q Set the Dynamics Rate The Dynamics Rate sets the amount of the Dynamics template applied to the PSR730/630 within the range, 0-100%. Use the SUB MENU [s] and [t] buttons to select the DynamcsRate function from within the GROOVE & DYNAMICS menu. The currently set Dynamics Rate value will appear on the right of the top line of the display.

DynamcsR ate:100%

Use the [1][0] number buttons, the [+], [] buttons or the Data Dial to set the Dynamics Rate value within a range of 0-100%.
q Set the Expand Rate The Expand Rate widens or narrows the dynamic range of the Accompaniment within the range, 0-100 (original)-400%. Use the SUB MENU [s] and [t] buttons to select the ExpandRate function from within the GROOVE & DYNAMICS menu. The currently set Expand Rate value will appear on the right of the top line of the display.
Though Expand Rate can be adjusted by a rate of 1 in 100, the rate actually applied will be rounded down to nearest 10. For example, the rates 1 through 9 result in 0, no effect. The rates 29 and 53 result in 20 and 50, respectively. When using the Registration Memory function, the result rate will be memorized.

ExpandRa te: 100%

Use the [1][0] number buttons, the [+], [] buttons or the Data Dial to set the Expand Rate value within a range of 0-400%.
q Set the Boost Rate The Boost Rate strengthens or weakens the Accompaniment by offsetting the velocity value of the Style data, within the range, 0-100 (original)-400%. Use the SUB MENU [s] and [t] buttons to select the BoostRate function from within the GROOVE & DYNAMICS menu. The currently set Boost Rate value will appear on the right of the top line of the display.

BoostRat e:

You can jump directly to the BeatGroove sub menu of the GROOVE & DYNAMICS menu (Beat Groove Template selection screen) by pressing and holding the GROOVE & DYNAMICS button for a few seconds.
Use the [1][0] number buttons, the [+], [] buttons or the Data Dial to set the Boost Rate value within a range of 0-400%.
User settings will be lost when another accompaniment style is selected. To be able to recall your original settings anytime, save them using the Registration Memory function (page 57). Though Boost Rate can be adjusted by a rate of 1 in 100, the rate actually applied will be rounded down to nearest 10. For example, the rates 1 through 9 result in 0, no effect. The rates 29 and 53 result in 20 and 50, respectively. When using the Registration Memory function, the result rate will be memorized.

One Touch Setting

The PSR-730/630s 100 internal styles each have four recommended panel setups that can be instantly selected via the [ONE TOUCH SETTING] and REGISTRATION MEMORY [1] [4] buttons. The One Touch Setting feature automatically sets the following parameters:
q One Touch Setting Parameter List

The maximum number of files may vary according to the type and volume of the saved files (page 68).

User Style

User Pad Registration Memory
Save or load individually or gathered together
Up to 43 All type files (page 68) can be recorded on a 2HD disk. Up to 21 All type files can be recorded on a 2DD disk.
s Data that Can be Saved or Loaded with the PSR-730/630
Data Type User Style (101-104) [Style File Format] User Pad (bank 37-40) Registration Memory (bank 01-32) User Style + Registration Memory User Pad + Registration Memory User Style + User Pad User Song Extension.USR.USR.USR.USR.USR.USR.MID Save O O O O O O Load O O O O O O
When saving data, use a floppy disk formatted on the PSR730/630. The three letters after the file name (after the period) are called the extension. The extension shows the type of file. Since the user songs are directly recorded to the disk as you play during recording and read from the disk during playback, the Save/Load functions are not available. The Disk Copy, Song Copy and Delete File operations related to the user songs can be executed.
s Using Commercially Available Music Collections

(Sold Separately)

The PSR-730/630 can playback commercially available XG/GM music collection or YAMAHA DOC collection (Disk Orchestra Collection) disk files. It can also load styles collected on YAMAHA style file disks. The PSR-730/630 can handle music disks (floppy disks) that bear the following marks:
You can playback song files collected on these disks using the voices defined in the GM standard. You can playback songs using the XG format, an extension of the GM standard that allows for much higher sound quality. You can playback song files collected on these disks using the voices defined in Yamahas DOC format. You can load and play with the style files collected on these disks.
With song data software that includes lyrics, you can view the lyrics in the display during playback. Consult your Yamaha dealer for information on song data that is compatible with the Lyrics Display function of the PSR-730/ 630.

The Sample Disk

Try playing some of the songs on the included Sample Disk.
1 Insert the Sample Disk into the Disk Drive.
Once the disk is inserted, the menu icon on the display will automatically switch to the song menu, and the currently selected song name and song number will appear at the upper left of the display. The PSR-730/630 will switch into Song Mode. The SONG icon will light along with the DISK (floppy disk) icon and the XG icon.

PSR-730X G

ONE T SET

REGISTRATION ME

2 Start and Stop the Song
Press the [START/STOP] button, and playback of the Sample Disk song will begin.
For details, see page 76 Song Playback.

Format

Setting up commercially available floppy disks (3.5 inch, 2HD/2DD type) for use with the PSR-730/630 is called formatting Follow the steps below to format a disk.

COPY _002YES

5 Execute the Copy Operation
After changing the file name, or when you dont want to change the name, use the SUB MENU [w] button so that Execute: NO/YES appears on the display.
While the song is copying (Now Copying is displayed), never eject the floppy disk or turn the power off.
Press the [+] (YES) button and the save operation will begin. While it is in progress, Now Copying. will appear at the top of the display. When the copy operation is finished, the sub menu will return to Song Copy? YES.

Delete File

You can delete saved data (User Songs, User Styles, User Pads, or Registration Memory) from the floppy disk in file units.
Insert the disk with the files you want to delete into the disk drive.
2 Select a Delete File Function
Use the MENU [v] and [w] buttons to select the Disk function so that the triangular indicator in the display appears next to DISK to the left of the display. Use the SUB MENU [v] and [w] buttons so that Delete File? YES appears on the display.

Delete F ile?

3 Select the File to Be Deleted
File Nam e: UF_0 0001.USR
Use the [] and [+] buttons or the Data Dial to select the file you wish to delete.
When the floppy disks write-protect tab is set to ON (see page 64) or the disk is a purposely copy-protected disk, the display shows Disk Write Protected!! indicating that the Delete File function is not possible.
4 Execute the Delete Operation
Press the SUB MENU [w] button so that Execute: NO/YES appears on the display.
While the file is being deleted (Now Deleting is displayed), never eject the floppy disk or turn the power off.
Press the [+] (YES) button and the delete operation will begin. While it is in progress, Now Deleting. will appear at the top of the display.

Now Dele ting. _002

When the delete operation is finished, the sub menu will return to Delete File? YES.
QQQQQQQQQQQQQQQQ ,,,,,,,,,,,,,,,, Song Playback QQQQQQQQQQQQQQQQ ,,,,,,,,,,,,,,,,
You can playback a wonderful variety of songs on the PSR-730/630, including the preset demo songs, the songs on the included Sample Disk, the User Songs you record on a floppy disk and the songs on commercially available XG/GM song collection disks. Except for the preset demo songs, a floppy disk must be inserted in the disk drive to playback a song.

Song Playback Procedure

1 Select the Song Menu
Press the [SONG] button to select the SONG menu (the triangular indicator will appear next to SONG to the right of the display). The name and number of the currently selected song will appear on the left of the top line of the display, and the PSR-730/630 will switch to Song Mode, lighting the SONG icon on the display.

q Multi Recording In Multi Recording, the different parts of the some are divided among tracks 116, with keyboard playing on tracks 15, harmony notes on tracks 68, and auto accompaniment (RHYTHM1-PHRASE2) on tracks 916. This lets you fine tune the recording settings for each track, then carefully edit.
After finishing your recording of a user song, you can play it back in the same way as one of the preset demo songs.
The data you can record in user songs using Quick Recording or Multi Recording are as follows: The accompaniment tracks record the following and data:
Accompaniment style number* Accompaniment track changes* (8 tracks: track on/off, voice number, volume, pan, reverb depth, chorus depth) Section changes and their timing Chord changes and their timing. Accompaniment volume Reverb type. Chorus type. Tempo and time signature*
Being able to record note on/off and velocity means being able to record forte or piano, crescendo or diminuendo, and other subtle elements of expression from the keyboard as you play them. Note ON (key press), note OFF (key release), and velocity (strength of key press) are MIDI data events (playing information)(page 119). Be careful to avoid the song data loss that will occur during recording if the power is turned off, the AC adaptor is unplugged from the outlet, or the batteries lose power.
The keyboard (R1/R2/L) tracks record the following and data:
Note on/off (key press and release) Velocity (strength of key press) R1/R2/L voice number, volume, octave*, pan, reverb depth, chorus depth, DSP depth. Reverb on/off and type Chorus on/off and type DSP (including variation) on/off and type Multi effect on/off, type and settings (PSR-730) Harmony on/off, type Sustain pedal on/off Pitch bend, pitch bend range. Tempo
The maximum amount of song memory is 65,000 notes for 2DD disks and 130,000 notes for 2HD disks. * Recorded only at the beginning of a song; changes cannot be made during recording.
Quick Recording Procedure
With quick recording, you can use 5 tracks for recording each song. q ACMP track.. Used to record auto accompaniment notes (such as chord change and section change data). q MELODY 14 track. Used to record keyboard melody notes.
1 Insert Floppy Disk and Change to Record Mode
Insert the floppy disk you will use to record the user song into the floppy disk drive.
Press the [RECORD] button to engage the Record Ready Mode. The [RECORD] button indicator will light, and the SONG, STYLE, and MULTI PAD [1] [4] icons will flash, indicating that you must select one of the corresponding record modes.

and Piano

2 MELODY MELODY ACMP VOICE VOICE VOICE
The SONG icon will be lit on the display indicating that the Song mode is engaged and the User song number will be shown above the icon.
2 Select the SONG Record Mode

Quantize ?

Quantize setting is available only when Multi record-ready mode is engaged. When in the Quick record-ready mode, Quantize? - - - appears on the display and Quantize setting is not accessible.
2 Press the [+] YES button and Quantize will be displayed, with the value at the
upper right of the display.

Quantize :

Use the [] and [+] buttons, or the Data Dial to select the Quantize value (4, 6, 8, 12, 16, 24, 32). Set the Quantize value to correspond to the smallest notes in the track you are working with. For example, if the data was recorded with quarter notes and eighth notes, use 1/8 for the quantize value. If the quantize function is applied in this case with the value set to 1/4, the eighth notes would be moved on top of the quarter notes.
Quantize Value 32 Note Quarter note Quarter note triplet Eighth note Eighth note triplet Sixteenth note Sixteenth note triplet Thirty-second note
After quantization One measure of 8th notes before quantization
3 After making the setting in step 2, use the SUB MENU [w] button so that Execute?
No/Yes appears on the display.

Execute? :

Pressing the [+] YES button to execute the quantize function. Press the [] (NO) button, and the quantize function wont execute. The display will return to Quantize?.
4 When Quantize is finished, the display will return to Quantize? YES

Naming User Songs

You can give your own name (8 characters or less) to user songs. In the Record Ready Mode (pages 84, 88) for the song you want to name, or in the Rehearsal Mode, use the SUB MENU [v] and [w] buttons so that Song Name appears on the display. The current name for the song will be displayed at the upper right of the display.

SongName

_ON G _001 S
The method of setting the characters is the same as for Registration Naming (page 58).

_ LES SON01

Clearing Song Data
You can clear unneeded song data in two different ways: Clearing Selected Tracks or Clearing an Entire Song. In either Quick Record or Multi Record Mode, this operation is done in Record Ready Mode or in Rehearsal Mode. q Clearing Selected Tracks While the Song record ready or rehearsal mode is engaged use the SUB MENU [v] and [w] buttons to select the Track Clear? function. The track bars for tracks which contain data will flash, showing that those tracks can be cleared.

When in Quick Record Mode, Clear Selected Track will clear data as follows:
If the ACMP track is cleared, data that would be in tracks 916 in the Multi Record mode will be cleared at the same time. If Melody tracks that were recorded with Dual Voice are cleared, tracks recorded with Multi Record Mode R1/R2 parts will be cleared at the same time.

Track Cl ear?

q Quick Record

q Multi Record

The tracks recorded by Quick recording can be cleared using the Multi recording Track Clear function, and vice versa.
Demo song tracks cannot be cleared.
Use the TRACK buttons to select the track you want to clear. The track bar for the track you selected will light steadily and the track bars for the other tracks will be turned off.
Once the desired track has been selected, Are You Sure? will appear on the display.

Are You

Press the [+] (YES) button to actually clear the currently selected track. While the track is being cleared, Now Deleting will appear in the top of the display.
While the track is being cleared, (Now Deleting is displayed) never eject the floppy disk or turn off the power to the PSR-730/630.

Now Dele ting.

When track clear is finished, the display will return to Track Clear? If you press the [] (NO) button, track clear will not be executed and the display will return to Track Clear?
q Clearing an Entire Song Use the song selection sub menu (pages 85, 88) to be sure that you have selected the song that you want to clear. While the SONG record-ready or rehearsal mode (page 87) is engaged use the SUB MENU [v] and [w] buttons to select the Song Clear? YES function.

Song Cle ar?

Press the [+] (YES) button and Are You Sure? NO/YES will appear on the display. Press the [+] (YES) button a second time to actually clear the currently selected user song.
While the track is being cleared, (Now Deleting is displayed) never eject the floppy disk or turn off power to the PSR-730/630.
While the song is being cleared, Now Deleting will appear at the top of the display. When the operation is finished, the display will show Song Clear? - - - Press [] (NO) if you want to abort the clear operation. The display will return to Song Clear? YES
Demo Songs cannot be cleared.

Song Edit

The data in user songs can be edited in a way similar to using the Revoice function for Voices and Styles (page 110). The edited data can be written into the user song data.
1 While the SONG record-ready or rehearsal mode (page 87) is engaged use the SUB

9 Stop Recording

Stop recording by pressing the [START/STOP] button. The PSR-730/630 will return to Record Ready Mode. When recording is stopped the MEASURE number on the display will return to 1.
You can also press the [SYNC START] button to stop recording and return to the Record Ready Mode.
10 Record Additional Sections & Tracks as Required
By repeating steps 5 through 9, above, you can select and record additional sections and tracks as required.
11 Exit From the Record Mode
When youre finished recording a style, press the [RECORD] button so that its indicator goes out to exit from the record mode. The recorded user style can now be used in the same way as the preset styles (page 22).
The voice data in specific user style tracks can be revoiced in the same way as the preset styles, as described on page 112. This, however, does not actually rewrite the user style data. In order to actually change the user style data first use the revoice function, then immediately engage and disengage the style record mode without recording any data.

Drum Cancel

This function makes it possible to erase specific drum instruments from the RHYTHM 1 and RHYTHM 2 tracks. Its handy, for example, when you want to erase just the bass drum recorded on the RHYTHM 1 track. While recording either the RHYTHM 1 or RHYTHM 2 track, use the SUB MENU [v] and [w] buttons to select Drum Cancel.
Drum Cancel cannot be used for the BASS, CHORD 1/2, PAD, or PHRASE 1/2 tracks.

Drum Can cel

Then, press the key on the key board corresponding to the instrument you want to cancel.
Quantize can be used to align notes to the nearest specified beat to tighten up loose timing.
1 With the style Record Ready Mode (or Rehearsal Mode) engaged and the target
style and its section selected, use the SUB MENU [v] and [w] buttons to select Quantize? YES.
2 Press the [+] (YES) button to engage the quantize function (or [] to abort). The
current quantize value will appear to the left of Quantize: on the top line of the display. Use the [] and [+] buttons, or the Data Dial to select the desired quantize value (4, 6, 8, 12, 16, 24, 32). When the quantize function is executed, all notes in the target track will be aligned with the nearest note of the corresponding value.
3 Press the SUB MENU [w] button once so that Execute? NO/YES appears on the

Message Name Note ON/OFF PSR-730/630 Operation/Panel Setting Messages which are generated when the keyboard is played. Each message includes a specific note number which corresponds to the key which is pressed, plus a velocity value based on how hard the key is stuck. Voice setting (control change bank select MSB/LSB setting) Revoice setting(volume, pan pot, etc.)
Program Change Control Change
q System Messages This is data that is used in common by the entire MIDI system. System messages include messages like Exclusive Messages that transmit data unique to each instrument manufacturer and Realtime Messages that control the MIDI device.
Message Name Exclusive Message Realtime Messages PSR-730/630 Operation/Panel Setting Reverb/chorus/DSP settings, etc. Clock setting Start/stop operation
The messages transmitted/received by the PSR-730/630 are shown in the MIDI Data Format and MIDI Implementation Chart on pages 168 and 169.
x MIDI Terminal/TO HOST Terminal
In order to exchange MIDI data between multiple devices, each device must be connected by a cable. There are two ways to connect: from the MIDI terminals of the PSR-730/630 to the MIDI terminals of an external device using a MIDI cable, or from the TO HOST port of the PSR-730/630 to the serial port of a personal computer using a special cable. If you connect from the PSR-730/630 TO HOST terminal to a personal computer, the PSR-730/630 will be used as a MIDI interface device, meaning that a specialized MIDI interface device is not necessary. In the rear panel of the PSR-730/630, there are two kinds of terminals, the MIDI terminals and the TO HOST terminal.
MIDI IN. Receives MIDI data from another MIDI device. MIDI OUT.. Transmits the PSR-730/630s keyboard information as MIDI data to another MIDI device. TO HOST. Transmits and receives MIDI data to and from a personal computer.
When using the TO HOST terminal to connect to a personal computer using Windows, a Yamaha MIDI driver must be installed in the personal computer. The Yamaha MIDI driver can be obtained at Yamahas home page on the World Wide Web, <http://www.yamaha.co.jp/ english/xg/>. Special MIDI cables (sold separately) must be used for connecting to MIDI devices. They can be bought at music stores, etc. Never use MIDI cables longer than about 15 meters. Cables longer than this can pick up noise which can cause data errors.

TO HOST

MIDI OUT
What You Can Do with MIDI
q Remotely play another PSR-730/630

MIDI transmit

MIDI OUT MIDI IN

MIDI IN MIDI OUT

MIDI receive
Initial send transmit/receive (page 128). q Use the PSR-730/630 as a multi tone generator (playing 16 channels at one time).

Macintosh is a registered trademark of Apple Computer, Inc. IBM PC/AT is a trademark of International Business Machines Corp. Other company names and product names, etc. in this manual are registered trademarks or trademarks of those companies.
s Connect using the TO HOST terminal
Connect the serial port of the personal computer (RS-232C terminal or RS-422 terminal) to the TO HOST terminal of the PSR-730/630. For the connection cable, use the cable below (sold separately) that matches the personal computer type.
Macintosh Series Connect the RS-422 terminal (modem or printer terminal) on the computer to the TO HOST terminal on the PSR-730/630 using a serial cable (system peripheral cable, 8 bit). Set the PSR-730/630 HOST SELECT switch in the MAC position.
If you connect from the PSR-730/630 TO HOST terminal to a personal computer, the PSR-730/630 will be used as a MIDI interface device, meaning that a specialized MIDI interface device is not necessary. When the HOST SELECT switch is set to MAC, PC-1, or PC-2, dont use the MIDI IN/OUT terminals. (MIDI data cannot be sent or received through the MIDI terminals). Host is Offline!! will be shown on the display, when the Host Select switch is set appropriately and the serial cable is connected to the PSR730/630 TO HOST but not to the PCs serial port (or the cable is properly connected to the PC which is currently turned off).
mini DIN 8-pin mini DIN 8-pin
Set the MIDI interface clock in the sequencer software you are using to 1 MHz. For details, carefully read the owners manual for the software you are using.
IBM-PC/AT Series Connect the RS-232C terminal on the computer to the TO HOST terminal on the PSR-730/630 using a serial cable (D-SUB 9P>MINI DIN 8P cross cable). Set the PSR-730/630 HOST SELECT switch in the PC-2 position.
mini DIN 8-pin D-SUB 9-pin
When using a D-SUB 25P>MINI DIN 8P cross cable, connect using a D-SUB 9P plug adaptor on the computer side of the cable.
mini DIN 8-pin D-SUB 25-pin D-SUB 9-pin
For details about the necessary MIDI settings for computer and sequence software you are using, see the owners manuals for each of them.
The PSR-730/630 MIDI Functions
The PSR-730/630 has the following MIDI functions.
Function Transmit Channel Transmit Track Receive Channel Receive Mode Local Control External Clock Initial Data Send Template Display TransmitCh~ 1. 16 TransmitTr Receive Ch Local~~~ Ext.Clock Init.Send Template Right1. Off 1. 16 Off, On Off, On None User. Song Out Settings Page 128 129
ReceiveMode Normal, Off, Remote, Bass, Chord
To access a MIDI function first use the MENU [v] and [w] buttons to move the triangular indicator in the display next to MIDI, then use the SUB MENU [v] and [w] buttons to select the desired function from within the MIDI menu. When a function is selected the current setting will appear on the top line of the display. Once the function has been selected, use the [] and [+] buttons or data dial (or number buttons, where applicable) to set the function as required.

Transmit Ch:

s Transmit Channel & Transmit Track
The PSR-730/630 can simultaneously transmit data on all 16 MIDI channels. The Transmit Channel and Transmit Track functions determine what PSR-730/630 data is transmitted via which MIDI channels.

q Transmit Channel

The TransmitCh function selects a MIDI channel to which a PSR-730/630 track can be assigned via the Transmit Track function, below. First select a transmit channel, then the transmit track for that channel. Different tracks can be assigned to each of the 16 MIDI channels. Any of the standard MIDI channels - 1 through 16 can be specified.

q Transmit Track

The Transmit Tr function selects the track to be transmitted via the transmit channel specified by the Transmit Channel function, above. The available settings are as follows:

Transmit Tr: Rig ht1

Right1 Right2 Left Harmony1 Harmony2 Harmony3 Rhythm2/Tr2 Rhythm1/Tr1 Bass/Tr3 Chord1/Tr4 Chord2/Tr5 Pad/Tr6 Phrase1/Tr7 Phrase2/Tr8 Track 9-16 Off Right-hand keyboard playing (R1 voice) Right-hand keyboard playing (R2 voice) Left-hand keyboard playing (L voice) Harmony notes 1 Harmony notes 2 Harmony notes 3 Auto Accompaniment RHYTHM2 track/Track 2 Auto Accompaniment RHYTHM1 track/Track 1 Auto Accompaniment BASS track/Track 3 Auto Accompaniment CHORD1 track/Track 4 Auto Accompaniment CHORD2 track/Track 5 Auto Accompaniment PAD track/Track 6 Auto Accompaniment PHRASE1 track/Track 7 Auto Accompaniment PHRASE2 track/Track 8 Track 9-16 Off (nothing is transmitted)
When a track is assigned to more than one MIDI channel, the data from that track is transmitted via the lowest-numbered channel. To avoid MIDI loops which can cause operational errors, check the PSR-730/630 Local Control setting (page 127), and the MIDI THRU settings of any external MIDI devices. MIDI transmit track settings will be retained even after turning the power off. See page 152 for the details. The channels set for Rhythm1/Tr1Phrase2/Tr8 will be used to transmit accompaniment data when the PSR-730/ 630 is in Style Mode, and to transmit song track data when the PSR-730/630 is in Song Mode.
The initial default channel/track settings are:
Channel Channel Channel Channel Channel Channel Channel Channel = = = = = = = = R1 voice L voice Bass / Track3 Chord1 / Track4 Chord2 / Track5 Pad / Track6 Phrase1 / Track7 Phrase2 / Track8 Channel Channel Channel Channel Channel Channel Channel Channel 9 = Rhythm1 / Track= Rhythm2 / Track= R2 voice 12 = Harmony= Harmony= Harmony= Off 16 = Off

OVERALL

TouchSense... Touch sensitivity setting. 115 PB Range.. Pitch bend range setting.. 54 Tuning.. Overall tuning.. 115 S.TuneNote... Scale tuning (note) setting.. 115 S.TuneValue... Scale tuning (value) setting. 115 SongTrans... Song transposition setting.. 116 Metronome... Metronome on/off... 116 SplitPoint... Split point setting (Split voice). 21 AcmpSplit... Split point setting (Auto accompaniment). 30 FingerMode... Fingering mode selection. 31 AUTO ACCOMPANIMENT ON/OFF Button VoiceSet.. Voice set on/off.. 116 Pedal1.. Selecting Pedal1 function.. 117 Pedal2.. Selecting Pedal2 function.. 117 P1 Polarity... Pedal1 polarity setting.. 118 P2 Polarity... Pedal2 polarity setting.. 118 ModWheel (PSR-730).. Selecting modulation wheel function. 55
GROOVE & DYNAMICS (PSR-730)
BeatGroove... Beat groove template selection.. 36 GROOVE & DYNAMICS Button MeasGroove... Measure groove template selection.. 37 Dynamics.. Dynamics template selection. 38 DynamcsRate... Dynamics rate setting.. 39 ExpandRate... Expand rate setting.. 39 BoostRate... Boost rate setting.. 40
Sub-menu items with have shortcut access (press and hold the specified button for a few seconds to jump directly to the associated sub-menu function). In addition to the shortuts listed above, the [DUAL VOICE] button can be held to jump to the R2 voice revoice function, and the [SPLIT VOICE] button can be held to jump to the L voice revoice function.

Voice List

s Maximum Polyphony
The PSR-730 has 64-note maximum polyphony and the PSR-630 has 32. Auto Accompaniment uses a number of the available notes, so when Auto Accompaniment is used the total number of notes that can be played on the keyboard is correspondingly reduced. The same applies to the Dual Voice, Split Voice, Multi Pad, and Song functions. When the maximum polyphony is exceeded, notes are played using lastnote priority. [PSR-730] Panel Voice List
Voice Number Bank Select MSB 0 MIDI Program Voice Name Change LSB Number Piano Grand Piano BrightPiano Honky Tonk Midi Grand CP 4 Galaxy EP Super DX DX Modern Funk EP Modern EP Hyper Tines New Tines Venus EP Tremolo EP Rock Piano Clavi Wah Clavi Harpsichord GrandHarpsi Chromatic Percussion Vibraphone Jazz Vibes Marimba Xylophone Steel Drums Celesta Glocken Music Box TubularBells Kalimba Timpani Dulcimer Organ Jazz Organ16 Jazz Organ17 Click Organ Dance Organ Drawbar Org Mellow Draw Bright Draw Rock Organ18 Rock Organ18 Purple Org 60s Organ Blues Organ Mellow Org Perc.Organ 16+1 Organ 16+2 Organ 16+4 Organ Elec.Organ TheatreOrg17 TheatreOrg2 Voice Number Bank Select MSB LSB 112 112
The Voice List includes MIDI program change numbers for each voice. Use these program change numbers when playing the PSR-730/630 via MIDI from an external device. When the sustain or sostenuto pedal functions are being used (page 117), some voices may sound continuously or have a long decay after the notes have been released while the pedal is held.

STATUS CONTROL NUMBER CONTROL VALUE 1011nnnn (BnH) 0ccccccc 0vvvvvvv n = 0 - 15 VOICE CHANNEL NUMBER c = CONTROL NUMBER v = DATA VALUE
First appoints the parameter for NRPN MSB/LSB, then sets the parameter value for data entry MSB/LSB. NRPN MSB LSB 01H 08H 01H 09H 01H 0AH 01H 20H 01H 21H 01H 63H 01H 64H 01H 66H 14H rrH 15H rrH 16H rrH 17H rrH 18H rrH 19H rrH 1AH rrH 1CH rrH 1DH rrH 1EH rrH 1FH rrH D.ENTRY MSB LSB mmH mmH mmH mmH mmH mmH mmH mmH mmH mmH mmH mmH mmH mmH mmH mmH mmH mmH mmH
(3-2-1) ALL SOUND OFF (Recive only) (CONTROL NUMBER = 78H , DATA VALUE = 0)
Switches off all sound from the channel. Does not reset Note On and Hold On conditions established by Channel Messages.
PARAMETER NAME VIBRATO RATE VIBRATO DEPTH VIBRATO DELAY FILTER CUTOFF FREQUENCY FILTER RESONANCE EG ATTACK TIME EG DECAY TIME EG RELEASE DRUM FILTER CUTOFF FREQ. DRUM FILTER RESONANCE DRUM AEG ATTACK RATE DRUM AEG DECAY RATE DRUM PITCH COARSE DRUM PITCH FINE DRUM LEVEL DRUM PANPOT
(3-2-2) RESET ALL CONTROLLERS (Recive only) (CONTROL NUMBER = 79H , DATA VALUE = 0)
Resets controllers as follows. PITCH BEND CHANGE AFTER TOUCH MODULATION EXPRESSION SUSTAIN SOSTENUTO SOFT PEDAL NRPN RPN PORTAMENT CONTROL PORTAMENTO 0 (Center) 0 (min.) 0 (min.) 127 (max.) 0 (off) 0 (off) 0 (off) Sets number to null. (Internal data remains unchanged) Sets number to null. (Internal data remains unchanged) Resets portamento source note number 0 (off)
DATA RANGE 00H - 40H - 7FH (-64 - 0 - +63) 00H - 40H - 7FH (-64 - 0 - +63) 00H - 40H - 7FH (-64 - 0 - +63) 00H - 40H - 7FH (-64 - 0 - +63) 00H - 40H - 7FH (-64 - 0 - +63) 00H - 40H - 7FH (-64 - 0 - +63) 00H - 40H - 7FH (-64 - 0 - +63) 00H - 40H - 7FH (-64 - 0 - +63) 00H - 40H - 7FH (-64 - 0 - +63) 00H - 40H - 7FH (-64 - 0 - +63) 00H - 40H - 7FH (-64 - 0 - +63) 00H - 40H - 7FH (-64 - 0 - +63) 00H - 40H - 7FH (-64 - 0 - +63) 00H - 40H - 7FH (-64 - 0 - +63) 00H - 7FH (0 - max.) 00H ,01H - 40H - 7FH (random,left - center - right) DRUM REVERB SEND LEVEL 00H - 7FH (0 - max.) DRUM CHORUS SEND LEVEL 00H - 7FH (0 - max.) DRUM VARIATION SEND LEVEL 00H - 7FH (0 - max.)

mildsharp table#8 table#9 table#10
AMP SIMULATOR (variation, insertion block)
No. Parameter Drive AMP Type LPF Cutoff Output Level 0127 Off,Stack,Combo,Tube 1.0kThru 0127 Value See Table table#3 Control q
TOUCH WAH 2 (variation, insertion block), TOUCH WAH+ODRV (variation block)
No. Parameter Sensitive Cutoff Frequency Offset Resonance EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet Drive EQ Low Gain(distortion) EQ Mid Gain(distortion) LPF Cutoff Output Level 1.012.0 32Hz2.0kHz -12+12dB 500Hz16.0kHz -12+12dB D63>W D=W D<W-12+12dB -12+12dB 1.0kHzthru 0127 Value 0127 See Table Control q

Dry/Wet Edge(Clip Curve)

D63>W D=W D<W63 0127
3BAND EQ(MONO) (variation, insertion block)
No. Parameter EQ Low Gain EQ Mid Frequency EQ Mid Gain EQ Mid Width EQ High Gain EQ Low Frequency EQ High Frequency -12+12dB 100Hz10.0kHz -12+12dB 1.012.0 -12+12dB 50Hz2.0kHz 500Hz16.0kHz Value 2858 See Table table#3 Control
PITCH CHANGE 1 (variation block)
No. Parameter Pitch Initial Delay Fine 1 Fine 2 Feedback Level -24+-50Hz+50Hz -50Hz+50Hz -99+99% Value 1127 See Table table#7 Control
Dry/Wet Pan 1 Output Level 1 Pan 2 Output Level 2
D63>W D=W D<W63 L63RL63R63 0127

Input Mode

mono/stereo
2BAND EQ(STEREO) (variation, insertion block)
No. Parameter EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain 32Hz2.0kHz -12+12dB 500Hz16.0kHz -12+12dB Value See Table table#3 table#3 Control
PITCH CHANGE 2 (variation block)
No. Parameter Pitch Initial Delay Fine 1 Fine 2 Feedback Level -24+-50+50cent -50+50cent -99+99% Value 1127 See Table table#7 Control
AUTO WAH (variation, insertion block)
No. Parameter LFO Frequency LFO Depth Cutoff Frequency Offset Resonance EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet Drive 0.00Hz39.7Hz 1.012.0 32Hz2.0kHz -12+12dB 500Hz16.0kHz -12+12dB D63>W D=W D<WValue See Table table#1 Control q table#3 table#3

Power supply/AC power adaptor
Only use the voltage specied as correct for the instrument. The required voltage is printed on the name plate of the instrument. Use the specied adaptor (PA-130 or an equivalent recommended by Yamaha) only. Using the wrong adaptor can result in damage to the instrument or overheating. Check the electric plug periodically and remove any dirt or dust which may have accumulated on it. Do not place the AC adaptor cord near heat sources such as heaters or radiators, and do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip over, or roll anything over it.

Water warning

Do not expose the instrument to rain, use it near water or in damp or wet conditions, or place containers on it containing liquids which might spill into any openings. If any liquid such as water seeps into the instrument, turn off the power immediately and unplug the power cord from the AC outlet. Then have the instrument inspected by qualied Yamaha service personnel. Never insert or remove an electric plug with wet hands.

Fire warning

Do not put burning items, such as candles, on the unit. A burning item may fall over and cause a re.

Do not open

Do not open the instrument or attempt to disassemble the internal parts or modify them in any way. The instrument contains no user-serviceable parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualied Yamaha service personnel.
If you notice any abnormality
If the AC adaptor cord or plug becomes frayed or damaged, or if there is a sudden loss of sound during use of the instrument, or if any unusual smells or smoke should appear to be caused by it, immediately turn off the power switch, disconnect the adaptor plug from the outlet, and have the instrument inspected by qualied Yamaha service personnel.

CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. These precautions include, but are not limited to, the following:

When removing the electric plug from the instrument or an outlet, always hold the plug itself and not the cord. Unplug the AC power adaptor when not using the instrument, or during electrical storms. Do not connect the instrument to an electrical outlet using a multiple-connector. Doing so can result in lower sound quality, or possibly cause overheating in the outlet. Do not attempt to recharge batteries that are not intended to be charged. When the batteries run out, or if the instrument is not to be used for a long time, remove the batteries from the instrument to prevent possible leakage of the battery uid. Keep batteries away from children. If the batteries do leak, avoid contact with the leaked uid. If the battery uid should come in contact with your eyes, mouth, or skin, wash immediately with water and consult a doctor. Battery uid is corrosive and may possibly cause loss of sight or chemical burns.

Battery

Always make sure all batteries are inserted in conformity with the +/- polarity markings. Failure to do so might result in overheating, re, or battery uid leakage. Always replace all batteries at the same time. Do not use new batteries together with old ones. Also, do not mix battery types, such as alkaline batteries with manganese batteries, or batteries from different makers, or different types of batteries from the same maker, since this can cause overheating, re, or battery uid leakage. Do not dispose of batteries in re.

Location

Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disguration or damage to the internal components. Do not use the instrument in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio may generate noise. Do not place the instrument in an unstable position where it might accidentally fall over.

(4)-12

Before moving the instrument, remove all connected adaptor and other cables. When setting up the product, make sure that the AC outlet you are using is easily accessible. If some trouble or malfunction occurs, immediately turn off the power switch and disconnect the plug from the outlet. Even when the power switch is turned off, electricity is still owing to the product at the minimum level. When you are not using the product for a long time, make sure to unplug the power cord from the wall AC outlet. Use only the stand specied for the instrument. When attaching the stand or rack, use the provided screws only. Failure to do so could cause damage to the internal components or result in the instrument falling over.

Tempo No Effect
Knob A adjusts the tempo of the style and arpeggios. Rotating the knob clockwise increases the tempo while rotating it counterclockwise decreases the tempo. The knobs center position produces the initial default tempo.

Using the Knobs

Select the voice you want to play on the keyboard.

SquareLd

The name of the currently selected voice will appear in the display when you press the [VOICE] button. Use the dial to select the desired voice. For this example we want to use a synth-lead type voice, so select 97 SquareLd (Square-wave Lead).
Press the [ASSIGN] button as many times as necessary to select z FILTER (z will appear in the display).

z appears here.

Knob A can now be used to adjust the lter cutoff frequency, and Knob B can be used to adjust the resonance.
Rotate Knob B to its maximum setting (all the way to the right).
Rotating the knob to the right while the volume is set to a high level can result in distortion. If this occurs, reduce the volume level.
Play with the right hand while operating Knob A with the left hand.
If you select a different keyboard voice the knobs will be reset and the ideal settings for the selected voice will be automatically recalled. In the same way, if the v STYLE FILTER effect is selected, the knobs will be reset if a different style is selected. If you create an original setting you like, it might be a good idea to save it in the instruments Registration Memory (page 80) so you can recall the same settings again at any time. You can also record performances using original sounds youve created (page 52). The chart below lists some interesting ways to use the various effects that can be assigned to the knobs.
Changing the knob settings does not immediately change the sound. Newly assigned effects will only change the sound when the knobs are rst operated after the new effect has been selected.
Some Ideas for Using the Knobs
Number/Effect Try This Select a synth-type lead or pad voice (page 106). Turn Knob B all the way up and operate Knob A while playing for some spacey, oating 1980s effects. Select a voice that sounds as though it already has reverb and chorus effects applied, and turn Knob A and Knob B all the way down to hear the direct sound of the voice. You can then turn the Knob A and Knob B settings up to add extra impact and richness to the voice. Select a piano voice, and turn Knob B all the way up and Knob A to about the 3 oclock position. This should give you a majestic, organ-like sound. The attack time is quite long so play the keys and hold them to let the sound come in fully. Ideal for slow pieces. Select style 39, Euro Trance. Turn accompaniment on and start style playback (page 34). Set Knob B to about 3 oclock, and Knob A to about 8 oclock. The overall sound of the style should be a bit mufed, with the drums emphasized for solid rhythmic impact. Play a style and/or arpeggio (page 14) and use Knob A to adjust the tempo.

(9) (9)

This method lets you easily play chords in the accompaniment range of the keyboard using only one, two, or three ngers.
To play a major chord Press the root note of the chord.

C sus4

To play a minor chord Press the root note together with the nearest black key to the left of it. To play a seventh chord Press the root note together with the nearest white key to the left of it.

C M7aug

To play a minor seventh chord Press the root note together with the nearest white and black keys to the left of it (three keys altogether).

C dim7

C 7aug

C 7sus4

C sus2
* Notes enclosed in parentheses ( ) are optional; the chords will be recognized without them.
With this instrument the term song refers the data that makes up a piece of music. You can simply enjoy listening to the 30 internal songs, or use them with just about any of the many functions providedthe performance assistant technology feature, lessons, and more. The songs are organized by category. In this section well learn how to select and play songs, and briey describe the 30 songs provided.
Select and Listen to a Song

Listen

Lesson

Record

Press the [SONG] button.
The song number and name will be displayed. You can use the dial to select a different song.
The currently selected song and number are displayed
Select a song after referring to the preset song category list on page 41. Use the dial to select the song you want to listen to.
You can also play songs you have recorded yourself (User Songs) or songs that have been transferred to the instrument from a computer in the same way that you play the internal songs.

ForElise

The song displayed here can be played
Built in Songs (see next page) User Songs (Songs you record yourself). Songs transferred from a computer (pages 9092)

Listen to the song.

Press the [ ] (START/STOP) button to begin playback of the selected song. You can stop playback at any time by pressing the [ ] (START/ STOP) button again.

Song start!

Using the [DEMO/PC] button Press the [DEMO/PC] button to play Songs 001008 in sequence. Playback will continue repeatedly starting again from the rst Song (001). You can select a song by using the [-] and [+] buttons after pressing the [DEMO/PC] button. You can stop playback at any time by pressing the [DEMO/PC] button.
Song Fast Forward, Fast Reverse, and Pause
These are just like the transport controls on a cassette deck or CD player, letting you fast forward [ (FF), rewind [ ] (REW) and pause [ ] (PAUSE) playback of the song.

After about 2 seconds the name of a loadable style le will appear in the display. If multiple loadable style les have been transferred to the instrument, you can use the dial or the [+] and [-] buttons to select the other les in sequence.

Chord Basics

Two or more notes played together constitute a chord. The most basic chord type is the triad consisting of three notes: the root, third, and fth degrees of the corresponding scale. A C major triad, for example, is made up of the notes C (the root), E (the third note of the C major scale), and G (the fth note of the C major scale).
In the C major triad shown above, the lowest note is the root of the chord (this is the chords root position. using other chord notes for the lowest note results in inversions). The root is the central sound of the chord, which supports and anchors the other chord notes. The distance (interval) between adjacent notes of a triad in root position is either a major or minor third.
Major thirdfour half steps (semitones) Minor thirdthree half steps (semitones)
The lowest interval in our root-position triad (between the root and the third) determines whether the triad is a major or minor chord, and we can shift the highest note up or down by a semitone to produce two additional chords, as shown below.
Major chord CM Minor chord Cm Augmented chord C aug Diminished chord C dim

Minor 3rd

Major 3rd
The basic characteristics of the chord sound remain intact even if we change the order of the notes to create different inversions. Successive chords in a chord progression can be smoothly connected, for example, by choosing the appropriate inversions (or chord voicings).

Reading Chord Names

Chord names tell you just about everything you need to know about a chord (other than the inversion/voicing). The chord name tells you what the root of the chord is, whether it is a major, minor, or diminished chord, whether it requires a major or atted seventh, what alterations or tensions it uses. all at a glance.
Root note Chord type Major 7 th
Some Chord Types (These are just some of the Standard chord types recognized by the PSR-E413.)
Suspended 4 th 7 th Minor 7 th

Perfect 5 th

Perfect 4 th

Flatted 7 th

Major chord

Minor chord

Major 7 th

Minor/major 7 th

7 th, atted 5 th

Minor 7 th, atted 5 th

7 th, suspended 4 th

Flatted 5 th

7 th chord

Minor 7 th chord

Suspended 4 th chord
Recognized Standard Chords
All chords in the chart are C-root chords.
Chord Name/[Abbreviation] Major [M] Add ninth [(9)] Sixth [6] Sixth ninth [6(9)] Major seventh [M7] Major seventh ninth [M7(9)] Major seventh add sharp eleventh [M7(#11)] Flatted fth [(b5)] Major seventh atted fth [M7b5] Suspended fourth [sus4] Augmented [aug] Major seventh augmented [M7aug] Minor [m] Minor add ninth [m(9)] Minor sixth [m6] Minor seventh [m7] Minor seventh ninth [m7(9)] Minor seventh add eleventh [m7(11)] Minor major seventh [mM7] Minor major seventh ninth [mM7(9)] Minor seventh atted fth [m7b5] Minor major seventh atted fth [mM7b5] Diminished [dim] Diminished seventh [dim7] Seventh [7] Seventh atted ninth [7(b9)] Seventh add atted thirteenth [7(b13)] Seventh ninth [7(9)] Seventh add sharp eleventh [7(#11)] Seventh add thirteenth [7(13)] Seventh sharp ninth [7(#9)] Seventh atted fth [7b5] Seventh augmented [7aug] Seventh suspended fourth [7sus4] Suspended second [sus2] Normal Voicing 1-3-5 1-2-3-- (3) - 5 - - 2 - 3 - (5) - - 3 - (5) - 7 or 1 - (3) - 5 - - 2 - 3 - (5) - - (2) - 3 - #4 - 5 - 7 or 1 - 2 - 3 - #4 - (5) - - 3 - b- 3 - b5 - 7 1-4-- 3 - #- (3) - #5 - - b3 - - 2 - b3 - - b3 - 5 - - b3 - (5) - b- 2 - b3 - (5) - b- (2) - b3 - 4 - 5 - (b7) 1 - b3 - (5) - - 2 - b3 - (5) - - b3 - b5 - b- b3 - b5 - - b3 - b- b3 - b5 - - 3 - (5) - b7 or 1 - (3) - 5 - b- b2 - 3 - (5) - b- 3 - 5 - b6 - b- 2 - 3 - (5) - b- (2) - 3 - #4 - 5 - b7 or 1 - 2 - 3 - #4 - (5) - b- 3 - (5) - 6 - b- #2 - 3 - (5) - b- 3 - b5 - b- 3 - #5 - b- 4 - (5) - b7 1-2-5 Chord (C)

* Style settings are not available for Registration Memory when using the Song features.
Use the dial or the [1][8] number buttons to select bank you want to recall.
3 Press the REGIST MEMORY button, [1]
or [2], containing the settings you want to recall. The recalled REGIST MEMORY number appears in the display for a few seconds. The panel controls will be instantly set accordingly.

REGIST 1

This instrument has a Sleep Mode function that allows it to automatically go into a lowpower sleep mode if not operated for specied period of time. In Sleep Mode all panel indicators and the display backlight are off to conserve power. The Sleep Mode function is initially disabled (OFF) by default.
] and [ ] buttons to select the SLEEP item.

Time to Sleep Mode

Setting the Sleep Mode
3 Rotate the dial to set the desired time
until Sleep Mode begins (320 minutes). The time can be set in one-minute increments. Select OFF to disable Sleep Mode (the instrument will not go to sleep). The instrument will wake from Sleep Mode as soon as a panel control is operated, a key is pressed, or a MIDI command is received.
The Functions provide access to a range of detailed instrument parameters for tuning, setting the split point, and adjusting the voices and effects. Take a look at the function list starting on the opposite page. When you locate a function you want to set up, simply select the functions display name (shown to the right of the function name in the list) and adjust as required.
Selecting and Setting Functions 1 Find the function you want to set in the
list that begins on page 84.
2 Press the [FUNCTION] button.

3 Select a function.

Press the CATEGORY [ ] and [ ] buttons as many times as necessary until the functions display name appears in the display.

The Functions

4 Use the dial, the [+] and [-] buttons, or
the [0][9] number buttons to set the selected function as required. The [+] and [-] buttons are used to make ON/ OFF type settings: [+] = ON, [-] = OFF. In some cases the [+] button will initiate execution of the selected function, and the [-] will cancel the selection.

Direct numeric entry.

Decrement value by 1. OFF Cancel
Increment value by 1. ON Execute Press simultaneously to recall the default setting.

You can use the Musicsoft Downloader to transfer Backup Files containing backup data (page 56), including the ve User Songs stored on the instrument, to a computer. If you click Electronic Musical Instruments in the Musicsoft Downloader display, and then System Drive, a le named 08PK61.bup will appear in the lower right corner of the Musicsoft Downloader display. This is the backup le. For details about how to transmit backup le using the Musicsoft Downloader application, refer to the Online help Transferring Data Between the Computer and Instrument (for unprotected data) in the application.
NOTE Preset Song data cannot be transmitted from the instrument.
8 Close the window to end the Musicsoft

Downloader.

NOTE End the Musicsoft Downloader to playback the le transferred from your computer.
9 To playback a song stored in ash
memory, press the [SONG] button. Use the dial to select the song you want to play, then press the [ ] (START/ STOP) button to start playback.
Do not unplug the USB cable during a data transfer. Not only will the data not be transferred and saved, but operation of the memory media may become unstable and its contents may disappear completely when the power is turned on or off.
The backup data, including the ve User Songs is transmitted/ received as a single le. As a result, all backup data will be overwritten every time you transmit or receive. Keep this in mind when transferring data.
Store data can be lost due to equipment malfunction or improper operation. For safety we recommend that you keep a copy of all important data stored on your computer. We recommend that you use a power adaptor rather than batteries when transferring data. The data can be corrupted if the batteries fail during the transfer.
Do not rename the backup le on the computer. If you do so, it will not be recognized when transferred to the instrument.
To Use transferred Songs For Lessons. In order to use songs (only SMF format 0) transferred from a computer for lessons it is necessary to specify which channels are to be played back as the right-hand and left-hand parts.
1 Press the [SONG] button and select the song (036) residing in ash memory for which you want to set the guide track. 2 Press the [FUNCTION] button. 3 Use the CATEGORY [ ] and [ ] buttons to select the R-Part or L-Part item. 4 Use the dial to select the channel you want to play back as the specied right- or left-hand part.
We recommend that you select channel 1 for the right-hand part and channel 2 for the left-hand part.
The software and this manual are the exclusive copyrights of Yamaha Corporation. Use of the software and this manual is governed by the license agreement which the purchaser fully agrees to upon breaking the seal of the software packaging. (Please read carefully the Software Licensing Agreement at the end of this manual before installing the application.) Copying of the software or reproduction of this manual in whole or in part by any means is expressly forbidden without the written consent of the manufacturer. Yamaha makes no representations or warranties with regard to the use of the software and documentation and cannot be held responsible for the results of the use of this manual and the software. This disk containing the software is not meant for use with an audio/visual system (CD player, DVD player, etc.). Do not attempt to use the disk on equipment other than a computer. Future upgrades of application and system software and any changes in specications and functions will be announced separately. The screen displays as illustrated in this manual are for instructional purposes, and may appear somewhat different from the screens which appear on your computer.

If during the installation the system displays.has not passed Windows Logo testing to verify its compatibility with Windows XP, click [Continue Anyway].
8 When the installation is complete, the
Wizard displays Completing the Found New Hardware Wizard. Click [Finish]. (Some computers may take a while to display the Wizard window.) Restart the computer. The USB-MIDI driver installation is complete.
Wizard displays Completing the Found New Hardware Wizard. Click [Finish]. (Some computers may take a while to display the Wizard window.) If the system displays Found New Hardware in the lower right corner, wait until the Wizard window is displayed. (Some computers may take a while to display the Wizard window.)

9 Restart the computer.

The USB-MIDI driver installation is complete.
This Wizard window will not appear when using Windows XP Professional x64 Edition. There is no need to restart the computer.
(Some computers may take a while to display the window.) The USB-MIDI driver installation is complete.
When using Windows XP Professional x64 Edition, the Support Module must be installed. After installing the USB-MIDI drivers for all the connected USB devices, select My Computer from the Start menu. Right-click the CD-ROM icon and select Open from the pop-up menu. Select USBdrvVista_ XPx64SupportModule Setup.exe and launch Setup.exe. Follow the onscreen directions.
Once the Support Module is installed, this step is not necessary, even if youve connected a new USB device or updated the USBMIDI driver.
Installing the Musicsoft Downloader and Digital Music Notebook Applications
IMPORTANT You will need to log on with administrator (root) privileges in order to install Musicsoft Downloader on a computer running Windows 2000, XP or Vista.
You will need to log on with administrator (root) privileges in order to install Digital Music Notebook on a computer running Windows XP or Vista.
IMPORTANT When installing the Digital Music Notebook, make sure that Internet Explorer 6.0 (with SP1) or higher is installed to your computer. IMPORTANT Credit card settlement is required to purchase Digital Music Notebook content. Credit card processing may not be possible for some areas, so please check with your local authorities to make sure that your credit card can be used.
Installing the driver in Windows Vista
1 Start the computer and use the Adminis2 3
trator account to log on to Windows Vista. Insert the included CD-ROM into the CDROM drive. A start window will appear automatically. First, make sure the POWER switch on the MIDI device is set to OFF, then use a USB cable to connect the MIDI device to the computer. After making the connections, turn on the power of the MIDI device. The system automatically launches the Found New Hardware window. Click Locate and install driver software (recommended). Otherwise, refer to Troubleshooting in the Accessory CD-ROM Installation Guide section of the Owners Manual. (Some computers may take a while to display the window.).

118 127/000/002 Standard Kit 2

119 127/000/009 Room Kit

120 127/000/017 Rock Kit
121 127/000/025 Electronic Kit
122 127/000/026 Analog Kit

C1 D1 E1 F1 G1

C#1 D#1

F#1 G#1

A1 B1 C2 D2 E2 F2 G2 G#2 A2 B2 C3 D3 E3 F3 G3 G#3 A3 B3 C4 D4 E4 F4 G4 G#4 A4 B4 C5 D5 E5 F5 G5 G#5 A5 B5 C6 A#5 D#5 A#4 D#4 A#3 D#3 A#2 D#2 A#1
C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G
-1 -1 -1 -1 -1 -1 -1 -1 -1 -1 -5
Reverse Cymbal Snare Roll 2 Snare Soft 2 Snare Noisy Kick Tight 2 Open Rim Shot H Short Kick Tight Short Kick Short Snare Short Snare Tight H Snare Snappy Snare Tight Snappy Tom Room 1 Tom Room 2 Tom Room 3 Tom Room 4 Tom Room 5 Tom Room 6 Kick 2 Kick Gate Snare Rock Snare Rock Rim Tom Rock 1 Tom Rock 2 Tom Rock 3 Tom Rock 4 Tom Rock 5 Tom Rock 6

Reverse Cymbal

Hi Q 2 Hi Q 2 Snare Snappy Electro Snare Noisy 4 Kick 3 Kick Gate Kick Gate Heavy Snare Noisy 2 Snare Noisy 3 Tom Electro 1 Tom Electro 2 Tom Electro 3 Tom Electro 4 Tom Electro 5 Tom Electro 6 Kick Tight 2 Kick Analog Short Kick Analog Side Stick Analog Snare Analog Snare Analog 2 Tom Analog 1 Hi-Hat Closed Analog Tom Analog 2 Hi-Hat Closed Analog 2 Tom Analog 3 Hi-Hat Open Analog Tom Analog 4 Tom Analog 5 Crash Analog Tom Analog 6

Cowbell Analog

Conga Analog H Conga Analog M Conga Analog L

Maracas 2

Claves 2

Scratch H 2 Scratch L 2

Scratch H 2 Scratch L 3
123 127/000/113 Dance Kit

124 127/000/033 Jazz Kit

125 127/000/041 Brush Kit
126 127/000/049 Symphony Kit
127 126/000/001 SFX Kit 1
128 126/000/002 SFX Kit 2
Reverse Cymbal Hi Q 2 Snare Techno Kick Techno Q Rim Gate Kick Techno L Kick Techno Side Stick Analog Snare Clap Snare Dry Tom Analog 1 Hi-Hat Closed Analog3 Tom Analog 2 Hi-Hat Closed Analog 4 Tom Analog 3 Hi-Hat Open Analog 2 Tom Analog 4 Tom Analog 5 Crash Analog Tom Analog 6

Snare Jazz H

Brush Slap 2 Kick Soft 2 Gran Cassa Gran Cassa Mute
Kick Jazz Snare Jazz L Snare Jazz M Tom Jazz 1 Tom Jazz 2 Tom Jazz 3 Tom Jazz 4 Tom Jazz 5 Tom Jazz 6

Kick Small

Brush Slap 3 Band Snare Brush Tap 2 Band Snare 2 Tom Brush 1 Tom Jazz 1 Tom Brush 2 Tom Jazz 2 Tom Brush 3 Tom Jazz 3 Tom Brush 4 Tom Jazz 4 Tom Brush 5 Tom Jazz 5 Hand Cymbal Tom Brush 6 Tom Jazz 6 Hand Cymbal Short
Cutting Noise Phone Call Cutting Noise 2 Door Squeak Door Slam String Slap Scratch Cut Scratch H 3 Wind Chime Telephone Ring 2
Flute Key Click Car Engine Ignition Car Tires Squeal Car Passing Car Crash Siren Hand Cymbal 2 Train Jet Plane Hand Cymbal 2 Short Starship Burst Roller Coaster Submarine

MDB No. 299 300

MDB Name Donalds MoonWlz MoulinHt Sunshine PieceOf GreenSlv TakeFour TexRose ThePolka Scarboro Edelweis AroundWd Whatever Yankees WORLD Hawaii Damor ElCondor GoodbyRm ILandOn ItalyBel Cucarumb Puntuali Cielito ItalySun SantaLuc Trumpetr VanMass PIANIST ItalySun BeGood Birdland BlueRose Chaies Highwy66 Leaves Miload Cabaret Wonderfl Imagine LtleStar MapleRag Mi-Re-Do NoBuiz OhBlah Charades Sallys Nabucco SunnyStr MistyFln LdnBridg GrndClck Importnc Snowman Favorite SongForU SugerSpn ThisWay WenSmile ZipperD
Songs Provided On the Supplied CD-ROM
File Name 001Nutcr.mid 002Orphe.mid 003Slavo.mid 004Prima.mid 005Medit.mid 006Guill.mid 007Fruhl.mid 008Ungar.mid 009Fruhl.mid 010Dolly.mid 011Cande.mid 012Arabe.mid 013Pasto.mid 014Petit.mid 015Innoc.mid 016Progr.mid 017Taren.mid 018Cheva.mid 019Etude.mid 020Marci.mid 021Turki.mid 022Valse.mid 023Menue.mid 024Momen.mid 025Enter.mid 026Prelu.mid 027Violl.mid 028Angel.mid 029Saraf.mid 030Ameri.mid 031Brown.mid 032Lomon.mid 033Bonni.mid 034Londo.mid 035Banjo.mid 036Vogle.mid 037Lorel.mid 038Funic.mid 039Turke.mid 040Campt.mid 041Jingl.mid 042Muss.mid 043Liebe.mid 044Jesu.mid 045Joy.mid 046Pearl.mid 047Gavot.mid 048Seren.mid 049Menue.mid 050Canon.mid 051Vogel.mid 052Piano.mid 053Surpr.mid 054WildR.mid 055Chans.mid 056Babbi.mid 057RowRo.mid 058Smoky.mid 059WeWis.mid 060ImMai.mid 061Chris.mid 062MaryH.mid 063TenLi.mid 064PopGo.mid 065Twink.mid 066Close.mid 067Cucko.mid 068Augus.mid 069Londo.mid 070Three.mid Song Name Danse des Mirlitons from The Nutcracker Orphe aux Enfers Ouverture Slavonic Dances op.72-2 La Primavera (from Le Quattro Stagioni) Mditation (Thas) Guillaume Tell Frhlingslied Ungarische Tnze Nr.5 Frhlingsstimmen Dollys Dreaming and Awakening La Candeur Arabesque Pastorale Petite Runion Innocence Progrs Tarentelle La Chevaleresque Etude op.10-3 Chanson de ladieu Marcia alla Turca Turkish March Valse op.64-1 Petit Chien Menuett Moments Musicaux op.94-3 The Entertainer Prelude (Wohltemperierte Klavier 1-1) La Viollette Angels Serenade Krasnyj Sarafan America the Beautiful Little Brown Jug Loch Lomond My Bonnie Londonderry Air Ring de Banjo Wenn ich ein Vglein wr ? Die Lorelei Funiculi Funicula Turkey in the Straw Camptown Races Jingle Bells Muss i denn Liebestrume Nr.3 Jesu, Joy Of Mans Desiring Ode to Joy Pearl Fisher Gavotte Serenade/Haydn Menuett BWV. Anh.114 Canon in D Der Vogelfnger Bin Ich Ja Die zauberflte Piano Sonate No.14 op.27-2 Mondschein The Surprise Symphony No.94 To a Wild Rose Chanson du Toreador O Mio Babbino Caro Row Row Row Your Boat (DUET) On Top of Old Smoky (DUET) We Wish You A Merry Christmas (DUET) Im Mai (DUET) O Christmas Tree (DUET) Mary Had a Little Lamb (DUET) Ten Little Indians (DUET) Pop Goes The Weasel (DUET) Twinkle Twinkle Little Star (DUET) Close Your Hands, Open Your Hands (DUET) The Cuckoo (DUET) O du lieber Augustin (DUET) London Bridge (DUET) Three Blind Mice (DUET) Composer P.I. Tchaikovsky J. Offenbach A. Dvork A. Vivaldi J. Massenet G. Rossini F. Mendelssohn J. Brahms J. Strauss II T.Oesten J.F.Burgmller J.F.Burgmller J.F.Burgmller J.F.Burgmller J.F.Burgmller J.F.Burgmller J.F.Burgmller J.F.Burgmller F.Chopin L.v. Beethoven W.A. Mozart F.Chopin L. Boccherini F. Schubert S. Joplin J.S. Bach L.Streabbog Traditional Traditional S.A. Ward Traditional Traditional Traditional Traditional S.C. Foster Traditional F. Silcher L. Denza Traditional S.C. Foster J.S. Pierpont F. Silcher F. Liszt J.S. Bach L.v. Beethoven G. Bizet F.J. Gossec F.J. Haydn J.S. Bach J. Pachelbel W.A. Mozart L.v. Beethoven F.J. Haydn E.A. MacDowell G. Bizet G. Puccini Traditional Traditional Traditional Traditional Traditional Traditional S. Winner Traditional Traditional J.J. Rousseau Traditional Traditional Traditional Traditional

Effect map

* When a Type LSB value is received that corresponds to no effect type, a value corresponding to the effect type (coming the closest to the specied value) is automatically set. * The numbers in parentheses in front of the Effect Type names correspond to the number indicated in the display.

REVERB

TYPE MSB 004 005.127 TYPE LSB 00 No Effect (01)Hall1 Room Stage Plate No Effect (06)Stage1 (08)Plate1 (02)Hall2 (03)Hall3 (04)Room1 (07)Stage2 (09)Plate2 (05)Room20

CHORUS

TYPE MSB 000.067 068.127 TYPE LSB 00 No Effect Thru Chorus Celeste Flanger No Effect (03)Flanger1 (02)Chorus2 (01)Chorus1 (04)Flanger20
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CENTRAL & SOUTH AMERICA

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Philippos Nakas S.A. The Music House 147 Skiathou Street, 112-55 Athens, Greece Tel: 01-228 2160

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