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Casio CTK-671About Casio CTK-671
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Manual

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Video review

Keyboard improv solo (makin stuff up on the casio ctk 671)

 

User reviews and opinions

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Comments to date: 2. Page 1 of 1. Average Rating:
mali 6:08am on Wednesday, July 7th, 2010 
Decent sound, terrible support, useless for many purposes I am a bassist, guitarist, and vocalist working on my own project.
bkoehler 3:57am on Sunday, June 13th, 2010 
Excellent value for touch sensitivity, very good sound Love this keyboard! Decent sound, terrible support, useless for many purposes I am a bassist, guitarist, and vocalist working on my own project. Reliable as my old model I was shopping and based on the reliability of my Casio CTK-511 I selected this model.

Comments posted on www.ps2netdrivers.net are solely the views and opinions of the people posting them and do not necessarily reflect the views or opinions of us.

 

Documents

doc1

1.1.2 Note On

Format: 9nH kkH vvH n: MIDI Channel Number kk: Key Number vv: Velocity Send: When the keyboard is played, when Auto Accompaniment is played, and when song data is played back. In the case of accompaniment data, this message is sent only when Accomp MIDI Out is turned on. Receive: This message is received over the MIDI channels that correspond to each of the parts. Any part whose mixer channel is turned off is not received.

1.2 Control Change

Format: BnH ccH vvH n: MIDI Channel Number cc: Control Number vv: Value Send: When the CTK-671 pedal is operated and when a parameter is changed by a control panel operation. Also sent when the same parameter is changed by an accompaniment function or song function. Receive: Changes the CTK-671 setup or corresponding parameter.

1.2.1 Bank Select

Bank Select MSB
Format: BnH 00H vvH n: MIDI Channel Number vv: Value

Bank Select LSB

Format: BnH 20H **H n: MIDI Channel Number Send: When a tone is selected. See the "Tone List" of the CTK-671 User's Guide for details. Receive: Switches the CTK-671 tone bank number, but the tone is not actually changed until Program Change is received. See the section titled "1.4 Program Change" in this document, and the "Tone List" in the CTK-671 User's Guide.
DSP Parameter 1 Format: BnH 11H vvH DSP Parameter 2 Format: BnH 12H vvH DSP Parameter 3 Format: BnH 13H vvH DSP Parameter 4 Format: BnH 50H vvH DSP Parameter 5 Format: BnH 51H vvH DSP Parameter 6 Format: BnH 52H vvH DSP Parameter 7 Format: BnH 53H vvH
n: MIDI Channel Number The MIDI channel that manipulates a DSP parameter by a control change is called the Global Channel. The initial factory default Global Channel setting is 0 (MIDI Channel 1). The Global Channel cannot be changed by a control panel operation. You need to use a System Exclusive Message to change the Global Channel. For more information, see the explanation about the Global Channel in the section of this document titled "System Exclusive Message." vv: Value The range for a value that can be sent and received by any of the parameters is 0 to 127. Note, however, that the parameter values that can actually be set and the corresponding send value differs according to parameter. The same values are used for DSP parameter operations using System Exclusive Messages. For more information, see the explanation about DSP parameters in the section of this document titled "System Exclusive Messages." Send: When the DSP Parameter value is changed. Receive: Changes the DSP Parameter value. Any received message corresponding to a parameter whose number exceeds the currently selected number of DSP parameters is ignored.

1.2.2 Modulation

Format: BnH 01H vvH n: MIDI Channel Number vv: Value Send: This message is never sent. Receive: Adds to the currently sounding voice vibrato of a depth specified by the value. In the case of a tone that already has vibrato applied, receipt of this message increases the vibrato depth.

1.2.3 Data Entry

Data Entry MSB
Format: BnH 06H vvH n: MIDI Channel Number vv: Value

Data Entry LSB

Format: BnH 26H vvH n: MIDI Channel Number vv: Value Send: When there is a change in the parameters allocated to NRPN and RPN. Receive: Changes the parameters allocated to NRPN and RPN.

1.2.4 Volume

Format: BnH 07H vvH n: MIDI Channel Number vv: Value The setting value is the same as the value that is sent and received. Send: When there is a change in Part Volume. Receive: Changes Part Volume.

1.2.5 Pan

Format: BnH 0AH vvH n: MIDI Channel Number vv: Value For information about the relationship between setting values and send/receive values, see the "6.1.1.6 Pan Setting Value Table" in the section of this document titled "6. Setting Values and Send/Receive Values." Send: When there is a change in Part Pan. Receive: Changes Part Pan.

1.2.8 Hold1

Format: BnH 40H vvH n: MIDI Channel Number vv: Value For information about the relationship between setting values and send/receive values, see the "6.1.1.1 Off/On Setting Value Table" in the section of this document titled "6. Setting Values and Send/Receive Values." Send: When the sustain operation is assigned to the assignable jack and the pedal connected to the assignable jack is operated, or when song data containing a sustain operation is played back. Receive: Performs an operation equivalent to a sustain pedal operation.

1.2.6 Expression

Format: BnH 0BH vvH n: MIDI Channel Number vv: Value The setting value is the same as the value that is sent and received. Send: When there is a change in the Expression value caused by accompaniment. Receive: Changes the Expression value.

1.2.9 Sostenuto

Format: BnH 42H vvH n: MIDI Channel Number vv: Value For information about the relationship between setting values and send/receive values, see the "6.1.1.1 Off/On Setting Value Table" in the section of this document titled "6. Setting Values and Send/Receive Values." Send: When the sostenuto operation is assigned to the assignable jack and the pedal connected to the assignable jack is operated, or when song data containing a sostenuto is played back.

1.2.7 DSP Parameter

DSP Parameter 0 Format: BnH 10H vvH
Receive: Performs an operation equivalent to a sostenuto pedal operation.

1.2.15 Vibrato Rate

Format: BnH 4CH vvH n: MIDI Channel Number vv: Value For information about the relationship between setting values and send/receive values, see the "6.1.1.5 -64 - 0 - 63 Setting Value Table" in the section of this document titled "6. Setting Values and Send/Receive Values." Send: When Vibrato Rate is changed. Receive: Changes Vibrato Rate.

1.2.10 Soft

Format: BnH 43H vvH n: MIDI Channel Number vv: Value For information about the relationship between setting values and send/receive values, see the "6.1.1.1 Off/On Setting Value Table" in the section of this document titled "6. Setting Values and Send/Receive Values." Send: When the soft operation is assigned to the assignable jack and the pedal connected to the assignable jack is operated, or when song data containing a soft operation is played back. Receive: Performs an operation equivalent to a soft pedal operation.

1.2.16 Vibrato Depth

Format: BnH 4DH vvH n: MIDI Channel Number vv: Value For information about the relationship between setting values and send/receive values, see the "6.1.1.5 -64 - 0 - 63 Setting Value Table" in the section of this document titled "6. Setting Values and Send/Receive Values." Send: When Vibrato Depth is changed. Receive: Changes Vibrato Depth.

1.2.11 Filter Resonance

Format: BnH 47H vvH n: MIDI Channel Number vv: Value For information about the relationship between setting values and send/receive values, see the "6.1.1.5 -64 - 0 - 63 Setting Value Table" in the section of this document titled "6. Setting Values and Send/Receive Values." Send: When Filter Resonance is changed. Receive: Changes Filter Resonance.

1.2.17 Vibrato Delay

Format: BnH 4EH vvH n: MIDI Channel Number vv: Value For information about the relationship between setting values and send/receive values, see the "6.1.1.5 -64 - 0 - 63 Setting Value Table" in the section of this document titled "6. Setting Values and Send/Receive Values." Send: When Vibrato Delay is changed. Receive: Changes Vibrato Delay.

1.2.12 Release Time

Format: BnH 48H vvH n: MIDI Channel Number vv: Value For information about the relationship between setting values and send/receive values, see the "6.1.1.5 -64 - 0 - 63 Setting Value Table" in the section of this document titled "6. Setting Values and Send/Receive Values." Send: When Release Time is changed. Receive: Changes Release Time.

1.2.18 Reverb Send

Format: BnH 5BH vvH n: MIDI Channel Number vv: Value The setting value is the same as the value that is sent and received. Send: When Reverb Send is changed. Receive: Changes Reverb Send.

1.2.13 Attack Time

Format: BnH 49H vvH n: MIDI Channel Number vv: Value For information about the relationship between setting values and send/receive values, see the "6.1.1.5 -64 - 0 - 63 Setting Value Table" in the section of this document titled "6. Setting Values and Send/Receive Values." Send: When Attack Time is changed. Receive: Changes Attack Time.

Format: CnH ppH n: MIDI Channel Number pp: Program Number Send: When a tone is selected. See the "Tone List" of the CTK-671 User's Guide for details. Receive: Changes the tone and Part Mode (explained below) of the part corresponding to the MIDI channel. The selected tone is determined by the program value of this message and the Bank Select message value received prior to this message. See the "Tone List" in the CTK-671 User's Guide for information about actually selecting tones, etc. Also note that receipt of this message can also change the Part Mode parameter at the same time. For details, see "About the Part Mode," which is located in the section of this document named "3.2.3 Patch Part Parameter List."

1.8.1.2 Master Balance

Format: F0H 7FH 7FH 04H 02H llH mmH F7H mm: Value MSB For information about the relationship between setting values and send/receive values, see the "6.1.1.6 Pan Setting Value Table" in the section of this document titled "6. Setting Values and Send/Receive Values." Send: This message is never sent. Receive: Changes the Master Pan parameter. Note that the Master Pan parameter cannot be changed by a control panel operation.
1.8.1.3 Master Fine Tuning
Format: F0H 7FH 7FH 04H 03H 00H mmH F7H mm: Value MSB For information about the relationship between setting values and send/receive values, see the "6.1.1.7 -99 - 0 - 99 Setting Value Table" in the section of this document titled "6. Setting Values and Send/Receive Values." Send: When the Fine Tune parameter is changed.

1.5 Channel Aftertouch

Format: DnH vvH n: MIDI Channel Number vv: Value Send: This message is never sent.
Receive: Changes the Fine Tune parameter. Receive: Receipt of this message adds vibrato to the voice that is sounding. Details of the effect differ according to the tone setting.
1.8.1.4 Master Coarse Tuning
Format: F0H 7FH 7FH 04H 04H llH mmH F7H mm: Value MSB For information about the relationship between setting values and send/receive values, see the "6.1.1.4 -24 - 0 - 24 Setting Value Table" in the section of this document titled "6. Setting Values and Send/Receive Values." Send: When the Transpose parameter is changed. Receive: Changes the Transpose parameter.

1.6 Pitch Bend

Format: EnH llH mmH n: MIDI Channel Number ll: Value LSB mm: Value MSB Send: This message is never sent. Receive: Receipt of this message changes the pitch of the currently sounding voice. The range of the change depends on the Pitch Bend Sensitivity set by RPN.

1.8.1.5 Reverb Parameter

Format: F0H 7FH 7FH 04H 05H 01H 01H 01H 01H 01H ppH vvH F7H pp: Parameter 6

Format: F0H 7FH 7FH 04H 05H 01H 01H 01H 01H 01H 00H vvH F7H vv: Value For information about the relationship between setting values and send/receive values, see the "6.1.1.10 Reverb Type Setting Value Table" in the section of this document titled "6. Setting Values and Send/Receive Values." Send: When the Reverb Type parameter is changed. Receive: Changes the Reverb Type parameter.

Send To Reverb

Format: F0H 7FH 7FH 04H 05H 01H 01H 01H 01H 02H 04H vvH F7H vv: Value The setting value is the same as the value that is received. Send: This message is never sent. Receive: Changes the Chorus Send To Reverb parameter. The Chorus Send to Reverb parameter cannot be changed by a control panel operation.
Format: F0H 7FH 7FH 04H 05H 01H 01H 01H 01H 01H 01H vvH F7H vv: Value The setting value is the same as the value that is sent and received. Send: When the Reverb Time parameter is changed. Receive: Changes the Reverb Time parameter.
1.8.1.7 GM System Message

GM System On

Format: F0H 7FH 7FH 09H 01H F7H Send: This message is never sent. Receive: Puts the sound source into a preset GM sound source mode.

1.8.1.6 Chorus Parameter

Format: F0H 7FH 7FH 04H 05H 01H 01H 01H 01H 02H ppH vvH F7H pp: Parameter

GM System Off

Format: F0H 7FH 7FH 09H 02H F7H Send: This message is never sent.
Receive: Returns the sound source to the CTK-671 mode. Format: F0H 7FH 7FH 04H 05H 01H 01H 01H 01H 02H 00H vvH F7H vv: Value For information about the relationship between setting values and send/receive values, see the "6.1.1.11 Chorus Type Setting Value Table" in the section of this document titled "6. Setting Values and Send/Receive Values." Send: When the Chorus Time parameter is changed. Receive: Changes the Chorus Time parameter. Receive: Though the CTK-671 does not support GM2, receipt of the GM2 System On message has the same result as receipt of the GM System On message.

GM2 System On

Format: F0H 7FH 7FH 09H 03H F7H Send: This message is never sent.
Format: F0H 7FH 7FH 04H 05H 01H 01H 01H 01H 02H 01H vvH F7H vv: Value For information about the relationship between setting values and send/receive values, see the "6.1.1.11 Chorus Type Setting Value Table" in the section of this document titled "6. Setting Values and Send/Receive Values." Send: When the Chorus Rate parameter is changed. Receive: Changes the Chorus Rate parameter.
1.8.2 CTK-671 Format System Exclusive Message
Format: F0H 44H 11H 01H.F7H For more information, see the section of this document titled "2. CTK-671 System Exclusive Message Format."
2. CTK-671 System Exclusive Message Format

2.1 Format

CTK-671 SysEx operations are classified as Parameter type for send and receive of an individual parameter, and Parameter Set type for bulk send and receive of a set of parameters.

Depth

Format: F0H 7FH 7FH 04H 05H 01H 01H 01H 01H 02H 02H vvH F7H vv: Value The setting value is the same as the value that is sent and received. Send: When the Chorus Depth parameter is changed. Receive: Changes the Chorus Depth parameter.
These SysEx types can be further broken down into parameter categories according to the item being transferred.

Feedback

Format: F0H 7FH 7FH 04H 05H 01H 01H 01H 01H 02H 03H vvH F7H vv: Value The setting value is the same as the value that is received. Send: This message is never sent. Receive: Changes the Chorus Feedback parameter. The Chorus Feedback parameter cannot be changed by a control panel operation.
2.1.1 CTK-671 System Exclusive Message
+ ------------- Individual Parameter Transfer -- + -- Command - + - Version + - DSP + - Song/Rhythm + - Patch - + Common - + - MIDI + - Tune/Mix + - Sys Chorus + - Sys Reverb + - Master EQ + - DSP + Part -------- + - Basic + - Tune/Mix + - Tone + - LFO + - User Tone + - User DSP + ------------- Parameter Set Bulk Transfer ---- + -- User Tone + - User DSP + - Song + - User Rhythm Pattern + - Registration The operation type of a message is determined in accordance with the value of the "Action" field of the CTK-671 SysEx message. The basic format for all operation type messages is described in "2.1.2 Message Structure," below.
MIDI Device ID is a Patch Parameter data item, and it can be changed using a System Exclusive Message. In such a case, the Device ID of the MIDI System Exclusive Message must be set to 7FH before it is sent. 5/6. act/cat : Action/Category Format : 0aaacccc aaa = Action (3bit) This field indicates the action being performed by the System Exclusive Message. 0H..IPC Individual Parameter Change 1H..IPR Individual Parameter Request 2H..BDS Oneway Parameter Set Bulk Send 3H..BDR Oneway Parameter Set Bulk Request 4H..HDS Handshake Parameter Set Bulk Send 5H..HDR Handshake Parameter Set Bulk Request 6H..Reserved 7H..HDA,HDJ,HDE,NOP Communication Control (for Handshake) cccc = Category (4bit) Categories indicate the type of data handled by the System Exclusive Message. The Model ID numbers on the left correspond to the categories, and the applicable communication operation (Action) is shown on the right. ID Action c Category act = -------------------------------------------------------------------------------0H. Command A A - - 1H. Patch A A - - 2H. User Tone - - A A A A - A 9H. User DSP AH. Song Data BH. Rhythm Pattern CH. Registration A. Available -. Not Available 7. prm : Parameter ID Format : 0ppppppp The Parameter ID field indicates the parameter type. See the "Parameter List" below for details about parameter types. When transferring individual parameters individually (as opposed to bulk transfer), this field is used to identify the parameter by its parameter ID. In any other case, this field is filled with the value 00H. 8/9. ilen/dlen : index length / data length Format : 0iiddddd This field indicates the size of the subsequent <index> field (11) and <data> field (12). The index length (ii) indicates the index field length, which is always the following, regardless of the act (action) value. ii : index byte size - 1 (3 when index is 4 bytes) ddddd indicates the size of each data unit (parameter) of the <data> field. In the case of the Request and Control messages, which do not contain any data, this value becomes 0. When act = 3(BDR), 5(HDR), or 7(Control) ddddd. 0 When act = 0 (Individual Parameter Change) ddddd: data bit size - 1 (00000 when data is 1 bit; 11111 when data is 32 bits) When act = 2 or 4 (Parameter Set Bulk Send) 16-bit unit transfer, always as shown below. ddddd. data bit size - 1 = 01111 A A A A A A A A A A A A A A A A A A A A A A

Each block of data is packed from the lowest order byte first. In the case of multiplebyte data, the lowest weighted bit is the LSB of the first <data> block, and the highest weighted bit is the MSB of the final <data> block. The following shows an example of how data would be divided for transfer in the case of 32-bit data. ---------------------------------------------------------------------------------data0: 0 [bit06] [bit05] [bit04] [bit03] [bit02] [bit01] [bit00] data1: data2: data3: data4: [bit13] [bit12] [bit11] [bit10] [bit09] [bit08] [bit07] [bit20] [bit19] [bit18] [bit17] [bit16] [bit15] [bit14] [bit27] [bit26] [bit25] [bit24] [bit23] [bit22] [bit21] 0 [bit31] [bit30] [bit29] [bit28]
When act = 2 (BDS) or 4 (HDS) When a bulk data transfer operation is performed, the Parameter Set data to be transferred is read sequentially in 16-bit units starting from the top address. Read values are divided into 3-byte segments as shown below, and then sent in sequence. The following is the conversion format, which is the same as individual parameter 16-bit transfer explained above. Memory Image 16 bits MSB: abcccccc LSB: cddddddd <data> Field 3 bytes data0: 0ddddddd data1: 0ccccccc data2: 000000ab Note, however, that a Parameter Set of 128 bytes or less can be sent using a single packet, and anything greater than 128 bytes is divided among multiple packets. This means the maximum length of a <data> field is as shown below. 128/2 * 3 = 192 bytes Only one Parameter Set can be transferred per session, and data from different Parameter Sets cannot be mixed within a single packet, even when sending multiple Parameter Sets. Different Parameter Sets are always divided into separate packets. 13.. <sum> Check Sum When act = 0 (IPC), 1 (IPR), 3 (BDR), 5 (HDR), or 7 (HDA, HDJ, HDE, NOP) This field is always empty. When act = 2 (BDS) or 4 (HDS) In this case, the <sum> field contains a value, which, when added to the total value of the <data> field, makes the lower seven bits 0. The receiving side checks if this is true, and performs error handling (re-request, etc.) if it is not. 14.. EOX : End of System Exclusive Message Format : 11110111 End of System Exclusive message Status = F7H
12.. <data> Parameter Data (when action = Parameter Change/Send) When act = 1 (IPR), 3 (BDR), 5 (HDR), or 7 (HDA, HDJ, HDE, NOP) This field is always empty. When act = 0 (IPC) Indicates the parameter itself. The length varies in accordance with the data size indicated by the dlen field, as shown below. This field is not included in a parameter request. ddddd + 1 <data> fields -----------------------------------+--------------------------1-8 - 15 - - - 4 5
2.2 Individual Parameter Operations
There are two individual parameter operations: Individual Parameter Transfer and Individual Parameter Request. During a single session, an Individual Parameter Request (IPR) can be responded to by returning an Individual Parameter Change (IPC) or by simply sending an IPC. Receipt of an IPR causes the corresponding parameter IPC to be sent back. Receipt of an IPC causes a change of the corresponding parameter value. An Individual Parameter Change can also be used to issue some command to the CTK671, and the Individual Parameter Request can be used to check CTK-671 status information.

3.1 Command Parameter

3.1.1 Parameter Set Overview
The parameters defined here mainly execute commands and indicate statuses. Values indicate the pointer to a command or a status.
3.1.2 Command Parameter List
3.1.2.1 System Exclusive Format
+ --------------------- + ------------------------------------------------------------------ + Field Value + ----- + ------------ + ------------------------------------------------------------------ + 01 SYSEX F+ ----- + MAN MOD dev act cat prm ilen dlen ps <index> 44 11, to 1F, or 7F 0(IPC), 1(IPR) Command = - 7F 0 bit size - 1 LSB,MSB = 00, 00 00
<data> See "2.1 Format." <sum> None EOX F7 ------------ + ------------------------------------------------------------------ +

3.1.2.2 Parameter List

ParamID Parameter bit Value Default Setting Value (Decimal)
-------------------------------------------------------------------------------------------------------------------00r Model Version ID = CTK671 This is the version number of models with the same System Exclusive Model ID = 11-01. This value is used to specify the model for a parameter send request from an external source.

HDS HDS HDJ

This is a request to look up and cancel the tone status of parts whose bits are set. It does this by canceling the DSP Line selection of the parts whose corresponding bit is 1. If the selected tone is an Advanced Tone, receipt of a DSP Line Cancel changes the tone to its corresponding Normal Tone and then turns off the DSP Line. When a Normal Tone or User Tone is selected, the tone is not changed, but if the DSP Line is on the DSP side, it is changed to Thru.
3.1.3 Song / Rhythm Pattern Command Parameter List
3.1.3.1 System Exclusive Format +-----------------------+--------------------------------------------------------------------+ Field Value +--------+-------------+--------------------------------------------------------------------+ 01 SYSEX FMAN MOD 11, 11 dev act cat prm ilen dlen ps <index> 00 to 1F, or 7F 0(IPC), 1(IPR) Command = - 7F 0 bit size - 1 LSB,MSB = 00, 00 Song Number 0000 to 0001 or Rhythm Number 0000 to when not needed

000 - - 0C7 0C8 - - - Part Octave Shit 52 Part Enable 53 Part Mode 1 2-6 0-1 0-1
Panel Normal Tone Panel DSP Tone Panel GM Tone Drum User Tone 0
Sets the melody and rhythm modes of the part play operation.

Tune / Mix parameter

ParamID Parameter bit Value Default Setting Value (Decimal) -------------------------------------------------------------------------------------------------------------------54 Pitch Fine Tune - FF 80 -99 - 0 - 99cent 59 Pitch Coarse Tune Volume Accomp Volume Bend Range Pan - - 7F 00 - 7F 00 - - 7F 40 7F 7F -24 - 0 - 24semi 0 - - - +24 -64 - 0 - 63

Tone parameter

ParamID Parameter bit Value Default Setting Value (Decimal) -------------------------------------------------------------------------------------------------------------------60 Tone Name A - FFFFFFFF 556e7469 MSB is first character. 61 Tone Name B - FFFFFFFF 746c6564 MSB is first character.

4. Parameter Set List

This list shows the Parameter Sets that can be transferred using System Exclusive Message Bulk Dump.
These parameters change the tone name. One character is indicated by each byte. 64 Line Select 69 6A 6B 6C 6D Tone Octave Shit Tone Attack Time Tone Release Rate Tone DCF Cutoff Tone DCF Resonance Chorus Send Reverb Send Tone Level Tone Touch Sens 0-1 2-- 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 7F 40 0.Thru 1.DSP -2 - 0 - +2 Oct -64 - 0 - +63 -64 - 0 - +63 -64 - 0 - +63 -64 - 0 - +- - - 127 -64 - 0 - +63
4.1 User Tone Parameter Set
System Exclusive Format + --------------------- + ---------------------------------------------------------------------------------- + Field Value + ----- + ------------ + ---------------------------------------------------------------------------------- + 01 SYSEX F0
10 MAN MOD dev act cat prm ilen dlen ps 44 11, to 1F, or 7F 2(BDS), 3(BDR), 4(HDS), 5(HDR), 7(Control) Tone = - 7F See "2.1 Format." See "2.1 Format." Indicates the tone number being transferred. User Tones 01 to 10 correspond to 0180H to 0189H. See "Tone Number" in the "3.2.3 Patch Part Parameter List." See "2.1 Format." See "2.1 Format." See "2.1 Format." F7

LFO Parameter

ParamID Parameter bit Value Default Setting Value (Decimal) -------------------------------------------------------------------------------------------------------------------7A LFO Wave 4 0-LFO Waveform 0.Triangle 1.Saw Up 2.Square 3.Sin -64 - 0 - 64 -64 - 0 - 64 -64 - 0 - - 127

7B LFO Delay 7C LFO Rate 7D LFO Pitch Depth 7E LFO Modulation Sens
00 - 7F 00 - 7F 00 - 7F 00 - 7F
<index> <data> <sum> EOX
+ ----- + ------------ + ---------------------------------------------------------------------------------- +
This parameter adjusts the depth of the LFO effect when the Modulation MIDI Control Change is received. 7F LFO Aftertouch Sens - 7F - 127
4.2 User DSP Parameter Set

System Exclusive Format

This parameter adjusts the depth of the LFO effect when MIDI Channel Aftertouch is received.
+ --------------------- + -------------------------------------------------------------------------------------- + Field Value + ----- + ------------ + -------------------------------------------------------------------------------------- + SYSEX MAN MOD dev act cat prm ilen dlen ps F11, to 1F, or 7F 2(BDS), 3(BDR), 4(HDS), 5(HDR), 7(Control) DSP = - 7F See "2.1 Format." See "2.1 Format." Indicates the DSP number being transferred. User DSP 01 to 10 correspond to 0064H to 006DH. See "DSP Type Number" in the 3.2.3 Patch Part Parameter List. See "2.1 Format." See "2.1 Format."

4.5 Registration Data

+ --------------------- + -------------------------------------------------------------------------------------- + Field + ----- + Value ------------ + -------------------------------------------------------------------------------------- + SYSEX F0 MAN 44 MOD 11, 01 dev act cat prm ilen dlen ps 00 to 1F, or 7F 2(BDS), 3(BDR), 4(HDS), 5(HDR), 7(Control) DSP = C 00 - 7F See "2.1 Format." See "2.1 Format." Indicates the Registration number being transferred. Registration 0-1 to 3-4 correspond to 0000H to 000FH. See "DSP Type Number" in the "3.2.3 Patch Part Parameter List."
<index> <data>
13 <sum> See "2.1 Format." 14 EOX F7 + ----- + ------------ + -------------------------------------------------------------------------------------- +

4.3 Song Data

+ --------------------- + -------------------------------------------------------------------------------------- + Field Value + ----- + ------------ + -------------------------------------------------------------------------------------- + 01 SYSEX FMAN MOD 11, dev 00 to 1F, or 7F act cat prm ilen dlen ps 2(BDS), 3(BDR), 4(HDS), 5(HDR), 7(Control) Song = A 00 See "2.1 Format." See "2.1 Format." Indicates the song number being transferred. Song 0 and 1 correspond to 0000H and 0001H. See "DSP Type Number" in the "3.2.3 Patch Part Parameter List." See "2.1 Format."

+ ----- +

<index> See "2.1 Format." <data> See "2.1 Format." <sum> See "2.1 Format." EOX F7 ------------ + -------------------------------------------------------------------------------------- +

5. DSP Parameter List

This list shows the parameters for each of the DSP algorithms. U0 to U7 indicate User Parameters 0 to 7, while I00 to I15 indicate Internal Parameters 00 to 15. In the case of parameters for which no setting range is indicated, receipt of a value from 0 to 127 is assigned as-is to the parameter. Algorithm 00 (00H) : Auto Pan U0 Rate U1 Depth Algorithm 01 (01H) : Tremolo U0 Rate U1 Depth Algorithm 02 (02H) : 2BandEQ U0 Low Frequency - See the "6.1.1.12 Equalizer Low Frequency Setting Value Table." U1 Low Gain - See the "6.1.1.15 Equalizer Gain Setting Value Table." U2 High Frequency - See the "6.1.1.14 Equalizer High Frequency Setting Value Table." U3 High Gain - See the "6.1.1.15 Equalizer Gain Setting Value Table." Algorithm 03 (03H) : 3BandEQ U0 Low Frequency - See the "6.1.1.12 Equalizer Low Frequency Setting Value Table." U1 Low Gain - See the "6.1.1.15 Equalizer Gain Setting Value Table." U2 Mid Frequency - See the "6.1.1.13 Equalizer Mid Frequency Setting Value Table." U3 Mid Gain - See the "6.1.1.15 Equalizer Gain Setting Value Table." U4 High Frequency - See the "6.1.1.14 Equalizer High Frequency Setting Value Table." U5 High Gain - See the "6.1.1.15 Equalizer Gain Setting Value Table." Algorithm 04 (04H) : LFO Wah U0 Input Level U1 Resonance U2 Manual U3 LFO Rate U4 LFO Depth

<index>

<data> See "2.1 Format." <sum> See "2.1 Format." EOX F7 ------------ + -------------------------------------------------------------------------------------- +

4.4 User Rhythm Pattern

+ --------------------- + -------------------------------------------------------------------------------------- + Field Value + ----- + ------------ + -------------------------------------------------------------------------------------- + 01 SYSEX FMAN 10 MOD dev act cat prm ilen dlen ps 11, to 1F, or 7F 2(BDS), 3(BDR), 4(HDS), 5(HDR), 7(Control) DSP = B 00 - F See "2.1 Format." See "2.1 Format." Indicates the rhythm number being transferred. User Rhythms 01 to 04 correspond to 0000H to 0003H. See "DSP Type Number" in the "3.2.3 Patch Part Parameter List." See "2.1 Format." See "2.1 Format." See "2.1 Format." F7

Algorithm M07 (27H) : Multi07 U0 Enhancer Low Frequency U1 Enhancer Low Gain U2 Enhancer High Frequency U3 Enhancer High Gain U4 Flanger LFO Rate U5 Flanger LFO Depth U6 Flanger Feedback U7 Flanger Wet Level
I05 Delay Ratio C I06 Delay Ratio R
I06 Flanger Delay Time L I07 Flanger Delay Time R
Algorithm M08 (28H) : Multi08 U0 Chorus LFO Rate U1 Chorus LFO Depth U2 Chorus Feedback U3 Chorus Wet Level U4 Flanger LFO Rate U5 Flanger LFO Depth U6 Flanger Feedback
Algorithm M14 (2EH) : Multi14 U0 Lo-Fi Noise1 U1 Lo-Fi Noise2 U2 Lo-Fi Tone U3 Lo-Fi Resonance U4 Reflection Type U5 Reflection Wet Level U6 Reflection Feedback U7 Reflection Tone I00 Lo-Fi Noi1 Dens I01 Lo-Fi Noi2 Dens I02 Lo-Fi Bass I03 Lo-Fi Level
U7 Flanger Wet Level Algorithm M09 (29H) : Multi09 U0 Chorus LFO Rate U1 Chorus LFO Depth U2 Chorus Feedback U3 Chorus Wet Level U4 Tremolo Rate U5 Tremolo Depth
Algorithm M15 (2FH) : Multi15 U0 Distortion Gain U1 Distortion Low U2 Distortion Tone U3 Distortion Level U4 Lo-Fi Noise1 U5 Lo-Fi Noise2 U6 Lo-Fi Tone U7 Lo-Fi Resonance I12 Lo-Fi Noi1 Dens I13 Lo-Fi Noi2 Dens I14 Lo-Fi Bass I15 Lo-Fi Level
Algorithm M10 (2AH) : Multi10 U0 Phaser Resonance U1 Phaser Manual U2 Phaser Rate U3 Phaser Depth U4 Phaser Wet Level U5 Auto Pan Rate U6 Auto Pan Depth Algorithm M11 (2BH) : Multi11 U0 Compressor Depth U1 Compressor Attack U2 Compressor Level U3 Lo-Fi Noise 1 U4 Lo-Fi Noise 2 U5 Lo-Fi Tone U6 Lo-Fi Resonance U7 Lo-Fi Bass I00 Compressor Threshold I01 Compressor Release
Algorithm M16 (30H) : Multi16 U0 Od Gain U1 Od Level U2 Rot Speed U3 Rot Slow Rate U4 Rot Fast Rate U5 Reflection Wet Level U6 Reflection Feedback U7 Reflection Tone I09 Rot Fall Accel
I02 Lo-Fi Noi1 Thrs I03 Lo-Fi Noi2 Thrs I04 Lo-Fi Level Algorithm M12 (2CH) : Multi12 U0 Ring OSC Frequency U1 Ring LFO Rate U2 Ring LFO Depth U3 Ring Wet Level U4 Ring Dry Level U5 Chorus LFO Depth U6 Delay Time U7 Delay Wet Level I00 Chorus LFO Rate I01 Chorus Feedback I02 Chorus Wet Level I09 Delay Feedback I10 Delay High-Damp I11 Delay Ratio L I12 Delay Ratio R
I10 Rot Rise Accel I11 Rot Break I12 Reflection Type Algorithm M17 (31H) : Multi17 U0 Rot Speed U1 Rot Break U2 Rot Slow Rate U3 Rot Fast Rate U4 Reflection Wet Level U5 Reflection Feedback U6 Reflection Tone I10 Rot Fall Accel I11 Rot Rise Accel I12 Reflection Type
Algorithm M18 (32H) : Multi18 U0 Compressor Depth U1 Compressor Attack U2 Compressor Level U3 Enhancer Low Gain U4 Enhancer High Gain U5 Delay Time U6 Delay Wet Level U7 Delay Feedback I00 Compressor Threshold I01 Compressor Release I06 Enhancer Low Frequency I07 Enhancer High Frequency I10 Delay High-Damp

I02 Chorus Feedback I16 Reflection Type
Algorithm M28 (3CH) : Multi28 U0 Distortion Gain U1 Distortion Low U2 Distortion Tone U3 Distortion Level U4 Delay Time U5 Delay Wet Level U6 Delay Feedback U7 Delay High-Damp I12 Delay Ratio L I13 Delay Ratio C I14 Delay Ratio R
6.1.1.3 Rotate/Break Setting Value Table
+ --------------------- + ---------------------- + --------------------- + Value Transmit Receive + --------------------- + ---------------------- + --------------------- + Rotate 00H 00H - 3FH Break 7FH 40H - 7FH + --------------------- + ---------------------- + --------------------- +
6.1.1.4 -24 - 0 - 24 Setting Value Table
+ --------------------- + ----------------------------------- + Value Transmit/Receive + --------------------- + ----------------------------------- + -24 28H : : 0 40H : : 24 58H + --------------------- + ----------------------------------- +
Algorithm M29 (3DH) : Multi29 U0 Distortion Gain U1 Distortion Low U2 Distortion Tone U3 Distortion Level U4 Phaser Resonance U5 Phaser Manual U6 Phaser Rate U7 Phaser Depth I12 Phaser Input Level
6.1.1.5 -64 - 0 - 63 Setting Value Table
+ --------------------- + ----------------------------------- + Value Transmit/Receive + --------------------- + ----------------------------------- + -64 00H -63 01H : : 0 40H : : 62 7EH 63 7FH + --------------------- + ----------------------------------- +
I15 Phaser Wet Level Algorithm M30 (3EH) : Multi30 U0 Distortion Gain U1 Distortion Low U2 Distortion Tone U3 Distortion Level U4 Chorus LFO Rate U5 Chorus LFO Depth U6 Chorus Feedback
U7 Chorus Wet Level Algorithm M31 (3FH) : Multi31 U0 Distortion Gain U1 Distortion Low U2 Distortion Tone U3 Distortion Level U4 Flanger LFO Rate U5 Flanger LFO Depth U6 Flanger Feedback
6.1.1.6 Pan Setting Value Table
+ --------------------- + ----------------------------------- + Value Transmit/Receive + --------------------- + ----------------------------------- + Left 00H : : Center 40H : : Right 7FH + --------------------- + ----------------------------------- +

U7 Flanger Wet Level

6. Setting Values and Send/Receive Values
6.1.1.1 Off/On Setting Value Table
+ --------------------- + ---------------------- + --------------------- + Value Transmit Receive + --------------------- + ---------------------- + --------------------- + Off 00H 00H - 3FH On 7FH 40H - 7FH + --------------------- + ---------------------- + --------------------- +

 

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