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Allen Heath Mixwizard WZ3 16-2

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User reviews and opinions

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Comments to date: 10. Page 1 of 1. Average Rating:
youmoney0 10:42pm on Sunday, October 17th, 2010 
"very nice and responsive, only downfalls are small screen for the price... these tablet pads seem to be a little pricy for what they are i think...
psyche101 4:40pm on Wednesday, October 6th, 2010 
This device its about....10=15% better in feel than a tablet. It will not solve your inability to make quality marks. I have worked on wacom tablets for 10+ years, worked in design for 13+, doing autonmotive and toy design. This is my first Wacom. It is much nicer than my off-market tablet, and rightfully so, but I suppose I expected more luxury out of the price.
andyh 2:10pm on Wednesday, September 8th, 2010 
I am a college student that is heavily into graphic and web design. This is my first pen tablet and I am positive I have made the right decision!
Cyz70 9:59am on Friday, July 23rd, 2010 
Good deal for the price. The sound is alright, a little better than I expected. I normally use a headphones when I want watch movies because I hate disturbing others when watching movies late night. So.
saintsane1 2:27am on Friday, May 28th, 2010 
Pros: I must have researched for days and could not pass this one by! These headphones excel above the average VoIP / Gaming headphones. The microphone is crystal-clear. Makes fine adjustments a snap. Upgraded from years of mousework and finally see what the big deal was! Good Control","Natural Feel
larsene 12:07am on Friday, May 28th, 2010 
I love the pen pad the size takes abit of getting used as I used the extra large size at work for several years but the medium is the perfect size for...
galencurrah 6:27pm on Thursday, April 29th, 2010 
"Ok im only 13 but still I recomend this! "Great size. Not too big and not too small of an area to work with. I use it for touching up photographs on the computer and painting.
githogori 3:54am on Tuesday, April 20th, 2010 
Wacom Rocks I have had Wacom tablets for years. This product is great. The drivers are always the easiest to install. Intuos 2 pen The pen works fine. The only complaint I have is that the nib sometimes is too short. Great but... Amazon says that "This pressure-sensitive pen has the same feature set as the Cintiq Grip Pen.
Bandit 10:27pm on Thursday, April 1st, 2010 
As posted in the weakness column they should change this stand a little so you can tilt this all the way up to 90 degrees so you can use it as a regul... As far as drawing digitally goes, this is by far the best thing out there. When compared to the 6x8 wacom tablet.
Varty 10:52pm on Tuesday, March 16th, 2010 
Wonderful blue tooth headphones for the price. Great sound quality, keeps sound out and very comfortable Last only about one year if used every day I have been using an Intuos 2 tablet for the past 8 years (yes they were sold in 2002). From experience.

Comments posted on www.ps2netdrivers.net are solely the views and opinions of the people posting them and do not necessarily reflect the views or opinions of us.

 

Documents

doc0

Do not remove cover:

Power sources:
Power cord routing: Grounding:
WARNING: This equipment must be earthed.

Water and moisture:

To reduce the risk of fire or electric shock do not expose the console to rain or moisture or use it in damp or wet conditions. Do not place containers of liquids on it which might spill into any openings. Do not obstruct the ventilation slots or position the console where the air flow required for ventilation is impeded. If the console is to be operated in a rack unit or flightcase ensure that it is constructed to allow adequate ventilation. Do not locate the console in a place subject to excessive heat or direct sunlight as this could be a fire hazard. Locate the console away from any equipment which produces heat or causes excessive vibration. Switch off the equipment and unplug the power cord immediately if it is exposed to moisture, spilled liquid, objects fallen into the openings, the power cord or plug become damaged, during lightening storms, or if smoke, odour or noise is noticed. Refer servicing to qualified technical personnel only. Install the console in accordance with the instructions printed in this User Guide. Do not connect the output of power amplifiers directly to the console. Use audio connectors and plugs only for their intended purpose.

Ventilation:

Heat and vibration:

Servicing:

Installation:
Important Mains plug wiring instructions.
The console is supplied with a moulded mains plug fitted to the AC mains power lead. Follow the instructions below if the mains plug has to be replaced. The wires in the mains lead are coloured in accordance with the following code: TERMINAL European L N E LIVE NEUTRAL EARTH GND BROWN BLUE GREEN & YELLOW WIRE COLOUR USA/Canada BLACK WHITE GREEN
The wire which is coloured Green and Yellow must be connected to the terminal in the plug which is marked with the letter E or with the Earth symbol. This appliance must be earthed. The wire which is coloured Blue must be connected to the terminal in the plug which is marked with the letter N. The wire which is coloured Brown must be connected to the terminal in the plug which is marked with the letter L. Ensure that these colour codes are followed carefully in the event of the plug being changed.

General Precautions

Damage :
To prevent damage to the controls and cosmetics avoid placing heavy objects on the control surface, scratching the surface with sharp objects, or rough handling and vibration. Protect from excessive dirt, dust, heat and vibration when operating and storing. Avoid tobacco ash, smoke, drinks spillage, and exposure to rain and moisture. If the console becomes wet, switch off and remove mains power immediately. Allow to dry out thoroughly before using again. Avoid the use of chemicals, abrasives or solvents. The control panel is best cleaned with a soft brush and dry lint-free cloth. The faders, switches and potentiometers are lubricated for life. The use of electrical lubricants on these parts is not recommended. The fader and potentiometer knobs may be removed for cleaning with a warm soapy solution. Rinse and allow to dry fully before refitting them. The console may be transported as a free-standing unit or mounted in a rack or flightcase. Protect the controls from damage during transit. Use adequate packing if you need to ship the unit. To avoid damage to your hearing do not operate any sound system at excessively high volume. This also applies to any close-to-ear monitoring such as headphones. Continued exposure to high volume sound can cause frequency selective or wide range hearing loss.

Environment :

Cleaning :

Transporting :

Hearing :

Introduction

Welcome to the Allen & Heath WZ3, the latest generation of the popular MixWizard series of compact audio mixing consoles. We have tried to keep this user guide brief and to the point. Please read it fully before starting. Included is information on installing, connecting and operating the console, panel drawings, system block diagram and technical specification. For further information on the basic principles of audio system engineering, please refer to one of the specialist publications and resources available from bookshops, audio equipment dealers and the Internet. Whilst we believe the information in this guide to be reliable we do not assume responsibility for inaccuracies. We also reserve the right to make changes in the interest of further product development. We are able to offer further product support through our world-wide network of approved dealers and service agents. You can also access our Web site on the Internet for information on our full product range, our company pedigree, assistance with your technical queries, our contact details or simply to chat about matters audio. To help us provide the most efficient service please keep a record of your console serial number, and date and place of purchase to be quoted in any communication regarding this product.

www.allen-heath.com

Contents
Warranty.. 2 General Precautions.. 4 Introduction to this Guide.. 5 Front Panel Layout.. 6 Introducing the MixWizard.. 7 Installing the Console.. 8 Connecting Power.. 9 Connecting a Backup Supply.. 9 Connection Pinouts and Cables. 10 Audio Connections.. 11 Connector Panel Layouts.. 12 Console Connectors.. 13 Mono Input Channel..15 Stereo Input Channel..17 Stereo Effects Processor.18 Stereo Effects Return Channel.19 MIDI..20 Master Section..21 Gain Structure..23 Specifications..24 System Block Diagrams..26 Effects Parameters..28 User Options..30 Cue Sheets..33

+48V PAD

-10 -20
10 FACTORY PRESETS SINGLE 1 STAGE 2 ROOM

(LINE) 20 30

(LINE)
3 HALL 4 PLATE 5 CHAMBER 6 CATHEDRAL 7 ARENA 8 GATED REV 9 KARAOKE 5 10

- 10 10

PHONES

HPF HF HF

(ST1+ST2) 10

(ST3+ST4) 0

10 PING PONG 11 CHORUS 12 SLAP+REV 13 DLY+REV 14 ECHO+REV 15 CH+REV 16 PH+REV DUAL 1 STAGE 2 ROOM 3 HALL

-10 -20 16

-15 1k 700 500Hz

3k +15 4k 6k 15k

BANK +16 +9 +6 +-3 -6 -9 -12 -16 -20 -30
-15 -45 35Hz 1k 180 +400 -45 35Hz 1k 180 +400 -15

Installing the Console

Free Standing
The console is supplied ready for free standing operation with its side trims fitted and connector pod positioned for rear access. If you are converting from rack to free standing then make sure the pod is correctly rotated and secured, and the side trims fitted as shown below:
FIT SIDE TRIMS - 4x M4 POZI SCREWS PER SIDE

CONSOLE WIDTH = 507mm

514 530

19 Rack Mount

For rack mounting, remove the two side trims and rotate the pod into the connector position preferred. Allow enough space for the cables and connectors behind the console.

497 (11.2U)

SECURE IN RACK USING 8x M6 BOLTS USE PLASTIC CUP WASHERS TO PROTECT THE PANEL

482.6 (19" RACK)

Do not transport the console with its connector pod securing screws removed. Do not attempt to remove the connector pod from the console. Do not obstruct the ventilation slots. Allow adequate space around the console for air flow.

444 (10U)

RELEASE M4 POZI SCREW EACH SIDE ROTATE POD AND REFIT SECURING SCREWS

Connecting Power

T630mA L 250V 20mm

EXTERNAL DC IN

BACKUP SUPPLY

AC MAINS IN ~

100 - 240V~ 47-63Hz 45W MAX
RISK OF ELECTRIC SHOCK DO NOT OPEN AVIS: RISQUE DE CHOC ELECTRIQUE - NE PAS OUVRIR. CAUTION: FOR CONTINUED PROTECTION AGAINST RISK OF FIRE REPLACE FUSE WITH SAME TYPE AND RATING. ATTENTION: REMPLACER LE FUSIBLE AVEC UN DES MEMES CARACTERISTIQUES. WARNING: TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
ONLY USE RECOMMENDED ALLEN&HEATH POWER SUPPLY. REFER TO USER GUIDE FOR DETAILS. Made in the UK by ALLEN & HEATH Limited Serial No.
WARNING: THIS APPARATUS MUST BE EARTHED
Read and understand the Important Safety Instructions printed at the start of this guide, and the warnings printed on the rear of the console. Check that your local mains supply is within the 100-240V operating voltage range allowed. Check that the correct mains lead with moulded plug has been supplied with your console. Make sure that the IEC mains plug is pressed fully into the panel socket before switching on.

Grounding

The connection to ground in an audio system is important for two reasons: 1. SAFETY - To protect the operator from high voltage electric shock, and
2. AUDIO PERFORMANCE - To minimise the effect of ground (earth) loops which result in audible hum and buzz, and to shield the audio signals from interference. For safety it is important that all equipment grounds are connected to mains ground so that exposed metal parts are prevented from carrying high voltage which can injure or even kill the operator. Do not disconnect the ground connection in the mains lead. It is recommended that the system engineer check the continuity of the safety ground from all points in the system including microphone bodies, turntable chassis, equipment cases, rack metalwork and so on.
Switching the console on and off
It is good practice to turn power amplifiers off before switching the console and any other connected equipment on or off. This prevents any unexpected clicks or thumps when the equipment is powered up. Turn amplifiers and powered speakers on last and off first. To turn the console on, press the ON/OFF switch next to the IEC mains input socket. To turn the console off, press this switch again.
Connecting a backup supply
A socket is included for plugging in an optional backup power supply. This provides the reassurance of power supply dual redundancy, a feature usually found only in expensive top end consoles. The console uses diode combining technology so that both supplies can be powered at the same time. One will automatically take over should the other stop working. The recommended backup supply for the MixWizard is the Allen & Heath MPS12 power unit. Refer to the user guide which comes with this supply. Only plug the recommended Allen & Heath power unit into this socket. Do not attempt to modify any other power unit to work with the console. Do not attempt to modify or extend the DC power cable that comes with the supply. The console can work with just the internal supply powered by mains, or just the backup supply, or with both powered at the same time. To ensure uninterrupted performance in the unlikely event of a failure, we recommended that both supplies are powered.
L- 37 R- 36 GRP 1- 35 GRP 2- 34 GRP 3- 33 GRP 4- 32 AUX 1- 31 AUX 2- 30 AUX 3- 29 AUX 4- 28 AUX 5- 27 AUX 6- 26 PFL- 25 AFL- 24 nc 23 nc 22 nc 21 nc 0V (CHS) 18 L+ 17 R+ 16 GRP 1+ 15 GRP 2+ 14 GRP 3+ 13 GRP 4+ 12 AUX 1+ 11 AUX 2+ 10 AUX 3+ 9 AUX 4+ 8 AUX 5+ 7 AUX 6+ 6 PFL+ 5 AFL+ 4 nc 3 PFL DC 2 AFL DC 1 0V (PAFL)

Audio Connections

The MixWizard uses professional grade 3 pin XLR and 1/4" TRS (3 pole) jack sockets. To ensure best performance, we recommend that you use high quality audio cables and connectors, and take time to check for reliable and accurate cable assembly. It is well known that most audio system problems are due to faulty or sub standard interconnecting leads. The following mating plugs may be used to connect audio signals to the console:

ALLEN&HEATH

INSERT INSERT

MixWizard WZ3 16:2

INSERT

LINE IN

DIRECT OUT 16

DIRECT OUT 15

DIRECT OUT 14

DIRECT OUT 13

DIRECT OUT 12

DIRECT OUT 11

DIRECT OUT 10

DIRECT OUT 9

DIRECT OUT 8

DIRECT OUT 7

DIRECT OUT 6

DIRECT OUT 5

DIRECT OUT 4

DIRECT OUT 3

DIRECT OUT 2

DIRECT OUT 1

AB OUT

ST2 IN

ST1 IN

FOOTSWITCH

FX MUTE

MIDI IN

FX EDIT

XLR OUT - OUT 2 +OUT

LINE IN/OUT TIP + RING -

SEND RETURN

2 TIP RING

TIP +IN RING -IN

+IN - IN

SYS-LINK OUT ( option )

L/M EXTERNAL
RISK OF ELECTRIC SHOCK DO NOT OPEN AVIS: RISQUE DE CHOC ELECTRIQUE - NE PAS OUVRIR.

SINGLE

R EFFECT

INTERNAL

EFFECT DUAL
CAUTION: FOR CONTINUED PROTECTION AGAINST RISK OF FIRE REPLACE FUSE WITH SAME TYPE AND RATING. ATTENTION: REMPLACER LE FUSIBLE AVEC UN DES MEMES CARACTERISTIQUES. WARNING: TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. ONLY USE RECOMMENDED ALLEN&HEATH POWER SUPPLY. REFER TO USER GUIDE FOR DETAILS. Made in the UK by ALLEN & HEATH Limited Serial No.

EFFECT

EXT FX

ST5 IN

11-12 ST3 IN

9-10 ST1 IN

MixWizard WZ3 12:2

FOOTSWITCH R

L MIDI IN

ST6 IN

ST4 IN

L/M EXTERNAL SINGLE

MIX L R

DIRECT OUT 8 SEND

SYS-LINK OUT ( option ) EXTERNAL DC IN
CAUTION: FOR CONTINUED PROTECTION AGAINST RISK OF FIRE REPLACE FUSE WITH SAME TYPE AND RATING. ATTENTION: REMPLACER LE FUSIBLE AVEC UN DES MEMES CARACTERISTIQUES. WARNING: TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. ONLY USE RECOMMENDED ALLEN&HEATH POWER SUPPLY REFER TO USER GUIDE FOR DETAILS Made in the UK by ALLEN & HEATH Limited Serial No.

AUX1, AUX2 = Pre-fade AUX3, AUX4 = Switched pre/post using PRE swittch AUX5, AUX6 = Post-fade Pre-fade aux = Pre-INSERT, pre-EQ, post-MUTE

-45 35Hz

+400 1k
These settings may be changed if preferred by repositioning internal jumper link options. They offer many different combinations of pre and post-fade sends, and a post-EQ option for the pre-fade sends. The PRE switch can be assigned to one, two or more of the sends. More detail is provided in OPTIONS later in this guide. Pre-fade aux sends are not affected by the channel fader movements. These are typically used to feed stage monitors. In most cases users also prefer that the monitor sends are not affected by inserted processors or the channel EQ. Post-fade aux sends follow the channel faders and are typically used to send a proportion of the channel signal to an effects device such as reverb or delay. Pre or post-fade sends may also be used for special applications such as recording, zone feeds, clean feeds and aux fed subs.
PRE When pressed the pre-fade channel signal is sent to the associated auxes. When released the post-fade signal is sent. Auxes 3 and 4 are affected by the PRE switch (factory default). You can change this by repositioning the internal option jumpers. PAN
Positions the channel signal between L and R in the stereo mix. The centre position (mono image) is detented for quick resetting. the feed to the LR mix, pre and post-fade aux sends and direct output, but does not affect the insert send. The red indicator lights when the channel is muted.
MUTE When pressed the channel signal is turned off. This affects
PFL Press PFL to listen to the pre-fade channel signal in the headphones or AB monitor (if configured) without affecting the main outputs. The console main LR meters are interrupted with the channel signal. The red PK indicator half lights to show that PFL has been selected on that channel. Selecting more than one PFL at the same time mixes those signals together in the monitor. PEAK
The red indicator illuminates when the channel pre-fade signal is within 5dB of clipping. This gives you enough warning to reduce the GAIN control before you hear signal distortion. The green signal presence indicator lights when the channel pre-fade signal is greater than -12dBu.

SIGNAL FADER

Controls the channel level feeding the main LR mix and post-fade aux sends. It also affects the direct output if this has been set to post-fade using the internal option jumpers. The fader provides +10dB maximum boost above its normal unity gain 0dB position. Important note on setting channel levels: Use PFL to set the GAIN controls for correct signal level through each channel. Use the faders to balance each signal in the mix. These are typically operated around their -20 to 0 positions according to the mix. We do not recommend setting the faders to 0 and mixing using the GAIN controls.

The STEREO Input Channel

( WZ312:2 only)

(ST3+ST4) 10

Dual stereo inputs Each of the two stereo channels has two stereo inputs which can be used separately, mixed together or split so that one feeds the channel, the other routes direct to LR. For example, you could mix two sound effects playback devices or two reverb returns together into one channel. This can be useful in saving channels, letting you mix many inputs in a small space. The L input signal normals through the R input socket so that a mono source may be plugged in to feed both left and right sides of the stereo channel. ST1, ST3 Unbalanced TRS inputs. The GAIN control adjusts from
fully off to +16dB gain. Press the ST1 (ST3) switch to turn the input on.
Routing mode switch Recessed switch to prevent accidental operation. In the normal up position the ST1 (ST3) signal mixes with ST2 (ST4) into the stereo channel. When pressed the signal is routed direct to the LR mix instead of the channel. This lets you use these inputs as simple stereo returns in addition to the full stereo channels, providing four independent stereo sources to the LR mix. ST2, ST4
Balanced TRS inputs. The GAIN control adjusts from fully off to +16dB gain. Press the ST2 (ST4) switch to turn the input on. These inputs always feed the stereo channels.
A 4-band fixed frequency EQ provides independent control of four frequency bands. HF and LF are shelving filters which affect high frequencies above 12kHz, and low frequencies below 80Hz respectively. HM and LM are bell shaped peak/dip filters which affect frequencies centred around 2.5kHz and 250Hz respectively. These have a width (Q) of 1.8. All bands can be boosted or cut by up to 15dB and have a centre detented 0dB position.
AUX SENDS These work as described for the mono channel. The L and R sides of the stereo signal sum together to feed each aux in mono. This can be changed using an internal jumper option so that L feeds auxes 1,3 and R feeds auxes 2,4. BAL Balances the level of the L signal against the R signal to compensate for differences in the source signal, or to position the signal within the stereo image. The centre equal level position is detented for quick resetting. MUTE When pressed the channel signal is turned off. This affects
the feed to the LR mix, and pre and post-fade aux sends. The red indicator lights when the channel is muted.
PFL Press PFL to listen to the summed L+R pre-fade channel signal in the headphones or AB monitor (if configured) without affecting the main outputs. The console main LR meters are interrupted with the channel signal. The red PK indicator half lights to show that PFL has been selected on that channel. PEAK

SIGNAL

The STEREO Effects Processor
The MixWizard WZ316:2 and WZ312:2 features a built-in stereo digital effects processor. This can be configured to work as a single effects engine fed from AUX5, or in dual mode as two effects engines independently fed from AUX5 and AUX6. The processed signal is routed back to the mix through the ST1 (ST5) stereo return channel. In dual mode the two stereo effects mix together into the return channel. The ST1 (ST5) TRS jack inputs mix with the internal effects processor through the return channel. This allows you to have the internal and external effects devices returning their processed signals through one return channel. In dual mode this gives you three stereo signals mixing into one.

Selecting the effects preset Press SEL to scroll down through the available effects. The green indicator lights to show which effect is active. Press BANK to change between preset 1-8 and preset 9-16. The red indicator lights to show presets 9-16 are selected. In dual mode BANK toggles between the AUX5 and AUX6 effects processor selections. The default preset names are printed on the front panel for reference. Turning off the internal effects Once you have scrolled through all 16 effects the green indicator turns off showing that the internal processor is turned off. Select this mode if you want to work with external effects only. ST1 (ST5) LEV Returns the combined stereo effects to the main
LR mix. Adjust from fully off to +6dB maximum boost. 0clock 0dB operating position is marked on the panel. Normal 3
Press this switch to mute the stereo return channel. This turns off the feed to the LR mix and the auxes. The channel may also be muted using a footswitch plugged into the rear of the console. The red indicator lights when the channel is muted by the MUTE switch and/or the footswitch. Note that the MUTE switch is latching. This means the channel shall remain muted as long as the switch is in its pressed position regardless of the footswitch.
MODE Recessed switch to prevent accidental operation. Situated
below the AUX6 master level control. Use a pen or sharp object to change the setting. In the normal up position the processor is configured as a SINGLE effects unit driven by AUX5. In the pressed position the processor is configured as a DUAL effects unit driven by AUX5 and AUX6.
Resetting the effects presets To restore the factory default presets hold down the SEL key while powering up the console. Make sure you do this while the amplifiers are turned off. The 8 green indicators flash in sequence followed by the BANK indicator flashing on then off to confirm the reset.
A rear panel MIDI IN socket is provided. This lets you control the internal effects via MIDI. For example, you could use a MIDI sequencer or controller to remotely change the preset type or to mute the effect. MIDI is also used for editing the effects preset parameters using Allen & Heath software running on a PC.
MIDI channel number The factory default is MIDI channel 1. To change to a different channel hold down the BANK key while powering up the console. Make sure you do this while the amplifiers are turned off. While still holding the BANK key, use the SEL key to step through channels 1-16. After cycling through MIDI channels 1-16 the processor will then turn all the indicators on then all off. Release both the BANK and SEL keys when the required MIDI channel number is reached. The BANK indicator will flash twice to confirm the selection has been made. Using MIDI to change the effects preset
MIDI Program Change message CnH xxH n = MIDI channel number xx = 00H to 0FH (preset 1 to 16)

0A 0B 0C 0D 0E 0F HEX PROGRAM NUMBER 06 07
STAGE ROOM HALL PLATE CHAMBER CATHEDRAL ARENA GATED REV
KARAOKE PING PONG CHORUS SLAP+REV DLY+REV ECHO+REV CH+REV PH+REV
Using MIDI to mute the effects return
MIDI Program Change message CnH xxH n = MIDI channel number xx = 64H (muted) xx = 65H (not muted)
Using MIDI to edit the effects parameters
The MixWizard FX Editor software can be downloaded free of charge from the Allen & Heath web site. This program runs on a PC computer using the Windows 95, 98, ME, 2000 or XP operating system. The PC needs a MIDI output port to be able to communicate with the console. Check the instructions that come with your PC to see if it has a suitable port or if you need to add a sound card with MIDI port, or use a game port to MIDI adaptor cable. Install and run the FX Editor software on your PC. Connect the PC MIDI output to the console MIDI input. Refer to the Help file that comes with the software for instructions on configuring and using the software to edit the effects parameters. The effects can be edited on-line so that you can hear the effect of your changes as you adjust the parameters. Once you are happy with the results you can overwrite the selected console presets with your edited effects. You can also archive your settings as a file stored on the PC.
TYPES Stage Reverb Room Reverb Hall Reverb Plate Reverb Chamber Reverb Cathedral Reverb Arena Reverb Gated Reverb Mono Delay 1 tap Stereo Delay 1 tap Mono Delay 2 tap Stereo Delay 2 tap Chorus Flanger Phaser Tremelo Panner Rotary Speaker Pitch Shift Detuner Karaoke PARAMETERS Pre-Delay Decay Damping Diffusion Delay Course Delay Fine Repeats Feedback Speed Depth Level EQUALISER Lo cut/boost Mid Frequency Mid cut/boost Hi cut/boost NOISE GATE Threshold Release

The Master Section

AUX MASTERS Each aux mix has a master level control that adjusts the output level to match external equipment, or to trim the monitor, effect or other send without affecting the mix balance. Up to +4dB boost is available above the normal 0dB position.
Note that the AUX5 and AUX6 master controls do not affect the level sent to the internal effects processor. They do affect the level available at the rear panel aux output sockets.

10kg (22lbs)

Connections
Mono channel XLR balanced pin 2 hot TRS balanced, tip hot Pad out (MIC) Pad in (MIC or LINE) Max input level XLR phantom power ST1,3 TRS unbalanced ST2,4 TRS balanced ST1(5) TRS balanced ST2(6) TRS unbalanced Channel Output Sensitivity -60 to +10dBu Sensitivity -40 to +10dBu 2k ohm >10k ohm, -20dB +30dBu +48V, on/off >10k ohm, -16 to +20dBu >10k ohm, -16 to +20dBu >10k ohm, -6 to +20dBu >2k ohm, -2 to +20dBu

Stereo channel

Stereo returns

Inserts

TRS, tip send, ring return, 0dBu TRS, tip send, ring return, -2dBu <75 ohm, +4dBu, +26dBu max
L, R, M outputs Aux 1-6 output

XLR balanced pin 2 hot

TRS impedance balanced <75 ohm, -2dBu, +21dBu max Electronic balance option <75 ohm, +4dBu, +26dBu max TRS impedance balanced <75 ohm, 0dBu, +21dBu max TRS impedance balanced <75 ohm, -2dBu, +21dBu max TRS, tip L, ring R, 30 to 600 ohm headphones recommended 4-pin XLR max 12V 5W lamp
Direct out AB out Headphones Lamp
MixWizard 3 Series Part Numbers
WZ312:mic/line, 2 dual stereo, LR console WZ316:mic/line LR console WZ314:4:mic/line, 2 dual stereo, 4 group console WZ312:2 and WZ316:2 Sys-Link II output option kit WZ314:4:2 Sys-Link II input/output option kit SSM2142P balanced output driver option IC DRV134 balanced output driver option IC (alternative to above) Allen & Heath MPS12 backup power supply option Allen & Heath 18 gooseneck LED lamp W31202/v W31602/v W31442/v W312/16-SLV2 W31442-SLV2 AE0302 AE5725 MPS12/v LEDLAMP

AUX 1-6 LEFT RIGHT PFL

3 WZW Z3 16:2 16:2
PHANTOM POW ER 4 BAND EQ UALISER 48V HF G AIN M IC

SYS-LINK CONNECTION

PK SIG

AUX SENDS 1-6

M ASTER AUX OUT M UTE PAN

AUX MIX

LINE (PAD)

TIP= +

BA LANCED

LM FADER

TIP= SEND RING = RETURN
AU X5,6 TO FX, AUX6 TO C AUX1-6 TO M ONITOR

+ 4dBu BAL OPTION

-2dBu IMPEDANCE BA LANCED

LINE LF INSERT

POST-EQ PRE-INSERT, PRE-EQ
PFL DC PFL M IX SL PFL ACTIVE

M IC/LINE INPUTS

DIRECT OUT
0dBu IM PEDANCE BALANCED TIP= + RING= PRE-FADE C

M O NITO R M ETERS

JUM PER F P AUX
P = PRE-FADE S = SW ITCHED A = POST-FADE

M ONITO R SELECT

M O NITOR

HEADPHO NES

STEREO 1-2

PO ST-FADE D

AUX2 AUX3

STEREO 3-4

AUX4 AUX5

STEREO 5-6

AUX6 ST1 (EFFECTS)

FROM AUX5,6

ST2 M ALL UP= L-R M ONITOR

A OUT A-B LEV

STEREO RETURN 1
ST1 IN (EXT EFFECTS IN) L/M + BALANCED 0dBu
-2dBu IM PEDANCE BALANCED

TO M ONITOR

POST-FADE

EFFECTS

M ODE AUX 5 SING LE EFFECT 1-16 EFFECT 1-8 AUX 6 DUAL EFFECT 9-16

PRE-FADE

AUX2 SUM AUX3 M S AUX4

L M IX SL

IN SERT

L FADER

LEFT OUT
JP1 M O NO /STEREO AUX SOURCE

SL -2dBu

R FADER

BAL 2=+

+ 4dBu

RIG HT OUT

M IDI PARAM ETER EDIT

FOOTSW ITCH

STEREO RETURN 2

ST2 IN L/M

U NBALANCED -2dBu

R M IX

ST2 TO LR
+ SUM M ON O SUM AUX6 FRO M AUX6

M FADER

3 WZWZ3 12:2 12:2
PHANTOM POWER 4 BAND EQUALISER 48V HF GAIN MIC

MASTER AUX OUT MUTE PAN

BALANCED

TIP= SEND RING= RETURN

AUX5,6 TO FX, AUX6 TO C AUX1-6 TO MONITOR

+4dBu BAL OPTION

-2dBu IMPEDANCE BALANCED
PFL DC PFL MIX SL PFL ACTIVE

MIC/LINE INPUTS

0dBu IMPEDANCE BALANCED TIP= + RING= PRE-FADE C

MONITOR METERS

JUMPER F P AUX
P = PRE-FADE S = SWITCHED A = POST-FADE

I L S A 5

MONITOR SELECT

MONITOR

HEADPHONES

AUX1 AUX2 AUX3

POST-FADE D
PK SIG L/M INPUT ST1(3) R GAIN ON CH LR 4 BAND EQUALISER HF HM + L/M INPUT ST2(4) R + + LM GAIN ON LF SUM +
AUX6 PFL ST5 (EFFECTS) ST6 M MUTE ALL UP= L-R PAN MONITOR

PRE-FADE M S

POST-FADE M S +

PRE RL RL

+ MONO/STEREO AUX

DUAL STEREO INPUTS

JUMPER OPTIONS
INSERT B P AUX A S 1 D P C S 2 F P E S 3 H P G J S 4 A I L K S

L MIX SL -2dBu

6 INSERT

RIGHT OUT

+ SUM MONO SUM

ST6 IN (EXT EFFECTS IN)

STEREO RETURN

MODE AUX 5 SINGLE

+ BALANCED 0dBu

TO MONITOR

AUX6 SUM + MUTE LR FROM AUX6

EFFECT 1-16 EFFECT 1-8

SLAVE CONSOLE WZ312:2 OR WZ316:2 SYS-LINK II OUTPUT

37WAY CABLE

Sys-Link II output option A blank plate is fitted here as standard. This may be replaced with an optional card which provides a 37way D connector for linking the outputs to other Allen & Heath consoles already fitted with Sys-Link II. The WZ312:2 or WZ316:2 can become input channel expanders for other consoles.
IMPORTANT: The option does not include the SysLink II input. Therefore the WZ312:2 or WZ316:2 cannot be used as the master in a linked system, nor can two of these models be linked together. You need to connect these to a console that does include the Sys-Link II input connection, for example the WZ314:4:2 or ML3000 with the option already fitted. Also note that you need an adapter cable if you are connecting Sys-Link II (Version 2) to the older SysLink I (Version 1) standard.
MASTER CONSOLE SYS-LINK II INPUT SYS-LINK II OUTPUT
A 37way shielded multi-core cable carries the MixWizard balanced mix signals and PFL system to the master console. For full details please refer to the Sys-Link option Applications Note AP5736 and Fitting Instructions AP5735.
WZ314:4:2 OR OTHER A&H CONSOLE

Cue Sheet

WZ312:2
Copy and use this page to record your console settings.
ALLEN&HEATH MixWizard WZ3 12:2

9-10 (ST1+ST2)

11-12 (ST3+ST4)
-15 -45 35Hz 1k 180 +400 -45 35Hz 1k 180 +400 -45 35Hz 1k 180 +400 -45 35Hz 1k 180 +400 -45 35Hz 1k 180 +400 -45 35Hz 1k 180 +400 -45 35Hz 1k 180 +400 -45 35Hz 1k 180 +400 -15

+4 SINGLE FX DUAL FX

AUX5 = 1-8 AUX6 = 9-16 AUX5 = 1-16

WZ316:2

ALLEN&HEATH MixWizard WZ 16:2

SEL LF

-15 +15

ST1 / FX

PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE
FACTORY PRESETS SINGLE 1 STAGE 2 ROOM 3 HALL 4 PLATE 5 CHAMBER
6 CATHEDRAL 7 ARENA 8 GATED REV 9 KARAOKE 10 PING PONG 11 CHORUS 12 SLAP+REV 13 DLY+REV 14 ECHO+REV 15 CH+REV 16 PH+REV DUAL 1 STAGE 2 ROOM 3 HALL 4 PLATE 5 CHAMBER
6 CATHEDRAL 7 ARENA 8 GATED REV 9 STAGE 10 ROOM 11 HALL 12 SLAP DLY 13 DELAY 14 ECHO 15 CHORUS 16 PHASER

 

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