select the same port number for MIDI Output. This will cause USB ports 2 and 3 to be assigned for remote control of Cubase SX from 01V96 V2. The grid below the MIDI port assignment, showing various F key commands can be ignored. The function of USER DEFINED keys on 01V96 V2 are assigned from the mixing console and they cannot be edited in this list. These functions are described later in this document. After completing these assignments, click Apply towards the bottom of the Device Setup window. Then click OK to exit this window.

Controlling Cubase SX

Input Channel Controls Faders 1-16 control the levels of Cubase SX channels 1-16. (Refer to the User Defined Keys description below for information about accessing Cubase SX channels beyond 1-16.) The first four characters of the names of the Cubase SX channels appear in the LCD of 01V96 when the CHANNEL display is selected by the F3 display key. Also PAN position is displayed here and can be adjusted with the PAN encoder in the SELECTED CHANNEL (Remember to select the required channel first by pressing the appropriate SEL button on 01V96 V2). The 01V96 V2 ON switches control each Cubase SX channels MUTE, and the SOLO and SEL switches also control Cubase SXs corresponding functions. By changing the 01V96s FADER MODE to AUX1-AUX8, CUBASE SXs SENDS can be controlled and displayed on the LCD (not on the Faders). The level is adjusted with the Parameter Wheel, and the send can be switched ON/OFF by pressing ENTER.
Cubase SX3 / 01V96 V2 Setup and Operation Selected Channel Functions

Page 3

Pressing the INSERT/DELAY switch in the DISPLAY ACCESS section of 01V96 will cause the VST Audio Channel Settings window to open in Cubase SX. EQ The four bands of EQ GAIN, FREQUENCY and Q on 01V96 control the same functions on the selected Cubase SX channel. To switch an EQ band On or Off, hold down the LOW/LOW-MID/HIGH-MID/HIGH switch for one second. The entire EQ section can be bypassed by pressing the [EQ] display access key on the 01V96 console. PAN The PAN encoder on 01V96 controls the pan functions of Cubase SX. FX Sends, Routing and Insert Editing Press the F2 key under the LCD to display FX Send, Routing and Plug-in information on the LCD of 01V96. FX SENDS Move the Cursor in the 01V96 LCD to the box labelled SEND on the left-side of the display, and click ENTER to show FX Send information. The virtual encoders in the screen can be used to edit various functions, by moving the cursor to them and using the 01V96s large PARAMETER WHEEL: Encoder 1 edits the send level. Encoder 2 edits the send On/Off status (by turning the PARAMETER wheel). Encoder 3 edits between Pre and Post Fader (by turning the PARAMETER wheel). Pressing ENTER on any of the 4 encoders will bypass all sends.

There are 8 sends spread over 8 pages. To access different sends, use the LEFT and RIGHT arrow buttons below the LCD. ROUTING Move the cursor over the ROUT box in the 01V96s LCD, and press ENTER to access Routing information in the LCD. There are two pages, accessed by pressing the LEFT and RIGHT arrow buttons below the LCD. The following functions can be edited: Page 1 Encoder 1 chooses the Output Bus for the selected channel Encoder 2 switches the Monitor On/Off (by pressing ENTER or turning the PARAMETER wheel) Encoder 3 selects the Input bus
Cubase SX3 / 01V96 V2 Setup and Operation

Page 4

Encoder 4 shows the Input Gain (this parameter cannot currently be edited by 01V96)
Page 2 Only Encoder 1 has a function. It is used to switch the Input Phase On/Off (by pressing ENTER or turning the PARAMETER wheel). INSERTS Move the cursor over the PLUGIN box in the 01V96s LCD, and press ENTER to access INSERT information in the LCD. Encoder 1 selects which insert is to be edited Encoder 2 switches the insert On/Off (by turning the PARAMETER wheel) Encoder 3 selects the type of effect to insert
Once an Effect has been selected, all the parameters can be edited by changing the page viewed on the LCD (by pressing the LEFT and RIGHT arrow buttons below the LCD). The number of pages available depends on the number of parameters used by the Effect. Note: in any of the above modes, the EFFECT DISPLAY switch toggles between showing the parameter names and the parameter values on the LCD. Meters & Time Counter By pressing the F4 key below the LCD of 01V96, the level meters and names for the channels being controlled by the faders are shown. In the upper part of the LCD, the Time Counter is shown, with an indication of the scale (Time Code, Feet + Frames, Bars + Beats). If Samples is chosen as the scale, then no indication of scale is shown. Also in the upper part of the display is an indication of whether the Parameter Wheel of 01V96 is being used for SCRUB or for normal parameter adjustment.
Cubase SX3 / 01V96 V2 Setup and Operation Transport, Automation & User Defined Keys

Page 5

By pressing the 01V96s STEREO Master SEL switch, the Channel SEL keys change their function to control automation Read and Write modes. See DAW AUTO LATCH in the table below for more details. With 01V96 V2, the USER DEFINED KEYS can be assigned to DAW control functions, such as various transport and automation functions. To edit the USER DEFINED functions, you must first exit from the REMOTE layer. Then press the UTILITY button and access the USER DEF screen. USER DEFINED BANKS C and D are preset for the following functions: Bank Key Function Name C 1 UDEF KEYS BANK D 2 DAW WIN MIX/EDIT 3 DAW BANK 8 DAW BANK + DAW SHUTTLE DAW SCRUB DAW STOP DAW PLAY UDEF KEYS BANK C DAW OPTION/ALL DAW AUTO READ DAW AUTO TOUCH DAW AUTO LATCH DAW AUTO WRITE DAW AUTO TRIM DAW AUTO OFF Cubase SX control - (Changes to Bank D) Opens/Closes the Mixer Window Moves the Fader Bank down by 8 channels, to edit settings of lower numbered channels Moves the Fader Bank up by 8 channels, to edit settings of higher numbered channels Transport Control: Shuttle (in conjunction with turning the PARAMETER wheel) Transport Control: Scrub (in conjunction with turning the PARAMETER wheel) Transport Control: Stop Transport Control: Play - (Changes to Bank C) Changes the AUTOMIX On/Off mode for the channel SEL keys between READ and WRITE. Sets all channels to automation WRITE -

Cubase SX3 / 01V96 V2 Setup and Operation Other User Defined Key functions

Page 6

The USER DEFINED KEYS on 01V96 can be programmed for a variety of other DAW control functions. Not all of the 01V96 DAW functions work with Cubase SX, but the table below lists those which do. These functions can only be assigned to the USER DEFINED KEYS when the console is not in a REMOTE layer, but they will work even when the REMOTE layer is not selected:
01V96 Function DAW REC DAW FF DAW REW DAW IN DAW OUT DAW RTZ DAW END DAW ONLINE DAW LOOP DAW QUICKPUNCH DAW AUTO SUSPEND DAW WIN TRANSPORT DAW WIN MEM-LOC DAW WIN STATUS DAW UNDO DAW SAVE DAW Channel DAW Channel + DAW REC/RDY X
Cubase SX function Transport Control: Record Transport Control: Fast Forward Transport control: Rewind Locate to Left Marker Locate to Right Marker Locate to Zero Locate to End of Project Switch SYNC online/offline Transport Control: Loop playback Switch Punch In on/off. Sets all channels to automation READ Brings Project Window to the front Show/hide Transport Window Show/hide Performance Window Undo last edit Save Project Moves the Fader Bank down by one channel. Moves the Fader Bank up by one channel. Record Enable for the chosen track number

Owners Manual

Keep This Manual For Future Reference.

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/ or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA. 3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class B digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.
not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit OFF and ON, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line lter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620 The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.

(class B)

ADVARSEL!
LithiumbatteriEksplosionsfare ved fejlagtig hndtering. Udskiftning m kun ske med batteri af samme fabrikat og type. Levr det brugte batteri tilbage til leverandoren.
IMPORTANT NOTICE FOR THE UNITED KINGDOM Connecting the Plug and Cord
WARNING: THIS APPARATUS MUST BE EARTHED IMPORTANT. The wires in this mains lead are coloured in accordance with the following code: GREEN-AND-YELLOW : EARTH BLUE : NEUTRAL BROWN : LIVE As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug proceed as follows: The wire which is coloured GREEN-and-YELLOW must be connected to the terminal in the plug which is marked by the letter E or by the safety earth symbol or colored GREEN or GREEN-and-YELLOW. The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
This applies only to products distributed by Yamaha-Kemble Music (U.K.) Ltd. (3 wires)

VARNING

Explosionsfara vid felaktigt batteribyte. Anvnd samma batterityp eller en ekvivalent typ som rekommenderas av apparattillverkaren. Kassera anvnt batteri enligt fabrikantens instruktion.

VAROITUS

Paristo voi rjht, jos se on virheellisesti asennettu. Vaihda paristo ainoastaan laitevalmistajan suosittelemaan tyyppiin. Hvit kytetty paristo valmistajan ohjeiden mukaisesti.

(lithium caution)

NEDERLAND / THE NETHERLANDS
Dit apparaat bevat een lithium batterij voor geheugen back-up. This apparatus contains a lithium battery for memory back-up. Raadpleeg uw leverancier over de verwijdering van de batterij op het moment dat u het apparaat ann het einde van de levensduur afdankt of de volgende Yamaha Service Afdeiing: Yamaha Music Nederland Service Afdeiing Kanaalweg 18-G, 3526 KL UTRECHT Tel. 030-2828425 For the removal of the battery at the moment of the disposal at the end of the service life please consult your retailer or Yamaha Service Center as follows: Yamaha Music Nederland Service Center Address : Kanaalweg 18-G, 3526 KL UTRECHT Tel : 030-2828425 Gooi de batterij niet weg, maar lever hem in als KCA. Do not throw away the battery. Instead, hand it in as small chemical waste.

Control Surface & Rear Panel
2 Control Surface & Rear Panel

Control Surface

AD Input Section (p. 14) SCENE MEMORY Section (p. 21)
DISPLAY ACCESS Section (p. 18)

CH9-12

PHANTOM +48V

IN OUT

-10dBV (UNBAL)

PHONES

INSERT OUT IN (UNBAL)

INSERT I/O

CH15/16 2TR IN

MONITOR 2TR IN

20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB +4 GAIN -26 +4 GAIN -LEVEL LEVEL 10

MONITOR OUT

-16 GAIN PEAK SIGNAL -60 -16 GAIN PEAK SIGNAL -60 -16 GAIN PEAK SIGNAL -60 -16 GAIN PEAK SIGNAL -60 -16 GAIN PEAK SIGNAL -60 -16 GAIN PEAK SIGNAL -60 -16 GAIN PEAK SIGNAL -60 -16 GAIN PEAK SIGNAL -60 -16 GAIN PEAK SIGNAL -60 -16 GAIN PEAK SIGNAL -60 -16 GAIN PEAK SIGNAL -60 -16 GAIN PEAK SIGNAL -60 +4 GAIN -26 +4 GAIN -26
Monitor Out & Headphones Section (p. 15)

PEAK SIGNAL

PEAK 16 SIGNAL

DISPLAY ACCESS

SCENE MEMORY

DIO/SETUP

UTILITY STORE RECALL
FADER MODE Section (p. 17)
OVER PAN/ / INSERT/ ROUTING DELAY PAIR/ GROUP PATCH 0 -3 -6 DYNAMICS EQ EFFECT VIEW

SELECTED CHANNEL

SOLO Section (p. 22)

FADER MODE

Display Section (p. 19)
-9 -12 -15 -18 -24 -30 -36 -48 Q HIGH

EQUALIZER

STEREO
AUX 5 AUX 6 AUX 7 AUX 8 HIGH-MID
Data Entry Section (p. 22)

FREQUENCY

HOME (METER)

LOW-MID

LAYER Section (p. 19)

MASTER REMOTE

LOW ST IN
SELECTED CHANNEL Section (p. 20)

SEL SOLO

ST IN 1

ST IN 2

USER DEFINED KEYS

ST IN Section (p. 17)

Channel Strip Section (p. 16)

STEREO Section (p. 16)

USER DEFINED KEYS Section (p. 21)
Note: Screw holes for attaching a cover are located at both sides of the AD input section of the 01V96. (Size M3, horizontal spacing 417 mm, vertical spacing 36 mm.) You may wish to fabricate your own cover and attach it to the front panel to prevent the controls from being operated inadvertently. Yamaha does not sell such a cover. If you fabricate and attach your own cover, make sure that the mounting screws do not extend more than 10 mm into the front panel. You will need to allow approximately 1520 mm between the top panel and the cover in order to clear the control knobs and buttons.

These tabs enable you to select a display page.

M Tab Scroll arrows

These arrows indicate that more pages are available.

Selecting Display Pages

To select a display page: 1 Press the corresponding button on the top panel to select the desired page group. Display pages are grouped by function. To select a page group, press the desired button in the DISPLAY ACCESS section. 2 You can select pages that have currently-displayed tabs by pressing the [F1][F4] buttons. If the selected display page group contains multiple pages, press the [F1][F4] buttons below the corresponding tab to select a specic page. 3 To select a page for which a tab is not currently displayed, press either the Left or Right [ ]/[ ] Tab Scroll button (depending on where the page is located) to display the page tab, then press the corresponding [F1][F4] button. If display page groups contain more than four pages, either the left or right arrow appears. To display the currently-hidden tabs, press the Right or Left [ ]/[ ] Tab Scroll button. You can also select a page from a page group as follows: Selecting the next page in a page group: Press the button you selected in Step 1 repeatedly. This enables you to select a page that has a hidden tab. To select the previous page in a page group: Press and hold down the button you selected in Step 1. The screen steps back through the pages one by one. Release the button when the desired page is displayed. This enables you to select a page that has a hidden tab. To select the rst page in the group: Double-click the button you selected in Step 1.

Display Interface

4 Press the cursor buttons to move the cursor (a bold frame) to a button, parameter box, rotary control, or fader so that you can change the value. Tip: The 01V96 remembers the current page and parameter when you select a new page group. If you return to the previous page group, the 01V96 displays the correct page, with the same parameter selected. You can also select a page by using the controls or buttons on the top panel (see page 230).

Selecting Fader Modes

The function of channel faders (116) depends on the selected Layer and Fader mode. 1 Select a layer that includes the desired channel (see page 31). 2 Press the FADER MODE buttons to select a Fader mode. The button indicators identify the following Fader modes: When the [HOME] button indicator lights up: You can use channel faders to control Input Channels and ST IN Channel levels or Output Channels (Aux Out 18, Bus Out 18) master levels. When one of the [AUX1][AUX8] button indicators light up: You can use channel faders to control the corresponding Aux Send level.
The following table shows the channel fader functions for each Layer and Fader mode.
LAYER buttons Fader Mode [HOME] button [AUX1][AUX8] buttons [HOME] button [AUX1][AUX8] buttons [HOME] button [AUX1][AUX8] buttons [HOME] button [AUX1][AUX8] buttons Channel Strip Fader 18 Input Channel 116 level Input Channel 116 Aux Send level Input Channel 1732 level Input Channel 1732 Aux Send level Operation depends on the selected target (see page 189). Aux Send master 18 output level No operation Bus Out master18 output level 916

[116] button

[1732] button

[REMOTE] button

[MASTER] button
Note: You cannot select the [AUX1][AUX8] buttons while the Master layer is selected. If you switch to the Master layer while one of the [AUX1][AUX8] button indicators is lit, the indicator automatically turns off and the [HOME] button indicator lights up.

Metering

This section describes how to check Input and Output Channel levels using the Meter pages. 1 Press the FADER MODE [HOME] button repeatedly until the Meter | Position page appears. This page enables you to set the metering position for Input and Output Channels.

A INPUT section

This section enables you to select the metering position for Input Channel and ST IN Channel signals.

B OUTPUT section

This section enables you to select the metering position for Output Channel (Aux Out 18, Bus Out 18, Stereo Out) signals. 2 Move the cursor to the desired parameter button in the INPUT or OUTPUT section, then press [ENTER]. You can select one of the following three positions in each section. PRE EQ. Immediately before EQ. PRE FADER. Immediately before the fader. POST FADER.. Immediately after the fader. 3 Press the FADER MODE [HOME] button repeatedly until the page listed below that contains the desired channels appears. - CH1-32 page This page displays the Input Channel 132 levels respectively.

Input Channels

7 Input Channels
This chapter describes how to adjust the 01V96s Input Channel parameters.

About Input Channels

The input Channel section enables you to adjust the level and tone of the signals input to the 01V96 (and the signals output from the internal Effects processors 14), and route the signals to Buses 18, the Stereo Bus, and Aux Sends 18. There are two types of Input Channels, each featuring slightly different functions: monaural Input Channels 132 and stereo ST IN Channels 14.

Input Channels 132

Each of these monaural Input Channels features a phase effect, gate, compressor, attenuator, and EQ for signal processing. The following diagram illustrates the Input Channel 132 signal ow.

INPUT PATCH

Input Channels 132 feature the following parameters: (Phase) This section switches the phase of input signals.
GATE This dynamics processor can be used as a gate or for ducking. COMP (Compressor) This dynamics processor can be used as compressor, expander or limiter. The compressor can be pre-EQ, pre-fader, or post-fader. ATT (Attenuator) This section enables you to attenuate or amplify the level of signals that will be input to the EQ. The attenuator enables you to prevent post-EQ signals from clipping and to correct signal levels that are too low. 4 BAND EQ (4-band equalizer) This parametric EQ features four bands (high, high-mid, low-mid, and low). INPUT DELAY (Input delay) This section enables you to delay input signals. You can use this delay to ne-tune the timing between channels, or as a delay effect with feedback.

Chapter 7Input Channels

ON (On/Off) This section enables you to turn the channel on or off. The channel is muted with the Off setting. LEVEL This section enables you to adjust the input level of the Input Channel signal. PAN This section enables you to adjust the pan setting of the signals routed from the Input Channels to the Stereo Bus. You can also apply the pan setting to a pair of Bus channels. AUX (Aux Send level) This section enables you to adjust the level of signals routed to Aux Sends 18. The signals can be routed to Aux Sends from either the pre-fader or post-fader position. INSERT This section enables you to patch input signals to external devices via the on-board I/O connectors or I/O card, or insert the internal effect processors. You can patch any inputs, outputs, or I/O card channels. (Note that this is different from the INSERT I/O connectors in the AD Input section.) METER This section enables you to switch the metering position of the signal levels that are displayed in the Meter page. (See page 34 for more information on selecting the metering position.)

ST IN Channels 14

These stereo channels enable you to process stereo signals using the phase effect, attenuator, and EQ. The following diagram illustrates the ST IN Channel 14 signal ow.

12 Surround Pan

This chapter describes surround panning, which determines how Input Channel signals are panned within and across the stereo eld.

About Surround Pan

The Surround Pan function places a sound image within a two-dimensional eld using a multi-channel playback system, and pans the image to the front, rear, left, and right in relation to the listening position. To pan the stereo image, you can use the Parameter wheel, or [INC]/[DEC] buttons. If each channels follow pan (see page 89) is turned off, you can route the signals to the corresponding Bus Outs regardless of the Surround Pan setting. This is convenient when you wish to assign the surround source or surround effect returns to the Buses. If Nominal Pan (see page 231) in the Prefer1 page is checked, the level of the Input Channels that are panned hard left or right will be used as the nominal level. If the check box is not checked, the nominal level will be +3dB. Note: If you save a scene with the Follow Pan function turned off while using a 01V96 that runs rmware older than Version 2.0, the surround settings of the scene may not be played back correctly. You can also store the surround pan settings in a Scene. In addition to a normal Stereo mode, the 01V96 features the following three Surround modes: 3-1 This mode uses four channels that include front left, front right, front center, and rear.

Front L Center Front R

Surround
5.1 This mode uses six channels that include front left, front right, rear left, rear right, front center, and subwoofer.

Subwoofer

Front L

Center

Front R

Rear L

Rear R

Chapter 12Surround Pan

6.1 This mode uses seven channels that include six channels of 5.1 mode plus rear center.

Front L Center

Rear center
When you select one of these Surround modes, each surround channel signal is output as the Bus Out signal specied on the DIO/Setup | Surr Bus page (see page 139). The following table shows the factory-default Surround Channel to Bus Out assignment in each Surround mode.
Surround Mode 3-1 5.1 6.1 BUS1 L Front left L Front left L Front left BUS2 R Front right R Front right R Front right BUS3 C Center Ls Rear left Ls Rear left BUS4 S Surround Rs Rear right Rs Rear right BUS5 C Center C Center BUS6 LFE Subwoofer Bs Rear center BUS7 LFE Subwoofer

Controlling Parameters by Using Parameter Changes
You can control 01V96 parameters in real time by using Parameter Change messages that are System Exclusive messages, instead of using MIDI Control Changes. See MIDI Data Format at the end of this Manual for detailed information on available Parameter Changes. 1 Press the DISPLAY ACCESS [DIO/SETUP] button repeatedly until the DIO/Setup | MIDI/Host page appears, then specify ports for transmission and reception of MIDI messages (see page 216). 2 Make connections using the ports selected in Step 1 so that the 01V96 can transmit and receive MIDI messages to and from the external device. 3 Press the DISPLAY ACCESS [MIDI] button, then press the [F1] button to display the MIDI | Setup page, then turn off the Tx and Rx ON/OFF buttons in the PARAMETER CHANGE row. The 01V96 will now set certain parameter values when it receives corresponding Parameter Changes. Also, when you adjust certain parameters on the 01V96, it transmits corresponding Parameter Changes. Note: Before controlling parameters using Parameter Changes, make sure that both Tx and Rx ON/OFF buttons in the CONTROL CHANGE row are turned off.
Transmitting Parameter Settings via MIDI (Bulk Dump)
You can back up data stored in the 01V96, such as libraries and Scenes, to an external MIDI device by using MIDI Bulk Dump. In this way, you can later restore previous 01V96 settings by transmitting this MIDI data back to the 01V96. Note: Some of the data transmitted from the 01V96 to the sequence software may occasionally drop out during Bulk Dump transmission. To avoid this, we recommend that you use the included Studio Manager software to store 01V96 data to an external device. 1 Press the DISPLAY ACCESS [DIO/SETUP] button repeatedly until the DIO/Setup | MIDI/Host page appears, then specify ports for transmission and reception of MIDI messages (see page 216). 2 Make connections using the ports selected in Step 1 so that the 01V96 can transmit and receive MIDI messages to and from the external device. 3 Press the DISPLAY ACCESS [MIDI] button, then press the [F4] button. The MIDI | Bulk page appears.
The page includes the following parameters:

A CATEGORY section

INS CH10 InsertOut-CH10 INS CH11 InsertOut-CH11 INS CH12 InsertOut-CH12 INS CH13 InsertOut-CH13 INS CH14 InsertOut-CH14 INS CH15 InsertOut-CH15 INS CH16 InsertOut-CH16 INS CH17 InsertOut-CH17 INS CH18 InsertOut-CH18 INS CH19 InsertOut-CH19 INS CH20 InsertOut-CH20 INS CH21 InsertOut-CH21 INS CH22 InsertOut-CH22
INPUT Port ID SL-07 SL-08 SL-09 SL-10 SL-11 SL-12 SL-13 SL-14 SL-15 SL-16 FX1-1 FX1-2 FX2-1 FX2-2 FX3-1 FX3-2 FX4-1 FX4-2 2TD-L 2TD-R Description Slot CH7 IN Slot CH8 IN Slot CH9 IN Slot CH10 IN Slot CH11 IN Slot CH12 IN Slot CH13 IN Slot CH14 IN Slot CH15 IN Slot CH16 IN Effect1 OUT 1 Effect1 OUT 2 Effect2 OUT 1 Effect2 OUT 2 Effect3 OUT 1 Effect3 OUT 2 Effect4 OUT 1 Effect4 OUT 2 2TR IN Dig. L 2TR IN Dig. R Port ID SL-07 SL-08 SL-09 SL-10 SL-11 SL-12 SL-13 SL-14 SL-15 SL-16 FX1-1 FX1-2 FX2-1 FX2-2 FX3-1 FX3-2 FX4-1 FX4-2 2TD-L 2TD-R
INSERT IN Description Slot CH7 IN Slot CH8 IN Slot CH9 IN Slot CH10 IN Slot CH11 IN Slot CH12 IN Slot CH13 IN Slot CH14 IN Slot CH15 IN Slot CH16 IN Effect1 OUT 1 Effect1 OUT 2 Effect2 OUT 1 Effect2 OUT 2 Effect3 OUT 1 Effect3 OUT 2 Effect4 OUT 1 Effect4 OUT 2 2TR IN Dig. L 2TR IN Dig. R Port ID
EFFECT IN Description Port ID AD7 AD8 AD9 AD10 AD11 AD12 AD13 AD14 AD15 AD16 2TD-L 2TD-R
CASCADE Description AD IN 7 AD IN 8 AD IN 9 AD IN 10 AD IN 11 AD IN 12 AD IN 13 AD IN 14 AD IN 15 AD IN 16 2TR IN Dig. L 2TR IN Dig. R
INS CH23 InsertOut-CH23 INS CH24 InsertOut-CH24 INS CH25 InsertOut-CH25 INS CH26 InsertOut-CH26 INS CH27 InsertOut-CH27 INS CH28 InsertOut-CH28 INS CH29 InsertOut-CH29 INS CH30 InsertOut-CH30 INS CH31 InsertOut-CH31 INS CH32 InsertOut-CH32 INS BUS1 INS BUS2 INS BUS3 INS BUS4 INS BUS5 INS BUS6 INS BUS7 INS BUS8 InsertOut-BUS1 InsertOut-BUS2 InsertOut-BUS3 InsertOut-BUS4 InsertOut-BUS5 InsertOut-BUS6 InsertOut-BUS7 InsertOut-BUS8
INS AUX1 InsertOut-AUX1 INS AUX2 InsertOut-AUX2 INS AUX3 InsertOut-AUX3 INS AUX4 InsertOut-AUX4 INS AUX5 InsertOut-AUX5 INS AUX6 InsertOut-AUX6 INS AUX7 InsertOut-AUX7 INS AUX8 InsertOut-AUX8 INS ST-L INS ST-R InsertOut-ST-L InsertOut-ST-R
Initial Input Patch Settings

CHANNEL

STI1L STI1R STI2L STI2R STI3L STI3R STI4L STI4R AD1 AD2 AD3 AD4 AD5 AD6 AD7 AD8 AD9 AD10 AD11 AD12 AD13 AD14 AD15 AD16 ADAT1 ADAT2 ADAT3 ADAT4 ADAT5 ADAT6 ADAT7 ADAT8 S-1 S-2 S-3 S-4 S-5 S-6 S-7 S-8 FX1-1 FX1-2 FX2-1 FX2-2 FX3-1 FX3-2 FX4-1 FX4-2 (mono input)

EFFECT IN PATCH

1-1 1-2 2-1 2-2 3-1 3-2 4-1 4-2 AUX1 NONE AUX2 NONE AUX3 NONE AUX4 NONE

CASCADE IN PATCH

BUS1 BUS2 BUS3 BUS4 BUS5 BUS6 BUS7 BUS8 AUX1 AUX2 AUX3 AUX4 AUX5 AUX6 AUX7 AUX8 ST L ST R SOLO L SOLO R NONE NONE NONE NONE NONE NONE NONE NONE NONE NONE NONE NONE NONE NONE NONE NONE NONE NONE NONE NONE

Parameter NOTE L

Description Used in conjunction with TEMPO to determine left channel DELAY L Used in conjunction with TEMPO to determine right channel DELAY R Used in conjunction with TEMPO to determine FB. DLY
DELAY HI HPF LPF DLY.BAL REV TIME INI. DLY REV HI DIFF. DENSITY SYNC NOTE L
0.11.0 THRU, 21.2 Hz8.00 kHz 50.0 Hz16.0 kHz, THRU 0100% 0.399.0 s 0.0500.0 ms 0.11.0100% OFF, ON

DIST->DELAY

One input, two output distortion and delay effects in series.
Parameter DST TYPE DRIVE MASTER TONE N. GATE DELAY FB. GAIN HI. RATIO FREQ. DEPTH DLY.BAL SYNC DLY.NOTE MOD.NOT E 1. Maximum value depends on the tempo setting) 2. Range DST1, DST2, OVD1, OVD2, CRUNCH 10 to +0.02725.0 ms 99 to +99% 0.11.0 0.0540.00 Hz 0100% 0100% OFF, ON
Description Distortion type (DST = distortion, OVD = overdrive) Distortion drive Master volume Tone control Noise reduction Delay time Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) High-frequency feedback ratio Modulation speed Modulation depth Distortion and delay balance (0% = all distortion, 100% = all delayed distortion) Tempo parameter sync on/off Used in conjunction with TEMPO to determine DELAY Used in conjunction with TEMPO to determine FREQ. (

DELAY->REV

One input, two output delay and reverb effects in series.
Parameter DELAY L DELAY R FB. DLY FB. GAIN Range 0.01000.0 ms 0.01000.0 ms 0.01000.0 ms 99 to +99% Description Left channel delay time Right channel delay time Feedback delay time Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) Delay high-frequency feedback ratio High-pass lter cutoff frequency Low-pass lter cutoff frequency Delay and delayed reverb balance (0% = all delayed reverb, 100% = all delay) Reverb time Initial delay before reverb begins High-frequency reverb time ratio Spread Reverb density Tempo parameter sync on/off

MULTI FILTER

Two input, two output 3-band multi-lter (24 dB/octave).
Parameter TYPE 1 TYPE 2 TYPE 3 FREQ. 1 FREQ. 2 FREQ. 3 LEVEL 1 LEVEL 2 LEVEL 3 RESO. 1 RESO. 2 RESO. 3 Range HPF, LPF, BPF HPF, LPF, BPF HPF, LPF, BPF 28.0 Hz16.0 kHz 28.0 Hz16.0 kHz 28.0 Hz16.0 kHz Description Filter 1 type: high pass, low pass, band pass Filter 2 type: high pass, low pass, band pass Filter 3 type: high pass, low pass, band pass Filter 1 frequency Filter 2 frequency Filter 3 frequency Filter 1 level Filter 2 level Filter 3 level Filter 1 resonance Filter 2 resonance Filter 3 resonance
DELAY HI HPF LPF DLY.BAL REV TIME INI. DLY REV HI DIFF. DENSITY SYNC

CHANNEL2

# 58 High NO ASSIGN FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H NO ASSIGN ON NO ASSIGN NO ASSIGN FADER L FADER L FADER L FADER L FADER L FADER L FADER L FADER L FADER L FADER L FADER L FADER L FADER L FADER L FADER L FADER L FADER L FADER L FADER L FADER L FADER L FADER L FADER L FADER L FADER L FADER L Mid CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL MASTER MASTER MASTER MASTER MASTER MASTER MASTER MASTER MASTER MASTER MASTER MASTER MASTER MASTER MASTER MASTER MASTER Low INPUT25 INPUT26 INPUT27 INPUT28 INPUT29 INPUT30 INPUT31 INPUT32 ST-IN1 ST-IN2 ST-IN3 ST-IN4 BUS1 BUS2 BUS3 BUS4 BUS5 BUS6 BUS7 BUS8 AUX1 AUX2 AUX3 AUX4 AUX5 AUX6 AUX7 AUX8 STEREO # 119 High FADER L FADER L NO ASSIGN BALANCE NO ASSIGN ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN ON ON ON ON ON ON ON ON NO ASSIGN Mid MASTER MASTER MASTER CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL MASTER MASTER MASTER MASTER MASTER MASTER MASTER MASTER Low AUX7 AUX8 STEREO INPUT25 INPUT26 INPUT27 INPUT28 INPUT29 INPUT30 INPUT31 INPUT32 ST-IN1 ST-IN2 ST-IN3 ST-IN4 BUS1 BUS2 BUS3 BUS4 BUS5 BUS6 BUS7 BUS8
CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL MASTER MASTER MASTER MASTER MASTER MASTER MASTER MASTER MASTER MASTER MASTER MASTER MASTER MASTER
INPUT25 INPUT26 INPUT27 INPUT28 INPUT29 INPUT30 INPUT31 INPUT32 ST-IN1 ST-IN2 ST-IN3 ST-IN4 BUS1 BUS2 BUS3 BUS4 BUS5 BUS6 BUS7 BUS8 AUX1 AUX2 AUX3 AUX4 AUX5 AUX6
CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL MASTER MASTER MASTER MASTER MASTER MASTER MASTER MASTER
INPUT25 INPUT26 INPUT27 INPUT28 INPUT29 INPUT30 INPUT31 INPUT32 ST-IN1L ST-IN1R ST-IN2L ST-IN2R ST-IN3L ST-IN3R ST-IN4L ST-IN4R AUX1 AUX2 AUX3 AUX4 AUX5 AUX6 AUX7 AUX8

CHANNEL3

# 58 High NO ASSIGN EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ NO ASSIGN NO ASSIGN Mid G LOW H G LOW H G LOW H G LOW H G LOW H G LOW H G LOW H G LOW H G LOW H G LOW H G LOW H G LOW H G LOW H G LOW H G LOW H G LOW H G LOW H G LOW H G LOW H G LOW H G LOW H G LOW H G LOW H G LOW H Low INPUT1 INPUT2 INPUT3 INPUT4 INPUT5 INPUT6 INPUT7 INPUT8 INPUT9 INPUT10 INPUT11 INPUT12 INPUT13 INPUT14 INPUT15 INPUT16 INPUT17 INPUT18 INPUT19 INPUT20 INPUT21 INPUT22 INPUT23 INPUT24 # 119 High NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ NO ASSIGN EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ NO ASSIGN Mid Low

# 58 High NO ASSIGN EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ NO ASSIGN NO ASSIGN Mid G LO-MID H G LO-MID H G LO-MID H G LO-MID H G LO-MID H G LO-MID H G LO-MID H G LO-MID H G LO-MID H G LO-MID H G LO-MID H G LO-MID H G LO-MID H G LO-MID H G LO-MID H G LO-MID H G LO-MID H G LO-MID H G LO-MID H G LO-MID H G LO-MID H G LO-MID H G LO-MID H G LO-MID H Low INPUT1 INPUT2 INPUT3 INPUT4 INPUT5 INPUT6 INPUT7 INPUT8 INPUT9 INPUT10 INPUT11 INPUT12 INPUT13 INPUT14 INPUT15 INPUT16 INPUT17 INPUT18 INPUT19 INPUT20 INPUT21 INPUT22 INPUT23 INPUT24 # 119 High NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ NO ASSIGN EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ NO ASSIGN Mid Low
F LO-MID F LO-MID F LO-MID F LO-MID F LO-MID F LO-MID F LO-MID F LO-MID F LO-MID F LO-MID F LO-MID F LO-MID F LO-MID F LO-MID F LO-MID F LO-MID F LO-MID F LO-MID F LO-MID F LO-MID F LO-MID F LO-MID F LO-MID F LO-MID Q LO-MID Q LO-MID Q LO-MID Q LO-MID Q LO-MID Q LO-MID Q LO-MID Q LO-MID Q LO-MID Q LO-MID Q LO-MID Q LO-MID Q LO-MID Q LO-MID Q LO-MID Q LO-MID Q LO-MID Q LO-MID Q LO-MID Q LO-MID Q LO-MID Q LO-MID Q LO-MID Q LO-MID
G LO-MID L G LO-MID L G LO-MID L G LO-MID L G LO-MID L G LO-MID L G LO-MID L G LO-MID L G LO-MID L G LO-MID L G LO-MID L G LO-MID L G LO-MID L G LO-MID L G LO-MID L G LO-MID L G LO-MID L G LO-MID L G LO-MID L G LO-MID L G LO-MID L G LO-MID L G LO-MID L G LO-MID L

CHANNEL6

# 58 High NO ASSIGN EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN Mid G LO-MID H G LO-MID H G LO-MID H G LO-MID H G LO-MID H G LO-MID H G LO-MID H G LO-MID H G LO-MID H G LO-MID H G LO-MID H G LO-MID H Low INPUT25 INPUT26 INPUT27 INPUT28 INPUT29 INPUT30 INPUT31 INPUT32 ST-IN1 ST-IN2 ST-IN3 ST-IN4 # 119 High NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN Mid Low

Control change NRPN LSB LSB of parameter number Control change *1 NRPN MSB MSB of parameter number Control change *1 MSB of data entry MSB of parameter data Control change *1 LSB of data entry LSB of parameter data

If [NRPN] is selected

STATUS DATA STATUS DATA STATUS DATA STATUS DATA 1011nnnn 01100010 0vvvvvvv 1011nnnn 01100011 0vvvvvvv 1011nnnn 00000110 0vvvvvvv 1011nnnn 00100110 0vvvvvvv
For DUMP REQUEST F2n 7E <Model ID> tt mm mm F7 n cc cc 4C 4D tt mm mm cs
Device Number DATA COUNT (the number of bytes that follow this, ending before the checksum) Model ID DATA TYPE DATA NUMBER CHECK SUM
*1) The second and subsequent STATUS need not be added during transmission. Reception must be implemented so that reception occurs whether or not STATUS is present.
A unique header (Model ID) is used to determine whether the device is a 01V96. CHECK SUM is obtained by adding the bytes that follow BYTE COUNT (LOW) and end before CHECK SUM, taking the binary compliment of this sum, and then setting bit 7 to 0. CHECK SUM = (-sum)&0x7F Reception This message is received if [Bulk RX] is ON and the [Rx CH] matches the device number included in the SUB STATUS. When a bulk dump is received, it is immediately written into the specified memory. When a bulk dump request is received, a bulk dump is immediately transmitted. Transmission This message is transmitted on the [Tx CH] by key operations in the [MIDI]-[BULK DUMP] screen. A bulk dump is transmitted on the [Rx CH] in response to a bulk dump request. The data area is handled by converting seven words of 8-bit data into eight words of 7-bit data. Conversion from actual data into bulk data d[0~6]: actual data b[0~7]: bulk data b[0] = 0; for( I=0; I<7; I++){ if( d[I]&0x80){ b[0] |= 1<<(6-I); } b[I+1] = d[I]&0x7F; } Restoration from bulk data into actual data d[0~6]: actual data b[0~7]: bulk data for( I=0; I<7; I++){ b[0] <<= 1; d[I] = b[I+1]+(0x80&b[0]); }

2.4 PROGRAM CHANGE

Reception If [Program Change ECHO] is ON, these messages are echoed from MIDI OUT. If [Program Change RX] is ON and the [Rx CH] matches, these messages will be received. However if [OMNI] is ON, they will be received regardless of the channel. When a message is received, a Scene Memory will be recalled according to the settings of the [Program Change Table]. Transmission If [Program Change TX] is ON, this message is transmitted according to the settings of the [Program Change Table] on the [Tx CH] channel when a scene memory is recalled. If the recalled scene has been assigned to more than one program number, the lowest-numbered program number will be transmitted. Transmission to Studio Manager using Program Change messages will not be performed since there is no guarantee that the contents of the tables will match. (Parameter Changes will always be used.) STATUS DATA 1100nnnn Cn Program change 0nnnnnnn nn Program number (0-127)

2.8.2.4 Setup memory bulk dump request format
STATUS ID No. SUB STATUS FORMAT No. 0010nnnn F2n 7E 4C 4D 38
System exclusive message Manufactures ID number (YAMAHA) n=0-15 (Device number=MIDI Channel) Universal bulk dump L M 8
00110011 DATA NAME 0bbbbbbb BLOCK INFO. 0ttttttt 0bbbbbbb DATA 0ddddddd : 0ddddddd CHECK SUM 0eeeeeee EOX 11110111
00 bb tt bb ds : de ee F7
8 C V b=0-7(bank no.A-H) total block number(minimum number is 0) current block number(0-total block number) User dene key data of block[bb]
2.8.2.10 User Assignable Layer bulk dump request format
The second and third bytes of the DATA NAME indicate the bank number. STATUS ID No. SUB STATUS FORMAT No. 0010nnnn 00000000 0bbbbbbb 11110111 F2n 7E 4C 4D bb F7
System exclusive message Manufactures ID number (YAMAHA) n=0-15 (Device number=MIDI Channel) Universal bulk dump L M 8 C U b=0-3(bank no.1-4) End of exclusive
2.8.2.8 User Dened Keys bulk dump request format
System exclusive message Manufactures ID number (YAMAHA) n=0-15 (Device number=MIDI Channel) Universal bulk dump L M 8 C V b=0-7(bank no.A-H) End of exclusive
2.8.2.11 Control change table bulk dump format
STATUS ID No. SUB STATUS FORMAT No. COUNT HIGH COUNT LOW 0000nnnn 01111110 0ccccccc 0ccccccc DATA NAME 00000000 BLOCK INFO. 0ttttttt 0bbbbbbb DATA 0ddddddd : 0ddddddd CHECK SUM 0eeeeeee EOX 11110111 F0n 7E ch cl 4C 4D 00 tt bb ds : de ee F7
System exclusive message Manufactures ID number (YAMAHA) n=0-15 (Device number=MIDI Channel) Universal bulk dump data count = ch * 128 + cl L M 8 C C No.256 = Current total block number(minimum number is 0) current block number(0-total block number) Control change table data of block[bb]
2.8.2.9 User Assignable Layer bulk dump format
The second and third bytes of the DATA NAME indicate the bank number. Be aware that the state of the transmission destination will (in some cases) change if the same bank is being used. STATUS ID No. SUB STATUS FORMAT No. COUNT HIGH COUNT LOW 0000nnnn 01111110 0ccccccc 0ccccccc DATA NAME 0bbbbbbb BLOCK INFO. 0ttttttt 0bbbbbbb DATA 0ddddddd : 0ddddddd CHECK SUM 0eeeeeee EOX 11110111 F0n 7E ch cl 4C 4D bb tt bb ds : de ee F7
System exclusive message Manufactures ID number (YAMAHA) n=0-15 (Device number=MIDI Channel) Universal bulk dump data count = ch * 128 + cl L M 8 C U b=0-3(bank no.1-4) total block number(minimum number is 0) current block number(0-total block number) User assignable layer data of block[bb]