Backline Inventory

Drums: Yamaha Custom Maple Yamaha Tour Custom DW Silver Sparkle Taye Studio Maple Pearl Master Studio Roland V Drums Zildjian Cymbal Gilbralter Drum Cage Yamaha Absolute Maple Jazz Kit DW Grey Swirl Ludwig Tama Star Classic Roland SPD20 Drum Pad Yamaha Maple ( Power Toms) Sabian Cymbals
Guitar Amps: Fender Bassman 10 Fender Acoustasonic Jr Fender Hot Rod Deville Fender Blues Deluxe Fender 65 Deluxe Reverb Fender Red Knob (The Twin) Line 6 Spider III Marshall JCM900 100W Marshall JCM800 100W Marshall JCM2000 TSL 60W Marshall 1960B Marshall 1960 AC Fender Bassman 59 Fender VIbrolux Reverb Fender Blues Deville Fender Twin Amp Fender Twin 65 Reissue Fender Super Reverb 65 Marshall JCM 900 50W Marshall JCM 800 50W Marshall JCM2000 DSL 100W Marshall 1960A Marshall 1960BV Marshall 1960 AV Page 1 of 5
Mesa Boogie Mark IV Combo Mesa Boogie Dual Rec Mesa Boogie 412 Strait Peavey Classic 50 Peavey Nashville 400 SWR California Blond Mesa Boogie Triple Rec Mesa Boogie 412 Slant Mesa Boogie 412 Reto Slant Peavey Session 500 Roland JC120 Voc AC 30/ TB
Bass Amps: Aguilar DB750 Aguilar DB115 Ampeg SVL-CL Ampeg SVT IV Pro Ampeg 410HE Ampeg 18E Ampeg SVT810AV Eden 410XLT GK RB1001 GK 410RBH Hartke 410 SWR SM900 Aguilar DB810 Aguilar DB410 Ampeg SVTll Pro Ampeg 810E Ampeg 410HLN Ampeg BA210 Combo Eden WT800 GK RB800 GK RB2001 GK 115 SWR SM500 SWR Goliath 410
Fishman BP100 Acoustic Bass Pickup
Keyboards and Amps: Yamaha S90 ES Yamaha XS6 Page 2 of 5
Yamaha P250 Yamaha DX7 Yamaha Motif 8 Yamaha Motif 7 Korg M1 Korg Triton Pro X Korg Trinity Korg O1WFD Kurzweil PC88 Kurzweil K2600 Roland V Synth GT Roland XP80 Roland RD700SX Roland VK8 Roland Fantom G7 Roland JV1080 Roland JV5080 Peavey KB300 Amp Roland KC550 Amp Mackie 1604 Yamaha CP300 Yamaha Motif ES8 Yamaha Motif ES7 Yamaha Motif XS8 Korg Triton Pro Korg Triton Xtreme 88 Korg Trinity Pro M Audio 88 Midi Controller Kurzweil PC2X Kurzweil PC3X Roland VK7 Roland RD300 Roland RD600 Roland D50 Roland Fantom X7 Roland JV2080 Nord Electro 73 Roland KC500 Amp Mackie 1202 Piano Benches
Legacy Keyboards: Fender Rhodes Stage 88 Hammond B3 Fender Rhodes Suitcase 73 Hammond B3 Organ Pedals Page 3 of 5
Leslie 122 Wuritzer EP200 Clavinet D6
Percussion: Latin Percussion Congas Latin Percussion TImbalis Ludwig Timpani Remo Djembe Wuhan Gong LP Cowbells Latin Percussion Timbalitos Latin Percussion Bongos Remo Roto Toms Cajon LP Bell Tree LP Windchimes
LP Trianges, Shakers, woodblocks Various Toys
DJ Gear: Rane Serato Scratch Live Nocturn Controller Rane TTM 56 CDJ 1000 MKIII Technics SL1200 Turntable DJ Tables Stanton/Technics Heads Tractor Scratch Multicore Cabling Novation Launchpad Rane TTM 57 with Serato CDJ 2000 Pioneer DJM800 Shure SRM840 Headphones
Accessories: Digi Design 003 Rack Rack/Pedal Tuner Page 4 of 5
Wireless Guitar/Bass Rigs Ultra Flight Cases Plexi Drumshields Keyboard Stands Horn Stands Bar Stools Bass Guitars Distortion,Wah,Screamer, Chorus Pedals Steup UP/ Setup Down Transformers Music Stands/ Music Lights Guitar Stands Kaoss K2 Pad Guitars

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Recabinet 3 User Manual
2011 Kazrog LLC Recabinet is a registered trademark of Kazrog LLC. All other products mentioned in this manual are registered to their associated manufacturers.

User Manual

Recabinet 3 Cabinet Simulator

Version 3.0.1

Shane McFee: Plugin Design, DSP Coding, GUI & Feature Design, R&D Amanda McFee: Marketing & Support Mike Bear: Testing and Feature Design Michael Spreitzer: Testing and Feature Design
Special thanks to: Ronnie Bjrnstrm, JJ Blair, Ola Englund, Ross Hogarth, Martin Koran, James Murphy, Travis Whitney, and the beta team.

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Contents
Introduction & Safety Warning4 Requirements - Mac4 Requirements - Windows4 Installation - Mac4 Installation - Windows4 Registration & Authorization5 Hooking Things Up6 Using Recabinet7 The Cabinets8 The Microphones10 Preset Management11 Troubleshooting11

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Introduction
Thank you for purchasing or trying out Recabinet. Our goal with this product is to empower musicians and producers with the ability to get full, album-quality guitar and bass tone direct. Important Safety Warning One suggested use of Recabinet is with the line level output (alternately called FX Send) of tube amplifiers. You must connect the tube amps speaker output to a speaker cabinet or load box, or you will damage your amp and risk electric shock! DO NOT connect a speaker output to your audio interface! DO NOT power up your tube amp without a speaker or load box connected! DO NOT listen at excessive volumes!

Requirements - Mac

Intel-based Mac (Intel Core 2 Duo or faster recommended) Mac OS X 10.6 or higher (10.5 minimum) Computer Audio Interface A DAW host application capable of running VST, AU, or RTAS plugins.

Requirements - Windows

Dual core or faster CPU from Intel or AMD Windows 7 recommended (Windows XP SP2 minimum) Computer Audio Interface A DAW host application capable of running VST or RTAS plugins.

Installation - Mac

Run the provided installers for Recabinet and its accompanying factory presets installer.

Installation - Windows

Run the provided installer. VST plugins may be located in a variety of different places on your hard drive, so choose the location that is right for your primary DAW.

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Registration & Authorization
By default, Recabinet runs in demo mode. During demo mode, there are periodic gaps of silence in the plugins audio output, and an annoying nag screen to remind you to register, every time you open the plugins window. So to register, you can start by purchasing Recabinet 3 at http://recabi.net (if you havent already.) Once youve made your purchase, its fast to get your plugin authorized by generating a KeyFile via the Recabinet website. If your DAW machine is offline, have an online machine available to complete the authorization on the Recabinet website, and a USB stick or other removable media handy to transfer the KeyFile to your DAW machine. Authorize your Recabinet 3 plugin using the following steps: 1) Log in to the customer login area of the Recabinet website:
2) Enter the email address and receipt number associated with your purchase at the login screen: 3) Hit Generate KeyFile, and wait about 10 to 15 seconds. A download link will appear. Right click the link (or ctrl-click if you dont have a right mouse button) and save the linked file to disk. 4) In the Recabinet 3 plugin, click the Import License Key. button, and navigate to your recently downloaded Recabinet3KeyFile on your hard drive. Select this file and hit Open or OK in the file requestor. Close the open document in your DAW and re-open, or simply quit and relaunch your DAW. Your copy of Recabinet 3 is now registered on your machine. Your Recabinet3KeyFile is for your personal use on any computer you own. If you need any help with authorization, just email support@recabi.net.

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Hooking Things Up
Recabinet is a speaker simulator - so everything else about your guitar sound - such as distortion or effects must happen somewhere in the signal chain before or after Recabinet. Generally, the best signal path is: Guitar or Bass --> Wah (if any) --> Distortion and/or Preamp (analog or digital) --> Recabinet --> Effects (if any) Recabinet sounds equally great with outboard amps/preamps, or with software preamps such as Line 6 Pod Farm, Peavey Revalver, and Native Instruments Guitar Rig. Just turn off the native cabinet simulation (if any) in your amp simulation software, and run Recabinet in the plugin instance next in the chain in your DAW. You will instantly gain access to more realistic array of sounds. If you are using a tube amp head, make sure to utilize a dummy load box to prevent damage to your amp. Power tubes require a load to be connected either in the form of a real speaker cabinet, or a dummy load box properly rated for your amp. We highly recommend the THD Hot Plate, as well as the Weber line of load boxes. Solid state amps and rack tube preamps do not require a dummy load. Always be safe - if you are unsure, consult your amp manufacturer. Only connect a line-level signal to your audio interface. If your amp doesnt have a line out or FX send, some load boxes and DI boxes will offer a line out that can be fed from a speaker input.

Tube Amp Setup

Guitar In
Line Out / FX Send Line In

Guitar

Tube Amp with Speaker or Load Box connected
You must connect the tube amp to a speaker cabinet or load box, or you will damage your amp and risk electric shock! DO NOT connect a speaker output to your audio interface!

Computer Audio Interface

PC or Mac DAW Box

Preamp Setup

Line Out Line In
Tube, Solid State, or Digital Preamp

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Using Recabinet
Recabinet 3 has been designed for ease of use and a quick workflow. Heres a quick rundown of the components of the user interface, and what they do:

Load/Save Buttons Load and Save presets across multiple DAWs. Page 11 Import License Key Appears in Demo mode, allows authorization. Page 5 Master Output Adjusts overall level of Recabinet 3 per preset.
Mute Buttons Mute a corresponding channel.
Recabinet Room Shows the current cabinet and microphone options.
Cabinet/Mic Selection Select the current cabinet and microphone options Page 7
Kazrog Konsole EQ Fine-tune your sounds to perfection with this EQ. Pages 7-8
First Launch As you can see, the Recabinet 3 plugin loads with the exact same settings on both of its channels. This is sonically identical to muting one of the channels and turning the other one up louder, so to reap the full benefits of blending, its important to use different settings on each channel. One of the advantages of blending in Recabinet 3 is that you never have to worry about phase issues as you would in real life - you can blend any settings together and your sound stays phase coherent the entire time. Cabinet / Microphone Selection Select the desired cabinet and mic settings using the Cabinet, Microphone, Mic Position, and Mic Distance menus. Increment/Decrement (+/-) buttons provide another way to change options quickly - particularly useful in hosts that dont always respond to menus during playback. Kazrog Konsole EQ The Kazrog Konsole EQ is meant to replicate the workflow of having two EQ strips from a vintage British console EQ at your disposal, for blending and adjusting the two virtual channels. Heres a quick rundown of the controls available in the Kazrog Konsole EQ. 7 of 11
Output Knob - Adjust the output level of the corresponding channel. High Pass Filter - High pass filtering reduces the volume of low frequencies below the specified frequency in Hz. This allows high frequencies to pass above the selected frequency, so its important to learn to think in reverse when talking about pass filters in general. The selected frequency also receives a small boost in volume, so this filter can be thought of as a low focus as well as a rumble filter. At 20 Hz the filter is effectively bypassed. Low Pass Filter - Low pass filtering reduces the volume of high frequencies above the specified frequency in kHz. This allows low frequencies to pass above the selected frequency. Use this to tame unwanted or brittle high end, particularly useful for high gain (distorted) guitar tones. Generally improves the smoothness of the sound when set between 10-11 kHz. The filters curve is gentle, designed with guitar in mind, and wont put a blanket over your sound. At 14 kHz the filter is effectively bypassed. Low Mid Frequency / Level - Adjustable low mid frequency cut or boost, with factoring set ideally for scooping low mids or boosting low end. Center position on the Low Frequency Level knob is unity gain (bypass.) High Mid Frequency / Level - Adjustable upper mid to high end frequency cut or boost, with factoring set ideally for exciting, taming, or mid-focusing the sound. Center position on the High Mid Frequency Level knob is unity gain (bypass.)

The Cabinets

Based on a Marshall 1960AV 412 with Celestion Vintage 30 Speakers The 1960 is a modern 4x12 cabinet, great for a diverse array of sounds from clean to crushing.

Angora

Based on a Line 6 Vetta 412 with Celestion Custom Speakers The Angora is a modern 4x12 cabinet designed for versatility and open voicing.
Based on an ENGL Pro 412 with Celestion Vintage 30 Speakers The Eagle is a modern 4x12 cabinet ideal for high gain, heavy metal tones. And it looks cool.
Based on a Randall RS412XLTwith Celestion Vintage 30 Speakers The Excel is a modern 4x12 cabinet designed for high gain tones.
Based on an original 1970s Marshall 412 with Celestion Greenback Speakers The Green is based on a specific cabinet once owned by the legendary Warren DeMartini of RATT (currently owned by Grammy award winning producer JJ Blair.) The exact specifications and original model number are unknown, but its a 1970s Marshall loaded with Greenbacks and is great for 70s and 80s guitar tones, with a strong mid focus thats incredible for lead guitars.

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Based on a Krank Krankenstein 412 with Eminence Texas Heat Speakers The Igor is a modern 4x12 designed with metal in mind, in an oversized enclosure for massive bass response.
Based on a Bogner Uberkab 412 with Celestion Vintage 30 Speakers The Ogre is a modern 4x12 with an incredibly open, smooth voicing. Great for rhythm, lead, or cleans, its based on one of the best 4x12s in production today.

Oversize

Based on a Mesa Standard 412 with Celestion Vintage 30 Speakers The Oversize is a modern 4x12 that is often hailed by metal guitarists as the ultimate 4x12 cabinet. With an extremely full frequency response, this cabinet deals out punishing lows and searing highs.

Sterling

Based on a Marshall Hand Wired 1960AHW 412 (late 1960s reissue) with Celestion G12H-30 Speakers The Sterling is an excellent choice for classic rock guitar sounds, from Jimmy Page to Angus Young.

Tangerine

Based on an Orange PPC412-C with Celestion Vintage 30 Speakers The Tangerine is one of the finest modern 4x12 cabinets in production today, with a half vintage, half modern feel.

Damien

Based on an Marshall with Celestion G12T75 Speakers The Damien is a very fully voiced 2x12 capable of a wide range of sounds. Dont let its size fool you, its got quite a bit of low end to it.

Genzie

Based on an Genz Benz G-Flex ported 212 with Genz Benz Custom Speakers The Genzie is probably the ultimate 2x12 guitar cabinet for downtuned guitars. To create the model, we also captured its bass ports, to get the full experience of the sound.

Blackface

Based on an original Fender 1965 Super Reverb 4x10 with Jensen Speakers Already a staple of blues and rock guitarists, particularly those armed with Fender Stratocaster guitars, the Fender 1965 Super Reverb became even more legendary than ever in the hands of the late, great Stevie Ray Vaughan.

Chordal

Based on an original Roland JC120 Combo with Roland Speakers Known as the best amp in the world for clean tones, the JC120 is highly sought after. Made famous by Andy Summers of The Police, a well as James Hetfield and Kirk Hammett of Metallica. A big part of the secret to the sound is the cabinet and the speakers, which are faithfully recreated in Recabinet. Just through your favorite chorus in front (particularly a vintage Roland/Boss chorus) and you will experience a classic tone.
Based on an original Supro Thunderbolt Combo with Jensen Speaker Made famous by Jimmy Page, the Supro Thunderbolt is an obscure vintage combo with a decidedly big sound in a small box. Perfect for classic guitar tones, voiced especially well for classic rock and blues.

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Top Boost
Based on an original Vox AC30 with Celestion Alnico Blue Speakers The Vox AC30 is known for its bright, warm sound, and has been used on countless legendary recordings for decades. Popular during the 60s British invasion, to this day the AC30 is widely used by all kinds of guitarists performing in a huge range of musical styles.
Based on an original 1953 Fender Deluxe 1x12 with Jensen Speaker The Fender Deluxe Tweed amps are legendary for their simplicity and warm tone. This amp is perfect for that big small sound made legendary by players such as Jimmy Page, Eric Johnson, Mike Campbell, and more.

Zodiac

Based on a Selmer Zodiac Twin 30 with Celestion G12 T75 Speakers The Selmer Zodiac Twin 30 in croc skin tolex, sold between 1963 and 1965, is a rare secret weapon in the studio. This amazing amp is the underrated reptilian mutant cousin of the Vox AC30, and offers a much wider tonal range and feature set. Its highly rumored to have been the amp used on The Animals House Of The Rising Sun, and can also be seen in some studio pictures of The Beatles.

Manatee

Based on an Ampeg SVT810AV with Ampeg Speakers This is the speaker enclosure people mean when they say SVT speaker cabinet. The ultimate in massive bass response, made famous by virtually every great bass player you can think of.

Motown

Based on an original 1960s Ampeg Portaflex B15N with Ampeg Speaker The Ampeg Portaflex B15N is a legendary bass amp from the 60s, used by James Jamerson among other notable players. It is considered by many collectors to be the best bass amplifier of all time.

The Microphones

Based on an Audix i5 Dynamic Microphone The Audix i5 is a modern cardioid dynamic microphone, intended primarily for snare drum and guitar speaker cabinet applications. It has a sound similar to the industry standard Shure SM57, with a more scooped mid-range and aggressive top end response, as well as beefier low end.
Based on a Neumann U87 Condenser Microphone Arguably the best known and most widely used studio microphone in the world (for good reason), the easy-to-recognize U87 is a classic! A distinctive design and legendary Neumann sound make this mic a must-have for pro studios. The U87 is known for its unique frequency and transient response characteristics which deliver a smooth natural sound with a variety of source material.
Based on a Royer R-121 Ribbon Microphone The Royer R-121 is a radically redesigned ribbon microphone and Royers flagship product. Like most ribbons, the Royer R-121s pattern is figure 8, its sensitivity is roughly equal to a good dynamic mic, and it exhibits a warm, natural tone.

Reference

Based on an Earthworks M30 Reference Condenser Microphone The Earthworks M30 is one of the finest reference-grade microphones in the world, and represents an extremely flat response.

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Based on a Sennheiser MD409 Dynamic Microphone The Sennheiser MD409 is a vintage dynamic microphone, known for its warm response. Popular for blues and rock guitar tone, famously seen used on a variety of sound sources (including vocals) in Pink Floyds Live At Pompeii film, it is no longer in production, and is sought after in the vintage market.
Based on a Sennheiser MD421 Dynamic Microphone The Sennheiser MD421 is one of the best-known mics in the world. Walk into any drum booth in any major studio and youll most likely see MD 421s on the toms. The MD421 is very popular with radio announcers because it has an extended bass presence. Its also great on guitar and bass cabinets, often paired up with a brighter mic such as a Shure SM57 on guitar recordings.
Based on a Shure Unidyne III 545SD Dynamic Microphone The predecessor of the modern SM57, the 545 shares the same enclosure design with slightly different internals. The 545 is known for its pronounced, yet smooth top end, and tempered low end response.

Based on a Shure SM57 Dynamic Microphone Shures SM57 has become the most popular guitar cabinet mic of all time. The SM57s outstanding performance, legendary reliability, and diversity of application make this workhorse the choice of performers, producers, and sound engineers worldwide.

Preset Management

Recabinet supports two methods of loading and saving presets. The Load/Save buttons at the top center of the plugin window are used for loading and saving Recabinet format presets (.kr3 files), which can be used with the Recabinet plugin inside any DAW host app. This is how the factory presets have been included, and its also the best way to exchange presets with other Recabinet users. The other method of loading and saving presets is to use the built-in preset management functionality in your DAW. Recabinet 3 fully supports DAW-baed preset management, and will also properly save and recall its settings along with your DAW sessions. Were working on a more full-featured preset manager for Recabinet for a forthcoming minor update, as well as an online Recabinet preset sharing community. In the mean time, be sure to hit the Recabinet Forums if you want to exchange presets with other users.

Troubleshooting

Problem: Latent playback (a significant delay between playing your guitar and hearing the sound back) Solution: Adjust your samples per buffer to a lower setting, such as 128. Problem: Crackling noise during audio playback or mixdown Solution: Check your CPU usage and ensure youre not encountering overloads. Adjust samples per buffer higher. Always adjust in powers of 2 (64, 128, 256, 512, 1024, or 2048.) No other buffer settings are supported. 11 of 11