YAMAHA DS2416 Digital Mixing Card Owners Manual
First Draft: 30 March 1998

Contents

Introduction - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Yamaha DSP Factory - - - - - - - - - - - - - - - - - - - - - - - System Requirements - - - - - - - - - - - - - - - - - - - - - - - System Notes - - - - - - - - - - - - - - - - - - - - - - - - - - - - Compatible Software - - - - - - - - - - - - - - - - - - - - - - - Features - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - General - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Mixer - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Recorder - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 3
Connections - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 4 Rear - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 4 Internal - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 5 Installing the DS2416 - - - - - - - - - - - - - - - - - - - - - - - - 6 Configuring the DS2416 - - - - - - - - - - - - - - - - - - - - - - 7 Wordclocks - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 8 Recording Digitally to the DS2416 - - - - - - - - - - - - - - - 9 Recording Digitally to DAT - - - - - - - - - - - - - - - - - - - - 9 Digitally Cascading DS2416 Cards - - - - - - - - - - - - - - 10 Connecting an SW1000XG Sound Card - - - - - - - - - - 11 DS2416 Q&A (Questions & Answers) - - - - - - - - - - - - 12 Troubleshooting - - - - - - - - - - - - - - - - - - - - - - - - - - - 13 Specifications - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 14

DS2416Owners Manual

Important Notices
Do not place the DS2416 in an area subject to excessive heat, direct sunlight, excessive humidity, or dust. Keep the DS2416 inside its antistatic bag until you are ready to install it. To prevent handling damage, hold the DS2416 by the edges or bracket. If you accidentally touch the card edge connections, remove any ngerprints using a dry tissue. Do not place objects on top of the DS2416, and do not put it down in a place where other objects are likely to be placed on top of it. Before removing your computers cover, turn it off and remove the power cord. To prevent static electricity damage, touch a grounded metal part of your computer, such as the power supply case, before handling the DS2416.

Packing List

DS2416 Digital Mixing Card Driver and Setup Utility oppy disk Demo software CD-ROM 14-pin to 16-pin cable This manual

Trademarks

IBM PC is a registered trademark of International Business Machines. Pentium is a registered trademark of Intel. Windows 95 is a trademark of Microsoft. Yamaha is a trademark of Yamaha Corporation. All other trademarks are the property of their respective holders and are hereby acknowledged.

Copyright

No part of the DS2416 Owners Manual may be reproduced or distributed in any form or by any means without the prior written authorization of Yamaha Corporation, Inc. 1998 Yamaha Corporation. All rights reserved.
Keep this manual for future reference!

Introduction

Thank you for purchasing the Yamaha DS2416 Digital Mixing Card. With 8-track simultaneous recording, 16-track simultaneous playback, 24-channel mixing, 4-band parametric EQ, effects, and dynamics, the DS2416 provides a complete digital recording studio inside a regular personal computer. Unlike other audio cards, the DS2416s ve DSPs take the load off the computers main processor leaving it free to concentrate on timing and other tasks while the DS2416 takes care of high-quality effects, EQ, and dynamics processing. In some cases, the DS2416s onboard processing powerhouse may allow audio software to record and playback a greater number of tracks. For ease of installation and high data throughput, the DS2416 uses the industry-standard PCI (Peripheral Component Interconnect) bus. Sound cards such as the Yamaha SW1000XG can be connected digitally, or two DS2416 cards can be digitally cascaded for 48-channel mixing, each providing 2-channel analog inputs and outputs, with 20-bit 128-times oversampling A/D converters and 20-bit 8-times oversampling D/A converters, and stereo coaxial digital input and output. Inputs and outputs can be expanded using the optional AX44 Audio Expansion Unit, which offers four 1/4-inch analog inputstwo of which can be used with microphonesfour 1/4-inch analog outputs and a stereo headphone jack. Two AX44s can be used with each DS2416 card for eight analog inputs and outputs.

Yamaha DSP Factory

The DS2416 Digital Mixing Card forms the heart of the Yamaha DSP Factory system, a range of products designed to bring professional digital multitrack recording and mixing to personal computers. Other DSP Factory products include the AX44 Audio Expansion Unit, and several analog and digital multi-channel input and output options are currently under development. Check out the Yamaha DSP Factory Web site for the latest information <http://www.yamaha.co.jp/product/proaudio/homeenglish/>.

System Requirements

IBM PC compatible PCI bus Windows 95 computer DS2416-compatible audio software

System Notes

The DS2416 can be used in any IBM PC-compatible PCI bus personal computer running Windows 95. Since the PCI bus standard relies on the Pentium processor, computers with earlier processors are not supported. The DS2416 requires a single 5 V PCI expansion bus slot, and cannot be used in 3.3 V PCI slots. Its compliant with PCI version 2.1, requires one IRQ (interrupt request), but no DMA (Direct Memory Access). Since its a PCI card, IRQ settings are made automatically. PCI bus speeds other than 33 MHz are not supported. Processor type, memory, and hard disk requirements are dependent on the controlling software, not the DS2416. The supplied device driver requires a few hundred kilobytes of disk space. Although the DS2416 supports 8-track simultaneous recording and 16-track simultaneous playback, actual performance will depend on the capabilities of your computer and audio software.

Compatible Software

Any software that supports Windows MME (Multimedia Extensions), including the Windows 95 Media Player accessory, can be used with the DS2416 for recording and playback. To use the mixing functions, however, requires software that supports the DS2416 mixer. The following software companies are supporting the DS2416. C-Mexx Cakewalk Canam Computers Emagic IQS (Innovative Quality Software) Musicator SEKD Sonic Foundry Steinberg

Features

General
PCI bus card (compliant with version 2.1) Support for Windows 95 MME (Multimedia Extensions) Plug and Play installation Supported by the major audio software companies 5 onboard DSPs take the load of the computers main processor 2 analog inputs with 20-bit 128-times oversampling A/D converters 2 analog outputs with 20-bit 8-times oversampling D/A converters Stereo coaxial digital input and output (16-, 20-, or 24-bit) Optional multi-channel analog and digital input and output options

24 input channels, 8 bus outs, 6 aux sends (two feeding the onboard effects processors), and a stereo output 4-band parametric EQ on all inputs channels and the stereo output Dynamics processors on all inputs channels and the stereo output Two onboard effects processors with Yamaha ProR3/REV500 quality Input channels 2124 function as effects returns for the onboard effects Input delay on input channels 120 Comprehensive signal level metering Digital cascading of two DS2416 cards for 48-channel mixing 32-bit digital audio processing

Recorder

8-track simultaneous recording 16-track simultaneous playback Up to 32-bit recording and playback (software dependent) Sample-accurate synchronization between tracks Recorder digitally hard-wired to the mixer External synchronization via controlling software

Connections

Rear A IN L, IN R Analog IN L and IN R inputs feature phono jacks with a nominal input level of 10 dBV. Analog to digital conversion features 20-bit 128-times oversampling techniques. B OUT L, OUT R
Analog OUT L and OUT R outputs feature phono jacks with a nominal output level of 10 dBV. Digital to analog conversion features 20-bit 8-times oversampling.

C D IN

This two-channel coaxial-type phono connection accepts Consumer format digital audio with a 24-bit maximum wordlength.

D D OUT

This two-channel coaxial-type phono connection outputs Consumer format digital audio with a 24-bit maximum wordlength.

Internal

A I connector
When two DS2416 cards are installed, this connector is connected to the O connector on the other card using the supplied 14-pin to 16-pin cable. Sound cards such as the Yamaha SW1000XG can be connected directly to this connector, with it output signals appearing at the DS2416 mixers sub inputs.
B O connector When two DS2416 cards are installed, this connector is connected to the I connector on the other card using the supplied 14-pin to 16-pin cable. C A connector
This connector connects to the rst optional AX44 Audio Expansion Unit.

D B connector

This connector connects to the second optional AX44 Audio Expansion Unit.

Installing the DS2416

The DS2416 installs into a PCI expansion slot and requires no special jumper settings or interrupt settings. See your computers manual for full details on installing PCI cards.
1 Turn off the computer and disconnect the power cord. 2 Remove the computers cover. 3 Choose an empty PCI slot for the DS2416, and remove the screw
from its expansion-slot cover. To prevent static electricity from damaging the DS2416, touch a grounded metal part of your computer, such as the power supply case, before handling it.
4 Carefully align and insert the DS2416 into the PCI slot. 5 Secure the DS2416 using the screw removed previously.
Important: The DS2416 is grounded via the expansion-card xing screw, so be sure to tighten it securely. 6 Replace the computers cover. 7 Turn on your computer. 8 When the New Hardware Found dialog box appears, select Driver
from disk provided by hardware manufacturer, and then click OK.
9 When the Install From Disk dialog box appears, insert the driver
oppy disk into the oppy disk drive, and then click OK. The driver software is installed, and the Windows 95 desktop appears as normal.

Conguring the DS2416

The included setup utility is used to assign DS2416 inputs and outputs and select the wordclock source. Note that some audio software may use its own input and output assignments and ignore settings made using this utility.

Wordclocks

Unlike analog audio equipment, digital audio equipment must be synchronized when digital audio is transferred from one device to another, otherwise, the digital audio might not be read correctly and audible noise, glitches, or clicks may occur. Synchronization is achieved using whats called a wordclock, which is a clock signal for synchronizing all the digital audio words in an audio system. Note that wordclocks are not the same as SMPTE or MIDI timecode, which are used to synchronize audio recorders, MIDI sequencers, and so on. Wordclock synchronization refers to the synchronization of the digital audio processing circuits inside each digital audio device. In a typical digital audio system, one device acts as the wordclock master and the other devices act as wordclock slaves, synchronizing to the wordclock master. If the DS2416 is the only digital audio device in your system, no special wordclock settings are required, as the DS2416 synchronizes to its own internal wordclock. Add a DAT recorder or digital multitrack recorder, however, and you must decide which device to use as wordclock master and which devices to use as slaves. Even when youve done this and congured your system, it may sometimes be necessary to change the wordclock settings, such as when recording from a DAT or CD player. Wordclocks run at the same frequency as the sampling rate. The DS2416 generates its own wordclock at 44.1 kHz (the industry-standard sampling rate for music CDs) or 48 kHz and can be used as wordclock master. Alternatively, it can be used as a wordclock slave synchronized to an external wordclock of between 30.08 kHz and 50.88 kHz (32 kHz 6%, 48 kHz +6%). Converting the sampling rate of digital audio is a complicated process, so its best to use the 44.1 kHz sampling rate, especially if your work is destined for CD distribution. Wordclock signals can be distributed via dedicated cables or derived from standard digital audio connections, such as the D IN connection on the DS2416. With Coaxial digital audio connections, a wordclock signal is transmitted even when no audio signal is present. In a system where all devices share a common wordclock, its important that all devices be turned on even when theyre not being used. Turn on the wordclock master rst, and then the slaves. When shutting down the system, turn off the slaves rst, and then the master. Before commencing with a recording session, make sure that all wordclock slaves are synchronized to the master. Some devices have front panel indicators to show when they are wordclock synchronized. Refer to the instructions for each device.

Recording Digitally to DAT
Recording Digitally to the DS2416
In this example, a DAT deck is connected to the DS2416 D IN connector for digital recording. The DS2416 works as wordclock slave and the DAT works as wordclock master.
DAT recorder (wordclock master)

00.00.00.00

Digital Out

DS2416 (wordclock slave)

In this example, the D OUT connector on the DS2416 is connected to the digital input of a DAT recorder for digital mixdown recording. The DS2416 works as wordclock master and the DAT works as wordclock slave. When the digital input on the DAT recorder is selected as the recording source, the DAT should automatically synchronize to the wordclock signal coming from the DS2416. On some DAT recorders, the wordclock source may have to be set separately. Refer to the instructions supplied with your DAT recorder.
DAT recorder (wordclock slave)

Digital In

DS2416 (wordclock master)
Digitally Cascading DS2416 Cards
Using the digital I and O connectors, two DS2416 cards can be digitally cascaded for common busing and 48-channel mixing.
1 Install the second DS2416 into a PCI slot adjacent to the rst
DS2416, as explained previously.
2 Using the supplied 14-pin to 16-pin cables, connect the I con-
nector on the second DS2416 to the O connector on the rst DS2416, and the O connector on the second DS2416 to the I connector on the rst DS2416, as shown below.
DSReplace the computers cover.

DS2416

4 Use the included setup utility to congure each card.
Connecting an SW1000XG Sound Card
The Yamaha SW1000XG PCI Sound Card features an XG tone generator, onboard effects, MIDI interface, and analog inputs, and by connecting it to the I connector on a DS2416, its outputs can be digitally connected to the DS2416 mixer via its sub inputs. Note that you cannot use an SW1000XG card with two digitally cascaded DS2416 cards.
1 Install the DS2416 and SW1000XG cards in your computer. 2 Using the supplied 14-pin to 16-pin cables, connect the I con-
nector on the DS2416 to the ?? connector on the SW1000XG, as shown below.

SW1000XG

4 Use the included setup utility to assign the DS2416s mixer inputs
to connector I (sub inputs).
DS2416 Q&A (Questions & Answers)
Q Whats a DSP? A A DSP, or Digital Signal Processor is a processor optimized for
real-time digital data processing. The DS2416 features the same DSP as the Yamaha 02R and 03D digital mixing consoles.
Q At what wordlength is digital audio processed? A The EQ features a 44-bit data path, 32-bit coefcient, and 54-bit
accumulator. All other mixer sections feature a 32-bit data path, 24-bit coefcient, and 42-bit accumulator.

Q Does the DS2416 have any onboard memory? A Yes, 3 megabytes, which is used for input, and effects delays. Q What is the available recording time? A This is dependent on the software and selected wordlength Q How do I synchronize the DS2416 to MIDI Clock, MTC, or SMPTE

timecode?

A The DS2416 receives timing information from the controlling soft-
ware, so if the software supports external timecode, so does the DS2416.
Q Can DS2416 mixer functions be controlled via MIDI? A If the controlling software supports this, yes. Q How good are the onboard effects processors? A As good as those used in the Yamaha ProR3 and REV500 effects

processors.

Q Can the DS2416 be used simultaneously with a Sound Blaster or

Korg 1212 I/O card?

A Yes.

Troubleshooting

Trouble Advice Make sure that the computer is turned on. Make sure that the DS2416 is inserted in the PCI bus slot correctly. Make sure that the DS2416 input and outputs are correctly assigned using the controlling software. The DS2416 does not work? In older computers, some PCI slots may not function as the bus master, and the DS2416 will not work in such slots. See your computers manual for more details. Some PCI cards may conict with the DS2416. Try removing cards, or swapping slots with the DS2416.

Specications

Internal Sampling rate Internal vari-pitch External Signal delay (fs = 48 kHz) A/D D/A distortion1 44.1 kHz, 48 kHz 30.08 to 50.88 kHz 30.08 to 50.88 kHz 620 s typical 310 s typical
Total harmonic Less than 0.02% (20 Hz20 kHz) (fs = 48 kHz, +6 dB, analog input to output) Frequency response (analog input to output) Dynamic range2 (fs = 48 kHz) Residual output (D/A input = digital 0) Input noise2 IN L, IN R D IN OUT L, OUT R D OUT Effect 1 Effect 2 D/A A/D + D/A 20 Hz20 kHz, 3, +1 dB Typically 94 dB Typically 93 dB Typically 88 dBV 20-bit 128-times oversampling A/D Consumer format (Coaxial) 20-bit 8-times oversampling D/A Consumer format (Coaxial) 39 types 40 types +5 V (1.5 A max) +12 V (150 mA max) 9.3 W +10C to +40C 20C to +55C 125.92 x 187.95 x 21.59 mm (4.95 x 7.4 x 0.85 inch) PCI Raw Variable Height Short Card (5 V, 32-bit) 170 g (6 oz) Driver and Setup Utility oppy disk Supplied accessories Demo software CD-ROM 14-pin to 16-pin 80 mm cable x1
1.Bandwidth filter 0.1 dB (20 Hz20 kHz), 60 dB (more than 24.1 kHz) 2.Bandwidth filter as above plus Weighting Filter (IEC60651 A curve, Tolerance: Type 0)

Output Effects (HQ. Pitch type for Effect 2 only) Power supply
Maximum power consumption Temperature Operating Storage

Dimensions (H x L x D)

Weight

Input Channels

De-emphasis (CH19, CH20) DC Cut ATT Phase Frequency 4-band EQ (12 EQ types per band) Gain Q Threshold Attack Gain Release Dynamics (6 types) Ratio Knee Range Hold Decay Width Reduction meter Delay (CH1CH20) On/Off Fader Pan Innity, 90 dB to +10 dB (128 steps) 33 steps 72 dB to 0 dB (32 steps) Channel meter Pre/Post/Signal Peak Hold Decay Fast/Slow Level Bus send Pre/Post On/Off Level Aux send Pre/Post On/Off Innity, 120 dB to 0 dB (128 steps) (Pre fader/post fader) Innity, 120 dB to 0 dB (128 steps) (Pre pan/post pan) Automatically applied as needed Automatically applied as needed 96 dB to +12 dB (109 steps) Normal/reverse 20 Hz20 kHz (120 steps, 12 points/octave 18 dB to +18 dB (73 steps, 0.5 dB/step) 0.110.0 (41 steps) 54 dB to 0 dB (55 steps, 1.0 dB/step) 0120 ms (121 steps, 1 ms/step) 0 dB18 dB (37 steps, 0.5 dB/step) 5 ms42.3 s, fs = 48.0 kHz (160 steps) 6 ms46.0 s, fs = 44.1 kHz (160 steps) 1.0 to innity (16 steps) Hard, 1, 2, 3, 4, 5 (6 steps) 70 to 0 dB (71 steps, 1.0 dB/step) 0.02 ms42.3 s, fs = 48.0 kHz (216 steps) 0.02 ms2.13 s, fs = 44.1 kHz (216 steps) 5 ms42.3 s, fs = 48.0 kHz (160 steps) 6 ms46.0 s, fs = 44.1 kHz (160 steps) 190 (90 steps, 1.0 dB/step) 18 dB to 0 dB (12 steps) 02,600 samples (2,601 steps) On/Off

Bus Outs 18

Bus master fader On/Off 72 dB to 0 dB (32 steps) Bus meter Pre/Post Peak Hold Decay Fast/Slow Innity, 120 dB to 0 dB (128 steps)

Aux Sends 16

Aux master fader On/Off 72 dB to 0 dB (32 steps) Aux meter Pre/Post Peak Hold Decay Fast/Slow Innity, 120 dB to 0 dB (128 steps)

Stereo Output

ATT Frequency 4-band EQ (12 EQ types per band) Stereo master fader Threshold Attack Gain Release Dynamics (6 types) Ratio Knee Range Hold Decay Width Reduction meter Balance Gain Q 96 dB to +12 dB (109 steps) 20 Hz20 kHz (120 steps, 12 points/octave 18 dB to +18 dB (73 steps, 0.5 dB/step) 0.110.0 (41 steps) Innity, 120 dB to 0 dB (128 steps) 54 dB to 0 dB (55 steps, 1.0 dB/step) 0120 ms (121 steps, 1 ms/step) 0 dB18 dB (37 steps, 0.5 dB/step) 5 ms42.3 s, fs = 48.0 kHz (160 steps) 6 ms46.0 s, fs = 44.1 kHz (160 steps) 1.0 to innity (16 steps) Hard, 1, 2, 3, 4, 5 (6 steps) 70 to 0 dB (71 steps, 1.0 dB/step) 0.02 ms42.3 s, fs = 48.0 kHz (216 steps) 0.02 ms2.13 s, fs = 44.1 kHz (216 steps) 5 ms42.3 s, fs = 48.0 kHz (160 steps) 6 ms46.0 s, fs = 44.1 kHz (160 steps) 190 (90 steps, 1.0 dB/step) 18 dB to 0 dB (12 steps) 33 steps
72 dB to 0 dB (32 steps) Stereo meter Pre/Post Peak Hold Decay Fast/Slow

Input Patchbay

Input CH1 CH2 CH3 CH4 CH5 CH6 CH7 CH8 CH9 CH10 CH11 CH12 CH13 CH14 CH15 CH16 CH17 CH18 CH19 CH20 CH21 CH22 CH23 CH24 Selectable Source PCI PB1, IO-B2-1 PCI PB2, IO-B2-2 PCI PB3, IO-B2-3 PCI PB4, IO-B2-4 PCI PB5, IO-B2-5 PCI PB6, IO-B2-6 PCI PB7, IO-B2-7 PCI PB8, IO-B2-8 PCI PB9, IO-B1-1, SUB IN1, IO-A2-1 PCI PB10, IO-B1-2, SUB IN2, IO-A2-2 PCI PB11, IO-B1-3, SUB IN3, IO-A2-3 PCI PB12, IO-B1-4, SUB IN4, IO-A2-4 PCI PB13, IO-A1-1, SUB IN5, IO-A2-5 PCI PB14, IO-A1-2, SUB IN6, IO-A2-6 PCI PB15, IO-A1-3, SUB IN7, IO-A2-7 PCI PB16, IO-A1-4, SUB IN8, IO-A2-8 IN L, IO-A1-1, SUB IN1, IO-A2-1 IN R, IO-A1-2, SUB IN2, IO-A2-2 DIN L, IO-A1-3, SUB IN3, IO-A2-3 DIN R, IO-A1-4, SUB IN4, IO-A2-4 Effect1 L, SUB IN5, IO-A2-5 Effect1 R, SUB IN6, IO-A2-6 Effect2 L, SUB IN7, IO-A2-7 Effect2 R, SUB IN8, IO-A2-8

PCI PB: DS2416 playback IO-A1: 4-input/4-output device connected to IO-A IO-A2: 8-input/8-output device connected to IO-A IO-B1: 4-input/4-output device connected to IO-B IO-B2: 8-input/8-output device connected to IO-B

Output Patchbay

Source 1: BUS 1, 2 2: BUS 3, 4 3: BUS 5, 6 4: BUS 7, 8 5: AUX 1, 2 6: AUX 3, 4 7: AUX 5, 6 8: STL, STR Destination 1: REC 1, 2 2: REC 3, 4 3: REC 5, 6 4: REC 7, 8 5: IO-A1-1, 2 (IO-A2-1, 2) 6: IO-A1-3, 4 (IO-A2-3, 4) 7: IO-B1-1, 2 (IO-B2-1, 2) 8: IO-B1-3, 4 (IO-B2-3, 4) 9: AOUTL, AOUTR 10: DOUTL, DOUTR 11: IO-A2-5, 6 12: IO-A2-7, 8 13: IO-B2-5, 6 14: IO-B2-7, 8
IO-A1: 4-input/4-output device connected to IO-A IO-A2: 8-input/8-output device connected to IO-A IO-B1: 4-input/4-output device connected to IO-B IO-B2: 8-input/8-output device connected to IO-B

Analog Inputs

Connection Actual For use with load nominal impedance 10k 600 lines Input level Nominal 10 dBV2 (316 mV) Max. before clip +6 dBV (1.995 V) Connector Phono jack (unbalanced)

IN L, IN R1

1.Inputs feature linear 20-bit 128-times oversampling A/D converters. 2.Where dBV represents a specific voltage, 0 dBV is referenced to 1 V rms.

Analog Outputs

Connection Actual For use with source nominal impedance 600 10k lines Output level Nominal 10 dBV2 (316 mV) Max. before clip +6 dBV (1.995 V) Connector Phono jack (unbalanced)

OUT L, OUT R1

1.Outputs feature linear 20-bit 8-times oversampling D/A converters. 2.Where dBV represents a specific voltage, 0 dBV is referenced to 1 V rms.

Digital I/O

Connection I/O Format D IN D OUT I O IEC60958 Consumer IEC60958 Consumer Level 0.5 Vpp, 75 0.5 Vpp, 75 Connector Phono jack (unbalanced) Phono jack (unbalanced) 20-pin connector

IO-A, IO-B

4CH or 8CH digital audio inputs I/O 4CH or 8CH digital audio outputs 5 V CMOS 32-bit max/channel Format depends on counterpart I 8CH or 16CH digital audio inputs 32-bit max/channel 5 V CMOS Format depends on counterpart 8CH or 16CH digital audio outputs 32-bit max/channel Format depends on counterpart 5 V CMOS

SERIAL IN

16-pin connector

SERIAL OUT

14-pin connector

Dimensions

187.95

125.92

XG Mode

In XG mode the SW1000XG will play XG-compatible multitimbral data, as well as multitimbral data created for the GM System Level 1 format. In XG mode the SW1000XG can: Play up to 32 Parts + 14 Audio Parts. Choose from 1,074 Normal Voices and 36 Drum Voices.

TG300B Mode

In TG300B mode the SW1000XG will play multitimbral music data created for TG300B-compatible tone generators. TG300B mode also provides compatibility with the GM System Level 1 format. In TG300B mode the SW1000XG can: Play up to 32 Parts + 14 Audio Parts. Choose from 614 Normal Voices and 10 Drum Voices.

Voices

An SW1000XG Voice can be made up of one or two elements (i.e., sounds), depending on the complexity of the Voice. Many Voices are made up of only one element. Two-element Voices are made up of two one-element Voices, and may be configured in a variety of ways. The number of elements in use determines the maximum number of simultaneous notes (polyphony) which the SW1000XG can play at any given time, depending on the amount of incoming MIDI Note data. For details about the number of elements used in each Voice, see the XG/TG300B Normal Voice Lists of the Data_E.pdf file contained in the supplied CD-ROMs Document folder.
Normal Voices and Drum Voices
The SW1000XG has two types of VoicesNormal Voices and Drum Voices. (In this Owners Manual, in general the word Voice refers to a Normal Voice.) The distinction between a Normal Voice and a Drum Voice is as follows: A Normal Voice is simply a pitched Voice which can be played on a musical scale from low to high, such as a piano or trumpet. The SW1000XG has 1,267 Normal Voices. A Drum Voice is a complete set of drum and other percussion sounds, each sound having a fixed pitch. Each sound is assigned to a specific MIDI Note number (which also corresponds to a key on a MIDI keyboard). The SW1000XG has 46 Drum Voices.

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Maximum Polyphony
The SW1000XG can play a maximum of 64 notes polyphony at once. However, the actual number of notes that will play at any given time is determined by the number of elements in use across the 32 Parts. For example, if you use only one-element Voices, you can achieve the full 64 notes maximum polyphony. If you use one or more two-element Voices, however, maximum polyphony will be reduced accordingly. The SW1000XG is a last-note-priority tone generator, which means that if it receives more than 64 notes of MIDI Note data at any time, earlier (first) notes will automatically cut off to accommodate the most recent (last) incoming notes.

Part Priority

Each of the SW1000XGs 32 Parts corresponds to each of the 32 MIDI channels. If incoming Note data exceeds the maximum polyphony, the SW1000XG will prioritize which Parts are played first, in the following order, from higher priority to lower: Channel 10 (Drum Part), 1, 2, 3, 4, 5, 6, 7, 8, 9, 11, 12, 13, 14, 15, 16, 26 (Drum Part), 17, 18, 19, 20, 21, 22, 23, 24, 25, 27, 28, 29, 30, 31, 32 Therefore, if you are creating your own music data using sequencer software, you should assign your most important Parts (such as melody and bass) to higher priority MIDI channels (i.e., lower MIDI channel numbers) in order to preserve the integrity of your composition. Note that with the GM System Level 1, the Drum Part is always assigned to MIDI channel 10.

Selecting Voices

The SW1000XG not only contains the 128 basic GM Voices and GM drum set, but many variation Voices as wellto give you access to a total of 1,267 Normal Voices and 46 Drum Voices. In XG mode, the basic 128 GM Voices can be accessed by selecting Program numbers 1 128. Other Voices can be accessed by selecting both bank numbers and Program numbers. The Voice bank can be selected via MIDI Control Change Bank Select (MSB and LSB) messages. In XG mode, the MSB value determines the Voice type (Normal, Drum), while the LSB value actually selects the bank (excluding the SFX bank). When the SW1000XG is in TG300B mode, the Voice banks can be selected with appropriate MSB numbers, as LSB is fixed. Lists of all available Voices along with bank and program numbers are provided on the Voice Lists of the Data_E.pdf file contained in the supplied CD-ROMs Document folder. Note that the 128 MIDI Program Change numbers consist of 0 through 127, whereas the 128 SW1000XG program numbers consist of 1 through 128. Depending on the sequencing hardware and software you use, you may have to convert the SW1000XG program numbers to the appropriate Program Change numbers.

Effect Types

The SW1000XG features dozens of extremely versatile digital effects generated by Yamahas advanced Digital Signal Processing (DSP) technologywhich add a completely new dimension to your SW1000XGs sound. These effects are configured, or routed, in one of two waysto be either a System Effect or an Insertion Effect. The difference is as follows: SYSTEM EFFECT INSERTION EFFECT Applies the designated effect to all 32 Parts. Applies the designated effect to only one specific Part.
Reverb and Chorus are System Effects, and Insertion 1 and 2 are Insertion Effects. The Variation effect can be configured as either a System Effect or an Insertion Effect. * Effects can be applied to Audio Parts as well as the internal AWM2 voices of the SW1000XG.

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A/D Input
The SW1000XG features A/D Input jack for connection of external audio sources such as a microphone, guitar, bass, or CD player. Audio signal received via A/D INPUT jack is processed through the effect sections and mixed with the internal AWM2 voices of the SW1000XG. If you use the supplied XGworks for SW1000XG, you can record audio signal via A/D INPUT jack to its WAVE tracks.

About the Plug-In System

Your SW1000XG sound card is compatible with the XG Plug-In System. When you install one of the optional XG Plug-In Boards on the SW1000XG, the functions of the SW1000XG and the XG Plug-In board will be organically combined, just as though the XG Plug-In Board had been built right into the SW1000XG circuits. If one of the tone generator-type XG Plug-In Boards is installed on the SW1000XG, one part of the SW1000XG will be assigned to the tone generator on the plug-in board, while the parts of the SW1000XG itself will remain exactly the same. All effectssystem effects, insertion effects, system EQ, and otherscan be applied. When an effect-type plug-in board is mounted on the SW1000XG, its effects will function as XG insertion effects.
About Optional XG Plug-In Boards

PLG100-VL

This XG Plug-In Board is equipped with an S-VA tone generator, which generates sounds based on physical models. There are 256 voices built in, from realistic orchestral instrument voices to voices for instruments that exist only in the imagination. You can perform with the same awesome expressive power as the VL70-m virtual acoustic tone generator. Using the VL Visual Editor included on the CD-ROM that came with your sound card, its easy and fun to create your own sounds, even without knowing the physical models.

PLG100-VH

This XG Plug-In Board is equipped with harmonic effects optimized for vocals. Four effects are built in, letting you do things like add harmony voices to vocals input from the A/D input terminal just by playing the desired notes on the keyboard (vocoder harmony), or adding the harmony that corresponds to a specified chord (chordal harmony). In addition, you can change the tone of the input, and have fun with unique effects like chorus effects and voice change effects. You can edit the harmony effects with the VH Effect Editor that is included on the CD-ROM that came with your sound card.

For details about the Part Unit, see page 176 of the XGworks V2.0 Owners Manual.

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Wave Data Can Also Be Saved in a Song
As explained in the section Saving the Song on page 40 of the XGworks V2.0 Owners Manual, songs that include wave data must be saved as.XWS files (XGworks original song file). However the wave data (.WAV file) itself was not included in the conventional type of.XWS file (see About WAV Files on P. 39 of the XGworks V2.0 Owners Manual). XGworks for SW1000XG now can save.XWS files with the wave data (.WAV file) itself included. Select [XGworks Original File with Wave (*.XWS)] in the Save as type box of the [Save As] dialog ( XGworks V2.0 Owners Manual P. 202) to save the.XWS file with the wave data included.
n It is possible that.XWS files with wave data included will be much larger in size than expected. If this happens, the
file can also be saved as a conventional.XWS file (.XWS file without the wave data itself included) or as a.MID file.
Opening the Wave Editor TWE
Wave data editing software called WAVE Editor TWE has been included with your sound card. To use it, simply open it in XGworks for SW1000XG.
n You must already have Wave Editor TWE installed before you open it. You can have Wave Editor TWE installed at
the same time that you install XGworks for SW1000XG. For details, see page 16.
With the wave block you want to edit selected in the Track View Window of XGworks, click on the [Job] menu on the menu bar, then select [Wave Editor TWE] from the pull-down menu.

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For detailed information about using Wave Editor TWE after installation, click on the [Start] button in Windows 95, then select [YAMAHA XGworks for SW1000XG] from the [Program] menu. Selecting [WAVE Editor TWE Manual] will display the online manual for the wave editor (PDF file).
Acrobat folder on the CD-ROM that came with your SW1000XG sound card. To install Acrobat Reader, double-click on the ar32e301.exe installation program in that folder.
n Besides wave files with the extension.WAV, the Wave Editor TWE software also supports recording/editing AIFF
files. However, these files cannot be used in XGworks.

SW1000XG Mixer

A specialized mixer for audio parts has been added. Volume adjustment and control of pan and effects for each audio part can be easily done. By moving sliders and knobs, volume and effects can be set for audio signal parts input into the SW1000XG sound card from the external audio input (A/D input) terminal (displaying A1 and A2 in the Input column) and audio signal parts input into the SW1000XG sound card from XGworks wave tracks (displaying P1 to P12 in the Input column). Because these operations pass through the MIDI output port that is setup in the Setup dialog ( P. 34), and are sent to the sound card as MIDI messages, you can monitor (hear) the changes in the volume or tone of your audio parts in realtime. You can enter SW1000XG mixer settings anywhere you want in the song as system exclusive events. You can also save the settings separate from the song in a SW1000XG mixer parameter file (extension.SWM).

n You must already have the SW1000XG Mixer plug-in software installed before using it. You can have SW1000XG
Mixer installed at the same time that you install XGworks for SW1000XG. For details, see page 16.
Opening the SW1000XG Mixer
Click on the [Plug-In] menu on the menu bar, then select [SW1000XG Mixer] from the pull-down menu.

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Name and Function of Every Part

Titile Bar Toolbar

Audio Part Unit

Master Volume Unit

Title Bar
On the title Bar, there are the application icon, and the Minimize, Maximize and Close buttons. For details about the title bar, see P. 199 of the XGworks V2.0 Owners Manual.

Toolbar

1 Open Button
This opens the [Open] (file open) dialog. You can select an SW1000XG Mixer parameter file (.SWM) that has SW1000XG Mixer settings saved in it and read them into the SW1000XG Mixer. If the parameter settings being edited are not saved, a confirmation dialog will appear asking if you want to save the parameters currently being edited before reading the file. This button has the same function as the [Open SW1000XG Mixer Parameter File] command on the menu bar [File] menu.
n Using the [Open] dialog is the same as opening a song file except for specifying SW1000XG Mixer Parameter File
(extension.SWM) in the file type box. For details about the [Open] dialog, see page 201 of the XGworks V2.0 Owners Manual.

2 Save Button

This saves the SW1000XG Mixer parameter file currently being edited, overwriting any previous version. When saving SW1000XG Mixer settings as a parameter file for the first time, the [Save As] dialog will open. This button has the same function as the [Save SW1000XG Mixer Parameter File] command on the menu bar [File] menu.
n Using the [Save As] dialog is the same as saving a song file except for specifying SW1000XG Mixer Parameter File
(extension.SWM) in the file type box. For details about the [Save As] dialog, see page 202 of the XGworks V2.0 Owners Manual.

3 Setup Button

Opens the Setup Dialog. This is used for choosing things like the MIDI output port used for sending parameters set in the SW1000XG Mixer and the device number. This button has the same function as the [SW1000XG Mixer Setup] command on the menu bar [Setup] menu.

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Setup Dialog
Port Click on the box, then select the MIDI port from the drop-down list that is displayed. Control operations done in the SW1000XG Mixer will be sent as MIDI information to the audio parts of the XG tone generator corresponding to the port selected here.
n When using the SW1000XG sound card, select [SW1000 #1 (or #2) Synthesizer] in the Port box.
Device Number This is the number that is set for sending system exclusive data (in this case, information on SW1000XG Mixer operations) to the connected XG tone generator. Select the same number as the connected XG tone generators device number. TrackClick on the box, then from the drop-down list that is displayed, select the track to use when entering the SW1000XG Mixer settings into the song. This is connected with the Track setting on the Insert dialog mentioned later ( P. 36). Play Monitor When this box is checked by clicking on it, the SW1000XG Mixer parameter setting events that have been entered into a song will be read, and the knobs and sliders in the SW1000XG Mixer can be operated in realtime. When there is no check the events in the song will not be read.
n SW1000XG Mixer parameter setting events can be inserted into the song using the Insert dialog men-

tioned later ( P. 36).

Set each item by clicking on it, then click on [OK]. The dialog will close and the settings will take effect. To cancel the operation before finishing it, click [Cancel]. The dialog will close, and the settings will stay in their original state.
4 Audio Preset Setting Button
This opens the audio preset dialog. Suitable effects can be selected for each audio part.
n Because the effects set here are unique to the audio parts, they are different than the reverb, chorus and varia-
tion effects of the XG tone generator.

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Audio Preset Dialog
Audio Source Category List

Effect List

Part Select Box Click Monitor
Audio Source Category List Displays the category of the audio signal. In order to apply appropriate effects to the audio signal, one of the categories on this list must first be selected by clicking on it. Once a category is selected, a list of effect names included in that category will appear in the effect list below. The following six categories are available for each part. Mic This category is appropriate for vocals or live instruments. Guitar This category is appropriate for the sound of an electric guitar. Keyboard This category is appropriate for keyboard sounds (mono) such as synthesizers. Audio This category is appropriate for general line input (mono). Stereo Keyboard This category is appropriate for keyboard sounds (stereo) such as synthesizers. Stereo Audio This category is appropriate for general line input (stereo). Effect List This displays the effect names included in the category selected in the audio source category list. Select the effect you want to use by clicking on it in the list. The effects displayed here will vary according to the category selected above. Part Select Box Click on the box, then from the drop-down list that is displayed, select the part number for the audio category list and the effect list. Two parts can each be displayed at one time.

n In all, parts 1 to 14 can be selected. The far left side on the audio part unit ( P. 36) is part 1. They are
numbered in order from left to right. The far right side on the audio part unit is part 14.
Click Monitor When this box is checked by clicking on it, you can hear the selected effect the moment you click on it in the effect list. Set each item by clicking on it, then click on [OK]. The dialog will close and the settings will take effect. To cancel the operation before finishing it, click [Cancel]. The dialog will close, and the settings will stay in their original state.
n For parts where the audio signal from the external audio input (A/D input) terminal is input to the SW1000XG
sound card (parts that have A1 or A2 displayed in the input column of the part unit), even though an effect is applied with this dialog, and the part is recorded on an XGworks wave track, the effect will not be recorded together with the audio signal. When the recorded wave track is played back, only the raw sound without the effects will be heard. To output the same effects that existed when the song was recorded, the same effects must be set, even for audio signal parts output from an XGworks wave track (parts that have P1 to P12 displayed in the Input column).

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5 Send Button
When you click on this button, the setting information in the SW1000XG Mixer is sent as MIDI data through the MIDI output port selected in the Setup dialog ( P. 34) to the XG tone generator (sound card).

6 Insert Button

Opens the Insert Dialog. The parameter settings made in the SW1000XG Mixer will be inserted/entered into the song as system exclusive data events.

Insert Dialog

TrackSelect the track for insertion. This is connected to Track on the setup dialog ( P. 34). Meas Specify the measure for insertion. Beat Specify the insertion position in beat units. Clock Specify the insertion position in clock units. Interval Time When multiple events are being inserted, specify the insertion interval from event to event in clock units. Offset When you check the box by clicking on it, only event parameter settings that are different than the initial SW1000XG Mixer settings will be inserted into the song as events. This avoids having the song data become too loaded with repeated insertions of events with the same values.
n When inserting events in the song using Offset, a SW1000XG Mixer initial settings event must be previ-
ously inserted at the beginning of the song.
After specifying the track for insertion in the Track box, specify the position in the song using Meas (measure), Beat, and Clock units, and click the [OK] button. The current effect, pan, and volume settings will be inserted as events in the specified track at the specified location. To cancel the operation before finishing it, click [Cancel]. The dialog will close, and the events will not be inserted.

7 Record Button

When this button is clicked, song playback will begin (from the current location), and at the same time, recording of every parameter for the SW1000XG Mixer (knob or slider) operation will begin. When this button is again clicked, song playback and recording of parameter operations will stop. During recording, every movement of a knob or slider will be recorded. When you want parameters like pan and volume are changed continuously, this function is extremely useful because it lets you record smooth changes in the values.
The knobs and sliders for the various audio part settings, like volume, pan, and effects are arranged vertically for each part. From left to right: Part 1, Part 2, Part 3, and so on. The part on the far right side is part 14. Each control can be easily adjusted by clicking or dragging with the mouse.

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If any knob or slider is operated (clicked or dragged) while pressing the <Ctrl> key on the computer keyboard, the knobs and sliders belonging to every part that is input into the SW1000XG sound card from the external audio input (A/D input) terminal (parts that have A1 or A2 displayed in the input column) or to every part that is input into the SW1000XG sound card from an XGworks wave track (parts that have P1 to P12 displayed in the input column) will move together with it. For example, if the pan knob for the P1 part is rotated to the left while holding the <Ctrl> key, the pan knobs for all parts P2 to P12 will simultaneously rotate the same amount to the left. If both the <Ctrl> and the <Shift> key are pressed at the same time and a control is operated (clicked or dragged), the same control belonging to every part that is input into the SW1000XG sound card from the external audio input (A/D input) terminal (parts that have A1 or A2 displayed in the input column) or to every part that is input into the SW1000XG sound card from an XGworks wave track (parts that have P1 to P12 displayed in the input column) will move together in the opposite direction. For example, if the pan knob for the P1 part is rotated to the left while holding the <Ctrl> and the <Shift> key, the pan knobs for all parts P2 to P12 will simultaneously rotate the same amount to the right. If a control is operated (clicked or dragged) while the <Ctrl> and <Alt> keys are both being pressed, the knobs or sliders of the two parts that form a stereo pair will move together.

4 Reverb Knob (Rev)

This is used to set the depth of reverb for each part. As the knob is rotated to the right by dragging it, the reverb effect will deepen. When the knob is all the way to the left, the reverb effect is zero.
n Depending on the character of the audio signal, the manner in which the reverb effect is applied may vary.

5 Chorus Knob (Cho)

This is used to set the depth of chorus for each part. As the knob is rotated to the right by dragging it, the chorus effect will deepen. When the knob is all the way to the left, the chorus effect is zero.
n Depending on the character of the audio signal, the manner in which the chorus effect is applied may vary.

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6 Variation Knob (Var)
This is used to set the depth of Variation effects for each part. As the knob is rotated to the right by dragging it, the Variation effects will deepen. When the knob is all the way to the left, the Variation effects will be zero.
n Variation effect is a function used in the XG tone generator. It has a great many effect programs besides reverb
and chorus, such as delay, rotary speaker, auto pan, amp simulator, and auto wah-wah.
n Depending on the Character of the audio signal, the manner in which the Variation effect is applied may vary.

7 Mute Button

By clicking on any of these buttons and turning it ON (it will be highlighted), you can mute playback for that part. If you click the button again, the part will return to normal playback. You can also mute multiple parts.

8 Pan Knob

This is used to set the stereo orientation for each part. As the knob is rotated to the right by dragging it, the orientation of the playback sound on that part will move to the right. Moving the knob to the left will cause the orientation of the playback sound on that part to move to the left.

9 Volume Fader

By dragging any slider up and down, you can set the volume for the corresponding part.
Displays the overall volume level.
Depending on the Wave In device set in the System Setup dialog ( P. 25), the level display will be as follows: SW1000 #1 WAVE IN.Nothing will be displayed. SW1000 #2 WAVE IN.The level will be displayed for a mixture of the A/D Input, XGworks wave tracks and the sound from the AWM2 tone generator on the sound card.

2 Master Fader

By dragging the slider up and down, you can change the overall volume setting.
If you select SW1000 #2 WAVE IN as the Wave In device in the System Setup dialog ( P. 25), you can set the level of the mixture of the A/D Input, XGworks wave tracks and the sound from the AWM2 tone generator on the sound card. When you record them, or mix them down to an XGworks wave track, this Master Fader can be used to adjust the recording level.

YAMAHA

[ PCI Audio MIDI Card ] Model SW1000XG MIDI Implementation Chart Transmitted Recognized Remarks
Date :01-JUN-1998 Version : 1.0

Function. x x 1 - - 16

Basic Channel

Default Changed

Page 40
Default Messages Altered *2 x ************** x x x x x o o o 0-24 semi o 9nH,v=1-127 x *1 *1 *- - 127

x x **************

3 3, 4 (m=1) x

Note Number

True voice
MIDI Implementation Chart

Velocity

Note ON Note OFF

After Touch

Key's Ch's

Pitch Bend

Bank Select Data Entry

Control

Change
0,32 1,5,7,10,11 6,38 64-67 71-91,93,94 96-97 98-99 100-101

x x x x x x x x x x

o o o o o o o o o o
*1 *1 *1 *1 *1 *1 *1 *1 *1 *1
Sound Controller Portamento Cntrl Effect Depth RPN Inc,Dec NRPN LSB,MSB RPN LSB,MSB

Prog Change x o *3

True #

x **************

o 0 - 127

System Exclusive

Common

: : : x x x x

Song Pos. Song Sel. Tune

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System : Real Time:

Clock Commands

: : : Mes- : sages : :
All Sound Off Reset All Cntrls Local ON/OFF All Notes OFF Active Sens Reset

x x x x x x

o(120,126,127) o(121) x o(123-125) o x

Notes:

*1 receive if switch is on. *2 m is always treated as "1" regardless of its value. *3 receive if exclusive switch is on.
Mode 1 : OMNI ON , POLY Mode 3 : OMNI OFF, POLY
Mode 2 : OMNI ON ,MONO Mode 4 : OMNI OFF,MONO

o : Yes x : No

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Specifications of the SW1000XG Sound Card

System Requirements

CPU: Pentium/166MHz or greater Memory: 32MB or more Hard disk: 20MB or more Operating system:Windows95 PCI slot CD-ROM drive (for software installation) Other equipments (mouse, audio speakers, headphones, etc.)

Tone Generation

AWM2 (Advanced Wave Memory 2) tone generation system
Number of voices: 1,267 normal voices, 46 drum voices Maximum polyphony: 64 Multitimbral capability: 32 parts

Sound module mode

XG (Extended General MIDI): 1,074 normal voices, 36 drum voices TG300B: 614 normal voices, 10 drum voices

Effects

Reverb: 12 types Chorus: 14 types Variation: 70 types Insertion 1/2: 43 types each 5 band multi EQ: 4 types

Digital Audio

Waveform playback devices (x6) *6 stereo files or 12 monaural files can be played simultaneously Waveform recording devices (x2)

Connectors

External audio in (A/D Input) Line out L/R Digital out (S/PDIF) MINI DIN 6 pins (for MIDI connection) Connector for XG plug-in board (PLG100 series) Connector for digital mixing card (DS2416)

Others

Dimensions (W x D x H): 198mm x 127 mm x 21.6mm (7-3/4 x 5 x 7/8) Weight: 140g (5 oz) Included items: SW1000XG sound card MIDI adapter cable (x1) Plug-in board connection cable (x1) Plug-in board spacers(x4) CD-ROM Owners manual Specifications and descriptions in this manual are for information purposes only. Yamaha Corp. reserves the right to change or modify products or specifications at any time without prior notice. Since specifications, equipment or options may not be the same in every locale, please check with your Yamaha dealer. 42

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Troubleshooting
Even though the SW1000XG sound card is easy to use, it may occasionally not function as you expected it to. If that happens, check the possible problems and solutions below before assuming the instrument is faulty.
s Song data with an XG/GM mark does not play correctly.
Are Mute Lock,Audio Lock, EQ Lock, and Output Select Lock each set to OFF? ( MIDI Data Format <Table 2-2>) Are Rcv System On Message and Rcv Bank Select both set to ON? ( MIDI Data Format <Table 2-2>) Is the sound module mode (XG mode or TG300B mode) correctly set? ( P. 22)
s Song Data made with TG300 does not play correctly.
Because the filter and effect settings are different from the TG300, the manner in which the song data plays may be different.

s There is no sound.

Are all devices (such as speakers, headphones, and digital mixing card) correctly connected? ( P. 9, 12) Has the volume been turned down too low (such as on the external speakers, or the Windows standard volume control mixer)? Is Mute or Solo set (such as in the XGworks Track View Window)? Has any incorrect volume or expression data been inserted in the MIDI application? Is the MIDI driver correctly installed? ( P. 13) Have the correct MIDI devices been selected? ( P. 25) Is Individual Out to the DS2416 set for the parts that are not playing? ( P. 12)

PHILIPPINES

Yupangco Music Corporation 339 Gil J. Puyat Avenue, P.O. Box 885 MCPO, Makati, Metro Manila, Philippines Tel: 819-7551

ARGENTINA

Yamaha Music Argentina S.A. Viamonte 1145 Piso2-B 1053, Buenos Aires, Argentina Tel: 1-371-7021

DENMARK

YS Copenhagen Liaison Office Generatorvej 8B DK-2730 Herlev, Denmark Tel: 49 00

SINGAPORE

Yamaha Music Asia Pte., Ltd. Blk 202 Hougang, Street 21 #02-01, Singapore 530202 Tel: 747-4374
PANAMA AND OTHER LATIN AMERICAN COUNTRIES/ CARIBBEAN COUNTRIES
Yamaha de Panama S.A. Torre Banco General, Piso 7, Urbanizacin Marbella, Calle 47 y Aquilino de la Guardia, Ciudad de Panam, Panam Tel: 507-269-5311

FINLAND

Warner Music Finland OY/Fazer Music Aleksanterinkatu 11, P.O. Box 260 SF-00101 Helsinki, Finland Tel: 0435 011

TAIWAN

Yamaha KHS Music Co., Ltd. 10F, 150, Tun-Hwa Northroad, Taipei, Taiwan, R.O.C. Tel: 02-2713-8999

NORWAY

Norsk filial av Yamaha Scandinavia AB Grini Nringspark 1 N-1345 sters, Norway Tel: 77 70

EUROPE

THE UNITED KINGDOM
Yamaha-Kemble Music (U.K.) Ltd. Sherbourne Drive, Tilbrook, Milton Keynes, MK7 8BL, England Tel: 01908-366700

THAILAND

Siam Music Yamaha Co., Ltd. 121/60-61 RS Tower 17th Floor, Ratchadaphisek RD., Dindaeng, Bangkok 10320, Thailand Tel: 02-641-2951

ICELAND

Skifan HF Skeifan 17 P.O. Box 8120 IS-128 Reykjavik, Iceland Tel: 525 5000

IRELAND

Danfay Ltd. 61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin Tel: 01-2859177

OTHER EUROPEAN COUNTRIES

Yamaha Europa GmbH. Siemensstrae 22-34, 25462 Rellingen, F.R. of Germany Tel: 04101-3030
THE PEOPLES REPUBLIC OF CHINAAND OTHER ASIAN COUNTRIES
Yamaha Corporation, International Marketing Division Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: 053-460-2317

GERMANY/SWITZERLAND

AFRICA
Yamaha Corporation, International Marketing Division Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: 053-460-2312

OCEANIA

AUSTRALIA
Yamaha Music Australia Pty. Ltd. 17-33 Market Street, South Melbourne, Vic. 3205, Australia Tel: 3-699-2388

AUSTRIA

Yamaha Music Austria Schleiergasse 20, A-1100 Wien Austria Tel: 01-60203900

MIDDLE EAST

TURKEY/CYPRUS

THE NETHERLANDS

Yamaha Music Nederland Kanaalweg 18G, 3526KL, Utrecht, The Netherlands Tel: 030-2828411

NEW ZEALAND

Music Houses of N.Z. Ltd. 146/148 Captain Springs Road, Te Papapa, Auckland, New Zealand Tel: 9-634-0099

BELGIUM

Yamaha Music Belgium Keiberg Imperiastraat 8, 1930 Zaventem, Belgium Tel: 02-7258220

OTHER COUNTRIES

COUNTRIES AND TRUST TERRITORIES IN PACIFIC OCEAN

FRANCE

Yamaha Musique France, Division Professionnelle BP 70-77312 Marne-la-Valle Cedex 2, France Tel: 01-64-61-4000

HEAD OFFICE

XG1-01
Yamaha Corporation, XG Division Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: 053-460-2936

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M.D.G., EMI Division, Yamaha Corporation 1998