Last modification: C 411PP added, updated / Letzte nderung: C 411PP hinzu, berarbeitet

2571Z.

02/2003

C 411B-lock C 411

Description
2571Z0001: A 2571Z0002: B
Item Pos. 7 --Part Nbr. Bestellnr. 2571M9901 0019E0124 0019E0132 0966D2500 2397M1011 2397M1022 1000N0014 0017E0340 0016E0269 9000U6083 1602P0001

C 411L C 411PP

A x B 1 x C x 1 D 1 x -
2571Z0003: C 2571Z0004: D
Bezeichnung Tonabnehmer, kompl. Kabelmodul Kabelmodul Schraube M2,5x6 Print, komplett knftige Var., kompatibel Kabelbinder Mini XLR-Stecker B-lock Stecker, ltbar Montagekitt, per m Zipp - Tasche
Pick up assembly, complete Cable module Cable module Screw M2,5x6 PCB.-Assembly future version, compatible Cable tie Mini XLR connector B-lock connector, solderable Elastic putty, per meter Carrying bag

Hints for repair

Item 1 (2571M9901) is the complete pickup assembly with free cable end. The pickup itself cannot be dismantled and is not further repairable. When connecting two-wire pickups to PCB 2397M1022 use round pad for screen and square pad for red. The rectangular pad remains unused. For variation 1 (A) and 3 (C) inside the plug the blue cable core (if there is one) has to be connected to screen.
Position 1 (2571M9901) ist der komplette Tonabnehmer mit angewachsenem Kabel und freiem Ende. Der Tonabnehmer selbst ist nicht weiter zerlegbar und kann daher nicht repariert werden. Bei Verwendung von Tonabnehmern mit Zweidrahtanschluss kommt der Schirm auf den runden Kontakt des Prints 2397M1022 und die rote Ader an den quadratischen Kontakt. Der rechteckige Kontakt bleibt frei. Bei Variante 1 (A) und 3 (C) muss im Stecker die blaue Ader -falls vorhanden- mit dem Schirm verbunden werden.

Reparaturhinweise

Phantom adapter/Connectors

Phantomadapter/Stecker

C 411 / C 411PP
2+3: red/rot 1:screen (blue) /Schirm (blau)
tip/Spitze: red/rot sleeve / Hlse: screen (blue)/Schirm (blau)

C 411B-lock

C 411-L
Connection of phantom adapter C 411PP
Anschlu des Phantomadapters
AKG Acoustics GmbH, A Harman International Company, Lembckgasse 21-25, A-1230 Wien, Austria. Tel.: (431)86654-0, FAX: (431)86654-1514, service@akg.com, www.akg.com

Page / Seite 1/2

Wiring diagram of phantom adapter
Only complete boards available for replacement
Nur der komplette Print ist als Ersatzteil erhltlich
Phantomadapter, Schaltbild

Page / Seite 2/2

AKG.MICROMIC Plug In The Giants
WIRELESS. PHANTOM-POWERED. BATTERY-POWERED.
RICK SAV SAVAGE (DEF LEPPARD) LIVE ON STAGE

AKG.SOUNDS.BETTER

AKG.WIRELESS

Plug In The Giants

MicroMic III Navigator
The perfect match for the MicroMic III-Series.
If you need to be fully mobile on stage, wireless systems from AKG provide the perfect, professional solution for any miking situation. (See page 15 for details)

D 409 and C 419 III:

Dynamic or Condenser: Make Your Choice.
The new, expanded MicroMic III Series gives you a choice of dynamic or condenser miniature microphones. The high quality D 409 clip-on microphone is a cost efficient dynamic alternative to the C 419 III condenser for miking up wind instruments, drums, and percussions.
(See pages 8 and 9 for details) C 419 III D 409
C 411 III Acoustic Stringed Instruments C 416 Accordion, Piano, Guitar Amp, Harp, Dulcimer C 417 III Vocals & Speech C 418 Drums & Percussions D 409 Wind Instruments, Drums & Percussions C 419 Wind Instruments, Drums & Percussions C 420 Vocals & Flute (Headset) C 444 L Speech, Aerobics Training, PA, etc. (Headset) C 430 Cymbals, Drums & Percussions (Overhead Miking) DB 1 Double Bass Bridge Pickup MicroMic III Series Accessories AKG.WIRELESS Application Examples

III III III III

C 430:

Overhead Miking.

The new, expanded MicroMic III Series includes a dedicated miniature overhead microphone. The C 430 has been specifically designed for overhead miking in a professional environment.
(See page 12 for details) C 430

www.akg-acoustics.com

B 29 L and B 15:
Power to Your Mic. Anytime.
The new MicroMic III Series comprises an expanded line of accessories.

B 29 L

The B 29 L mini mixer will power two MicroMics if your mixing console provides no phantom power. The B 29 L features a mic/line output level selector, mini XLR inputs, a standard XLR output, and an on/off switch. The new B 15 battery supply connects to the C 430 overhead mic and all other MicroMic versions with an XLR connector with integrated phantom power adapter.
(See page 14 for details)
Standard XLR vs. Mini XLR:

Reliable Connections.

Two versions available (except C 430, C 444 L, D 409): C 4. L with mini XLR connector, C 4. PP with standard XLR connector All MicroMics except for the C 430, C 444 L, and D 409 are available in two versions: C 4. PP with standard XLR connector for hardwire connection to mixer inputs with phantom power or to the B 15 battery supply. (Note that the D 409 needs no phantom power.) C 4. PP with mini XLR connector for use with the B 29 L battery supply, MPA III L external phantom power adapter, or AKG.WIRELESS bodypack transmitters.

Improved Signal/Noise:

In order to match the high standard of today's digital live sound and recording equipment, we improved the microphone pre-amp for the MicroMic III Series again. As a result, its signal/noise ratio is 6 dB better than that of the previous design.

C 420 III and C 444 L:

C 444 L

Will Fit Every Head.

MicroMic III Series head-worn microphones have been optimized in terms of frequency response and comfort. The C 420 III has been designed for professional vocal miking on stage and is continuously adjustable to conform to every shape of head. The new C 444 L has been optimized acoustically for speech use by lecturers, aerobics trainers, announcers, etc. and features an ergonomically shaped behind-the-neck headband.
(See pages 10 and 11 for details)

C 420 III

On the

Acoustic Pickup MicroMic

Deep Purple World Tour 2000, we used an 80-piece symphony orchestra and miked up part of the strings with C 411 pickups. Without the AKG MicroMics, it would have been impossible to get a clean mix with a rock band like Deep Purple and a symphony orchestra playing together.

Lars Brogaard

Production Manager Deep Purple

Features

The C 411III is suitable for all types of string instruments; acoustic guitar, banjo, mandolin, violin, etc. It comes with a reusable adhesive compound which can be removed without marring the finish. Adhering the C 411III on or near the bridge of the instrument smoothly reproduces a clear and uncolored sound.
Full range condenser mic in a sealed enclosure reproduces only the vibrations of the instrument body Ultralightweight only 18g/0,7oz. C 411III PP - for phantom powering cable terminated in a preamp/XLR connector C 411III L cable terminated in a 1/8" gold-plated, lockable mini-jack

Benefits

The risk of feedback is almost eliminated
Doesnt influence the balance of the instrument For use with 9 to 52 V phantom power
For use with AKG B 29 L battery powered phantom supply, MPA II L phantom adapter, or with AKG.WIRELESS bodypacks transmitters
Frequency Response and Polar Diagram

Specifications:

Frequency response: Polar Pattern: Sensitivity: Impedance: Maximum SPL for 1%/3% THD: Size: Net Weight: Shipping Weight: Standard accessory: 10 - 18,000 Hz vibration pickup 1 mV/ms-96 dB/103 dB 27 x 14 x 9.5 mm/1" x 0.5" x 0.3" C 411III PP: 98 g (3.6 oz.)/C 411III L: 18 g (0.7 oz.) C 411III PP: 225 g (8.2 oz.)/C 411III L: 150 g (5.5 oz.) adhesive compound
Performing folk-rock on stage the AKG C 416 is the perfect assistant.
Accordion & Speaker MicroMic

Hubert von Goisern

Alpine Rock Artist, sterreich
The C 416III can be used for all types of low profile micing, including accordion, piano, guitar cabinets, auto-harp, hammered dulcimer and more. It incorporates the flat response, hypercardioid capsule of the C 419 in a format with a longer gooseneck, a mounting bracket and a full complement of mounting accessories.

New MicroMic transducer element Flat response with a slight high frequency peak
Natural reproduction of your instruments or cabinets sound with excellent intelligibility Isolation from vibrational noise
External shock mount system Elastomer suspension tube Miniature gooseneck 100 mm/4" long C 416III PP- for phantom powering cable terminated in a preamp/XLR connector C 416III L cable terminated in a 1/8" goldplated, lockable minijack
Allows precise positioning of the microphone
for use with 9 to 52 V phantom power
For use with AKG B 29 L battery powered phantom supply, MPA II L phantom adapter, or with AKG.WIRELESS pocket transmitters
Frequency response: Polar Pattern: Sensitivity: Impedance: Maximum SPL for 1%/3% THD: Size: Net Weight: Shipping Weight: Standard accessory: 20 - 20,000 Hz hypercardioid 7 mV/Pa dB/131 dB 235 x 30 mm/9.3"x 1.2" C 416III PP: 120 g (4.2 oz.)/C 416III L: 55 g (1.9 oz.) C 416III: 455 g (15.9 oz.)/C 416III L: 390 g (13.6 oz.) W 44 windscreen, mounting accessories
Almost invisible but remarkably audible. The C 417III is one of the smallest professional lavalier microphones in the world.

Lapel MicroMic

Attached to clothes or hidden in the makeup, it provides optimum mobility for speakers or singers. With its omnidirectional polar pattern, the microphone provides a natural sound and is easy to position.
Excellent audio quality across the full bandwith Smooth bass and midrange, gentle 4 dB rise at 8 kHz Small & Light 7.5 x 15mm/0.3" x 0.6" with only a few grams Beige and black versions Microphone head and cable C 417III PP - for phantom powering cable terminated in a preamp/XLR connector C 417III L cable terminated in a 1/8 gold-plated, lockable mini-jack
Provides voices with full, crisp sound quality
Provides voices with full, crisp sound quality dont notice it For invisible use on the artists skin (musicals) for use with 9 to 52 V phantom power
For use with AKG B 29 L battery powered phantom supply, MPA II L phantom adapter, or with AKG.WIRELESS bodypack transmitters
Frequency response: Polar Pattern: Sensitivity: Impedance: Maximum SPL for 1%/3% THD: Size: Net Weight: Shipping Weight: Standard accessory: 20 - 20,000 Hz omnidirectional 10 mV/Pa dB/126 dB 7.5 x 15 mm/0.3" x 0.6" C 417III PP: 8 g (0.3 oz.)/C 417III L: 8 g (0.3 oz.) C 417III PP: 220 g (8.1 oz.)/C 417III L: 160 g (5.9 oz.) W 407 windscreen, mounting accessories
The AKG Drum MicroMics are my partners on stage and for recording sessions.
Drums & Percussions MicroMic

Terry Bozzio

The frequency response of the the C 418III has been specifically tailored for drum and percussion miking. Compensating for the bass boost which is inherent when putting the microphone so close to the drum, the microphone reproduces a punchy sound that suppresses rumble and unwanted upper head ringing.

Shock mounted capsule Elastomer suspension tube Boom-arm with additional angle joint Allows the mic arm to be swiveled into position Clamp with rubberized finish Clamps on the top rim of the drum C 418III PP - for phantom powering cable terminated in a preamp/XLR connector C 418III L cable terminated in a 1/8" goldplated, lockable minijack
Protection from stick blows and rejection of vibrational noise For precise adjustment of the boomarm according to the size of the drums diameter For secure fit; will not leave a mark on the instrument for use with 9 to 52 V phantom power
Frequency response: Polar Pattern: Sensitivity: Impedance: Maximum SPL for 1%/3% THD: Size: Net Weight: Shipping Weight: Standard accessory: 50 - 20,000 Hz hypercardioid 4 mV/Pa dB/140 dB 75 x 35 mm/3" x 1.4" including clamp C 418III PP: 126 g (4.6 oz.)/C 418III L: 62 g (2.3 oz.) C 418III PP: 448 g (16.3 oz.)/C 418III L: 381 g (13.9 oz.) W 44 windscreen
The dynamic MicroMic for woodwinds and brass as well as drums and percussions.

Jimmy Roberts/Saxophon

Dynamic MicroMic for Wind Instruments, Drums & Percussions.
The D 409 MicroMic is a cost efficient alternative to the C 419 condenser version. It provides a powerful sound and requires no phantom power. The smooth frequency response of the D 409 ensures uncolored audio. A neutral sound with little proximity effect and a slight presence rise between 3 and 7 kHz will make your instrument cut through the loudest mix on stage.
Dynamic transducer D 409 with standard XLR connector D 409 L with mini XLR connector
No phantom or battery powering required For hardwire operation For use with AKG.WIRELESS bodypack transmitters For suppression of wind noise
Complete with external windscreen
Frequency range: Polar pattern: Sensitivity at 1 kHz: Impedance: Max. SPL for 1%/3% THD: Size: Net/shipping weight: Standard accessories: 100 Hz to 17,000 Hz; at 1 cm (0.4 in.): 50 Hz to 17,000 Hz hypercardioid 1 mV/Pa 600 124/128 dB 160 x 35 mm (6.3 x 1.4 in.) inc. of clamp D 409: 130 g (4.6 oz.)/451 g (1 lb.) D 409 L: 72 g (2.5 oz.)/393 g (13.9 oz.) windscreen
The AKG MicroMics together with AKG.WIRELESS the ultimate freedom on stage.
Jimmy Roberts/Saxophon Nick Lane/Posaune Rick Braun/Trompete

Brass section Rod Stewart World Tour
MicroMic for Wind Instruments, Drums & Percussions.
The C 419III clips onto the bell of the trumpet, saxophone, trombone, tuba, etc. The mic to give freedom to horn players. Its tight hypercardioid pattern makes it problem free for stage work near floor monitors. The natural sound of the horn is retained via the flat response with a gentle high frequence peak of the transducer element. It permits the performing horn player to reach his audience with power and clarity.
External shock mount system Elastomer suspension tube Miniature gooseneck 110 mm/4.4" long Clamp with rubberized finish Clamps on the bell of the instrument C 419III PP - for phantom powering cable terminated in a preamp/XLR connector C 419III L cable terminated in a 1/8" goldplated, lockable minijack
Isolation from vibrational noise
Allows precise positioning of the microphone des Mikrofons For secure fit; will not leave a mark on the instrument for use with 9 to 52 V phantom power
Frequency response: Polar Pattern: Sensitivity: Impedance: Maximum SPL for 1%/3% THD: Size: Net Weight: Shipping Weight: Standard accessory: 20 - 20,000 Hz hypercardioid 7 mV/Pa dB/130 dB 180 x 35 mm/7" x 1.4" including clamp C 419III PP: 141 g (5.1 oz.)/C 419III L: 77 g (3.1 oz.) C 419III PP: 462 g (16.8 oz.)/C 419III L: 398 g (14.5 oz.) W 44 windscreen
AKG MicroMics & AKG.WIRELESS

Brooks & Dunn

on tour
Headset MicroMic for Vocals & Flute
The C 420III is a condenser design with a full bandwidth 20 - 20 kHz frequency response. It captures the voice with a detailed, brilliant sound quality. The mic provides the performer with a pure, powerful sound that carries the punch and presence to cut through to the audience. The ideal MicroMic for singing keyboard players, drummers, guitarists, dancers and anyone who needs highquality vocals in a hands-free application. Frequency Response and Polar Diagram
New behind-the-neck headband infinitely variable spring steel headband Miniature gooseneck 60mm/2.4" long External shock mount system Elastomer suspension tube C 420III PP - for phantom powering cable terminated in a preamp/XLR connector C 420III L cable terminated in a 1/8" goldplated, lockable minijack

Comfortable and secure fit on any head shape
Allows precise placement near the mouth
Frequency response: Polar Pattern: Sensitivity: Impedance: Maximum SPL for 1%/3% THD: Size: Net Weight: Shipping Weight: Standard accessory: 20 - 20,000 Hz cardioid 7 mV/Pa dB/130 dB approximately 130 mm/5.1" C 420III PP: 30 g (1.1 oz.)/C 420III L: 30 g (1.1 oz.) C 420III PP: 540 g (19.6 oz.)/C 420III L: 471 g (17.1 oz.) W 44 windscreen, cable clip
Easy to use and ideal for PA systems from airports to gyms.

Headset MicroMic

The C 444 L is extremely easy to use, rests securely and comfortably on the head, and is perspiration-proof. A dedicated moisture shield prevents perspiration and water from penetrating into the transducer capsule.
Ergonomically optimized behind-the-neck headband Moisture shield () C 444 L Fixed cable with mini XLR connector Complete with W 444 windscreen
Fits on any head shape Protects capsule from perspiration Can be used with AKG.WIRELESS bodypack transmitters or B 29 L battery supply Supplied windscreen suppresses wind noise
Frequency range: Polar pattern: Sensitivity at 1000 Hz: Impedance: Max. SPL for 1%/3% THD: Size (LWH): Net/shipping weight: Standard accessory: 20 Hz to 20,000 Hz cardioid 40 mV/Pa 200 126/130 dB 130 mm (5.1 in.) in diameter 30 g (1.1 oz.) exc. of connector/200 g (7 oz.) windscreen

Carola Grey

fusion and jazz drumer
Cymbals, Drums & Percussions Overhead MicroMic
Specifically designed for cymbal and overhead miking, the frequency response of the C 430 ensures a uniquely crisp sound. With is extremely compact external dimensions, this microphone will keep a low profile on the drum kit without compromising audio quality.
Frequency response designed specifically for cymbal and overhead miking Choice of external phantom powering or battery powering using the B 15 Complete with W 32 windscreen SA 40 stand adapter included
Easy to use with any mixer, with no need to use the EQ Operates with mixers with or without phantom power For trouble-free use on open-air stages For secure mounting on all commercial microphone stands.
Frequency range: Polar pattern: Sensitivity at 1 kHz: Impedance: Max. SPL for 1%/3% THD: Size: Net/shipping weight: Standard accessories: 20 Hz to 20,000 Hz cardioid 7 mV/Pa 200 126/130 dB length: 79 mm (3.1 in.); dia.: 19 mm (0.7 in.) 32 g (1.1 oz.)/192 g (6.8 oz.) W 32 windscreen SA 40 stand adapter

Miking a double bass never was so easy.

Peter Herbert

Performances in Jazz- and Jazz-related music. Concerts around the world with the Art Farmer Quintet, John Clark Octet, Vienna Art Orchestra, Aydin Esen Group Rick Margitza a.m.o.
Double Bass Bridge Pickup
The piezoelectric transducer element is incorporated into a conventional, wooden double bass bridge. It therefore permits a non compromising, natural audio quality. The DB 1 is installed on the double bass like a standard bridge is mounted on the instrument.
Full range piezoelectric transducer element Designed to reproduce the distinctive sound of a double bass Can be fixed on every conventional double bass Your violin maker adapts the bridge to your instrument DB 1 - for phantom powering cable terminated in a preamp/XLR connector
Clear and natural sound quality
One standard size for individual adjustment

Frequency Response

Frequency response: Polar Pattern: Sensitivity: Impedance: Maximum SPL for 1%/3% THD: Size: Net Weight: Shipping Weight: 5 - 5,000 Hz vibration pickup 2.5 mV/ms-130 dB/138 dB 200 x 145 mm/8" x 5.8" 272 g (9.9 oz.) 700 g (25.5 oz.)

ACCESSORIES

Power Supply and Mini-Mixer
The B 29 L powers one or two C 4. L version MicroMic III Series microphones (except for the D 409 L which requires no phantom power). The B 29 L features an on/off switch and status LED as well as a mic/line selector for matching the output level to the input of the connected mixer or recorder, etc. The B 29 L operates on one standard 9-V battery. Average battery life is 50 hours. Two volume controls allow you to balance the levels of the two microphones. A supplied clip makes it easy to attach the B 29 L to a belt or guitar strap, etc.
MicroMic-in-line battery supply
The B 15 is an in-line battery supply for C 4. PP versions of MicroMic III Series microphones that also connects directly to the C 430 overhead MicroMic. An integrated on/off switch helps prolong battery life. The B 15 uses a single AAA size 1.5-V battery, Average battery life is 30 hours. The B 15 can also be used for all commercial condenser microphones operating off 12-V phantom power.

MPA III L

MicroMicPhantomspeiseadapter
Adapter cable with 3.5 mm (1/8) lockable jack socket and male 3-pin XLR connector. The MPA III L reduces the usual phantom powering voltage (9 to 52-V) supplied by mixing consoles to the operating voltage (9-V max.) of AKG MicroMics.

WMS 300

The MicroMic versions with a screw-on B-Lock connector for use with WMS 300 systems and the B 29 B-Lock type battery supply are still available. Please contact your dealer!

WIRELESS

WMS 40
AKG.WIRELESS - for unlimited mobility on stage

WMS 61/81

For details about AKG.WIRELESS contact your local AKG-dealer or visit www.akg-wireless.com

WMS 60/80

String instruments

GUITAR: C 411 III

Find optimum position for C 411 III by trial and error - in most cases this will be on or near the bridge.

VIOLIN, VIOLA: C 411 III

Fix C 411 III near or on the bridge experiment.

BANJO: C 411 III

Similar to guitar.
ZITHER, DULCIMER: C 411 III
C 411 III on the body (near bridge).
PIANO: 2 x C 419 III/D 409 or C 416 III
Clamp one on cast iron frame near G2 for bass and one within 2nd octave above Middle C for treble.

Amplifiers

GUITAR AND BASS AMPS: C 416 III
Fix C 416 III so it will sit about 4 inches in front of speaker. Experiment to find best position - aiming at diaphragm centre often creates harsh sound.

DOUBLE BASS: DB 1

DB 1 should be installed like a regular bridge.

SPEECH: C 417 III

Fix C 417 III, e.g., on lapel, hide cable beneath jacket or costume for inconspicuous miking of lecturers, MCs, singers, etc.

Accordion

ACCORDION: 2 x C 416 III
Use one C 416 III for bass range (near any one of the sound holes) and one aimed at middle of treble side. When using stand mounted mic for treble side, fix a C 416 III on bass side near a sound hole.

To install C 416 III

fix integrated bracket or H 416 installation plate on amp or instrument. Bracket snaps into H 416. Use H 416 if instrument or amp flight case is too small accomodate C 416 III. Double-sided adhesive rubber plate and adhesive putty for fixing bracket or H 416 supplied.

Drum/Percussion

DRUMS, SNARE: C 418III
Clamp C 418 III on top hoop. Aim at rim for click, or at centre of head for full tone.
TOMS: C 418III/C 419III/D 409 ROTO-TOMS: C 418III /C 419III/D 409
See SNARE. For small and middle sizes (10"-14") C 418 III, for larger sizes (from 14") use C 419 III or D 409.

Cymbal/Hi-Hat/ Overhead

Cymbal: Place C 430 in a distance equal to the cymbal's diameter. Hi-Hat: Place C 430 approx. 2-3 cm from the Hi-Hat top. Overhead Miking: Place C 430 corresponding to the external circumstances.

SINGING: C 420III

Place C 420 III miniature capsule near corner of mouth; placing it further away reduces pop noise but gives less powerful sound.
SPEECH, AEROBICANNOUNCEMENTS: C 444 L
Place microphone in front of corner of mouth. To prevent pop noise, move microphone a little further away or use supplied windscreen.

Wind instruments

SAXOPHONE: C 419 III or D 409
Clamp C 419 III or D 409 on bell, aim at rim (experiment and listen). For subtone playing, point mic at centre of bell (lots of breath noise).
CLARINET: C 419 III or D 409
Clarinets should always be picked up with 2 microphones. Point one (eg a C 535 or C 5900) at the keys, the other at the bell: the C 419 III or D 409 is ideal for this purpose.
TUBA, TENOR AND BARITONE HORNS: C 419 III or D 409
Clamp C 419 III or D 409 on bell. Try different positions aim at rim or use windscreen to reduce breath noise.
TROMBONE: C 419 III or D 409
Clamp C 419 III or D 409 on bell, aim at rim (experiment). When using mute, bend gooseneck out of its way.
TRUMPET: C 419 III or D 409
Clamp C 419 III or D 409 on bell, bend gooseneck to position mic as far away from instrument as possible, but pointing at bell. Different positions give different sounds, so experiment!

FLUTE: C 420 III

Direct C 420 III toward embouchure. Turn it away a little to compensate for excessive breath noise.

AKG.MICROMIC

C 411 III Acoustic Pickup MicroMic
C 416 III Accordion & Speaker MicroMic

C 417 III Lapel MicroMic

C 418 III Drums & Percussions MicroMic
D 409 Dynamic MicroMic for Wind Instruments, Drums & Percussions
C 419 III MicroMic for Wind Instruments, Drums & Percussions
C 420 III Headset MicroMic for Vocals & Flute
C 430 Cymbals, Drums & Percussions Overhead MicroMic

C 444 L Headset MicroMic

DB 1 Double Bass Bridge Pickup

B 29 L Battery operated phantom power supply and mixer
B 15 Inline battery operated phantom power supply
MPA III L MicroMic Phantom Power Adapter
Microphones Headphones Wireless Microphones Wireless Headphones Headsets Electroacoustical Components

AKG Acoustics GmbH

Lembckgasse 2125, P.O.B. 158, A-1230 Vienna/AUSTRIA, Tel: (43 1) 86 654-0*, Fax: (43 1) 86 654-516, http://www.akg-acoustics.com, e-mail: sales@akg-acoustics.com
AKG Acoustics, Harman Pro GmbH
Bodenseestrae 228, D-81243 Mnchen/GERMANY, Tel: (089) 87 16-0, Fax: (089) 87 16-200, http://www.akg-acoustics.de, e-mail: info@akg-acoustics.de

AKG ACOUSTICS, U.S.

1449 Donelson Pike, Nashville, TN 37217, U.S.A., Tel: (615) 360-0499, Fax: (615) 360-0275, http://www.akgusa.com, e-mail: akgusa@harman.com
For other products and distributors worldwide see our website: http://www.akg-acoustics.com Specifications subject to change without notice. Printed in Austria. 02/01/PROA 1381