Yamaha PSR-300
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Related manuals Yamaha PSR-3000-PSR-1500 Data List Yamaha PSR-300-PSR-200 Yamaha PSR-3000-PSR-1500 Yamaha PSR-300M |
Yamaha PSR-300
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| Musical Genius This is (or was for Christmas 07) the bees-knees of amateur level Yamaha keyboards. It has an enormous range of features. Musical Genius This is (or was for Christmas 07) the bees-knees of amateur level Yamaha keyboards. It has an enormous range of features. | |
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Documents
Owners Manual
Congratulations!
You are the proud owner of a Yamaha PortaTone. Your PortaTone is a high-quality musical instrument that incorporates advanced Yamaha digital technology and many versatile features. In order to obtain maximum performance and enjoyment from your PortaTone, we urge you to read this Owners Manual thoroughly while trying out the various features described. Keep the Owners Manual in a safe place for later reference.
CONTENTS
BEFORE YOU BEGIN.. 1 Power Supply.. 1 Setting Up the Music Stand.. 1 Maintenance... 1 NOMENCLATURE... 2 Top Panel Controls.. 3 Rear Panel Connectors.. 3 SELECTING AND PLAYING VOICES. 4 SUSTAIN.. 5 DUAL (PSR-300 only).. 5 TRANSPOSE.. 5 THE SPLIT MODE... 6 RHYTHM ACCOMPANIMENT. 7 AUTO ACCOMPANIMENT.. 9 Single Finger Accompaniment.. 9 Fingered Accompaniment.. 10 AUTO HARMONY.. 11 THE CHORD MEMORY.. 11 Recording.. 11 Bank Playback... 12 Chain Playback... 12 SONG BOOK... 13 MOVING UP TO MIDI (PSR-300 only).. 14 A Brief Introduction to MIDI.. 14 PSR-300 MIDI Settings & Functions. 15 TROUBLESHOOTING.. 17 SPECIFICATIONS.. 18 FINGERING CHART.. 19 SONG BOOK SCORES. 23
Sing, Happy Birthday to You, Something, and Edelweiss, included in the PSR-200/300 SONG BOOK, are published for Yamaha Corporation by Hal Leonard Publishing Corporation.
BEFORE YOU BEGIN
Power Supply
Your PSR-200 or PSR-300 will run either from batteries or an optional power adapter. Follow the instructions below according to the power source you intend to use. Using Batteries Six 1.5V D size (SUM-1 or R-20) or equivalent batteries must first be installed in the battery compartment.
Before replacing the batteries, make sure that the power is turned off. During battery replacement the memory will be backed up for approximately 1 minute.
Setting Up the Music Stand
Insert the bottom edge of the music stand into the slot located at the rear of the PSR-200/PSR-300 control panel.
1. 2. 3.
Open the battery compartment cover located on the instruments bottom panel. Insert the six batteries, being careful to follow the polarity markings on the cabinet. Replace the compartment cover, making sure that it locks firmly in place.
Maintenance
Location Avoid exposure to direct sunlight or other sources of heat. Never leave it inside a car where it can get very hot. It may cause discoloration or deformation. Vibration, excessive dust, cold, low or high humidity can also cause malfunction. Handling Avoid rough handling. Dont drop or jolt the PSR-200/300 as this can damage the internal circuitry. Pressing too hard on keys or controls may lead to malfunctions. When cords are plugged into the rear panel jacks, pay particular attention not to apply excessive force to them since this may damage the terminals. Cleaning Clean the exterior with a soft, dry cloth. Using chemical solvents will damage the finish. Interference Through Electromagnetic Fields Do not use your PSR-200/300 close to television sets or other equipment receiving electromagnetic signals as this could cause interference noise in the other appliance. Service and Modifications Your PSR-200/300 contains no user serviceable parts. Opening it or tampering with it in any way can lead to electrical shock as well as damage. Refer all servicing to qualified YAMAHA personnel. YAMAHA is NOT responsible for damage caused by improper use.
* The included batteries are for testing purposes. Their service life might be considerably shortened due to storage conditions, etc.
Caution:
1. When the batteries run down, replace them with a complete set of six new batteries. NEVER mix old and new batteries. 2. Do not use different kinds of batteries at the same time. 3. In case electrolyte has leaked into the battery compartment, wipe it off completely before installing new batteries. 4. To prevent possible damage due to battery leakage, remove the batteries from the instrument if it is not to be used for an extended period of time.
Auto Power OFF To prevent unnecessary battery drainage, the PSR-200/PSR300 features an Auto Power OFF function that automatically turns the power OFF if the instrument is not used for approximately 10 minutes. The Auto Power OFF function does not operate when the PSR-200/PSR-300 is powered from an optional AC Power Adaptor, as described below. Using An Optional AC Power Adaptor Plug the DC output cable from an optional Yamaha PA-3, PA-4, or PA-40 AC Power Adaptor into the DC IN jack on the rear panel of the PSR-200/PSR-300, then plug the AC Power Adaptor into a convenient wall AC power socket. The internal batteries are automatically disconnected when an AC Power Adaptor is used. Disconnect the AC Power Adaptor when not using your PSR-200/PSR-300.
Use ONLY a Yamaha PA-3, PA-4, or PA-40 AC Power Adaptor to power your instrument from the AC mains. Other adaptors may cause serious damage to your PSR-200/PSR-300.
Note that the PSR-300s keyboard is touch response that is, you can control the loudness of the sound to a certain degree according to how hard you play the keys. The degree of touch sensitivity is different for each voice. The PSR-200 and PSR-300 feature a maximum polyphony of 28-notes (depending in some cases on the selected voice), so up to 28 notes can be played simultaneously, including extra notes played when the automatic accompaniment, split, or dual voice features of this instrument are used. Full will appear on the MULTI DISPLAY if the 28-note limit is exceeded. When the power is initially turned ON, the PIANO voice is automatically selected and its number (00) is shown on the MULTI DISPLAY.
3. If the VOICE indicator is not lit, press the [VOICE/
STYLE] button once so that it does light. The number of the currently selected voice will appear on the MULTI DISPLAY when the VOICE indicator is lit.
Keyboard Percussion
When the DRUMS voice is selected (voice number 99), you can play 25 different drum and percussion instruments on the black keys. The percussion instruments played by the various keys are marked by symbols above the black keys (the white keys produce no sound).
Select any of the PSR-200/PSR-300s 100 voices by using one of the following methods: Voice Selection Method 1: Choose one of the 100 voices numbered 00 through 99 shown on the VOICE LIST then enter its number using the numeric VOICE SELECT buttons. To select ELECTRIC ORGAN 1 (number 12), for example, first press 1 and then 2. The number 12 should then appear on the MULTI DISPLAY.
The TRANSPOSE function described on page 5 does not affect the DRUMS sound.
DRUM & PERCUSSION INSTRUMENT KEY ASSIGNMENTS
Key Instrument C#1 BD Reverb D#1 Bass Drum F#1 Bass Tom G#1 Lo Tom A#1 Mid Tom C#2 Hi Tom D#2 Snare Reverb Symbol Key Instrument G#3 Hi-Hat Foot A#3 Crash Cymbal Symbol
C#4 Splash Cymbal D#4 Ride Cymbal F#4 Synth Lo Tom
G#4 Synth Mid Tom A#4 Synth Hi Tom
Voice Selection Method 2: The [+] and [-] buttons in the numeric button group can be used to increment (increase by one) or decrement (decrease by one) the current voice number. Press the [+] button briefly to select the voice one number higher than the current voice, or the [-] button to select the voice one number lower than the current voice. If you hold the [+] or [-] button down, the voice number will increment or decrement continuously simply release the button when the desired voice number has been reached.
When playing in the SPLIT mode, the MULTI DISPLAY will switch between the left- and right-hand voice numbers according to whether notes are played on the left- or right-hand section of the keyboard. The PSR-300 DUAL indicator flashes according to the left- and righthand section DUAL mode settings when the SPLIT and DUAL modes are used together.
To initialize the split point to its original default value, turn the [POWER] button on while holding the [SPLIT POINT CHANGE] button. The SINGLE FINGER and FINGERED split points (described later) are also initialized by this procedure.
RHYTHM ACCOMPANIMENT
Selecting an Accompaniment Style
1. If the STYLE indicator is not lit, press the [VOICE/
STYLE] button once so that it does light. The number of the currently selected style will appear on the MULTI DISPLAY when the STYLE indicator is lit.
Setting the Tempo
The first time the TEMPO button is pressed the or current tempo will appear on the MULTI DISPLAY. While the current tempo value is still showing on the display, press the TEMPO button to increase the tempo, or the TEMPO button to decrease the tempo. The selected tempo will be displayed on the MULTI DISPLAY (in quarter-note beats per button is pressed, and for or minute) while the TEMPO approximately 2 seconds after either TEMPO button is released. The available tempo range is from 40 to 240 beats per minute. Each accompaniment style has a different default tempo which is automatically set whenever a new style is selected (but not when a new style is selected while the accompaniment is playing). The default tempo for the currently selected accompaniment style can be recalled at any time by pressing buttons at the same time. and both the TEMPO
2. Select any of the PSR-200/PSR-300s 50 accompaniment
styles by using one of the two following methods: 1: Choose one of the 50 accompaniment styles numbered 00 through 49 shown on the STYLE LIST then enter its number using the numeric VOICE/STYLE buttons. To select FUSION1 (number 27), for example, first press 2 and then 7. The number 27 should then be displayed on the MULTI DISPLAY.
The tempo is automatically set to the default value for the DANCE1 style whenever the power switch is turned ON. It is also possible to adjust the tempo after starting playback of the accompaniment. This allows you to set the optimum tempo by ear.
Starting the Accompaniment
2: The [+] and [-] buttons in the VOICE/STYLE group can be used to increment (increase by one) or decrement (decrease by one) the current accompaniment style number. Press the [+] button briefly to select the accompaniment style one number higher than the current accompaniment style, or the [-] button to select the accompaniment style one number lower than the current accompaniment style. If you hold the [+] or [-] button down, the accompaniment style number will increment or decrement continuously simply release the button when the desired accompaniment style number has been reached. Press the [START/STOP] button to start the selected accompaniment immediately, or press the [SYNCHRO START/ENDING] button if you want the accompaniment to start when you play the first note on the keyboard. If you press the [SYNCHRO START/ENDING] button, the three dots along the bottom of the MULTI DISPLAY will flash at the selected tempo.
The accompaniment volume is automatically set to 21 whenever the power switch is turned ON. If the [INTRO/FILL IN] button is pressed within one 1/4 beat from the beginning of a beat, the fill in will begin immediately. If pressed at any other time the fill in will begin on the beginning of the next beat.
Stopping the Accompaniment
An accompaniment in progress can be stopped immediately by pressing the [START/STOP] button, or it can be stopped with an appropriate ending by pressing the [SYNCHRO START/ENDING] button.
If the [SYNCHRO START/ENDING] button is pressed within one 1/4 beat from the beginning of a measure, the ending will begin immediately. If pressed at any other time the ending will begin on the beginning of the next measure. If the [INTRO/FILL IN] button is pressed while the ending pattern is playing, a fill-in will be played, followed by a return to the normal pattern.
AUTO ACCOMPANIMENT
The PSR-200/PSR-300 includes a sophisticated Auto accompaniment system that can provide automated bass and chordal backing in a number of ways.
The maximum number of notes that can be played simultaneously on the PSR-200/PSR-300 keyboard is reduced when the Auto Accompaniment feature is used.
3. Select the desired accompaniment style in the normal
way. Although you can select the melody (upper keyboard) voice you intend to use, the PSR-200/PSR-300 automatically determines the voices to be used for the accompaniment part according the accompaniment style you select.
Single Finger Accompaniment
SINGLE FINGER accompaniment makes it simple to produce beautifully orchestrated accompaniment using major, seventh minor and minor-seventh chords by pressing a minimum number of keys in the left-hand section of the keyboard. The bass and chord accompaniment produced is perfectly matched to the currently selected accompaniment style.
Press the [START/STOP] button, [SYNCHRO START/ ENDING] button or the [INTRO/FILL IN] buttons to determine how the accompaniment will be started (see page 7). If you press the [START/STOP] button or the [INTRO/FILL IN] button, the rhythm will begin playing immediately without bass and chord accompaniment.
Press the [MODE] button as many times as necessary until the SINGLE FINGER indicator lights this selects the SINGLE FINGER mode.
Press any key to the left of the split point to start the automatic accompaniment. If you press a C key, for example, a C-major accompaniment will be played. Press another key in the left-hand section of the keyboard to select a new chord. The key you press will always determine the root of the chord played (i.e. C for a C chord).
An octave i.e. two notes played exactly one octave apart will be detected as a chord suitable for major or minor, with the note played as the root note. All other FINGERED mode operations are the same as in the SINGLE FINGER mode.
AUTO HARMONY
This sophisticated feature automatically adds appropriate harmony notes to a melody you play on the keyboard. You can choose from 5 different types of harmony.
Only a single note can be played at a time on the keyboard (or the right-hand section of the keyboard when in the SPLIT mode) when the AUTO HARMONY feature is used.
THE CHORD MEMORY
The PSR-200/PSR-300 CHORD MEMORY allows you to record and play back chord sequences created using the Auto Accompaniment feature. You can record a complete accompaniment part, for example, and then play along with it using both hands youre free to use the entire keyboard for your performance rather than being limited to only the upper keyboard area. The CHORD MEMORY also has three separate banks that can be used to record different accompaniments. The banks can be chained i.e. they will play back in any specified order. This allows you to record a verse and chorus in different banks, for example, then chain them in the desired order for playback.
Chord sequences containing a maximum of 60 different chords can be recorded in each bank. Material recorded using the CHORD MEMORY is retained in memory even when the POWER switch is turned OFF (if batteries are present).
Use the [AUTO HARMONY] buttons to select a harmony type between 01 and 05. or The first time the AUTO HARMONY button is pressed the current harmony type number will appear on the MULTI DISPLAY. While the current harmony type is still showing on the display, press the AUTO HARMONY button briefly to increment (increase by button to decone) the harmony type number, or the rement (decrease by one) the harmony type number. Holding either button causes continuous incrementing or decrementing. The selected harmony type number will be shown on the MULTI DISPLAY while the [AUTO HARMONY] or button is pressed (the letter H will appear before the harmony type number).
Recording
Pick out an accompaniment style that is appropriate for the type of music you want to record. Press the [BANK 1], [BANK 2], or [BANK 3] button while holding the CHORD MEMORY [REC] button. This engages the record ready mode for the selected bank. The bank indicator will flash, the metronome will sound, and the three dots along the bottom of the MULTI DISPLAY will flash at the currently selected tempo. Press the [REC] button again if you want to disengage the record ready mode and perform some other function. If the NORMAL or SPLIT mode is selected, the FINGERED mode is automatically selected when the record ready mode is engaged. If the FINGERED or SINGLE FINGER mode is selected, no change occurs.
PSR-200/PSR-300 Harmony Types
OFF DUET TRIO BLOCK COUNTRY OCTAVE
The OFF setting can be selected at any time by pressing both the [AUTO HARMONY] buttons simultaneously.
In the SINGLE FINGER or FINGERED mode, the left-hand chords determine the harmony notes that will be applied to the right-hand melody. In the NORMAL mode, all harmony is based on a C major chord. If AUTO HARMONY is used at the same time as the SPLIT feature (see page 6) harmony will be not be applied to the lefthand voice. Left-hand chord fingerings are used to determine the harmony applied to the right-hand voice. Usable fingerings are the same as for the FINGERED mode. If AUTO HARMONY is used at the same time as the DUAL feature (see page 5) harmony will be not be applied to the second dual voice. If the synchro start mode is turned off by pressing the [SYNCHRO START/ENDING] button prior to playing, right-hand melody and harmony without accompaniment can be produced but the left-hand chords will still have to be fingered to produce the appropriate harmony.
3. Before actually beginning to record, you should set a
tempo that will be easy to record at using the [TEMPO] buttons.
4. Recording will begin as soon as you play a chord on the
left-hand section of the keyboard (SYNCHRO START operation). Recording can also be started by pressing the [START/ STOP] or [INTRO/FILL IN] button. In this case on the rhythm will begin without bass and chord accompaniment until you play the first chord on the left-hand section of the keyboard.
Press the [CHAIN] button while playback is stopped to engage the chain ready mode. You can disengage the chain ready mode by pressing the [CHAIN] button again.
5. Play the required chords. 6.
Press either the [START/STOP] button or the [SYNCHRO START/ENDING] button to stop recording.
Events recorded by the chord memory are: Style Number, Chord Timing, Chords, Intro, Fill In, Ending. Whenever you record using the CHORD MEMORY, any previously recorded material in the same bank will be erased. If you make a mistake while recording, simply press the [START/ STOP] button and begin again from step 2, above. If the AC power adaptor is disconnected with no batteries inserted, the contents of the memory will be lost. If the chord memory becomes full while recording, End will appear on the MULTI DISPLAY.
Press the [BANK 1], [BANK 2], and [BANK 3] buttons in the order that you want them to play back up to 8 steps can be programmed. A synthesized voice will announce the order of the programmed banks each time a BANK button is pressed. The voice will stop if you attempt to program more than 8 steps.
Press the [BANK 1], [BANK 2], or [BANK 3] button to begin playback of that bank. If you press a different BANK button during playback, playback of the newly selected bank will begin from the top of the next measure.
Press the [START/STOP] button to begin chain playback. countered (i.e. the [SYNCHRO START/ENDING] button was used to stop recording), otherwise the entire chain will be repeated until stopped by either the [START/ STOP] or [SYNCHRO START/ENDING] button.
4. Playback will stop automatically when an ending is en-
A previously recorded chain can be played simply by pressing the [CHAIN] button and then the [START/STOP] button. The contents of the CHAIN memory is retained even when the power is turned off.
Play along on the PSR-200/PSR-300 keyboard if you like. You can also add fill-ins using the [INTRO/FILL IN] button, or change the tempo during playback. corded sequence is reached if the [SYNCHRO START/ ENDING] button was used to stop recording, otherwise the chord sequence will be repeated until stopped by either the [START/STOP] or [SYNCHRO START/ENDING] button.
3. Playback will stop automatically when the end of the re-
SONG BOOK
Initial Data
When the PSR-200/300 is initially shipped, the Chord Memory BANKs contain the following data: Initial bank data
BANK 1 Style 01
Enjoy the Demonstration
To give you an idea of the PSR-200/PSR-300s sophisticated capabilities, it is programmed with 15 demonstration songs that you can select and play.
BANK 2 Style 21
BANK 3
Style 05
Use the [SONG SELECT] buttons to select a song number between 00 and 14. button is pressed the The first time the or current song number will appear on the MULTI DISPLAY. While the current song number is still showing button on the display, press the SONG SELECT briefly to increment (increase by one) the song number, or button to decrement (decrease by one) the song the number. Holding either button causes continuous incrementing or decrementing. The selected song number will be shown on the MULTI DISPLAY while the SONG SELECT or button is pressed d appears before the demonstration song number.
The CHAIN is initial set up as follows: Initial chain data
BANK1 BANK2 BANK3
The BANK dam can be recalled at any time by turning the [POWER] button on while holding the button of the desired [BANK]. The CHAIN data can be recalled by turning the [POWER] button on while holding the [CHAIN] button.
PSR-200/PSR-300 Demo Song List
14 ORIGINAL THEME SING HAPPY BIRTHDAY TO YOU SPRING CARMEN GRANDFATHERS CLOCK MINUET SOMETHING HOUSE OF THE RISING SUN EDELWEISS LA CUCARACHA AMARYLIS O,VRENELI GREENSLEEVES WE WISH YOU A MERRY CHRISTMAS
Press the [DEMO START/STOP] button to start demo playback. The demonstration will play continuously until the [DEMO START/STOP] button is pressed again.
A different melody voice, tempo, transposition, or melody effect parameter (sustain, harmony, or dual on the PSR-300) can be selected at any time while the demonstration is playing. Refer to the appropriate sections of this manual for instructions.
SONGBOOK Music-minus-one
This is a feature that plays the accompaniment to a selected tune while you play a melody or ad-lib phrases on the keyboard. The tunes are the same as the demo tunes, and are selected in the same way.
MOVING UP TO MIDI
A Brief Introduction to MIDI
MIDI, the Musical Instrument Digital Interface, is a worldstandard communication interface that allows MIDI-compatible musical instruments and equipment to share musical information and control one another. This makes it possible to create systems of MIDI instruments and equipment that offer far greater versatility and control than is available with isolated instruments.
Use the [SONG SELECT] buttons to select a song number between 00 and 14. Press the button briefly to increment (increase by one) the song number, or the button to decrement (decrease by one) the song number. Holding either button causes continuous incrementing or decrementing. The selected song number will be shown on the MULTI DISor PLAY while the SONG SELECT button is pressed. Press the [MINUS ONE START/STOP] button to start playback of the selected song without the melody line.
When Minus One playback begins, the same voice as for the corresponding demo melody is selected. The DUAL setting and harmony type are also the same.
The PSR-300 MIDI Connectors
The PSR-300 MIDI IN connector receives MIDI data from an external MIDI device which can be used to control the PSR-300. The MIDI OUT connector transmits MIDI data generated by the PSR-300 (e.g. note and velocity data produced by playing the keyboard).
3. Play along on the keyboard.
Only the NORMAL and SPLIT modes can be used during minus-one playback. The NORMAL mode will automatically be selected if FINGERED or SINGLE FINGER is engaged when minus-one playback is started.
Simple MIDI Control
Most MIDI keyboards (including the PSR-300, of course) transmit note and velocity (touch response) information via the MIDI OUT connector whenever a note is played on the keyboard. If the MIDI OUT connector is connected to the MIDI IN connector of a second keyboard (synthesizer, etc.) or a tone generator (essentially a synthesizer with no keyboard), the second keyboard or tone generator will respond precisely to notes played on the original transmitting keyboard. The result is that you can effectively play two instruments at once, providing thick multi-instrument sounds. The PSR-300 also transmits program change data when one of its voices is selected. Depending on how the receiving device is set up, the corresponding voice will be automatically selected on the receiving keyboard or tone generator whenever a voice is selected on the PSR-300.
4. Playback will continue until the [MINUS ONE START/
STOP] button is pressed again.
If you press the [DEMO START/STOP] button during minus-one playback, the melody part will reappear and playback will continue in the DEMO mode. On the other hand, if you press the [MINUS ONE START/ STOP] button during demo playback, the melody part will be muted and playback will continue in the MINUS ONE mode.
The following functions can be used during minus-one playback:
SPLIT DUAL VOICE selection SUSTAIN TEMPO ACCOMPANIMENT VOLUME TRANSPOSE SPLIT POINT CHANGE AUTO HARMONY (applies to notes played on the keyboard) The Demo Tunes of this keyboard are Demonstration purposes only. It may not be possible to reproduce the Demo Tunes 100% manually.
The PSR-300 is capable of receiving the same MIDI data, so a second MIDI keyboard connected to the PSR-300 MIDI IN connector can be used to remotely play the PSR-300 and select voices as required.
(PSR-300 only) MIDI Sequence Recording
The same type of musical information transfer described above is used for MIDI sequence recording. A MIDI sequence recorder can be used to record MIDI data received from a PSR-300, for example. When the recorded data is played back, the PSR-300 automatically plays the recorded performance in precise detail. or button is pressed during external sync If the TEMPO mode is engaged, EC (External Clock) will appear on the display. External synchronization is automatically selected when MIDI clock is received. If the external MIDI clock data is not received, internal clock operation is automatically resumed. Velocity sensitivity is dependent on the selected voice. *Refer to the Remote Control Mode MIDI Implementation Chart on page 34 for more details. Remote Control Mode Transmission The following points apply to MIDI data transmitted by the PSR-300 in the Remote Control mode.
PSR-300 MIDI Settings & Functions The Remote Control Mode
The Remote Control mode should be used when the PSR300 is to be connected to a second keyboard which it is to control. If the PSR-300 is being used as the receiving device, it can be played from an external keyboard while the panel controls including auto accompaniment operate normally. Remote Control Mode Selection The Remote Control mode is automatically selected whenever the PSR-300 is turned ON. If the Multi Voice Mode has been selected (see below), however, the Remote Control mode can be re-selected by pressing the numeric VOICE/STYLE [0] button while holding the CHORD MEMORY [REC] button. rc will appear on the display.
*Refer to the Remote Control Mode MIDI Implementation Chart on page 34 for more details.
The Multi Mode
The Multi mode should be used when the PSR-300 is to be used as a tone generator, for example, receiving data from a second MIDI device (such as a sequencer). In this mode the PSR-300 can receive on multiple MIDI channels, each channel corresponding to a different voice. The PSR-300 panel controls will not function when the Multi mode is selected. Multi Mode Selection If the Remote Control mode is currently selected, the Multi mode can be re-selected by pressing the numeric VOICE/STYLE [0] button while holding the CHORD will appear on the display. MEMORY [REC] button.
MIDI Receive Channel Selection
Press the numeric VOICE/STYLE [2] button while holding the CHORD MEMORY [REC] button. The current MIDI receive channel number or ALL will appear on the display. While still holding the [REC] button press the key corresponding to the desired receive channel (C1. E2), confirm that the desired channel has been selected on the MULTI DISPLAY, then release the [REC] button. The E2 key selects the OMNI ON mode ALL appears on the display. The receive channel setting only applies in the remote control mode.
Multi Mode Reception In the Multi mode the PSR-300 functions as a multitimbre tone generator, allowing different voices to played on all 16 MIDI channels (channel 16 is reserved for rhythm only). Since the PSR-300 employs the Yamaha Dynamic Voice Allocation system, it is not necessary to specify the number of notes that can be played via each channel. A maximum of 28 notes can be played simultaneously via all channels.
MIDI note and velocity messages received on a MIDI channel will affect only the voice selected for that channel. Velocity sensitivity for each voice is set to a dynamic range of 48 dB linear. SUSTAIN ON/OFF messages are ignored. A program change number will select the voice controlled via the channel on which it is received. The new voice number is shown on the display for approximately 2 seconds. The program change number is the same as the voice number (00 99). Program change messages on channel 16 are ignored. MIDI start, stop, and clock data will be ignored.
Press the numeric VOICE/STYLE [1] button while holding the CHORD MEMORY [REC] button. The current MIDI transmit channel number will appear on the display. While still holding the [REC] button press the key corresponding to the desired transmit channel (C1 confirm that the desired channel has been selected on the MULTI DISPLAY, then release the [REC] button. The transmit channel is automatically set to channel 1 and the receive channel is automatically set to OMNI ON when the power is initially turned ON.
*Refer to the Multi Mode MIDI Implementation Chart on page 35 for more details.
TROUBLESHOOTING
If MIDI note numbers higher than C#6 are received when the DRUMS voice is selected (in either the Remote Control or Multi mode), the corresponding percussion sounds are produced.
SPECIFICATIONS
Keyboard:
61 keys (C1-C6). PSR-300 has touch response.
Voices:
100 voices
Accompaniment styles:
50 styles
Song Book:
15 songs
Other Controls:
OVERALL CONTROL; POWER (ON/OFF), MODE(NORMAL/ SPLIT/SINGLE FINGER/FINGERED), MASTER VOLUME, ACCOMP. VOLUME (+/-), TRANSPOSE (+/-), TEMPO (+/-), SPLIT POINT CHANGE ACCOMPANIMENT CONTROL; INTRO/FILL IN, SYNCHRO START ON OFF/ENDING, START/STOP VOICE/STYLE; STYLE/VOICE, 0~9, +, -, DUAL VOICE ON/OFF (PSR-300 only) SUSTAIN; ON/OFF AUTO HARMONY; +/CHORD MEMORY; REC., BANK 1, BANK 2, BANK 3, CHAIN SONG BOOK; SONG SELECT (+/-), MINUS ONE (START/STOP), DEMO (START/STOP)
Auxiliary Jacks:
HEADPHONES/AUX. OUT, DC(9-12V) IN, MIDI IN/OUT (PSR-300 only)
Main Amplifiers:
2.0W x 2
Speakers:
10cm (3-15/16) x 2
Rated Voltage:
Batteries:
Six SUM-1, D size, R-20 or equivalent batteries
AC Power Adaptor:
PA-3, PA-4 or PA-40
Dimensions (W x D x H):
931mm x 347mm x 137mm (36-5/8 x 13-11/16 x 5-3/8)
Weight:
4.7kg (10.4lbs.) excluding batteries
Supplied Accessory:
Music Stand Six SUM-1 Batteries Owners Manual
FINGERING CHART
* All fingerings shown are simple root-position types.
Seventh
Minor seventh
Major seventh
Minor major seventh
Augmented
Diminished
Suspended fourth
Minor seventh flatted fifth
Minor sixth
Seventh suspended fourth
Seventh flatted fifth
YAMAHA [Portatone] Model PSR-300 Remote control mode Function Basic Channel Mode Note Number Velocity After Touch Pitch Bender Default Changed Default Messages Altered : True voice Note ON Note OFF Keys Chs O X
MIDI Implementation Chart
Recognized OMNI 1-16, OMNI 1 X X 24-127 24-127 O X 9nH, v = 1-127 9nH, v = 0, 8nH X X X
Date : 03/07, 1991 Version : 1.0 Remarks
Transmitted 1 1-X ********** 36-96 ********** 9nH, v = 1-127 9nH, v = 0 X X X
Control Change
SUSTAIN ON/OFF
YAMAHA
IMPORTANT
PLEASE RECORD THE SERIAL NUMBER OF YOUR UNIT IN THE SPACE BELOW. MODEL: PSR-200 MODEL: PSR-300 SERIAL NO:
THE SERIAL NUMBER IS LOCATED ON THE BOTTOM OF THE UNIT. RETAIN THIS OWNERS MANUAL IN A SAFE PLACE FOR FUTURE
REFERENCE.
YAMAHA CORPORATION
P.O.Box 1, Hamamatsu, Japan
1991 YAMAHA CORPORATION
VL76120 JCBBR12P06.3CP Printed in Japan
Tags
LE26R75B VP-D903I DS 66 Wagon 2003 N1050V Communicate MP Soundcraft EFX8 XL3401B-02 2200VS Pro USB XT1500-IC Zoom 80 Clipso MX103 28PW5324-01 Filter DCR-HC32 VT-747SP Foreman GV5 NX6320 Finepix A220 Battery Pack TC-21S3RC RS800CX Vytec DS 645DF TH-37PV7F LCX-28C HD ENL6298X3 11265 ML-7300 TUE-T152 AV-452 Fishfinder 515 Manual TX-810 AVR-1400 Pampera 125 Teamset LX200-ACF HMB406 Contax U4R PL42B450 CDX-2400 JH-1D 29FG2RG HT-DDW760 Alcatel-lucent 4068 NAS-E35HD Av-21jt5 P2B-IDE Gigashot A DCT6485 DCD-510AE RS-H1fhpe MHC-RXD10AV Blackberry 5820 775xfire-vsta L1720B Vista Plus Achieva 1997 Mf636 5450 VI Nikon D50 GA-K8a480m-9 11265 FLM-2601 XL650U 21H-FG5RU Insert MX602A Deskjet 3425 DEH-2250UBG 21PV708 ZWD1680W SC-HD560 Audioline 45 URC22D-8 MP-9485SL FC632BF1 W12GTI CQC7303N 4550DN MX-50X1 Electric Piano KP-48PS1K SGH-U700B Contour F3 42PC1DA-UB 8642E X-COM-apocalypse AGE21DH CD 3402 Review Calisto PRO Navman F15 GTO507C CD1402B 21 KLV-32M1 De DVD MPD24 LE46A796 CDX-454RF
manuel d'instructions, Guide de l'utilisateur | Manual de instrucciones, Instrucciones de uso | Bedienungsanleitung, Bedienungsanleitung | Manual de Instruções, guia do usuário | инструкция | návod na použitie, Užívateľská príručka, návod k použití | bruksanvisningen | instrukcja, podręcznik użytkownika | kullanım kılavuzu, Kullanım | kézikönyv, használati útmutató | manuale di istruzioni, istruzioni d'uso | handleiding, gebruikershandleiding
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1. Yamaha FC 5 Sustain Pedal for Portable Electronic Keyboards
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