STUDIO CONDENSER MICROPHONES

User Manual

A50-83033-00001
STUDIO CONDENSER MICROPHONES C4

1. Safety precautions

Please read all safety precautions and operating instructions before attempting to operate the unit. Keep all safety precautions and operating instructions for future reference. Water and moisture: Condenser microphones are extremely moisture-sensitive. Never use your microphone in close proximity to water (e.g. bath tubs, wash basins, sinks, washing machines, pools, etc.).When doing voice recordings, always use the enclosed windscreen to protect the capsule from moisture. Power supply: Always use the power supply specified in the operating instructions. Damage: Take care not to drop your microphone as this can lead to severe damage. BEHRINGER assumes no liability for any damage caused by the user. Service and care: After each use, wipe the microphone down with a soft cloth and place it back into its protective casing (included with the microphone). Then, lay the small bag containing the moisture-absorbing crystals on top of the microphone head.

2. Introduction

Congratulations! By purchasing the BEHRINGER C4, you have obtained 2 condenser microphones that offer the highest quality standards and the best audio characteristics. Both microphones have been matched to one another (matched pair), and are therefore particularly well-suited for stereo recordings. Of course, you can also use the microphones individually. Their outstanding characteristics make these microphones a valuable tool in the sudio and on the stage.

3. Power supply

Phantom power (+48V) is required to operate your microphone. We assume no liability for damage caused to your C4 through defective phantom power. Before activating phantom power, mute your playback system and connect the C4 to the microphone input of your mixing console. After activating phantom power, the C4 requires several seconds to stabilize itself.

Power supply

4. Pickup patterns
Both microphones feature a capsule with a cardioid pickup pattern. Microphones with this polar pattern are most sensitive to sound coming from in front of the microphone, and also to a lesser extent from the sides. Sound coming from behind the microphone will be greatly attenuated. This makes the cardioid polar pattern most suitable for recording individual instruments or vocals within a group. The so-called proximity effect is typical for microphones with the cardioid pickup pattern. Depending on the distance between the microphone and the sound source, a slight increase in the lower frequency range occurs. The shorter the distance, the more pronounced this effect. By cleverly selecting the position and the angle of your microphone, you can effectively manipulate the proximity effect and thus affect how your recording sounds. Experiment with various positions in order to gain more experience.

5. Possible applications

Both microphones have been matched to one another (matched pair). Therefore, they are particularly well-suited for stereo recordings. Regardless of whether you are miking an entire ensemble or a single sound source (e.g. drums, piano or background vocals), this pair of condenser microphones lets you achieve outstanding spatial impressions in every recording session. Of course, you can use your microphones individually as well. A cardioid pattern capsule is often used in recording situations in which several sound sources are present. Since this capsule selectively tones down the pickup of sounds located to the side of the microphone, this way you can achieve good separation of sound sources, thus easily avoiding feedback.

6. Low cut-filter andsignal level attenuation (10dB)
The C4 studio microphones feature a switchable low-cut filter that lets you eliminate low-frequency disturbances such as subsonic noise. Set the switch to its middle position to activate the low-cut filter. A switchable level attenuation is provided on your C4s for applications in which the microphones are exposed to extremely high sound pressures. When the switch is in its 10 dB position, the level attenuation is activated. When the switch is in its top-most position, the signal is not influenced in any way.
Low cut-filter andsignal level attenuation (10dB)
7. Microphone installation
To attach the microphones to the microphone stands, two clamps are included with the delivery. First screw a clamp onto the stand before attaching the microphone itself.

8. Audio connection

Use a balanced XLR microphone cable with the following pin assignment: pin1=shielding; pin2=+; pin3=-. Since your PSUT features gold-plated contact points, we recommend that you use only microphone cables with gold-plated connectors.
9. Level setting / adjusting the basic sound
Adjust the gain control in the microphone channel of your mixing console so that the peak LED lights up only occasionally or never at all. The EQ controls in the microphone channel should be set to mid-travel position to start with; low-cut filter and signal level attenuation should be switched off. To get the sound you want, try changing the mic position relative to the sound source or even move the microphone around in the recording room of your studio. Adjusting the angle at which walls face the sound source can also be helpful. Only when the desired basic sound has been achieved, you should start to use equalizers and signal processors, if any at all. Remember: less is often more!

10. Warranty

Find our terms of warranty at http://www.behringer.com.

Warranty

11. Specifications
Transducer type condenser, 16mm (0.63'') Polar pattern cardioid Connector gold-plated balanced XLR connector Open circuit sensitivity (@1kHz)38dBV (0dBV=1V/Pa) Frequency response 20Hz to 20kHz Level attenuation10dB, switchable Low-cut filter 6dB/oct.@120Hz (switchable) Max. SPL (1%THD@1kHz) 136dB Nominal impedance 75 Load impedance > 1k Supply voltage +48V Supply current 3mA Dimensions shaft:0.9", length:3.7" (shaft:23mm, length:94mm) Weight approx. 0.1lb. (approx. 0.06kg)

BEHRINGER is constantly striving to maintain the highest professional standards. As a result of these efforts, modifications may be made from time to time to existing products without prior notice. Specifications and appearance may differ from those listed or illustrated. Technical specifications and appearance are subject to change without notice. The information contained herein is correct at the time of printing. BEHRINGER accepts no liability for any loss which may be suffered by any person who relies either wholly or in part upon any description, photograph or statement contained herein. Colors and specifications may vary slightly from product. Our products are sold through authorized dealers only. Distributors and dealers are not agents of BEHRINGER and have absolutely no authority to bind BEHRINGER by any express or implied undertaking or representation. This manual is copyrighted. No part of this manual may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording of any kind, for any purpose, without the express written permission of BEHRINGER International GmbH. ALL RIGHTS RESERVED. 2008 BEHRINGER International GmbH, HannsMartinSchleyerStr.3638, 47877WillichMuenchheideII, Germany. Tel.+49215492060, Fax+49215492064903

Specifications

Powered Mixers
EUROPOWER PMP6000/PMP4000 PMP1680S
1600-Watt 10/16/20-Channel Powered Mixer with Multi-FX Processor and FBQ Feedback Detection System Ultra-compact 2 x 800-Watt stereo powered mixers (1600 Watt bridged mode) Revolutionary Class-D amplifier technology: enormous power, incredible sonic performance and super-light weight Ultra-compact design at nearly half the weight of conventional powered mixers PMP6000: 20-channel mixer section features 12 mono and 4 stereo channels plus separate CD/Tape input/output PMP4000: 16-channel mixer section features 8 mono and 4 stereo channels plus separate CD/Tape input/output PMP1680S: 10-channel mixer section features 6 mono and 2 stereo channels plus separate CD/Tape input/output PMP6000, PMP1680S: Dual studiograde 24-bit stereo FX processors with 100 awesome presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects PMP4000: Studio-grade 24-bit stereo FX processor with 100 awesome presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies for easy feedback removal 12/8 high-quality Mic Preamps with switchable +48 V phantom power for condenser microphones
The new BEHRINGER PMP Powered Mixers (2 x 800-Watt stereo, 1600-Watt bridged mode) produce even more power than their predecessors while maintaining a famously low weight and high efficiency. These mixers employ Class-D technology including a new switch-mode power supply, significantly reducing weight and heat. The 20-channel PMP6000 features 12 built-in XENYX preamps, the 16-channel PMP4000 features 8 built-in XENYX mic preamps, and the 10-Channel PMP1680S features 8 high-quality built-in mic preamps. All three models feature 24-bit FX processors, stereo 7-band graphic EQ and our renowned FBQ Feedback Detection System. What is Class-D Technology? Instead of operating relatively continuously like Class AB circuits, Class-D amps switch on and off thousands of times per second,
delivering power only when needed. In other words, the amplifier is either fully on or fully off, which significantly reduces power losses from the output devices given off as heat. Less heat means our amps dont need massive heat sinks, and that means we can make them lighter. Our no-compromise design means the new PMP mixers will deliver full power with incredible fidelity all night long, without the need for lengthy rest cycles. When used in conjunction with switching-mode power supplies, which dont require huge and heavy transformers, our Class-D amplifiers provide tremendous dynamic punch and superior fidelity. The resulting speaker systems are much lighter, making them easy to transport and set up. Massive Mono or Stunning Stereo Our latest PMP give you the choice of 2 x 800-Watt stereo, 2 x 800-Watt dual mono mode (giving you a mono version

Continued on next page

EUROPOWER PMP6000 PMP4000 PMP1680S
Effective, extremely musical 3-band EQ, switchable Low cut filter, and Clip LEDs on all mono channels PMP4000 and PMP6000: Stereo 7-band graphic EQ allows precise frequency correction of monitor or main outputs PMP1680S: Stereo 7-band graphic EQ allows precise frequency correction of monitor and main outputs Voice Canceller function removes singers voice from recordings for karaoke applications Selectable stereo (main L/R), double mono (main/monitor) or bridged mono amplifier operation mode PMP6000 and PMP1680S: Speaker Processing function adjusts frequency response to match professional speaker systems like BEHRINGER EUROLIVE series, etc. PMP6000 and PMP1680S: Standby switch mutes all mic input channels during breaks while background music is provided via CD/Tape input PMP6000: Breathtaking XPQ 3D stereo surround effect for more vitality and enhanced stereo image Adjustable stereo 2-Track input for connecting external line sources Multi-functional stereo Preamp outputs for added flexibility Internal switch-mode power supply, noise-free audio, superior transient response and very low power consumption High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany

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of the main signal through one powered output plus a mono version of monitor send signals through the second powered output) or 1,600-Watt bridged mono sound. Whether the center of attention happens to be a folk trio, a speech, or a synth-rock band with mind-boggling stereo patches, PMP mixers can
accommodate. This sonic versatility also makes it an excellent choice for churches, where vocals and stereo recordings often share face time. Classic Control, State-of-the-Art Sound Leave the mic preamps at home, because the quality of sound that was
GAIN knob adjusts sensitivity of MIC or LINE inputs
EQ adjusts high, mid and low frequencies MON knobs adjust amount of channel signal sent to MON SEND jacks and/or OUTPUT A (MON 1 signals only) when driving passive monitors FX 1 & 2 adjusts amount of channels signal sent to multi-FX processors (PMP6000 only) CLIP LED lights when channel signal overloads and when PFL button is engaged
PAN positions channel in stereo field
MUTE button mutes channel LEVEL fader adjusts channel volume

ON/OFF button

once only available in the studio is ready to go wherever you do. Built-in, boutique-caliber mic preamps with switchable +48 V phantom power make it possible to use either dynamic or condenser mics with the PMP Series. The PMP6000 gives you 12 mic inputs while the PMP4000 and PMP1680S each give you 8 mic inputs. Built-in Digital Effects Processor The new generation of PMP mixers come equipped with 24-bit FX processors, giving you 100 mind-blowing digital effect presets such as delay, chorus and reverb. Apply them to any channel, as well as to the monitors and main output. In case youre pulling double duty as sound engineer and performer, the FX processors features a footswitch jack for remote on/off. Of course, if you have treasured outboard gear youve grown attached to, these mixers can integrate them into the mix while leaving out the built-in FX processor. Changing the Channels The PMP Series gives you excellent flexibility to accommodate whatever a performance requires. You get 12 (PMP6000) or 8 (PMP4000 and PMP1680S) channels for mics, guitars and other mono instruments. Stereo channels 13-20 (PMP6000), 9-16 (PMP4000) and 7-10 (PMP1680S) are designed to work in pairs as stereo channels, or independently for more mono instruments. All mono channels have 3-band EQ, switchable Low cut filter for eliminating infrasonics, and Clip LEDs to indicate when the input signal is too hot. A STANDBY switch (PMP6000 and PMP1680S) mutes all mic channels during breaks, preventing the microphones from picking up noise or interference. You can leave all faders untouched while you play a CD via the CD/TAPE inputs.

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The FBQ Feedback Detection system automatically shows you which frequencies are causing feedback. Just touch the FBQ button and watch the red LEDs on the 7-band graphic EQ pinpoint show you which frequencies to adjust for optimized sound, without the feedback. The Ins and Outs Use the CD/TAPE IN RCA inputs to feed in external stereo signals from CD players or tape decks. The VOICE CANCELLER switch eliminates the vocals from
pre-recorded music for instant karaoke applications. CD/TAPE OUT RCA outputs send line-level signals from the mixer to a recording device. The left and right main outputs can be used for a variety of purposes, including connecting more power amps. Connect monitor power amps or active monitor speakers to the MON SEND output. Powered outputs on these mixers are available in professional Speakon-compatible format for secure operation.
PHANTOM Switch provides 48V to the XLR inputs for use with condenser mics
POWER AMP switch selects operation mode of power amp
SPEAKER PROCESSING switch allows mixer to compensate for speakers with limited low end frequency response
STANDBY button mutes all mic channels (PMP6000)
GRAPHIC EQ adjusts specific frequencies
VU METERS display main and monitor output signal levels CD/TAPE adjusts volume of CD/TAPE IN signal in main or monitor mix MAIN 2 knob (PMP4000/6000) adjusts output of MAIN 2 jacks PHONES/CTRL ROOM knob adjusts headphone and control room output volume
MULTI-FX PROCESSOR adds selected sound effect to any channel whose FX knob is turned up
SURROUND knob adjusts the amount of stereo enhancement on the mix. Press the XPQ TO MAIN button to activate the effect
FX (SEND) fader(s) adjust signal sent to internal FX processor and FX SEND jack(s)
FX TO MON and FX TO MAIN knobs adjust amount of signal from internal multi-FX processor included in main or monitor mix
MON (SEND) fader(s) adjust output of MON SEND jacks and OUTPUT A when using MON 1/ MONO mode
MAIN fader(s) adjust the output of main signal
MONO fader adjusts output of MONO OUT jack

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Small, Simple, Superb Medium-sized events call for a lightweight (PMP6000: 13.1 kg/28.9 lbs; PMP4000: 0.4 kg/22.9 lbs; PMP1680S: 9.9 kg/28.8 lbs), easy-to-use powered mixer. BEHRINGER powered mixers are the
most efficient, affordable mixers for the job, and are even suitable for use as pure analog mixers or as pure power amplfiers. With new technological advantages and incredible built-in features, its easier than ever to lend exceptional sound quality to all kinds of public performances.

MON knob adjusts amount of channels signal sent to MONITOR output jack and/ or OUTPUT A when driving passive monitors
EQ knobs adjust high, mid and low frequencies of channel
MULTI-FX Processor adds selected sound effect to channels whose FX knob is turned up
PHANTOM switch provides 48V to the XLR inputs for use with condenser mics
METERS display main and monitor output signal levels
FX 1 & 2 knobs adjust amount of signal sent to respective multi-FX processors
POWER AMP switch selects operating mode of power amp SPEAKER PROCESSING switch allows mixer to compensate for speakers with limited low end frequency response
PAN knob positions channel in stereo field LEVEL knob adjusts channel volume
FX RET 1 & 2 knobs adjust amount of signal from internal multi-FX processor in main or monitor mix
STANDBY button mutes all input channels except CD/TAPE inputs ON/OFF button
CD/TAPE IN knobs adjust volume of CD/TAPE IN signal in main or monitor mix
MAIN MASTER knob adjusts output of main signal
MONITOR MASTER knob adjusts output of monitor signal and OUTPUT A when using MON/MONO mode

Setup in Stereo Mode

XM8500 XM8500 BEHRINGER C-4

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BEHRINGER C-4
XM8500 PMP1680S Bass Guitar F1220A active floor monitors
PMP6000/PMP4000 PMP6000/PMP4000/PMP1680S Rear Panel OUTPUTs (on rear panel)
A (Left mains) B ( Right mains)

PMP4000 Electric Guitar

USB In/Out B212XL B212XL UMA25S XENYX1204USB

VT15FX

Laptop

Setup in Bridge Mode

Laptop B815NEO active loudspeakers Bass Guitar XM8500

USB In/Out

PMP1680S
UMA25S PMP6000/PMP4000 DI400P direct box Main 1 Out

B1800X PRO Subwoofer

Mon 1 Out
OUTPUTS A B mono bridge signal VT15FX XM8500

PMP6000

8 Ohms minimum
Warning: Do not connect a loudspeaker to OUTPUT A in Bridge Mode Electric Guitar
F1220A active floor monitors

Setup in Mon/Mono Mode

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PMP6000/PMP4000

PMP1680S Amplifier OUTPUTs (on rear panel) A (monitors) B (mains)

Bass Guitar

Electric Guitar

ULTRA-DI DI400P

VP1220F passive monitors
VP1520 passive loudspeakers
CLIP PAD HI Z CLIP PAD HI Z CLIP PAD HI Z CLIP PAD HI Z CLIP PAD HI Z CLIP PAD HI Z R LOW Z LOW Z LOW Z LOW Z LOW Z LOW Z MIC R MIC LINE L LINE L FX OUT 1

VOICE CANCELLER

MAIN REC OUT L

(STEREO)

FX OUT 2 L

AUX IN

CD / TAPE IN L

L MONITOR R

FOOTSW

INPUT TO MAIN

OUTPUT

SEE REAR PANEL CAUTION

XENXYX1204USB

XM8500

MICROPHONE INPUTS PREAMP OUTPUTS OUTPUT POWER RMS @ 1% THD, both channels driven:

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Type input circuit Mic E.I.N. (20 Hz - 20 kHz) XLR, electronically balanced
MAIN Type Impedance Max. output level MONITOR " TRS connectors, unbalanced approx. 150 Ohm, unbalanced +21 dBu
8 Ohm per channel 4 Ohm per channel RMS @ 1% THD, bridged mode: 300 W 600 W
@ 0 Ohm source resistance @ 50 Ohm source resistance @ 150 Ohm source resistance Frequency response Gain Max. input level Impedance Signal-to-noise ratio Noise (THD + N) MONO LINE INPUTS -134 dB/136 dB A-weighted -131.5 dB/134 dB A-weighted -129 dB/155 dB A-weighted < 10 Hz - 200 kHz (-1 dB) < 10 Hz - > 200 kHz (-3 dB) +10 dB, +60 dB +12 dBu @ +10 dB gain approx. 2.6 k Ohm balanced/ 1.3 k Ohm unbalanced 109 dB/112 dB A-weighted (0 dBu In @ +10 dB gain) 0.002%/0.0018% A-weighted
8 Ohm " TRS connectors, unbalanced approx. 150 Ohm, unbalanced +21 dBu 1,200 W Peak Power, both channels driven:
Type Impedance Max. output level STEREO OUTPUTS

PMP6000/PMP4000/PMP1680S

8 Ohm per channel 4 Ohm per channel Peak Power, bridged mode: 400 W 800 W
Type Impedance Max. input level Type Impedance Max. input level LOUDSPEAKER OUTPUTS " TRS connectors, unbalanced approx. 150 Ohm, unbalanced +21 dBu RCA approx. 1 kOhm +21 dBu
8 Ohm POWER SUPPLY Mains voltage 1,600 W
Type Impedance Max. input level STEREO LINE INPUTS " TS connectors, balanced approx. 20 k Ohm +21 dBu
USA/Canada China/Korea Europe/Australia Japan Fuse 100 - 120 V~ Fuse 220 - 240 V~ POWER CONSUMPTION 120 V~, 60 Hz 220 V~, 50/60 Hz 230 V~, 50 Hz 100 V~, 50 - 60 Hz T 10 A H 250 V T 6.3 A H 250 V

Type Load impedance: MAIN L/R MONITOR/MAIN MONO MAIN MONO/MAIN MONO BRIDGE DSP Professional locking connector
Type Impedance Max. input level EQUALIZER " TRS connectors, unbalanced > 3.6 k Ohm +22 dBu
4 - 8 Ohm 4 - 8 Ohm 4 - 8 Ohm 8 - 16 Ohm
Power consumption Mains connector 1,050 W IEC standard receptacle

Low 80 Hz/+/-15 dB

Converter Dynamics D/A Sampling rate Delay Time Signal run time (Line In > Line Out) DISPLAY 24-bit Delta-Sigma, 64/128-times oversampling 90 dB 46.875 kHz max. 5 secs approx. 1.5 ms

PMP4000

Mid 2.5 kHz/+/-15 dB

DIMENSIONS/WEIGHT

Dimensions (H x W x D) 4 7/8 x 18 3/4 x 18 1/8" 122 x 476 x 460 mm
Mid 100 Hz - 8 kHz/+/-15 dB
High 2 TRACK INPUT 12 kHz/+/-15 dB
Dimensions (H x W x D) 4 7/8 x 23 1/2 x 19 1/2" 122 x 596 x 496 mm
Type Impedance RCA approx. 3.6 k Ohm
Type 2-digit, 7-segment LED

Weight 22.9 lbs/10.38 kg

Type 2 x 2-digit, 7-segment LED

Weight 28.9 lbs/13.1 kg

MICROPHONE INPUTS Type Mic E.I.N. (20 Hz - 20 kHz) @ 0 Ohm source resistance @ 50 Ohm source resistance @ 150 Ohm source resistance Frequency response Gain Max. input level Impedance Signal-to-noise ratio Noise (THD + N) MONO LINE INPUTS Type Impedance Max. input level STEREO LINE INPUTS Type Impedance Max. input level EQUALIZER Low Mid High CD/TAPE INPUT Type Impedance XLR, electronically balanced input circuit PREAMP OUTPUTS MAIN Type Impedance Max. output level MONITOR Type Impedance Max. output level STEREO OUTPUTS Type Impedance Max. input level Type Impedance Max. input level LOUDSPEAKER OUTPUTS Type Load impedance: MAIN L/R MONITOR/MAIN MONO MAIN MONO/MAIN MONO BRIDGE DSP Converter Dynamics D/A Sampling rate Delay Time Signal run time (Line In > Line Out) DISPLAY Type " TS connectors, unbalanced approx. 150 Ohm, unbalanced +21 dBu OUTPUT POWER RMS @ 1% THD, both channels driven: 8 Ohm per channel 300 W 4 Ohm per channel 600 W RMS @ 1% THD, bridged mode: 8 Ohm 1200 W Peak Power, both channels driven: 8 Ohm per channel 400 W 4 Ohm per channel 800 W Peak Power, bridged mode: 8 Ohm POWER SUPPLY Mains voltage USA/Canada China/Korea Europe/Australia Japan Fuse 100 - 120 V~ Fuse 220 - 240 V~ POWER CONSUMPTION Power consumption Mains connector DIMENSIONS/WEIGHT Dimensions (H x W x D) Weight

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2 x 2-digit, 7-segment LED
-112 dB/114 dB A-weighted -112 dB/114 dB A-weighted -112 dB/114 dB A-weighted < 10 Hz - 200 kHz (-1 dB) < 10 Hz - > 200 kHz (-3 dB) +30 dB, +10 dB with pad +12 dBu @ +10 dB gain approx. 2.2 kOhm balanced/ 1.1 k Ohm unbalanced 110 dB/114 dB A-weighted (0 dBu In @ +10 dB gain) 0.001%/0.0007% A-weighted

" TS connectors, unbalanced approx. 150 Ohm, unbalanced +21 dBu
" TRS connectors, unbalanced approx. 150 Ohm, unbalanced +21 dBu RCA approx. 1 kOhm +21 dBu

1600 W

" TS connectors, balanced approx. 20 kOhm, balanced +21 dBu
Twist-lock professional speaker connector
" TRS connectors, unbalanced approx. 100 kOhm, unbalanced +21 dBu
120 V~, 60 Hz 220 V~, 50/60 Hz 230 V~, 50 Hz 100 V~, 50 - 60 Hz T 10 A H 250 V T 6.3 A H 250 V
1050 W IEC standard receptacle
80 Hz/+/-15 dB 2.5 kHz/+/-15 dB 12 kHz/+/-15 dB

RCA approx. 10 k Ohm

24-bit Delta-Sigma, 64/128-times oversampling 90 dB 40 kHz max. 5 secs approx. 1.5 ms
12 2/5 x 18 1/10 x 8 3/5" 315 x 460 x 220 mm 21.8 lbs/9.9 kg
Please note these specifications are preliminary and conceptual in nature, and as such are subject to change as product development progresses. This information is supplied for market research purposes only and is not to be made public in any manner. This document is solely the property of The MUSIC Group, or one of its subsidiaries, and must be surrendered upon request of the owner.
For service, support or more information contact the BEHRINGER location nearest you: Europe Tel.: +Singapore Tel.: +1800 Fax: +Fax: +0275 USA/Canada Tel.: +Australia Tel.: +Fax: +Fax: +9877 7870

Tel.: +Fax: +5281 1181

2011 Red Chip Company Ltd. Technical specications and appearance subject to change without notice. The information contained herein is correct at the time of printing. All trademarks are the property of their respective owners. BEHRINGER accepts no liability for any loss which may be suered by any person who relies either wholly or in part upon any description, photograph or statement contained herein. 985-10000-00448