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3. Alesis M1 Active 520 Powered Studio Monitor Pair
4. Alesis M1Active 320 USB Studio Monitor PairAlesis Quadrasynth
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Alesis Synthesizers: Alesis Quadrasynth, Alesis Ion, Alesis Andromeda A6 [Book]By Books, LLC - General Books (2010) - Paperback - 18 pages - ISBN 1158328966
Purchase includes free access to book updates online and a free trial membership in the publisher's book club where you can select from more than a million books without charge. Not illustrated. Excerpt: The Alesis Quadrasynth is a digital synthesizer first introduced in 1993. It was Alesis's first major foray into synthesizers. The Quadrasynth is a 76-key, 64-note polyphonic PCM sample-based digital subtractive synthesizer. The original Quadrasynth and all subsequent spinoff products (s... Read more [ Report abuse or wrong photo | Share your Alesis Quadrasynth photo ]
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(English)Alesis Quadrasynth - Reference Manual, size: 949 KB |
Related manuals Alesis Quadrasynths4 Usermixeslist Alesis Quadrasynths4 Presetprogramlist Alesis Quadrasynth Plus Reference Manual Alesis Quadrasynths4 Presetmixeslist Alesis Quadrasynth Supplementary Guide |
Alesis Quadrasynth
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Purchase includes free access to book updates online and a free trial membership in the publisher's book club where you can select from more than a million books without charge. Not illustrated. Excerpt: The Alesis Quadrasynth is a digital synthesizer first introduced in 1993. It was Alesis's first major foray into synthesizers. The Quadrasynth is a 76-key, 64-note polyphonic PCM sample-based digital subtractive synthesizer. The original Quadrasynth and all subsequent spinoff products (such as the latter QS series) did not feature an onboard sequencer, the only feature that would have denoted it a workstation status. In the Quadrasynth's composite synthesis system, up to four "tones" are used to create a single "patch" or synthesizer sound. These individual "tones" are created by using 16-bit digital single-cycle waveforms or digital samples as oscillator sources, and are then processed via a digital non-resonant filter, various LFOs and envelope generators, and so on - in the usual manner. The Quadrasynth contained 16MB of ROM containing PCM-based waveforms and samples, with the option of expanding the sample base via PCMCIA expansion cards which plug into the back of the synthesizer. A "patch" on the Quadrasynth can contain 1, 2, 3 or 4 of these tones. However, polyphony decreases as you use up more tones. For example, a 1-tone patch would have 64-note polyphony, a 2-tone patch would have 32-note polyphony.... and a 4-tone patch would only have 16-note polyphony. Patches can only be stored in the User bank. All other banks are factory presets which cannot be overwritten. The Quadrasynth was typical of synthesizers of the early 90s, featuring a digital, menu-based editing system. Editing user patches could be tedious if the user is unfamiliar with its complex editing structure or hasn't read the manual. A multitimbral "mix" (or "performance") can contain up to 16 parts (patches). Each part can respond to the full range of ... More: http://booksllc.net/?id=11730835
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