Nom de la housse

Rfrence

Appareils Compatibles

Dimensions Maximales

Name of the case

Compatible with

Maximum dimensions

Casio Exilim EX- Z110 Nikon S700 Canon Ixus 750 - 800is 54001 Casio Exilim EX- Z10 Casio Exilim EX- Z120 Canon Digital Ixus II's Canon Digital Ixus 60 Canon Ixus 60 - 75 Canon Powershot A Serie Canon Digital Ixus 75 Canon Digital Ixus 70 Canon Powershort A610 Canon Digital Ixus 850is Canon Ixus 850is - 900ti 54004 Nikon Coolpix S510 Canon Digital Ixus 95is Canon Powershot SD 1100 Is Canon Ixus 860is - 960ti 54005 Canon Digital Ixus 990is Canon Digital Ixus 860is Casio Exilim EX-S10 Casio Exilim EX-S600 Casio Exilim EX-S880 Casio Exilim EX-Z8 Casio Exilim EX-Z50 Casio Exilim S et Z Srie 54501 Casio Exilim EX-Z60 Casio Exilim EX-Z100 Casio Exilim EX-Z200 Casio Exilim EX-Z500 Casio Exilim EX-Z750 Casio Exilim EX-Z1200 Fuji FinePix Z1 Fuji FinePix A600 Fuji FinePix F10 Zoom Fujifilm FinePix F - A - Z 54201 Fuji FinePix F11 Zoom Fuji FinePix F20 Zoom Fuji FinePix F30 Zoom Fuji FinePix F31D HP Photosmart R817 HP Photosmart R927 Samsung S1030 Panasonic Lumix DMC-FX520 HP Photosmart 50201 Panasonic Lumix DMC-FX33 Samsung NV24HD
Canon Digital Ixus 40 Canon Digital Ixus 500 Canon Digital Ixus 430 Canon Digital Ixus 750 Canon Digital Ixus 65 Canon Digital Ixus 85is Canon Digital Ixus 100is Canon Powershot S80 Canon Digital Ixus 900ti Sony Cybershot DSC-W55 Canon Digital Ixus 80is Sony Cybershot DSC-W55 Canon Digital Ixus 960ti Casio Exilim EX-S100 Casio Exilim EX-S660D Casio Exilim EX-Z5 Casio Exilim EX-Z9 Casio Exilim EX-Z30 Casio Exilim EX-Z55 Casio Exilim EX-Z70 Casio Exilim EX-Z850 Casio Exilim EX-Z600 Casio Exilim EX-Z1050 Fuji FinePix Z4 Fuji FinePix A400 Zoom Sony Cybershot DSC-W200 Fuji FinePix A470 Zoom Fuji FinePix Z5FD Fuji FinePix A350 Zoom HP Photosmart R818 HP Photosmart R727 HP Photosmart E327 HP Photosmart R417 HP Photosmart R717 Samsung NV30
Canon Digital Ixus 50 Canon Digital Ixus 700 Canon Digital Ixus 30 Canon Digital Ixus 800is Canon Digital Ixus x 59 x 23 mm Canon Powershort A710 Canon Digital Ixus 90is Sony Cybershot DSC-WXx 60 x 26 mm 104 x 66 x 50 mm 90 x 60 x 30 mm
Canon Digital Ixus 970is Casio Exilim EX-S500 Casio Exilim EX-S770D Casio Exilim EX-Z7 Casio Exilim EX-Z11 Casio Exilim EX-Z40 Casio Exilim EX-Z57 Casio Exilim EX-Z80 Casio Exilim EX-Z1000 Casio Exilim EX-Z700 Casio Exilim EX-Z1080 Fuji FinePix Z3 Fuji FinePix A500 Zoom Sony Cybershot DSC-W300 Fuji FinePix A350 Zoom Fuji FinePix Z2 Fuji FinePix A345 Zoom HP Photosmart M527 HP Photosmart R725 HP Photosmart M525 HP Photosmart E317 HP Photosmart M425 Samsung NV40

100 x 60 x 30 mm

96 x 61 x 25 mm

95 x 62 x 35 mm

100 x 65 x 35 mm
Samsung NV15 Panasonic Lumix DMC-FX500 Panasonic Lumix DMC-FX150 Kodak Easyshare V530 Kodak Easyshare V et Pentax Optio W Sries Kodak Easyshare VKodak EasyShare V1233 Kodak EasyShare V1253 Pentax Pentax Optio Wpi Kodak Easyshare C530 Kodak Easyshare C Sries 54602 Kodak Easyshare C875 Kodak Easyshare C533 Kodak EasyShare V1273 Nikon Coolpix S9 Nikon Coolpix 5600 Nikon Coolpix L2 Nikon Coolpix L4 Nikon Coolpix L12 Nikon S - P - L Sries 53801 Nikon Coolpix P4 Nikon Coolpix S3 Nikon Coolpix S7c Nikon Coolpix S600 Nikon Coolpix S710 Nikon Coolpix S550 Nikon S50 Sries 53802 Sony T900 Nikon Coolpix S640 Nikon Coolpix S51C Olympus Mj 1000 Digital Olympus Mj 53901 Olympus Mj 725 Digital Olympus Mj 800 Panasonic Lumix DMC-FX01 Panasonic Lumix DMC-FS2 Panasonic Lumix DMC-FS20 Panasonic FX et FS Sries 51901 Panasonic Lumix DMC-FX07 Panasonic Lumix DMC-FX3 Panasonic Lumix DMC-FX30 Panasonic Lumix DMC-FS6 Panasonic LX Sries 51902 Panasonic Lumix DMC-FT1 Panasonic Lumix DMC-LX1 Panasonic Lumix DMC-TZ2 Panasonic Lumix DMC-TZ3 Panasonic TZ et LZ Sries 51903 Panasonic Lumix DMC-TZ4 Panasonic Lumix DMC-LX2 Panasonic Lumix DMC-TZ6 Panasonic Lumix DMC-TZ5
Samsung NV8 Panasonic Lumix DMC-FX50 Canon Digital Ixus 980is Kodak Easyshare V550 Kodak Easyshare V603 Kodak EasyShare V803 Pentax Pentax Optio W30 Pentax Pentax Optio W20 Kodak Easyshare C310 Kodak Easyshare C743 Kodak Easyshare C643 Nikon Coolpix 5200 Nikon Coolpix 7600 Nikon Coolpix 7900 Nikon Coolpix L7 Nikon Coolpix P1 Nikon Coolpix S1 Nikon Coolpix S4 Nikon Coolpix S6 Nikon Coolpix S510 Nikon Coolpix S700 Nikon Coolpix S710 Nikon Coolpix S70 Nikon Coolpix S550 Nikon Coolpix S52 Olympus Mj 750 Olympus Mj 730 Olympus Mj 720SW Panasonic Lumix DMC-FX10 Panasonic Lumix DMC-FS25 Panasonic Lumix DMC-FS3 Panasonic Lumix DMC-FX100 Panasonic Lumix DMC-FX37 Panasonic Lumix DMC-FX9 Panasonic Lumix DMC-FS7 Panasonic Lumix DMC-FT3 Samsung S1050 Panasonic Lumix DMC-LZ1 Panasonic Lumix DMC-LZ2 Panasonic Lumix DMC-LZ3 Panasonic Lumix DMC-TZ50 Panasonic Lumix DMC-TZ55 Panasonic Lumix DMC-TZ20

Pentax Optio A40 Pentax Optio M40 Pentax Optio M20 Pentax Optio S7 Pentax Optio Svi Pentax Optio S55 Pentax Optio S55 Samsung Digimax V800 Samsung Digimax A503 Samsung NV 10 Samsung i8 Samsung TL34HD Samsung ST500 Samsung NV 100 HD Samsung NV 5 Sony Cybershot DSC-W120 Olympus Mj 1030SW Sony Cybershot DSC-T100 Sony Cybershot DSC-T33 Sony Cybershot DSC-T700 Sony Cybershot DSC-W50 Sony Cybershot DSC-W70 Sony Cybershot DSC-W80 Sony Cybershot DSC-W85 Sony DSC-TX10 Sony Cybershot DSC-T900 Nikon Coolpix S200 Nikon P6000 Canon Powershot G7 Canon Digital Ixus 120 is Canon Digital Ixus 970is Nikon Coolpix S50c Nikon Coolpix S630 Nikon S70 Panasonic Lumix DMC-FX50 Samsung TL34HD Sony Cybershot DSC-W300 Samsung IT100 Samsung TLx 60 x 30 mm Nikon P7000 Olympus X-Z1 Canon Powershot S95 Sony Cybershot DSC-TX9 Canon K/Ixus 1000 HS 115 x 80 x 60 mm 95 x 57 x 24 mm 95 x 56,5 x 23,3 mm 100 x 65 x 30 mm Samsung EX1 Sony DSC-HX5V Sony DSC-HX7V Sony DSC-TXx 57 x 31 mm 95 x 65 x 35 mm

Samsung L et I Sries

100 x 62 x 25 mm

Samsung NV Sries

110 x 60 x 65 mm
Copyright 2005-2011 Innovacases / Norve Saint-Tropez - All other products and brand names may be trademarks of their respective owners

P r o c e s s i n g

S o l u t i o n s
B y E t h a n G. Sa l we n
Sorting Out Diverse File Formats
Im mesmerized by the night sky of the Southern Hemisphere here RAW, RAW+JPEG, and video files as the user wishes, Richard in a tiny town in the mountains of Mendoza, Argentina. Its early Anderson told me, when I called him for file-sorting assistance. March, just past midnight, and Im using The Stars, a book by H.A. All these different file types can create some workflow challengRey (of Curious George fame), to study the constellations. My in- es. Fortunately there are good, easy-to-use tools that can help us tention was to downplay photography on this vacationIm not sort it all out. even packing a DSLRbut now Im clicking away like mad with I was glad to here this from Anderson, a commercial photogmy Canon PowerShot G9, which is set up on my Joby Gorillapod rapher and the project director of dpBestflow.org. Anderson said tripod. Ive discovered that I can use my G9, set at 15-second ex- my situation offers a good case study. Not only did I have numerposures, to help me study the movements of the stars. This is very ous file types from different cameras (what digital photographer cool. But suddenly I find doesnt?), but my multimyself thinking, Housday vacation presented ton, we have a problem. the same organizational Not long ago, I realchallenges of a multi-day ized my memory card photo job. was filling up fast. Since I dont need RAW files Top-level for my star-studying imConsiderations ages, I have switched to a The top-level decision medium-resolution JPEG is to lay out the workmode. This is what has flow plan for these varime concerned. You see, ous file types, Anderson the G9 does not have a advised. The movie files RAW-only mode. When ALL PHOTOs COPYRIGHT ETHAN G. SALWEN will need to be segregatset to capture RAW files, ed, because they require the camera insists on protheir own workflow. The ducing RAW+JPEG. So RAW files will need to be now, from my G9, I have segregated because you RAW+JPEG captures will want to process them (for which I dont want through Lightroom and the redundant JPEGs), convert them to DNG and I also have JPEG origfiles for archiving. The inals of the stars (which I JPEGs will need to be will want to archive). This separated out as well beisnt so bad, I suppose. cause although you may However, during this vawant to process them cation, when not photo- Photo Mechanic displays four unique types of captures from two cameras from one tripa through Lightroom, the approached thoughtfully. Clockwise from left: A RAW+JPEG graphing with my (rela- possible workflow mess, if notCanon PowerShot G9, a JPEG-only originalupperthe G9, a movie adjustments work differcombination captured with a from tively) bulky G9, Ive been file from the G9, and a JPEG original from a Panasonic Lumix DMC-FX10. ently from adjustments snapping away my girlmade to RAW files. friends handy little Panasonic Lumix DMC-FX10. That camera In the end, Anderson concluded, we will want to make it posonly captures in JPEG mode, so I have more original JPEGs on my sible for you to see the RAW and JPEG images and movie files in hands. Ive also been capturing movie fileswith both cameras. the order you took them when you organize your workno matThe troublesome question that has interrupted my stargazing: ter what the file type was. How am I going to efficiently sort, archive and integrate all of these Andersons workflow strategy made sense: Funnel each different diverse files? file type into its own folder for archiving, as each file type will likely require a different processing workflow. However, before physMultiple Formats is the Norm ically separating the files, Anderson told me to rename them as a Back home, I discover that my six memory cards contain a to- whole, so they would gel nicely together when brought together in tal of 2529 filesRAWs, redundant JPEGs, original JPEGs and a catalog application. This can be done in Lightroom, but Andermovie files. Your file sorting dilemma is a common one, especially son highly recommended that I take advantage of the more robust now that digital cameras have multi-function capabilities to shoot cataloging power of Expression Media.
File and Folder Naming Considerations Using Andersons advice, I developed my own step-by-step, filesorting workflow using Photo Mechanic (version 4.6), Lightroom 2 and Expression Media 2. I invite you to try my specific workflow; however, its likely that you will need to make adaptations based on your specific needs. Your most important consideration will relate to your image- and folder-naming conventions. File naming and folder naming and structuring are intrinsic to best workflow practices, Anderson told me. So you have to address these issues up front. I think it is a best practice for folders in which you archive images to have the same base name as the images they contain, Anderson told me. He also suggests putting all images from one job (or vacation) in one parent folder. This is easy if, like Anderson, you name image files and parent folders based on a job number. (For example, 2010_0023_0001 is one naming convention for the first image of the 23rd job of 2010, and could go in a parent folder that included 2010_0023.) Until my recent dilemma, I have always renamed my images based on date of capture, starting with my name, as in Salwen_100302_0473. This represents how I would have renamed the first image from my trip, which I captured on March 2, 2010, when the frame number was set at 0473. However, as you will see, I ended up renaming all images with this one datethe first day of my tripwhich fundamentally serves as a job number. (Of course, the original capture time will remain safely stored in each files EXIF metadata.) Sorting Diverse Files: Workflow Overview Ingest the images into the computer. Sort everything by capture time. Rename all images. Add bulk metadata Sort all files into folders by file type, segregating the redundant JPEGs from the RAW+JPEG combinations. Import RAW files into Lightroom, process and convert to DNGs. Process the JPEG originals, if required. Import parent folder with all images into an Expression Media catalog. The Workflow: Lets Get Sorting! Step 1: Back up all captures before proceeding. This is critical when testing new workflows. Two timesbefore I got my workflow just rightI needed to go back and start fresh. Step 2: Put all images in one folder. Name the folder using the job or date convention you will apply to your images. In my case, I named the folder 100302_Mendoza Trip_All Captures. Step 3: Ingest the images into Photo Mechanic. Simply drop the entire folder into Photo Mechanic and let the browser index the images. Photo Mechanic can handle just about any file type, so

all images will soon show in the Photo Mechanic Contact Sheet. Step 4: Sort by capture time. By default, Photo Mechanic sorts by filename, which is not usually helpful with diverse files. Sorting by capture time ensures that all image file types from all cameras line up nicely. Step 5: Rename all images. This will lock the images in chronological order by file name. In Photo Mechanic, select all images, then use File > Rename Photos and set the sequence number to start at 0001. In the Rename Photos dialog box I manually typed in Salwen_100302_ into the renaming string. My first trip photo will be Salwen_100302_0001, my last Salwen_100302_1448. Step 6: Add critical, bulk metadata. Using the Image > IPTC Stationary Pad in Photo Mechanic, add all the metadata that ap-
plies to the entire set of files, then click Apply Stationary to Selected. The critical, bulk metadata we must always add to our images before archiving is contact and copyright information. Optional information includes caption, headline and keywords. Step 7: Create subfolders for each type of file captured. In Photo Mechanic, rightclick on the parent image folder and select New folder inside this folder. I made folders for Raws, Jpegs, Movies and Redundant Jpegs. Step 8: Isolate the redundant JPEGs. Create a custom sort in Photo Mechanic for the RAW+JPEG files by selecting Edit Custom. under the drop-down sort menu, then selecting the variable {rawplusjpeg}. Select all RAW+JPEG files and drag these images to the Raws folder. This will move the RAW files and the re-
dundant JPEGs. To finish isolating the redundant JPEGs, in your system software navigate to the Raws folder, sort by kind, select the JPEG files and move them to the Redundant Jpegs folder. (You can delete these now or later, or archive them permanently, if desired.) Step 9: Sort remaining files into folders by type. In Photo Mechanic, use Sort by {type} feature to display remaining images by type. Select each type and move them into the appropriate folder. Step 10: Adjust RAW files and make DNGs. Import RAW files into Lightroom, make image adjustments and convert to DNG files for archiving. Step 11 (Optional): Adjust JPEG originals. Anderson suggested that I only adjust original JPEGs if they are really off. However, if you regularly photograph in JPEG mode, consider this advice from Anderson: If you want to adjust the JPEGs in Lightroom, you will need to decide if you want to export a set of adjusted derivative JPEGs, or export the JPEGs as DNG files. Id suggest you make another folder called Adjusted Jpegs and export the derivative JPEGs to it. Step 12: Import parent folder with all images into Expression Media. As Anderson explains, Expression Media can handle the video files, the DNG files and the JPEG files. The DNG files will have an adjusted JPEG that lets Expression show them accurately. You can decide whether to use the camera original JPEGs or use derivative JPEGs when creating web galleries. In fact, you can do all sorts of sorts within Expression. You can rate images, arrange them by location or by date, and create catalog sets. These sets can be used to make very tailored web galleries.

Ready to Archive With Ordered Confidence Fundamentally, the process and benefit of this workflow is not tied to any specific software application. Once you get through Step 9 (which you can do with browser applications other than Photo Mechanic), you have fundamentally conquered the complications that arise from capturing diverse file formats using multiple cameras.
At this point, all image files are numbered in chronological order, as captured, and include critical, bulk metadata. Redundant JPEGs have been segregated, and all files have been divided into folders by file type. These folders are all nestled within one parent folder that shares the same base name as the individual image files. These folders and images are ready to be archived and backed up and are logically ordered in a manner that is flexibly suited for any workflow.
Ethan G. Salwen is an independent photographer and writer based in Buenos Aires, Argentina. He specializes in Latin American cultures, and also covers a wide variety of topics for professional photographers, including digital technology, marketing techniques and industry trends. Salwen received his training in photography at Rochester Institute of Technology. Visit his blog at www.aftercapture.com.