The illustrations and LCD screens as shown in this manual are for instructional purposes only, and may appear somewhat different from those on your instrument. Trademarks Windows is a registered trademark of Microsoft Corporation in the United States and other countries. The company names and product names in this manual are the trademarks or registered trademarks of their respective companies.

Copyright Notice

The following is the title, credits and copyright notices for the song pre-installed in this electronic keyboard:
Composition Title: Against All Odds Composers Name: Collins 0007403 Copyright Owners Name: EMI MUSIC PUBLISHING LTD AND HIT & RUN MUSIC LTD
All Rights Reserved, Unauthorized copying, public performance and broadcasting are strictly prohibited.
This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it has license to use others copyrights. Such copyrighted materials include, without limitation, all computer software, style les, MIDI les, WAVE data, musical scores and sound recordings. Any unauthorized use of such programs and contents outside of personal use is not permitted under relevant laws. Any violation of copyright has legal consequences. DONT MAKE, DISTRIBUTE OR USE ILLEGAL COPIES. Copying of the commercially available musical data including but not limited to MIDI data and/or audio data is strictly prohibited except for your personal use.

GM System Level 1

GM System Level 1 is an addition to the MIDI standard which ensures that any GM-compatible music data can be accurately played by any GM-compatible tone generator, regardless of manufacturer. The GM mark is afxed to all software and hardware products that support GM System Level.

XGlite

As its name implies, XGlite is a simplied version of Yamahas high-quality XG tone generation format. Naturally, you can play back any XG song data using an XGlite tone generator. However, keep in mind that some songs may play back differently compared to the original data, due to the reduced set of control parameters and effects.
USB is an abbreviation for Universal Serial Bus. It is a serial interface for connecting a computer with peripheral Devices. It allows hot swapping (connecting peripheral devices while the power to the computer is on).

Stereo Sampled Piano

The instrument has a special Portable Grand Piano Voicecreated by state-of-the-art stereo sampling technology and using Yamahas sophisticated AWM (Advanced Wave memory) tone generation system.

Touch Response

The exceptionally natural Touch Response feature, with a convenient front panel on/off switch, gives you maximum expressive level control over the voices. It also works in conjunction with the Dynamic Filter, which dynamically adjusts the timbre or tone of a voice according to your playing strengthjust a like a real musical instrument!

Select a Style Rhythm... 33 Play Along with a Style... 34 Playing Auto-accompaniment Chords.. 38
Setting the Sleep Mode The Functions Connecting to a Computer

Using Songs

Selecting and Setting Functions.. 83
Select and Listen to a Song.. 39 Song Fast Forward, Fast Reverse, and Pause.. 40 Types of Songs... 42
Select a Song For a Lesson
Lesson 1Waiting... 43 Lesson 2Your Tempo.. 46 Lesson 3Minus One.. 47 Practice Makes PerfectRepeat and Learn. 48
What Is MIDI?... 86 Connecting a Personal Computer.. 87 Transferring Performance Data to and from a Computer.. 88 Remote Control of MIDI Devices.. 89 Initial Send... 90 Transferring Data between the Computer and Instrument. 90
Accessory CD-ROM Installation Guide
Play Using the Music Database Change a Songs Style
Important Notices about the CD-ROM.. 93 CD-ROM Contents... 94 System Requirements... 95 Software Installation... 95
Listen to the DEMO Song for Easy Song Arranger. 50 Using the Easy Song Arranger.. 50

Appendix

Troubleshooting... 99 Scores... 100 Voice List... 106 Drum Kit List... 110 Style List... 112 Arpeggio List... 113 Music Database List... 114 Songs Provided On the Supplied CD-ROM. 116 Effect Type List... 117 MIDI Implementation Chart.. 118 MIDI Data Format... 120 Specifications.. 123 Index.... 124
Record Your Own Performance
Recording Procedure... 52 Song ClearDeleting User Songs.. 55 Track ClearDeleting a Specified Track from a User Song.. 55
Backup and Initialization
Backup... 56 Initialization... 56
Basic Operation and Displays
Basic Operation.. 57 Display Items... 59
Be sure to do the following operations BEFORE turning on the power.

Power Requirements

Although the instrument will run either from an optional AC adaptor or batteries, Yamaha recommends use of an AC adaptor whenever possible. An AC adaptor is more environmentally friendly than batteries and does not deplete resources.
Using an AC Power Adaptor
Make sure that the [STANDBY/ON] switch of the instrument is set to STANDBY.
Use the specied adaptor (PA-130 or an equivalent recommended by Yamaha) only. The use of other adaptors may result in irreparable damage to both the adaptor and the instrument.
Connect the AC adaptor to the power supply jack. Plug the AC adaptor into an AC outlet.
Unplug the AC Power Adaptor when not using the instrument, or during electrical storms.
For battery operation the instrument requires six 1.5V AA size, LR6 or equivalent batteries. (Alkaline batteries are recommended.) When battery power becomes too low for proper operation, make sure to replace all batteries, following the precautions listed below. If necessary, also make sure to save all important User data (see page 56), since custom panel settings are lost when the batteries are removed.
AC power adaptor AC outlet
Use only manganese or alkaline batteries for this instrument. Other types of batteries (including rechargeable batteries) may exhibit a sudden drop in power when the batteries are low, possibly resulting in a loss of ash memory data. Be sure to install the batteries in the same direction, maintaining the correct polarity (as shown). Incorrect battery installation may result in heat, re and/or leaking of corrosive chemicals. When the batteries run down, replace them with a complete set of six new batteries. NEVER mix old and new batteries. Do not use different kinds of batteries (e.g. alkaline and manganese) at the same time. If the instrument will not be used for an extended period of time, remove the batteries to prevent possible uid leakage. Please use the power adaptor when transferring data to ash memory. Batteries (including rechargeable types) can be drained rapidly by this type of operation. If the batteries do become drained during a data transfer, both the data being transferred and the data currently in the transfer destination will be lost.

Knob A adjusts attack time (the amount of time it takes the sound to reach maximum level when a key is played). Knob B adjusts release time (the amount of time it takes for the sound to decay to silence after a key is released).

Sustain Level

ATTACK

RELEASE

Key Played

Key Released

v Style Filter
In this case the knobs apply the lter effect to the style being played. Knob A and Knob B have the same functions as for z Filter described on the preceding page.

b Style Tempo

Tempo No Effect
Knob A adjusts the tempo of the style and arpeggios. Rotating the knob clockwise increases the tempo while rotating it counterclockwise decreases the tempo. The knobs center position produces the initial default tempo.

Using the Knobs

Select the voice you want to play on the keyboard.

SquareLd

The name of the currently selected voice will appear in the display when you press the [VOICE] button. Use the dial to select the desired voice. For this example we want to use a synth-lead type voice, so select 97 SquareLd (Square-wave Lead).
Press the [ASSIGN] button as many times as necessary to select z FILTER (z will appear in the display).

z appears here.

Knob A can now be used to adjust the lter cutoff frequency, and Knob B can be used to adjust the resonance.
Rotate Knob B to its maximum setting (all the way to the right).
Rotating the knob to the right while the volume is set to a high level can result in distortion. If this occurs, reduce the volume level.
Play with the right hand while operating Knob A with the left hand.
If you select a different keyboard voice the knobs will be reset and the ideal settings for the selected voice will be automatically recalled. In the same way, if the v STYLE FILTER effect is selected, the knobs will be reset if a different style is selected. If you create an original setting you like, it might be a good idea to save it in the instruments Registration Memory (page 80) so you can recall the same settings again at any time. You can also record performances using original sounds youve created (page 52). The chart below lists some interesting ways to use the various effects that can be assigned to the knobs.

Changing the knob settings does not immediately change the sound. Newly assigned effects will only change the sound when the knobs are rst operated after the new effect has been selected.
Some Ideas for Using the Knobs
Number/Effect Try This Select a synth-type lead or pad voice (page 106). Turn Knob B all the way up and operate Knob A while playing for some spacey, oating 1980s effects. Select a voice that sounds as though it already has reverb and chorus effects applied, and turn Knob A and Knob B all the way down to hear the direct sound of the voice. You can then turn the Knob A and Knob B settings up to add extra impact and richness to the voice. Select a piano voice, and turn Knob B all the way up and Knob A to about the 3 oclock position. This should give you a majestic, organ-like sound. The attack time is quite long so play the keys and hold them to let the sound come in fully. Ideal for slow pieces. Select style 39, Euro Trance. Turn accompaniment on and start style playback (page 34). Set Knob B to about 3 oclock, and Knob A to about 8 oclock. The overall sound of the style should be a bit mufed, with the drums emphasized for solid rhythmic impact. Play a style and/or arpeggio (page 14) and use Knob A to adjust the tempo.

z FILTER x EFFECT

v STYLE FILTER b STYLE TEMPO
This instrument includes a performance assistant technology feature that lets you play along with a song and sound like a great pianist (even though you might be making lots of mistakes)! In fact, you can play any notes and still sound good! So even if you cant play piano and cant read a note of music, you can have some musical fun. Its never too late to start learning!
Refer to page 25 for more information on using performance assistant technology to help you play.

Play with Both Hands

Press the [PERFORMANCE ASSISTANT] button.
The indicator lights when the performance assistant technology feature is on.
Press the [PERFORMANCE ASSISTANT] button to turn the function on or off.

Select a song.

Press the [SONG] button, and the song number and name will be displayed. You can use the dial or other selection controls to select a different song. For this example try selecting the 010 AveMaria.

Song name

AveMaria
Song number The song displayed here will be played.
What is a Song? Of course you know the normal meaning of the word, but for this instrument the term song also refers to the data that makes up a piece of music. You can listen to the songs, use them for lessons, and use them with a range of other functions (page 39).

Press the [

] (START/STOP) button.

Adjusts volume.

Song playback will begin. The basic pattern will repeat. Listen to four measures while memorizing the basic pattern. Its your turn to play the part from the fth measure.

Play on the keyboard.

Before
Play the score on the left along with the accompaniment using both hands. You can even play the same keys over and over: C, E, G, C, E, G, C, E. Performance assistant technology will make sure that the notes will come out as if they were played according to the score on the right. Keep playing, and performance assistant technology will continue to correct the notes that you play. You can stop song playback at any time by pressing the [ STOP) button. ] (START/
Press the [PERFORMANCE ASSISTANT] button to turn the performance assistant technology feature off.
The complete score for Ave Maria is provided on page 102.
Use the Performance Assistant to Play Like a Pro!
To begin, try to feel the rhythm of the song. Then, with your hands spread as shown in the illustration, simply play the keyboard alternately with your left and right hands (any notes will do).
You will get even better results if you match your left-hand rhythm to the rhythm of the chord indicator in the display.
Sounds like youre playing the right notes!
How does it sound? Youll get acceptable results no matter where you play thanks to performance assistant technology! Next try the three playing methods illustrated below. Different ways of playing produce different results.
Play with the left and right hands at the same timingtype 1. Play with the left and right hands at the same timingtype 2. Play alternately with the left and right handstype 3.
Play 3 notes at once with your right hand.
Play 1 note at a time with your right hand (for example: index nger middle nger ring nger).
Once you get a feel for it, try playing chords with your left hand and a melody with your right. or any other combination.
To use the performance assistant technology feature it is necessary to play a song that includes chord data, or a style with auto accompaniment on. If a song includes the required data, the chords are shown on the right side of the display (page 59).
Next try playing the Chopin Nocturne.
The procedure is that same as that described for playing Ave Maria on pages 2325. Select 011 Nocturne.

Nocturne

Listen to eight measures, then begin playing from the ninth measure.
Play the keys shown in the illustration. Keep playing F, A and C with your left hand and the correct notes will sound as the song proceeds. When you get used to playing the left hand part, refer to The Easy Way to Play Piano on page 23 and try adding the right-hand part.

Select a Style Rhythm

Most styles includes a rhythm part. You can select from a wide variety of rhythmic typesrock, blues, Euro trance, and many, many more. Lets begin by listening to just the basic rhythm. The rhythm part is played using percussion instruments only.
Press the [STYLE] button.
The style number and name will appear in the display.

Style Name

BritRock
Style Number This icon appears when a style number and name is displayed.

Select a style.

Use the dial to select the style you want to use. A list of all the available styles is provided on page 112.
An external style le loaded into style number 166 can be selected and used in the same way as the internal styles. The style le must be loaded into style number 166 after transferring it to the instrument from a computer. For details, refer to the section Loading Style Files on page 74.
Press the [START/STOP] button.
The style rhythm will start playing. Press the [START/STOP] button a second time when you want to stop playback.
Style numbers 141, 153165 have no rhythm part and therefore no rhythm will play if you use them for the above example. For these styles rst turn auto accompaniment on as described on page 34, press the [START/STOP] button, and the accompaniment bass and chord parts will begin playing when you play a key to the left of the keyboard split point.

Play Along with a Style

You learned how to select a style rhythm on the preceding page. Here well see how to add bass and chord accompaniment to the basic rhythm to produce a full, rich accompaniment that you can play along with.
Press the [STYLE] button and select the desired style. Turn automatic accompaniment on.
Press the [ACMP ON/OFF] button. Pressing this button a second time will turn automatic accompaniment off.
This icon appears when automatic accompaniment is on.
When automatic accompaniment is on. The area of the keyboard to the left of the split point (54 : F#2) becomes the auto accompaniment region and is used only for specifying the accompaniment chords.

Split point (54 : F#2)

The keyboard split point can be changed as required: refer to page 72.
Auto accompaniment region

Turn sync start on.

Press the [SYNC START] button to turn the sync start function on.
Flashes when sync start is on.
When sync start is on, the bass and chord accompaniment included in a style will start playing as soon as you play a note to left of the keyboard split point. Press the button a second time to turn the sync start function off.

Flash Clear

To clear song, style and music database les that have been transferred to the internal ash memory from a computer, turn the power on by pressing the [STANDBY/ON] switch while simultaneously holding the highest white key on the keyboard and the three highest black keys.
When you execute the Flash Clear operation, data you have purchased will also be cleared. Be sure to save data you want to keep to a computer.

Basic Operation

Overall PSR-E413 control is based on the following simple operations.
1 Press a button to select a basic function. 2 Use the dial to select an item or value. 3 Start a function.

3 Start a function.

2 Select an item or value.

Display (page 59)

1 Select a basic function.

Volume Adjustment

Adjusts the volume of the sound heard via the instruments speakers or a pair of headphones plugged into the PHONES jack.
The Press & Hold Symbol
The symbol that appears next to some buttons indicates that the button can be pressed and held for longer than a second to call up a related function. This provides convenient direct access to a range of functions.
Rotate counterclockwise to lower the volume.
Rotate clockwise to increase the volume.
Press a button to select a basic function.
Select a song you want to listen to or a song you want to use for a lesson. Select an auto-accompaniment style.
Select a voice you want to play on the keyboard.
Use the dial to select an item or value.
When you select a basic function, the item corresponding to that function will be displayed. You can then use the dial or the number buttons [0][9] to select the desired item.
This portion of the display indicates the name and number of the currently selected song, voice and style. It also displays the name and current setting/ value of other functions.

Changing Values

] and [
Rotate the dial clockwise to increase the value of the selected item, or counterclockwise to decrease its value. Rotate the dial continuously to continuously increase or decrease the value.

Decrease Increase

CATEGORY [

] buttons

When selecting a song, style, or voice, you can use these buttons to jump to the rst item in the next or previous category. The CATEGORY [ ] and [ ] buttons are useful for selecting categorized items, as in the example below.

Example: VOICE SELECT

[+] and [-] Buttons
Press the [+] button briey to increment the value by 1, or press the [-] button briey to decrement the value by 1. Press and hold either button to continuously increment or decrement the value in the corresponding direction.

Adjusting the Metronome Tempo
1 Press the [TEMPO/TAP] button to call

up the tempo setting.

Current Tempo setting
2 Use the dial to select a tempo from 11 to
Indicates the beat number in the measure
Setting the Number of Beats per Measure, and the Length of Each Beat
In this example well set up a 5/8 time signature.
1 Press and hold the [METRONOME] button for longer than a second to select the number of beats per measure function TimesigN.
The available range is from 0 through 60. Select 5 for this example.
NOTE The metronome time signature will synchronize to a style or song that is playing, so these parameters cannot be changed while a style or song is playing.

3 Press the CATEGORY [

TimesigN
Number of beats per measure.
] and [ ] buttons as many times as necessary to select the beat length function TimesigD. The currently selected beat length will be displayed.

TimesigD

2 Use the dial to select the number of

The length of one beat.

beats per measure. A chime will sound on the rst beat of each measure while the other beats will click. All beats will simply click with no chime at the beginning of each measure if you set this parameter to 00.
4 Use the dial to select the beat length.
Select the required length for each beat: 2, 4, 8, or 16 (half note, quarter note, eighth note, or 16th note). Select 8 for this example.
Adjusting the Metronome Volume 1 Press the [FUNCTION] button. 3 Use the dial to set the metronome volume as required.
] and [ ] buttons to select the Metronome Volume item.

MtrVol

Metronome volume

Tap Start

You can supply a count-in at any tempo you like to start playback. Simply tap the [TEMPO/TAP] button at any tempo4 times for time signatures in 4, and 3 times for time signatures in 3and the selected style/ song will begin playing at the tapped tempo.
Touch Response Sensitivity
When touch response is on you can adjust the keyboards sensitivity to dynamics in three steps.
1 Press the [TOUCH] button to turn touch
response on. The touch response icon will appear in the display when touch response is on (page 59).

REGIST 1

This instrument has a Sleep Mode function that allows it to automatically go into a lowpower sleep mode if not operated for specied period of time. In Sleep Mode all panel indicators and the display backlight are off to conserve power. The Sleep Mode function is initially disabled (OFF) by default.
] and [ ] buttons to select the SLEEP item.

Time to Sleep Mode

Setting the Sleep Mode
3 Rotate the dial to set the desired time
until Sleep Mode begins (320 minutes). The time can be set in one-minute increments. Select OFF to disable Sleep Mode (the instrument will not go to sleep). The instrument will wake from Sleep Mode as soon as a panel control is operated, a key is pressed, or a MIDI command is received.
The Functions provide access to a range of detailed instrument parameters for tuning, setting the split point, and adjusting the voices and effects. Take a look at the function list starting on the opposite page. When you locate a function you want to set up, simply select the functions display name (shown to the right of the function name in the list) and adjust as required.
Selecting and Setting Functions 1 Find the function you want to set in the
list that begins on page 84.
2 Press the [FUNCTION] button.

3 Select a function.

Press the CATEGORY [ ] and [ ] buttons as many times as necessary until the functions display name appears in the display.

The Functions

4 Use the dial, the [+] and [-] buttons, or
the [0][9] number buttons to set the selected function as required. The [+] and [-] buttons are used to make ON/ OFF type settings: [+] = ON, [-] = OFF. In some cases the [+] button will initiate execution of the selected function, and the [-] will cancel the selection.

Direct numeric entry.

Decrement value by 1. OFF Cancel
Increment value by 1. ON Execute Press simultaneously to recall the default setting.

The selected function.

Some Function settings are stored in memory as soon as they are changed. See The Backup Parameters on page 56 for information on the function settings that are stored on the instrument. To restore all initial factor default settings perform the Backup Clear procedure described in the Initialization section on page 56.

Function Setting List

Setting Style Volume Song Volume Transpose Tuning Pitch Bend Range Item title StyleVol SongVol Transpos Tuning PBRange Range/Settings -1212 -000127 (C-2G8) 1(Soft), 2(Medium), 3(Hard) 000127 -2+(left) 64 (center) 127 (right) -2+(left) 64 (center) 127 (right) -2+(left) 64 (center) 127 (right) Description Determines the volume of the Style. Determines the volume of the Song. Determines the pitch of the instrument by semitone increments. Sets the pitch of the instruments sound in 1-cent increments. Sets the pitch bend range in semitone increments. Determines the highest key for the Split voice and sets the Split point in other words, the key that separates the Split (lower) and Main (upper) voices. The Split Point setting and Accompaniment Split Point setting are automatically set to the same value. When Touch Response is on, this determines the sensitivity of the feature. Determines the volume of the Main voice. Determines the octave range for the Main voice. Determines the pan position of the Main voice in the stereo image. The value 0 results in the sound being panned full left; the value 127 results in the sound being panned full right. Determines how much of the Main voices signal is sent to the Reverb effect. Determines how much of the Main voices signal is sent to the Chorus effect. Sets the Main voice attack time. Sets the Main voice release time. Sets the Main voice lter cutoff frequency. Sets the Main voice lter resonance. Selects the Dual voice. Determines the volume of the Dual voice. Determines the octave range for the Dual voice. Determines the pan position of the Dual voice in the stereo image. The value 0 results in the sound being panned full left; the value 127 results in the sound being panned full right. Determines how much of the Dual voices signal is sent to the Reverb effect. Determines how much of the Dual voices signal is sent to the Chorus effect. Sets the Dual voice attack time. Sets the Dual voice release time. Sets the Dual voice lter cutoff frequency. Sets the Dual voice lter resonance. Selects the Split voice. Determines the volume of the Split voice. Determines the octave range for the Split voice. Determines the pan position of the Split voice in the stereo image. The value 0 results in the sound being panned full left; the value 127 results in the sound being panned full right. Determines how much of the Split voices signal is sent to the Reverb effect. Determines how much of the Split voices signal is sent to the Chorus effect.

If during the installation the system displays.has not passed Windows Logo testing to verify its compatibility with Windows XP, click [Continue Anyway].
8 When the installation is complete, the
Wizard displays Completing the Found New Hardware Wizard. Click [Finish]. (Some computers may take a while to display the Wizard window.) Restart the computer. The USB-MIDI driver installation is complete.
Wizard displays Completing the Found New Hardware Wizard. Click [Finish]. (Some computers may take a while to display the Wizard window.) If the system displays Found New Hardware in the lower right corner, wait until the Wizard window is displayed. (Some computers may take a while to display the Wizard window.)

9 Restart the computer.

The USB-MIDI driver installation is complete.
This Wizard window will not appear when using Windows XP Professional x64 Edition. There is no need to restart the computer.
(Some computers may take a while to display the window.) The USB-MIDI driver installation is complete.
When using Windows XP Professional x64 Edition, the Support Module must be installed. After installing the USB-MIDI drivers for all the connected USB devices, select My Computer from the Start menu. Right-click the CD-ROM icon and select Open from the pop-up menu. Select USBdrvVista_ XPx64SupportModule Setup.exe and launch Setup.exe. Follow the onscreen directions.
Once the Support Module is installed, this step is not necessary, even if youve connected a new USB device or updated the USBMIDI driver.
Installing the Musicsoft Downloader and Digital Music Notebook Applications
IMPORTANT You will need to log on with administrator (root) privileges in order to install Musicsoft Downloader on a computer running Windows 2000, XP or Vista.
You will need to log on with administrator (root) privileges in order to install Digital Music Notebook on a computer running Windows XP or Vista.
IMPORTANT When installing the Digital Music Notebook, make sure that Internet Explorer 6.0 (with SP1) or higher is installed to your computer. IMPORTANT Credit card settlement is required to purchase Digital Music Notebook content. Credit card processing may not be possible for some areas, so please check with your local authorities to make sure that your credit card can be used.
Installing the driver in Windows Vista
1 Start the computer and use the Adminis2 3
trator account to log on to Windows Vista. Insert the included CD-ROM into the CDROM drive. A start window will appear automatically. First, make sure the POWER switch on the MIDI device is set to OFF, then use a USB cable to connect the MIDI device to the computer. After making the connections, turn on the power of the MIDI device. The system automatically launches the Found New Hardware window. Click Locate and install driver software (recommended). Otherwise, refer to Troubleshooting in the Accessory CD-ROM Installation Guide section of the Owners Manual. (Some computers may take a while to display the window.).

Voice No. 508 509

Bank Select MIDI Program Voice Name MSB LSB Change# (0127) (0127) (1128) 113 Bonang 113 Altair 113 Gamelan Gongs 113 Stereo Gamelan Gongs 113 Rama Cymbal 114 Agogo 115 Steel Drums 115 Glass Percussion 115 Thai Bells 116 Woodblock 116 Castanets 117 Taiko Drum 117 Gran Cassa 118 Melodic Tom 118 Melodic Tom Real Tom 118 Rock Tom 119 Synth Drum 119 Analog Tom 119 Electronic Percussion 120 Reverse Cymbal SOUND EFFECTS 121 Fret Noise 122 Breath Noise 123 Seashore 124 Bird Tweet 125 Telephone Ring 126 Helicopter 127 Applause 128 Gunshot 1 Cutting Noise 2 Cutting Noise String Slap 17 Flute Key Click 33 Shower 34 Thunder 35 Wind 36 Stream 37 Bubble 38 Feed 49 Dog 50 Horse 51 Bird Tweet Maou 65 Phone Call 66 Door Squeak 67 Door Slam 68 Scratch Cut 69 Scratch Split 70 Wind Chime 71 Telephone Ring Car Engine Ignition 82 Car Tires Squeal 83 Car Passing 84 Car Crash 85 Siren 86 Train 87 Jet Plane 88 Starship 89 Burst 90 Roller Coaster 91 Submarine 97 Laugh 98 Scream 99 Punch 100 Heartbeat 101 Footsteps 113 Machine Gun 114 Laser Gun 115 Explosion 116 Firework
The voice number with an asterisk (*) is XGlite optional voice.

Drum Kit List

indicates that the drum sound is the same as Standard Kit 1. Each percussion voice uses one note. The MIDI Note # and Note are actually one octave lower than keyboard Note # and Note. For example, in 117: Standard Kit 1, the Seq Click H (Note# 36/Note C1) corresponds to (Note# 24/Note C0). Key Off: Keys marked O stop sounding the instant they are released. Voices with the same Alternate Note Number (*1. 4) cannot be played simultaneously. (They are designed to be played alternately with each other.)
Voice No. MSB (0127) / LSB (0127) / PC (1128) Keyboard MIDI Key Alternate
Note# Note Note# Note Off assign
117 127/000/001 Standard Kit 1 Surdo Mute Surdo Open Hi Q Whip Slap Scratch H Scratch L Finger Snap Click Noise Metronome Click Metronome Bell Seq Click L Seq Click H Brush Tap Brush Swirl Brush Slap Brush Tap Swirl Snare Roll Castanet Snare Soft Sticks Kick Soft Open Rim Shot Kick Tight Kick Side Stick Snare Hand Clap Snare Tight Floor Tom L Hi-Hat Closed Floor Tom H Hi-Hat Pedal Low Tom Hi-Hat Open Mid Tom L Mid Tom H Crash Cymbal 1 High Tom Ride Cymbal 1 Chinese Cymbal Ride Cymbal Cup Tambourine Splash Cymbal Cowbell Crash Cymbal 2 Vibraslap Ride Cymbal 2 Bongo H Bongo L Conga H Mute Conga H Open Conga L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas Samba Whistle H Samba Whistle L Guiro Short Guiro Long Claves Wood Block H Wood Block L Cuica Mute Cuica Open Triangle Mute Triangle Open Shaker Jingle Bells Bell Tree

Alphabetical order

A-B Repeat..78 Accessories..7 ACMP...34 Arpeggio..14 Arpeggio List..113 Arpeggio Type..15 Arpeggio Velocity..67 Attack..20 Auto Accompaniment Range.34 Auto-Accompaniment.34 AWM..6
Flash Memory.. 42 Foot Switch.. 11 Function.. 83-84

Grade.. 45

Harmony.. 60 Harmony Type.. 60 Harmony Volume.. 69 Headphones.. 11

Backup..56

Initial Send.. 85, 90 Initialization... 56
CD-ROM...93 Channel Message..87 Chord.. 36, 38, 75-76 Chord Dictionary..77 CHORD ROOT.77 CHORD TYPE..77 Chorus..19, 62 Chorus Type..62, 117 Computer...87 Cutoff..19

Keyboard Out.. 88

Lesson.. 43 Load SFF... 74 Local... 88 L-Part... 92
Default Setting..83 Delete (Song Track)..55 Delete (User Song).55 Demo..40 Demo Cancel..85 Display..59 Drum Kit..32 Drum Kit List..110 Dual Voice..29 Dual Voice Chorus Level.84 Dual Voice Octave..84 Dual Voice Pan..84 Dual Voice Reverb Level.84 Dual Voice Volume..84
Main Voice.. 28 Main Voice Chorus Level.. 84 Main Voice Octave.. 84 Main Voice Pan. 84 Main Voice Reverb Level.. 84 Main Voice Volume.. 84 Master EQ Type.. 69 Measure.. 59 Melody Voice.. 51, 79 Metronome.. 63 MIDI... 86 MIDI Data Format.. 120 MIDI Implementation Chart. 118 Music Database. 49 Music Database List.. 114 Music Rest... 7 Mute... 79
Easy Chords..38 Easy Song Arranger..50 Effect Map..120 Effect Type List..117 External Song..42

Notation.. 59

Filter..19 Filter (Style)..20

One Touch Setting. 68

PC Mode.. 89 Performance assistant technology. 23 Pitch Bend Range.. 84 Power Adaptor.. 10 Preset Song..39, 41-42
Recording.. 52 Registration Memory.. 80 Release.. 20 Remote control.. 89 Repeat... 48 Resonance.. 19 Reverb.. 19, 61 Reverb Type.. 117 R-Part... 92
Touch Response.65 Touch Sensitivity..65 Track.. 52-55 Track Clear..55 Transfer.. 90-92 Transpose...66 Troubleshooting (Installation).98 Troubleshooting (Instrument)..99 Tuning...66
USB..87 USB-MIDI Driver.. 96-97 User Song..52
Voice...28 Voice List..106
Save (Backup File). 92 Save (Panel Setting).. 80 Score..100-105 Sleep... 82 SMF (Standard MIDI File). 90 Software Licensing Agreement.. 121 Song.. 39 Song Clear.. 55 Song List.. 41, 116 Song Memory.. 52 Song Out.. 88 Song Volume.. 78 Specifications.. 123 Split Point.. 30, 72 Split Voice.. 30 Split Voice Chorus Level. 84 Split Voice Octave. 84 Split Voice Pan.. 84 Split Voice Reverb Level. 84 Split Voice Volume.. 84 Standard Chords.. 38 Style..33-37, 70 Style File... 74 Style List.. 112 Style Out.. 88 Style Tempo... 20 Style Volume.. 72 Sustain (Footswitch).. 11 Synchro Start.. 34, 36, 70 Synchro Stop.. 71 System Message.. 87

DIGITAL KEYBOARD

Owners Manual
How to use this manual Before using the PSR-E323/YPT-320, be sure to read the PRECAUTIONS section on pages 45. Follow the instructions described in Setting Up, then try out the simple operations in Quick Guide. Reference provides detailed descriptions and procedures for getting the most out of the instrument. After youve read the manual, keep it safe and handy for future reference. Data List The Data List contains MIDI related information. The Data List is available for downloading from the Yamaha Manual Library at: http://www.yamaha.co.jp/manual/

Appendix

Reference

Quick Guide

Setting Up

SPECIAL MESSAGE SECTION

This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specically recommended by Yamaha. This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is used, please observe all safety markings and instructions that accompany the accessory product. This product may also use household type batteries. Some of these may be rechargeable. Make sure that the battery being charged is a rechargeable type and that the charger is intended for the battery being charged. When installing batteries, do not mix batteries with new, or with batteries of a different type. Batteries MUST be installed correctly. Mismatches or incorrect installation may result in overheating and battery case rupture.

Warning:

Do not attempt to disassemble, or incinerate any battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by the laws in your area. Note: Check with any retailer of household type batteries in your area for battery disposal information.
SPECIFICATIONS SUBJECT TO CHANGE:
The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specications without notice or obligation to update existing units. This product, either alone or in combination with an amplier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for long periods of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs.

Disposal Notice:

Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc. If your dealer is unable to assist you, please contact Yamaha directly.

NAME PLATE LOCATION:

The name plate is located on the bottom of the product. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.

NOTICE:

Service charges incurred due to a lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturers warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service.

If the AC adaptor cord or plug becomes frayed or damaged, or if there is a sudden loss of sound during use of the instrument, or if any unusual smells or smoke should appear to be caused by it, immediately turn off the power switch, disconnect the adaptor plug from the outlet, and have the instrument inspected by qualied Yamaha service personnel.

CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. These precautions include, but are not limited to, the following:
When removing the electric plug from the instrument or an outlet, always hold the plug itself and not the cord. Unplug the AC power adaptor when not using the instrument, or during electrical storms. Do not connect the instrument to an electrical outlet using a multiple-connector. Doing so can result in lower sound quality, or possibly cause overheating in the outlet.

Location

Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disguration or damage to the internal components. Do not use the instrument in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio may generate noise. Do not place the instrument in an unstable position where it might accidentally fall over. Before moving the instrument, remove all connected adaptor and other cables. When setting up the product, make sure that the AC outlet you are using is easily accessible. If some trouble or malfunction occurs, immediately turn off the power switch and disconnect the plug from the outlet. Even when the power switch is turned off, electricity is still owing to the product at the minimum level. When you are not using the product for a long time, make sure to unplug the power cord from the wall AC outlet. Use only the stand specied for the instrument. When attaching the stand or rack, use the provided screws only. Failure to do so could cause damage to the internal components or result in the instrument falling over.

Battery

Always make sure all batteries are inserted in conformity with the +/- polarity markings. Failure to do so might result in overheating, re, or battery uid leakage. Always replace all batteries at the same time. Do not use new batteries together with old ones. Also, do not mix battery types, such as alkaline batteries with manganese batteries, or batteries from different makers, or different types of batteries from the same maker, since this can cause overheating, re, or battery uid leakage. Do not dispose of batteries in re. Do not attempt to recharge batteries that are not intended to be charged. When the batteries run out, or if the instrument is not to be used for a long time, remove the batteries from the instrument to prevent possible leakage of the battery uid. Keep batteries away from children. If the batteries do leak, avoid contact with the leaked uid. If the battery uid should come in contact with your eyes, mouth, or skin, wash immediately with water and consult a doctor. Battery uid is corrosive and may possibly cause loss of sight or chemical burns.

The Song will begin playing. You can stop playback at any time by pressing the [START/ STOP] button.
Songs can be played at any tempo you desirefast or slow (page 22).
Rewind/Fast-forward/Pause
[REW] button. Fast-reverses the Song if pressed during playback (no sound is heard during fast reverse). Decreases the measure number if pressed while playback is stopped. [FF] button. Fast-forwards the Song if pressed during playback. Increases the measure number if pressed while playback is stopped. [PAUSE] button. Temporarily stops playback. Press this button a second time to resume playback from the point at which it was stopped.

Using the [DEMO] button

Press the [DEMO] button to play Songs 001, 002, 003, in sequence, and playback will continue repeatedly starting again from the rst Song 001. You can stop playback at any time by pressing the [DEMO] button.
Press the [START/STOP] button.
Styles are rhythm/accompaniment patterns and are played by the auto accompaniment feature. You can select from a wide variety of rhythmic typesrock, blues, Euro trance, and many, many more. Here well learn how to select and play Styles using chords. While you play, you can automatically add specially created intros and endings, as well as variations in the rhythm/chord patterns, for more dynamic, professional-sounding performances.

Split Point

Auto Accompaniment range Try playing chords with your left hand.
Play a melody with your right hand.

Before Performance

Select the String Ensemble Voice as the melody Voice, referring to step 2 on page 12.
Play along with the styles
Press the [STYLE] button.
The Style number and name are displayed.

Style number Style name

8BtModrn

Select a Style.

Select the desired Style by using the number buttons [0][9], [+], [-]. Refer to the Style List on page 70.

LoveSong

Since the Pianist category Styles (098106) have no rhythm parts, no sound will be produced if you start rhythm-only playback. To use these Styles, turn on the auto accompaniment and play the keyboard as described on pages 20 (The bass and chord accompaniment parts will sound.)

Turn SYNC START on.

Press the [SYNC START] button.
Flashes when Sync Start is on.
You can also select commercially available Style Files. To do this load the Style Files from the computer to the instrument, and then register the style data starting with to style number 107. (Refer to the information on transferring data on page 61 and registering styles on page 55.) If the Style File has not been registered, No Data will be displayed when selecting style number 107.
Turn auto accompaniment on.
Press the [ACMP ON/OFF] button. Press the [ACMP ON/OFF] button again to turn the auto accompaniment off.
If you press the [START/ STOP] button while the auto accompaniment is off, only the rhythm (percussion) parts will start.
Appears when auto accompaniment is on
When auto accompaniment is on.
The keys to the left of the Split Point (54; F#2) will play only chords. This is known as the Auto Accompaniment range.

Split Point (page 47)

Auto Accompaniment range
Start playing along on the keyboard.
Style playback will begin as soon as you play a chord in the accompaniment range of the keyboard. In this case, try out the Song Aura Lee on the next page for practice purpose. For information on how to enter chords, see page 24.

Stop playing.

Playback will stop as soon as you press the [START/STOP] button.

Practice

Aura Lee
Recommended Style: 018 Love Song Recommended Voice: 047 String Ensemble

Composer: G. Poulton

Changing the tempo of the Style
Styles can be played at any tempo you desirefast or slow.
Press the [TEMPO/TAP] button to call up the Tempo setting in the display after selecting a Style.
Set the Tempo by using the number buttons [0][9], [+], [-].
Press the [+] and [-] buttons simultaneously to instantly reset the value to the default tempo of a Style.
Pattern Variation (Sections)
The instrument features a wide variety of Style sections (patterns) that allow you to vary the arrangement of the accompaniment to match the Song you are playing.
This is the beginning of the Song.
This is the main part of the Song.

Ending

This is the end of the Song.
This is the transition between main patterns.

Adding an Intro

Pressing the [INTRO/ENDING/rit.] button before playing back the Style automatically adds a short introduction before starting the actual (Main) rhythm. When the intro nishes playing, Style playback shifts to the main section.

Switching Main Patterns

There are two variations on the basic pattern (A and B). These are alternately selected each time the [MAIN/AUTO FILL] button is pressed. The main accompaniment pattern plays, and repeats indenitely until another sections button is pressed.

Adding a Fill-in

A Fill-in pattern is automatically added before changing to section A or B.

Adding an Ending

Press the [INTRO/ENDING/rit.] button to begin playing an ending section. Playback will stop when the ending has played all the way through.
If you press the [INTRO/ENDING/rit.] button a second time (while the ending is playing) the ending will play ritardando (the tempo will gradually get slower).

Fill in

Playing chords along with score of the Song
Below is an example of a melody score with chord indications.
Play the melody on the staff with your right hand, and chords with your left hand. Find the appropriate chords on the next page and play them as illustrated.

Chords

Melody
Chord names From the chord name, you can tell at a glance what type of chord it is and which notes make up the chord. Understanding the basic structure of chords is very usefulonce youre familiar with this, youll be quickly and easily play chords by looking at the names that appear above the notation.

Root note Chord type

Major 3rd

Minor 3rd

Taking the chord above as an example, the lowest note of this triad is called the root note. This is the central note sound, and it supports or anchors the rest of the notes chord. Upper case letters (including sharps or ats) at the left of the chord name shows root note. The chord name is determined by a root note and chord type like as major or minor, and so on.
For users who are new to chords, this chart features common chords. Since there are many useful chords and many different ways to use them musically, refer to commercially available chord books for further details.

indicates the root note. Major Minor Seventh Minor Seventh Major Seventh
Inversions can be used as well as in root positionwith the following exceptions: m7, m7b5, 6, m6, sus4, aug, dim7, 7b5, 6(9), sus2 Inversion of the 7sus4 and m7(11) chords are not recognized if the notes are omitted. sus2 chords are indicated by the root name only.

Easy Chords

This method lets you easily play chords in the accompaniment range of the keyboard using only one, two, or three ngers.

For root C

To play a major chord Press the root note () of the chord.
To play a minor chord Press the root note together with the nearest black key to the left of it.
To play a seventh chord Press the root note together with the nearest white key to the left of it.
To play a minor seventh chord Press the root note together with the nearest white and black keys to the left of it (three keys altogether).
Basic Operation and Displays

Basic Operation

Press a button to select a basic function: Voice, Song or Style.

3 Start a function.

Display (page 27)

1 Select a basic

function.

2 Select an item or

value.
Press the [SONG] button to access the SONG functions (printed above the buttons), and press the [STYLE] button to access the STYLE functions (printed below).
Number buttons [0][9] The number buttons can be used to directly enter a Song, Style or Voice number or parameter value. For numbers that start with one or two zeroes, the rst zeroes can be omitted.
Example: Selecting Voice 002, Bright Piano. Press number buttons [0], [0], [2].
The Press & Hold Symbol Buttons having this indication can be used to call up an alternate function when the relevant button is pressed and held. Hold down this button until the function calls up. 26
[+], [-] buttons Press the [+] button briey to increase the value by 1, or press the [-] button briey to decrease the value by 1. Press and hold either button to continuously increase or decrease the value in the corresponding direction.

Press briey to decrease.

Press briey to increase.

Display

The Main display shows all of the current basic settings for Song, Style and Voice. It also includes a range of indicators that show the on/off status for various functions.

Excellen

Displayed when youve passed the Step.

Score of 60100

You passed! The next Step begins automatically.
You can select another Step as desired by using the [+]/[-] buttons. All songs have a nishing step, and in that step, you will practice all the way thorough the song which you have selected as a lesson Song in the step 1. When you pass all Steps, the Keys to Success mode will automatically be turned off and playback stops.
If the specied part is both hands, you cannot pass the Step until you play both hands, even if you play one of the hands well. Only a message such as L-part is Nice appears in the display.
Stop Lesson. You can stop the Lesson at any time by pressing the [KEYS TO SUCCESS] button.
When you want to select another Song during a lesson, press the [SONG] button to call up the currently selected Song name in the display (for three seconds), then select the Song as required using the [+]/[-] buttons or number buttons while the Song name appears. When you select the new Song, the lowest number Step not yet passed of the Song will automatically be selected for the Lesson.

Score of 059

Try the same Step again. The same Step begins automatically.
Entering and Clearing the Passing Status
Entering Passing status will automatically be entered and shown in the display when the Step or Song is selected. You can recognize at a glance whether or not youve passed the selected Step or Song.

When Step is selected

Passed No information: Not yet passed

When Song is selected

: There are one or more Steps not yet passed in addition : Only last Step passed : All Steps passed other than last Step : All Steps passed Clearing You can clear existing passing status entries. Select the desired Song or Step for clearing the passing status and hold the [KEYS TO SUCCESS] button for longer than three seconds. After the passing status has been cleared, a Cleared message will appear on the display. Once the operation has been completed, no information will appear even when selecting the Song or Step.

to the last Step

You cannot clear any entries during the Song or Step playback. If a Song or Step is currently being played back, stop playback rst.

Cleared

Hold for longer than three seconds
Deleting the Song recording will delete all Step passing status entries as well.

Listening Timing Waiting

You can select any Song you like and use it for a left-hand, right-hand, or both-hands lesson. Song Lesson lets you learn how to play Songs in three easy steps. Songs that can be used with the Lesson feature include Songs transferred from a computer to ash memory (SMF Format 0 only; see page 60). The procedure for transferring songs are described on page 61. The lesson modes: 1 Listening.. Listen and learn the melody or rhythm of a selected Song. 2 Timing. Learn to play the notes at the correct timing along with the Song. 3 Waiting.. Learn to play the correct notes.

Select a desired Chorus Type by using the number buttons [0][9], [+], [-]. Refer to the Chorus Type list on page 73 for details. You can adjust the Chorus depth independently for the Main, Dual and Split Voices in the Function Settings (page 56).

Adding Panel Sustain

This function adds a xed sustain to the keyboard Voices.
Touch Response Sensitivity

Touch Response

Press the [FUNCTION] button a number of times until the Sustain item appears.

Sustain

Appears when Touch Response is on.

Current setting

Press the [+] button to turn the Panel Sustain on. Panel Sustain will be added to the notes you play on the keyboard when the Panel Sustain is on. To turn it off, press the [-] button.
Press the [TOUCH] button to turn Touch Response on. When Touch Response is on, you can control the volume of notes according to how hard you play the keys. Touch Response is normally on. Press the [TOUCH] button again to turn the Touch Response off. When Touch Response is off, the same volume will be produced no matter how hard you play the keys.
See the section Connecting a footswitch on page 9 for information on applying sustain with the optional footswitch.
The Touch Response function cannot be used for some Voices (such as organ), even if the Touch Response icon appears in the display.
Setting the Touch Sensitivity
When Touch Response is on, you can adjust the sensitivity of the keyboard in response to keyboard dynamics in three steps. Higher values produce greater (easier) volume variation in response to keyboard dynamicsin other words, greater sensitivity.
Press and hold the [TOUCH] button for longer than a second. TouchSns appears in the display for a few seconds, followed by the current Touch Sensitivity value.

Medium

Currently selected Touch Sensitivity
Select a Touch Sensitivity setting between 1 and 3 by using the number buttons [0][9], [+], [-].
Playing Two Voices SimultaneouslyDual
You can select a second Voice which will play in addition to the Main Voice selected on the previous page. This second Voice is known as the Dual Voice.

Selecting a Dual Voice

The best-suited Dual Voice is automatically selected whenever you turn Dual on, but you can select any of the available Dual Voices.
Press and hold the [DUAL] button for longer than a second. D. Voice appears in the display for a few seconds, then the Dual Voice will appear.
Currently selected Dual Voice

Harmony Type Harmony Volume PC Mode Local On/Off External Clock Initial Setup Send Time Signature Numerator Time Signature Denominator Metronome Volume Lesson Track (R)
HarmType HarmVol PC0mode Local ExtClock InitSend TimeSigN TimeSigD
OFF/PC1/PC2 ON/OFF ON/OFF YES/NO 0060 Half note, Quarter note, Eighth note, Sixteenth note 000127 0116

MetroVol R-Part

Determines the volume of the Metronome. Determines the guide track number for your right hand lesson. The setting is only effective for Songs in SMF format 0 transferred from a computer. Refer to the section Using Transferred Songs for Lessons on page 62. Determines the guide track number for your left hand lesson. The setting is only effective for Songs in SMF format 0 transferred from a computer. Refer to the section Using Transferred Songs for Lessons on page 62 Determines whether Demo cancel is enabled or not. When this is set to ON, the Demo Song will not play, even if the [DEMO] button is pressed.

Lesson Track (L)

L-Part

Demo Cancel

D-Cancel

ON/OFF

The instrument features a MIDI terminals that can be connected to other MIDI instruments and devices for expanded musical functionality.

What is MIDI?

MIDI (Musical Instrument Digital Interface) is a world-standard interface for communication between electronic musical instruments and music devices. When MIDI-equipped instruments are connected via a MIDI cable, it becomes possible to transfer performance and setting data between them for signicantly enhanced performance and production potential.
Transferring Performance Data To and From Another Instrument
By connecting the PSR-E323/YPT-320 to other MIDI devices or a computer, the performance data of the instrument can be used on those other MIDI devices or computer, and also the performance data from other MIDI devices and computer can be received and sounded with the PSRE323/YPT-320. A Yamaha UX16 or similar USB-MIDI interface (sold separately) will be necessary for MIDI connection between the PSR-E323/YPT-320 and a USB-equipped computer. Make sure to purchase a Yamaha UX16 or a quality USB-MIDI interface at a musical instrument store, computer store or electrical appliance store. If you use the UX16 interface, install the driver supplied with the interface on your computer.
Connect the PSR-E323/YPT-320 to external equipment only after turning off power for all devices. Then, turn on the power, rst to the PSR-E323/YPT-320, then to the connected external equipment. Reverse this order when you turn the power off.
MIDI cables (sold separately) must be used for connecting to MIDI devices. They can be bought at music stores, etc.

You can set the Local Control in the Function Settings (page 56).
If you cant get any sound out of the instrument, Local Control may be the most likely cause. Playing the keyboard results in no sound when Local is set to OFF.
Press and hold the [DEMO] button for longer than a second to call up the PC Mode.

External Clock Settings

These settings determine whether the instrument is synchronized to its own internal clock (OFF), or to a clock signal from an external device (ON).
On The instruments time based functions will be synchronized to the clock from an external device connected to the MIDI terminal. Off The instrument uses its own internal clock (default).

PC mode

Select PC1, PC2, or OFF by using the [+], [-] buttons.
You can set the External Clock in the Function Settings (page 56).
If External Clock is ON and no clock signal is being received from an external device, the Song, Style, and metronome functions will not start.
Determines whether Song data is transmitted (ON) via MIDI or not (OFF) during Song playback. *** Determines whether Style data is transmitted (ON) via MIDI or not (OFF) during Style playback. **** Determines whether keyboard performance data of the instrument is transmitted (ON) or not (OFF).
Remote Control of MIDI Devices
You can also use this instrument as a remote control device for the Digital Music Notebook application on your computer (via the MIDI connection) controlling playback, stop and transport functions from the panel. Remote control keys PSR-E323/YPT-320: To use the remote control functions, simultaneously hold down the lowest two keys on the keyboard (C1 and C#1) and press the appropriate key (shown below).
Transferring data between the PSRE323/YPT-320 and a computer
The PSR-E323/YPT-320 includes 102 preset Songs and 106 Styles, but you can load other Songs and Styles from your computer and use them in the same way as the preset Songs and Styles as long as the loaded Song is SMF format 0* or the loaded Style is SFF (Style File Format). Loaded Song data will be stored to Song numbers beginning with 108 and one of the loaded style/s can be registered as the 107th style. In order to perform the operations described in this section you will need to use a computer connected to the Internet to download the free Musicsoft Downloader application.

LSB (0127) 35

246 *285 286
MIDI Program Voice Name Change# (1128) 32 Guitar Harmonics 2 BASS 33 Acoustic Bass 33 Jazz Rhythm 33 Velocity Crossfade Upright Bass 34 Finger Bass 34 Finger Dark 34 Bass & Distorted Electric Guitar 34 Finger Slap Bass 34 Finger Bass Modulated Bass 35 Pick Bass 35 Muted Pick Bass 36 Fretless Bass 36 Fretless Bass Fretless Bass Fretless Bass Slap Bass Punch Thumb Bass 38 Slap Bass Velocity Switch Slap 39 Synth Bass Techno Synth Bass 40 Synth Bass Mellow Synth Bass 40 Sequenced Bass 40 Click Synth Bass 40 Synth Bass 2 Dark 40 Modular Synth Bass 40 DX Bass STRINGS 41 Violin 41 Slow Violin 42 Viola 43 Cello 44 Contrabass 45 Tremolo Strings 45 Slow Tremolo Strings 45 Suspense Strings 46 Pizzicato Strings 47 Orchestral Harp 47 Yang Chin 48 Timpani ENSEMBLE 49 Strings Stereo Strings 49 Slow Strings 49 60s Strings 49 Orchestra 49 Orchestra Tremolo Orchestra 49 Velocity Strings 50 Strings Stereo Slow Strings 50 Legato Strings 50 Warm Strings 50 Kingdom 51 Synth Strings Synth Strings Choir Aahs 53 Stereo Choir 53 Mellow Choir 53 Choir Strings 54 Voice Oohs 55 Synth Voice 55 Synth Voice Choral 55 Analog Voice 56 Orchestra Hit 56 Orchestra Hit 2

LSB (0127) 64

MIDI Program Voice Name Change# (1128) 56 Impact BRASS 57 Trumpet 57 Warm Trumpet 58 Trombone 58 Trombone Tuba 60 Muted Trumpet 61 French Horn 61 French Horn Solo 61 French Horn Horn Orchestra 62 Brass Section 62 Trumpet & Trombone Section 63 Synth Brass Resonant Synth Brass 64 Synth Brass Soft Brass 64 Choir Brass REED 65 Soprano Sax 66 Alto Sax 66 Sax Section 67 Tenor Sax 67 Breathy Tenor Sax 68 Baritone Sax 69 Oboe 70 English Horn 71 Bassoon 72 Clarinet PIPE 73 Piccolo 74 Flute 75 Recorder 76 Pan Flute 77 Blown Bottle 78 Shakuhachi 79 Whistle 80 Ocarina SYNTH LEAD 81 Square Lead 81 Square Lead LM Square 81 Hollow 81 Shroud 81 Mellow 81 Solo Sine 81 Sine Lead 82 Sawtooth Lead 82 Sawtooth Lead Thick Sawtooth 82 Dynamic Sawtooth 82 Digital Sawtooth 82 Big Lead 82 Sequenced Analog 83 Calliope Lead 83 Pure Lead 84 Chiff Lead 85 Charang Lead 85 Distorted Lead 86 Voice Lead 87 Fifths Lead 87 Big Five 88 Bass & Lead 88 Big & Low 88 Fat & Perky 88 Soft Whirl SYNTH PAD 89 New Age Pad 89 Fantasy

LSB (0127) 0

MIDI Program Voice Name Change# (1128) 90 Warm Pad 91 Poly Synth Pad 92 Choir Pad 92 Itopia 93 Bowed Pad 94 Metallic Pad 95 Halo Pad 96 Sweep Pad SYNTH EFFECTS 97 Rain 97 African Wind 97 Carib 98 Sound Track 98 Prologue 99 Crystal 99 Synth Drum Comp 99 Popcorn 99 Tiny Bells 99 Round Glockenspiel 99 Glockenspiel Chimes 99 Clear Bells 99 Chorus Bells 99 Soft Crystal 99 Air Bells 99 Bell Harp 99 Gamelimba 100 Atmosphere 100 Warm Atmosphere 100 Hollow Release 100 Nylon Electric Piano 100 Nylon Harp 100 Harp Vox 100 Atmosphere Pad 101 Brightness 102 Goblins 102 Goblins Synth 102 Creeper 102 Ritual 102 To Heaven 102 Night 102 Glisten 102 Bell Choir 103 Echoes 104 Sci-Fi WORLD 105 Sitar 105 Detuned Sitar 105 Sitar Tamboura 106 Banjo 106 Muted Banjo 106 Rabab 106 Gopichant 106 Oud 107 Shamisen 108 Koto 108 Taisho-kin 108 Kanoon 109 Kalimba 110 Bagpipe 111 Fiddle 112 Shanai PERCUSSIVE 113 Tinkle Bell 113 Bonang 113 Altair 113 Gamelan Gongs 113 Stereo Gamelan Gongs 113 Rama Cymbal 114 Agogo

CONSUMERS RESPONSIBILITIES
If warranty service should be required, it is necessary that the consumer assume certain responsibilities: 1. Contact the Customer Service Department of the retailer selling the product, or any retail outlet authorized by Yamaha to sell the product for assistance. You may also contact Yamaha directly at the address provided below. 2. Deliver the unit to be serviced under warranty to: the retailer selling the product, an authorized service center, or to Yamaha with an explanation of the problem. Please be prepared to provide proof purchase date (sales receipt, credit card copy, etc.) when requesting service and/or parts under warranty. 3. Shipping and/or insurance costs are the consumers responsibility.* Units shipped for service should be packed securely. *Repaired units will be returned PREPAID if warranty service is required within the rst 90 days. IMPORTANT: Do NOT ship anything to ANY location without prior authorization. A Return Authorization (RA) will be issued that has a tracking number assigned that will expedite the servicing of your unit and provide a tracking system if needed. 4. Your owners manual contains important safety and operating instructions. It is your responsibility to be aware of the contents of this manual and to follow all safety precautions.

EXCLUSIONS

This warranty does not apply to units whose trade name, trademark, and/or ID numbers have been altered, defaced, exchanged removed, or to failures and/or damages that may occur as a result of: 1. Neglect, abuse, abnormal strain, modication or exposure to extremes in temperature or humidity. 2. Improper repair or maintenance by any person who is not a service representative of a retail outlet authorized by Yamaha to sell the product, an authorized service center, or an authorized service representative of Yamaha. 3. This warranty is applicable only to units sold by retailers authorized by Yamaha to sell these products in the U.S.A., the District of Columbia, and Puerto Rico. This warranty is not applicable in other possessions or territories of the U.S.A. or in any other country. Please record the model and serial number of the product you have purchased in the spaces provided below. Model___________________________ Serial #________________________________ Sales Slip #________________________________

Yamaha Music Europe GmbH Branch Switzerland in Zrich Seefeldstrasse 94, 8008 Zrich, Switzerland Tel: 01-383 3990

OTHER ASIAN COUNTRIES

AFRICA

Yamaha Corporation,

Asia-Pacic Music Marketing Group Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2312

AUSTRIA

Yamaha Music Europe GmbH Branch Austria Schleiergasse 20, A-1100 Wien, Austria Tel: 01-60203900
Yamaha Corporation, Asia-Pacic Music Marketing Group Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2317
CZECH REPUBLIC/SLOVAKIA/ HUNGARY/SLOVENIA
Yamaha Music Europe GmbH Branch Austria Schleiergasse 20, A-1100 Wien, Austria Tel: 01-602039025

OCEANIA

AUSTRALIA
Yamaha Music Australia Pty. Ltd. Level 1, 99 Queensbridge Street, Southbank, Victoria 3006, Australia Tel: 3-9693-5111

MIDDLE EAST

TURKEY/CYPRUS

POLAND

Yamaha Music Europe GmbH Branch Sp.z o.o. Oddzial w Polsce ul. 17 Stycznia 56, PL-02-146 Warszawa, Poland Tel: 022-868-07-57

NEW ZEALAND

Music Works LTD P.O.BOX 6246 Wellesley, Auckland 4680, New Zealand Tel: 9-634-0099

OTHER COUNTRIES

Yamaha Music Gulf FZE LOB 16-513, P.O.Box 17328, Jubel Ali, Dubai, United Arab Emirates Tel: +971-4-881-5868
COUNTRIES AND TRUST TERRITORIES IN PACIFIC OCEAN
Yamaha Corporation, Asia-Pacic Music Marketing Group Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2312
HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division
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