Congratulations on your purchase of the Mamiya 7 and welcome to the world-wide family of happy Mamiya camera owners! Mamiya pioneered the 6x7cm medium format SLR system camera when it introduced the first Mamiya RB67 in 1970. In 1982 an additional model followed, the Mamiya RZ67 with electronic features. Both cameras soon became the market leaders and the preferred tool of trade for portrait, commercial and magazine photographers all over the world and established the 6x7 rectangular image as the "ideal format". Now we are proud to present the Mamiya 7, 6 x 7cm rangefinder camera. Reflecting Mamiya's traditional quality workmanship plus modern design, the Mamiya 7 is compact and lightweight. It offers the handling ease of a 35mm camera, while yielding far superior 4.5 times larger images. Featuring interchangeable, rangefinder coupled lenses and AE metering, it also permits taking 24 x 65mm panoramic images on 35mm film, by means of an optional adapter kit. The Mamiya 7 lens program includes a standard 80mm lens, a 65mm wide angle lens, an ultra-wide 43mm lens and a 150mm telephoto lens. The Mamiya 7 and its lenses have undergone extensive quality controls at every step of manufacture. Please read this instruction manual thoroughly before you use the camera. A proper understanding of all its features and functions will eliminate potential misuse and ensure a long service life.

Contents

Mamiya 7, the ultimate 6 x 7 rangefinder camera..2 Nomenclature and Functional Parts.3 Inserting Battery..7 Removing Camera Body Cap..7 Opening/Closing Light Shield Curtain..8 Mounting/Removing Lenses..9 Battery Check... 10 Releasing the Shutter.. 11 Before Loading the Film.. 12 Loading the Film.. 13 Shutter Speed... 15 Shutter Release Button.. 16 LED Indicators in the Viewfinder.. 16 Focusing the Lens.. 18 Taking Photographs.. 19 AE (Automatic Exposure) Photography. 20 AE Lock (AEL) Photography. 20
Manual Photography.. 21 Self-Timer... 21 Depth-of-Field... 22 Diopter Correction Lenses.. 22 Exposure Compensation.. 23 Time Exposures.. 23 Flash Photography.. 24 Infrared Photography... 24 How to Hold the Camera... 25 Trouble Shooting.. 26 Lenses... 27 Accessories.. 28 System Chart.. 29 Specifications... 30 Common Sense Camera Care and Practice... 31
Mamiya 7, the ultimate 6x7 rangefinder camera.
The Mamiya 7 is the only camera in the world that has these exclusive features: Ideal 6x7cm film format that enlarges to standard photographic and industrial paper sizes without cropping and without wasting film. A size that can be viewed with the naked eye and that is easy to retouch. Lightweight, compact, "quick on the draw" and ergonomically designed to fit in your hand like a glove. Crisp, accurate, broad based, split-image rangefinder, that is easy to focus, even in poor light. Bright viewfinder with frame lines that are automatically indexed to match the focal length of lens in use and that automatically adjust for parallax. Interchangeable, world-class Mamiya lenses, utilizing the latest optical glasses and computer aided design and that take advantage of the camera's short flange focal distance (there is no mirror box) to reach new heights in lens quality.
Precision, super quiet, electronic shutter with speeds from 4 to 1/500 sec., flash synchronized at all speeds. Built-in "dark slide" curtain that permits changing lenses with film in camera. Precision AE (automatic exposure) meter with manual overrides. Selftimer (delayed action release) with automatic turn-off. Optional external battery case to wear inside clothing in extreme cold. Optional panoramic adapter that permits use of 35mm film and yields 24x65mm images. Built with typical Mamiya quality for hard professional use and long service life.
Nomenclature and Functional Parts
Exposure compensation scale Exposure counter window
"S" appears automatically when opening the back cover. (Any other numeral indicates that the film is loaded. Do not open the back cover under this condition.)
Film speed window (ISO) Shutter speed Index Mark Self-timer button Rangefinder window
Shows the field of view within the bright frame and the doubleimage superimposed rangefinder.

Exposure compensation lever Cable release socket Shutter release button
Rangefinder coupling roller Power on/off lever

Turn off after use

Electronic contacts
(Do not touch contacts and keep them clean in order not to impair good electrical contact.)

Self-timer pilot lamp

Lights for 8 seconds when the Self-timer button is pressed, then blinks for 2 seconds, after which the shutter is released.

Lens release button

Bayonet mount PC Terminal Lens alignment dot
Align with the dot on the lens to mount/remove the lens.
Hot Shoe for mounting electronic flash

Shutter speed dial

When A or AEL on the shutter speed dial is aligned with the indicator on the camera body, the dial will lock in place. To unlock it, rotate the dial while pushing in the AE lock (AEL) release button located in the center.

Film advance lever

Advance until it stops - the shutter is then cocked.
Film setting index dots Pressure plate
Set the pressure plate position according to the film type (120 or 220/135) used.

Spool release levers

When replacing the film, be sure to push this lever to the side to lower the spool stud.
Exposure compensation lock release button Film starting indicator
Be sure to align the film starting indicator "'w" on the camera with the arrow on the film. (Incorrect alignment may result in the film loading failure.)
Film type (120 or 220/135)
Position the pressure plate with either the 120, 220 or 135 roll film index mark.
Film spool stud Film holder spring Back cover latch Back cover lock release button

Back cover Memo clip

Holds the film box top or memo as a film type reminder.

Viewfinder eyepiece

120-220/135 selector index window
When the pressure plate is aligned with the film type used, either "120" or "220/ 135" is indicated in this window.

Rubber eyecup

Film Rewind Button

(use for 135 type film)

Carrying strap lugs
Battery chamber Film spool stud
Stores one of silver-oxide battery (4SR44), alkaline manganese battery (4L-R44), or lithium battery (2CR1/3).
Lower cover Tripod socket
The socket has U1/4" threads.
Light shield curtain release
Used to open a closed curtain.
Light shield curtain closing lever
mark indicates that the curtain is open. mark indicates that the curtain is closed.
Aperture scale Focusing ring

Used to focus the lens.

Aperture ring Distance scale (m-ft)
Used to set or read the subject-to-lens distance.

Depth-of-field scale

Allows the aperture (f-stop) to be checked in relation to the correct focusing range.

Infrared index mark

When engaged in infrared photography, use this mark to align lens according to usual focusing position.

Lens alignment dot

When mounting or changing a lens, align this dot with the dot on the camera body.
Rangefinder coupling lever

Inserting Battery

[Power on/off]

Removing camera body cap

The camera will not function without a battery. 1. Remove the battery chamber cover on the bottom of the camera with a coin or screwdriver. 2. The + terminal is indicated on the inside of the battery chamber cover. Insert the battery as shown in the Photo, being sure to properly place the battery with the "+" side up, facing the cover. [Batteries] The Mamiya 7 uses one of 4SR44 silver oxide battery, 4LR44 alkaline battery or 2CR1/3 lithium battery.
1. Power can be turned on/off with the small lever beside the shutter release button. (ON) Align the white dot on the lever with the white dot on the camera body. (OFF) Align the white dot on the lever with the red dot on the camera body.
While pressing the lens release button A in, rotate the cap counterclockwise, and align the groove B on the cap's side with the lens alignment dot on the body. The body cap can then be pulled out. *The lens release button cannot be pressed when the light shield curtain is open. So make sure the curtain is closed. For curtain opening/closing see page 8.
Opening/Closing Light Shield Curtain
[Opening the light shield curtain] [Closing the light shield curtain]
Before opening/closing the light shield curtain, be sure to cock the shutter, otherwise, it will not open/close.
CAUTION: Never touch the light shield curtain. If touched, light leakage or a malfunction may result.
* When the light shield curtain is open, the lens cannot be removed. Close the curtain to remove the lens. * When the light shield curtain is closed, the shutter cannot be released. When taking a picture, open the light shield curtain. (If the light shield curtain is closed, the red warning lamp in the viewfinder will indicate that it is closed.)

Mounting/Removing Lenses

[Mounting lens] [Removing lens] CAUTION
Remove the front and rear lens caps. The front lens cap can be removed by pressing in the tabs on the right and left with your fingers and pulling the cap towards you. The rear lens cap can be removed by rotating it counterclockwise. Align Lens Alignment Dot A with the Camera Alignment Dot B. Insert the lens into the camera body. Then turn the lens in the direction of the arrow (clockwise) until it clicks and locks into place.

Same method as removing the camera body cap. While pressing in the lens release button A, rotate the lens in the direction of the arrow until the lens alignment dot is lined up with the white alignment dot Bon the camera body. Changing lens * When the lens has been removed and film remains in the camera body, avoid exposure to direct sunlight as film fogging may result. * Put the front and rear lens cap on the lens when the lens is removed.
1) As the rangefinder coupling roller is precisely adjusted, be sure not to touch with your hand or move it with finger. 2) Gold plated electronic contacts are located inside the bayonet mount and at the rear of each lens. If oil , dirt, or other foreign matter collects on the contacts, poor electronic information transfer may result. When soiled, use a clean cloth to wipe them.

Battery Check

CAUTION
3) Be careful not to damage the rangefinder coupling lever and the shutter cocking lever at the rear of each lens.
4)When mounting the 43mm or 65mm wide angle lenses make sure that the rear lens rims do not touch the rangefinder coupling roller.
1. Set the shutter speed dial at A (Auto Exposure) position. When the power is turned on and the shutter release button is touched slightly, the shutter speed is indicated on the lower part of the viewfinder. 1) When the shutter speed LED lights on, the battery power is normal. 2) Blinking light of the shutter speed LED indicates drop of the battery power below the allowable level. Then replace the battery. 3) No light or blinking light of the red warning lamp on the lower left side of the viewfinder indicates depletion of the power, so that camera will not work. Replace the battery immediately.
Position the front face of the lens which has been removed as shown in the photo.

Releasing the Shutter

Before using the camera, it is advisable to understand how it works. Set to ON. (See page 7).. Wind the lever to y Film advance cock the shutter. z Light shield curtain.. Open. (See page 8) { Back cover Open. (See page 12) | Release the shutter (See page 16) Note: If the shutter is not released, red warning lamp in the viewfinder will light; repeat steps y to { again. Tip: To observe the function of the shutter release and the interaction between the light shield curtain, shutter and lenses, you need not load film in the camera. Just leave the back cover open:

x Power on/off lever.

Before Loading the Film
[Setting the film speed] [Opening/closing the back cover] [Setting the film type]

Set the film speed of the film being used by lifting up the outer rim of the shutter speed dial and rotate it until the correct ISO value appears in the window.
While depressing the back cover lock button, simultaneously push down the lock lever in the direction of the arrow and the back will open. When closing the back cover, securely press both corners until it clicks.
This camera can use either 120 or 220/ 135 film. To set for the type of film used, simply rotate the pressure plate in either direction of the arrow until the white dot is at "120" or "220/135". When set, "120" or "220/135" will appear in the small window under the memo clip on the rear of the camera. The number of exposures on the film counter is automatically set at 10 for 120 film and 20 for 220 film, according to the position of the pressure plate.
Be sure to set the exact film speed, as otherwise incorrect exposure will result.
If pressure plate position is not matched to the type of film used, a picture can be taken but it might be out of focus.

Loading the Film

[Memo clip]
This memo clip on the back cover is used to hold the film box tab to serve as a convenient reminder of the type of film in the camera or for recording other data.
1. Push the spool release lever on right side to the right, and install the take-up spool in the take-up spool chamber, top first, then push the lower spool stud up.
2. Like installing the take-up spool, push the spool release lever on left side to the left, place a roll of film in the film chamber, making sure it seats properly. Make sure the backing paper is in the position illustrated above, black side facing the lens, colored side towards the back. * The product identification number, and other data are printed on the outside of the backing paper. If not visible, the film has been loaded incorrectly. Simply remove and position properly. * When loading film or installing the take-up spool, carefully place the spool in the stud and make sure it is seated properly by gently turning to the right or left so that it engages smoothly.
* Make sure backing paper advances evenly between the spool flanges and does not begin to slant. If it advances unevenly, remove the backing paper from the take-up spool and start over again. * If the film is not properly aligned with the "w" indicator, the film may be improperly loaded and cause spacing problems. * When any other numeral than "S" appears in the exposure counter window, it is an indication that the film is loaded. So do not open back cover. * Do not pull excessively on the backing paper, and do not load/unload the film in direct sunlight: bright light may fog the film. * When photographing with the 135 Panoramic Adapter, see its instructions.

3. When the new roll has been inserted, be sure to reset the lower spool stud by pressing it in. (Also, be sure to reset the take-up spool stud in a similar manner.) 4. Pull out the backing paper, and insert the tip into the slot on the take-up spool as pictured.
5. Wind the film advance lever until the small arrow (the starting indicator on the backing paper) aligns with the film starting indicator (w) on the camera body. Then close the back cover. 6. Wind the film advance lever until it stops automatically and "1" appears in the exposure counter window. When a 6EX roll film (5 exposures) is used, the procedure of loading the film is the same as with 120 roll film.

Shutter Speed

[Determining the shutter speed]
Shutter speed dial: A. (Automatic exposure) Based on the aperture setting, the camera automatically selects the shutter speed. AEL.(AE lock) The camera memorizes the aperture when shutter release button is touched slightly so that, even when the position of the subject or camera changes, a picture can be taken with the initial aperture setting and is not affected by changes in light conditions or subject contrast. B. (Bulb exposure) At this position, the shutter will remain open as long as the shutter release button is pressed. Shutter controls On the shutter speed dial the yellow numbers indicate the number of whole seconds while the white numbers indicate fractions of seconds. Example: "4" indicates 4 seconds while 125 indicates 1/125 seconds.
The Mamiya 7 has an aperture-priority, AE lens shutter. Once the aperture and film speed are set, the AE meter selects a proper shutter speed in relation to the set aperture. In the manual photographic mode, proper shutter speed is indicated by a blinking red LED within the viewfinder. 1. To set the diaphragm to a desired aperture, rotate the aperture ring A until the appropriate figure is aligned with the central red index line B (Click stops are provided at each engraved aperture number but the diaphragm can be set also for intermediate stops.)
2. Rotate the shutter speed dial and select either the A(Auto exposure) or manual mode for photographing. Rotate the dial to align it with the white index line (-) on the camera body. * At A or AEL, the dial is locked. The lock can be released by pressing the AE lock release button A in the center of dial. * In any position other than A or AEL, the shutter speed dial is in the manual mode and moves freely from click-stop to click-stop: it must be set on a specific click-stop and cannot be used at an in between setting. * Intermediate Diaphragm settings (between click stops) are possible Intermediate Shutter Speeds (between engraved numbers) are not possible.

When unloading film, avoid direct sunlight. 1. Open the back cover. See page 12. When the back cover is opened, the exposure counter will automatically return to "S" (Start). 2. Push the spool stud releases lever to the right in order to disengage the spool from the stud. 3. Simply push the upper rim of the spool with your index finger as shown to lift up the other end of the spool. 4. Then the roll of film can be easily removed from the take-up chamber. 5. Be careful not to let the roll of exposed film unwind. Be sure to seal it immediately.
* To prepare for another roll, remove the empty spool from the film chamber, and place it in the take-up chamber. * Wind the advance lever until it stops. (Otherwise, a red warning Lamp in the viewfinder will signal that it is impossible to press the shutter release button.) * To remove the film before exposing the entire roll, cap the lens and press the shutter release button and wind the film onto the take-up spool frame by frame.
AE (Automatic Exposure) Photography

AE Lock(AEL)Photography

The aperture priority metering device is incorporated into the rangefinder system. The correct shutter speed for the preselected aperture will automatically be determined. 1. Align "A" on the shutter speed dial with the white line index mark on the camera body. 2. Be sure to set the exposure compensation scale to 0. (See page23) 3. Set the aperture to the desired 'f' number according to conditions. 4. When the shutter release button is slightly touched, an LED indicating proper exposure will automatically light in the viewfinder.
* When "v" LED blinks, it indicates over-exposure. Rotate the aperture ring to stop down to a smaller f/stop until an LED indicates proper exposure. * Blinking "LT" indicates underexposure: rotate the aperture ring until the LED stops blinking to increase exposure. * Illuminating "LT" indicates that the shutter is set for a relatively long exposure from between 1 to 4 seconds. When taking pictures at such slow speeds you must be able to hold the camera very steady, or increase aperture to obtain higher shutter speeds, or best of all, use a sturdy tripod. Under AE (automatic exposure) or AEL (AE lock), the LED display in the viewfinder will continue to operate as long as the shutter release button is touched slightly. When you take your finger off the button, the LEDs will go out. * If you cannot get close enough to your subject for another meter reading, make substitute measurements by pointing the camera to light and dark areas and calculate a mean exposure value or try taking a reading off your palm.

The AEL position is very useful when making selective exposure measurements of important subject areas which are not in the center of the finder image when faced with difficult lighting conditions. 1. Rotate the shutter speed dial until "AEL" aligns with the white index mark on the camera body. 2. Position the important part of your subject in the central square of the viewfinder - this will establish the correct exposure. Then touch the shutter release button slightly and an LED will light indicating the correct exposure. 3. In above state, the exposure reading will be memorized. After adjusting for composition as desired, release the shutter.

Manual Photography

Self-Timer
You may override the AE mode and select the aperture and shutter speed manually. Simply set the shutter speed against the white line index mark and also set the lens aperture to the desired "f" stop. 1. When the shutter release button is touched gently, the selected shutter speed LED only will be continuously illuminated or another LED may also flash. 2. When the pre-selected shutter speed LED only illuminates, it indicates the shutter speed for correct exposure. 3. When the pre-selected shutter LED illuminates and one other LED blinks, the blinking LED indicates the shutter speed for correct exposure.
4. Turn the shutter speed dial and/or aperture ring to align the two LEDs until merged. The single LED indicates correct shutter speed. * When on manual, 10 seconds after activation, the LED indicators will go out, to save battery power. If they do so during metering, press the Shutter Release Button half way again. Please note: The LED indicators will disappear 10 seconds after you remove your finger from the shutter release button in the following situations: 1) When the film advance lever is not advanced. 2) When the light shield curtain is closed.
1. The shutter is released about 10 seconds after pressing the self-timer button. The LED on the front of the camera illuminates for about 8 seconds, then blinks for about 2 seconds, and then the shutter is released. 2. The self-timer mode cancels itself automatically. * When using the self-timer the camera must rest on a steady support. When the shutter is set to B (bulb), the self-timer does not operate. * To override the self-timer, after having pressed the release, press the self-timer button again. Then the self-timer lamp will go out and then the self-timer mode will be canceled.

Depth-of-Field

Diopter Correction Lenses
The depth-of-field varies according to the aperture. The smaller the aperture (f/8, f/11, f/16.) the greater the depthof-field; the larger the aperture (f/8, f/ 5.6,.) the smaller the depth-of-field. To take pictures which are sharp from foreground to infinity or when taking snap shots, the focusing range is extended or depth increased by using a smaller aperture. When the subject is to stand out, with the background out of focus, a larger aperture is appropriate.

The depth-of-field scale on the lens indicates depth-of-field in terms of the distance between subjects on both sides of the scale. For example, when a 80mm lens is stopped down to f/8 and f/22, respectively, all objects located within the ranges shown in the illustrations above will be sharp. * Refer to the instructions attached to individual lenses for specific depth-of-field tables.
Six types of diopter correcting lenses are available for near/far-sighted people. Mount as indicated above. Powers available are: +3, +2, +1, -1, -2 and -3. +: Far-Sighted -: Near-Sighted

Exposure Compensation

Time Exposures
The exposure compensator functions in a number of important ways. It can be used to correct exposure values (EVs) or the differences in brightness between a primary subject and its background -especially when over or under-exposures occur. It can also be used when filters are employed or when engaged in available light photography - or under high contrast conditions (i.e. low or high key).
To set, press the compensator lock release button A, and move lever B to select the desired EV: graduations are 1 /3 EV. [When a filter is used] Whether using the AE or manual mode simply compensate for the filter exposure factor as indicated in the table below. * After using exposure compensation, be sure to reset to 0.
When taking an exposure longer than 4 seconds, set shutter to B (bulb). At B" the shutter will remain open as long as the release is pressed down. In order to prevent camera movement, it is best to use a cable release and tripod. When set at B the self-timer does not work. The cable release can be screwed in the release socket beside the shutter release button as pictured above.

Flash Photography

[Determining the aperture] When using automatic flash units, refer to the instructions on the flash unit for correct aperture settings. When using a manual electronic flash, the guide number divided by subject distance gives the correct aperture.

Infrared Photography

The Mamiya 7 features an X synchro flash terminal and its lens shutter system permits flash synchronization at all shutter speeds. Shoe-mounted flash units can be attached directly to the hot-shoe, while flash brackets can be attached to the tripod socket for larger flash guns. Remove safety cover to attach sync cord to PC terminal on front left bottom of camera.

Lenses

N65mm f/4L N80mm f/4L N150mm f/4.5L

N43mm f/4.5L

Lens construction: 10 elements in 6 groups Angle of view: 92 Minimum aperture: 22 35mm equivalent: 21 mm Minimum focusing distance: 1m Magnification at minimum distance : 0.049 Area covered: 1145 x 1421 mm Filter size: 67mm Hood: Bayonet type Dimensions: 42(L) x 72(D)mm Weight: 390g
Lens construction: 9 elements in 5 groups Angle of view: 69 Minimum aperture: 22 35mm equivalent: 32mm Minimum focusing distance: 1m Magnification at minimum distance : 0.078 Area covered: 719 x 892mm Filter size: 58mm Hood: Bayonet type Dimensions: 65(L) x 67(D)mm Weight: 380g
Lens construction: 6 elements in 4 groups Angle of view: 58 Minimum aperture: 22 35mm equivalent: 39mm Minimum focusing distance: 1 m Magnification at minimum distance : 0.097 Area covered: 580 x 719 mm Filter size: 58mm Hood: Bayonet type Dimensions: 56(L) x 67 (D) mm Weight: 290g
Lens construction: 6 elements in 5 groups Angle of view: 34 Minimum aperture: 32 35mm equivalent: 71 mm Minimum focusing distance: 1.8m Magnification at minimum distance : 0.096 Area covered: 581 x 721 mm Filter size: 67mm Hood: Bayonet type Dimensions: 96(L) x 70(D)mm Weight: 520g

Accessories

Panoramic Adapter Kit AD701 When using the Panoramic Adapter, a wide panoramic photograph can be taken by using 35mm film. The 135 panoramic Adapter Kit is composed of the following: x135 Panoramic Mask y Take-up Spool z Cassette Holder { Rewind Crank Unit (Unit Weight : 110g) 135 Panoramic Picture Area and the Number of Exposures. Picture area : 24mm x 65mm Number of exposures: 135 Film 36EXP..Film 24EXP..10 The picture area (24 x 65mm) provided by the Mamiya 7 panoramic format is 3.3 x larger the 35mm panoramic for mat (13 x 36mm). Note: A panoramic paper slide mount, 24 x 65mm, is also available. Lens case Type A The lens case is made of special material which is very soft but tough and fits 65mm, 80mm and 150mm lenses. Dimension: bottom diameter is 90mm and it is 160mm in length. External Battery Case PE702 Cold temperatures can affect battery power. Permits camera battery to be worn conveniently inside clothing and connected to battery chamber by wire. Viewfinder FV701 for 43mm f/4.5 lens See lens instructions booklet.
Lens hood For 43mm f/4.5 : Bayonet type For 65mm f/4 : Bayonet type For 80mm f/4 : Bayonet type For 150mm f/4.5: Bayonet type All are supplied with the lenses. Diopter correcting Lenses Focusing accuracy diminishes when the eye diopter is incorrect. So, it is advisable that near and far sighted people use diopter correcting lenses. Fit the proper diopter correcting lens to the eyepiece. 6 types are available: +3, +2, +1, -1, -2, -3. Tripod adapter N This is used to mount the camera to tripod head. Even when the tripod has a large head, the adapter allows film to be loaded, while the camera is attached to the tripod.

System chart

Specifications
: 6 x 7cm format interchangeable lenses, rangefinder camera, double formats (6 x 7 and 35mm panorama) Film Used : 120 Roll Film (10 exposures) , 220 Roll Film (20 exposures), 135 Roll Film (16 exposures with 36 exp. film) Actual Image Size : 56 x 69.5mm with 120/220 film, 24 x 65mm with 135 film, using Panoramic Adapter Kit Film winding : A single 185 stroke Lens Mount : Exclusive Bayonet Mount Lenses Ultra wide angle : 43mm f/4.5 L with Optical Viewfinder Wide angle : 65mm f/4 L Standard : 80mm f/4 L Telephoto : 150mm f/4.5 L Shutter : #00 electronic leaf shutter , B, 4-1/500sec. ,electro-magnetic shutter release, X-contact synchronizing at all shutter speeds with hot-shoe and PC Terminal ; Electronic Self Timer (10 sec. delayed, automatic turn-off ) Exposure Control : Aperture priority AE , SPD receptor in viewfinder metering range : EV3- EV18 ( with 80mm f/4 lens, ISO 100 ), Exposure compensation : +2 - -2EV ( in 1/3EV steps ) Film speed range : ISO 25 - 1600 Rangefinder : Lens declination, double image super imposing system : base length 60mm (effective base length 34.2mm) Viewfinder : Coupled with rangefinder : automatic bright line frame indexing (65, 80 and 150mm) : parallax compensation : Magnification ratio : 0.57X : 83% of the field of view visible at infinity : built - in shutter speed and exposure display, safety interlock warning L.E.D. Internal "Dark Slide" curtain : To permit changing lenses with loaded camera Safety Mechanism : 1. Double exposure prevention 2. Shutter release is locked when internal dark slide curtain is engaged. 3. Shutter release button lock lever Power Supply : one 6V (4SR44, 4LR44 or 2CR1/3 lithium) battery Dimensions : Camera body : 159(L) x 112(H) x 66(D)mm Body with 80mm lens : 159(L) x 112(H) x 120(D)mm Weight : Camera body : 920g Body with 80mm lens : 1,210g Type of Camera
Specifications and features are subject to change without notice.
Common Sense Camera Care and Practice
The Mamiya 7 is a precision optical/mechanical instrument, built for heavy professional use and a long service life, if properly treated and maintained. Please observe these basic caveats: Read instructions before using camera. Protect camera against shocks and falls. Use neckstrap supplied with it, whenever possible. Check the battery frequently and always carry spares. The sealed battery supplied with the camera may have been subject to storage conditions which have reduced its service life. Be sure to wipe battery contacts before installation and watch correct polarity. Battery life differs, depending on frequency of use, type, age, storage condition, ambient temperature (use External Battery Case in very cold weather), etc. Always remove the battery (and film) when camera is not used for a period of time.

Prevention of Light Leaks Due To Loose Film Wending Thread the paper leader on the empty take up spool so the film will be wound evenly and parallel. This will prevent the film from winding loosely or over the edge of the spool, which can cause light leaks and film fogging. Use your left thumb to press lightly on the paper leader while advancing winding lever slowly to assure smooth and tight film take-up on the empty spool. Advance the film and align the printed arrow start mark with the small triangle start mark on the camera. Then close the camera back.
Handling of Exposed Film DO NOT remove exposed film from the camera under direct sunlight. Find a shaded area or turn your back to the sun and shade the camera before you open it. When removing the exposed film, be careful to prevent it from unraveling on the spool. Gently tighten the paper trailer, moisten the attached seal, and secure the film to prevent light leaks. Immediately place exposed film in your camera case or a bag, away from sunlight. Setting Start Mark with 220 Roll Film To assure even frame spacing, and prevent overlapping, be sure to wind the film up to the printed arrow start mark, which appears after the dotted line.
DO NOT use the dotted line for a start mark.

The original Mamiya 7 set a new standard for medium format photography when it first hit the market in 1995. Soon the Mamiya 7 was firmly established as the interchangeable lens format rangefinder camera with outstanding image findelity. Its compact design made it the smallest, lightest camera in its class, bringing easy portability and 35mm handling convenience to the format. A separately available adapter also made professional-level 35mm panorama photography a reality, and opened up a new world of photographic potential.
The new Mamiya 7 II packs all the features and functions of the original Mamiya 7 into a new design that enhances both operation and portability. Features include an easier-on-the-eyes bright frame viewfinder, multiple-exposure capability, and much, much more. The Mamiya 7 II comes in a choice of body colors: champagne gold or black. A selection of six lenses are available, including a new medium-telephoto 210mm f/8, in addition to the existing popular lineup of 43mm, 50mm and 65mm wide-angle lenses, 80mm standard lens and 150mm telephoto lens. Experience the true joy of photography with the new Mamiya 7 II.
With an actual image area of 56 69.5mm, the format captures stunning nuances of light and shade, color, shape, space, and scale. Its Mamiya world-class lenses are designed and engineered for outstanding resolution, contrast, and color balance, virtually guaranteeing photographs of breathtaking quality. With an image area that
is 4.5 times lager than 35mm film, the film size provides the photographer with a format that can be viewed without magnifier and that is easier to retouch and can be blown up to mural size ; a format that enlarges to standard photographic and industrial paper sizes without cropping and without wasting film.

65mm f /4

150mm f /4.5

80mm f /4

An optionally available adapter converts the actual image area of the Mamiya 7 II to a 35mm film size 24 65mm for full-size panoramas. This panorama feature, which provides an aspect ratio of 1:2.7, used to meet the panorama photography needs of professionals the world over. The multiple exposure lever of the Mamiya 7 II allows exposure of multiple images on a single frame of film. An 80mm lens close-up kit enables magnifications to one-third life size, for reproduction of images as close as 27.5cm (11") from the lens surface. All this helps the Mamiya 7 II put total artistic versatility into the hands of the serious modern photographer.
A wide selection of lenses lets you choose the one best suited to the theme and subject, and create exactly the photographic effect desired. The versatile lineup of six Mamiya 7 II lenses includes a 43mm 92 ultra-wide, 50mm 84 wide-angle, 65mm 69 wide-angle, 80mm 58 standard, 150mm 34 and 210mm 24 medium-telephoto all designed for photo characteristics and quality that set them apart from the rest.

50mm f /4.5

43mm f /4.5

210mm f /8

The split-image rangefinder of the Mamiya 7 II uses a pentaprism for unmatched accuracy. A wide 60mm base distance between rangefinder points enables decisive, precision focusing. *The 210mm lens is not linked to the rangefinder mechanism.
The bright frame viewfinder adjusts automatically to the correct field of view for 65mm, 80mm, and 150mm lenses. The tint provides clear contrast for easy rangefinder imaging. The 43mm 92 ultra-wide lens, 50mm 84 lens and 210mm 24 lens come with auxiliary viewfinders. An optional viewfinder is available for the 210mm lens.
Viewfinder Display for 80mm Lens. Bright field of view frame with panoramic markings. Bright RF area in center. Bottom shows red warning light on left, shutter speeds in center and over-exposure signal on right.
The rangefinder is designed to provide a clear image, even under dim lighting and when photographing low-contrast subjects. LEDs at the bottom of the viewfinder provide information on shutter speed during apeture-priority AE shutter operation, as well as warnings about under exposure, and over exposure, low battery power, and operation errors.

For illustrative purposes only, this diagram shows the frame lines of the various lenses in color: 65mm-green. 80mm-orange. 150mm-blue. The viewfinder shows only one automatically indexed frame line at a time, in white.
The camera uses a precision silicon photodiode (SPD)aperture-priority exposure system for highly accurate center-weighted metering. The diagram shows the metering pattern for an 80mm f/4 lens. Changing to a wider-angle lens automatically shifts the system to spot metering, while a telephoto lens initiates an averaging system that also takes surrounding light into consideration. In the AE Mode, priority goes to the most accurate exposure for the lens in uses. The result is highly accurate AE Mode settings under virtually any type of conditions imaginable, from standard lighting to conditions where there is a wide range of illumination. Of course, AE lock is also provided to give the photographer the versatility needed when faced with backlit subjects and other conditions where there is strong contrast between subjedt and background lighting. Mamiya's original electronic lens shutter ensures accurate speed control with minimal lag time. Electronic flash is synchronized with the shutter at all speeds for simple daylight fill-flash even at a shutter speed of 1/500.
Exposure compensation lets you adjust for special photographic effects, backlighting, weather, snow, and other factors that make proper exposure difficult. Exposure can be adjusted in 1/3EV clickstop settings within a range +2EV to -2EV, to provide exactly the feeling desired. A switching lever with built-in lock lets you change settings with one finger.
A soft-touch electromagnetic shutter release virtually eliminates operation noise. Portrait subjects are not distracted by camera operation, which contributes to more normal expressions.
When using manual exposure, LEDs in the viewfinder show current shutter speed, along with a flashing indication of the optimum shutter speed calculated by the camera. You then have the option of adjusting shutter speed or exposure settings accordingly.
The Mamiya 7 II is the perfect format camera for the professional on the go, eliminating the heavy mirror box of SLR cameras, so it can go along anywhere, any time you need it.
Dials, levers, buttons and other controls are located to optimize shutter release operation with the right hand and lens operation with the left. The lens release button, electronic self-timer and synchro socket are deliberately located to prevent accidental activation, which contributes to safe operation and overall portability. The palm grip is designed to fit comfortably in the hand during both shooting and transport. The surfaces of all parts of the camera that are subject to frequent handling are covered with non-slip rubber. The basic material used in the camera body is lightweight, high-strength silumin-aliminum alloy. Micron-tolerance high-precision metal molding creates a body that can deliver outstanding reliability under the toughest conditions imaginable.

A single lever action winds the 75mm of film required by each frame. Quick and easy winding helps when taking consecutive shots.
The strap can be connected to keep the camera in a horizontal orientation where it is always ready to shoot, or a vertical orientation for easy carrying.
The distinctive Mamiya 7 II logo is embossed in the left-hand grip, giving added protection against slips and a distinctive look.
A built-in dark slide curtain be interposed between the lens and film when changing lenses to keep light from accidentally exposing film in the camera when the lens is removed. A safety interlock prevents removal of lenses unless dark slide curtain is employed. The curtain can be opened and closed using controls on the bottom of the camera.
Any of the following conditions activates the camera's safety mechanism, locking the shutter. A LED in the viewfinder alerts you to the problem and indicates what you need to do to correct the situation. An easy-grip knob allows easy activation, even while wearing gloves. Once a lens is attached, the dark slide can be removed simply by sliding the release.
Multiple-exposure lets you overlay two, three, four, or even more images on a single film frame. The multiple-exposure lever of the Mamiya 7 II makes this highly creative photographic technique simple and easy.
Lens not attached Film not loaded Film not fully advanced Dark slide in place Low battery power

(flashing LED)

Shutter lock
LED indicator flashes in finder

Photo by LARS THULIN

A significant advantage of rangefinder camera design for the optical engineer is the elimination of the mirror box and the resulting shorter flange focal distance which permits placing the rear lens element close to the film plane. Various other restraints on lens design are also removed, providing far more versatility in coming up with a lens composition that approaches ideal optical theory. For just one example, lens groups can be positioned in near perfect opposition, doing away with almost all problems of spherical or chromatic aberration. The six interchangeable lenses provided for the Mamiya 7 not only enjoy the benefits of superior design, they also yield the highest quality of pictorial impact thanks to cutting-edge optical technologies, manufacturing technologies of unmatched precision and the world's most rigorous, exacting quality tests. The ultra-wide 43mm lens is the first of its kind for medium-format rangefinder photography. It offers superb contrast and is unrivaled in its near total freedom from optical distortion. Mamiya optical systems enjoy an enviable reputation among professional and serious amateur photographers the world over. Their secret is comprehensive design and production of the entire optical system, from the camera-lens mount to the individual elements, from glass selection to polishing, from multi-coating to final assembly. At every stage of production, Mamiya follows a single principle: The lens is the life force of the image.

Lens Lens Design Angle of view Minimum aperture 35mm equivalent Minimum focusing distance
43mm f/4.groups/10elements 21mm 1m(3.25ft.)
50mm f/4.5 6/22 24mm 1m(3.25ft.) 0.063X 895 1111mm (35.2 43.7") 67mm bayonet 55 70mm[88mm] (3.16 2.83", 3.46") 456g(16.2 oz.)
65mm f/4 5/22 32mm 1m(3.25ft.) 0.078X 719 892mm (28.3 35.1") 58mm bayonet 65 67mm[86mm] (2.56 2.64", 3.38") 380g(13.4oz.)
80mm f/4 4/22 39mm 1m(3.25ft.) 0.097X 580 719mm (22.8 28.4") 58mm bayonet 56 67mm[66mm] (2.20 2.64", 2.60") 290g(10.2oz.)
150mm f/4.5 5/32 71mm 1,8m(5.9ft.) 0.096X 581 721mm (22.9 28.4") 67mm bayonet 96 70mm[106mm] (3.78 2.75", 4.17") 520g(18.3oz.)
210mm f/8 5/32 100mm 7m(22.89ft.) 0.032X 170 2172mm (68.6 84.7") 58mm bayonet 125 70mm[135mm] (4.88 2.73", 5.27") 480g(16.9oz.)
Magnification ratio at minimum distance 0.049X Area covered 1145 1421mm at minimum distance (45 55.9") Filter diameter 67mm Lens hood (supplied with lens) Dimensions (length diameter) Weight bayonet 42 72mm[81mm] (1.65 2.83", 3.46") 390g(13.8oz.)
1. Weight of 390g (13.8oz.) and filter diameter of 67mm. 2. A 92 ultra-wide angle of view and the perspective of a 35mm format 21mm lens. 3. A true ultra-wide-angle design produces a maximum of 0.04 corners. 4. Chromatic aberration is reduced to unnoticeable levels. 5. Though maximum fidelity is achieved at f/8 and f/11 apertures, the entire range of aperture settings provides high contrast and outstanding reproduction. 6. Even at close-focusing distances, this lens outperforms the trofocus type SLR system for natural image with minimal distortion and critical sharpness. 7. It's the one lens you need to give full rein to your creativity both indoors and out. 8. Lens comes with external Viewfinder for framing and composition of the ultra-wide image.The built-in Spirit Level and Diopter correction make composition a snap.
1. Weight of 456g (16.2oz.) and filter diameter of 67mm. 2. An 84 angle of view is equivalent to the easy-to-use 24mm lens of the 35mm format. 3. The same type lens design as the 43mm lens provides high performance in a compact configuration. 4. Chromatic aberration is eliminated; stable, high contrast and resolution are reality even at fully open apertures. 5. A frontbadk asymmetrical design produces natural, critically sharp images for spectacular reproduction. 6. Even at close-focusing distances, this lens outperforms the retrofocus type SLR system for images with minimal distortion and critical sharpness for natural, crisp images. 7. Lens comes with external Viewfinder for framing and composition of the extra-wide image. The built-in Spirit Level and Diopter correction make composition a snap.
1. Weight of 380g (13.4oz.) and Filter diameter of 58mm. 2. Very compact, with outsyanding portability, it's a general purpose wide-angle lens with a 69 angle of view and equivalent to the 32mm lens of the 35mm format. 3. The wide-angle design has a maximum of 0.08% distortion at corners. 4. Though maximum fidelity is achieved at f/8 and f/11 apertures, the entire range of apertures provide high contrast and outstanding reproduction. 5. There is no distortion even at close-focusing distances, and the lens is effective for critical sharpness and natural, crisp images. 6. This lens is suitable for indoor and outdoor work, and even for photographing subjects in darker situations.

1. Compact design weighs only 290g (10.2oz) and filter diameter of 58mm. 2. Shatters the standard conventions for format camera optics. 3. Provides consistent contrast and sharpnes over entire aperture range. 4. Maintains crisp tonality while rendering high-resolution detail. 5.Virtually all aberration is eliminated, making this an outstanding lens for virtually any photographic job imaginable.
1. Weight of 520g (18.3oz.) and fitler diameter of 67mm. 2. Ultra-low dispersion glass is used to eliminate aberrations usually associated with telephoto lenses. 3. High contrast and criticaly sharp images are assured for virtually any type of subject. 4. An optional viewfinder FV704 (can be used with the 210mm lens) provides an image area larger than that produced by the viewfinder bright lines. Parallax can be corrected by setting the focusing distance gauge. FV704 includes built-in viewing angle adjustment.
1. Weight of 480g (16.9oz.) and filter diameter of 58mm. 2. Lens elements of low-dispersion glass assure maximum correction of chromatic aberration for exceptional image fidelity. 3. This telephoto lens is a compact companion to the 150mm, designed for aerial or landscape photography and other applications. 4. The extended reach, coupled with its compact, lightweight design, provides particular versatility and superior performance.

43mm f/4.5

80mm f/4

50mm f/4.5

150mm f/4.5

65mm f/4

The lever can be moved to the desired setting while holding down the button in its center. Releasing the button locks the lever in its current position.
Hold down the lock button and set the multipleexposure lever to the mark either before or after shooting an image. Now when you operate the film advance lever, the camera is prepared for another exposure without advancing the film. To cancel multiple-exposure, hold down the release button and return the muliple-exposure lever to its original position.
The dial locks automatically whenever it is set to the AE or AE-L positions, to guard against accidental movement. Hold down the release button to rotate the dial and change to the Manual Mode.

Type: Image Size:

Films:

Lenses:

format rangefinder with interchangeable lenses 6 7cm, medium format (dimensions of actual image 56 69.5mm) 35mm panorama (dimensions of actual image 24 65mm) 120(10 exposures) 220(20 exposures) 135(16 with 36-exposure film, 10 with 24-exposure film) (when using 135 Panorama Kit) Ultra-Wide-Angle 43mm f/4.5 with Special Viewfinder, featuring Spirit Level and Diopter Adjustment Wide-Angle 50mm f/4.5 with Special Viewfinder, featuring Spirit Level and Diopter Adjustment Wide-Angle 65mm f/4 Standard 80mm f/4 Telephoto 150mm f/4.5 Medium Telephoto 210mm f/8 with Special Viewfinder, featuring Parallax correction and Diopter Adjustment

Focus: Rangefinder: Film Advance: Shutter:

Exposure Control:

Helicoid-type Split-image, 60mm baseline Single-action lever, 185 stroke #00 Lens shutter (electronic control) B, 4sec. 1/500sec., electromagnetic release, X synchronization at all speeds hot shoe and synch-socket, 10sec, electronic self-timer(automatic reset) Aperture-priority AE SPD sensor incorporated in finder Metering range EV3(f/4,2sec.) EV18 (f/22, 1/500sec.)with 80mm f/4 at ISO 100 Film settings ISO Exposure correction 2EV(1/3EV steps)
Pressing the shutter release button while holding down the self-timer button provides delay of 10 seconds before the shutter is released. A red LED on the front of the camera remains lit for the first eight seconds and flashes for the final two seconds of the timer operation. You can interrupt a self-timer operation at any time before the shutter is released. Self-timer operation is cancelled automatically after each shot; to help ensure it is not left on accidentally.
Electronic circuits diagram

View Finder:

Safety Interlocks:
Battery: Dimensions: Weight: Body Color:
Coupled rangefinder for all lenses with auto indexed bright-line frames (65mm, 80mm, 150mm), Auto parallax compensation, magnification 0.57x, 83% image coverage* at infinity, LED readout shutter speed indicator. Seperate ultra-wide optical finder supplied with 43mm lens. Built-in Dark Slide Curtain enables instant lens changes. 1. Double Exposure Prevention. 2. Shutter Release is blocked when built-in dark slide curtain is closed. One 6V (4SR44, 4LR44 or 2CR1/3 Lithium) Battery Body 66mm (6.3 4.4 2.6") w/80mm 120mm (6.3 4.4 4.7") Body 920g (32.4oz.) w/80mm 1.210g (42.7oz.) Champagne Gold, Black
Exposure SPD Compensation Film speed

Aperture signal

Brightness measuring IC
Temperature compensation circuit Voltage stabilizing circuit Shutter second counting dial Light shield curtain switch Back cover switch Winding stop switch Exposure meter measuring switch shutter release switch Battery capacity check circuit

Release magnet Shutter magnet Trigger switch

Power supply

Self-timer LED Warning LED Winding stop magnet Self-timer switch Shutter speed Display LED

Power supply switch

* This information is based on a linear (horizontal/vertical) measurement. Specifications and features are subject to change without notice.
A foldable Close-up Adapter Kit is available for the 80mm f/4 lens. It has a magnification ration of 1:0.32 at a fixed distance of 27.5cm (11").
This adapter kit includes a panorama film mask, cassette holder, film take-up spool, and rewind crank set. The kit is designed for easy installation and removal. Film loading, shooting, and rewinding procedures are all similar to the operation of a 35mm SLR camera. The film pressure plate on the back cover of the body can be rotated to a 35mm film position that keeps the film flat.

AW701 AW702

The perfect choice for the Mamiya Carbon Tripod or Carbon Monopod. Made of lightweight yet highly rigid magnesium alloy. The 2-handle, 3-way pan head features a large grip. The Ball head has a separate screw for mounting the camera to ensure secure locking. Both items are designed for minimum weight and maximum performance.
A one-touch auto lock provides quick attachment, with a double-lock release lever to prevent accidental release. Lens, flim, and batteries can be replaced without detaching the camera from the shoe.

AY701/AY702 AX701

Multi-layer carbon construction provides outstanding strength and lightness. Innovative Quick-set, non-slip stoppers keep legs securely in position.
The PL Filter ZE702, especially designed for adjustment and verification of light polarization effects, makes AEL (Automatic exposure) or Manual modes much easier and free of exposure compensation. The filter shifts vertically from the shooting position in front of the lens without changing its polarization rotation to cover the small square window which contains the metering cell above the lens mount. The polarization effect is observed by looking directly through the filter over the thop of the camera (not through the camera's rangefinder eyepiece). After determining the polarization effect and metering, the filter is returned to the down position in front of the lens. The filter fits all lenses with 67mm front diamter and is also supplied with a reducing adapter for lenses with 58mm front diameter.

Lens Hood

Lenses

Close-up Kit NK701

Viewfinder FV701

PL Filterr ZE702

Eyepiece Diopter Lenses N

Viewfinder FV703

diopter
Paper Slide Mount 24 x 65

Cassette Magazine

135 Panoramic Adapter Kit AD701
Panoramic Mask Take-up Spool

Rewind Crank Unit

150mm f/4.5 Tripod Adapter N

Quick-Shoe AQ702

External Battey Case PE702
210mm f/8 Viewfinder FV704 for N 210mm f/8L

Mamiya Carbon Tripod

Neck strap
Mamiya Magnesium Pan head AW701
Mamiya Wide Strap Type A (Green)
Mamiya Magnesium Ball head AW702

Carbon Monopod AX701

Soft Lens Case Type A
Mamiya Tripod Case Mamiya Aluminum Trunk Carbon Poripods AY701 1,445mm 599mm 3 steps 27mm 1,580g AY702 1,486mm AY703 1,944mm Carbon Monopod AX701 1,500mm 500mm 4 steps 27mm 370g Specifications Type Camera plate Base plate Diameter of ball Height Weight Magnesium Pan Head AWhandle 3 way 86 55mm 51mm 110mm 620g Magnesium Ball Head AW702 Ball and socket head 63 35mm 44mm 30mm 81mm 160g Outside: W D Inside: W D KM371 KM371 KM350 H mm Weight kg H mm 160 3.183 4.183 5.7 115

Specifications

Length extended

(25 degree leg spread)

Model No.
Length folded Sections Segment diameter (Top leg) Leg spread angles Weight Platform screws
490mm 660mm 4 steps 4 steps 27mm 31mm 80 * 1,490g 2,120g 1/4-inch and 3/8-inch
*Optional Short Center Pole is required for 80 leg spread Specifications and features subject to change without notice.
MAMIYA AMERICA CORPORATION 8 Westchester Plaza, Elmsford, NY 10523 914-347-3300
For fast information FAX your request to 914-347-3309 E-mail:info @mamiya.com Web site:www.mamiya.com
Specification and features are subject to change without notice.