00_Tour_CIB65.fm Page 11 Wednesday, September 25, 2002 3:30 PM

A Tour of Adobe Premiere

This Tour helps you understand and work with basic concepts and features of the Adobe Premiere program. Youll run through a typical series of steps for creating a video piece, including basic editing techniques, adding transitions, motion, and transparency. Completing this Tour should take approximately one hour.
00_Tour_CIB65.fm Page 12 Wednesday, September 25, 2002 3:30 PM
Over the course of this Tour, youll create a promotional television spot for a ctional bicycle company using video and audio clips provided on the CD-ROM included with this Adobe Premiere 6.5 Classroom in a Book. Youll be working with clips that have already been digitized as QuickTime les. If you were actually producing this project from the start, you would likely capture clips from the original video tapes and digitize them yourself, using Premiere. Note: You may wish to skip the Tour until youve completed Lesson 1, which familiarizes you with the Premiere 6.5 interface and how to navigate it.

Starting the Tour

To begin, you need to launch Adobe Premiere 6.5, set up your workspace, create a new project, and then import the video clips. 1 Make sure you know the location of the les used in this lesson. Insert the Adobe Premiere Classroom in a Book CD-ROM disk. Copy the Tour folder to your hard drive. For help, see Copying the Classroom in a Book les on page 4. 2 To ensure that the Premiere preferences are set to the default values, exit Premiere, and then delete the preferences le as explained in Restoring default preferences on page 5. 3 Start the Premiere 6.5 program. When you start Premiere for the rst time, or after deleting the preferences, the Select Initial Workspace dialog box appears so you can select an initial workspace.
00_Tour_CIB65.fm Page 13 Wednesday, September 25, 2002 3:30 PM

ADOBE PREMIERE 6.5 13

Classroom in a Book
4 For this Tour, click Select Single-Track Editing to select that workspace. 5 The Load Project Settings dialog box appears. Click Cancel. No settings are required. Youll return to the Load Project Settings dialog box after you view the nished movie. 6 Choose File > Open and double-click the Znal.mov le in the Tour folder you copied from the Adobe Premiere Classroom in a Book CD-ROM to your hard drive. Now, the Znal.mov le appears in its own Clip window. 7 Click the Play button ( ) and the video program will begin playing as shown below.
8 Choose File > Close when the nished movie stops running.
Starting the Tour as a new project
Now, youre ready to start creating the movie you just watched. 1 Choose File > New Project. 2 The Load Project Settings dialog box appears. In Windows, the DV - NTSC Real-Time Preview > Standard 32kHz appears as the default setting. In Mac OS, choose DV - NTSC Real-Time Preview > Standard 32kHz as the setting. Click OK.
Load Project Settings window for Windows (left) and Mac OS (right).

00_Tour_CIB65.fm Page 14 Wednesday, September 25, 2002 3:30 PM
After you click OK, you will see the Single-Track editing mode Workspace and its associated windows and its default palettes. 3 Choose Project > Settings Viewer. 4 Click on the Project Settings button.
5 The Projects Settings dialog box appears. In the Editing Mode area select Video for Windows (Windows only). Click Next.
6 In the Frame Size area, type 240 for H (Horizontal) and 180 for V (Vertical). Change the Frame Rate to 15. In the Pixel Aspect Ratio area, select Square Pixels (1.0) (Windows only). Click OK.
Project Settings window for Windows (left) and Mac OS (right).
00_Tour_CIB65.fm Page 15 Wednesday, September 25, 2002 3:30 PM

ADOBE PREMIERE 6.5 15

7 A Warning dialog box appears indicating that the settings have changed. Click OK.
8 Click OK again. 9 To familiarize yourself with the Real-Time Preview option, choose Project > Project Settings > Keyframe and Rendering. Real-Time Preview should be selected in Windows and To Screen should be selected in Mac OS. Click OK or Cancel.
The Real-Time Preview option is turned on in Windows (left) and Mac OS (right).
10 Choose Edit > Preferences > General and Still Image and deselect Open Movies in Clip Window if it is selected. Click OK. Now, youre ready to import the clips youll be using for your video program. A clip can be digitized lm, video, audio, a still image, or a sequence of still images. There are several ways to bring clips into a project. In this Tour, youll import clips directly into the Project window. This is the place that Premiere lists all source clips you import into a project, though you dont have to use every clip you import. A Project window includes a Bin area, which shows the bins that have been added to the project. The Bin area appears on the left side of the Project window, and can be resized, renamed or hidden. When the bins in the Bin area contain other bins, the hierarchical structure appears, much like the graphical view of folders and subfolders in your operating system.
00_Tour_CIB65.fm Page 16 Wednesday, September 25, 2002 3:30 PM
11 To import the movie clips you need to create the Tour movie, choose File > Import > File, and then open the Tour folder that you copied to your hard drive from the Adobe Premiere 6.5 Classroom in a Book CD-ROM. Hold down the Control key (Windows) or the Shift key (Mac OS) and select these four les: Boys.mov, Cyclers.mov, Fastslow.mov, and Finale.mov. Now click Open. Note: If the windows are overlapping, choose Window > Workspace > Single-Track Editing to restore the default monitor appearance. The four selected les appear in the Project window. For each le that you import, the Project window lists its name, media type, and duration. Other columns let you add your own descriptions or labels. You can scroll across the window or enlarge it, if necessary.

12 Before you continue, you need to name and save the project. Choose File > Save. In the Save File dialog box, type Cycling.ppj for the lename, and specify a location on your hard disk. Click Save. Premiere saves the project le to your hard disk.

Creating a rough cut

For many projects, you may want to begin by creating a rough cut of your video program. A rough cut is simply a series of clips assembled in the general sequence you want, with little or no editing. A rough cut can quickly give you some sense of your video programs effectiveness, letting you start making decisions about where to cut, trim, and add transitions and special effects. 1 If the Timeline window is not open, choose Window > Timeline to open it. You may need to resize the Project window to see the Timeline window clearly.
00_Tour_CIB65.fm Page 17 Wednesday, September 25, 2002 3:30 PM

ADOBE PREMIERE 6.5 17

The clips you imported do not become part of the video program until you place them into the Timeline. The Timeline window is where youll construct and edit your video programadding, copying, and moving clips, adjusting their lengths, and so on. The Timeline provides a schematic view of your work by showing where in time each clip begins and ends, as well as the relationships between clips. Changes you make in this window appear in the Program view in the Monitor window. Note: Premiere also provides a Storyboard window in which you can quickly and easily organize a set of clips, and then move the set to the Timeline to create a rough cut. Youll learn how to create and use storyboards in Lesson 3, Basic Editing. One of the best things about Adobe Premiere is that there are many alternative ways to approach different tasks. Whether you are importing clips, developing a rough cut, or doing any of a variety of editing tasks, you can choose to work in the way you prefer. This Tour shows you only one approach to developing a relatively simple project. Upcoming lessons will describe alternative and more advanced approaches. When you rst open the Timeline window, it displays ve separate rows, called tracks, underneath the time ruler. The tracks act as containers for the clips. By arranging clips within the tracks, you create sequences that become the video program you are making. This Tour introduces you to the kinds of controls available for all tracks. 2 In the Project window, select the Boys.mov clip by placing the cursor to the left of its name and dragging the clip into the Video 1 track when the cursor changes to a hand. As you drag it into the Video 1 track, the clip appears as a darkened box. Before releasing the mouse, make sure that the left end of the darkened clip box is up against the left side of the Video 1 track.

00_Tour_CIB65.fm Page 18 Wednesday, September 25, 2002 3:30 PM
3 Next, select the Cyclers.mov clip and drag it into the Video 1 track, positioning it just after the Boys.mov clip, so that the beginning of the Cyclers clip is up against the end of the Boys.mov clip.
4 Likewise, select the Fastslow.mov clip, drag it into the Video 1 track, and position it just after the Cyclers.mov clip. Do the same with Finale.mov clip, dragging it to a position just after the Fastslow.mov clip. Now you have four clips in your Video 1 track, forming a video program about 32 seconds in length. This is a rough cut, giving you some idea of how your sequence works and what needs to be trimmed, edited, and modied. In the next section, youll preview this sequence. Before you move on, youll change how the clips are represented in the Timeline window. 5 Click the Timeline window title bar to make sure the window is active. Choose Window > Window Options > Timeline Window Options. 6 For Icon Size, select the middle option. For Track Format, select the second format (showing graphic images on both sides of the lename) and then click OK.
00_Tour_CIB65.fm Page 19 Wednesday, September 25, 2002 3:30 PM

ADOBE PREMIERE 6.5 19

The clip representations in the Timeline change size accordingly. Now, change the unit of time displayed throughout the Timeline. 7 From the Time Zoom Level pop-up menu, in the lower left of the Timeline window, choose 2 Seconds.
The clips now take up less horizontal space because youre now displaying the Timeline contents in a time unit requiring less detail. Now, its time to play the sequence of clips youve imported as a preview.
Previewing in the Monitor window
To see how your work is progressing, you can preview one or more clips in the Monitor window. The Dual View Monitor window displays Source and Program views.
Source view (on the left side of the window) Lets you preview a clip, trim it, and then insert it into the Timeline window. This view can store many clips at a time, but you can view and trim only one clip at a time. Program view (on the right) Lets you preview your entire video program, at any time. This view displays the sequence of clips currently in the Timeline window. You can also use the Program view to edit your video program.

00_Tour_CIB65.fm Page 22 Wednesday, September 25, 2002 3:30 PM
5 Under the Source view in the Monitor window, drag the shuttle slider until you see the rst bike rider at the end of his ride. (The time below the shuttle slider should read between 4:20 and 5:00 seconds.)
6 Click the Mark Out point button ( ). After youve positioned the Out point correctly, you need to apply the change to the clip in the Timeline. The Apply button is located above the clip image in the Source view in the Monitor window. This button appears whenever you mark a new In or Out point for a clip in the Timeline.
7 To apply the trim, click the Apply button. Premiere trims the end of the clip to give the clip a new Out point. Its important to understand that the trimmed area has not been deleted; Premiere has merely hidden the trimmed frames so that they dont appear in the Timeline and will not appear when you preview or export the video program. You can easily restore any trimmed frames by resetting the Out point.
00_Tour_CIB65.fm Page 23 Wednesday, September 25, 2002 3:30 PM

ADOBE PREMIERE 6.5 23

The Timeline window includes a toolbar with various tools for making adjustments to clips. In this short exercise, you will become familiar with some of these tools in the Timeline toolbar area.
Notice, that there is a black triangle in some of the tool icons to indicate that there are multiple tools nested inside that tool. Because you have set a new Out point in the Boys.mov clip, there is now a gap in the Timeline between the rst and second clips. To preserve a continuous ow from one clip to the next, you need to close this gap by moving the other clips to the left. To do this, youll use the track selection tool ( ) nested inside the second icon from the left in the top row of the Timeline toolbar. 8 In the Timeline window, click and hold the range select tool icon ( ), then select the track selection tool ( ) to select all the clips in a track to the right of where you click. (Later in this tour, youll learn how to automatically close gaps when you trim.)
9 Click the Cyclers.mov clip in track 1. This clip, and the clips to the right, are selected. 10 Drag the selection to the left, until it is up against the end of the Boys.mov clip. 11 Click the selection tool ( ), because youre done with track selection for now.
00_Tour_CIB65.fm Page 24 Wednesday, September 25, 2002 3:30 PM
12 In the Program view in the Monitor window, press the Play button ( ) to preview the changes youve made. Note: If your system works effectively with it, use Real-Time Preview by selecting it as a setting and then pressing Enter. Alternatively, if you have not selected it as a setting, then press Shift + Enter to play in Real-Time mode.

00_Tour_CIB65.fm Page 26 Wednesday, September 25, 2002 3:30 PM
The program duration is extended or shortened to compensate for your edit, but the duration of adjacent clips remains unchanged. If your view doesnt show the pictures of both, change to 1 second view.
1 second view displaying picture of both clips.
Note: If the arrowhead on the ripple edit tool only points to the right, it means that the clip has no frames before the in point available to edit ( ). If the arrowhead on the ripple edit tool only points to the left, it indicates that the clip has no frames after the out point available to edit ( ). Now youll trim the Cyclers.mov clip so that its endpoint corresponds with an exact point in the Timeline. To trim the Cyclers.mov clip to this time, youll use the Info palette. 1 Click the selection tool ( ) in the Timeline window. 2 Choose Window > Show Info and select the Cyclers.mov clip in the Timeline window. The Info palette displays the name, types of clip, duration, and the starting and ending points of the selected clip. In addition, it displays the current location of the cursor. Youll use the cursor information to help you trim.
3 Select the ripple edit tool again, and move the cursor across the line where the Cyclers.mov and Fastslow.mov clips join.(Depending on your monitor, you may need to adjust the view of the Timeline window to see this clearly.)
00_Tour_CIB65.fm Page 27 Wednesday, September 25, 2002 3:30 PM

ADOBE PREMIERE 6.5 27

4 Drag the ripple edit tool to the left, until the position of the cursor in the Info palette reads 0:00:08:01, and then release the mouse button.
You have trimmed the Out point of the Cyclers.mov clip. Because you trimmed the clip using a ripple edit, the subsequent clips have followed suit, shifting to the left. 5 Select the selection tool ( ) now, because you are done with ripple editing. Now, youll move on to applying a transition between clips.

Adding a transition

A transition is a change from one scene to the next, or from one clip to another. The simplest transition is the cut, where the last frame of one clip leads directly into the rst frame of the next. By placing the rst two clips togetherBoys.mov and Cyclers.mov you created a cut between them. Premiere includes over 75 transitions, which you choose from the Transitions palette. To help you choose, you can animate icons and view brief descriptions of the available transitions. Additionally, you can preview a transition effect with actual frames from the two clips involved in the transition. To add texture, nuance, or attention-getting special effects between scenes, you can use special transitions available in Adobe Premiere 6.5, such as dissolves, wipes, and zooms. In this Tour, youll use the Cross Dissolve transition. 1 If the Transitions palette is not open, choose Window > Show Transitions. The Transitions palette appears, displaying the available transitions, organized in folders by type. When you open a folder, you will see that each icon graphically represents how the transition works. Resize the palette if necessary by dragging its lower right corner.

2 In the Timeline window, select the razor tool ( ). 3 Position the cursor over the Fastslow.mov clip at the current edit line, and then click the mouse to split it.
00_Tour_CIB65.fm Page 33 Wednesday, September 25, 2002 3:30 PM

ADOBE PREMIERE 6.5 33

The Fastslow.mov clip is cut at the point where you clicked, creating two separate clips.
Changing the speed of a clip
You can change the playback speed of a clip to make it play slower or faster. Changing the speed changes its duration without adding or removing any frames. The speed of a clip is the playback rate of the action or audio compared to the rate at which it was recorded. The duration of a video or audio clip is the length of time it playsthe difference in time between a clips In point and Out point. To make the bike sequence more interesting, youll slow down the second portion of the clip you just cut, increasing its duration. Since you also want to fade out the same clip, which requires it to be placed in a superimpose track, youll place it there now. 1 Click the selection tool ( ) to activate it, and then drag the second portion of the Fastslow.mov clip upward into the Video 2 track. Make sure to keep the position of the clip at exactly the same point in time by snapping the edges of the clip to the same point in the Video 2 track.
Now youll change the speed of the clip. 2 Select the clip you just moved (if it is not already selected), and choose Clip > Speed. 3 In the dialog box, type 30 in the New Rate box and click OK.
00_Tour_CIB65.fm Page 34 Wednesday, September 25, 2002 3:30 PM
The playback speed of the clip is now at 30% of its original speed. Accordingly, the duration of the clip has increased proportionally, approximately tripling in length. Windows XP and Mac OS X systems will play in Real-Time on some systems. To change speed visually, you can select the rate stretch tool ( ) and drag either end of the clip. The rate stretch tool is located in the toolbar of the Timeline window.
The split portion of the Fastslow.mov clip with which you have been working now overlaps some of the Finale.mov clip. Because you want the slowed-down clip to fade to black, you need to move the Finale.mov clip to the right. 4 Use the selection tool to drag the Finale.mov clip to the right until its right edge snaps to the Out point of the Music.aif clip in the Audio 1 track. Now youll generate a rendered preview, if you cannot use Real-Time Preview. 5 Using the selection tool, move the Out point of the trimmed Fastslow.mov clip in the Video 2 track so that its Out point is aligned with the In point of the Finale.mov clip. 6 Drag the right end of the work area bar to the right so that it extends to the end of the Fastslow.mov clip in the Video 2 track. 7 Choose Timeline > Preview or press Enter (Windows) or Return (Mac OS) on the keyboard. To preview more than once, just repeat this step. 8 Save the project.

Changing a clips opacity

If a clip is on the Video 2 track or higher, you can make it partially transparent by changing its opacity. The opacity option lets you fade into or out of a clip and superimpose one or more clips on top of others, so that two or more clips are visible at the same time. Youll actually superimpose clips later in the Tour: for now, youll simply use the superimpose track to fade out a clip by manually adjusting its opacity over time.
00_Tour_CIB65.fm Page 35 Wednesday, September 25, 2002 3:30 PM

ADOBE PREMIERE 6.5 35

By default, Premiere includes one superimpose track, Video 2, above the Video 1 track. You can add others, as needed. Once a clip has been placed in a superimpose track, an opacity control bar, or a rubberband, becomes available. To see the bar, you need to expand the Video 2 track. By adding handles, you can adjust the opacity of a clip. 1 Click the arrow to the left of the Video 2 track label. The opacity bar shows the clips opacity. By default, the opacity is now at 100%. 2 If the red Display Opacity rubberbands are not already selected, click the red Display Opacity rubberbands icon ( ) to display the opacity rubberband. 3 With the selection tool selected, move the cursor onto the opacity bar (now, the cursor changes into a pointing nger), and click about three-quarters of the way into the clip to create a small red box called a handle. The handle divides the control bar into sections that you can adjust by dragging. A control bar includes a handle at each end to dene the beginning and ending opacity settings.
4 In the Video 2 track of the Timeline window, click the rightmost handle. Keep the mouse button depressed throughout the next step. 5 Press the Shift key with a handle selected, and then drag the selected opacity handle down until the value beside the handle displays 20%. Note: By depressing the Shift key before or after you select the handle, you will be able to see the incremental change.
00_Tour_CIB65.fm Page 36 Wednesday, September 25, 2002 3:30 PM
This creates a downward slope in the control bar, starting at the rst handle you created. A downward slope decreases opacity. In this case, the opacity of the clip begins at 100% and decreases to 20%. Note: You can also drag the handles without holding down Shift, but that limits you to 5% increments and does not produce a pop-up display. You can, alternatively, use the Info palette to view the opacity setting if you drag without holding down the Shift key. 6 Preview what youve done. If you do not have Real-Time playback, hold down the Alt key (Windows) or the Option key (Mac OS) and slowly drag in the time ruler above the clip you just adjusted. The preview plays in the Monitor window. Because this clip is the only one playing in the Timeline, it fades into the background color, which is black.

00_Tour_CIB65.fm Page 38 Wednesday, September 25, 2002 3:30 PM
Since youd like the blurring to start about midway through the Finale.mov clip, you will move the rst keyframe. Moving a keyframe scrubs the clip in the Program view in the Monitor window. 5 In the Timeline window, click the triangle to the left of the Video 1 track label to display the keyframe line. The keyframe line appears beneath the clip in the Timeline window, after you add an effect to the clip. The keyframes are the small white rectangles, appearing on either end of the keyframe line.
A. Keyframe navigator box B. Keyframe C. Keyframe line
6 You create a keyframe by positioning the edit line midway through the Finale.mov clip, then select the clip and click the box between the two arrows in the keyframe navigator box. A check mark appears in the box. With the new keyframe you just created, youll now increase the amount of blurring. 7 In the Effect Controls palette, click Setup to access the dialog box or adjust the effect directly by moving the slider. Drag the slider until the Camera Blur is 80%, then click OK. Note: Since not all effects have a Setup button, the method used to change an effects value varies depending upon the effect. 8 Drag the keyframe you just created until the timecode in the Program view in the Monitor window reads 00:00:25:00 (25 seconds). 9 Now select the last keyframe and, once again, drag the slider bar in the Effect Controls palette until the Blur is at 80%. Click OK.
00_Tour_CIB65.fm Page 39 Wednesday, September 25, 2002 3:30 PM

ADOBE PREMIERE 6.5 39

Lets briey review what youve just done. By setting three keyframesthe rst at 0%, the second at 80%, and the third at 80%you have specied that the Camera Blur effect begins at 0% at the point in time you specied, increases to 80% at 25 seconds, and then remains at 80% for the duration of the clip. Why not just use two keyframesthe rst at 0% and the last at 80%? Premiere always creates a linear change between keyframes. So, if you use only two keyframes, the blurring would gradually increase over the duration of the clip. This isnt the effect you want; you want the blur to happen fairly quickly, and then remain at that level for its duration. Preview your work again. 10 Drag the right end of the work area bar to the right so that it extends to the end of the Finale.mov clip. 11 Choose Timeline > Preview or press Enter (Windows) or Return (Mac OS) on the keyboard. To preview more than once, just repeat this step. Depending on the speed of your machine and whether or not it will run previews in Real-Time, previewing may take several minutes. Real-Time Preview/Preview to Screen begins to play immediately.
Its starting to look like something now! 12 Save the project.

Superimposing an image

Adobe Premiere provides 14 keys (methods for creating transparency) that you can apply to a clip to create transparency in many different ways. You can use color-based keys for superimposing, brightness keys for adding texture or special effects, alpha channel keys for clips or images already containing an alpha channel, and matte keys for adding traveling mattes or creative superimpositions. In the previous section, you used the Camera Blur effect to blur the second half of the nal clip. Now youll superimpose a company logo on top of this clip, making it appear as if the camera is now focusing on the image.

6 In the Transparency Settings dialog box, choose White Alpha Matte in the Key Type window. The White Alpha Matte key will key out any areas of alpha white in an image that contains an alpha channel. 7 Click OK to apply the settings to the clip. 8 To preview the effect, hold down the Alt key (Windows) or the Option key (Mac OS) and drag in the time ruler over the area where the superimposition occurs. 9 Save the project.
Animating a clip using keyframes
You can move, rotate, and zoom a video or still-image clip within a video programs viewable area. You can animate a clip by creating a motion path using the Motion Settings dialog box. For more information, see Lesson 10, Adding Motion in this book.
00_Tour_CIB65.fm Page 42 Wednesday, September 25, 2002 3:30 PM
To add more visual interest to the Veloman.eps image, youll make it zoom into the frame from the left. 1 If the Veloman.eps image is not still selected in the Timeline window, select it now. 2 In the Effect Controls palette, click Setup to the right of the motion effect to open the Motion Settings dialog box.
In the top left corner of the dialog box, a sample of the selected clip moves along the default motion path. The top right area shows the motion path area with keyframes indicating the beginning and the end. Notice that the default path locates the Start and Finish keyframes outside the visible area of the video program so that the clip enters the viewable area from the left, moves across, and exits on the right. For simple horizontal, vertical, or diagonal motion, you can drag the Start and Finish keyframes to any location within or outside the visible area. As you do so, the cursor turns into a pointing nger. You can click to add a keyframe to the path, and drag to adjust its position, creating a new segment of the path. 3 Continuing to work in the motion path area, drag the Start keyframe to the right, so that approximately half of the image overlaps the visible area. You can also specify the position of the image by entering coordinates. Youll do that now.
00_Tour_CIB65.fm Page 43 Wednesday, September 25, 2002 3:30 PM

ADOBE PREMIERE 6.5 43

4 Click the End keyframe (Windows) or Finish keyframe (Mac OS), and then enter 26 and -8 in the two text boxes below the line that reads Click on a point above in the central lower portion of the dialog box. Then, press Tab on your keyboard.
The End point (Windows) or Finish point (Mac OS) moves to the specied location. By default, the motion path area provides two motion points, Start and End (Windows) or Finish (Mac OS), which you just modied for position. You can also specify zooming, rotation, and distortion at these points, and add other motion points, each with particular animation values. In order to manipulate the Veloman.eps image in an eye-catching way, youll add a new motion point, specify new zoom values for the start and end points, and, nally, apply a rotation value so that the logo spins as it appears to recede into the distance. 5 In the motion path area, position the cursor anywhere on the motion path. The cursor turns into a pointing nger. Click to add a keyframe to the path, and drag to adjust its position, creating a new motion point.

6 Move the new motion point down and to the right as shown.
00_Tour_CIB65.fm Page 44 Wednesday, September 25, 2002 3:30 PM
Now, youll specify zoom values for the start and end or nish points. 7 In the motion path area, select the Start point. In the Zoom box at the bottom of the dialog box, type 0, and then press Tab.
8 Select the end point (Windows) or nish point (Mac OS), type 0 in the Zoom edit box, and press Tab. The settings you just entered make the logo appear to zoom in from the left side of the frame and then recede into the distance. 9 With the end point still selected, type 720 in the Rotation text box near the bottom of the dialog box, and press Tab.
Rotation values are specied in degrees. The value of 720 (360 x 2) denes two complete circles or rotations from one point to the next. The image now follows the motion dened earlier as it zooms and rotates across the screen. 10 Click OK to close the Motion Settings dialog box. Lets preview the end of the video program to see the superimposed image moving through the frame. 11 Move the work area bar to cover the last portion of your video program, where the image begins.
00_Tour_CIB65.fm Page 45 Wednesday, September 25, 2002 3:30 PM

ADOBE PREMIERE 6.5 45

12 Choose Timeline > Preview or press Enter (Windows) or Return (Mac OS) on the keyboard. To preview more than once, just repeat this step.

Exporting the movie

To complete the Tour, youll make the project into a QuickTime movie. The QuickTime format is a standard format for both Windows and Mac OS systems. When exporting to a movie (File > Export Timeline > Movie), Premiere uses settings in the Export Settings dialog boxes. 1 Activate the Timeline window. 2 Choose File > Export Timeline > Movie. 3 Click the Settings button.
Make sure that QuickTime is selected for File Type, and Entire Project for the Range. Also make sure that the Export Video and Export Audio options are selected. The default values for other settings, including those for compression, are ne for this project.
00_Tour_CIB65.fm Page 46 Wednesday, September 25, 2002 3:30 PM
4 Click Next. Change the frame size to 240 x 180 and then click OK.
5 In the Export Movie dialog box, specify a lename (be sure to add the.mov le extension to the end) and a location in which to store the movie, and click OK. Premiere starts making the movie, displaying a status bar that provides an estimate for the amount of time it will take to render or output the movie. The output time always depends on the capabilities of your computer. On most systems, Premiere should nish making the movie within 7 minutes. You can cancel the output process at any time by pressing the Esc key. When the movie is complete, it opens in its own window.

6 Click the Play button to watch the show. 7 Close the project by choosing File > Close. Congratulations on completing the Tour!