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Yamaha PSR-340, size: 4.2 MB
Yamaha PSR 340 Rockin& 39; demo track
User reviews and opinions
|propertylaw||5:39am on Sunday, October 17th, 2010|
|Yamaha PSRE213-K I bought this for my daughter who has just started leaarning the piano and it was recommended to us by her teacher before we were to ... Just the ticket! As a final attempt to discover if I had any kind of music talent before I hit 40, I decided to try the piano.|
|andyf||3:19pm on Friday, September 3rd, 2010|
|Yamaha PSRE213-K I bought this for my little brother, he is 14 and learning keyboard at school.|
|bigbearomaha||1:58am on Monday, July 26th, 2010|
|Great value We have just taken delivery of this item (would definately recommend the proper Yamaha stand to put it on) and we are thrilled.|
Comments posted on www.ps2netdrivers.net are solely the views and opinions of the people posting them and do not necessarily reflect the views or opinions of us.
SPECIAL MESSAGE SECTION
This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specifically recommended by Yamaha. This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is used, please observe all safety markings and instructions that accompany the accessory product. This product may also use household type batteries. Some of these may be rechargeable. Make sure that the battery being charged is a rechargeable type and that the charger is intended for the battery being charged. When installing batteries, do not mix batteries with new, or with batteries of a different type. Batteries MUST be installed correctly. Mismatches or incorrect installation may result in overheating and battery case rupture.
Do not attempt to disassemble, or incinerate any battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by the laws in your area. Note: Check with any retailer of household type batteries in your area for battery disposal information.
SPECIFICATIONS SUBJECT TO CHANGE:
The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units. This product, either alone or in combination with an amplifier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for long periods of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs.
Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc. If your dealer is unable to assist you, please contact Yamaha directly.
NAME PLATE LOCATION:
The name plate is located on the bottom of the product. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.
Service charges incurred due to a lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturers warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service.
Model ENVIRONMENTAL ISSUES:
Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following:
Serial No. Purchase Date
This product MAY contain a small non-rechargeable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement.
Song track indicators
In song recording and playback, these indicate the status of the tracks. (See pages 75, 83.)
Song/Voice/Style name and number
This portion of the display indicates the name and number of the currently selected song, voice, or style. It also displays the name and current value or setting of the Overall functions and the Function parameters, as well as other important operation messages.
Insert the bottom edge of the included music stand into the slot located at the top rear of the PortaTone control panel.
This convenient function lets you automatically exit from any other mode or function and instantly call up the Grand Piano voice.
PLAYING THE PORTABLE GRAND
Press the PORTABLE GRAND button.
Doing this automatically cancels any other mode or function, and resets the entire instrument for playing the special Stereo Sampled Piano Grand Piano voice (voice 001). It automatically selects the Voice mode (with the Style mode active), and calls up style #91 (Rock-A-Ballad). It also resets the footswitch to Sustain operation. The Portable Grand setting is designed also for playing with the special Pianist styles (#91 - #100). When auto accompaniment is turned on, these provide piano-only accompaniment in a variety of music styles. (See page 52.)
USING THE METRONOME
Set the desired tempo with the Tempo function in the Overall menu.
Press one of the OVERALL v/w buttons, repeatedly if necessary, until Tempo appears in the display.
Indicates Tempo is selected
Current Tempo value
Change the value.
Use the OVERALL +/- buttons to increase or decrease the Tempo value. Holding down either button continuously increases or decreases the value.
Increases Tempo value
The numeric keypad cannot be used to change values for the Overall menu settings.
Decreases Tempo value
The Metronome cannot be turned on when free-tempo song data is selected in the Song mode. The tempo setting of some commercially available songs is fixed. These songs are called free-tempo software. When playing back free-tempo song data on the PSR-340, the Tempo display shows --- and the beat display does not flash. Also, the measure number in the display does not match the actual measure number of playback, and only gives you an indication of how much of the song has played back.
Tuning determines the fine pitch setting of both the main voice and the bass/chord accompaniment of the selected style. It also determines the pitch of the songs. This allows you to accurately match the tuning with that of other instruments. The Tuning settings can be adjusted over a range of 100 (approx. 1 semitone).
Select the Tuning function in the Overall menu.
Press one of the OVERALL v/w buttons, repeatedly if necessary, until Tuning appears in the display.
Indicates Tuning is selected
Current Tuning value
Use the OVERALL +/- buttons to increase or decrease the Tuning value. Holding down either button continuously increases or decreases the value.
Increases Tuning value
Restoring the Default Tuning Value If youve changed the Tuning setting, you can instantly restore the default setting of 00 by pressing both OVERALL +/buttons simultaneously (when Tuning is selected in the Overall menu).
Decreases Tuning value
PLAYING TWO VOICES DUAL VOICE
The Dual Voice mode lets you create richly textured sounds by layering two different voices together one voice being the Main voice selected in the normal way (page 27), and the other a Dual voice selected as described below.
Turn on the Dual Voice mode.
Press the DUAL button.
The Dual Voice mode can also be turned on and off with a connected footswitch. (See page 100.)
When you play the keyboard, both the currently selected Main and Dual voices will be heard. To turn the Dual mode off, press the DUAL button again.
Select the desired Dual voice and make other settings for the voice (if desired) in the Function mode.
To do this, first call up the Function mode by pressing the FUNCTION button.
While the FUNCTION indication is flashing, use the numeric keypad to select the desired Dual Voice Function parameter number (11 - 18). Actual selection of the Dual voice is made from parameter #17. (See the Parameters list below for details.)
Block Block Block Block Block Block Block Block
2) At the selected block, record the desired chord. You can do this in one of two ways: Play Multi Fingering chords in the auto accompaniment section. (See page 56.) Enter the chord root and name manually from the ROOT and CHORD TYPE section of the keyboard.
Indicates the recorded chord.
Bank number Block number (128 are available in a bank)
3) Press the + button in the numeric keypad. This actually records the chord to the selected block and automatically moves to the next block. This step is necessary; the chord is not actually recorded until you press the + button. (Pressing the - button will select the previous block without recording the chord.) To record a sequence of chords, repeat steps 2) and 3) above (play a chord, select the next step, play a different chord, select the next step, etc.).
Stop recording and exit from the record mode.
When finished recording the chords, press the RECORD button. This exits from the record mode and lets you playback your newly recorded chords. (See page 66.)
Recording a Space
To leave a block empty (creating a space between blocks), simply select the next block without entering a chord. To leave the rest of a row empty and start at the next row, use the + button to move to the first block in the next row and start recording from that position. (For more infomation, see the hint Using Spaces on page 70.)
Playing the Accompaniment During EZ Chord Recording
It may be helpful for you to hear the style and auto accompaniment as you are recording chords in the EZ Chord function. To do this: 1) Press the STYLE button. This briefly calls up the Style mode, while keeping EZ Chord recording active. 2) Select the desired style. Before the display reverts back to EZ Chord (a couple of seconds after pressing the STYLE button), use the numeric keypad to select a style. 3) Start accompaniment playback. Press the START/STOP button. 4) Record the chord. Play the desired chord in the auto accompaniment section of the keyboard. Remember that the chord is not actually recorded until you press the + button to move to the next block. If you manually enter the chord root and type (as described on page 68), the chord and bass accompaniment will not sound.
HINT Using Spaces
If your chord progressions are not long and the maximum memory space for chords isnt very important to you, you can use the spaces between recorded blocks to good advantage. (Keep in mind that spaces have no effect during playback; the EZ Chord function automatically skips the space or spaces and plays the next chord.)
To record a space:
ONE TOUCH SETTING USER
Four User banks each with four different settings a total of sixteen are available for your custom settings. Each of the sixteen User One Touch Settings can have different settings for the following parameters:
Main voice number All Main voice settings (Volume, Octave, Pan, Reverb Level, Chorus Level, and DSP Level) Dual voice number All Dual voice settings (On/Off, Volume, Octave, Pan, Reverb Level, Chorus Level, and DSP Level) Split voice number All Split voice settings (On/Off, Split Point, Volume, Octave, Pan, Reverb Level, Chorus Level, and DSP Level) Reverb Type and On/Off Chorus Type and On/Off DSP Type and On/Off Harmony Type, On/Off, and Volume Style number, and style-related settings: Accompaniment On/Off, Section (Main A or B), and Accompaniment Split Point Overall menu settings: Tempo, Transpose, Tuning, and Accompaniment Volume Footswitch assignment Touch Sensitivity setting When using User One Touch Settings to which a disk style (number 101) has been recorded, you will need to load that same style data from the appropriate disk. If a different style disk is used, the style on that disk will be used for the User One Touch Settings, and not the one you originally selected.
Recording a User One Touch Setting
Make all desired settings for the PortaTone.
Virtually all PortaTone settings can be saved to a User button. Refer to the list above for details.
Select the OTS Record mode.
Press the RECORD button, repeatedly if necessary, until OTS User appears at the top of the display.
Select the desired bank.
Use the +/- buttons or the numeric keypad to select the desired User bank number (1 - 4).
Select the desired User number.
Press the corresponding USER ONE TOUCH SETTING button (1 - 4). Doing this records the settings to the selected button.
Briefly appears to indicate that settings have been saved to OTS User button 1.
Exit from the Record mode.
Press the RECORD button.
Recalling a User One Touch Setting
Once youve recorded your settings to a User button, you can instantly recall those settings any time you want.
Call up the Style mode.
Press the appropriate ONE TOUCH SETTING USER button.
Press the USER button (1 - 4) corresponding to the desired settings.
Briefly appears to indicate that OTS User 1 is active.
Selecting a User Bank
Before selecting a User One Touch Setting (in step #2), you may want to select a different bank. To do this: 1) Select Function #41. (Press the FUNCTION button, then use the +/- buttons or the numeric keypad to select #41.) 2) After the FUNCTION indication stops flashing, select the desired bank number with the +/buttons or the numeric keypad.
ONE TOUCH SETTING PRESET
You can playback song files collected on these disks using the voices defined in the GM standard. (See page 93) GM System Level 1 is an addition to the MIDI standard which ensures that any GM-compatible music data can be accurately played by any GM-compatible tone generator, regardless of manufacturer. The GM mark is affixed to all software and hardware products that support GM System Level 1. The PSR-340 supports GM System Level 1. You can playback song files collected on these disks using the voices defined in Yamahas DOC format. (See page 93) The DOC voice allocation format provides data playback compatibility with a wide range of Yamaha instruments and MIDI devices, including the Clavinova series. You can load and play with the style files collected on these disks. (See page 96) The Style File Format SFF is Yamahas original style file format which uses a unique conversion system to provide high-quality automatic accompaniment based on a wide range of chord types. The PSR-340 uses the SFF data internally, reading from optional SFF style disks.
While any of the diskrelated displays are shown (called up by pressing the LOAD, SAVE, or UTILITY buttons), no panel operations can be executed (except for disk operations), and playing the keyboard does not produce any sound.
User Songs, One Touch Settings, EZ Chord data, and Disk Style data (style number 101) are saved and loaded as a single file on the PSR-340. To ensure proper data storage, use only disks that have been formatted on the PSR-340 (page 98). The three letters following the file name (after the period) are referred to as a file extension. The extension indicates the type of file.
Using the Floppy Disk Drive (FDD) and Floppy Disk
Be sure to handle floppy disks and treat the disk drive with care. Follow the important precautions below. q Be sure to remove the floppy disk from the disk drive before turning off the power. A floppy disk left in the drive for extended periods can easily pick up dust and dirt that can cause data read and write errors.
s Compatible Disk Type
3.5" 2DD and 2HD type floppy disks can be used.
s Inserting/Ejecting Floppy Disks
q To insert a floppy disk into the disk drive: Hold the disk so that the label of the disk is facing upward and the sliding shutter is facing forward, towards the disk slot. Carefully insert the disk into the slot, slowly pushing it all the way in until it clicks into place and the eject button pops out. When the PSR-340 is turned on, the LED below the floppy disk slot will be lit indicating that the Disk Drive is ready to use. q To eject a floppy disk: Before ejecting the disk, be sure to confirm that the FDD is stopped (check if the DISK IN USE lamp is off). Press the eject button slowly as far as it will go; the disk will automatically pop out. When the disk is fully ejected, carefully remove it by hand.
Execute the Format operation.
Press the + button (YES), and the Format operation will start. Once started, the operation cannot be canceled. During formatting, Formting will appear at the top of the display.
If you do not intend to format the disk, press the - button (NO) instead of the + button (YES).
UTILITY FORMATTING A PREVIOUSLY FORMATTED DISK
This function is useful for quickly deleting unnecessary files from an already formatted disk. Be careful when using this operation, since it automatically deletes all data on the disk.
If the UTILITY button is pressed when there is no floppy disk inserted into the disk drive, a No Disk message appears at the top of the display, and all disk operations will be disabled.
This calls up the Delete operation (page 97). The filename will appear at the top of the display. When there are no files on disk that the PSR-340 can delete, the FORMAT display appears instead of DELETE, when the UTILITY button is pressed. In this situation, step #2 is unnecessary.
Press the UTILITY button again.
This calls up the Format operation. Format? will appear at the top of the display.
When the floppy disks write-protect tab is set to ON (see page 92) or the disk is a purposely copyprotected disk, a Protect message appears, indicating that the Utility function is not possible.
While formatting is in progress (the DISK IN USE lamp is lit) , never eject the disk or turn the power off. If data is already saved on the disk, be careful not to format it. If you format the disk, all the previously recorded data will be deleted.
If you do not intend to format the disk, press the - button (NO) instead of the + button (YES). To exit from the operation, press the UTILITY button.
The PortaTone has a footswitch feature that can be used to control a variety of functions and operations. By using your foot to conveniently control these functions, you free your hands to concentrate on your performance.
Normally, this is used as a damper pedal, producing pedal-controlled sustain for piano and other instrument sounds that have a natural decay. It can also be assigned to any of these eleven other functions:
EZ Chord increment START/STOP INTRO/ENDING MAIN A MAIN B Harmony On/Off Dual On/Off Split On/Off Reverb On/Off Chorus On/Off DSP On/Off
Select the Footswitch Assign parameter.
While the FUNCTION indication is flashing, use the numeric keypad to select Footswitch Assign (#71). Function parameter numbers can be selected in the same way as with the voices (see page 28) with the numeric keypad, +/- keys, or the FUNCTION button.
FUNCTION PARAMETERS MIDI
The Function parameters provide additional, more detailed MIDI settings for the PortaTone. These settings include:
Remote Channel Keyboard Out Accompaniment Out Local Control External Clock Initial Setup Send
Select the desired Function parameter.
While the FUNCTION indication is flashing, use the numeric keypad to select the desired MIDI Function parameter number (81 - 87). (See the Parameters list below for details.) Function parameter numbers can be selected in the same way as with the voices (see page 28) with the numeric keypad, +/- keys, or the FUNCTION button.
The MIDI settings below are saved even when the power is turned off. However, MIDI settings are NOT included in the data saved to the User banks in the One Touch Setting feature (page 72).
No. Parameter Name 81 Remote Channel Display Name RemoteCh Range/Settings off, 01 - 16
This determines how the PortaTone is controlled by a remote (external) MIDI keyboard. Set this to one of the 16 channels (01 - 16) for using an external keyboard to remotely control the PortaTone functions over the selected channel. (The remaining 15 channels can be used for multitimbral operation.) When this is set to off, the PortaTone can be used as a full 16-channel multi-timbral sound source. The default setting is off.
This determines whether the keyboard performance data of the PortaTone is transmitted or not. When this is set to off, notes played on the PortaTone will not affect (not be transmitted to) the connected MIDI device. When this is set to on, the following keyboard data is transmitted: Main voice part over channel 1, Split voice part over channel 2, and Dual voice part over channel 11. The default setting is on.
If both Keyboard Out and Local Control (#84 below) are set to off, neither the connected MIDI device nor the PortaTone voices will sound when playing the keyboard.
Accompaniment Out AcmpOut
This determines whether Auto Accompaniment data is transmitted via MIDI OUT or not. When set to on, Auto Accompaniment data is transmitted over channels 3 - 10 (as listed below). The default setting is on. Accompaniment Transmit Channels: Channel 3 Bass Channel 4 Chord part 1 Channel 5 Chord part 2 Channel 6 Pad Channel 7 Phrase part 1 Channel 8 Phrase part 2 Channel 9 Rhythm part 2 Channel 10 Rhythm part 1
You can use Accompaniment Out in several ways. One useful application would be to play all or selected parts on a connected MIDI tone generator. In this way you could reinforce the PortaTone sounds by layering (or substituting) with the sounds of the tone generator. In a different application, you could record the individual parts from each channel to a sequencer, and use the comprehensive editing features of the sequencer to re-arrange the accompaniment parts.
This determines whether the keyboard is connected to the internal Voices of the PortaTone.
When set to on, the Voices respond to notes played from the keyboard. When set to off, the Voices respond only to incoming MIDI data (via MIDI IN). The default setting is on. If you are routing the MIDI OUT on the PortaTone to a sequencer and back to the MIDI IN, you may want to set this to off to avoid MIDI feedback.
No. Parameter Name 85 External Clock
Display Name ExtClock
This determines whether the style and song playback functions are controlled by the PortaTones internal clock (off) or by MIDI clock data from an external sequencer or computer (on). This should be set to on when you want to have style or song playback follow the external device (such as a rhythm machine or a sequencer). The default setting is off.
When this is set to on, style playback CANNOT be controlled from the PortaTone panel controls. External Clock is automatically set to off when the Song mode is selected.
Initial Setup Send
This function lets you transmit the initial setup settings of the PortaTone to a sequencer and record them as part of a song. This ensures that when you playback the song, the PortaTone is instantly and automatically reconfigured to the proper settings for the song. (For detailed instructions, see the section USING INITIAL SETUP SEND WITH A SEQUENCER below.)
USING INITIAL SETUP SEND WITH A SEQUENCER
The most common use for the Initial Setup Send function is in recording a song on a sequencer that is intended for playback with the PortaTone. Essentially, this takes a snapshot of the PortaTone settings and sends that data to the sequencer. By recording this snapshot at the start of the song (before any actual performance data), you can instantly restore the necessary settings on the PortaTone. Provided there is a pause in the song, you could also do this in the middle of a song for example, completely changing the PortaTone settings for the next section of the song.
Sending Initial Setup Data
First, set up the sequencer for recording.
The actual procedure may differ depending on your particular equipment and software. Ideally, you should leave two or more measures of silence (no performance data) before the song begins. The Initial Setup data should then be recorded to this space in the song. 108
GM Voice List
Voice Number 165 Bank Select MSB 0 LSB 0 MIDI Program Voice Name Change# PIANO 0 Acoustic Grand Piano 1 Bright Acoustic Piano 2 Electric Grand Piano 3 Honky-tonk Piano 4 Electric Piano Electric Piano Harpsichord 7 Clavi CHROMATIC 8 Celesta 9 Glockenspiel 10 Music Box 11 Vibraphone 12 Marimba 13 Xylophone 14 Tubular Bells 15 Dulcimer ORGAN 16 Drawbar Organ 17 Percussive Organ 18 Rock Organ 19 Church Organ 20 Reed Organ 21 Accordion 22 Harmonica 23 Tango Accordion GUITAR 24 Acoustic Guitar (nylon) 25 Acoustic Guitar (steel) 26 Electric Guitar (jazz) 27 Electric Guitar (clean) 28 Electric Guitar (muted) 29 Overdriven Guitar 30 Distortion Guitar 31 Guitar Harmonics BASS 32 Acoustic Bass 33 Electric Bass (finger) 34 Electric Bass (pick) 35 Fretless Bass 36 Slap Bass Slap Bass Synth Bass Synth Bass 2 STRINGS 40 Violin 41 Viola 42 Cello 43 Contrabass 44 Tremolo Strings 45 Pizzicato Strings 46 Orchestral Harp 47 Timpani ENSEMBLE 48 Strings Ensemble Strings Ensemble Synth Strings Synth Strings Choir Aahs 53 Voice Oohs 54 Synth Voice Voice Number 220 Bank Select MSB 0 LSB 0 MIDI Program Voice Name Change# 55 Orchestra Hit BRASS 56 Trumpet 57 Trombone 58 Tuba 59 Muted Trumpet 60 French Horn 61 Brass Section 62 Synth Brass Synth Brass 2 REED 64 Soprano Sax 65 Alto Sax 66 Tenor Sax 67 Baritone Sax 68 Oboe 69 English Horn 70 Bassoon 71 Clarinet PIPE 72 Piccolo 73 Flute 74 Recorder 75 Pan Flute 76 Blown Bottle 77 Shakuhachi 78 Whistle 79 Ocarina SYNTH LEAD 80 Lead 1 (square) 81 Lead 2 (sawtooth) 82 Lead 3 (calliope) 83 Lead 4 (chiff) 84 Lead 5 (charang) 85 Lead 6 (voice) 86 Lead 7 (fifth) 87 Lead 8 (bass+Lead ) SYNTH PAD 88 Pad 1 (new age) 89 Pad 2 (warm) 90 Pad 3 (polysynth) 91 Pad 4 (choir) 92 Pad 5 (bowed) 93 Pad 6 (metallic) 94 Pad 7 (halo) 95 Pad 8 (sweep) SYNTH EFFECTS 96 FX 1 (rain) 97 FX 2 (soundtrack) 98 FX 3 (crystal) 99 FX 4 (atmosphere) 100 FX 5 (brightness) 101 FX 6 (goblins) 102 FX 7 (echoes) 103 FX 8 (sci-fi) ETHNIC 104 Sitar 105 Banjo 106 Shamisen 107 Koto 108 Kalimba 109 Bagpipe
Voice Number 229 230
Bank Select MSB LSB 0 0
MIDI Program Voice Name Change# 110 Fiddle 111 Shanai PERCUSSIVE 112 Tinkle Bell 113 Agogo 114 Steel Drums 115 Woodblock 116 Taiko Drum 117 Melodic Tom 118 Synth Drum 119 Reverse Cymbal
Key Alternate Standard Kit 1 off Assign *3 Surdo Mute *3 Surdo Open Hi-Q Whip *4 Scratch H *4 Scratch L Finger Snap Click Metronome Click Metronome Bell Seq Click L Seq Click H Brush Tap O Brush Swirl Brush Slap O Brush Swirl W/Attack O Snare Roll Castanet Snare H Soft Sticks Bass Drum L Open Rim Shot Bass Drum M Bass Drum H Side Stick Snare L Hand Clap Snare H Hard Floor Tom L *1 Hi-Hat Closed Floor Tom H *1 Hi-Hat Pedal Low Tom *1 Hi-Hat Open Mid Tom L Mid Tom H Crash Cymbal 1 High Tom Ride Cymbal 1 Chinese Cymbal Ride Cymbal Cup Tambourine Splash Cymbal Cowbell Crash Cymbal 2 Vibraslap Ride Cymbal 2 Bongo H Bongo L Conga H Mute Conga H Open Conga L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas O Samba Whistle H O Samba Whistle L Guiro Short O Guiro Long Claves Wood Block H Wood Block L Cuica Mute Cuica Open *2 Triangle Mute *2 Triangle Open Shaker Jingle Bell Bell Tree
Standard Kit 2 < < < < < < < < < < < < < < < < < < Snare H Soft2 < Bass Drum L2 Open Rim Shot2 < Bass Drum H 2 < Snare L2 < Snare H Hard2 < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < <
Room Kit < < < < < < < < < < < < < < < < < < < < < < < < < SD Room L < SD Room H Room Tom 1 < Room Tom 2 < Room Tom 3 < Room Tom 4 Room Tom 5 < Room Tom 6 < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < <
Rock Kit < < < < < < < < < < < < < < < < < < SD Elec M < < < Bass Drum H3 BD Rock < SD Rock < SD Rock Rim Rock Tom 1 < Rock Tom 2 < Rock Tom 3 < Rock Tom 4 Rock Tom 5 < Rock Tom 6 < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < <
Electronic Kit < < < < < < < < < < < < < < < Reverse Cymbal < Hi Q Snare L < Bass Drum H < BD Rock BD Rock 2 < SD Elec M < SD Elec H E Tom 1 < E Tom 2 < E Tom 3 < E Tom 4 E Tom 5 < E Tom 6 < < < < < < < < < < < < < < < < < < < < < < < < < < < Scratch Push Scratch Pull < < < < <
Key Alternate Analog Kit off Assign *3 < *3 < < < *4 < *4 < < < < < < < < O < < O Reverse Cymbal O < Hi Q SD Elec H2 < Bass Drum H < BD Analog 1L BD Analog 1H Analog Side Stick SD Analog 1H < SD Analog 1L Analog Tom 1 *1 Analog HH Closed1 Analog Tom 2 *1 Analog HH Closed2 Analog Tom 3 *1 Analog HH 1 Open Analog Tom 4 Analog Tom 5 Analog Cymbal Analog Tom 6 < < < < < Analog Cowbell < < < < < Analog Conga H Analog Conga M Analog Conga L < < < < < Analog Maracas O < O < < O < Analog Claves < < Scratch Push Scratch Pull *2 < *2 < < < <
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koko laitetta verkosta.
For details of products, please contact your nearest Yamaha or the authorized distributor listed below. Pour plus de dtails sur les produits, veuillez-vous adresser Yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante.
Die Einzelheiten zu Produkten sind bei Ihrer unten aufgefhrten Niederlassung und bei Yamaha Vertragshndlern in den jeweiligen Bestimmungslndern erhltlich. Para detalles sobre productos, contacte su tienda Yamaha ms cercana o el distribuidor autorizado que se lista debajo.
Yamaha Canada Music Ltd. 135 Milner Avenue, Scarborough, Ontario, M1S 3R1, Canada Tel: 416-298-1311
Yamaha Musica Italia S.P.A., Home Keyboard Division Viale Italia 88, 20020 Lainate (Milano), Italy Tel: 02-935-771
Tom Lee Music Co., Ltd. 11/F., Silvercord Tower 1, 30 Canton Road, Tsimshatsui, Kowloon, Hong Kong Tel: 2737-7688
Yamaha-Hazen Electronica Musical, S.A. Jorge Juan 30, 28001, Madrid, Spain Tel: 91-577-7270
Yamaha Corporation of America 6600 Orangethorpe Ave., Buena Park, Calif. 90620, U.S.A. Tel: 714-522-9011
PT. Yamaha Music Indonesia (Distributor) PT. Nusantik Gedung Yamaha Music Center, Jalan Jend. Gatot Subroto Kav. 4, Jakarta 12930, Indonesia Tel: 21-520-2577
Philippe Nakas S.A. Navarinou Street 13, P.Code 10680, Athens, Greece Tel: 01-364-7111
CENTRAL & SOUTH AMERICA
Yamaha de Mexico S.A. De C.V., Departamento de ventas Javier Rojo Gomez No.1149, Col. Gpe Del Moral, Deleg. Iztapalapa, 09300 Mexico, D.F. Tel: 686-00-33
Yamaha Scandinavia AB J. A. Wettergrens Gata 1 Box 30053 S-Gteborg, Sweden Tel: 34 00
Cosmos Corporation #131-31, Neung-Dong, Sungdong-Ku, Seoul Korea Tel: 02-466-0021~5
Yamaha Music Malaysia, Sdn., Bhd. Lot 8, Jalan Perbandaran, 47301 Kelana Jaya, Petaling Jaya, Selangor, Malaysia Tel: 3-703-0900
YS Copenhagen Liaison Office Generatorvej 8B DK-2730 Herlev, Denmark Tel: 49 00
Yamaha Musical do Brasil LTDA. Av. Rebouas 2636, So Paulo, Brasil Tel: 011-853-1377
Yupangco Music Corporation 339 Gil J. Puyat Avenue, P.O. Box 885 MCPO, Makati, Metro Manila, Philippines Tel: 819-7551
Yamaha Music Argentina S.A. Viamonte 1145 Piso2-B 1053, Buenos Aires, Argentina Tel: 1-371-7021
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