Chec k t he O lympus website regarding AC adapters which can be used with this recorder.

To the power jack

fWarning
Always turn the recorders power
off before connection or disconnection. When the AC adapter is not in use, disconnect the power supply plug from the power outlet. Use only the correct power supply voltage as indicated on the adapter. Do not use the AC adapter when connecting the recorder to the USB port.

Power Supply

When the recorder is not being used, turn the power off to reduce battery consumption to a minimum. Even if the power is turned off, existing data, mode settings, and clock settings will be maintained.
If you bring the POWER/HOLD switch to the [HOLD] position, the current conditions will be preserved, and all buttons will be disabled. This feature is useful when the recorder has to be carried in a bag or pocket.
Set the recorder to HOLD mode Slide the POWER/HOLD switch to the [HOLD] position.
After [Hold] appears on the display, the recorder is set to HOLD mode.
Turning On the Power: While the recorders power is off, slide the POWER/HOLD switch in the direction indicated by the arrow.
The display will turn on, and the power will be turned on. The resume function will bring the recorder back to the stop position in memory before power was turned off. When the batteries are removed from the recorder the resume functions stopped position will be erased.
Exit HOLD mode Slide the POWER/HOLD switch to the A position.
The display shuts off and the power will be turned off. The resume function remembers the stop position before the power is turned off.
Turning Off the Power: Slide the POWER/HOLD switch in the direction indicated by the arrow for 1 second or longer.
Power save mode [Auto Power Off]
If the recorder is stopped/not used for over 10 minutes (initial setting) while the power is turned on, the power will be turned off ( P.34, P.40). If any button is pressed prior to the battery turning off, the elapsed time count will start over again until this function takes effect.

Folder list display

2 or 3 button Select the folder
2 or 3 button Select the artist folder
2 or 3 button Select the album folder

LIST button Return

File display

File list display

Each time you press this it returns up one level. The list display can be operated by the 0 button

List display

The folders and files recorded in this recorder are displayed `/OK button Begin playback
2 or 3 button Select the file
Information of the selected file is displayed. Enters in playback standby mode
Operation of the folders for voice recordings

2 or 3 button

`/OK button Begin playback

Select the folder

About Recording Before Recording
Getting Ready Afx the windscreen:
Start recording after attach the windscreen (included within) to the microphone. The noise may occur even if a windscreen is attached when forcing wind blows against a microphone.
Select the media for recording:
The built-in flash memory as well as an SD Card can be used ( P.14, P.34, P.39).
Select the recording format:
Recording can be performed through the linear PCM format, as well as the WAV, MP3 and WMA formats ( P.34, P.36).

About Recording

Turn the Microphone Toward the Original Sound Source
Turn the built-in stereo microphone in the direction that you would like to record. Placing the built-in stereo microphone over the display is the proper position for performing stereo recording. If it is below the display when recording then proper stereo recording cannot be performed because the position of the original sound will be recorded in reverse phase.
About the built-in stereo microphone:
The direction of capturing sound by the microphone can be changed with the MIC SENSE HIGH/LOW switch ( P.24). Original sound source

MIC SENSE HIGH

MIC SENSE LOW

L R Key map

When recording with the built-in microphone:
Turn the microphone in the direction of the source to be recorded.

On mounting:

Accurate adjustments of the microphones angle and the like can be made when the device is affixed to a commercially available tripod used for cameras.

Recording

Before starting recording, select a folder between A to E. These five folders can be selectively used to distinguish the kind of recording; for example, Folder A might be used to store private information, while Folder B might be dedicated to holding business information. The recording indicator light will flash and [ ] will appear on the display. [Rec Mode] cannot be changed in the recording standby mode or while recording. Configure this while the recorder is stopped ( P.34, P.36). The various functions related to recording can be configured to suit the recording conditions ( P.34, P.36, P.37). The level indicator position of the level meter will change in accordance with the switching of the various settings related to recording. Confirm the recording level through the level meter after switching the settings.

When a loud noise is produced, adjust the recording level so that the level meter remains in the vicinity of [6].
Example of conditions where the recording level has been lowered and the excess input has been adjusted
the REC s 4 Press recording. button again will begin
[ ] will appear on the display. d Elapsed recording time
Depending on the sound recording mode and the status of record media, the data transfer to the media cannot be done in time during recording and the skipped sound may be recorded. In this case, [Data Write Error] will appear during recording or when the recording is finished. After transferring the data to the PC, format the record media. We recommend the media to be formatted before recording.
Pause While the recorder is during recording mode, press the REC s button.
[ ] will appear on the display. The recorder will time out after 60 minutes when left in "Rec Pause".
Resume Recording: Press the REC s button again.
Rec ording will resume at the point of interruption.
To quickly check on the recorded contents While the recorder is during recording mode, press the `/OK button.
[ ] will appear on the display. Stop recording and the file that was just recorded will be played back.
Recommended settings by recording condition
The recorder is set up so that it can perform high quality recording equivalent to that of a music CD right away. The various functions relating to recording can be configured in detail to suit the recording conditions.
Recording condition Outdoor environment sounds like wild birds singing, railroad noises, etc. Conferences with large crowds in vast meeting venues

Recording settings

Indoor musical performance
Band performance in a practice studio
Performance in a vast hall, etc.
Conferences with a few people indoors
Recording level* ( P.20) Microphone sensitivity ( P.24) Low Cut Filter ( P.24) [Rec Mode] ( P.34, P.36) [Rec Level] ( P.34, P.36) [Zoom Mic] ( P.34, P.36) [Rec Monitor] ( P.34, P.37) [Plug-inPower] ( P.34, P.37)
When the [Rec Level] is set to [Manual] you can adjust the recording level. Adjust while looking at the level meter

[HIGH]

The recording level can be adjusted to suit the volume of the original sound
You can configure whether to adjust the recording level automatically or to adjust it manually. When the [Rec Level] is set to [Manual] you can configure the limiter function
The directivity of the built-in stereo microphone can be set according to the source to be recorded
Select whether or not to output the recording monitor sound from the EAR jack
Select whether or not to use the plug-in power function according to the external microphone connected to the MIC jack
* When the [Rec Level] is set to [Auto] the recording level will be adjusted automatically. When this happens, the recording level adjustment function and limiter function will not work ( P.20, P.34, P.36).

Recording from External Microphone or Other Devices
The external microphone and other devices can be connected and the sound can be recorded. Connect as follows by the device to be used. Do not plug and unplug devices into the recorders jack while it is recording.
Notes The built-in microphone will become inoperable when an external microphone is plugged into the recorders MIC jack. Microphones supported by plug-in power can also be used. When the plug-in power function is set to [On] power will be supplied by the device to the microphone ( P.34, P.37). Turn the plug-in power function to [Off] when an external microphone not supported by plug-in power is connected, as there is the risk that noise may be generated while recording ( P.34, P.37). Do not connect the connecting cord to the LINE IN jack when recording from external microphone with this recorder.
Recording with External Microphone:
Connect an external microphone to the MIC jack of the recorder.
When recording while an external monaural microphone is connected, sound will only be recorded by the L-channel.

To MIC jack

Recording the Sound of Other Devices with This Recorder:
The sound can be recorded when connecting to the audio output terminal (earphone jack) of the other device, and the LINE IN jack of the recorder with the connecting cord KA334 (included within) for dubbing.
Recording the Sound of This Recorder with Other Devices:
The sound of this recorder can be recorded to other devices when connected to the audio input terminal (line jack) of other devices and the EAR jack of this recorder, with the connecting cord KA334 (included within) for dubbing.

To LINE IN jack

To audio output terminal of other devices
To audio input terminal of other devices
If you are unable to produce a clear recording with this recorder even after adjusting the recording level ( P.20), this could potentially be because the output level for the connected devices is too high or too low. When external devices are connected, perform a test recording and then adjust the output level for the external devices. Do not connect the connecting cord to the MIC jack when recording sound from other device with this recorder.
Notes When you adjust the various sound quality settings related to playback on the recorder, the audio output signal sent out from the EAR jack will change as well ( P.34, P.38). In case of recording on other devices without a line input, the input may be too large to control when the audio is input to the microphone jack. In this case, use the connecting cord KA333 (optional) with attenuation resistance ( P.65).

Setup using a tab:

button button `/OK button MENU button

Menu Setting

The menu will appear on the display
2 Press the 2 or 3 button to move to the tab that contains the item you want to set.
Menu items can be set during a recording or playback ( P.42).
3 Press the `/OK or 9 button to move to the item you want to set.
button to move 2 Press the 2 or 3( P.36 to P.42). to the item to be set
3 Press the `/OK or 9 button. item. Moves to the setting of the selected

Menu Setting Method

or button 4 Press the 2P.363to P.42).to change the setting (
Press the `/OK 5 the setup screen.button to complete
You will be informed that the settings have been established via the screen. Pressing the 0 button without pressing the `/OK button will cancel the settings and return you to the previous screen.
the MENU 6 Press screen. button to close the menu
When in the menu screen during recording or playback, pressing the 0 or MENU button will allow you to return to the playback screen without interrupting recording or playback.
Notes The recorder will stop if you leave it idle for 3 minutes during a menu setup operation, when a selected item is not applied. When entering menu settings during recording or playback, the menu settings will be cancelled if 8 seconds elapse with no buttons being pressed.

4 Rec Menu

Rec Mode
The recorder can record in the linear PCM format. High resolution recording at a high sampling rate and high bit rate equivalent or superior to that of a music CD is possible. Moreover, it also supports the MP3 and WMA formats. 1. Select the recording format. Setting: [PCM]: This is an uncompressed audio format which is used for music CDs and the like. [MP3]: MPEG is the international standard established by a working group of the ISO (International Organization for Standardization). [WMA]: This is an audio compression encoding method that was developed by the Microsoft Corporation in the US. 2. Select the recording rate. Setting: [PCM]: [96kHz/24bit] to [44.1kHz/16bit] [MP3]: [320kbps] to [128kbps] [WMA]: [160kbps] to [64kbps] When the recording format is set to the MP3 or WMA formats, the sampling rate will be encoded and processed at 44.1 kHz. When a high recording rate setting is used the file capacity will increase. Make sure that the amount of memory remaining is sufficient before recording ( P.39). If the directional microphone function is used, you cannot change the [PCM] setting in the [Rec Mode] other than [44.1 kHz/16 bit]. You use the all modes in the [MP3] or [WMA] of the [Rec Mode]. You can configure whether to adjust the recording level automatically or to adjust it manually. 1. Select the Recording level setting. Setting: [Manual]: Recording is performed by manually adjusting the recording level. When the [Rec Level] is set to [Manual] you can configure the limiter function. [Auto]: Recording is performed by automatically adjusting the recording level. This is useful for when you will be recording right away. 2. Select the Limiter setting. Setting: This recorder is equipped with a limiter function that corrects the recording level down to an appropriate range in cases where a loud noise is suddenly picked up. This prevents distortion caused by an excessive recording level. [Limiter On]: Enables the limiter function, thus preventing distortion when recording. [Limiter Off]: Disables this function. When the [Rec Level] is set to [Auto] the recording level will be adjusted automatically. Set the [Rec Level] to [Manual] when using the recording level adjustment function and the limiter function. The directional microphone function utilizes DiMAGICs (DiMAGIC Co., Ltd.) DiMAGIC Virtual Microphone (DVM) technology. DVM is an audio pickup system which allows you to record by focusing on sound from any direction. From expansive stereo recording to high directivity recording, DVM represents the latest in directional control methods that allow you to switch to a single exclusive microphone. Setting: [Off]: Disables this function. [Wide]: Recording by an expansive stereo sound. [Standard]: Recording by the natural stereo sound which has no medium getting away [Narrow]: Recording by a directivity stereo sound. [Zoom]: Recording with monaural, however you can record high directivity sound. The directional microphone function has been designed so that this capability will be elicited only with the built-in stereo microphone. Please note that the recorder will become unable to record normally when using other commercially available microphones. You can use directional microphone only when the [PCM] setting in the [Rec Mode] is set to [44.1 kHz/16 bit].

Rec Level

Zoom Mic

4 Rec Menu (Continued)

Rec Monitor
Select whether or not to output audio while recording from the earphone jack. Setting: [On]: Enables the recording monitor function. Sound will be output from the EAR jack. [Off]: Disables this function. Sound will not be output from the EAR jack. When the external speaker is connected while recording, there is a risk that audio feedback will occur. It is recommended that you use earphones for the recording monitor, or turn [Rec Monitor] to [Off] while recording ( P.24). When [Rec Monitor] is set to [Off] no sound will come out of the earphones while you are recording ( P.24).

Plug-inPower

External microphones which are supported by plug in power can also be used. Whether or not to supply power to external microphones can be configured. Setting: [On]: When the plug-in power function is activated, power will be supplied to the connected external microphone. Select this when external microphones supported by plug-in power are connected ( P.25). [Off]: Disables this function. Select this when external microphones not supported by plug-in power are connected. Turn the plug-in power function to [Off] when an external microphone not supported by plug-in power is connected, as there is the risk that noise may be generated while recording. Phantom power cannot be supplied, even when the plug in power function is set to [On].

4 Play Menu

Play Mode
There are six play modes. You can select whether to play by file or folder, or all files stored in the recorder. Setting: [File]: Stop after playing back the current file. [File Repeat]: Play the current file repeatedly. [Folder]: Play files continuously in the current folder until the last file and stop. [Folder Repeat]: Play all files in the current folder continuously. [All]: Play all files in the selected memory continuously and stop. [All Repeat]: Play all files in the selected memory continuously and repeatedly. In [File] mode, when the recorder comes to the end of the last file in the folder, [End] flashes for two seconds on the display and the recorder stops at the start of the last file. In [Folder] mode, when the recorder comes to the end of the last file in the folder, [End] flashes for two seconds on the display and the recorder stops at the start of the first file in the folder. In [All] mode, after playing the last file in the folder, the recorder will start playing from the first file in the next folder. When it comes to the end of the last file in the recorder, [End] flashes for two seconds on the display and the recorder stops at the start of the first file in the recorder.

4 LCD/Sound Menu

Backlight
The display will remain lit for about 10 (Initial setting) seconds when a button on the recorder is pressed. Setting: [5 seconds] [10 seconds] [30 seconds] [60 seconds] [Always on]: Set the length of time that the backlight will remain lit. [Off]: Disables this function. The backlight will not light up. Display contrast can be adjusted in 12 levels. Setting: You can adjust the LCD display contrast level from [01] to [12].

Contrast

4 LCD/Sound Menu (Continued)
You can set it so the LED indicator light does not turn on. Setting: [On]: LED light will be set. [Off]: Disables this function. LED light will be cancelled.

4 Memory Menu

MemorySelect
When an SD Card is inserted you can select to record to either the built-in flash memory or to the SD Card ( P.14). Setting: [Built-in Memory]: Built-in flash memory. [SD Card]: SD Card. When attempting to perform operations such as rewriting the contents of an SD Card in cases where the card has been write protected, [SD Card Locked] will appear. The playback operation can be performed, but the write protection must first be turned off when overwriting the contents on the card ( P.15).

Memory Info.

The recordable capacity remaining and overall capacity of the recording media can seen from the menu screen. When no SD Card is inserted only information for the built-in flash memory will seen. The domain area which uses the administrative files which the recorder uses is included in the remaining capacity for the recording media. For SD cards in particular, in addition to this administrative domain the administrative domain area for the SD card is added in as well. Owing to this, the remaining capacity will be displayed as less than the cards specified capacity, yet this is not abnormal.

4 Others

Locking a file keeps important data from being accidentally erased. Locked files are not erased when you select to erase all files from a folder ( P.32). Setting: [On]: Locks the file and prevents it from being erased. [Off]: Disables this function. Unlocks the file and allows it to be erased. Select the files to be locked in advance before operating the menu. When attempting to perform operations such as rewriting the contents of an SD Card in cases where the card has been write protected, [SD Card Locked] will appear. The playback operation can be performed, but the write protection must first be turned off when overwriting the contents on the card ( P.15).

4 Others (Continued)

AutoPowerOff
Forgetting to turn the power off can be prevented. If the recorder remains in stop mode for over 10 minutes (Initial setting) while the power is turned on, the power will be turned off. Setting: [5 minutes] [10 minutes] [30 minutes] [60 minutes]: Set the length of time before the power will be turned off. [Off]: Disables this function. If any button is pressed, the elapsed time count before the power turns off will start over again. When functions are registered in the Fn button, each time the Fn button is pressed, you can set or change the menu of registered function. Setting: [Off]: No functions will be allocated to the button. [Rec Mode] ( P.36) [Rec Level]: ( P.36) [Zoom Mic] ( P.36) [Play Mode] ( P.37) [Reverb] ( P.38) [EUPHONY] ( P.38) [MemorySelect] ( P.39) [Property] ( P.41) [Light] ( P.38)

Fn Setting

To call up a registered function:
When the Fn button is pressed, menu setting display of registered function will appear: [Rec Mode]: [PCM] [MP3] [WMA]: The recording rate can be configured for each file format. [Rec Level]: [Manual] [Auto]: You can configure whether to adjust the recording level automatically or to adjust it manually. When the [Rec Level] is set to [Manual] you can configure the limiter function. [Zoom Mic]: [Off] [Wide] [Standard] [Narrow] [Zoom] [Play Mode]: [ File] [ File Repeat] [ Folder] [ Folder Repeat] [All] [All Repeat] [Reverb]: [Normal] [Studio] [Club] [Hall] [Dome] [EUPHONY]: [Normal] [Natural] [Wide] [Power] [MemorySelect]: [Built-in Memory] [SD card] [Property]: File and folder information can be confirmed from the menu screen. Each time the Fn button is pressed, the setting of registered function is changed: [Light]: [On] [Off]: Select backlight on or off by pressing the Fn button. When the registered function is [Rec Mode], [MemorySelect], or [Property], these will not function if the Fn button is pressed during recording or playback. While the recorder is during stop mode, press the Fn button.

Menu Reset

This returns the functions back to their initial settings (factory default). Setting: [Start]: Returns the settings to their initial values. [Cancel]: Takes you back to the [Others]. After resetting the settings, the time settings and file numbers will be preserved from before the reset and will not return to their initial settings. 4 LCD/Sound Menu [Backlight] [10 seconds] [Contrast] [06] [LED] [On] 4 Memory Menu [MemorySelect] 4 Others [AutoPowerOff] [Fn Setting] [Built-in Memory] [10 minutes] [Off]

3 Press the `/OK or 9 button.
Press 8 [Start].the 2 button again to select

9 Press the `/OK button.

Notes When an SD Card is inserted in the recorder, be sure to confirm the recording media as either the [Built-in Memory] or the [SD Card] so that there is no mistake ( P.34, P.39). When attempting to perform operations such as rewriting the contents of an SD Card in cases where the card has been write protected, [SD Card Locked] will appear. The playback operation can be performed, but the write protection must first be turned off when overwriting the contents on the card ( P.15). Never perform operations such as the following while processing, as they may damage the data. In addition, replace the batteries with two new ones in order to ensure that the batteries will not run out while processing. 1 Turning off the power while processing. 2 Removing the batteries while processing. 3 Remove the [SD Card] during processing when it is being used as the recording media. Performing any of these operations may damage the data. Never format the recorder from a PC. Once the recorder is formatted, the music files with DRM may not be transferred to the recorder again. When the recorder is formatted, all the saved data, including locked files and read-only files, are erased. After formatting, recorded audio file names may start from [0001]. When returning the settings for the functions to their initial settings, use the [Menu Reset] ( P.34, P.41). Formatting on the recorder will be Quick Format. If you format the SD card, information of file management is refreshed and the data inside the SD card is not deleted completely. When handing over and disposing the SD card, be careful about the data leakage from the SD card. We recommend the SD card to be destroyed when you dispose the SD card.
Formatting begins and [Format !] flashes on the display. [Format Done] appears when formatting ends.
Rearranging files [Replace]
You can move a file in a folder to change the order of playback. First select the folder (file) for which you want to change the playback order.

Operating Environment

Windows
Operating System: Microsoft Windows 2000/XP/Vista (Standard Installation) Compatible PCs: Windows PCs equipped with more than one free USB port

Macintosh

Operating System: Mac OS 10.2.8 ~ 10.5 (Standard Installation) Compatible PCs: Apple Macintosh series equipped with more than one free USB port
Copyright and Copyright Protection Feature (DRM)
By the Copyright Act, any voice/music files and music CDs downloaded from the Internet without the copyright holders permission may not be reproduced, distributed, publicized/re-publicized on the Internet, or converted into WMA or MP3 files for the purpose of commercial business or sale. A WMA file may be provided with DRM (Digital Right Management) for copyright protection. DRM limits the file to copy or distribute music files that are converted (ripped) from a music CD or downloaded from music distribution services. To transfer a WMA file with DRM to the recorder, you need to use appropriate methods such as Windows Media Player. Copying the music files with DRM purchased from online music distribution service to a portable device such as this recorder may be restricted. Note This recorder is compatible with Microsoft Corporation DRM9, but not with DRM10.

Connecting to Your PC

1 Boot the PC.
Connect the 2 the USB port USB connecting cable to of the PC.
recorder has stopped 3 Confirm that theUSB connection cable and connect a
to the connection port on the side of recorder.
Windows: When you open [My Computer], it will be recognized by the drive name [LS_10] (Built-in flash memory) and [Removable Disk] (SD card). Macintosh: When you connect the recorder to a Mac OS, it will be recognized by the drive name [LS_10] on the desktop. When an SD card is inserted it will be recognized by the drive name [Untitled].
[Connect (Storage)] is appeared on recorder if the USB cable is connected
1 Move the drive icon for this recorder that is appear on the desktop to the garbage
bin by Drag & Drop it.
Note Be sure to use the attached dedicated cable for the USB connection cable. If any other companys cable is used, it cause problems. Also, please do not connect this dedicated cable to any other companys product.
Disconnecting from Your PC
Windows bar located at 1 Click the on the taskof the screen. the lower-right corner Click [Safely Remove Hardware].
When you connect the recorder to a Mac OS, it will be recognized by the drive name [LS_10] on the desktop. When an SD card is inserted it will be recognized by the drive name [Untitled].
2 Disconnect the USB cable.
Notes NEVER disconnect the USB while the [PEAK] indicator light is flashing. If you do, the data will be destroyed. When the recorder is connected to a PC, the power will be supplied from the USB cable. Refer to the users manual for your PC regarding the USB port on your PC. Be sure that you connect the USB cable either directly to the USB port on your PC. Be sure to push the cable connector all the way in. Otherwise, the recorder may not operate properly. When connecting the recorder through an USB hub the operation may become unstable. In such cases, refrain from using a USB hub.

[Import Using]: Set the file format for copying music file from a CD. [Setting]: Set the bit rate for copying music file from a CD.
check files want to copy. 5 Put athat youmark on the music

6 Click [Import CD].

You can transfer the voice files in the recorder to your PC and copy them to CD. For how to copy the music files from the CD to your PC, see Copying Music from CD ( P.58).
start iTunes. 1 Connect the recorder to a PC, and the play to the and put the check 2 Selectrecorder,list to be transferred marks on the music files that you want to transfer.
The order of music pieces can be changed by Drag & Drop of the music file in the play list displayed.
Double-click the corresponding drive with the recorder, and open [MUSIC] folder.
When you connect the recorder to a Mac OS, it will be recognized by the drive name [LS_10] on the desktop. When an SD card is inserted it will be recognized by the drive name [Untitled]. Copy to [MUSIC] folder of the recorder when transferring the music file. You can create up to 2 hierarchies in the [MUSIC] folder. And up to 128 folders can be made including [MUSIC] folder. Up to 200 files can be stored in each folder.
Drag & Drop files here
4 Select the desired files, and Drag & Drop them to [MUSIC] folder.
You can copy the voice files saved in the recorder to CD. For how to copy the voice files from the recorder to your PC, see Transfer the Voice Files to Your PC ( P.49).
Insert the CD-R/RW into the 1 R/RW drive, and start iTunes.CD-

Click [Advanced] tag.

Click [iTunes] { [Preferences].
to set the CD format for copying 4 Click [Burning]clickvoice files to CD-R/RW, and [OK].
When [Audio CD] is selected: A file is converted and copied in CD-DA in order to play it by the audio equipment which can play CD-R/RW. When [MP3 CD] is selected: Copying in MP3 format. When [Data CD] is selected: Copying files with the format to be recorded.
the desired playlist, and put a 5 Selectcheck mark on the voice files to copy to the CD-R/RW.

6 Click [Burn Disc].

Using as External Memory of the PC
In addition to its uses as an IC recorder and a music player, this recorder can also be used as external memory for a computer by storing data from a computer and reading it back out. With the recorder connected to your PC, you can download data from the memory to your PC and upload data stored on your PC to the memory. Note While transmitting data, [Busy] is displayed, and the [PEAK] indicator light flashes. NEVER disconnect the USB while the [PEAK] indicator light is flashing. If you do, the data will be destroyed.
1 Connecting the recorder to your PC ( P.47). 2 Open the Explorer window. folder. 3 Open the [LS_10][My Computer], it will When you open

Unable to hear any sound from the earphone through The [Rec Monitor] is set to [Off]. the recording monitor
Noise is audible through Acoustic feedback is occurring. the recording monitor
Technical Assistance and Support
The following are contact information for technical support for Olympus recorders and software only. s Technical Hotline Number in the U.S. and Canada 1-888-553-4448 s User Support E-mail address in the U.S. and Canada distec@olympus.com s Technical Hotline Number in Europe Toll free number: 00 available for Austria, Belgium, Denmark, Finland, France, Germany, Italy, Luxemburg, Netherlands, Norway, Portugal, Spain, Sweden, Switzerland, United Kingdom Charged numbers for the Rest of Europe + + s User Support E-mail address in Europe dss.support@olympus-europa.com

Accessories (optional)

Stereo microphone: ME51S
The ME51S stereo microphone comes in a set with an extension cord and a clip.
2 channel microphone (non-directional): ME30W
Two ME30 monaural microphones come in a set with a miniature tripod and a connection adapter. These are highly sensitive non-directional microphones supported by plug-in power which are well-suited to recording musical performances.
Ni-MH rechargeable battery and charger set: B-90SU (For U.S.A. and Canada) BU-90SE (For Europe)
B-90SU or BU-90SE comes with an Ni-MH rechargeable battery charger and 4 Ni-MH rechargeable batteries B-01 4PE as a pack. This charger can quick charge Olympus AA or AAA Ni-MH rechargeable batteries.
Ni-MH rechargeable battery: B-01 4PE (Europe only)
Highly sensitive noise-cancellation monaural microphone (unidirectional): ME52W Tie clip microphone (non-directional): ME15 Telephone pickup: TP7
4 Ni-MH rechargeable batteries B-01 4PE as a pack. High-efficiency rechargeable long life batteries. Connecting cord which has stereo mini-plugs (3.5) with resistance at both ends. Use to connect from the earphone jack output of the recorder to the microphone input jack when recording. Converting plug adapters (PA331/PA231) which convert to the monaural mini plug (3.5) or monaural mini plug (2.5) are also enclosed.

Connecting cord: KA333

This microphone is used to record sound at a distance while minimizing surrounding noise
Small concealing microphone with a tie-clip. Earphone type microphone can be plugged into your ear while phoning. The voice or conversation over the phone can be clearly recorded.
Exclusive remote control set: RS30W (Scheduled for release in Spring 2008)
When the receiver is plugged into the REMOTE jack the recorders recording and stop functions can be operated through the remote control. The receiving position can be adjusted, thereby allowing you to operate the recorder from various different angles.

68 h. 40 min. 136 h. 20 min.
68 h. 10 min. 137 h. 20 min. 272 h. 50 min.
Notes The above values are strictly rough guides. Variations in the available recording time will arise as there may be differences in the available memory depending on the card. Caution is required, since the differences in the available recording time will increase when the bit count and bit rate are low. Available recording time may be shorter if many short recordings are made. (The displayed available recording time and recorded time are approximate indications). The maximum capacity for a single file is limited to approx. 4 GB for WMA and MP3, and approx. 2 GB for Linear PCM format (WAV). For WMA format files, the file length for a single file is limited to a maximum length of approx. 26 hours and 40 minutes. For this reason, it will differ from the continuous recording time for a single file.

Guide to battery life

4 Alkaline batteries:
Recording mode Built-in stereo microphone (During recording mode) 8 h. 12 h. Built-in stereo speakers (During playback mode) 13 h. 26 h.

Linear PCM format

96 kHz 24 bit 44.kHz 16 bit
4 Ni-MH Rechargeable batteries:
Recording mode Built-in stereo microphone (During recording mode) 10 h. 16 h. Built-in stereo speakers (During playback mode) 26 h. 35 h.
96 kHz 24 bit 44.1 kHz 16 bit
Notes The above values are strictly rough guides. Battery life is measured by Olympus. It varies greatly according to the type of batteries used and the conditions of use.
Specifications and design are subject to change without notice.
4 88.2 kHz/ 24 bit 88.2 kHz/ 16 bit
EN About the additional functions It is possible to record exceeding 2GB: The recording will continue even if the volume of a single file exceeds 2 GB in the linear PCM format recording. s The file is saved every 2 GB in separate files. It will be treated as multiple files when playing back. s When the recording exceeds 2 GB, the number of files in the folder may exceed 200 files. The 201st file and later will not be recognized by the recorder, so check by connecting the recorder to a PC.
88.2 kHz/16 bit and 88.2 kHz/24 bit are added to the recording mode of the linear PCM: This recording mode can be selected from the menu.

of the LS-10

4 Guide to recording times: Recording medium Built-in flash memory (2 GB) SD card 512 MB 1 GB 2 GB 4 GB 8 GB 16 GB Recording mode 88.2 kHz/ 24 bit 1 h. 15 min. 30 min. 1 h. 2 h. 4 h. 10 min. 8 h. 15 min. 88.2 kHz/ 16 bit 1 h. 35 min. 20 min. 45 min. 1 h. 30 min. 3 h. 5 min. 6 h. 15 min. 12 h. 30 min.

E1-BS0247-01 AP0811

FR propos des fonctions supplmentaires du LS-10 Il est possible denregistrer au-del 4 Guide sur les dures denregistrement: de 2 Go: Lenregistrement continu mme Modes denregistrement si le volume dun fichier unique excde Support 2 Go pour un enregistrement au format 88,2 kHz/ 88,2 kHz/ denregistrement PCM linaire. 24 bit 16 bit s Le fichier est enregistr tous les 2 Go Mmoire flash dans des fichiers distincts. Il sera trait 1 h. 1h. 35 min. intgre (2 Go) comme des fichiers multiples lors de la lecture. Carte SD 512 Mo 15 min. 20 min. s Si lenregistrement excde 2 Go et que le nombre de fichiers dans le dossier 1 Go 30 min. 45 min. excde 200 fichiers, le 201e fichier et 2 Go 1 h. 1 h. 30 min. les suivants ne seront pas reconnus par lenregistreur. Vrifiez lorsque vous 4 Go 2 h. 3 h. 5 min. raccordez lenregistreur un PC. 8 Go 4 h. 10 min. 6 h. 15 min. 88,2 kHz/16 bits et 88,2 kHz/24 bits sont ajouts au mode denregistrement du 16 Go 8 h. 15 min. 12 h. 30 min. PCM linaire: ce mode denregistrement peut tre slectionn partir du menu.

http://www.olympus.com

Linear PCM Recorder

How to Capture Live Sound
Features of the LS-10 Recording in various scenes
Scene 1: Recording music Scene 2: Recording sounds of nature Scene 3: Recording a conference
Setups of musical Instruments Actual applications
Application 1: Digitizing an analog source Application 2: Excellent playback functions Application 3: Playback, editing on your PC
Experience the world of unlimited live sound recording with the LS-10
Fully compliant with the linear PCM format, the LS-10 is capable of non-compressed digital audio recording at 96 kHz/24-bit for better-than-CD quality. This outstanding quality makes it possible to capture live sound just as it is with near-absolute fidelity. For stable, reliable performance, the LS-10 features built-in microphones accommodated in machined aluminum housings. Superior audio quality is further assured by using separate boards for the microphone amplifier circuitry's system control and audio control operations, thereby minimizing internally generated noise. Despite its compact, lightweight, go-anywhere design, the LS-10 delivers pro-standard high-quality recording and is capable of uninterrupted extended recording for as long as 16 hours*. From birdsong to musical performances, the LS-10 makes it easy to record stunning, high-fidelity sound nearly identical to the original.
* 44.1 kHz/16-bit recording using two AA Ni-MH batteries.
Application 4: CD creation on your PC
Accessories Specifications

Features of the LS-10

High-quality linear PCM recording capability
High-sensitivity built-in microphones for high-quality recording
Newly developed to accurately capture any type of sound, the LS-10's high-sensitivity microphones are accommodated in vibrationresistant housings made of machined aluminum. The size and aperture shape of the housings are designed to optimize basic microphone performance parameters such a frequency response and directivity, ensuring maximum quality. To produce recordings with a natural, expansive stereo feel, the left and right microphones are installed in an outward facing layout at angles of 90.
Microphone Case Mesh Screen Filter Mesh Grille Microphone Unit Shock Absorber Side Net Microphone Holder Bottom Cap
Multi-format compatibility
Supported recording formats include the MP3 and WMA formats that are widely used in Internet file distributions and are suitable for long-term recording, as well as the linear PCM (WAV) format. Select the optimum recording mode according to the purpose and usage of each recording.
Comparison of file capacity between recording formats (Reference values) Rec Mode
96 kHz/24-bit 96 kHz/16-bit 48 kHz/24-bit 48 kHz/16-bit 44.1 kHz/24-bit 44.1 kHz/16-bit 320 kbps 256 kbps 128 kbps 160 kbps 128 kbps 64 kbps

Capacity used per minute

Approx. 51 MB Approx. 26 MB Approx. 20 MB Approx. 13 MB Approx. 17 MB Approx. 11 MB Approx. 2.4 MB Approx. 1.9 MB Approx. 0.9 MB Approx. 1.2 MB Approx. 1 MB Approx. 0.5 MB

Main purpose

Linear PCM (WAV)
Low-vibration microphone structure
Mastering, professional use
Music CD production Network distribution, long-term recording Playback on Windows, long-term recording
High audio quality microphone amplifier circuitry
The microphone amplifier circuitry is divided into independent left and right channels to eliminate interference between channels. The analog circuitry is powered by an independent power supply provided separately from the digital power supply. In addition, the system control (digital processing) and audio processing use independent circuit boards to ensure clear signal transmission and high S/N.
System Control Board Audio Board Analog Power Supply (Independent from Digital Board) L/R Independent Microphone Amp Circuits

The values shown are reference values.
Recommended setups for different applications
Recording settings can be adjusted to suit the needs of different recording situations. Note that the examples listed in the following table are typical setups that may require further adjustment depending on the target sound source and ambient conditions. Experiment with the different setups and select the most optimum one.
Typical recording settings (Reference values)
Separate system control (digital)/audio processing boards
Long-term recording capability
Recording time can be as long as 16 hours with two AA Ni-MH rechargeable batteries or about 12 hours with two AA alkaline batteries (both in the 44.1 kHz/16-bit mode). A built-in 2 GB flash memory enables up to 3 hours 10 minutes of CD quality (44.1 kHz/16-bit) recording or up to 69 hours and 35 minutes of WMA format recording. The LS-10 is also equipped with an SD/SDHC card slot to add additional recording capability.
Recording Situation Recording Function Indoor music performance Band performance Performance in a in a studio big hall, etc.
LOW OFF Linear PCM (WAV) format MANUAL (The limiter function can also be set.)
Bird songs, train sound, etc.
Small conference Large conference or interview in a big hall
HIGH ON MP3 format/WMA format AUTO
MIC SENSE LOW CUT Rec Mode Rec Level Zoom Mic
For most applications, LOW is recommended to reduce noise. HIGH is better for capturing quiet sounds or voices. LOW or HIGH The low-cut filter function can be activated to record the audio more clearly by cutting low frequencies. Linear PCM (WAV) is recommended for audio quality; MP3 or WMA is recommended for longer recording time. MANUAL is recommended for wider dynamic range (such as in live recording), and AUTO is recommended for voices in a conference. The directivity of the built-in stereo microphones can be adjusted according to the recorded sound source. This adjustment is recommended when there is a specific sound source to be captured, for example when recording a lecture.
See table on page 15 for the reference recording time of each recording mode. The maximum capacity per file is limited to about 4 GB with the MP3/WMA formats and about 2 GB with the linear PCM (WAV) format. The maximum recording time per file is about 26 hours 40 minutes with the WMA format. The recording time available with an SD/SDHC card varies depending on the card. Check
the Olympus website (http://olympus.com) for compatible SD/SDHC cards.
|LS-10 recording position
Place the LS-10 in front of the musical instruments or the stage. The microphones have directivity so they should be installed in front of the performer or stage, with the LCD panel facing up. If the microphones are titled or placed upside down, the sound source cannot be recorded with correct positioning and the phase may be inverted. For details on the positioning, see pages 10 and 11 of this guide.

Recording in various scenes Recording music
Install the LS-10 in front of the musical instruments or stage.
|Recording function setup
The MIC SENSE switch on the side panel can be used to select the sensitivity of the built-in microphones. The LOW position is recommended for most applications because it can record audio with higher S/N and wider dynamic range. The HIGH position is recommended when you need to capture small or ambient sounds.

(Image)

MIC SENSE HIGH

MIC SENSE LOW

Built-in microphone sensitivity switching

|Rec Level adjustment

Recording level can be selected from AUTO or MANUAL. The MANUAL position is recommended when the priority is on the dynamic range. In this case, the recording level should be adjusted manually using the REC LEVEL dial on the side panel. To prevent the sound from breaking up, adjust the REC LEVEL so that the level meter indicates around -6 dB even at the peak level of sound. If the level meter indicates 0 dB or higher, the PEAK indicator lights and the recorded audio will be distorted. If the limiter function is switched on, audio distortion due to excessive input level can be prevented by maintaining an optimum recording level even when sound with an unexpectedly high level is input.

Level meter

Scene 1

Recording music

The following settings are recommended for recording musical instruments in a room or studio as well as music recital in a hall.

PEAK indicator

REC LEVEL dial

|Rec Mode setup

Select the recording mode that best corresponds to your requirements and what you intend to do with the recording. For critical recordings that you want to preserve or distribute, the linear PCM (WAV) format is recommended because it offers the truest fidelity to the original sound and is suitable for post-recording processing. If you plan to make a CD later using the recorded data, it is a good idea to select the 44.1 kHz/16-bit setting, which is the same recording format used for music CDs. As the LS-10 is equipped with an SD/SDHC card slot, the available recording time can be increased using a memory card. If you select a compressed audio recording format such as MP3 or WMA, the amount of space required for data recording can be reduced to less than 1/10th of the linear PCM (WAV) format, but it should be noted that the original audio cannot be fully restored once the audio signal has been compressed.

Using a tripod as a microphone stand
Installing the recorder on a tripod is recommended to prevent grip noise and obtain stable recordings. The LS-10 has a tripod mount hole so that it can be mounted on a tripod designed for use with a camera and its position and angle can be adjusted correctly according to the sound source.

Remote control option

The exclusive remote control set (optional RS30W*) is available for wireless control of the recording start/stop/pause operations of the LS-10. The remote control makes it possible to install the recorder in an ideal position and prevent capturing of grip noise.
Recording in various scenes Sound of nature / Conference

Scene 2

Recording sounds of nature

Scene 3

Recording a conference
The following settings are recommended for outdoor recording of sounds of nature such as bird songs, the murmuring of a stream, or even the sound of a steam locomotive.
The following settings are recommended for recording people speaking at a conference, forum, lecture, etc.
When recording bird songs or the sound of a steam locomotive, the linear PCM (WAV) mode is recommended, as it has the capability to capture close-to-original sounds. However, since linear PCM (WAV) format files take up a lot of recording space, it is recommended to use an SD/SDHC card or record audio in the MP3 or WMA format when extended recording is required.
WAV (44.1 kHz/16-bit) Approx. 3 hr. 10 min. MP3 (128 kbps) Approx. 35 hr. 35 min. WMA (64 kbps) Approx. 69 hr. 35 min.
Long-term recording of a conference or interview is possible using the MP3 or WMA format. Files recorded in the WMA format can be played back easily on a PC using software such as the Windows Media Player.
Available recording time of internal memory (2 GB) (Reference values)
The Zoom Mic function makes it possible to capture the sound by selecting the direction and area to be emphasized in recording. To record the speaker's voice clearly in an interview, set the MIC SENSE switch to LOW and approach the microphones to the speaker's mouth. The recommended Rec Level setting is AUTO because this frees you from worrying about recording level adjustment.

Directivity (High) ZOOM NARROW STANDARD OFF
The quality of the recorded sound can vary greatly depending on where the LS-10 and/or the microphones are positioned. When recording the sound of a moving steam locomotive, position the built-in stereo microphones of the LS-10 parallel to the rails. The recorded audio will move from the right to the left (or vice versa), providing a dynamic stereo feeling. When the recorder is installed horizontally at ear level, sound close to what you actually hear can be recorded.
(Image) Selecting [OFF] disables the Zoom Mic function and records sound with the original directivity of the microphones.

WIDE Directivity (Low)

Set the MIC SENSE switch to HIGH when recording a low-level sound such as birds' songs or murmuring of a stream or to LOW when recording a louder sound such as a steam locomotive. The recommended Rec Level setting is MANUAL.
Sound capturing area (Narrow)
Sound capturing area (Wide)

Zoom Mic settings

When Rec Mode is PCM, the Zoom Mic function can be selected only in the 44.1 kHz/16-bit recording. The Zoom Mic function is based on Only monaural recording is possible when ZOOM is selected.
the DVM (DiMAGIC Virtual Microphone) technology of DiMAGIC, Inc.
Using windscreen for reducing wind noise
Wind noise in outdoor recording is grating, but the high-sensitivity microphones of the LS-10 also capture soft rustling breezes that are usually not sensed by human ears. This kind of wind noise can be attenuated by attaching the provided windscreen to the LS-10.
Using external microphones
Even in a wide conference room, speakers in distant positions can be captured using an optional ME30W 2-channel microphone kit as the external microphones.
Using external microphones to accurately capture the target source
If the built-in microphones cannot be placed close enough to the recording target, it is recommended to use external microphones. External microphones with high directivity will be able to capture the target sound clearly even when it is as low as a bird's song. The monopod allows the microphone to approach the target and is therefore useful outdoors.
Benefit of low-cut function in a conference room
The built-in microphones of the LS-10 have such high sensitivity that they tend to capture unnecessary sounds that are usually ignored by the human ear. If this causes a problem, set the LOW CUT switch to ON. This position will effectively cut the continuous low-frequency sounds from air conditioners, LCD projectors, etc.
Tips for recording individual musical instruments

|Vocals

Place the LS-10 some distance in front of the singer(s). If breath noise is noticeable, set the LOW CUT switch to ON or attach the provided windscreen to the LS-10. Adjust the angle of the unit with care as the lowest and highest frequencies may be lost at certain angles.

or musical performances

|Piano
With a grand piano, point the LS-10 towards the center of the soundboard located inside the opening of the piano. To include the sounds in the environment where the piano is located, place the microphones further away from the piano so that they can capture the overall sound. As with other instruments, the closer the microphones are to the piano, the clearer the recorded sound, while the further away they are, the softer the sound.

Point at the soundboard.

Setups of musical instruments
Positioning if breath noise is noticeable

|Acoustic guitar

Point the LS-10 at a point just slightly off the guitar's sound hole. Pointing the unit more toward the saddle will make the sound softer and more reverberant, while pointing it more in the direction of the neck will make the sound sharper and crispier. In general, it is better to put the microphones closer to the guitar when recording the rhythm guitar, and further away when recording the lead guitar playing the main melody.

|Electronic keyboard

Sharp, crispy sound Deviate slightly from the sound hole.

Soft, reverberant sound

|Sing-along with guitar
Place the LS-10 directly in front of the guitar's sound hole, but point the microphones towards the singer's mouth. This will record the vocal and guitar accompaniment with the optimum balance. If the LS-10 is positioned with one side facing down, the vocal and guitar accompaniment can be distributed to the left and right channels and the balance can be adjusted later.
An electronic musical instrument such as a keyboard does not itself emanate sound so its music signal should be input directly from the LINE OUT jack. An electronic instrument usually uses two 6.3 mm (1/4") dia. standard (phone) plugs for the output, so an adapter cable (commercially available) that can convert the L and R phone plugs into a 3.5 mm (1/8") dia. stereo mini-plug should be used. When the electronic keyboard uses a monaural output or when recording the monaural output of a guitar amplifier, purchase an adapter cable (commercially available) that can convert the 6.3 mm (1/4") dia. monaural phone plug into a 3.5 mm (1/8") dia. stereo mini-plug. It is recommended to use a non-resistance type cable.

LINE OUT Keyboard

Twin phone plugs - 3.5 mm dia. stereo mini-plug converter cable

LINE IN

At a certain distance in front of the sound hole.
The balance can be adjusted later.

|Electric guitar

To record the sound output from the speaker of a guitar amplifier, place the LS-10 at a distance from the amplifier and point it at the center of the speaker cone. If the guitar amplifier has two speakers, aim the recorder at a central point between the two speakers if you want to record in stereo, or point it at a position slightly away from the center. It is recommended to set the MIC SENSE switch to LOW when recording the sound output from a guitar amplifier. If you want to record the signal output from the LINE OUT directly, connect it in the same way as an electronic keyboard.

Guitar amp Speaker

Guitar amp Speakers

|Wind instrument

Point the LS-10 to the center of the bell. If breath noise is noticeable, point the unit slightly away from the center of the bell. When the recorder's position is off-center line, high frequencies will be more noticeable in the recorded sound. When the recorder is moved closer to the instrument, the recorded sound will have a crisper tone.
The tone of the recorded sound varies depending on the positioning of the recorder.
When breath noise is noticeable
Orchestra, big band, choir, etc.

|String instrument

When recording a string musical instrument such as a violin, place the LS-10 above the instrument by pointing it at the f-hole on the body. With a string instrument, decreasing the distance of the LS-10 from the instrument results in a clearer, more contoured sound, while increasing the distance results in a softer sound.

Point at the f-hole.

|Recording in a concert hall, etc.
When recording the performance of an orchestra, big band or choir in a concert hall, mount the LS-10 on a stand and place it on the extension of the stage center line, so that all of the performers are included in the microphone directivity coverage.

Application 1

Digitizing an analog source

Application 3

Playback, editing on your PC
The LS-10 can be used to digitize analog sound sources such as LP records and music cassettes. Connect the LINE OUT jacks of the analog component (amplifier, radio-cassette, etc.) to the LINE IN jacks of the LS-10. A converter cable (commercially available) may be required when recording turntable sound through a mini-component system. When using an RCA (pin) jack converter cable, it is recommended to use a non-resistance type cable.
The LS-10 comes with CUBASE LE4 software, a multifunction DAW (Desktop Audio Workstation) application that enables you to edit and play back audio files recorded with the LS-10 on your computer. Editing functions include resizing, division, connection, deletion, fade-in and fade-out. There's also a normalization function that can be used to adjust the recording volume and various effects, enabling you to enjoy high-quality desktop music.

Main functions Editing with max. 48 audio tracks Mixer function that can be set per channel. Various effects (Delay, Distortion, Dynamics, Filter, Modulation, Reverb, etc.
Connecting a compact/portable component
To LINE OUT jack (Stereo mini-jack) Radio-cassette/Portable component
To LINE IN jack (Stereo mini-jack) LS-10
Provided connecting cord (Stereo mini-plug - Stereo mini-plug)
Connecting a mini-component system (turntable)
Operating environment Windows CPU Pentium / Athlon 1.4 GHz Memory 512 MB RAM OS Windows XP (Home or Professional), Windows Vista Display Resolution 1024 x 768 pixels Audio Windows DirectX compatible audio ASIO compatible audio hardware recommended for low latency Hardware performance Drive Network DVD-ROM drive Internet access required for license activation Power Mac GGHz or Core Solo 1.5 GHz 512 MB RAM OS X Version 10.x 768 pixels CoreAudio compatible audio hardware DVD-ROM drive Internet access required for license activation

Actual applications

(Project Window)
To LINE IN jack Commercially available converter cord (Stereo mini-jack) (Stereo mini-plug - RCA pin plugs L/R) LS-10

(VST Dynamics)

To LINE OUT (or REC OUT) jacks (RCA pin jacks L/R)
Mini-component system (turntable)

Application 2

Excellent playback functions
Macintosh CPU Memory OS Display resolution Hardware Drive Network
The LS-10 has built-in stereo speakers so that it can reproduce stereo audio without using other devices. The LS-10's ability to play MP3 and WMA format sound files downloaded from a computer and to apply built-in effects also makes it an ideal portable music player. In playback, you can use the Reverb mode to recreate the sound space of various different environments. Five options are available: NORMAL, STUDIO, CLUB, HALL, DOME. The LS-10 also incorporates EUPHONY MOBILE, which offers surround sound with natural expansion for long hours of fatigue-free listening. With a choice of 4 acoustical environment settings including Natural, Wide and Power, as well as Off, this function can dramatically enhance the presence of the sound being listened.

Application 4

CD creation on your PC
You can create original CDs from the recordings you've made with the LS-10. Whether it's your own original musical performances or found sounds such as bird songs, bubbling brooks, or roaring locomotives, burning your recordings to CD is a great way to preserve and share them. If you select the same recording mode used for CDs (44.1 kHz/16-bit) at the time of recording, you can create CDs directly without having to convert the data. Such CDs can be played back on any CD player. To create a CD, upload the recorded audio file to your computer by means of USB connection or an SD card, and burn a CD-R with "Windows Media Player" or "iTunes".
A CD-R/RW drive is necessary for CD burning.

Natural mode This mode enhances the richness of sound together with a natural acoustical field expansion.
Wide mode This mode offers an even more expansive feel that is clear, comfortable and energetic.
Power mode This mode enhances lower sound registers at the same time as natural expansive feel.
Images of EUPHONY MOBILE settings
EUPHONY MOBILE is a trademark of comprehensive audio equality improvement technology including the virtual sound source technology of

DiMAGIC Corporation.

SD card

Computer

Expand the joy of recording

Main specifications

Recording format Maximum headphone output Recording media Speaker MIC jack
RS30W Exclusive Remote Control Set [Optional]
Linear PCM (Pulse Code Modulation) (WAV) / MP3 (MPEG-1/MPEG-2 Audio Layer 3) / WMA (Windows Media Audio) 3 mW + 3 mW (at load of 16) Built-in NAND flash memory (2 GB), SD/SDHC Card (8 GB maximum) (optional) Built-in 16 mm dia. round dynamic speaker x 2 (stereo) 3.5 mm dia. mini-jack, impedance 2 k 3.5 mm dia. mini-jack, impedance approx. 78 k 3.5 mm dia. mini-jack, impedance 8 or more 200 mW + 200 mW (8 load) Batteries : Two AA batteries (LR6 or ZR6) or Two Ni-MH rechargeable batteries (optional) External power supply : AC adapter 5 V (optional) Microsoft Windows 2000/XP/Vista Mac OS X 10.2.8 -10.5 5.18 x 1.89 x 0.88 in. (131.5 x 48 x 22.4 mm) (without protrusions) 5.33 oz. (165 g) (including two alkaline batteries) AA battery x 2, USB cable, Connecting cord, Carrying case, Strap, Windscreen, DVD-ROM (Sound Editing Software "CUBASE LE4")
LINE IN jack EAR jack Maximum speaker output Power requirements Compatible OS (for USB connection) Dimensions (H x W x D) Weight Included items
ME30W 2-Channel Microphone Kit (non-directional) [Optional] Windscreen [Provided]
The windscreen included with the LS-10 attenuates wind noise in outdoor recording. The MS30W is a microphone set composed of two ME30 monaural microphones, a compact tripod and a connection adapter. The non-directional microphones are plug-in power compatible and suitable for recording of musical instruments.

The dedicated remote control set enables wireless control of the LS-10's recording start/stop/pause functions. The remote control is connected to the REMOTE jack on the LS-10, and the light sensor has a rotary construction for operation from wide angles.

USB cable [Provided]

The USB cable included with the LS-10 enables you to connect the LS-10 to a computer (the computer should be equipped with an USB port).
Personal computer [Commercially available]
The LS-10 is USB2.0-compliant, making it capable of high-speed data transfer. It is also compatible with USB Mass Storage and is recognized by the computer as an external data storage device, so you can use your mouse and perform standard drag & drop operations.
"CUBASE LE4" [Provided]
This software is included with the LS-10 for use in playback and editing of audio files.
For details and operating environment of
the software, see page 13.

Frequency Response

LINE IN Jack (Recording/Playback) : Rec mode 96 kHz 48 kHz 44.1 kHz Frequency response 20 Hz to 44 kHz 20 Hz to 23 kHz 20 Hz to 21 kHz
Reference Recording Time (Reference values)
Linear PCM Format Rec mode 96 kHz 24-bit 96 kHz 16-bit 48 kHz 24-bit 48 kHz 16-bit 44.1 kHz 24-bit 44.1 kHz 16-bit MP3 Format Rec mode Built-in Memory (2 GB) 512 MB 14 hr. 10 min. 17 hr. 45 min. 35 hr. 35 min. 3 hr. 30 min. 4 hr. 20 min. SD/SDHC Card 1 GB 7 hr. 2 GB 13 hr. 50 min. 4 GB 28 hr. 35 hr. 8 GB 55 hr. 40 min. 69 hr. 40 min. Built-in Memory (2 GB) 512 MB 55 min. 1 hr. 25 min. 1 hr. 55 min. 2 hr. 55 min. 2 hr. 5 min. 3 hr. 10 min. 10 min. 20 min. 25 min. 40 min. 30 min. 45 min. SD/SDHC Card 1 GB 25 min. 40 min. 55 min. 1 hr. 25 min. 1 hr. 1 hr. 30 min. 2 GB 55 min. 1 hr. 20 min. 1 hr. 50 min. 2 hr. 50 min. 2 hr. 3 hr. 5 min. 4 GB 1 hr. 50 min. 2 hr. 50 min. 3 hr. 50 min. 4 hr. 10 min. 8 GB 3 hr. 45 min. 5 hr. 45 min. 7 hr. 40 min. 8 hr. 20 min.

Accessories

Linear PCM Format
For the operating environment of the USB
connection, see "Main Specifications" on page 15.
Connecting cord [Provided]
This cable is included with the LS-10 for use in connecting its LINE IN jack to the LINE OUT jacks of a portable component such as a cassette recorder.

Specifications

MP3 Format * Rec mode
Analog sound source (Vinyl disk, DAT, MD, etc.)
5 hr. 45 min. 11 hr. 30 min. 6 hr. 15 min. 12 hr. 35 min.
Frequency response 50 Hz to 20 kHz 50 Hz to 20 kHz 50 Hz to 17 kHz
320 kbps 256 kbps 128 kbps WMA Format *
RCA converter cable [Commercially available]
This converter cable is required when the LINE OUT jacks (L/R) of the component connected to the LS-10 for purposes, such as digitization analog audio from a disk turntable, have RCA pin jacks (L/R). It is recommended to purchase a non-resistance type RCA converter cable.

SD/SDHC card [Commercially available]
A large-capacity SD/SDHC card can be used as an additional storage medium to supplement the internal 2 GB memory.

SD/SDHC cards.

Rec mode 160 kbps 128 kbps 64 kbps
Frequency response 50 Hz to 19 kHz 50 Hz to 19 kHz 50 Hz to 15 kHz
320 kbps 256 kbps 128 kbps WMA Format Rec mode 160 kbps 128 kbps 64 kbps
8 hr. 50 min. 17 hr. 20 min.
8 hr. 50 min. 17 hr. 40 min. 34 hr. 50 min. 70 hr. 10 min. 139 hr. 30 min.
Check the Olympus website for compatible
B-01 AA (R6) Ni-MH Rechargeable Batteries [Optional]
Built-in 70Hz toMicrophones (Recording) : 20kHz
* In recording in the MP3 or WMA format, the maximum frequency response limits are variable depending on the recording mode (see table above).
Built-in Memory (2 GB) 512 MB 27 hr. 50 min. 34 hr. 45 min. 69 hr. 35 min.
SD/SDHC Card 1 GB 2 GB 34 hr. 4 GB 8 GB 109 hr.
With optional Ni-MH rechargeable batteries, extended recording time of up to about 16 hours (44.1 kHz/16-bit) is available.
6 hr. 50 min. 13 hr. 50 min. 27 hr. 10 min. 54 hr. 50 min. 8 hr. 30 min. 17 hr. 20 min.
68 hr. 40 min. 136 hr. 20 min.
Product availability depends on sales area.
17 hr. 20 min. 34 hr. 50 min. 68 hr. 10 min. 137 hr. 20 min. 272 hr. 50 min.
Tripod [Commercially available]
The LS-10 has a tripod hole on the rear panel that allows it to be mounted on a camera tripod. This allows you to position the recorder more precisely and assures that recording can be performed in stable conditions.
Headphones [Commercially available]
To monitor the sound being recorded, connect stereo headphones to the EAR (earphone) jack.
A513 AC Adapter [Optional]
The A513 allows the recorder to record for extended periods regardless of the remaining battery capacity.
BU-90S Charger Set [Optional]
A set of four Ni-MH rechargeable batteries and an exclusive charger.
Recording times shown above are approximate values for reference. Maximum recording capacity per each file is limited to a maximum of approx. 4 GB for For WMA format, the maximum recording time is approx. 26 hours 40 minutes. Available recording time for SD/SDHC memory cards varies depending on the card used.

MP3/WMA format, or a maximum of approx. 2 GB for Linear PCM (WAV) format.
Microsoft, Windows, and Windows Media are either registered trademarks or trademarks of Microsoft Corporation in the United States and/or other countries. Mac OS and iTunes are trademarks of Apple Inc. MPEG Layer-3 audio coding technology licensed from Fraunhofer IIS and Thomson. EUPHONY MOBILE is a trademark of DiMAGIC Corporation. All other company and product names are registered trademarks and/or trademarks of their respective owners. Images shown on the LCD panel are simulated. Specifications and appearances are subject to change without any notice or obligation on the part of the manufacturer.