Model Gallery

Premium quality models of immortal effects is what Line 6 Stompbox Modelers are all about. Heres what we offer in the M13 Stomp Box Modeler, DL4, MM4, FM4, DM4 and Verbzilla.
Please Note: Line 6, M13 Stompbox Modeler, DL4, MM4, FM4, DM4, Vetta and Echo Pro are trademarks of Line 6, Inc. All other product names, trademarks, and artists names are the property of their respective owners, which are in no way associated or affiliated with Line 6. Product names, images, and artists names are used solely to identify the products whose tones and sounds were studied during Line 6s sound model development for this product. The use of these products, trademarks, images, and artists names does not imply any cooperation or endorsement.
Model Gallery 2008 Line 6, Inc.
The effects in this gallery Feature a tonal heritage of the past forty years of stompbox and effects design. This gallery is a tribute and reference to the careful study and design of the effects found in the M13 Stompbox Modeler, DL4, MM4, FM4, DM4 and Verbzilla. As you get familiar with the models found inside your product, please join us in thanking the generous people that loaned their treasured artifacts and antiques for our modeling analysis. Weve done our best to capture the special character of each of these units in the models that power your effect modeler. In alphabetical order, the contributors to the cause are: Tom Ayres, Tony Berg, Joey Brasler, Bill DeLap, Eric Dover, Mike Drake, Dave Friedman, Tim Godwin, Bob Hartry, His Intolerably Massive Omnipotence (a.k.a. Mr. Huge), Jamie Kime, Albert Molinaro, Angelo Mazzocco, Erik Norlander, Tim Pierce, Nigel Redmon, Mike Reiter, Walter G. Rice III, Marcus Ryle, James Santiago, Jeff Slingluff, Jack Sonni, Art Thompson, George Van Wagner, Dave Whiston, Lyle Workman, Zeke Zirngiebel, John Ziegler and, of course, the noisetolerant upstairs neighbors. This publication is provided for your reference only see the Pilots Handbook of your Line 6 modeler for details on operation, care & maintenance. Away We Go.

Delay Models

Featured in the M13 Stompbox Modeler & DL4 Delay Modeler
Tube Echo Based on* Maestro EP-1. Some say the holy grail of delay. Like PB&J.tubes and tape is one great combination!
Tape Echo Based on* the Maestro EP-3 Echoplex. The EP-3 used transistors instead of tubes for the sound electronics.
Multi Head Based on* the Roland RE-101 Space Echo. This model emulates the multiple playback heads of the original for that multi-tap delay effect.
Analog Delay Based on* the Boss DM2 Analog Delay. Treasured for its warm, distorted delays only a bucket brigade delay can produce!
Analog W/MOD Heres a model based on* the Electro-Harmonix Deluxe Memory Man, which is an analog delay with chorus.
Sweep Echo Take the tone of the Tube Echo and add a sweeping effect to the repeats to give you unique textures for adjusting the tone of your delays.
Lo Res Delay Early digital delay units generally had only 8 bit resolution. Low bit resolution can create a unique sort of grunge and noise.
Digital Delay This model is a straight up digital delay with bass and treble tone controls. Nothing fancy here, just transparent pristine echo-cho-cho-cho.

This side

..nope here!

.no here

.here.here

modulate

Analog W/MOD Choose this model to add a chorus effect to your digital delays.
Stereo Delay Heres the secret to the Big L.A. Solo sound of the 80s. Set one side as a fast echo with many repeats, and the other as a slow delay with just a few repeats. Voil, youre famous!
Ping Pong This effect has two separate channels of delay, with the output of each channel flowing into the other, going back and forth like a game of ping pong.
Reverse !seltaeB eht dna xirdneH imiJ ekil tsuJ Take a step back in time. Whatever you play in comes back out at you backwards, delayed by the time you set (up to 2 seconds).
* All product names used in this manual are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6s sound model development. Maestro is a registered trademark of Gibson Guitar Corp. Roland and Boss are registered trademarks of Roland Corp. Electro-Harmonix is a registered trademark of New Sensor Corp.
Dynamic Delay Made popular by the T.C. Electronic 2290 Dynamic Digital Delay. While you play, the Dynamic Delay keeps the volume of the echoes turned down, so that the echoes dont overwhelm what youre doing.
Auto-Volume Delay This model gives you two effects in one. A volume fadein swell used for a bowing effect. The other effect is an echo, complete with tape-style wow and flutter modulation.
Echo Platter Based on* the Binson EchoRec. A staple for the likes of Pink Floyd. Rather than using tape, the EchoRec used a magnetic platter to record and play back. (This Model is actually not available in DL4, but comes from our Echo Pro rack unit.)
Note that you can duplicate DL4s Rhythmic Delay feature by setting tap tempo to your choice of note valuesand you get to do that with any Delay Model!
* All product names used in this manual are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6s sound model development. T.C. Electronic is a registered trademark of T.C. Electronic A/S Corp.

Modulation Models

Featured in the M13 Stompbox Modeler & MM4 Modulation Modeler
Opto Tremolo Based on* the optical tremolo circuit that was used in the blackface Fender amps, like the 64 Deluxe Reverb.
Bias Tremolo Based on* the 1960 Vox AC-15 Tremolo, which got its pulse by literally varying the bias of the power amp tubes.
Phaser Based on* MXR Phase 90. Just add brown sound and youll be Talking Bout Love.
Dual Phaser Based on* the Mu-Tron BiPhase known for its big jet sound.
Panned Phaser Based on* the Ibanez Flying Pan. Its a 4-stage phase shifter with a panner built in.
U-Vibe Based on* the now-legendary Uni-Vibe, one listen to Machine Gun and youll be hooked on this effect model!
Rotary Drum Based on* the Fender Vibratone. This rotating speaker effect was a popular hit with SRV. Think Cold Shot.
Rotary Drum & Horn Based on* the Leslie 145, the tube-driven rotating speaker cabinet. It was made for the B3 but guitarists fell in love with this shimmery effect.
Analog Flanger Based on* the classic MXR Flanger. Youve heard it many times on Van Halens Fair Warning, Women and Children First, and Unchained.
Jet Flanger Based on* the A/DA Flanger with its signature jet-like sweep. Compared to the Analog Flanger, this model is more dramatic, with a different wave shape.
Analog Chorus Based on* the Boss CE-1 Chorus Ensemble, the original stompbox chorus with big, warm and groovy chorus tones.
Dimension Based on* the Roland Dimension D. One of the first true stereo chorus units. Relatively subtle in its nature, it became an industry standard for double-track effects.
* All product names used in this manual are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6s sound model development. Fender and Deluxe Reverb are registered trademarks of Fender Musical Instruments Corp. Vox is a registered trademark of Vox R&D Limited. MXR and Uni-Vibe are registered trademarks of Dunlop Manufacturing, Inc. Mu-Tron is a registered trademark of Mark Simonsen. Ibanez is a registered trademark of Hoshino, Inc. Leslie is a registered trademark of Suzuki Musical Instrument Manufacturing Co. Ltd. Roland and Boss are registered trademarks of Roland Corp.
Tri-Chorus Based on* the Song Bird / DyTronics Tri-Stereo Chorus. You may have never seen one, but youve heard it hundreds of times.
Pitch Vibrato Based on* the Boss VB-2. It contained a circuit that produced bubbly vibrato, but was popular for its rise time control that when engaged, sped up to where you last set it.

Ring Modulator Ring modulators are for those special times when you want different, weird, strange and otherwise nontraditional guitar sounds.
Panning This effect pans back and forth between your left and right channels. If you try and run it in mono, its basically tremolo.
* All product names used in this manual are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6s sound model development. Boss is a registered trademark of Roland Corp.

Distortion Models

Featured in the M13 Stompbox Modeler & DM4 Modulation Modeler
Tube Drive Based on* the Chandler Tube Driver, delivering the sweet singing sustain craved by guitarists worldwide.
Screamer Based on* an Ibanez Tube Screamer. In many blues circles, youre not allowed to solo without one of these medium-gain pedals!
Overdrive Based on* the DOD Overdrive/Preamp 250 designed to slam the input of a tube guitar amp forcing the amp to distort violently.
Classic Distortion Based on* the ProCo Rat, an angry and aggressive distortion box that put teeth into a new breed of metal in the late 70s.
Heavy Distortion Based on* Boss Metal Zone, the industry standard distortion pedal for metal players since 1989.
Color Drive Based on* the Colorsound Overdriver. Our model will transport you instantly back to that breeding ground of British guitar heroes.
Buzz Saw Based on* the Maestro Fuzz Tone. Take a deep breath and repeat: I cant get no (duh, duh, duh) Satisfaction.
Facial Fuzz Based on* the Arbiter Fuzz Face, best known for its famous association with guitar legends Jimi Hendrix & Eric Johnson.
Jumbo Fuzz Based on* the Vox Tone Bender. It can be heard all over the first two Led Zeppelin records, and is especially apparent on Communication Breakdown.
Fuzz Pi Based on* the ElectroHarmonix Big Muff Pi, this is an American twist on the distortion/fuzz pedal, known more for its wicked sustain than its buzz.
Jet Fuzz Based on* the Roland Jet Phaser. Its a fuzz. Its a phaser. Yeah baby! Time to grab your 8-tracks of Uli Roth era Scorpions.
Line 6 Drive Inspired by* the Colorsound Tone Bender. If we could go back to the 60s and be a part of the fuzz revolution. this is what wed design.
* All product names used in this manual are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6s sound model development. Tube Driver is a registered trademark of Butler Audio, Inc. Ibanez is a registered trademark of Hoshino, Inc. Tube Screamer is a registered trademark of Hoshino Gakki Co. Ltd. DOD is a registered trademark of DOD Electronics Corp. Roland and Boss are registered trademarks of Roland Corp. Colorsound is a registered trademark of Sola Sound Limited Corp. Maestro is a registered trademark of Gibson Guitar Corp. Arbiter is a registered trademark of Arbiter Group PLC. Vox is a registered trademark of Vox R&D Limited. Electro-Harmonix and Big Muff Pi are registered trademarks of New Sensor Corp.

Line 6 Distortion Completely over the top. Sure, its massive. Yes, its over the top. Okay, its a lotta crazy!!!
Sub Octave Fuzz Inspired by* the PAiA Roctave Divider, this fuzz with an octave below is just what you need to give those Moog players a fit! Try it on bass guitarthis is the Octaver of Doom!
Octave Fuzz Based on* the Tycobrahe Octavia, the classic fuzz+octave effect. One pioneering user of this type of effect was Jimi Hendrix.
Boost/Comp/Eq Inspired by* a MXR Micro Amp. Our model delivers the same goose the input of the amp experience and serves up a little secret sauce on the side.
Red Comp Based on* the MXR Dyna Comp, probably the most widely used stompbox compressor. Slide players such as Lowell George loved it.
Blue Comp Based on* the Boss CS-1 Compression Sustainer with the treble switch off.
Compression & Dynamic Models
Featured in the M13 Stompbox Modeler
Line 6 Vetta Comp Taken from Line 6s flagship guitar amplifier Vetta II. With a fixed ratio of 2.35:1, adjustable threshold and up to 12dB of gain available at the Level knob.
Line 6 Vetta Juice A Line 6 original also created for our flagship Vetta II guitar amplifier, the Juice in Vetta Juice comes from the 30dB of available gain in the Level knob.
Volume Pedal Effect We added this for those of you that plan to use an expression pedal, such as the Line 6 EX-1. Awesome for faux pedal steel and chords swells. Try it!
* All product names used in this manual are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6s sound model development. MXR is a registered trademark of Dunlop Manufacturing, Inc. Boss is a registered trademark of Roland Corp.

Filter Models

Featured in the M13 Stompbox Modeler & FM4 Filter Modeler
Tron Up/Tron Down Inspired by* the Mu-Tron III envelope follower. Part autowah, part triggered filter, its all about wacky.
Seeker Inspired by* the Z-Vex Seek Wah. Imagine 8 parked wah filters set at varying positions and then sequenced through, creating a pulsating hypnotic vibe.
Obi-Wah Based on* the Oberheim Voltage Controlled Sample and Hold filter. Voltage Controlled Filters create changes in tone by emphasizing random frequencies.
Voice Box Inspired by* Vocoders, Vocal Tracts & Surgical Tubing. This model gives your guitar a sound thats typical of a classic talk box.
V-Tron Voice Box meets Mu-Tron III. The resulting effect would be a V-Tron! In this model your guitar again speaks with an almost human voice, but now it does so in response to your playing. Throbber Inspired by* the Electrix Filter Factory. Its perfect for cool Electronica sounds. Throbber Inspired by Craig Andertons Wah/Anti-Wah. This is what headphone mixes were made for! Imagine two wahs panned left and right that work in the opposite direction from each other. Comet Trails After several days spent crafting the code for our digital secret sauce, we found ourselves one afternoon surrounded by 10 empty cans of Dew, and sounds from another world.

* All product names used in this manual are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6s sound model development. Mu-Tron is a registered trademark of Mark Simonsen. Oberheim is a registered trademark of Gibson Guitar Corp. Electrix is a registered trademark of Electrix Pro, Inc.
Slow Filter Its Swell! This triggered filter rolls off the high end of your tone, with adjustable speed. Your choice from dark to bright (the UP mode), or bright to dark (the DOWN mode).
Octisynth Inspired by eight armed denizens of the deep. Everyone knows that all you need is a bottleneck and a reverb tank to get great whale sounds, but how about our often-ignored deep sea friend the Octopus?
Synth-O-Matic Inspired by a collection of vintage analog synths. This model features waveforms captured from a mouth watering collection of vintage synths.
Attack Synth Based on* the Korg X911 Guitar Synth. Your Filter Modelers Attack Synth uses a waveform modeled after one of those in the X911, along with some of the wave shaping functions that are found on the original.
Synth String Based on* the Roland GR700 Guitar Synth. Your Filter Modelers Synth String model is based on one of the sounds of the GR700.
Growler R700 meets Mu-Tron III. Grrrrrrrrr!
Q Filter Your very own parked wah! Youve heard it before from Mark Knopfler and from Brian May of Queenits a wah parked in one position.
* All product names used in this manual are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6s sound model development. Korg is a registered trademark of Korg, Inc. Mu-Tron is a registered trademark of Mark Simonsen. Roland is a registered trademark of Roland Corp.

Reverb FX Models

Featured in the M13 Stompbox Modeler & Verbzilla
63 Spring Based on a 1963 brown spring reverb head unit. Best known for great surf guitar tone!
Spring Based on a studio spring reverb. A spring reverbs characteristic resonant sound was created by springs suspended inside a metal box. Sweet!

Plate Based on a studio Plate reverb. Similar to the spring, in its metallic resonant quality. Plate reverbs consisted of a thin metal sheet suspended inside a box.
Room Simulates the acoustic properties of a classic echo chamber , which was a room used in early recording studios for reverb effects.

Verb level

Chamber An elongated ambient space such as a hall, stairwell or elevator shaft creates this reverb type. Dreamy.
Hall Simulates the sound of a concert hall or large open space with a strong reverb tail. Imagine a gymnasium, performance hall, or cathedral.
Ducking Built using a Hall but with a ducking effect. The volume of your reverb is ducked (reduced) while youre playing, and increases when you stop.
Octo Creates a lush, ambient space with a harmonized decay whose harmonic denseness is controlled by the time knob. Use volume swells and prepare to float on cloud 9!
Cave Surreal cavernous echo chamber. Im just a simple caveman. Your world frightens and confuses me. what more can be said.
Tile Emulates the acoustic reflections of a tiled room, such as a bathroom or shower, with clearer/brighter discreet early reflections.
Echo Just like it says echo echoecho. This is a lush echo with reverb.

Model Gallery

Premium quality models of immortal effects is what Line 6 Stompbox Modelers are all about. Heres what we offer in the M13 Stomp Box Modeler, M9 Stomp Box Modeler, DL4, MM4, FM4, DM4 and Verbzilla.

40-00-0056

Please Note: Line 6, M13 Stompbox Modeler, M9 Stompbox Modeler, DL4, MM4, FM4, DM4,Vetta and Echo Pro are trademarks of Line 6, Inc. All other product names, trademarks, and artists names are the property of their respective owners, which are in no way associated or affiliated with Line 6. Product names, images, and artists names are used solely to identify the products whose tones and sounds were studied during Line 6s sound model development for this product.The use of these products, trademarks, images, and artists names does not imply any cooperation or endorsement.
Model Gallery 2009 Line 6, Inc.
The effects in this gallery Feature a tonal heritage of the past forty years of stompbox and effects design. This gallery is a tribute and reference to the careful study and design of the effects found in the M13 Stompbox Modeler, M9 Stompbox Modeler, DL4, MM4, FM4, DM4 and Verbzilla. As you get familiar with the models found inside your product, please join us in thanking the generous people that loaned their treasured artifacts and antiques for our modeling analysis. Weve done our best to capture the special character of each of these units in the models that power your effect modeler. In alphabetical order, the contributors to the cause are: Tom Ayres, Tony Berg, Joey Brasler, Bill DeLap, Eric Dover, Mike Drake, Dave Friedman, Tim Godwin, Bob Hartry, His Intolerably Massive Omnipotence (a.k.a. Mr. Huge), Jamie Kime, Albert Molinaro, Angelo Mazzocco, Erik Norlander, Tim Pierce, Nigel Redmon, Mike Reiter, Walter G. Rice III, Marcus Ryle, James Santiago, Jeff Slingluff, Jack Sonni, Art Thompson, George Van Wagner, Dave Whiston, Lyle Workman, Zeke Zirngiebel, John Ziegler and, of course, the noise-tolerant upstairs neighbors. This publication is provided for your reference only see the Pilots Handbook of your Line 6 modeler for details on operation, care & maintenance. Away We Go.

Delay Models

Featured in the M9/M13 Stompbox Modelers & DL4 Delay Modeler
Tube Echo Based on* Maestro EP-1. Some say the holy grail of delay. Like PB&J.tubes and tape is one great combination!
Tube Echo DryThru The same effect as the Tube Echo only it does not color your guitars dry signal. We let the dry pass through.
Tape Echo Based on* the Maestro EP-3 Echoplex. The EP-3 used transistors instead of tubes for the sound electronics.
Tape Echo DryThru The same effect as the Tape Echo only it does not color your guitars dry signal. We let the dry pass through.
Multi Head Based on* the Roland RE-101 Space Echo. This model emulates the multiple playback heads of the original for that multi-tap delay effect.
Analog Echo Based on* the Boss DM2 Analog Delay. Treasured for its warm, distorted delays only a bucket brigade delay can produce!
Analog W/MOD Heres a model based on* the Electro-Harmonix Deluxe Memory Man, which is an analog delay with chorus.
Sweep Echo Take the tone of the Tube Echo and add a sweeping effect to the repeats to give you unique textures for adjusting the tone of your delays.
Sweep Echo DryThru The same effect as the Sweep Echo only it does not color your guitars dry signal. We let the dry pass through.
Lo Res Delay Early digital delay units generally had only 8 bit resolution. Low bit resolution can create a unique sort of grunge and noise.
Digital Delay This model is a straight up digital delay with bass and treble tone controls. Nothing fancy here, just transparent pristine echo-cho-cho-cho.
Digital Delay W/MOD Choose this model to add a chorus effect to your digital delays.
* All product names used in this manual are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6s sound model development. Maestro is a registered trademark of Gibson Guitar Corp. Roland and Boss are registered trademarks of Roland Corp. Electro-Harmonix is a registered trademark of New Sensor Corp.

Stereo Delay Heres the secret to the Big L.A. Solo sound of the 80s. Set one side as a fast echo with many repeats, and the other as a slow delay with just a few repeats. Voil, youre famous!
Ping Pong This effect has two separate channels of delay, with the output of each channel flowing into the other, going back and forth like a game of ping pong.
Reverse !seltaeB eht dna xirdneH imiJ ekil tsuJ Take a step back in time. Whatever you play in comes back out at you backwards, delayed by the time you set (up to 2 seconds).
Dynamic Delay Made popular by the T.C. Electronic 2290 Dynamic Digital Delay. While you play, the Dynamic Delay keeps the volume of the echoes turned down, so that the echoes dont overwhelm what youre doing.
Auto-Volume Echo This model gives you two effects in one. A volume fadein swell used for a bowing effect. The other effect is an echo, complete with tape-style wow and flutter modulation.
Echo Platter Based on* the Binson EchoRec. A staple for the likes of Pink Floyd. Rather than using tape, the EchoRec used a magnetic platter to record and play back. (This Model is actually not available in DL4, but comes from our Echo Pro rack unit.)
Echo Platter DryThru The same effect as the Echo Platter only it does not color your guitars dry signal. We let the dry pass through.
Note that you can duplicate DL4s Rhythmic Delay feature by setting tap tempo to your choice of note valuesand you get to do that with any Delay Model!
* All product names used in this manual are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6s sound model development. T.C. Electronic is a registered trademark of T.C. Electronic A/S Corp.

Modulation Models

Featured in the M9/M13 Stompbox Modelers & MM4 Modulation Modeler
Opto Tremolo Based on* the optical tremolo circuit that was used in the blackface Fender amps, like the 64 Deluxe Reverb.
Bias Tremolo Based on* the 1960 Vox AC-15 Tremolo, which got its pulse by literally varying the bias of the power amp tubes.

Pattern Tremolo Inspired by* Lightfoot Labs Goatkeeper. This effect is what youd get if you could hook up a vintage keyboard sequencer to a tremolo.
Phaser Inspired by* the MXR Phase 90. Our model features additional parameters to take you there and back again.
Dual Phaser Based on* the Mu-Tron BiPhase known for its big jet sound.
Panned Phaser Based on* the Ibanez Flying Pan. Its a 4-stage phase shifter with a panner built in.
Barberpole Phaser A classic effect from the world of modular synths. This phaser either sounds like its always going up or always down depending on how you set it. Set to stereo you get both!
Script Phaser Based on* MXR Phase 90. Just one knob, Speed, like the original. Just add brown sound and youll be Talking Bout Love.
U-Vibe Based on* the now-legendary Uni-Vibe, one listen to Machine Gun and youll be hooked on this effect model!
Analog Flanger Inspired by* the classic MXR Flanger.
Jet Flanger Inspired by* the A/DA Flanger. Compared to the Analog Flanger, this model is more dramatic, with a different wave shape.
AC Flanger Based on* the classic MXR Flanger. Youve heard it on Van Halens Fair Warning, Women and Children First, and Unchained.
featured in the M9 and M13 Stompbox Modeler only. * All product names used in this manual are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6s sound model development. Fender and Deluxe Reverb are registered trademarks of Fender Musical Instruments Corp. Vox is a registered trademark of Vox R&D Limited. MXR and Uni-Vibe are registered trademarks of Dunlop Manufacturing, Inc. Mu-Tron is a registered trademark of Henry A. Zajac Jr. Ibanez is a registered trademark of Hoshino, Inc. Roland and Boss are registered trademarks of Roland Corp.
80A Flanger Based on* the A/DA Flanger with its signature jet-like sweep. True to the original, this model features same knob functions as the classic.

Analog Chorus Based on* the Boss CE-1 Chorus Ensemble, the original stompbox chorus with big, warm and groovy chorus tones.
Tri-Chorus Based on* the Song Bird / DyTronics Tri-Stereo Chorus. You may have never seen one, but youve heard it hundreds of times.
Pitch Vibrato Based on* the Boss VB-2. It contained a circuit that produced bubbly vibrato, but was popular for its rise time control that when engaged, sped up to where you last set it.
Panner This effect pans back and forth between your left and right channels. If you try and run it in mono, its basically tremolo.
Rotary Drum Based on* the Fender Vibratone. This rotating speaker effect was a popular hit with SRV. Think Cold Shot.
Rotary Drum & Horn Based on* the Leslie 145, the tube-driven rotating speaker cabinet. It was made for the B3 but guitarists fell in love with this shimmery effect.
Dimension Based on* the Roland Dimension D. One of the first true stereo chorus units. Relatively subtle in its nature, it became an industry standard for double-track effects.
Ring Modulator Ring modulators are for those special times when you want different, weird, strange and otherwise nontraditional guitar sounds.
Frequency Shifter A ring modulator gives you both up and down shifted frequencies. Here you can select just the up or down shifted frequencies.
featured in the M9 and M13 Stompbox Modeler only. * All product names used in this manual are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6s sound model development. Roland and Boss are registered trademarks of Roland Corp. Fender is a registered trademarks of Fender Musical Instruments Corp. Leslie is a registered trademark of Suzuki Musical Instrument Manufacturing Co. Ltd.

Distortion Models

Featured in the M9/M13 Stompbox Modelers & DM4 Modulation Modeler
Tube Drive Based on* the Chandler Tube Driver, delivering the sweet singing sustain craved by guitarists worldwide.
Screamer Based on* an Ibanez Tube Screamer. In many blues circles, youre not allowed to solo without one of these medium-gain pedals!
Overdrive Based on* the DOD Overdrive/Preamp 250 designed to slam the input of a tube guitar amp forcing the amp to distort violently.

Classic Distortion Based on* the ProCo Rat, an angry and aggressive distortion box that put teeth into a new breed of metal in the late 70s.
Heavy Distortion Based on* Boss Metal Zone, the industry standard distortion pedal for metal players since 1989.
Color Drive Based on* the Colorsound Overdriver. Our model will transport you instantly back to that breeding ground of British guitar heroes.
Buzz Saw Based on* the Maestro Fuzz Tone. Take a deep breath and repeat: I cant get no (duh, duh, duh) Satisfaction.
Facial Fuzz Based on* the Arbiter Fuzz Face, best known for its famous association with guitar legends Jimi Hendrix & Eric Johnson.
Jumbo Fuzz Based on* the Vox Tone Bender. It can be heard all over the first two Led Zeppelin records, and is especially apparent on Communication Breakdown.
Fuzz Pi Based on* the ElectroHarmonix Big Muff Pi, this is an American twist on the distortion/fuzz pedal, known more for its wicked sustain than its buzz.
Jet Fuzz Based on* the Roland Jet Phaser. Its a fuzz. Its a phaser. Yeah baby! Time to grab your 8-tracks of Uli Roth era Scorpions.
Line 6 Drive Inspired by* the Colorsound Tone Bender. If we could go back to the 60s and be a part of the fuzz revolution. this is what wed design.
* All product names used in this manual are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6s sound model development. Tube Driver is a registered trademark of Butler Audio, Inc. Ibanez is a registered trademark of Hoshino, Inc. Tube Screamer is a registered trademark of Hoshino Gakki Co. Ltd. DOD is a registered trademark of DOD Electronics Corp. Roland and Boss are registered trademarks of Roland Corp. Colorsound is a registered trademark of Sola Sound Limited Corp. Maestro is a registered trademark of Gibson Guitar Corp. Vox is a registered trademark of Vox R&D Limited. Electro-Harmonix and Big Muff Pi are registered trademarks of New Sensor Corp.
Line 6 Distortion Completely over the top. Sure, its massive. Yes, its over the top. Okay, its a lotta crazy!!!

Sub Octave Fuzz Inspired by* the PAiA Roctave Divider, this fuzz with an octave below is just what you need to give those Moog players a fit! Try it on bass guitarthis is the Octaver of Doom!
Bass Octaver Inspired by* the EBS OctaBass. This effect gives you a clean octave down signal. It is very popular in bass rigs but players such as Jeff Beck have been known to bust out this effect.
Octave Fuzz Based on* the Tycobrahe Octavia, the classic fuzz+octave effect. One pioneering user of this type of effect was Jimi Hendrix.
Boost Comp Inspired by* a MXR Micro Amp. Our model delivers the same goose the input of the amp experience and serves up a little secret sauce on the side.
Volume Pedal Effect We added this for those of you that plan to use an expression pedal, such as the Line 6 EX-1. Awesome for faux pedal steel and chords swells. Try it!
Red Comp Based on* the MXR Dyna Comp, probably the most widely used stompbox compressor. Slide players such as Lowell George loved it.
Blue Comp Based on* the Boss CS-1 Compression Sustainer with the treble switch off.
Blue Comp Treb Based on* the Boss CS-1 Compression Sustainer with the treble switch on.
Line 6 Vetta Comp Taken from Line 6s flagship guitar amplifier Vetta II. With a fixed ratio of 2.35:1, adjustable threshold and up to 12dB of gain available at the Level knob.
Line 6 Vetta Juice A Line 6 original also created for our flagship Vetta II guitar amplifier, the Juice in Vetta Juice comes from the 30dB of available gain in the Level knob.
Tube Comp Based on* the Teletronix LA-2A studio compressor. Considered one of the finest compressors in many circles.
featured in the M9 and M13 Stompbox Modeler only. * All product names used in this manual are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6s sound model development. EBS is a registered trademark of EBS Holding HB. MXR is a registered trademark of Dunlop Manufacturing, Inc. Boss is a registered trademark of Roland Corp. LA-2A is a trademark of William Putnam. Tycobrahe is a registered trademark of Kurt Stier. Teletronix and LA-2A are registered trademarks of Universal Audio, Inc.

Level (dB) 0

Shelf Q

Threshold Gain Reduction

Frequency
Noise Gate Use this to eliminate the hiss from noisy pickups or the white noise from extremely high gain distortions by placing the noise gate further in your signal path chain.
Graphic EQ Inspired by* graphic eq pedals such as the MXR ten band graphic equalizer which became an integral part of the live rig of Randy Rhoads.
Studio EQ Inspired by* API 550B. Featuring a constant Q and Soft Clipping output with level control.
Parametric EQ High shelf, low shelf, and a fully parametric band.

HI Pass Level (dB) 0

Low Pass
4 Band Shift EQ Four band graphic but the shifter moves the lower band even lower and the higher bands even higher. Try shifter above 50% for guitar and below for bass guitar.
Mid Focus EQ Its a high pass and a low pass both with frequency and gain control used together to create a band-pass. Also has a gain boost to make up for level loss in extreme band-passing.
featured in the M9 and M13 Stompbox Modeler only. * All product names used in this manual are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6s sound model development. API is a registered trademark of Automated Processes, Inc. MXR is a registered trademark of Dunlop Manufacturing, Inc.

Filter Models

Featured in the M9/M13 Stompbox Modelers & FM4 Filter Modeler
Tron Up Inspired by* the Mu-Tron III envelope follower in the Up position. Part auto-wah, part triggered filter, its all about wacky.
Tron Down Inspired by* the Mu-Tron III envelope follower in the Down position.
Seeker Inspired by* the Z-Vex Seek Wah. Imagine 8 parked wah filters set at varying positions and then sequenced through, creating a pulsating hypnotic vibe.
Obi-Wah Based on* the Oberheim Voltage Controlled Sample and Hold filter. Voltage Controlled Filters create changes in tone by emphasizing random frequencies.

Voice Box Inspired by* Vocoders, Vocal Tracts & Surgical Tubing. This model gives your guitar a sound thats typical of a classic talk box. V-Tron Voice Box meets Mu-Tron III. In this model your guitar again speaks with an almost human voice, but now it does so in response to your playing. Throbber Inspired by* the Electrix Filter Factory. Its perfect for cool Electronica sounds. Spin Cycle Inspired by Craig Andertons Wah/Anti-Wah. This is what headphone mixes were made for! Imagine two wahs panned left and right working opposite directions from each other.
Comet Trails After several days spent crafting the code for our digital secret sauce, we found ourselves one afternoon surrounded by 10 empty cans of Dew, and sounds from another world.
Slow Filter Its Swell! This triggered filter rolls off the high end of your tone, with adjustable speed. Your choice from dark to bright (the UP mode), or bright to dark (the DOWN mode).
Octisynth Inspired by eight armed denizens of the deep. Everyone knows that all you need is a bottleneck and a reverb tank to get whale sounds, but how about our friend the Octopus?
Synth-O-Matic Inspired by a collection of vintage analog synths. This model features waveforms captured from a mouth watering collection of vintage synths.
* All product names used in this manual are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6s sound model development. Mu-Tron is a registered trademark of Henry A. Zajac Jr. Oberheim is a registered trademark of Gibson Guitar Corp. Electrix is a registered trademark of Electrix Pro, Inc.
Attack Synth Based on* the Korg X911 Guitar Synth. Modeled after one of the waveforms in the X911, along with some of the wave shaping functions that are found on the original.
Synth String Based on* the Roland GR700 Guitar Synth. Your Filter Modelers Synth String model is based on one of the sounds of the GR700.
Growler R700 meets Mu-Tron III. Grrrrrrrrr!
Q Filter Your very own parked wah! Youve heard it before from Mark Knopfler and from Brian May of Queenits a wah parked in one position.
Vetta Wah Taken from Line 6s flagship guitar amplifier Vetta II. This is our sound designers take on a classic effect.
Fassel Based on* a Cry Baby Super. Coveted for the mojo of its Fasel inductor.
Weeper Based on* the Arbiter Cry Baby. Another variation of the original wah with a different inductor and other component choices.
Chrome Based on* a Vox V847. A successor to the original Clyde McCoy wah. Clyde is a trumpet player but guitarists everywhere thank him for suggesting Vox create this effect.

featured in the M9 and M13 Stompbox Modeler only. * All product names used in this manual are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6s sound model development. Mu-Tron is a registered trademark of Henry A. Zajac Jr. Roland is a registered trademark of Roland Corp. Cry Baby is a registered trademark of Dunlop Manufacturing, Inc. Vox is a registered trademark of Vox R&D Ltd. Korg is a registered trademark of Korg Inc.
Chrome Custom Based on* a modded Vox V847 that has the gain staging on the first transistor stage tweaked, and aftermarket inductor, the Q widened, and replaced with a 470k pot.
Throaty Based on* the RMC Real McCoy 1. Geoffrey Teese maticulously crafts the clones of the original and rare Vox Clyd McCoy Picture wah.
Conductor Based on* the Maestro Boomerang. According to original advertising material, this was not a wah-wah pedal but a wow-wow pedal. Po-tay-to or Po-tah-to?
Colorful Based on* the Colorsound Wah-fuzz. We only modeled the wah section of course. This pedal is different in that it was an inductor-less design. It uses a different circuit to get its frequency resonance.
Smart Harmony Inspired by* the Eventide H3000. This is a diatonic harmonizer. If you ever wished you had that second guitar player for dual guitar parts, this effect is for you.
Pitch Glide Inspired by* Digitech Whammy. Dive bomb or ice pick? This is how Tom Morello gets a lot of those crazy sounds. Youll want an expression pedal hooked up to enjoy this properly.
featured in the M9 and M13 Stompbox Modeler only. * All product names used in this manual are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6s sound model development. Vox is a registered trademark of Vox R&D Limited. Maestro is a registered trademark of Gibson Guitar Corp. Colorsound is a registered trademark of Sola Sound Ltd. Eventide is a registered trademark of Eventide, Inc. Digitech Whammy is a registered trademark of Harman International Industries, Inc.

Reverb FX Models

Featured in the M9/M13 Stompboxs Modeler & Verbzilla
63 Spring Based on a 1963 brown spring reverb head unit. Best known for great surf guitar tone!
Spring Based on a studio spring reverb. A spring reverbs characteristic resonant sound was created by springs suspended inside a metal box. Sweet!
Plate Based on a studio Plate reverb. Similar to the spring, in its metallic resonant quality. Plate reverbs consisted of a thin metal sheet suspended inside a box.

Room Simulates the acoustic properties of a classic echo chamber , which was a room used in early recording studios for reverb effects.
Chamber An elongated ambient space such as a hall, stairwell or elevator shaft creates this reverb type. Dreamy.
Hall Simulates the sound of a concert hall or large open space with a strong reverb tail. Imagine a gymnasium, performance hall, or cathedral.
Ducking Built using a Hall but with a ducking effect. The volume of your reverb is ducked (reduced) while youre playing, and increases when you stop.
Octo Creates a lush, ambient space with a harmonized decay whose harmonic denseness is controlled by the time knob. Use volume swells and prepare to float on cloud 9!
Cave Surreal cavernous echo chamber. Im just a simple caveman. Your world frightens and confuses me. what more can be said.
featured in the M9 and M13 Stompbox Modeler only.
Tile Emulates the acoustic reflections of a tiled room, such as a bathroom or shower, with clearer/brighter discreet early reflections.
Echo Just like it says echo echoecho. This is a lush echo with reverb.
Particle Verb A Line 6 original that turns your chords into a lush modulated pad in stable mode. Critical mode adds a slight rise in pitch. All stops are removed when in Hazard mode.