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Behringer SL2442FX-PRO

 

 

Behringer SL2442FX-PROBehringer SX2442FX 24 Input 4 Bus Sudio/Live Mixer
24-Channel Analog Mixer With 16 XENYX Mic Preamps and 99 Digital Effect PresetsIf you want classic analog handling but can't skimp on superior digital effects and studio-grade mic preamps, the SX2442FX is your new best friend. This mixer's 16 mic inputs, 8 stereo inputs and 4 buses give you enough leeway to handle anything from a graduation speech to a small orchestra. The XENYX Mic Preamp matches the sound quality, transparency, headroom and even the dynamic range of boutique-style, sta... Read more

Details
Brand: BEHRINGER
Part Numbers: 000-81108-00010, SL2442FXPRO, SX2442FX, SX2442FX-UL1[R]
UPC: 4033653021074
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Manual

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Manual - 1 page  Manual - 2 page  Manual - 3 page 

Download (English)
Behringer SL2442FX-PRO, size: 4.3 MB
Related manuals
Behringer SL2442FX-pro Effect Presets

Behringer SL2442FX-PRO

 

 

User reviews and opinions

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Comments to date: 6. Page 1 of 1. Average Rating:
ashak 6:09am on Saturday, September 18th, 2010 
Why buy a pair for 10x the price? Maybe my ears are not "audiophile quality", but these headphones sound great. walk around headphones I like them just fine the cord is too long to cope with but all else is good Sound is nice, painful to wear I find the sound quality on these headphones to be nice, but they are very uncomfortable to wear.
Cledjalma F. Neves 2:34pm on Monday, August 2nd, 2010 
SONY MDR V150 STUDIO MONITOR HEADPHONES Choosing the right set of headphones to meet ones specific needs is not as simple as it used to... As I mentioned in my review of the Behringer Guitar Link, I do love recording on a budget. In order to do that effectively, however. A good set of headphones are going to compliment your listening lifestyle and help you experience all the hidden sounds of your favorite music.
chhenning 12:14am on Wednesday, July 28th, 2010 
Exceelent Sound and Comfort These provide excellent sound, comfort and they are fairly durable. A very good sound experience for the price.
Xanthi 12:25am on Friday, July 16th, 2010 
"These are not really that portable, while they were light weight. the cord got caught on everything, and it was at an odd length. "There good headphones but sometimes it sounds a little unclear. I bough these headphones two days ago .
sameerp 12:31pm on Tuesday, April 27th, 2010 
I use these headphones everyday and when my first pair broke, I purchased the same ones. Also.
Info2000rbd 3:11am on Saturday, April 10th, 2010 
A good choice for everyone who wants to have a good value, good sound quality headphone.

Comments posted on www.ps2netdrivers.net are solely the views and opinions of the people posting them and do not necessarily reflect the views or opinions of us.

 

Documents

doc1

EURODESK SL2442FX-PRO

Technical Specifications

Version 1.0 January 2004

ENGLISH

EURODESK

o o o Ultra-wide 60 dB gain range
Ultra Low-Noise Design 24-Input 4-Bus Studio/Live Mixer with Premium Mic Preamplifiers and Dual Digital 24-Bit Multi-FX Processor
s Ultra low-noise ULN design, highest possible headroom, ultra-transparent audio s 16 new state-of-the-art, studio-grade IMP Invisible Mic Preamps with: 130 dB dynamic range for 24-bit, 192 kHz sampling rate inputs Lowest possible distortion 0.0007% (20 Hz - 20 kHz)
s 2 independent 24-bit digital stereo FX processors with 99 great-sounding VIRTUALIZER presets including reverb, delay, chorus, compressor, tube distortion and more s High precision 9-band stereo graphic EQ allows precise frequency correction of monitor or main mixes s Revolutionary, patent-pending FBQ Feedback Detection System instantly reveals critical frequencies
s 2 fully featured stereo input channels with 4-band EQ plus 2 additional stereo input channels with level and pre-fader aux facilities s Effective, extremely musical 3-band EQ plus switchable low cut filter on all mono channels s Inserts on each mono channel and main mix for flexible connection of outboard equipment
s 4 subgroups and additional mono output with sweepable low pass filter for subwoofer application
s 4 aux sends per channel: 2 switchable pre/post fader, 2 post fader (for internal FX and/or as external send) s Gain level set and clip indication LEDs plus mute switches for each channel allow fast and accurate level setting
s Balanced main mix outputs with gold-plated XLR and " TRS connectors, headphone/control room output and stereo tape outputs s Solo-In-Place and Pre-Fader-Listen functions plus full-featured talkback section
s Standby switch mutes all channels during breaks while background music is provided via CD/tape inputs
s State-of-the-art 4580 operational amplifiers provide lowest noise and distortionbetter than 4560 op amps s Long-wearing logarithmic-taper ALPS faders and sealed rotary controls
s Internal switch-mode power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus lowest possible power consumption s Extremely rugged construction ensures long life even under most demanding conditions s Designed in Germany. Manufactured under ISO9000 certified management system 2

SL2442FX-PRO

SPECIFICATIONS
Mono inputs Microphone inputs (IMP Invisible Mic Preamp) Type XLR, electronically balanced, discrete input circuit Mic E.I.N. (20 Hz - 20 kHz) @ 0 source resistance -134 dB / 135.7 dB A-weighted @ 50 source resistance -131 dB / 134 dB A-weighted @ 150 source resistance -129 dB / 130.5 dB A-weighted Frequency response Gain Max. input level Impedance Signal-to-noise ratio Distortion (THD+N) Line inputs Type Impedance Gain Max. input level Crosstalk 1 Main fader closed Channel muted Channel fader closed Frequency response Microphone input to main out <10 Hz - 70 kHz <10 Hz - 160 kHz Stereo inputs Type Impedance Gain Max. input level CD/tape in Type Impedance Max. input level EQ mono channels Low Mid High Low cut EQ stereo channels Low Low mid High mid High Channel inserts Type Max. input level AUX/FX send Type Impedance Max. output level FX returns Type Impedance Max. input level 90 dB 84 dB 85 dB <10 Hz - 160 kHz (-1 dB), <10 Hz - 200 kHz (-3 dB) +10 to +60 dB +12 dBu @ +10 dB gain approx. 2.6 k balanced 110 dB / 112 dB A-weighted (0 dBu In @ +22 dB gain) 0.004% / 0.003% A-weighted 1/4" TRS connector, electronically balanced approx. 20 k balanced 10 k unbalanced -10 to +40 dB +22 dBu @ 0 dB gain Subgroup outputs Type Impedance Max. output level Main outputs (XLR) Type Impedance Max. output level Main outputs (1/4") Type Impedance Max. output level Main inserts Type Max. input level Mono output Type Impedance Max. output level Low pass 1/4" TS connector, unbalanced approx. 120 +22 dBu XLR, electronically balanced approx. 240 balanced / 120 unbalanced +28 dBu 1/4" TRS connector, electronically balanced approx. 240 balanced / 120 unbalanced +28 dBu 1/4" TRS connector, unbalanced +22 dBu 1/4" TS connector, unbalanced approx. 120 +22 dBu variable 30 Hz - 200 Hz, 18 dB/oct.

Phones/CTRL room output Type 1/4" TRS connector, unbalanced Max. output level +19 dBu / 150 (+25 dBm) CD/tape out Type Impedance Max. output level DSP Converter Sampling rate Main Mix system data2 Noise Main mix @ -oo, Channel fader -oo Main mix @ 0 dB, Channel fader -oo Main mix @ 0 dB, Channel fader @ 0 dB Power supply Power consumption Fuse Mains connection Dimensions/weight Dimensions (H x W x D) Weight (net) RCA approx. 1 k +22 dBu Texas Instruments 24-bit Sigma-Delta, 64/128-times oversampling 46 kHz
+0 dB / -1 dB +0 dB / -3 dB 2 x 1/4" TRS connector, balanced approx. 20 k balanced / 10 k unbalanced -20 dB to +20 dB +22 dBu @ 0 dB gain RCA approx. 10 k +22 dBu 80 Hz / 15 dB 100 Hz - 8 kHz / 15 dB 12 kHz / 15 dB 80 Hz, 18 dB/oct. 80 Hz / 15 dB 400 Hz / 15 dB 3 kHz / 15 dB 12 kHz / 15 dB 1/4" TRS connector, unbalanced +22 dBu 1/4" TS connector, unbalanced approx. 120 +22 dBu 1/4" TS connector, unbalanced approx. 10 k +22 dBu
-100 dB / -102,5 dB A-weighted -82 dB / -85 dB A-weighted -72 dB / -75 dB A-weighted 50 W 100 - 240 V~: T 2 A H Standard IEC receptacle approx. 100 mm (3 9/10") x 682 mm (26 9/8") x 410 mm (16 1/8") approx. 8.5 kg

Measuring conditions:

ad 1: 1 kHz rel. to 0 dBu; 20 Hz - 20 kHz; line input; main output; gain @ unity. ad 2: 20 Hz - 20 kHz; measured at main output. Channels 1 - 4 gain @ unity; EQ flat; all channels to main mix; channels 1/3 hard left, channels 2/4 hard right. Reference = +6 dBu.
BEHRINGER is constantly striving to maintain the highest professional standards. As a result of these efforts, modifications may be made from time to time to existing products without prior notice. Specifications and appearance may differ from those listed or illustrated.
Technical specifications and appearance subject to change without notice. The information contained herein is correct at the time of printing. The names of companies, institutions or publications pictured or mentioned and their respective logos are registered trademarks of their respective owners. Their use neither constitutes a claim of the trademarks by BEHRINGER nor affiliation of the trademark owners with BEHRINGER. BEHRINGER accepts no liability for any loss which may be suffered by any person who relies either wholly or in part upon any description, photograph or statement contained herein. Colors and specifications depicted may vary slightly from product. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording of any kind, for any purpose, without the express written permission of BEHRINGER Spezielle Studiotechnik GmbH. BEHRINGER is a registered trademark. ALL RIGHTS RESERVED. 2004 BEHRINGER Spezielle Studiotechnik GmbH. BEHRINGER Spezielle Studiotechnik GmbH, Hanns-Martin-Schleyer-Str. 36-38, 47877 Willich-Mnchheide II, Germany Tel. +9206 0, Fax +9206 4903

 

Technical specifications

Full description

24-Channel Analog Mixer With 16 XENYX Mic Preamps and 99 Digital Effect PresetsIf you want classic analog handling but can't skimp on superior digital effects and studio-grade mic preamps, the SX2442FX is your new best friend. This mixer's 16 mic inputs, 8 stereo inputs and 4 buses give you enough leeway to handle anything from a graduation speech to a small orchestra. The XENYX Mic Preamp matches the sound quality, transparency, headroom and even the dynamic range of boutique-style, stand-alone mic preamps. Our neo-classicBritish EQbrings back the warmth and musicality of those 60s and 70s mega-console desks that made music history. The XENYX FX mixers incorporate a new studio-grade 24-bit FX processor. Get 100 real-world and awesome effect presets at your fingertips. Features: Premium ultra-low noise, high-headroom analog mixer 16 state-of-the-art XENYX Mic Preamps Neo-classic British 3-band EQs with semi-parametric mid band 4 bus outputs and additional Mono output with

 

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