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Yamaha PSR-I425 Manual

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Yamaha PSR-I425About Yamaha PSR-I425
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User reviews and opinions

Comments to date: 3. Page 1 of 1. Average Rating:
mr.lex 6:08pm on Wednesday, September 15th, 2010 
Yamaha PSRE213-K I bought this for my daughter who has just started leaarning the piano and it was recommended to us by her teacher before we were to ... Just the ticket! As a final attempt to discover if I had any kind of music talent before I hit 40, I decided to try the piano.
shendy bendy 10:21pm on Monday, July 19th, 2010 
Great value We have just taken delivery of this item (would definately recommend the proper Yamaha stand to put it on) and we are thrilled.
grantm 10:04pm on Wednesday, May 19th, 2010 
Yamaha PSRE213-K I bought this for my little brother, he is 14 and learning keyboard at school.

Comments posted on are solely the views and opinions of the people posting them and do not necessarily reflect the views or opinions of us.





Before connecting the instrument to other electronic components, turn off the power for all components. Before turning the power on or off for all components, set all volume levels to minimum. Also, be sure to set the volumes of all components at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level.

Saving data

Saving and backing up your data
The panel settings and some other types of data is lost when you turn off the power to the instrument. Save the data to the Registration Memory (page 80.) Saved data may be lost due to malfunction or incorrect operation. Save important data to an external device such as a computer.


When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners, solvents, cleaning uids, or chemical-impregnated wiping cloths.
Backing up the external media
To protect against data loss through media damage, we recommend that you save your important data onto two external media.
Yamaha cannot be held responsible for damage caused by improper use or modications to the instrument, or data that is lost or destroyed.
Always turn the power off when the instrument is not in use. When using a power adaptor, even when the power switch is in the STANDBY position, electricity is still owing to the instrument at the minimum level. When you are not using the instrument for a long time, make sure you unplug the AC power adaptor from the wall AC outlet. Make sure to discard used batteries according to local regulations.
The illustrations and LCD screens as shown in this owners manual are for instructional purposes only, and may be different from the ones on your instrument. Trademarks Windows is a registered trademark of Microsoft Corporation in the United States and other countries. The company names and product names in this Owners Manual are the trademarks or registered trademarks of their respective companies.

Copyright Notice

The following is the title, credits and copyright notices for the song pre-installed in this electronic keyboard:
Composition Title : Against All Odds Composers Name : Collins 0007403 Copyright Owners Name : EMI MUSIC PUBLISHING LTD / HIT & RUN MUSIC LTD
All Rights Reserved, Unauthorized copying, public performance and broadcasting are strictly prohibited.


The Style File Format is Yamahas original style le format which uses a unique conversion system to provide high-quality automatic accompaniment based on a wide range of chord types.
Congratulations and thank you for purchasing the Yamaha PSR-I425 PortaTone! Please read this owners manual carefully before using the instrument in order to take full advantage of its various features. Make sure to keep this manual in a safe and handy place even after you nish reading, and refer to it often when you need to better understand an operation or function.

Included Accessories

The PSR-I425 package includes the following items. Please check that you have them all.
Music rest Accessory CD-ROM Owners Manual

Music Rest

Insert the music rest into the slots as shown.
Special Features of the PSR-I425

Creating New Sounds

Page 18
By adjusting just two knobs you can add varying degrees of distortion, sweetness, or other characteristics to a sound to change it subtly or drastically. Parameters that can be assigned to the knobs include effect, lter, envelope generator and more. You can create new sounds in real time!

Arpeggio Function

Page 14
Similar to the arpeggio functions provided on some synthesizers, this function automatically produces arpeggios (broken chords) when you simply play the appropriate notes on the keyboard. A variety of arpeggios can be produced by changing your ngering or the arpeggio type.
Performance assistant technology

Page 23

Play along with a song on the instruments keyboard and produce a perfect performance every time. even if you play wrong notes! All you have to do is play on the keyboardalternately on the left- and right-hand ranges of the keyboard, for exampleand youll sound like a pro as long as you play in time with the music.
Play a Variety of Instrument Voices

Page 28

The instrument voice that sounds when you play the keyboard can be changed to violin, ute, harp, or any of an extensive range of voices. You can change the mood of a song written for piano, for example, by using violin to play it instead. Experience a whole new world of musical variety.

Play Along with Styles

Page 33
Want to play with full accompaniment? Try the auto-accompaniment Styles. The accompaniment styles provide the equivalent of a full backing band covering a wide variety of styles from waltzes to 8-beat to euro-trance. and much more. Select a style that matches the music you want to play, or experiment with new styles to expand your musical horizons.


Copyright Notice... 6 Panel Logos... 6 Included Accessories... 7 Special Features of the PSR-I425... 8

Using Batteries

Open the battery compartment cover located on the instruments bottom panel. Insert the six new batteries, being careful to follow the polarity markings on the inside of the compartment. Replace the compartment cover, making sure that it locks rmly in place.
NOTE Connecting the AC power adaptor automatically supplies power from the adaptor and overrides battery power, even when batteries are installed.
Use only manganese or alkaline batteries for this instrument. Other types of batteries (including rechargeable batteries) may exhibit a sudden drop in power when the batteries are low, possibly resulting in a loss of ash memory data. Be sure to install the batteries in the same direction, maintaining the correct polarity (as shown). Incorrect battery installation may result in heat, re and/or leaking of corrosive chemicals. When the batteries run down, replace them with a complete set of six new batteries. NEVER mix old and new batteries. Do not use different kinds of batteries (e.g. alkaline and manganese) at the same time. If the instrument will not be used for an extended period of time, remove the batteries to prevent possible uid leakage. Please use the power adaptor when transferring data to ash memory. Batteries (including rechargeable types) can be drained rapidly by this type of operation. If the batteries do become drained during a data transfer, both the data being transferred and the data currently in the transfer destination will be lost.
Make all necessary connections below BEFORE turning the power on.
Connecting Headphones (PHONES/OUTPUT Jack)
Connecting to a Computer (USB Terminal)
The PSR-I425 speakers are automatically shut off when a plug is inserted into this jack. The PHONES/OUTPUT jack also functions as an external output. You can connect the PHONES/OUTPUT jack to a keyboard amplier, stereo system, mixer, tape recorder, or other line-level audio device to send the instruments output signal to that device.
Avoid listening with the headphones at high volume for long periods of time; doing so may not only result in ear fatigue, it may be damaging to your hearing.

Voices for which the arpeggio function is automatically turned on.
Voice No. Voice Name Teen Tal C Teen Tal F Teen Tal A Dadra D Dadra E Dadra G Synth Sequence Chord Sequence Voice No. 143 Voice Name Square Pulse Trance Synth Echo Piano Arpeggio Guitar Chord Guitar Arpeggio Massive Percussion
See Try Playing a Variety of Instrument Voices on page 28.

Select an arpeggio type.

The most suitable arpeggio type is automatically selected when you select a voice, but you can easily select any other arpeggio type.

ARP Type

Hold for longer than a second


The currently selected arpeggio type
Hold the [ARPEGGIO ON/OFF] button for longer than a second and the name of the current arpeggio type will appear in the display. Rotate the dial to select the desired arpeggio type. A list of the available arpeggio types is provided on page 115.

Play the keyboard.

The sound of the arpeggio produced will change according to the number of notes you play and the area of the keyboard you play in. You can save the instruments settings at this point and then recall them at any time you want to repeat your performance (page 80). You can also record your performance (page 52). The arpeggio function applies only to the main and dual voices, and does not affect split voices. The arpeggio function cannot be used at the same time as the harmony function.
Make sure that you are not pressing any of the keyboards keys while turning the arpeggio function on or off.
When you have nished playing with the arpeggio function, press the [ARPEGGIO ON/OFF] button to turn it off.

Create a Pop Tune

You can play a style and specify the style chords with your left hand while playing arpeggios with your right hand to create interesting sonic textures and backgrounds.
Select the keyboard voice (page 28). For this example well use a grand piano voice, so press the [PORTABLE GRAND] button. This convenient voice selection method lets you instantly select a voice with a single button press.
After turning the arpeggio function on, select an arpeggio type (steps 1 and 2 on the preceding page). For this example select 02 DownOct1. That completes preparation to use the arpeggio function. Select the style you want to play along with the arpeggio function. A style is an automatic accompaniment pattern. Press the [STYLE] button and the name of the currently selected style will appear in the display. Rotate the dial to select the desired style. For this example well use the 001 8BtModrn (8 Beat Modern) style.

The clear-in-progress message will appear briey on the display while the song is being cleared.
Track ClearDeleting a Specified Track from a User Song
This function lets you delete a specied track from a user song.
Press the [SONG] button, then select the user song (031 035) you want to clear. Press and hold the SONG MEMORY track button ([1][5], [A]) corresponding to the track you want to clear for longer than a second.


To execute the Track Clear function press the [+] button. Press [-] to cancel the Track Clear operation.
Press the [+] button to clear the track.
The clear-in-progress message will appear briey on the display while the track is being cleared.


The following settings are always backed up, and are maintained even when the power is turned off. If you want to initialize the settings, use the Initialize operation as explained below.
The Backup Parameters User Songs Style le of style number 163* Touch Response on/off Registration Memory FUNCTION Settings: Tuning, Split Point, Touch Sensitivity, Style Volume, Song Volume, Metronome Volume, Grade, Demo Cancel, Master EQ type, Arpeggio Velocity
* Refer to Loading Style Files on page 74


This function erases all backup data in the instruments ash memory and restores the initial default settings. The following initialization procedures are provided.

Backup Clear

To clear data backed up to the internal ash memorypanel user setting, registration memory, user songs, style le of style number 163turn the power on by pressing the [STANDBY/ON] switch while holding the highest white key on the keyboard. The backed up data will be erased and the default values restored.

Flash Clear

To clear song data and style les that have been transferred to the internal ash memory from a computer, turn the power on by pressing the [STANDBY/ON] switch while simultaneously holding the highest white key on the keyboard and the three highest black keys.
When you execute the Flash Clear operation, song data you have purchased will also be cleared. Be sure to save data you want to keep to a computer.

Basic Operation

Overall PSR-I425 control is based on the following simple operations.

Flatted 5 th

7 th chord

Minor 7 th chord

Suspended 4 th chord
Recognized Standard Chords
All chords in the chart are C-root chords.
Chord Name/[Abbreviation] Major [M] Add ninth [(9)] Sixth [6] Sixth ninth [6(9)] Major seventh [M7] Major seventh ninth [M7(9)] Major seventh add sharp eleventh [M7(#11)] Flatted fth [(b5)] Major seventh atted fth [M7b5] Suspended fourth [sus4] Augmented [aug] Major seventh augmented [M7aug] Minor [m] Minor add ninth [m(9)] Minor sixth [m6] Minor seventh [m7] Minor seventh ninth [m7(9)] Minor seventh add eleventh [m7(11)] Minor major seventh [mM7] Minor major seventh ninth [mM7(9)] Minor seventh atted fth [m7b5] Minor major seventh atted fth [mM7b5] Diminished [dim] Diminished seventh [dim7] Seventh [7] Seventh atted ninth [7(b9)] Seventh add atted thirteenth [7(b13)] Seventh ninth [7(9)] Seventh add sharp eleventh [7(#11)] Seventh add thirteenth [7(13)] Seventh sharp ninth [7(#9)] Seventh atted fth [7b5] Seventh augmented [7aug] Seventh suspended fourth [7sus4] One plus two plus ve [1+2+5] Normal Voicing 1-3-5 1-2-3-- (3) - 5 - - 2 - 3 - (5) - - 3 - (5) - 7 or 1 - (3) - 5 - - 2 - 3 - (5) - - (2) - 3 - #4 - 5 - 7 or 1 - 2 - 3 - #4 - (5) - - 3 - b- 3 - b5 - 7 1-4-- 3 - #- (3) - #5 - - b3 - - 2 - b3 - - b3 - 5 - - b3 - (5) - b- 2 - b3 - (5) - b- (2) - b3 - 4 - 5 - (b7) 1 - b3 - (5) - - 2 - b3 - (5) - - b3 - b5 - b- b3 - b5 - - b3 - b- b3 - b5 - - 3 - (5) - b7 or 1 - (3) - 5 - b- b2 - 3 - (5) - b- 3 - 5 - b6 - b- 2 - 3 - (5) - b- (2) - 3 - #4 - 5 - b7 or 1 - 2 - 3 - #4 - (5) - b- 3 - (5) - 6 - b- #2 - 3 - (5) - b- 3 - b5 - b- 3 - #5 - b- 4 - (5) - b7 1-2-5 Chord (C)
Display C C(9) C6 C6(9) * CM7 CM7 (9) * CM7(#11) * Cb5 * CM7b5 * Csus4 Caug CM7aug * Cm Cm(9) Cm6 Cm7 Cm7(9) Cm7(11) * CmM7 CmM7(9) * Cm7b5 CmM7b5 * Cdim Cdim7 C7 C7(b9) C7(b13) C7(9) C7(#11) C7(13) C7(#9) C7b5 * C7aug C7sus4 C*

C M7 C M7

C M7 C

(b5) (b5)

C sus4 C aug C M7aug Cm Cm

C m6 C m7 C m7 C m7

(9) (11)

C mM7 C mM7 C m7

(b5) (b5) (9)
C mM7 C dim C dim7 C7 C7 C7

C7 C7 C7

(13) (#9)
C 7b5 C 7aug C 7sus4 C 1+2+5
* These chords are not shown in the Dictionary function.
NOTE Notes in parentheses can be omitted.
Playing two same root keys in the adjacent octaves produces accompaniment based only on the root. A perfect fth (1+5) produces accompaniment based only on the root and fth which can be used with both major and minor chords. The chord ngerings listed are all in root position, but other inversions can be usedwith the following exceptions: m7, m7b5, 6, m6, sus4, aug, dim7, 7b5, 6(9), 1+2+5.

Channel Messages This instrument is capable of handling 16 MIDI channels simultaneouslymeaning it can play up to sixteen different instruments at the same time. Channel messages transmit information such as Note ON/OFF, Program Change, for each of the 16 channels.
Message Name Note ON/OFF Program Change Control Change Instrument Operation/Panel Setting Performance data of the keyboard (contains note number and velocity data) Instrument selection (including bank select MSB/LSB, if necessary) Instrument settings (volume, pan, etc.)
System Messages This is data that is used in common by the entire MIDI system. System messages include messages like Exclusive Messages that transmit data unique to each instrument manufacturer and Realtime Messages that control the MIDI device.
Message Name Exclusive Message Realtime Messages Instrument Operation/Panel Setting Reverb/chorus settings, etc. Start/stop operation
Connecting a Personal Computer
The following functions become available when this instrument is connected to a computer.
Performance data can be transferred between the instrument and the computer (page 87). Files can be transferred between the instrument and the computer (page 89).
The connection procedure is as follows:
1 Install the USB-MIDI driver on your com-
puter. The USBMIDI driver is included on the CD-ROM. Installation of the USB MIDI driver is described on page 92.
2 Connect the USB terminal of the computer
to the USB terminal on the instrument using a standard USB cable (USB cable sold separately).
USB Precautions Please observe the following precautions when connecting the instrument to a computer via a USB cable. Failure to do so can cause the instrument and/or the computer to hang up (freeze), possibly causing corruption or loss of data. If the instrument or computer does hang up, turn the power to both devices off and then on again, and restart the computer.
Wake the computer from a sleep/suspended/standby mode before connecting the USB cable.
The supplied CD-ROM also includes a Musicsoft Downloader application that allows you to transfer song les from your computer to the instruments ash memory. For instructions about how to install Musicsoft Downloader and how to transfer song les, see page 90.
Connect the USB cable to the instrument and computer before turning power to the instrument on. Check the following points before turning the instruments power on or off, and before plugging or unplugging the USB cable. Quit all applications. Make sure that no data transfer is in progress (data is transferred whenever you play on the keyboard or play a song). Allow at least 6 seconds between turning the instruments power on and off, and between plugging and unplugging the USB cable. Directly connect the instrument to the computer using a single USB cable. Do not use a USB hub.

Important Notices about the CD-ROM
Data Types This CD-ROM includes application software. Please refer to page 94 for software installation instructions.
Do not attempt to play this CD-ROM on an audio CD player. The result high-volume noise can potentially cause hearing damage or damage your CD player and speakers.
Operating System (OS) The applications in this CD-ROM are provided in versions for Windows operating systems.


CD-ROM Contents

q e r w

Folder Name
Application / Data Name Musicsoft Downloader
Contents This application can be used to download MIDI song data from the Internet and transfer it from the computer to the instruments memory. Digital Music Notebook is an educational content that lets you enjoy music while learning. Full motion demo software which introduces all features of the Digital Music Notebook. You can experience Digital Music Notebook functions with the demo song. You need to download and install Digital Music Notebook on your computer prior to using the demo song. Includes score data for the 30 internal songs provided on the instrument as well as 70 MIDI songs provided on the CD-ROM. The exceptions are songs 111, and song 20 which is copyrighted. The scores for songs 911 are provided in this manual beginning on page 100. This driver software is necessary to connect MIDI devices to your computer via USB. These songs can be transferred to the instrument and played or used with the instruments functions. These styles can be transferred to the instrument and played or used with the instruments functions.

q MSD_


Flash Demo

DMN_DemoSong Demo Song

e SongBook

Song Book USB-MIDI Driver (Windows 98/Me)
USBdrv2k SongData StyleData
USB-MIDI Driver (Windows 2000/XP) MIDI 70 songs 5 style les
In order to view PDF scores, you will need to install Adobe Reader in your computer. You can download the Adobe Reader. Please check the following URL: You can obtain the latest version of the Musicsoft Downloader, Digital Music Notebook and USB-MIDI Driver at the following website.

Using the CD-ROM

4 Connect the instrument to the com-
Please read the Software License Agreement on page 98 before opening the CD-ROM package.
puter. The connection procedure is described on page 86. Musicsoft Downloader: See page 96.
1 Check the system requirements to

The USB-MIDI driver installation is complete.


The driver cannot be installed. Is the USB cable connected correctly? Check the USB cable connection. Disconnect the USB cable, then connect it again. Is the USB function enabled on your computer? When you connect the instrument to the computer for the rst time, if the Add New Hardware Wizard does not appear, the USB function on the computer may be disabled. Perform the following steps. When controlling the instrument from your computer via USB, the instrument does not operate correctly or no sound is heard. Did you install the driver? (page 94) Is the USB cable connected correctly? Are the volume settings of the instrument, playback device, and application program set to the appropriate levels? Have you selected an appropriate port in the sequence software? Are you using the latest USB MIDI driver? The latest driver can be downloaded from the following web site.
Select [Control Panel] [System] [Device Manager] (for Windows 98/Me), or select [Control Panel]* [System] [Hardware] [Device Manager] (for Windows 2000/XP).
* Classic View only in Windows XP.
Make sure that no ! or x marks appear at Universal serial bus controller or USB Root Hub. If you see an ! or x mark, the USB controller is disabled.
Playback response is delayed. Does your computer satisfy the system requirements? Is any other application or device driver running?
Is any unknown device registered? If driver installation fails, the instrument will be marked as an Unknown device, and you will not be able to install the driver. Delete the Unknown device by following the steps below.
Look for Other devices in the menu View devices by type. If you nd Other devices, double-click it to extend the tree to look for Unknown device. If one appears, select it and click the [Remove] button. Remove the USB cable from the instrument, and make the connection again. Install the driver again. Windows 98/Me users. see page 95 Windows 2000 users. see page 95 Windows XP users. see page 96


You may not engage in reverse engineering, disassembly, decompilation or otherwise deriving a source code form of the SOFTWARE by any method whatsoever. You may not reproduce, modify, change, rent, lease, or distribute the SOFTWARE in whole or in part, or create derivative works of the SOFTWARE. You may not electronically transmit the SOFTWARE from one computer to another or share the SOFTWARE in a network with other computers. You may not use the SOFTWARE to distribute illegal data or data that violates public policy. You may not initiate services based on the use of the SOFTWARE without permission by Yamaha Corporation Copyrighted data, including but not limited to MIDI data for songs, obtained by means of the SOFTWARE, are subject to the following restrictions which you must observe. Data received by means of the SOFTWARE may not be used for any commercial purposes without permission of the copyright owner. Data received by means of the SOFTWARE may not be duplicated, transferred, or distributed, or played back or performed for listeners in public without permission of the copyright owner. The encryption of data received by means of the SOFTWARE may not be removed nor may the electronic watermark be modied without permission of the copyright owner.


This Agreement shall be interpreted according to and governed by Japanese law without reference to principles of conict of laws. Any dispute or procedure shall be heard before the Tokyo District Court in Japan. If for any reason a court of competent jurisdiction nds any portion of this Agreement to be unenforceable, the remainder of this Agreement shall continue in full force and effect.


This Agreement becomes effective on the day that you receive the SOFTWARE and remains effective until terminated. If any copyright law or provisions of this Agreement is violated, the Agreement shall terminate automatically and immediately without notice from Yamaha. Upon such termination, you must immediately destroy the licensed SOFTWARE, any accompanying written documents and all copies thereof.


This Agreement constitutes the entire agreement between the parties with respect to use of the SOFTWARE and any accompanying written materials and supersedes all prior or contemporaneous understandings or agreements, written or oral, regarding the subject matter of this Agreement. No amendment or revision of this Agreement will be binding unless in writing and signed by a fully authorized representative of Yamaha.

Problem When the instrument is turned on or off, a popping sound is temporarily produced. When using a mobile phone, noise is produced. Possible Cause and Solution This is normal and indicates that the instrument is receiving electrical power. Using a mobile phone in close proximity to the instrument may produce interference. To prevent this, turn off the mobile phone or use it further away from the instrument. Check that nothing is connected to the PHONES/OUTPUT jack on the rear panel. When a set of headphones is plugged into this jack, no sound is output. Check the Local Control on/off. (See page 87.) Playing keys in the right hand area of the keyboard does not produce any sound. The volume is too soft. The sound quality is poor. The rhythm stops unexpectedly or will not play. The recorded data of the song, etc. does not play correctly. The LCD display suddenly goes dark, and all panel settings are reset. The style or song does not play back when the [START/STOP] button is pressed. When using the Dictionary function (page 77), the keys in the right hand area are used only for entering the chord root and type.
There is no sound even when the keyboard is played or when a song or style is being played back.
The batteries are low or dead. Replace all six batteries with completely new ones, or use the optional AC adaptor.
Is External Clock set to ON? Make sure External Clock is set to OFF; refer to External Clock on page 87. Make sure that the Style Volume (page 83) is set to an appropriate level.
The style does not sound properly.
Is the split point set at an appropriate key for the cords you are playing? Set the split point at an appropriate key (page 72). Is the ACMP ON indicator showing in the display? If it is not showing press the [ACMP ON/OFF] button so that it does show. This is not a malfunction. Style number 138 and style numbers 150162 (Pianist) have no rhythm parts, so no rhythm will play. The other parts will begin playing when you play a chord in the accompaniment range of the keyboard if style playback is turned on. The instrument is polyphonic up to a maximum of 32 notes. If the Dual voice or Split voice is being used and a style or song is playing back at the same time, some notes/sounds may be omitted (or stolen) from the accompaniment or song. You have exceeded 32 simultaneous notes, which is the maximum polyphony (the maximum number of notes that can be played simultaneously) of the instrument. The instrument will play normally as long as no more than 32 notes are being played at once, both on the keyboard and by any automatic playback functions. The polarity of the footswitch is reversed. Make sure that the footswitch plug is properly connected to the SUSTAIN jack before turning on the power. This is normal. The AWM tone generation method uses multiple recordings (samples) of an instrument across the range of the keyboard; thus, the actual sound of the voice may be slightly different from note to note. Perhaps the performance assistant technology is turned on. Press the [PERFORMANCE ASSISTANT] button to turn it off. Is the [STYLE] button lit? Always press the [STYLE] button rst when you are going to use any style-related function. The harmony effects (0126) behave differently according to their type. Types 0105 function when style playback is on, chords are played in the accompaniment range of the keyboard, and a melody is played in the right-hand range. Types 0626 will function whether style playback is on or off. For types 06 = 12 you need to play two notes at the same time.

Arpeggio List

Arpeggio No. Arpeggio Name UpOct1 DownOct1 UpDnOct2 SynArp1 SynArp2 SyncEcho PulsLine Random Down&Up SuperArp AcidLine TekEcho VelGruv Trance1 Trance2 SynChord PfArp PfBallad PfChd8th PfShfl PfRock Clavi ChordUp ChdDance Salsa1 Salsa2 Reggae Strum GuitChd1 GuitChd2 GuitChd3 GuitArp FngrPck1 FngrPck2 Samba SlapBs AcidBs TranceBs LatinBs FunkyBs PercArp Perc1 Perc2 African Tamb R&B Funk HipHop Latin Arabic TeenTalC TeenTalD TeenTalE TeenTalF TeenTalG TeenTalA Dadra C Dadra D Dadra E Dadra F Dadra G Dadra A

Music Database List

MDB No. 063 Song Name POP AlvFever BoySumer CoinLane Croco Rk DayPdise DwnTown EasySday GoMyWay HighTide HoldDown HowDeep! HurryLuv I breath Im Torn Imagine Infatuat ISurvive JustCall JustWay LeadPack LoveFeel LoveMeT LveMeDo Mi Shell My Baby NikitTrp NoMatter ProudGtr RainOnMe SailngSx SeeAgain Sept.Pop SultanSw Sure SweetLrd ThnkMsic TitanicH UNeedLv UptnGirl WantToBe WatchGrl WhatALoo WhitePle WhleAgn Woman YelowSub YesterPf ROCK DavAgain JumpRock OyComCha PickUpPc RdRiverR SatsfyGt Sheriff SmokeWtr TwistAgn VenusPop DANCE 2 of Us B Leave Back St Crockett DialEmma DsrtRose MDB No. 126 Song Name FunkyTwn Kids KillSoft Nine PM SingBack StrandD BALLAD AdelineB ArgenCry BeautBdy Bl Bayou CatMemry CavaSolo E Weiss ElizSere ElvGhett Feeling Fly Away Fnl Date GreenSlv GtCncert HrdToSay IBThere LonlyPan MBoxDnce Mn Rivr My Song NorwWood OnMyMnd OverRbow Red Lady ReleseMe SavingLv Shore Cl SierraMd SilverMn SmokyEye SndOfSil SumerPlc TblWater WhereLov WhisprSx WomanLov R&B AmazingG BoogiePf Clock Rk CU later GreenDor HappyDay JohnnyB MercySax OldHouse RisingSn S Preems ShookUp SuperStv TeddyBer Yeh Orgn SWING & JAZZ Alex Rag Blue Set ChooChoo DayOfW&R HighMoon InMood MDB No. Song Name MistySax MoonLit New York PanthrSw PetiteCl RedRoses SaintMch SatinDll SF Heart ShearJz SplnkyBr SunnySde TstHoney Tunisia TwoFoot5 USPatrol WhatsNew Wild Cat WondrLnd EASY LISTENING Arriva BlackFst ByeBlues CaliBlue CiaoCpri Close2U DAmorStr DolanesM ElCondor Entrtain Frippers LoveLove LuckySax LuvStory MyPrince OSoleMio PupetStr Raindrop RedMouln RticGtr Schiwago ShadowGt SingRain SmallWld SpkSoft SpnishEy StrangeN TieRibbn TimeGoes WhteXmas WishStar WondrWld LATIN BambaLa BeHappy! CopaLola DayNight Ipanema JamboMbo MarinaAc MuchoTrp SmoothLt SunOfLif Sunshine Tico Org TrbWave

o x o o o o o x o

o o o o o o o o o
Sustain Sound Controller Effect Depth RPN Inc,Dec RPN LSB,MSB

Prog Change o o

o 0 - 127

: True #

o 0 - 127 **************

System Exclusive

Common o o x x x x o x o(120,126,127) o(121) o(122) o(123-125) o x o o
: Song Pos. : Song Sel. : Tune
System : Clock Real Time: Commands
:All Sound OFF :Reset All Cntrls :Local ON/OFF :All Notes OFF Mes- :Active Sense sages:Reset
*1 Refer to #2 on page 122. Mode 1 : OMNI ON , POLY Mode 2 : OMNI ON ,MONO Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF,MONO

o : Yes x : No

MIDI Data Format
NOTE: 1 By default (factory settings) the instrument ordinarily functions as a 16-channel multi-timbral tone generator, and incoming data does not affect the panel voices or panel settings. However, the MIDI messages listed below do affect the panel voices, auto accompaniment, and songs. MIDI Master Tuning System exclusive messages for changing the Reverb Type and Chorus Type. 2 Messages for these control change numbers cannot be transmitted from the instrument itself. However, they may be transmitted when playing the accompaniment, song or using the Harmony effect. 3 Exclusive <GM System ON> F0H, 7EH, 7FH, 09H, 01H, F7H This message automatically restores all default settings for the instrument, with the exception of MIDI Master Tuning. <MIDI Master Volume> F0H, 7FH, 7FH, 04H, 01H, ll, mm, F7H This message allows the volume of all channels to be changed simultaneously (Universal System Exclusive). The values of mm is used for MIDI Master Volume. (Values for ll are ignored.) <MIDI Master Tuning> F0H, 43H, 1nH, 27H, 30H, 00H, 00H, mm, ll, cc, F7H This message simultaneously changes the tuning value of all channels. The values of mm and ll are used for MIDI Master Tuning. The default value of mm and ll are 08H and 00H, respectively. Any values can be used for n and cc. <Reverb Type> F0H, 43H, 1nH, 4CH, 02H, 01H, 00H, mmH, llH, F7H mm : Reverb Type MSB ll : Reverb Type LSB Refer to the Effect Map (page 122) for details. <Chorus Type> F0H, 43H, 1nH, 4CH, 02H, 01H, 20H, mmH, llH, F7H mm : Chorus Type MSB ll : Chorus Type LSB Refer to the Effect Map (page 122) for details. 4 When the accompaniment is started, an FAH message is transmitted. When accompaniment is stopped, an FCH message is transmitted. When the clock is set to External, both FAH (accompaniment start) and FCH (accompaniment stop) are recognized. 5 Local ON/OFF <Local ON> Bn, 7A, 7F <Local OFF> Bn, 7A, 00 Value for n is ignored.


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01881-227078 Date: 15TH Oct 2009
Indian Institute of Technology Ropar requires the following equipment for its Students Activitiy center located inside the campus at Rupnagar. Items Qty. SL. No
WASHBURN ELEC GUITAR N-2 WITH BAG 1 1. ACOUSTIC GUITAR GB$A SAG110C WITH BAG 1 2. SEMI-ACOUSTIC GUITAR IBANEZ V72-ECE WITH BAG 1 3. ELECTRIC GUITAR IBANEZ RG 370 DX 1 4. BASS GUITAR IBANEZ GSR5. BASS GUITAR AMPLIFIER BETA AIVIN BP6. YAMAHA C-40 WITH BAG 1 7. RANDALL RX-15DME WITH SIX EFFECTS 1 8. ROLAND CUBE15X 1 9. 1 10. STRANGER CUBE-11. YAMAHA PSR-I425 WITH BAG+STAND+ADAPTOR 12. PEACE DRUM KIT DP101 WITH CYMBALS & THRONE 13. CANGO FIBER BODY WITH STAND 1 14. BANGO 1 15. DHOLAK NUT BOLT 1 16. TABLA PAIR BRASS WITH RING SET &HAMMER VIOLIN GB&A17. 3 18. PHILIPS MIC High quality 4 19. PHILIPS CORDLESS MIC High quality 2 20. GUITAR PROCESSOR KORG AX5G Interested parties may submit the sealed quotations in person or by post to the Registrar, Indian Institute of Technology Ropar, Rupnagar, Punjab -140001, latest by 3.00 pm of 9th Nov 2009 on following terms and conditions: Terms and conditions: 1. Items quoted shall be of the same specifications mentioned. 2. Specifications include certain brands predetermined by the committee in view of the experiences etc., 3. No concession shall be granted to any of the quotes containing other brands or other specifications deviating from the ones mentioned in this ad. 4. Items shall be supplied FOR IIT Ropar campus at Rupnagar, Punjab 5. Supply of the items shall be made within 7 days from the placing of the order 6. Payment shall be released within 5 days after the successful delivery of the items. 7. Rates quoted shall be inclusive of all taxes/ VAT/ duties/ Entry tax etc., 8. Procurement being made for the Educational institution the bidder shall consider the same and quote the rates accordingly without proposing any condition in the quotation.
9. Necessary forms will be signed by the institute on demand by the seller along with the supply order. Accordingly the bidder shall submit the sample forms as required to ensure that the procurement is done at a lower cost. 10. Quotations will be opened on 9th Nov 2009 at 5. Pm. 11. In case any bidder proposes a higher version of the equipment in the same category the institute reserves the right to compare the quoted rates at the bench mark specification stated in this ad without adding any weightage to the proposal if any. Therefore the bidders are advised to restrict to the specifications mentioned. 12. The bidders shall invariably superscribe on the envelope Quotation for Musical Instruments advertised by IIT Ropar To be opened only on 9th Nov 2009 in Red Ink and Bold letters.



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