*This applies only to products distributed by YAMAHA CANADA MUSIC LTD.
Dette apparat overholder det gaeldende EF-direktiv vedrrende radiostj. Cet appareil est conforme aux prescriptions de la directive communautaire 87/308/CEE. Diese Gerte entsprechen der EG-Richtlinie 82/499/EWG und/ oder 87/308/EWG. This product complies with the radio frequency interference requirements of the Council Directive 82/499/EEC and/or 87/308/ EEC. Questo apparecchio conforme al D.M.13 aprile 1989 (Direttiva CEE/87/308) sulla soppressione dei radiodisturbi. Este producto est de acuerdo con los requisitos sobre interferencias de radio frequencia jados por el Consejo Directivo 87/308/CEE.

YAMAHA CORPORATION

IMPORTANT NOTICE FOR THE UNITED KINGDOM
Connecting the Plug and Cord WARNING: THIS APPARATUS MUST BE EARTHED IMPORTANT: The wires in this mains lead are coloured in accordance with the following code:
GREEN-AND-YELLOW BLUE BROWN : : : EARTH NEUTRAL LIVE
ADVARSEL! Lithiumbatteri Eksplosionsfare ved fejlagtig hndtering. Udskiftning m kun ske med batteri af samme fabrikat og type. Levr det brugte batteri tilbage til leverandoren. VARNING Explosionsfara vid felaktigt batteribyte. Anvnd samma batterityp eller en ekvivalent typ som rekommenderas av apparattillverkaren. Kassera anvnt batteri enligt fabrikantens instruktion. VAROITUS Paristo voi rjht, jos se on virheellisesti asennettu. Vaihda paristo ainoastaan laitevalmistajan suosittelemaan tyyppiin. Hvit kytetty paristo valmistajan ohjeiden mukaisesti.
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows: The wire which is coloured GREEN-AND-YELLOW must be connected to the terminal in the plug which is marked by the letter E or by the safety earth symbol or coloured GREEN or GREEN-AND-YELLOW. The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.

Contents

Introduction.... 2 Precautions.... 3 The front panel.... 4 The back panel.... 5 System structure... 6 Program Select Mode.... 7 About the programs of the D5000... 7 Recalling a program... 7 Storing a program.... 8 Parameter Edit Mode.... 9 Editing a delay program... 9 Setting the DELAY parameters... 9 Adding feedback.... 12 Modulating the delay... 13 Ducking/gating the delay... 14 Editing a sampling/playback program.. 16 FREEZE program.... 16 S&H (sample and hold) program... 20 Utility Mode.... 22 SOFTWARE PROTECT.... 22 PARAMETER DISPLAY... 23 FOOT SW (footswitch) FUNCTION.. 23 MIDI SET-UP.... 24 MIDI CONTROLLER... 25 MIDI BULK DUMP.... 25 PARAMETER COPY.... 26 REPEAT DELAY.... 27 How to initialize the D5000... 28 Error Messages... 28 Specifications.... 29 Preset Program Library... 30 Block diagram.... 100 Dimensions.... 101 MIDI Data format.... 102 D5000 Parameter List... 107 MIDI Implementation Chart... 108

English

Contents - 1

2 - Introduction

Introduction
With its high-quality 20-bit sound, the Yamaha D5000 Professional Digital Delay is the perfect choice for studio and sound reinforcement applications. It has four types of effect programs: DUAL (stereo) delay, SINGLE (mono) delay, FREEZE record and playback, and S&H (sample and hold) playback. The large amount of memory allows it to create delay lines or record samples of up to 10 seconds in duration. The interface is simple and intuitive, with a large, easily-read LCD, allowing you to quickly produce exactly the effect you want. It features 100 program locations for storing your favorite effects for instant recall. For added flexibility, the D5000 can be controlled by MIDI, especially useful with the FREEZE record and playback effect. Please read this operation manual carefully in order to familiarize yourself with the D5000 and its advanced features and keep the manual in a safe place for later reference.

Precautions - 3

Precautions
Avoid excessive heat, humidity, dust, and vibration
Keep the unit away from locations where it is likely to be exposed to high temperatures or humidity - such as near radiators, stoves, in direct sunlight, etc. Avoid locations which are subject to excessive dirt accumulation. Extreme vibrations can cause mechanical damage.

Avoid physical shocks

Strong physical shocks can damage the unit. Handle it with care.
Do not open the unit, or attempt repairs or modifications yourself
This product contains no user-serviceable parts. Refer all maintenance to qualified Yamaha service personnel. Opening the unit and/or tampering with the internal circuitry will void the warranty.
Make sure power is off before making or removing connections
Always turn the power OFF prior to connecting or disconnecting cables. This is important to prevent damage to the unit itself as well as other connected equipment.

Handle cables carefully

Always plug and unplug cables - including the AC cord - by gripping the connector, not the cord.
Clean with a soft dry cloth
Never use solvents such as benzine or thinner to clean the unit. Wipe it clean with a soft, dry cloth.
Always use the correct power source
Make sure that the power source voltage specified on the rear panel matches your local AC mains supply: U.S. & Canadian Model: 120V AC, 60 Hz General Model: 230V AC, 50 Hz UK Model: 240V AC, 50 Hz

Back-up battery

The unit contains a long-life lithium battery which maintains the contents of the user memory locations even when the unit is off. With normal use, the battery should last approximately five years. If the battery voltage falls below a certain level, the message WARNING LOW BATTERY will appear on the screen when the power is turned on. If this occurs, have the battery replaced at a qualified Yamaha service center.
WARNING: DO NOT ATTEMPT TO REPLACE THE BATTERY YOURSELF.

4 - The front panel

The front panel
DATA ENTRY INPUT LEVEL 0 MIX L CLIP -6 -12 -18 -24 -30 -36 -42 R PROFESSIONAL DIGITAL DELAY DELAY FB MOD DUCK CURSOR PARAMETER POWER
INPUT LEVEL The two concentric rotary controls are used to adjust the level of the input signal. The inner control adjusts the left channel and the outer control adjusts the right channel. MIX This control adjusts the amount of effect from DRY (no effect) to WET (full effect). Input Level Meters (L and R) These stereo meters consist of one eight-segment LED per channel. The segments correspond to -42 dB, -36 dB, -30 dB, -24 dB, -18 dB, -12 dB, -6 dB, and CLIP.
The meters come after the A-D converters in the signal chain. Therefore, the CLIP LEDs indicate digital distortion. The input levels should be adjusted so that the CLIP LEDs never light up.
PROGRAM This 2-digit LED indicator shows the current program. When the LEDs are flashing, this indicates that a new program has been selected but not yet recalled. Screen This backlit LCD panel displays the details of the selected parameter. DATA ENTRY The rotary encoder is used to select another program or to modify parameter settings. CURSOR When the Program LED is lit, the [ ^ ] and [ % ] keys are used to select a program number, the [ < ] ("STORE") key is used to store a program, and the [ > ] ("RECALL") key is used to recall the selected program. When the Program LED is turned off, the [ < ] , [ ^ ] , [ > ] , and [ % ] keys are used to select the different parameters of a program. PARAMETER keys These keys allow you to select the different parameters for editing. Each key has an LED set in it to provide a quick visual indication of the status of the unit. The [ DELAY ] key controls the delay or freeze parameters. Each key press steps through a sequence of display pages, allowing you to set the output level and other parameters. The [ FB ] key controls the feedback parameters. Pressing this key more than once switches feedback ON or OFF. The [ MOD ] key controls the modulation. Pressing this key more than once switches modulation ON or OFF. The [ DUCK ] key controls the duck or gate threshold. Pressing this key more than once switches duck ON or OFF. PROGRAM key The [ PROGRAM ] key selects one of the 100 stored programs. It has an LED which lights when the key is pressed.

10 TRIGGER key The [ TRIGGER ] key is used to set the tempo for delay parameters or to operate a freeze or sample and hold program. When the delay DISPLAY UNIT (see page 11) is set to "TEMPO", the LED will flash in time to the current tempo. 11 UTILITY key The [ UTILITY ] key cycles through a number of display pages, allowing you to set up various system parameters for the unit. It has an LED which lights when the key is initially pressed. 12 BYPASS key The [ BYPASS ] key, when pressed, causes the input signal to bypass the internal circuitry. It has an LED which lights while BYPASS is active. 13 POWER Press to turn the power ON. The last program will be automatically recalled.

The back panel - 5

The back panel
FOOT SW BYPASS TRIGGER PROGRAM INC/DEC THRU OUT MIDI IN R L 20dB +4dB R L -20dB +4dB OUTPUT R L INPUT
BYPASS or PROGRAM INC/DEC Footswitch Jack The function of this jack is determined by the FOOT SW FUNCTION parameter of the UTILITY Mode. If it is set to BYPASS, the footswitch duplicates the function of the [BYPASS] key. If it is set to PROGRAM, the footswitch allows you to select between a pre-determined range of program numbers. TRIGGER Footswitch Jack A footswitch connected to this jack duplicates the function of the [TRIGGER] key. MIDI OUT/THRU Switch This switch selects either MIDI THRU or MIDI OUT for the MIDI OUT/THRU connector. MIDI OUT/THRU Connector When the MIDI OUT/THRU switch (3 above) is set to OUT, data originated by the D5000 is transmitted to an external MIDI device. When the switch is set to THRU, the connector just retransmits data received at the MIDI IN connector. MIDI IN Connector This connector receives data from an external MIDI device. OUTPUT L/R Connectors These are the analog stereo outputs from the D5000. Both the XLRtype connectors and the TRS phone jacks are electrically balanced output connectors. INPUT L/R Connectors These are the analog stereo inputs to the D5000. Both the XLR-type connectors and the TRS phone jacks are electrically balanced input connectors. Use the "L" (left-channel) connector when you are using a monophonic sound source. Set the input mode for the source with the INPUT MODE parameter for delay programs (see page 11) or the TRACK parameter for sampler programs (see page 16 and page 20). Level switches Both the input and output connectors may be set to nominal levels of +4 dB or -20 dB. When connecting the D5000 to other equipment, refer to the specifications of the other units in order to match the signal levels correctly.

6 - System structure

System structure
The D5000 has three operational modes: Program Select Mode - Use this mode to STORE and RECALL programs. Parameter Edit Mode - This mode allows you to edit the various operational parameters, the DELAY/FREEZE parameters, the FB (feedback) parameters, the MOD (modulation) parameters, and the DUCK parameters. The Parameter Edit Mode performs differently according to which program type is active. DUAL (stereo) and SINGLE (mono) programs are delay programs. You access their parameters with the [ DELAY ] , [ FB ] , [ MOD ] , and [ DUCK ] keys. The parameters for the FREEZE and S&H (sample and hold) programs are accessed using the [ DELAY ] key only. Utility Mode - Customize the operation of the D5000 by modifying the following parameters: SOFTWARE PROTECT, PARAMETER DISPLAY, FOOT SW (footswitch) FUNCTION, MIDI SETUP, MIDI CONTROLLER, MIDI BULK DUMP, PARAMETER COPY, and REPEAT DELAY (This last parameter is only available when the program type is DUAL or SINGLE).

Program Select Mode - 7

Program Select Mode
About the programs of the D5000
The D5000 has 100 user programs. All of the programs are user-programmable. There are four types of programs available: DUAL (stereo) Delay (refer to the diagram on page 100) There are two delay units (A-channel and B-channel) and three taps for each unit. Create a flanger or chorus in perfect stereo, or a ping-pong (channel-to-channel) delay. SINGLE (mono) Delay This is a single delay with six taps. It can support a delay time that is double the length of a DUAL (stereo) program. FREEZE The input sound can be recorded and then played back in a variety of ways, including modifying the playback speed, looping, and so on. S&H (sample and hold) Use the [TRIGGER] key or a footswitch to control the sample and hold feature. By pressing the key or footswitch, you can sample and play-back in sequence.
Yamaha ships the D5000 with preset programs that illustrate the features of each of the four types of programs. Refer to the list of preset programs on page 30. The preset programs are stored in program numbers 1 to 00 (100). If you have over-written them, they can be recalled by the simple operation detailed on page 28.

Recalling a program

Press the [ PROGRAM ] key to enter Program Select Mode. The LED on the key will light and the LCD will display the title of the current program. Select a new program by rotating the DATA ENTRY encoder or by pressing the [ ^ ] or [ % ] CURSOR keys.
Pressing and holding any of the CURSOR keys causes the key to repeat
The title of the new program is displayed on the LCD along with the flashing "[RECALL]" message. The program number will flash on the PROGRAM LED.
If the FB (feedback), MOD (modulation), or DUCK parameters are active for the selected program, the LED in the respective PARAMETER key will flash along with the program number.

Setting the DELAY parameters
There are three display pages which you access by pressing the [ DELAY ] key: Page 1: Setting the delay time, level, and pan. Page 2: Setting input mode, display units, output level, and high and low pass filters. Page 3: Setting the title and controller assignments.
Page 1: Setting delay time, level, and pan
You set the main parameters of your delay effect on this page. You select the number of active taps, the length of the delay, the volume level of each tap, and its channel location in stereo. The LCD only displays the parameters that are currently active. Use the [ < ] , [ ^ ] , [ > ] , and [ % ] CURSOR keys to move from parameter to parameter. After you have selected a parameter with the CURSOR keys, you can modify the parameter by rotating the DATA ENTRY encoder. For example, press the [ % ] CURSOR key to move to the second tap of the A-channel. Then rotate the DATA ENTRY encoder until the status is set to "INV".

DELAY parameters

STATUS (OFF/NOR/INV) TIME Select "OFF", positive phase (NOR), or negative phase (INV). When a tap is set to "OFF", it is inactive. Set the length of the delay tap. If you change the DISPLAY UNIT parameter on the next page, the value will be altered to match the selected unit. SECOND DISTANCE SINGLE (~ 10400.00 ms) or DUAL (~ 5200.00 ms). SINGLE (~ 3536.000 m) or DUAL (~ 1768.000 m).
10 - Parameter Edit Mode TEMPO = (25 ~ 250 beats per minute). Select one of the following for the Note parameter: , , , , , , , , , , , , , , or. SINGLE (~ 10 s 12 f 00 b) or DUAL (~ 5 s 6 f 00 b). SINGLE (~ 10 s 10 f 00 b) or DUAL (~ 5 s 5 f 00 b). SINGLE (~ 10 s 9 f 48 b) or DUAL (~ 5 s 4 f 64 b).
30FRAME 25FRAME 24FRAME LVL (0 ~ 100%) PAN (L16 ~ L=R ~ R16)
Set the level of the delay tap. Set the stereo pan position of the delay tap in one of 33 steps. If you set the modulation STATUS parameter to "PAN" (see page 13), this setting will effect it as well.
When TEMPO or FRAME is selected, the digits to the right of the decimal place will not be displayed.
Changing the TEMPO parameter
Use one of the following methods to modify the TEMPO parameter: Manual Input Select the parameter with the CURSOR keys, then modify the value by rotating the DATA ENTRY encoder. Tap Input ([TRIGGER] Key or Footswitch) Set the tempo by tapping two beats on the [TRIGGER] key or by pressing two beats with a footswitch connected to the TRIGGER Footswitch Jack on the back panel. The D5000 sets the tempo by counting the interval between the two successive beats.
It is not possible to set tap input if the DUCK parameter SOURCE is set to TRIG.KEY.
MIDI Clock Input The tempo may be set using the MIDI clock of a connected sequencer, rhythm programmer, or other device.
This parameter sets the TEMPO, not the delay time. You set the Note parameter for each active tap when you edit the program. The delay time is then calculated from the TEMPO parameter and the Note parameter.

12 - Parameter Edit Mode Press the [ DELAY ] key again to select the last display page. Use the [ < ] , [ ^ ] , [ > ] , and [ % ] CURSOR keys to move through the various parameters. Modify the parameter by rotating the DATA ENTRY encoder.

Page 3: parameters

TITLE (16 characters) Use the [ < ] and [ > ] CURSOR keys to move along the line of text. Change the letter under the cursor by rotating the DATA ENTRY encoder. The available characters are shown in the following sequence:
E F a v & w ! G b x ? H c y # I d z 0 J e K f ( 1 L g ) 2 M h [ 3 N i ] 4 O j < 5 P k > 6 Q l : 7 R m * 8 S n + 9 T o U p =

A V q / W r ,

B X s.

C Y t

D Z u %
CTL.ASSIGN (OFF, Parameter)
Select a parameter to be controlled by the MIDI control change messages. There are two controller channels, each of which can be assigned any parameter of the current program (see page 25 for details).

MIN/MAX (0 ~ 100%)

Set the range within which the parameter can be modified by the control change messages.

Adding feedback

To create a dense sounding effect, you can add feedback to each of the taps of the delay. You can also invert the phase of the returning signal as well as filter out low and high frequency elements. Press the [ FB ] key to select FB (feedback). Use the [ < ] , [ ^ ] , [ > ] , and [ % ] CURSOR keys to move through the various parameters. Modify the selected parameter by rotating the DATA ENTRY encoder. Press the [ FB ] key again to enable or disable feedback. The status message in the top corner of the LCD changes from "ON" to "OFF".

Feedback parameters

STATUS (OFF/NOR/INV) TYP (A, B) LVL (0 ~ 100%) Select "OFF", positive phase (NOR), or negative (INV) phase. Select which channel (A or B) will receive the feedback. This is only available for DUAL (stereo) delay programs. Select the level of the feedback.
Parameter Edit Mode - 13 HPF (20 Hz ~ 4.0 kHz or THRU) LPF (400 kHz ~ 20 kHz or THRU) Set the cutoff frequency for the high pass filter for the feedback loop. Set the cutoff frequency for the low pass filter for the feedback loop.

Re-trigger

If the DUCK/GATE is continuously triggered by any of the other sources, it may be kept from closing. As the GATE responds to a trigger source and will open for the set HOLD time, a trigger received while the GATE is open will act as a "re-trigger", causing the GATE to remain open.

16 - Parameter Edit Mode

Editing a sampling/playback program
To edit a sampling/playback program, press the [ DELAY ] key.

FREEZE program

The FREEZE program allows you to sample (digitally record) and playback sounds. You can record in stereo for a maximum of 5.2 seconds or in mono for a maximum of 10.4 seconds. For playback, you can adjust the pitch of the sample by up to two octaves.
You cannot store the recorded sample. Once the power is switched OFF, or if you select another program, the recorded sample is erased from memory.
There are four display pages:
Page 1: Setting the recording parameters. Page 2: Setting the playback parameters. Page 3: Setting the pitch and MIDI note number. Page 4: Setting the title and controller assignments.
To access the FREEZE program mode, you need to select one of the factory presets with the PARAMETER COPY command in Utility Mode (refer to the preset list on page 30). The [ FB ] , [ MOD ] , and [ DUCK ] keys are inactive when a FREEZE program is loaded. To access the FREEZE display pages, use the [ DELAY ] key.
Page 1: Setting the recording parameters
This page allows you to specify the recording parameters for your freeze program. Press the [ DELAY ] key to switch to the first page of the FREEZE program. Use the [ ^ ] and [ % ] CURSOR keys to move through the various parameters. Modify the selected parameter by rotating the DATA ENTRY encoder.

FREEZE RECORD parameters

TRACK (STEREO/L-MONO) Select stereo or mono recording mode. STEREO L-MONO AUTO/MAN (MANUAL/AUTO) Stereo recording for a maximum of 5.2 seconds. Mono recording for a maximum of 10.4 seconds.
Set the recording method. MANUAL Press the [ TRIGGER ] key or step on a footswitch connected to the TRIGGER Footswitch Jack to put the D5000 in standby mode. Recording will start when you press the key or step on the footswitch again.

FOOT SW (footswitch) FUNCTION
Press the [ UTILITY ] key to select the FOOT SW (footswitch) FUNCTION command. Use the [ ^ ] and [ % ] CURSOR keys to move through the various parameters. Modify the selected parameter by rotating the DATA ENTRY encoder.
FOOT SW FUNCTION parameters
BYP/PGM (PROGRAM/BYPASS) Sets the function of the BYPASS - PROGRAM INC/DEC footswitch jack. BYPASS PROGRAM FROM (1 ~ 00) The footswitch duplicates the function of the [ BYPASS ] key. The footswitch allows you to select between a predetermined range of program numbers.
When PROGRAM is selected, use this item to set the starting program number. If BYPASS is selected, this parameter does not appear. When PROGRAM is selected, use this item to set the last program number. If BYPASS is selected, this parameter does not appear.

TO (1 ~ 00)

24 - Utility Mode When the FOOT SW FUNCTION is set to PROGRAM, the D5000 switches to the next program each time you press the footswitch. When the last program in the range (TO) is the current program, when you press the footswitch again, it will select the first program again. For example, if you set the FROM parameter to 70 and the TO parameter to 75, each time you press the footswitch the program changes to the next one in order: 74 75
If you set the FROM parameter to 75 and the TO parameter to 70, the change is in reverse order: 71 70

MIDI SET-UP

The D5000 has seven MIDI program change tables set in banks "A" to "G". Each table contains a list of MIDI program numbers and the corresponding D5000 effect program. You can customize each table for your requirements. Press the [ UTILITY ] key to select the MIDI SETUP command. Use the [ ^ ] and [ % ] CURSOR keys to move through the various parameters. Modify the selected parameter by rotating the DATA ENTRY encoder.

MIDI SET-UP parameters

CH (OMNI, 1 ~ 16, OFF) Select the MIDI channel for both input and output. If you select OMNI (the default), the D5000 will receive MIDI events on all 16 channels and transmit on channel 1. If you select one of the channels from 1 to 16, the D5000 receives and transmits on the selected channel. Selecting OFF disables MIDI reception and transmission. BANK (A ~ G) PGM (1 ~ 128) Select a program change table. Select the MIDI program number. As you change the MIDI program number by rotating the DATA ENTRY encoder, notice how the D5000 program number changes correspondingly. Select the D5000 program number. You can assign any D5000 program number to the current MIDI program number. When the D5000 receives a MIDI Program Change message with that MIDI program number, it will switch to the corresponding D5000 program number. When "---" is selected, the D5000 will ignore any transmissions for the corresponding MIDI program number.

D5000 (1 ~ 00, ---)

The D5000 has seven program change tables. The tables come preset from the factory with MIDI program numbers 1 to 100 directly mapped to the D5000 program numbers 1 to 00 (100) and MIDI program numbers 101 to 128 mapped to the D5000 program numbers 1 to 28.

Utility Mode - 25

Each D5000 program (except for Sample and Hold programs) can accept input from two MIDI controllers. These parameters allow you to assign a MIDI controller number to the controller channels of the programs (see page 12). Press the [ UTILITY ] key to select the MIDI CONTROLLER command. Use the [ ^ ] and [ % ] CURSOR keys to move through the various parameters. Modify the selected parameter by rotating the DATA ENTRY encoder.
MIDI CONTROLLER parameters
CONTROLLER (OFF, 1 ~ 31, 64 ~ 95, KEY NOTE, KEY VEL., CH PRES.) Set a controller number for each controller assignment (1 and 2). Control change number: 95 << << << MOD.WHEEL BREATH
KEY NOTE KEY VEL. CH PRES.

CLK (OFF/ON)

Enable or disable the MIDI clock. When it is enabled, the clock of the external MIDI device controls the TEMPO, delay time, modulation speed, and other clock based functions.
If you set both controller assignments to the same MIDI controller number, you can control the parameters assigned in the program simultaneously.
Press the [ UTILITY ] key to select the MIDI BULK DUMP command. Use the [ ^ ] and [ % ] CURSOR keys to move through the various parameters. Modify the selected parameter by rotating the DATA ENTRY encoder.

BULK DUMP parameters

ITEM (ALL/SYSTEM/ PROGRAM/BANK) NO. (ALL, Program, or Bank) Select the bulk data type you want to dump. If the ITEM parameter is set to "PROGRAM", you can select a program number from 1 to 00 (100). Otherwise select a bank from A to G.

26 - Utility Mode

BULK DUMP procedure
The D5000 should be correctly connected to an external MIDI device, for example, a MIDI data filer such as the Yamaha MDF2. Set the desired parameters. Make certain that the external MIDI device is ready to receive your data. To execute the MIDI bulk dump request, press the [ < ] "STORE" CURSOR key. While the bulk dump is in progress, the message "BULK OUT." will be displayed at the bottom of the screen.

Receiving bulk data

The D5000 can also receive ("load") bulk data from another D5000, a MIDI data filer, a computer, or other MIDI device. In order to successfully receive data, you must perform the following steps:

Set the delay in milliseconds (time interval between repeated sounds), metres, or note length. Set the decay in percentage (level of the last repeated sound).
When you apply the Repeat Delay by pressing the [ < ] "STORE" CURSOR key, it sets the TIME and LVL value for the specified taps. For example: Direct sound Repeat 1 Repeat 2 100% Repeat 3 Decay=40% Delay=

TIME(ms)

This results in the following delay program:
If you apply Repeat Delay to a delay program that has feedback turned on, the feedback level may be boosted, causing an unpleasant howling. For the best results, turn the feedback off.
28 - How to initialize the D5000
How to initialize the D5000
You can reset all programs and system parameters back to their original factory settings with the following procedure: While pressing the [ < ] "STORE" CURSOR key, turn the power on. The LCD will display the message "Press [RECALL] to initialize". Press the [ > ] "RECALL" CURSOR key. The message "Initializing now." will momentarily appear on the LCD. Then the D5000 will default to Program Select Mode.
PLEASE BE CERTAIN THAT THIS IS WHAT YOU INTEND TO DO. Any custom programs you have created will be lost when the D5000 is reset to its factory settings.

WARNING

Error Messages
WARNING LOW BATTERY The voltage of the internal lithium battery has dropped below a serviceable level. Take the unit to a qualified Yamaha service center to have the battery replaced. When the internal lithium battery is exhausted, the contents of the internal memory will be lost. Take the unit to a qualified Yamaha service center to have the battery replaced. When the power is turned on, the D5000 performs a self-test diagnostic. If any faults are discovered, one of the error numbers E0 to E3 will be displayed on the PROGRAM LED. Take the unit to a qualified Yamaha service center for repair. Do not forget the error number the service technician needs that number in order to speed up diagnosis of your unit.

WARNING DATA ERROR

E0 ~ E3

Specifications - 29

Specifications
Audio quality ("WET" circuit) Frequency Response Dynamic Range Hum and Noise Distortion Inputs Number of channels Nominal input level Maximum input level Input impedance Outputs Number of channels Nominal output level Maximum output level Output impedance A/D and D/A converters A/D resolution D/A resolution Sampling frequency Propagation delay Number of memory locations MIDI control Program change Control change Note On/Off Bulk dump Bulk dump request Condition set-up MIDI clock Parameter change Parameter value request Power requirements USA and Canada General UK Power consumption Dimensions (w x d x h) Weight 20 Hz to 20 kHz +/-1.0 dB greater than 100 dB less than -76 dB less than 0.007% (max. level at 1 kHz) 2 (balanced) +4/-20 dBm (switchable) +24 dBm (switch at +4 dB setting) 20 k 2 (balanced) +4/-20 dBm (switchable) +24 dBm (switch at +4 dB setting) 150 20-bit linear 20-bit linear 50 kHz 2.8 ms 100 (all user-programmable) Program select (receive) Parameter control (receive) Freeze control, Trigger (receive) System, program, bank (send & receive) System, program, bank (receive) Bank change (receive) Tempo control (receive) Parameter control (send, receive) Parameter data (receive) 120 V AC, 60 Hz 230 V AC, 50 Hz 240 V AC, 50 Hz 25 W 480 x 336.4 x 45.2 mm 4.7 kg

n = 0 (channel number1) ~ 15 (channel number 16) ASCII L ASCII M ASCII ASCII ASCII 8 ASCII A ASCII 6 ASCII 3 ASCII S ASCII

Data Name EOX

4 Parameter Value Request Received on the currently set MIDI channel. When a message is received, the data for the corresponding parameter change is transmitted. Status ID Number Sub Status Group/Sub Group Device Code Parameter Number EOX 0010nnnn 0nnnnnnn 0nnnnnnn 11110111 (F0H) (43H) (2nH) (1EH) (03H) (F7H)
n = 0 (channel number1) ~ 15 (channel number 16) 1st byte 2nd byte
5 Bank Change Request Received on the currently set MIDI channel. When a message is received, the specified bank is called up. Status ID Number Sub Status Format Number Byte Count (MSB) Byte Count (LSB) 0000nnnn 00001101 (F0H) (43H) (0nH) (7CH) (00H) (0DH)
n = 0 (channel number1) ~ 15 (channel number 16) Condition set-up

106 - MIDI Data format

Header 0vvvvvvv 0rrrrrrr 0zzzzzzz 0eeeeeee 11110111 (4CH) (4DH) (20H) (20H) (38H) (41H) (36H) (33H) (55H) (20H) ASCII "L ASCII "M ASCII " ASCII " ASCII "8 ASCII "A ASCII "6 ASCII "3 ASCII "U ASCII " v=1 r=0 z = 1 ~ 7 (1=A, 2=B, 3=C, 4=D, 5=E, 6=F, 7=G)
Data Name Version Number Bank Number Checksum EOX
6 Program Bulk Data The data format for transmission is the same as for "Program Bulk Data". 7 Program Change Bank Bulk Data The data format for transmission is the same as for "Program Change Bank Bulk Data". 8 System Set-up Bulk Data The data format for transmission is the same as for "System Set-up Bulk Data".
3) System Real Time Messages
1 Timing Clock 11111000 (F8H) When a delay program is loaded, the tempo parameter is set automatically by the timing clock. 2 Active Sensing 11111110 (FEH) If playback is started with a MIDI Note On message in the FREEZE program and active sensing is interrupted, playback will be stopped.
D5000 Parameter List - 107

D5000 Parameter List

PROGRAM No. DATE:.

TITLE:

PROGRAMMER:

INPUT MODE:

STEREO. L-MONO

DUAL. SINGLE

DISPLAY UNIT: SECOND. DISTANCE. TEMPO. 30FRAME. 25FRAME. 24FRAME

TEMPO:

[OFF. ON]

NOTE TIME LEVEL PAN

TYPE SOURCE TARGET HOLD RELEASE THRESHOLD

1 A 4 B 5 6

OFF. NOR INV OFF. NOR INV OFF. NOR INV OFF. NOR INV OFF. NOR INV OFF. NOR INV

OUTPUT FB

OFF. ON

OUT LEVEL LEVEL

OFF. NOR INV OFF. NOR INV OFF. NOR INV OFF. NOR INV OFF. NOR INV OFF. NOR INV A.B A.B A.B A.B A.B A.B

CONTROL ASSIGN

PARAMETER MIN MAX
OFF. SIN TRI. PAN OFF. SIN TRI. PAN OFF. SIN TRI. PAN OFF. SIN TRI. PAN OFF. SIN TRI. PAN OFF. SIN TRI. PAN

comment:

[PROFESSIONAL DIGITAL DELAY] Date:07-JUL-1994 Model D5000 MIDI Implementation Chart Version : 1.0 +-----------------------------------------------------------------------+ | | Transmitted | Recognized | Remarks | | Function. | | | | +-------------------+----------------+----------------+-----------------+ |Basic Default | x | 1 - 16, off | memorized | |Channel Changed | x | 1 - 16, off | | +-------------------+----------------+----------------+-----------------+ | Default | x | OMNIoff/OMNIon | memorized | |Mode Messages | x | x | | | Altered | ************** | x | | +-------------------+----------------+----------------+-----------------+ |Note | x | 0-127 | | |Number : True voice| ************** | x | | +-------------------+----------------+----------------+-----------------+ |Velocity Note ON | x | x | | | Note OFF | x | x | | +-------------------+----------------+----------------+-----------------+ |After Key's | x | x | | |Touch Ch's | x | x | | +-------------------+----------------+----------------+-----------------+ |Pitch Bender | x | x | | +-------------------+----------------+----------------+-----------------+ | 1 ~ 95 | x | o | | | | | | | | | | | | | Control | | | | | | | | | | Change | | | | | | | | | MIDI Implementation | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | +-------------------+----------------+----------------+-----------------+ |Prog | x | o 0 - 127 |*1 | |Change : True # | *********** | x | | +-------------------+----------------+----------------+-----------------+ |System Exclusive | o | o |Bulk Dump | | | | |Parameter Change | +-------------------+----------------+----------------+-----------------+ |System : Song Pos. | x | x | | | : Song Sel. | x | x | | |Common : Tune | x | x | | +-------------------+----------------+----------------+-----------------+ |System :Clock | x | o | | |Real Time :Commands| x | x | | +-------------------+----------------+----------------+-----------------+ |Aux :Local ON/OFF | x | x | | | :All Notes OFF| x | x | | |Mes- :Active Sense | x | o | | |sages:Reset | x | x | | +-------------------+----------------+----------------+-----------------+ |Note: *1 = For program 1 ~ 128, program number of D5000 is | | selected. | | | | | +-----------------------------------------------------------------------+ Mode 1 : OMNI ON, POLY Mode 2 : OMNI ON, MONO o : Yes Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO x : No

Tech Specs

PA Specs 4 x EAW KEF 850 Low/Mid/High Loudspeakers 4 x Single 18 Front Loaded Subwoofers 4 x Double 18 Front Loaded Subwoofers 3 x CA9 Crest Amplifiers 4 x CA12 Crest Amplifiers EAW 4-way System Processors Allen & Heath GL2800 32/8/2 Console BSS Opal Dual Graphic Equaliser (FOH) 1 x dbx 166xl Stereo Compressor (FOH) 2 x dbx 160x Compressors (inserts) Behringer Quad Compressor (inserts) Behringer Quad Gate (inserts) Yamaha SPX 90 Yamaha SPX 1000 Yamaha D5000 Delay Denon Single CD Player 4 x dbx 1231 Monitor EQs 4 x Crest CA9 Amplifiers 6 x 15 & 2 Horn Active Wedges 1 x Passive Drum Fill 2 horn & 2 x 15 Mic Kit 4 x x x x x x x x x SM58 SM57 Audix D6 Audix D2 Sennheiser e604 EV 868 Bass AKG Condensers Mann GXL 1200 Condenser Passive DI 1 x x x x x Par 64 Per Side Out Front Ray Cans From Rear Par 56 Across Front (Like Profiles) 500watt QI Blinders Medium Power Strobe Stage Floor Plan

Lighting CANS

MOVERS 4 x Pro Futurescan 3s Control- Abstract 64ch Controller
Stage 30 Channel multi-core with monitor split to allow additional side of stage monitor console Monitor console if required by performers will be at performers cost, house sound engineer will be available to operate monitor console if performer has their own sound engineer Additional equipment can be arranged at performers request and cost
DESK Behringer Eurolite lc2412. 24ch dmx Lighting Console Dimmer is a Theatrelite dmx 12ch
The Rosemount Hotel provides an in-house lighting engineer & sound engineer for most live shows. If you require any further information please contact the hotel on or email events@rosemounthotel.com.au