S P E C T R A
This book contains operating instructions for the Polaroid Spectra AF camera (see p. 2.) The text refers to pictures on these fold-out pages. Este manual contiene las instrucciones de operation de la camara Polaroid Spectra AF (p. 23). El texto hate referencia a las guras de estas hojas desplegables.
Get in close to subject (p. 20) Acerquese al sujeto (p. 42)
Add foreground interest (p. 20) Anada interes al fondo (p. 42)
Use color in pictures (p. 20) Use el color en las fotografas (p. 42)
Keep background simple (p. 20) Mantegna un fondo sencillo (p. 42)
Flash off: facial shadows (p. 8) Flash: apagado sombras en la cara (p. 30)
Distant background: too dark (p. 10) Fondo distante: demasiado oscuro (p. 32)
Close background: good picture (p. 10) Fondo cercano: buena fotografa (p. 32)

IMPORTANT SAFEGUARDS

As with any battery-operated equipment, observe these basic safety precautions:
1 FOLLOW ALL OF THESE INSTRUCTIONS. 2 CLOSELY SUPERVISE CAMERA WHEN IT IS
BEING USED BY OR NEAR CHILDREN.
3 DO NOT USE CAMERA IF IT HAS BEEN
DROPPED OR DAMAGED - UNTIL IT HAS BEEN EXAMINED AT AN AUTHORIZED POLAROID SERVICE CENTER.
4 TO AVOID ELECTRICAL SHOCK HAZARDS,
DO NOT DISASSEMBLE CAMERA. SERVICE OR REPAIR WORK MUST BE DONE ONLY BY AN AUTHORIZED POLAROID SERVICE CENTER. INCORRECT REASSEMBLY CAN CAUSE ELECTRICAL SHOCK WHEN CAMERA IS USED AGAIN. DO NOT IMMERSE IN WATER OR OTHER FLUIDS.
PLEASE KEEP THESE INSTRUCTIONS

Contents

The camera
The camera The control panel

Using the camera

Open the camera Check the control panel Load the film Position your subject Take the picture To remove an empty film pack

Features

The autofocus system The viewfinder displays The programmed flash The recharge indicator Flash range The exposure control The self-timer Photographing through glass

Guide to better pictures

Lens care Picture care Film care
For information and help Warranty Troubleshooting guide Picture-taking tips Camera, film specifications
The camera a Sonar rangender j Hand strap (adjustable)
(sends out sound waves to measure the distance to your subject).
b Film door release c Film door d Film exit slot e Photocell-silicon photodiodes (measures light

k Release latch (opens

and closes the camera).

l Viewnder

m Neck strap connector
(see attachment instructions that come with neck strap).

n Tripod socket (under-

from the scene and light from the ash, indoors and outdoors).
f Film shade (protects the

neath the camera).

o Two-stage shutter button (press halfway to
picture from light as it exits the camera).
g Programmed ash h Self-timer indicator i Patented Quintic lens
restore the green light; press the rest of the way to take the picture. To delay ejecting the picture, hold the shutter button down).
(three element, 125mm lens system.) Ten-zone focusing from 2 feet (0.6m ) to innity.

The camera 3

The control panel
a Feet or meters selector (slide it down using

e Programmed ash

the tip of a ball-point pen, and the distance reading in the viewnder will be in meters).

b Audio signal switch

(slide the switch down to turn off the ash).

f Exposure control

(adjust it to lighten or darken a picture).
g Rapid-recharge indicator: Green /;gM (means
(slide it down when you want to turn off the warning tone, beeps, or chimes).
c Self-timer switch (slide
the ash is ready to re and you can take a picture).
h Picture counter (counts
it down to get into your picture).
d Sonar autofocus override (slide the switch
down to show how many pictures are left in the lm pack).
down to turn off the autofocus system).

Open the camera

(pictures 3, 4)
Place both hands under the camera as shown. Slide the release latch back. The camera will open automatically. To close the camera (picture 4): When you have nished using the camera, close it to protect the lens. Hold the camera as shown. Slide the release latch back. Push both sides of the cover down until it locks.

Check the control panel

When you want the camera to be fully automatic, be sure all the switches are in a row as shown in picture 2.
Note: When the switches are not in the automatic mode,
there is a red mark (or green symbol for the self-timer) visible on the panel.

Load the lm

(pictures 5, 6)
Use only Polaroid Spectra color lm. Other Polaroid lms cannot be used with this camera. Push the lm door release down. The lm door will open. Hold the lm pack by its edges only and slide it all the way into the camera.

Position your subject

You can take the most pleasing pictures of people, both indoors and outdoors, when they are 3 to 5 feet (0.9m to 1.5m) away.
Indoors: Your subject should be within the 2 to 15 foot (0.6m to 4.6m) ash range. For best results, your subject should
also be near a light-colored background.
Outdoors: Your subject should be at least 2 feet (0.6m) away

from the camera.

Using the camera 5

Take the picture

(pictures 7, 8)
Slide your left hand through the hand strap and hold the camera as you would a pair of binoculars. For horizontal pictures, hold the camera as shown in picture 7. For vertical pictures, position the camera with the ash on top as shown in picture 8 to get the best results.
To remove an empty lm pack

(pictures 5 & 9)

After you take the tenth picture, the picture counter sets to zero and three chimes sound to remind you to remove the empty lm pack. Push the lm door release down to open the lm door. Pull the blue tab to remove the lm pack. When the camera contains an empty lm pack:
You wilI hear three chimes when you open the camera You will hear three chimes and then see a ashing zero
in the viewnder when you press and hold the shutter button halfway

The autofocus system

As you press the shutter button, your camera sends sound waves - within 10 thousandths of a second - to the central part of the scene (approximate area circled in white, see illustration). The sound waves are used to measure the distance to the person or object (in the central part of the scene) that is closest to the camera. A built-in computer then uses this measurement to provide the correct lens setting, so be sure that:
The sound waves must have a clear path to your subject. If
an object (candlestick, centerpiece, etc.1 prevents the sound waves from reaching your subject, the lens will focus on that object, and your subject will not be clear and in focus.
When photographing more than one person, place everyone the same distance from the camera. When taking a picture through glass, turn off the auto-

focus system.

Features 7

The viewnder displays

When you have a lm pack in the camera and press the shutter button halfway, a display appears in the viewnder to help you take the best possible picture. When you see a number in the viewnder, it tells you the distance to your subject (in feet or meters). This number will help you follow the distance recommendations throughout this book. When you see a green good picture symbol, the conditions are right for taking a good picture. Press the shutter button the rest of the way. When you see a ashing yellow caution symbol and hear a warning tone, you should correct a problem before taking the picture. The distance reading will help you identify the problem. When you see:

The number 1: Your subject is too close. Release the shutter

The good picture symbol

button and stand at least 2 feet (.6m) from subject.
A number from 16 to 20: Your subject is beyond the ash
range. Release the shutter button and move closer to your subject to keep within the 2 to 15 foot (0.6m to 4.6m) ash range.
A number from 2 to 15: The ash is off.
Slide the ash switch up to turn the ash back on.
Note: Distance readings do not appear when your subject
is beyond 20 feet (6.2m).

8 Features

The programmed ash

(pictures 10, 11)

Every time you take a picture, indoors or outdoors, your camera blends light from the scene with just enough ash to provide the right lighting for the best possible picture. In the sample outdoor scene, photographed without ash (picture 10), bright sunlight has created harsh facial shadows. Your camera blends sunlight with just the right amount of ash to soften shadows and reveal facial details (picture 11).

The recharge indicator

The Polaroid Spectra features a rapid recharge ash with recharge times usually less than a second. The green light on the control panel will come on and the ash will automatically begin to charge every time you:
Load lm into the camera Take a picture Press the shutter button halfway Open the camera
When the green light comes on, the ash is ready to re. The light will stay on for 20 to 30 seconds. If you want to take a picture after the green light has gone off, lightly press and release the shutter button to turn the green light back on.

Features 9

Flash range
Indoors: Your subject should be 2 to 15 feet (0.6m to 4.6m) from the camera. Outdoors: Your subject should be at least 2 feet (0.6m) away.

The exposure control

Use the picture control when you want to retake a picture to make it lighter or darker. When retaking a picture to make it lighter: Slide the control all the way up (a). When retaking a picture to make it darker: Slide the control all the way down (b). Any partial adjustments will not affect your exposure. The control must be adjusted all the way in either direction. After you have nished taking the picture, do not forget to return the control to the normal position (c).

Special situations

a lighten

b darken

c center
Pictures taken of people in highly reective beach or snow scenes often turn out too dark. You may want to set the control all the way up to the lighten setting (a) before taking this type of picture.

10 Features

Backgrounds too dark?

(pictures 12, 13)

If the background of a ash picture is too dark but your subject is well illuminated (picture 12), the background is too far away. Moving the control to the lighten setting will not correct this problem, so be sure the exposure control is in the normal position. Retake the picture, placing your subject near a background and keeping both within the 2 to 15 foot (0.6m to 4.6m) ash range (picture 13).

Features 11

The self-timer
The self-timer lets you get into your picture. To use this feature, place the camera on a tripod or other steady support. If you attach the camera to a table tripod, be sure the camera is positioned over one of the tripods legs for proper support. Frame your picture in the viewnder and press the shutter button halfway to be sure you get the green good picture symbol. Then release the shutter button.
Slide the self-timer switch all the way down (a). You now have 12 seconds to get into your picture. During the rst 10 seconds, the camera will beep and you will see a ashing red light (b) on the front of the camera.
Two seconds before the camera takes the picture, the red light will stay on and the beeps will become a steady signal to remind you to hold still and smile. After the camera has taken the picture, it will not eject the lm until you slide the self-timer switch up (c). Do not close the camera before you slide the switch up.
If you want to stop the 12-second countdown, slide the switch up (c) to turn off the timer. Note: When the self-timer switch is on there is a green circle visible in the control panel.

12 Features

Photographing through glass
To avoid focusing on the glass and getting a ash reection, turn off the autofocus and ash systems by sliding both switches down, as shown (a, b). When you turn off the autofocus system, the lens sets for distant scenes (15 feet (4.6m) to innity), requiring the picture to be taken in a special way:
Be sure the scene is at least 15 feet (4.6m) from the

camera and in daylight.

Frame the picture in the viewnder and press the
shutter button halfway (you will not see a distance reading because the autofocus system is off).
When you see the green good picture symbol, take
the picture. If you see the ashing yellow caution symbol and hear a warning tone, there is not enough light to take a good picture. Important When you have nished taking the picture, turn on the autofocus and ash systems by sliding both switches up (c, d).

Lens care

It is important to avoid touching the lens. To remove dust or ngerprints, breathe on the lens and wipe it gently with a clean, soft facial tissue. Do not use silicone-treated eyeglass tissues. The development process takes place inside the lm; therefore, developing Spectra pictures can be stacked. During the rst 60 seconds of development, handle the picture gently. Fanning or bending the picture will disturb the development process. Wind can also affect development as the picture exits the camera. You can delay ejecting the picture by holding the shutter button down until you can protect the picture from the wind. Hold the developing picture by its wide white border. Note: Keep the developing picture away from hot surfaces like the hood of a car.

Picture care

Film care
For best results, use Spectra lm between 55F (13C) and 95F (35C). See lm box for more details.
14 Guide to better pictures

For information and help

If you are unable to get good pictures, review this instruction book. Picture problems are often due to incorrect use of the camera. lf you need further help, and before you return your camera for repair, please see your dealer or contact the nearest Polaroid ofce. If you write, please explain the nature of the problem and, if possible, enclose sample pictures. Include your return address.

U.S.A.

Polaroid Customer Care Center 201 Burlington Road Bedford, Massachusetts 01731 Representatives available weekdays from 8 a.m. to 8 p.m., Eastern time:
Tel: 1-800-343-5000 TDD: 1-800-448-6708 Mxico
Polaroid de Mxico Paseo de la Reforma No. 195 Col. Cuahtmoc 06500 Mexico, D.F.
Tel: (05) 703-1111 Canada
Polaroid Canada, Inc. 350 Carlingview Drive Rexdale, Ontario M9W 5G6
Tel: (416) 675-3680 Toll free: 800-268-6970
Guide to better pictures 15
Warranty U.S.A.: Full ve-year Mexico: Full ve-year
If your camera proves to be defective within the warranty period, we will, without charge, either repair it or at our option replace it with a fully reconditioned camera. The warranty period begins from the original date of purchase. To verify the warranty period, you should keep the sales slip or other proof of the purchase date. Without this information, the warranty period will be determined by the manufacturing date on the camera. The repair or replacement of your camera is guaranteed for the remaining warranty period on your original camera. The warranty does not cover damage caused by accident, misuse, or tampering with the camera, and a charge will be made for such repairs. For warranty service, the camera must be returned to and repaired by a Polaroid Service Center (see page 14). Please call us at the number listed for your location. U.S.A.: Full ve-year warranty Mexico: Full ve-year warranty (see p. 37) U.S.A.: This warranty gives you specic legal rights, and you may also have other rights, which vary from state to state. This warranty excludes all consequential damages. Some states do not allow the exclusion of consequential damages, so the foregoing exclusion may not apply to you.

16 Guide to better pictures

Blurry picture

Cause When subject is not cen-
Solution Center the subject in the
tered in the picture, the sound waves pass by the subject and measure the distance to the background. This causes the subject to be unsharp because the lens focuses on the background.
picture. Or, if you want to keep your subject off center, frame your subject in the middle of the viewnder. Press and hold the shutter button halfway to lock in the correct lens setting. Then reframe your subject off center and press the shutter button the rest of the way.
The sound waves travel to
Object in foreground pre-
vented sound waves from measuring correctly. Lens focuses on object, causing unclear and possibly dark subject.
the central part of the scene. Be sure there are no objects in front of your subject.

When picture is taken in

Hold the camera steady as
low light (dusk, shade, etc.) shutter can stay open for as long as 2.8 seconds. Camera movement can cause the picture to be blurry.
you take the picture, or place the camera on a rm support.
Guide to better pictures 17
Repeated spots or bar pattern

Solution

Developer rollers inside the Open lm door in indirect
lm door need to be cleaned.
light (do not remove lm). While turning rollers, clean them with a lint-free cloth dampened with water.

Damaged picture

Cause Picture was shaken back
Solution During rst 60 seconds of
and forth or bent shortly after it ejected from the camera.
Picture was left in the exit
development, handle print gently; hold it only by its wide white border, and do not wave or bend it.
Remove print from exit slot
slot, and camera was set down on a table or other surface.

as soon as it ejects.

18 Guide to better pictures

Subject too dark

Cause Cameras photocell mea-
Solution Reposition subject away
sured the bright window light, causing the subject to be too dark.
from the bright background.

When a bright source of

Move the source of light to
light (lamplight, candlelight, etc.) is in the central part of the scene and in front of the subject, the cameras photocell will measure the bright light, causing the subject to be too dark.
one side of your subject so it is not in the central part of the scene.

Background too dark

Cause Background was too far
Solution Place subject near a back-

from subject.

ground and keep the picture control in the normal position.

Stay within ash range of

Subject may have been

beyond ash range.

2 to 15 feet (0.6m to 4.6m), and keep the picture control in the normal position.
Guide to better pictures 19
Picture too blue or too red/yellow
Cause Pictures taken at temper-
Solution In cold weather, keep cam-
atures below 55F (13C) can have a blue tint.
era and lm as warm as possible. Immediately place developing picture in a warm pocket for at least a minute, being careful not to bend it.

Avoid storing camera and

Pictures taken at temper-
atures above 95F (35C) can have a red or yellow tint.
lm in hot places, such as glove or luggage compartments of a car, or near a heat source, such as a radiator.
20 Guide to better pictures

Picture-taking tips

(pictures 14, 17)
Vibrant, bold colors are vividly reproduced on Spectra lm (picture 14). Look for color when framing the scene in the viewnder. Colorful props such as toys or owers can add interest to the scene.

Distance

You can take the most pleasing pictures of people when they are 3 to 5 feet (0.9m to 1.5m) from the camera (picture 15). Backgrounds become less distracting and attention focuses on your subjects.

Background

Indoors, try to have a light-colored background. Outdoors, keep the background simple (picture 16).

Composition

When photographing landscapes, include something in the foreground to establish a feeling of depth or dimension (picture 17).
Guide to better pictures 21

Camera, lm specications

Aperture/shutter system specications

Photocell

Apertures: from f/10 to f/45. Shutter speeds: from 1/245 to 2.8 seconds.

Camera body size

Dual-lter, silicon photodiodes. Green ltered cell measures visible light; black ltered cell measures infrared light for better indoor ash exposures.

Power source

Length: 6.82 inches (17.3cm) Width: 5.46 inches (13.87cm) Height: 3.07 inches (7.78cm)

Camera weight

A fresh, 6-volt battery in each lm pack powers all camera functions.

Programmed ash

1 lb. 12 1/2 oz. (.8kg approx.), without a lm pack.

Film advance

Automatic lm advance; motorized picture ejection.

Film size

Outer border: 4 x 4.06 inches (10.1 x 10.3cm) Image area: 3.60 x 2.90 inches (9.1 x 7.2cm)

Film speed

Built-in ll ash designed to be used indoors and outdoors. Recharge time: from.1 to 2.8 seconds. Flash duration: from 1/ 3000 to 1/20,000 of a second. Indoor ash range: from 2 to 15 feet (0.6m to 4.6m).

Sonar autofocus system

IS0 600/29 (approx.)

Film type

Polaroid Spectra color lm only. Starts developing in seconds. Ten pictures per pack. Lens Patented Quintic, three element, 125mm lens system. Ten-zone focusing from 2 feet (0.6m ) to innity.
Computerized autofocus system uses sound waves to measure accurately the distance to your subject and set the lens. Sonar ranging time: from 10 to 50 thousandths of a second.

Viewnder

100% viewing (no parallax) at 6 feet (1.8mI - a popular picturetaking distance. Six lenses, two prisms, and four mirrors provide sharp, clear viewing. Viewnder magnications:.5x (subjects appear half lifesize).
22 Guide to better pictures
Polaroid and/y Spectra Printed in Great Britain/Imreso en Gran Bretaa OPN7249A 11/94 English/Espaol

Film Data Sheet Spectra Grid Integral Color Print Film

Description

IFA?JH=
General-purpose, high-speed, medium-contrast, integral film for high definition instant color prints with grid lines. It is balanced for daylight and electronic flash exposure.

Key Applications

GridFilm

Film Speed

ISO 640/DIN 29
Healthcare documentation Medical imaging (clinical documentation) Law enforcement (domestic violence, child abuse, others) Jewelry documentation Manufacturing (ISO 9000 documentation) Other applications where measurement using grid lines is important

Format

4 x 41/8 in. (10.2 x 10.5 cm)

Compatible Hardware

Image Area
35/8 x 27/8 in. (9.2 x 7.3 cm)

Finish

Glossy

Exposures per Unit

10 exposures per pack
Spectra AF, Spectra 2, Spectra Pro Spectra Law Enforcement Kit Jewelry Pro HealthCam ProCam Image, Image 2, Image Elite Minolta Pro Macro 5 SLR

Special Treatment

Development Time

2 minutes approximately

Alternative product

T-990 (no grid lines)

Caution
This film uses a small amount of caustic paste. If any paste appears, avoid contact with skin, eyes and mouth and keep away from children and animals. If you get some paste on your skin, wipe it off immediately, then wash with water to avoid an alkali burn. If eye contact occurs, quickly wash the area with plenty of water and see a doctor. Do not cut or take apart pictures or battery. Do not burn battery or allow metal to touch terminals.

Limited Warranty

See information on the film box. Polaroid, Spectra, GridFilm, Jewelry Pro, HealthCam, ProCam, Image, and Polaroid Macro 5 SLR are trademarks of Polaroid Corporation, Waltham, MA 02451 USA. All other product names may be the property of their respective owners.
Film Data Sheet Technical Data

Spectra Film Family

The information in this data sheet represents the typical performance of Polaroids Spectra film family. However, there may be some variation between film lots.
Characteristic H&D curve for normal development
3 H&D Curves @ 70oF/21oC Blue Green
Recommended speed: ISO/DIN 640/290 Recommended processing time and temperature: Approximately 3 minutes at 700F/210C Balance: Daylight and electronic flash (5500oK) Contrast: Medium Resolution (1000:1): 7-10 line pairs/mm
Sample Density -3 -2 -1 0

Relative Log Exposure

D-Max: The density value for the films darkest black. D-Min: The lowest density value that a film exhibits. In prints, the whiteness of the brightest highlight, relative to the unprocessed print. Slope: The positive ratio of the log E increments of the straight line region of the curve, as determined by the 1/4-3/4 increment method. The slope of an H&D curve indicates the overall contrast of a film: low contrast slopes less than 1.10; medium contrast slopes from 1.10 to 1.70; high contrast slopes greater than 1.70.

Sample Density

Characteristic H&D curve for cold development
Characteristic H&D curve for hot development
H&D Curves @ 95 oF/35 oC

Blue Green Red

H&D Curves @ 55 oF/18 oC

-3 -2 --3 -2 -1 0

Reciprocity law failure A wide range of shutter speeds can be used without loss of film speed or requirements for color filtration. For longer exposure times, some exposure compensation and filtration is suggested. Reciprocity The ability of the film to respond in a constant manner to a constant exposure (light intensity x time). Reciprocity failure occurs during very long or very short exposures, requiring the photographer to increase exposure.

Reciprocity Law Failure

Blue 1.8 1.6 Green Red
1.4 1.2 1.0.8.6.4.2 0.0001".001".01".1" 1" 10" 100"

Exposure Time (seconds)

Modulation Transfer Function

Modulation

0.1.2.3.5
Spatial Frequency (lp/mm)

Spectral Sensitivity

Blue 1000 Green Red

Wavelength (nm)

Spectral Sensitivity: Shows the equivalent energy needed at each wavelength in order to activate the emulsion so that it produces a neutral density of.75.