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Note: Check with any retailer of household type batteries in your area for battery disposal information. Disposal Notice: Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc. If your dealer is unable to assist you, please contact Yamaha directly. NAME PLATE LOCATION: The name plate is located on the bottom of the product. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number,
serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.
OUTPUT R L/MONO OUT MIDI IN EXT IN DC IN ON STANDBY
Model Serial No. Purchase Date

PLEASE KEEP THIS MANUAL

FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA. 3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class B digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit OFF and ON, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620 The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.

GETTING STARTED

A step-by-step guide through setting up the RY9, turning on the power, playing the demo songs and performing basic pattern, song and drum kit operations everything you need to get started enjoying the RY9 right away.

MODES & FUNCTIONS

An extensive feature reference of the various modes and functions of the RY9everything you need to know about all operating procedures.

APPENDIX

A collection of technical char ts and lists including display messages, troubleshooting, drum voice and pattern lists, MIDI implementation char t and more.
An alphabetical list of topics which gives you quick and easy access to any subject in the manual you want to locate.
The illustrations and LCD screens as shown in this owners manual are for instructional purposes only, and may appear somewhat different from those on your instrument.

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BEFORE YOU BEGIN...2
1. 2. 3. 4. THE RY9...2 RY9 SYSTEM STRUCTURE..4 TOP PANEL..7 SIDE & REAR PANELS..10

GETTING STARTED...12

5. 6. 7. 8. 9. SETUP & POWER-ON..12 PLAYING THE DEMO SONG.18 PLAYING THE DRUM PADS.19 PLAYING THE PRESET PATTERNS.21 PLAYING THE PRESET SONGS..26
MODES & FUNCTIONS..30
10. 11. 12. 13. 14. 15. 16. 17. 18. PATTERN MODE..30 SONG MODE..41 DRUM KIT MODE..54 EXTERNAL IN MODE..61 SYSTEM MODE..67 TEMPO MODE..73 MUTE MODE..74 BALANCE MODE..75 TRANSPOSE MODE..76

APPENDIX...77

19. 20. 21. 22. 23. 24. RECALLING THE FACTORY DEFAULT SETTINGS.77 DISPLAY MESSAGES..78 TROUBLESHOOTING..79 SPECIFICATIONS..81 INDEX...82 LISTS & CHARTS..84

1. THE RY9

The RY9 is an easy-to-use yet powerful rhythm programmer with automatic bass and chord accompaniment backing, an external input for playing along using a guitar, versatile MIDI capabilities and much more. Featuring Yamahas exclusive AWM (Advanced Wave Memory) tone generation technologywhere voices are high quality digital samples of actual instrumentsthe RY9 has a large capacity waveform ROM filled with 128 drum voices for the rhythms, and 50 normal voices for the backings, plus 200 Preset rhythm patterns with matching accompaniment backing encompassing many different popular music styles, and 50 Preset songs and 12 Preset drum kits suitable for any type of music situation. The RY9 also features powerful programming capabilities that let you do the following:
Create Your Own Rhythm Patterns

3 [TOP] BUTTON

For returning the song or pattern location to the top, or the first measure, when the playback is stopped.

4 [BWD] BUTTON

For rewinding the song through a series of measures when the song playback is stopped. Pressing [BWD] in Pattern Play Mode returns the pattern measure location to the top, or the first measure. Pressing [BWD] in Pattern Record Mode lets you select the clock position.

TEMPO 5

) ! @ #

PATTERN 0

EXT IN

SYSTEM 4

% ^ &

5 [STOP] BUTTON

For stopping the song or pattern playback or realtime recording.

6 [PLAY] BUTTON

For starting song or pattern playback or realtime recording from the current measure location. Pressing [PLAY] immediately after pressing [STOP] will continue the song or pattern playback from the stop location. To start the song or pattern from the beginning, or the top, press [TOP] before pressing [PLAY].

7 [FWD] BUTTON

For fast-forwarding the song through a series of measures when the song playback is stopped. Pressing [FWD] in Pattern Play Mode returns the pattern measure location to the top, or the first measure. Pressing [FWD] in Pattern Record Mode lets you select the clock position.

8 [ACCENT] BUTTON

For adding an accent to a drum beat, by pressing and holding [ACCENT] while hitting a drum pad. In Pattern Step Record Mode, you can record an accent by simply pressing [ACCENT] at the desired drum beat clock location. You can assign the accent level for each drum pad of a User drum kit in Drum Kit Mode.

9 [MODE] BUTTON

For accessing the various modes, by pressing and holding down [MODE] while pressing a mode button, and for accessing the various functions within each mode, by holding down [MODE] while pressing [PAGE-] and [PAGE+]. 8

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) [DELETE] BUTTON
For deleting individual drum beats in Pattern Record Mode. Simply hold [DELETE] and press [ENTER] or the appropriate drum pad to delete the drum voice at the current cursor location. When Chord Assign is active, holding [DELETE] and pressing [ENTER] will delete the chord at the current cursor location.

! [AUDITION] BUTTON

For auditioning, or checking, drum sounds in Pattern Step Record Mode before you record a drum beat. While pressing and holding [AUDITION], press the drum pad you want to audition and the drum voice will sound but data will not be input.

@ [CHORD] BUTTON

For accessing Chord Assign, which lets you specify the chord root and chord type for the backing.

# [PAD BANK] BUTTON

Although there are only 12 drum pads on the top panel, each drum kit has 24 sounds, organized in two Pad Banks of 12 voices per bank. Pressing [PAD BANK] toggles between each bank of 12 Drum and 12 Percussion voices.

$ DRUM PADS/MODE BUTTONS

Double-function controls which act as drum pads for playing the drum voices during playback or recording, and act as mode and function select buttons when the [MODE] button is pressed and held. The names of the various modes are printed on the pads. The [PAGE+] and [PAGE-] buttons let you access the various functions within each mode. Although the drum pads are not touch sensitive, you can apply accents to drum beats using the [ACCENT] button.

% [ENTER] BUTTON

For confirming or executing certain data entry operations.

^ [-1] AND [+1] BUTTONS

For specifying data, or modifying the currently selected parameters.
& [ ] AND [F BUTTONS E ]
For moving the flashing cursor around the LCD screen to select the various parameters.

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4. SIDE & REAR PANELS

MIN VOLUME MAX

PHONES

1 [VOLUME] SLIDER

For setting the master volume output level from the [OUTPUT] and [PHONES] jacks.

2 [PHONES] MINI JACK

For plugging in a pair of headphones with a mini stereo plug for private listening.

OUTPUT L/MONO

IN EXT IN DC IN ON STANDBY

3 [OUTPUT] JACKS

For connecting the RY9 to a mixer, or a stereo amplifier, or amplified speakers. In the case of mono output, use the [L/MONO] jack.

4 [MIDI] JACKS

For connecting the RY9 to other MIDI devices such as a synthesizer or music sequencer, or to a MIDI data storage device (or another RY9) for bulk dumping of User song, pattern and kit data. 10

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5 [EXT IN] JACK
For plugging in a guitar to play along with the song or pattern playback, or for using the guitar tuner feature, or for triggering any of the 50 AWM backing instrument voices in various ways.
For connecting an appropriate AC power adaptor (PA-3B or an equivalent recommended by Yamaha) to supply power to the RY9.

7 [ON/STANDBY] SWITCH

This switch is for turning the power of the RY9 on and off (page 17).

You cannot enter Pattern Record Mode when a Preset pattern (#000 ~ #199) is selected. If you press [REC] when a Preset pattern is selected, the word PRESET will appear briefly in the LCD to remind you to select a User pattern and then try again.

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s DESIGNATING THE METER - If you want to create a pattern from scratch with a specific time signature, you must first designate the meter for an empty User pattern while still in Pattern Record Standby Modei.e., before initiating the Step or Realtime recording operation. Hold [MODE] and press [PAGE+]. The default meter setting will be flashing. To designate a different meter, press [-1] and [+1]. To return to Record Standby Mode, hold [MODE] and press [PAGE-].
ASSIGNING THE TIME SIGNATURE You cannot change the time signature for an existing pattern. You can only assign a time signature to an empty User pattern. You can designate both time signature and quantization factors according to the following table:

Time Signature

01/04 02/04 03/04 04/04 05/04 01/08 03/08 05/08 07/08 01/16 03/16 05/16 07/16 09/16 11/16 13/16 15/16

Quantization Factors

12, 16, 24, 32 12, 16, 24, 32 12, 16 12, 16, 24, 32 16, 24, 32 16, 16, 32 16, 32 16, 32 16, 16

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EXAMPLE DRUM SCORE: 8 BEAT PATTERN When an 8 beat pattern is recorded, the LCD will display as follows.
Hi-hat Snare Drum Bass Drum
s ENTERING STEP RECORD MODE - From within Pattern Record Standby Mode, simply pressing one of the drum pads or the [ACCENT] button will initiate the step recording operation. (To exit Step Record Mode, press [REC] again.) s RECORDING IN STEP-TIME - Step recording is simply locating the clock position indicator at a specific clock by pressing [FWD], [BWD] or [TOP], and then entering a drum beat in that location by pressing the desired drum pad. When you enter pad data, a small black square will display beneath the clock position to indicate data exists in that location for the currently selected pad, and the location of the clock position indicator will advance by one clock.
Data Indicators Current Beat Location

Current Clock Location

The RY9 automatically prevents the sounding of illogical drum notessuch as a closed and open high-hat playing at the same time. The drum voice assigned to the higher pad number will always take precedence.

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s ENTERING REALTIME RECORD MODE - From within Pattern Record Standby Mode, simply pressing [PLAY] will initiate the realtime recording operation. A count-in metronome click will begin (the number of count-in beats will appear on the screen, and will depend on the designated meter), after which realtime recording will commence. (To exit Record Mode, press [STOP], then press [REC] again.) s RECORDING IN REALTIME - Realtime recording is simply hitting the desired drum pads after the count-in, in time with the metronome click. You can keep adding drum beats as the measure loops continuously. As you play, a small black square will display beneath the clock position indicator to indicate that data exists in that location for the currently selected pad. To stop the realtime recording procedure, press [STOP]. s AUDITIONING DRUM PADS - In either Step or Realtime Record Mode, you can audition the drum pads without entering data. Hold [AUDITION] and press a drum pad to select it, or hear it.

s SPECIFYING A CLOCK - After pressing [CHORD], press [BWD] and [FWD] to select a measure. If you want to enter the chord change at a clock position other than at the top of each measure, press [-1] and [+1] to specify a particular clock in the measure. You can select the precise clock position in a measure to change the chord by pressing F [ ] twice to position the flashing cursor over the beat/clock.

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s DESIGNATING A CHORD ROOT AND TYPE - After selecting the measure and specifying the clock, press [ ] twice to position the flashing cursor E over the Chord Root, and press [-1] and [+1] to select the Chord Root. Next, press [ ] once to position the flashing cursor over the Chord F Type, and press [-1] and [+1] to select the Chord Type. Then press [ENTER]. Recorded chord data will be displayed as a black square at the specified location.
s DELETING A CHORD BY EVENT - Even after recording a song, you can go back and delete an unwanted chord at any time at a specific event location, or clock position. First, in Song Record Mode, press [CHORD] to access Chord Assign. Next, locate the measure containing the chord you want to delete, by pressing [FWD] and [BWD]. Then, move the cursor to the beat/clock position and press [+1] or [-1] to locate a specific beat/clock position. (A small black square will display beneath a clock position where chord change data exists.) Finally, hold [DELETE] and press [ENTER] to delete the chord data.

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CHORD TYPES (Key of C)

LCD DISPLAY DEFINITION

(Blank)

Seventh

Minor Seventh

Major Seventh

Minor Major Seventh

Suspended Fourth

Seventh Suspended Fourth
Minor Seventh Flatted Fifth

Diminished

Minor Sixth

Augmented

Seventh Augmented

Added Ninth

m add9

Minor Added Ninth

Seventh Ninth

Seventh Flatted Ninth

Seventh Sharp Ninth

Major Seventh Ninth

Minor Seventh Ninth

Seventh Sharp Eleventh

m7Seventh 11 Minor

Eleventh

Seventh Thirteenth

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s DELETING A CHORD BY PART - After recording a song, you can go back and delete an unwanted chord at any time at a specific part, or measure location. First, in Song Record Mode, press [CHORD] to access Chord Assign. Next, locate the measure containing the chord you want to delete, by pressing [FWD] and [BWD]. Then, hold [MODE] and press [PAGE+] once. The abbreviation DEL (Delete) will appear in the upper left area of the LCD, and the word SURE? will appear in the lower left area of the LCD. Finally, press [ENTER] to delete the chord data.

s TUNING THE PITCH OF THE DRUMS - You can designate the pitch tune setting for each pad in a User drum kit. Hold [MODE] and press [PAGE+] or [PAGE-] to access the Tune function. The word TUNE will appear in the lower left area of the LCD, and the tune setting of the currently selected pad will be flashing. Press any drum pad (within either the Drum or Percussion Pad Bank) to select it. Press [-1] and [+1] to change the pitch tune setting from between -7 and +7, where 0 represents the normal pitch of the drum sound. (As you change the tune settings, hit the pad in order to hear the effect of the pitch change.) After youve set the pitch tuning for the first pad, simply select a different pad and repeat the procedure until you have set the tuning for all voices in your User drum kit.

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s TURNING THE CHASE FUNCTION ON AND OFF - The Chase function determines which drum kit will play a pattern. When the Chase function is on, the drum kit used to record the pattern will automatically be selected for the pattern playback. When the Chase function is off, the currently selected drum kit will be used for playback of all patterns. The Chase setting, which is set to ON when the RY9 is shipped, affects the entire system. Hold [MODE] and press [PAGE+] once or more to access the Chase function. The word CHASE will appear in the lower left area of the LCD. Press [+1] to turn the Chase function on. When Chase is turned on, the word CHASE will appear in the upper right area of the LCD. Press [-1] to turn the Chase function off.

13. EXTERNAL IN MODE

The RY9 features a special [EXT IN] input jack that lets you connect a guitar directly to the RY9 and play along with the patterns and songs, use the RY9 as a guitar tuner, or use the RY9 as a guitar synthesizer by triggering any of the 50 AWM normal voices (including acoustic piano, strings, brass, synth pad sounds, etc.), and more. (For details about connecting a guitar, see page 16.) So the amount of music that can come from the RY9 at one time is the drums, bass and two chord parts from the patterns/songs, plus a guitar signal and the synthesized External In voice. In External In Mode you can turn the Mix function on and off, specify the External In voice and guitar synthesizer status, activate the guitar tuner, assign the trigger sensitivity level for the External In voice, and turn the remote Start function on and off.

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s ENTERING EXTERNAL IN MODE - Hold [MODE] and press [EXT IN] to enter External In Mode.
s TURNING THE MIX FUNCTION ON AND OFF - When the Mix function is turned on, the guitar signal you play will be mixed with the patterns/songs, and both will be output via the stereo [OUTPUT] jacks and [PHONES] jack. Hold [MODE] and press [PAGE-] once or more, if necessary, to access the Mix function. The word MIX will appear in the lower left area of the LCD, along with the current Mix function status ON or OFF. Press [+1] to turn the Mix function on. Press [-1] to turn the Mix function off.

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s DESIGNATING THE SYNC CLOCK - You can connect an external sequencer to the RY9 and synchronize, or sync the two devices together so that their clocks will play in perfect time with each other. The RY9 may be designated as the master device, which means you should set its sync clock to Internal, and the external sequencers clock to MIDI. Or the RY9 may be designated as the slave device, which means you should set its sync clock to MIDI, and set the external sequencers clock to Internal. Hold [MODE] and press [PAGE-] once or more, if necessary, to access the Sync function. The word SYNC will appear in the lower area of the LCD, along with the current sync clock statusINT (Internal) or MIDI. Press [-1] to set the sync clock to INT status. Press [+1] to set the sync clock to MIDI status.
s ASSIGNING THE MIDI TRANSMIT/RECEIVE CHANNEL - You can connect a MIDI keyboard and play the RY9s drum voices from its keyboard. Likewise, you can play the RY9s drum voices from an external sequencer. To do so, you must assign the RY9s MIDI channel to the same channel number as the external device. Hold [MODE] and press [PAGE-] or [PAGE+] to access the MIDI Channel function. The abbreviation CH (Channel) will appear in the lower left area of the LCD, along with the current channel assignment (01 ~ 16, OFF). Press [-1] and [+1] to assign the RY9s MIDI channel number.

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s ASSIGNING THE PROGRAM CHANGE RECEIVE CHANNEL - You can have the RY9 respond to program change messages from an external MIDI keyboard or sequencer. For example, by pressing the voice selectors on your keyboard, you can select the RY9s drum kits. To do so, you must assign the RY9s program change receive channel to the same program change channel number as the transmitting device. Hold [MODE] and press [PAGE-] or [PAGE+] to access the Program Change function. The abbreviation PC (Program Change) will appear in the lower left area of the LCD, along with the current channel assignment (01 ~ 16, OFF). Press [-1] and [+1] to assign the RY9s MIDI Program Change receive channel number.
Refer to the Drum Kit List on page 86 for the program change numbers exclusive to each drum kit.
s ASSIGNING THE EXTERNAL IN VOICE TRANSMIT CHANNEL - The RY9 can transmit MIDI signals generated by the External In voice (as played from the guitar) in order to play an external tone generator. To do so, you must assign the RY9s External In voice channel to the same MIDI receive channel number as the tone generator. Hold [MODE] and press [PAGE-] or [PAGE+] to access the External In Channel function. The abbreviation EXT CH (External In Channel) will appear in the lower left area of the LCD, along with the current channel assignment (01 ~ 16, OFF). Press [-1] and [+1] to assign the RY9s External In voice channel number.

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s ASSIGNING THE HARMONY VOICE TRANSMIT CHANNEL - The RY9 can transmit MIDI signals generated by the Harmony voice (see HARM 1, 2, 3, page 63) in order to play an external tone generator. To do so, you must assign the RY9s Harmony voice channel to the same MIDI receive channel number as the tone generator. Hold [MODE] and press [PAGE+] once or more to access the Harmony Channel function. The abbreviation HRM CH (Harmony Channel) will appear in the lower left area of the LCD, along with the current channel assignment (01 ~ 16, OFF). Press [-1] and [+1] to assign the RY9s Harmony voice channel number.
Some MIDI keyboards and synthesizers have built-in sequencers, as well as floppy disk drives which can send and receive bulk data, program change messages, etc. Consult the owners manual of your keyboard or synthesizer to determine the extent of its MIDI capabilities. The pitch bend range for the External In voice and Harmony voice is 12 ( one octave). Assign the same setting for the pitch bend range of the external device.

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MIDI DATA BULK DUMP OPERATIONS You can dump User pattern, song and drum kit data in bulk to and from another RY9 or an external MIDI data storage device (such as the Yamaha MDF3 MIDI Data Filer). s BULK DUMP TRANSMIT - First, set up the storage device to receive a bulk dump transmission (refer to the owners manual of the storage device for the proper procedure). Hold [MODE] and press [PAGE+] or [PAGE-] to access the Bulk Dump function. The words BULK SURE? will appear in the lower left area of the LCD. Press [ENTER] to initiate the bulk dump transmission operation. When the operation is finished, the word END will appear briefly on the LCD.
s BULK DUMP RECEIVE - As long as the RY9 is in the Select function of Song Play Mode or Pattern Play Mode, and the song or pattern is not playing, it can automatically receive a bulk dump initiated from an external storage device. (Refer to the owners manual of the storage device for the proper procedure for initiating a bulk dump transmit operation.)

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s DESIGNATING THE PRESET OR USER NOTE TABLE - The MIDI note table consists of a list of the drum pads and a corresponding MIDI note number for each pad. When playing the RY9s drum voices from an external keyboard or sequencer, the drum voices will play according to the RY9s note table assignments. The RY9 has both a Preset note table, which you cannot modify, and a User note table, which you can modify using the Note Number function (see below). To designate the Preset or User note table, hold [MODE] and press [PAGE+] or [PAGE-] to access the Note Table function. The abbreviation NT TBL (Note Table) will appear in the lower left area of the LCD, along with the current Note Table statusPRE (Preset) or USER. Press [-1] to designate the Preset note table. Press [+1] to designate the User note table.

DRUM PAD BANK Cunt1 Cunt1 Cunt2 Cunt2 Cunt3 Cunt3 Cunt4 Cunt4 MtroB MtroB MtroC MtroC
PERCUSSION PAD BANK CongM HighQ CongH Clap CongL SLof2 ScrH SLof3 ScrL Tmbrn RdCup Crsh1
PERCUSSION PAD BANK ClckH ClckH ClckL ClckL AgogH AgogH AgogL AgogL Cowbl Cowbl Stick Stick
User Kit Number / Drum Kit Name

7. Anal (o)g

DRUM PAD BANK TAna1 KAna2 TAna3 KAna1 TAna4 SAna2 HCAn1 SAna1 HOAna HCAn2 Ride2 Crsh2 PERCUSSION PAD BANK ScrH Clap ScrL Tmbrn AnCow Splsh

12. User00

DRUM PAD BANK
PERCUSSION PAD BANK AnCgH HighQ AnCgM AnClv AnCgL RimAn

8. Jazz

DRUM PAD BANK TSft2 KRom2 TSft3 KRom1 TSft4 S Hi1 HCls1 Rim 1 HOpen HPedl Ride2 Crsh2

13. User01

PERCUSSION PAD BANK CongM Shakr CongH Cowbl CongL SMid3 BongH Marac BongL Tmbrn RdCup Splsh

PERCUSSION PAD BANK

9. Brush
DRUM PAD BANK TBrs2 KRom2 TBrs3 KRom1 TBrs4 BrSlp HCls1 BrSw2 HOpen HPedl Ride2 Crsh2

14. User02

PERCUSSION PAD BANK CongM Shakr CongH Cowbl CongL BrTap BongH BrSw1 BongL Tmbrn RdCup Splsh

10. Latin

DRUM PAD BANK BongH KRom2 BongL KRom1 Cabas TmblH AgogH TmblL AgogL Marac Ride2 Crsh2

15. User03

PERCUSSION PAD BANK CongM Shakr CongH Cowbl CongL Rim 1 GuirS Clave GuirL Tmbrn WhslS WhslL

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PRESET PATTERN LIST

s Rock

PATTERN LCD NO. DISPLAY
Rck1A Rck1B Rck1C Rck1D Rck2A Rck2B Rck2C Rck2D Rck3A Rck3B Rck3C Rck3D Rck4A Rck4B Rck4C Rck4D Rck5A Rck5B Rck5C Rck5D Rck6A Rck6B Rck6C Rck6D Rck7A Rck7B Rck7C Rck7D Rck8A Rck8B Rck8C Rck8D Rck9A Rck9B Rck9C Rck9D Rock 9 Rock Boogie Rock 8 Funk Rock Rock 7 Pop Rock Rock 6 New Wave Rock 5 LA Rock Rock 4 Slow 8-beat Rock 2 Rock 3 Slow 8-beat Rock 1 Rock 2 8-beat Rock 2

s Hard Rock

STYLE NAME

Rock 1 8-beat Rock 1

SECTION
Main A Main B Fill AB Fill BA Main A Main B Fill AB Fill BA Main A Main B Fill AB Fill BA Main A Main B Fill AB Fill BA Main A Main B Fill AB Fill BA Main A Main B Fill AB Fill BA Main A Main B Fill AB Fill BA Main A Main B Fill AB Fill BA Main A Main B Fill AB Fill BA
HRk1B HRk1C HRk1D HRk2B HRk2C HRk2D HRk3B HRk3C HRk3D
HRk1A Hard Rock 1 American Hard Rock 1 Main A Main B Fill AB Fill BA Main B Fill AB Fill BA Main B Fill AB Fill BA Main A Main B Fill AB Fill BA Main A Main B Fill AB Fill BA Main A Main B Fill AB Fill BA Main A Main B Fill AB Fill BA Main A Main B Fill AB Fill BA

s Dance
Hip A Hip B Hip C Hip D HousA HousB HousC HousD House Pop House

s Latin

Hip Hop Hip Hop Soul
SlsaA SlsaB SlsaC SlsaD BosaA BosaB BosaC BosaD SmbaA Samba SmbaB SmbaC SmbaD Bossa Salsa

Salsa / Mambo

Medium Bossa

Samba / Songo

s Jazz
Fsn1A Fsn1B Fsn1C Fsn1D Fsn2A Fsn2B Fsn2C Fsn2D Fsn3A Fsn3B Fsn3C Fsn3D Fsn4A Fsn4B Fsn4C Fsn4D Jaz1A Jaz1B Jaz1C Jaz1D Jaz2A Jaz2B Jaz2C Jaz2D Jaz3A Jaz3B Jaz3C Jaz3D Jazz 3 Bebop Jazz 2 Jazz Blues Jazz 1 Jazz Ballad Fusion 4 Jazz Funk Fusion 3 Rock Fusion Fusion 2 Pop Fusion

Fusion 1 Funk Fusion

Main A Main B Fill AB Fill BA Main A Main B Fill AB Fill BA Main A Main B Fill AB Fill BA Main A Main B Fill AB Fill BA Main A Main B Fill AB Fill BA Main A Main B Fill AB Fill BA Main A Main B Fill AB Fill BA

s Beat

BeatA BeatB BeatC BeatD ClckA ClckB ClckC ClckD Click Click Variation Beat
Drum Pattern Variaton 8-beat 8-beat Shuffle 16-beat Triplet Count Metronome Agogo Sticks
NOTE: The patterns, number 192 through 199, dont contain bass and chord data.

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NORMAL VOICE LIST

NO. 25

LCD DISPLAY Piano ChoPf A&EP1 A&EP2 EPno1 EPno2 EPno3 Clavi Vibes Organ AcGtr ClGt1 ClGt2 MtGt1 MtGt2 OdGt1 OdGt2 Dist1 MtDst Dist2 AcBas FgBa1 FgBa2 FgBa3 PcBas
VOICE NAME Grand Piano Chorus Piano Aco.& El.Piano 1 Aco.& El.Piano 2 Electric Piano 1 Electric Piano 2 Electric Piano 3 Clavi Vibraphone Electric Organ Acoustic Guitar Clean Guitar 1 Clean Guitar 2 Muted Guitar 1 Muted Guitar 2 Overdriven Guitar 1 Overdriven Guitar 2 Distortion Guitar 1 Muted Distortion Distortion Guitar 2 Acoustic Bass Finger Bass 1 Finger Bass 2 Finger Bass 3 Pick Bass

NO. 50

LCD DISPLAY SlBas OG&Ba DG&Ba SyBa1 SyBa2 SyBa3 Strg1 Strg2 SySt1 SySt2 Bras1 Bras2 SyBrs Sax BrsHt SyLd1 SyLd2 SyLd3 SyLd4 SyPd1 SyPd2 SyPd3 SyFx1 SyFx2 SyFx3
VOICE NAME Slap Bass Overdriven Gtr & Bass Distortion Gtr & Bass Synth Bass 1 Synth Bass 2 Synth Bass 3 Strings 1 Strings 2 Synth Strings 1 Synth Strings 2 Brass Section 1 Brass Section 2 Synth Brass Tenor Sax Brass Hit Synth Lead 1 Synth Lead 2 Synth Lead 3 Synth Lead 4 Synth Pad 1 Synth Pad 2 Synth Pad 3 Synth FX 1 Synth FX 2 Synth FX 3

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MIDI DATA FORMAT

MIDI Reception

MIDI Reception Block Diagram
<MIDI Reception Condition>

3. System Common Message

1) SONG SELECT STATUS 11110011 (F3H) s=0~99 SONG NUMBER 00ssssss s Data is received in Song Select Mode.
<SW1> <SW2> <SW3> <SW4> <SW5>
9nH CnH F0H, F7H F3H F8H FAH FBH FCH FEH
NOTE ON PROGRAM CHANGE BULK DUMP SONG SELECT TIMING CLOCK START CONTINUE STOP ACTIVE SENSING

MIDI IMPLEMENTATION CHART
Note Number True Voice Note ON Note OFF 9nH, v=1-127 9nH, v=0 9nH, v=1-127 Key's Ch's 0-127 ************************ 0-127

Velocity

After Touch

Pitch Bend

Control Change
Date:10. Apr.1999 Version: 1.00

Function Default Changed

6/2/99 Page 94
Program Change 0-15 kit select Range 0-99 0-99 song data etc ************************

System Exclusive

System Common
Song Position Song Select Tune

Page 95

System Real Time

Clock Commands

95 Mode 2 : OMNI ON, MONO Mode 4 : OMNI OFF, MONO

Aux Messages

Local ON/OFF All Notes OFF Active Sense Reset
Mode 1 : OMNI ON, POLY Mode 3 : OMNI OFF, POLY

: YES : NO

Page 96
For details of products, please contact your nearest Yamaha or the authorized distributor listed below. Pour plus de dtails sur les produits, veuillez-vous adresser Yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante.
Die Einzelheiten zu Produkten sind bei Ihrer unten aufgefhrten Niederlassung und bei Yamaha Vertragshndlern in den jeweiligen Bestimmungslndern erhltlich. Para detalles sobre productos, contacte su tienda Yamaha ms cercana o el distribuidor autorizado que se lista debajo.

NORTH AMERICA

CANADA
Yamaha Canada Music Ltd. 135 Milner Avenue, Scarborough, Ontario, M1S 3R1, Canada Tel: 416-298-1311

FRANCE

Yamaha Musique France, Division Professionnelle BP 70-77312 Marne-la-Valle Cedex 2, France Tel: 01-64-61-4000

HONG KONG

Tom Lee Music Co., Ltd. 11/F., Silvercord Tower 1, 30 Canton Road, Tsimshatsui, Kowloon, Hong Kong Tel: 2737-7688
Yamaha Musica Italia S.P.A., Combo Division Viale Italia 88, 20020 Lainate (Milano), Italy Tel: 02-935-771

U.S.A.

Yamaha Corporation of America 6600 Orangethorpe Ave., Buena Park, Calif. 90620, U.S.A. 714-522-9011

INDONESIA

PT. Yamaha Music Indonesia (Distributor) PT. Nusantik Gedung Yamaha Music Center, Jalan Jend. Gatot Subroto Kav. 4, Jakarta 12930, Indonesia Tel: 21-520-2577

SPAIN/PORTUGAL

Yamaha-Hazen Electronica Musical, S.A. Jorge Juan 30, 28001, Madrid, Spain Tel: 91-577-7270

CENTRAL & SOUTH AMERICA

MEXICO

Yamaha de Mexico S.A. De C.V., Departamento de ventas Javier Rojo Gomez No.1149, Col. Gpe Del Moral, Deleg. Iztapalapa, 09300 Mexico, D.F. Tel: 686-00-33

GREECE

Philippe Nakas S.A. Navarinou Street 13, P.Code 10680, Athens, Greece Tel: 01-364-7111
Cosmos Corporation 1461-9, Seocho Dong, Seocho Gu, Seoul, Korea Tel: 02-3486-0011

SWEDEN

Yamaha Scandinavia AB J. A. Wettergrens Gata 1 Box 30053 S-Gteborg, Sweden Tel: 34 00

MALAYSIA

Yamaha Music Malaysia, Sdn., Bhd. Lot 8, Jalan Perbandaran, 47301 Kelana Jaya, Petaling Jaya, Selangor, Malaysia Tel: 3-703-0900

BRAZIL

Yamaha Musical do Brasil LTDA. Av. Rebouas 2636, So Paulo, Brasil Tel: 011-853-1377

PHILIPPINES

Yupangco Music Corporation 339 Gil J. Puyat Avenue, P.O. Box 885 MCPO, Makati, Metro Manila, Philippines Tel: 819-7551

DENMARK

YS Copenhagen Liaison Office Generatorvej 8B DK-2730 Herlev, Denmark Tel: 49 00

ARGENTINA

Yamaha Music Argentina S.A. Viamonte 1145 Piso2-B 1053, Buenos Aires, Argentina Tel: 1-371-7021

SINGAPORE

Yamaha Music Asia Pte., Ltd. 11 Ubi Road #06-00, Meiban Industrial Building, Singapore Tel: 65-747-4374

FINLAND

F-Musiikki Oy Kluuvikatu 6, P.O. Box 260, SF-00101 Helsinki, Finland Tel: 09 618511
PANAMA AND OTHER LATIN AMERICAN COUNTRIES/CARIBBEAN COUNTRIES
Yamaha de Panama S.A. Torre Banco General, Piso 7, Urbanizacin Marbella, Calle 47 y Aquilino de la Guardia, Ciudad de Panam, Panam Tel: 507-269-5311

TAIWAN

Yamaha KHS Music Co., Ltd. 10F, 150, Tun-Hwa Northroad, Taipei, Taiwan, R.O.C. Tel: 02-2713-8999

NORWAY

Norsk filial av Yamaha Scandinavia AB Grini Nringspark 1 N-1345 sters, Norway Tel: 77 70

THAILAND

Siam Music Yamaha Co., Ltd. 121/60-61 RS Tower 17th Floor, Ratchadaphisek RD., Dindaeng, Bangkok 10320, Thailand Tel: 02-641-2951

EUROPE

THE UNITED KINGDOM
Yamaha-Kemble Music (U.K.) Ltd. Sherbourne Drive, Tilbrook, Milton Keynes, MK7 8BL, England Tel: 01908-366700

ICELAND

Skifan HF Skeifan 17 P.O. Box 8120 IS-128 Reykjavik, Iceland Tel: 525 5000

OTHER EUROPEAN COUNTRIES

Yamaha Europa GmbH. Siemensstrae 22-34, 25462 Rellingen, F.R. of Germany Tel: 04101-3030

RHYTHM PROGRAMMER OWNERS MANUAL

PHONES MIN VOLUME MAX

SONG BEAT PART CLOCK MEAS KIT PTN SONG PAD REPEAT CHAIN MUTE NEXT EMPTY

RHYTHM PROGRAMMER

ACCENT MODE
PATTERN 0 SONG 1 KIT 2 EXT IN 3 SYSTEM 4 TEMPO 5

DELETE AUDITION

PAGE 6

PAGE 7

HH CLOSED1

MUTE 9

HH OPEN

BALANCE 10

TRANSPOSE 11

CHORD PAD BANK

HH CLOSED2

OUTPUT L/MONO

IN EXT IN DC IN ON STANDBY

EXT IN DC IN ON STANDBY

OUTPUT R L/MONO

VOLUME

PHONES

SONG BEAT

PART CLOCK

MEAS KIT PTN SONG PAD

REPEAT CHAIN MUTE NEXT EMPTY

PATTERN 0

EXT IN

SYSTEM 4

7 9BD1 )BD 2

PAD BANK

n n D n @ 4

TOM1 TOM ! 3 2

PAGE 6 PAGE 7 PATTERN 0 SONG 1 KIT 2 EXT IN 3 SYSTEM 4

RIDE ^

n n n 6 $ %

YAMAHA RHYTHM PROGRAMMER

ACCENT

m add9

1. 2. 3.

1. 2. 3. 4.

REC TOP BWD STOP PLAY FWD

DELETE

2. 3. 4.

2. E 3. 4. E F F

1. 2. 3. E F

2. 3. 4. 5.

KDry1 KDry2 KDry3 KRom1 KRom2 KRom3 KAmbi KHard KHevy KGate KLof1 KLof2 KAna1 KAna2 SMid1 SMid2 SMid3 S Hi1 S Hi2 S Hi3 SDeep STite SHrd1 SHrd2 SAmb1 SAmb2 SPwr1 SPwr2 SLof1 SLof2 SLof3 SLof4 SAna1 SAna2 BrTap BrSlp BrSw1 BrSw2 Rim 1 Rim 2 RimAn HCls1 HCls2
BD Dry 1 BD Dry 2 BD Dry 3 BD Room 1 BD Room 2 BD Room 3 BD Ambience BD Hard BD Heavy BD Gate BD Lo-fi 1 BD Lo-fi 2 BD Analog 1 BD Analog 2 SD Middle 1 SD Middle 2 SD Middle 3 SD High 1 SD High 2 SD High 3 SD Deep SD Tight SD Hard 1 SD Hard 2 SD Ambience 1 SD Ambience 2 SD Power 1 SD Power 2 SD Lo-fi 1 SD Lo-fi 2 SD Lo-fi 3 SD Lo-fi 4 SD Analog 1 SD Analog 2 Brush Tap Brush Slap Brush Swirl 1 Brush Swirl 2 Side Stick Rim 1 Side Stick Rim 2 Analog Rim Hi-Hat Closed 1 Hi-Hat Closed 2
HQtrO HOpen HPedl HCAn1 HCAn2 HOAna Ride1 Ride2 RdCup Crsh1 Crsh2 Splsh TDry1 TDry2 TDry3 TDry4 TDry5 TDry6 TAmb1 TAmb2 TAmb3 TAmb4 TAmb5 TAmb6 TSft1 TSft2 TSft3 TSft4 TSft5 TSft6 TBrs1 TBrs2 TBrs3 TBrs4 TBrs5 TBrs6 TAna1 TAna2 TAna3 TAna4 TAna5 TAna6 BongH
Hi-Hat Quarter Open Hi-Hat Open Hi-Hat Pedal HH Analog Closed 1 HH Analog Closed 2 HH Analog Open Ride Cymbal 1 Ride Cymbal 2 Ride Cymbal Cup Crash Cymbal 1 Crash Cymbal 2 Splash Cymbal Tom Dry 1 Tom Dry 2 Tom Dry 3 Tom Dry 4 Tom Dry 5 Tom Dry 6 Tom Ambience 1 Tom Ambience 2 Tom Ambience 3 Tom Ambience 4 Tom Ambience 5 Tom Ambience 6 Tom Soft 1 Tom Soft 2 Tom Soft 3 Tom Soft 4 Tom Soft 5 Tom Soft 6 Tom Brush 1 Tom Brush 2 Tom Brush 3 Tom Brush 4 Tom Brush 5 Tom Brush 6 Tom Analog 1 Tom Analog 2 Tom Analog 3 Tom Analog 4 Tom Analog 5 Tom Analog 6 Bongo H

127 128

BongL CongH CongM CongL TmblH TmblL Tmbrn Marac Cabas Shakr GuirS GuilL Cowbl AgogH AgogL TriM TriO Clave WdBlH WdBlL WhslS WhslL Clap AnCow AnCgH AnCgM AnCgL AnClv HighQ ScrH ScrL BaSld GtScr Cunt1 Cunt2 Cunt3 Cunt4 Stick MtroB MtroC ClckH ClckL
Bongo L Conga H Conga Mute Conga L Timbale H Timbale L Tambourine Maracas Cabasa Shaker Guiro S Guiro L Cowbell High Agogo Low Agogo Triangle Mute Triangle Open Claves Wood Block H Wood Block L Samba Whistle S Samba Whistle L Handclap Analog Cowbell Analog Conga H Analog Conga M Analog Conga L Analog Claves High Q Scratch H Scratch L Bass Slide Guitar Scrape Count One Count Two Count Three Count Four Sticks Metronome Bell Metronome Click Click H Click L

Piano ChoPf A&EP1 A&EP2 EPno1 EPno2 EPno3 Clavi Vibes Organ AcGtr ClGt1 ClGt2 MtGt1 MtGt2 OdGt1 OdGt2 Dist1 MtDst Dist2 AcBas FgBa1 FgBa2 FgBa3 PcBas
Grand Piano Chorus Piano Aco.& El.Piano 1 Aco.& El.Piano 2 Electric Piano 1 Electric Piano 2 Electric Piano 3 Clavi Vibraphone Electric Organ Acoustic Guitar Clean Guitar 1 Clean Guitar 2 Muted Guitar 1 Muted Guitar 2 Overdriven Guitar 1 Overdriven Guitar 2 Distortion Guitar 1 Muted Distortion Distortion Guitar 2 Acoustic Bass Finger Bass 1 Finger Bass 2 Finger Bass 3 Pick Bass
SlBas OG&Ba DG&Ba SyBa1 SyBa2 SyBa3 Strg1 Strg2 SySt1 SySt2 Bras1 Bras2 SyBrs Sax BrsHt SyLd1 SyLd2 SyLd3 SyLd4 SyPd1 SyPd2 SyPd3 SyFx1 SyFx2 SyFx3
Slap Bass Overdriven Gtr & Bass Distortion Gtr & Bass Synth Bass 1 Synth Bass 2 Synth Bass 3 Strings 1 Strings 2 Synth Strings 1 Synth Strings 2 Brass Section 1 Brass Section 2 Synth Brass Tenor Sax Brass Hit Synth Lead 1 Synth Lead 2 Synth Lead 3 Synth Lead 4 Synth Pad 1 Synth Pad 2 Synth Pad 3 Synth FX 1 Synth FX 2 Synth FX 3

41 / F1

43 / G1

45 / A1

42 / F 1

46 / A 1

51 / D 2

36 / C1

37 / C 1

38 / D1

40 / E1

44 / G 1

49 / C 2

47 / B1

48 / C2

50 / D2

55 / G2

57 / A2

53 / F2

58 / A 2

54 / F 2

39 / D 1

59 / B2

56 / G 2

52 / E2

0. Stand(ard)

TDry3 KDry3 TDry4 KDry1 TDry5 SMid3 HCls1 SMid2 HOpen HCls2 Ride2 Crsh2

3. Rock1

TDry4 KRom3 TDry5 KRom1 TDry6 SHrd2 HCls2 SHrd1 HOpen HQtrO Ride2 Crsh2

CongM BaSld

CongH Cowbl

CongL SMid1

BongH Marac

BongL Tmbrn

RdCup Crsh1

CongH GtScr

Cowbl Stick

Splsh Tmbrn

1. Dry
TSft2 KRom2 TSft3 KRom1 TSft4 S Hi3 HCls1 S Hi2 HQtrO HCls2 Ride2 Crsh2

4. Rock2

TAmb4 KHard TAmb5 KRom3 TAmb6 SAmb2 HCls2 SAmb1 HOpen HQtrO Ride2 Crsh2

CongL S Hi1

RdCup Splsh

TAmb1 BaSld

TAmb2 GtScr

TAmb3 SPwr1

2. Bal(l)ad
TSft3 KDry2 TSft4 KDry1 TSft5 SDeep HCls1 Rim 2 HOpen HCls2 Ride2 Crsh2

5. Power

TAmb4 KHevy TAmb5 KGate TAmb6 SPwr2 HCls2 SPwr1 HOpen HQtrO Ride2 Crsh2

TAmb3 SAmb1

6. HipH(o)p
TSft3 KLof2 TSft4 KLof1 TSft6 SLof1 HCls2 SLof4 HOpen HQtrO Ride2 Crsh2

11. Click

Cunt1 Cunt1 Cunt2 Cunt2 Cunt3 Cunt3 Cunt4 Cunt4 MtroB MtroB MtroC MtroC

CongM HighQ

CongH Clap

CongL SLof2

ScrH SLof3

ScrL Tmbrn

ClckH ClckH

ClckL ClckL

AgogH AgogH

AgogL AgogL

Cowbl Cowbl

Stick Stick

7. Anal (o)g
TAna1 KAna2 TAna3 KAna1 TAna4 SAna2 HCAn1 SAna1 HOAna HCAn2 Ride2 Crsh2

12. User00

AnCgH HighQ

AnCgM AnClv

AnCgL RimAn

ScrH Clap

AnCow Splsh

8. Jazz

TSft2 KRom2 TSft3 KRom1 TSft4 S Hi1 HCls1 Rim 1 HOpen HPedl Ride2 Crsh2

13. User01

CongM Shakr

CongL SMid3

9. Brush
TBrs2 KRom2 TBrs3 KRom1 TBrs4 BrSlp HCls1 BrSw2 HOpen HPedl Ride2 Crsh2

14. User02

CongL BrTap

BongH BrSw1

10. Latin
BongH KRom2 BongL KRom1 Cabas TmblH AgogH TmblL AgogL Marac Ride2 Crsh2

15. User03

CongL Rim 1

GuirS Clave

GuirL Tmbrn

WhslS WhslL

Rck1A Rck1B Rck1C Rck1D Rck2A Rck2B Rck2C Rck2D Rck3A Rck3B Rck3C Rck3D Rck4A Rck4B Rck4C Rck4D Rck5A Rck5B Rck5C Rck5D Rck6A Rck6B Rck6C Rck6D Rck7A Rck7B Rck7C Rck7D Rck8A Rck8B Rck8C Rck8D Rck9A Rck9B Rck9C Rck9D

Rock 1

8-beat Rock 1
Main A Main B Fill AB Fill BA
HRk5A HRk5B HRk5C HRk5D HRk6A HRk6B HRk6C HRk6D HRk7A HRk7B HRk7C HRk7D HRk8A HRk8B HRk8C HRk8D

Hard Rock 5

Hardcore 2

Rock 2

8-beat Rock 2

Hard Rock 6

Hard Rock Shuffle

Rock 3

Slow 8-beat Rock 1

Hard Rock 7

Speed Metal

Rock 4

Slow 8-beat Rock 2

Hard Rock 8

Digital Hard Rock

Rock 5

LA Rock
Main A Main B Fill AB Fill BA VRk1A VRk1B VRk1C VRk1D VRk2A VRk2B VRk2C VRk2D VRk3A VRk3B VRk3C VRk3D VRk4A VRk4B VRk4C VRk4D VRk5A VRk5B VRk5C VRk5D VRk6A VRk6B VRk6C VRk6D VRk7A VRk7B VRk7C VRk7D VRk8A VRk8B VRk8C VRk8D Vintage Rock 8 Reggae Vintage Rock 7 Rock Latin Vintage Rock 6 Progressive Hard Vintage Rock 5 70's Hard Rock Vintage Rock 4 70's Rock&Roll Vintage Rock 3 70's Rock Vintage Rock 2 60's Hard Rock 2 Vintage Rock 1 60's Hard Rock 1 Main A Main B Fill AB Fill BA Main A Main B Fill AB Fill BA Main A Main B Fill AB Fill BA Main A Main B Fill AB Fill BA Main A Main B Fill AB Fill BA Main A Main B Fill AB Fill BA Main A Main B Fill AB Fill BA Main A Main B Fill AB Fill BA

Rock 6

New Wave

Rock 7

Pop Rock

Rock 8

Funk Rock

Rock 9

Rock Boogie
HRk1A HRk1B HRk1C HRk1D HRk2A HRk2B HRk2C HRk2D HRk3A HRk3B HRk3C HRk3D HRk4A HRk4B HRk4C HRk4D

Hard Rock 1

American Hard Rock 1

Hard Rock 2

American Hard Rock 2

Hard Rock 3

American Hard Rock 3

Hard Rock 4

Hardcore 1

114 115

Bld1A Bld1B Bld1C Bld1D Bld2A Bld2B Bld2C Bld2D Bld3A Bld3B Bld3C Bld3D Bld4A Bld4B Bld4C Bld4D

Ballad 1

Hard Rock Ballad
Fsn1A Fsn1B Fsn1C Fsn1D Fsn2A Fsn2B Fsn2C Fsn2D Fsn3A Fsn3B Fsn3C Fsn3D Fsn4A Fsn4B Fsn4C Fsn4D Jaz1A Jaz1B Jaz1C Jaz1D Jaz2A Jaz2B Jaz2C Jaz2D Jaz3A Jaz3B Jaz3C Jaz3D

Fusion 1

Funk Fusion

Ballad 2

Organ Ballad

Fusion 2

Pop Fusion

Ballad 3

Unplugged

Fusion 3

Rock Fusion

Ballad 4

Piano Ballad

Fusion 4

Jazz Funk

Jazz 1

Jazz Ballad

130 131

Bls1A Bls1B Bls1C Bls1D Bls2A Bls2B Bls2C Bls2D Bls3A Bls3B Bls3C Bls3D Bls4A Bls4B Bls4C Bls4D

Blues 1

Rhythm & Blues

Jazz 2

Jazz Blues

Blues 2

Blues Shuffle 1

Jazz 3

Blues 3

Blues Shuffle 2

Blues 4

Slow Blues

SlsaA SlsaB SlsaC SlsaD BosaA BosaB BosaC BosaD SmbaA SmbaB SmbaC SmbaD

Salsa / Mambo

Medium Bossa

142 143

R&R1A R&R1B R&R1C R&R1D R&R2A R&R2B R&R2C R&R2D R&R3A R&R3B R&R3C R&R3D

Rock&Roll 1

Samba / Songo

Rock&Roll 2

Liverpool

Rock&Roll 3

Surf Rock
BeatA BeatB BeatC BeatD ClckA ClckB ClckC ClckD

Drum Pattern Variaton

8-beat 8-beat Shuffle 16-beat Triplet

Click Variation

Count Metronome Agogo Sticks

150 151

Hip A Hip B Hip C Hip D HousA HousB HousC HousD

Hip Hop

Hip Hop Soul

Pop House

BULK DUMP 01001100 0ddddddd : 0sssssss : 11110111
(F0H) (43H) (00H) (7EH) (04H) (0AH) (4CH) (4DH) (20H) (20H) (30H) (31H) (35H) (33H) (41H) (4CH) Device Number (00H Byte count MSB Byte count LSB "L" "M" " " " " "0" "2" "0" "3" "A" "L" Data Check sum (F7H) EOX )

MIDI IN

<SW1> <SW2> <SW3> <SW4> <SW5>
9nH CnH F0H, F7H F3H F8H FAH FBH FCH FEH
NOTE ON PROGRAM CHANGE BULK DUMP SONG SELECT TIMING CLOCK START CONTINUE STOP ACTIVE SENSING

: 17 : 18

TIMING CLOCK START CONTINUE STOP ACTIVE SENSING

11111110

(F8H) (FAH) (FBH) (FCH) (FEH)
1) NOTE ON STATUS NOTE NUMBER VELOCITY 1001nnnn 0kkkkkkk 0vvvvvvv (9nH) n=0~15 VOICE CHANNEL NUNBER k=0(C-2)~127(G8) NOTE ON v=1~127
2) PROGRAM CHANGE STATUS 1100nnnn PROGRAM NUMBER 0ppppppp
n=0~15 VOICE CHANNEL NUMBER p=0~15
1) SONG SELECT STATUS SONG NUMBER 11110011 00ssssss (F3H) s=0~99
NOTE ON/OFF PITCH BEND CHANGE BULK DUMP SONG SELECT TIMING CLOCK START CONTINUE STOP ACTIVE SENSING
<SW1> <SW2> <SW3> <SW4>
9nH EnH F0H, F7H F3H F8H FAH FBH FCH FEH

MIDI OUT

1) NOTE ON/OFF STATUS NOTE NUMBER 1001nnnn 0kkkkkkk 0vvvvvvv 00000000 2) PITCH BEND CHANGE STATUS LSB MSB 1110nnnn 0lllllll 0hhhhhhh (EnH) n=0~15 EXTERNA LIN / HARMONEY CHANNEL NUNBER l=0~127 h=0~127 (9nH) n=0~15 VOICE CHANNEL NUNBER k=0(C-2)~127(G8) NOTE ON v=1~127 NOTE OFF

1) BULK DUMP

YAMAHA [Rhythm Programmer] / Model: RY9
Transmit 1-16 1-16 1-16 1- 3 ************************ Receive Remarks
Date:10. Apr.1999 Version: 1.00

Function

Basic Channel

Default Changed

Default Messages Altered
Note Number 0-127 ************************ 0-127 9nH, v=1-127 9nH, v=1-127 9nH, v=0

True Voice

Velocity

Note ON Note OFF

After Touch

Key's Ch's

Pitch Bend

Control Change

Program Change 0-15 kit select ************************ 0-99 0-99 song data etc

System Exclusive

System Common
Song Position Song Select Tune

System Real Time

Clock Commands

Aux Messages

Local ON/OFF All Notes OFF Active Sense Reset
Mode 1 : OMNI ON, POLY Mode 3 : OMNI OFF, POLY
Mode 2 : OMNI ON, MONO Mode 4 : OMNI OFF, MONO

: YES : NO

?????????? M.D.G. EMI Division, Yamaha Corporation 1999