DR-880

Dr. Rhythm

The Next-Generation Rhythm Machine
The new heavyweight champ of rhythm programming has arrived. The DR-880 is a new-school powerhouse thats loaded with world-class sounds from Rolands famous SRX library, plus a stunning collection of original waveforms. The DR-880s drum, percussion, and bass sounds can be played and programmed as is, or customized with powerful tools such as independent compressors and EQs for the kick and snare, and a compressor and selection of COSM amp models for the bass.
A remarkable new collection of top-quality, custom sounds was created for the DR-880. But we didnt stop there; some of the most famous sounds from our renowned SRX library were added to the DR-880s sound-set, as well as electric and synth bass sounds. From rich, sparkling studio drums and deep-dish electronic kits to standard and exotic percussion instruments, a world of rhythm and groove is at your fingertips.
Guitar and bass players can join the action by plugging directly into the DR-880s Guitar/Bass Input jack. Guitarists can play through the built-in COSM Drive/Amp models, and multi-effects such as chorus/flanger/phaser, delay, and reverb. For acoustic guitar, the DR-880 offers an Acoustic Processor, chorus, and reverb. For bass players, the compressor/limiter, chorus/flanger/phaser, delay, and COSM bass amp models will help you cook up extra-tasty bass lines.

World-Class Sounds

Direct Guitar/Bass Input
You can get microscopic with the DR-880, but you also have the option of taking the simple route with its three EZ Compose buttons on the front panel, which allow original patterns to be constructed without note-by-note programming hassles. Using the Pattern mode, you can select and combine pre-programmed phrase combinations to create new patterns. Press the Chord Progression button to select chord-progression templates. With the Fill-In button, you can select phrases from the Fill-In library, and insert them into the pattern. The library contains a variety of phrases, ranging from simple fills to bombastic breaks.

EZ Compose

Play through headphones or route your signal from the DR-880 directly to your choice of recording input or amplification, including outboard guitar amps. Quick output adjustments can be made in the Output Select mode to facilitate proper connection to the outside world. Two individual Outs allow independent output of backing tracks and guitars, or independent output of kick and snare. The DR-880 has two stereo footswitch/controller inputs; a maximum of four footswitches can be connected using stereo 1/4" cables (sold separately). One of the footswitch/controller jacks supports expression pedal input, so you can connect an EV-5 (sold separately) to control guitar volume, or play wah effects. The DR-880 also has a S/PDIF digital out and a USB port for MIDI interfacing and SMF Data import.

Connectivity

Take your grooves even deeper with the Groove Modify feature, which applies various groove and triplet feels to your patterns. Simply select the templates that are included, and inject realistic feels to static patterns. Ghost notes can also be added automatically by selecting the ghost-note phrases that are preset in the DR-880.
MIDI OUT MIDI IN CTL 3,4/ EXP PEDAL DIGITAL OUT CTL 1,2 B A INDIVIDUAL OUTS R L (MONO) MASTER OUT

Groove Modify

*Product pictured is a prototype model. Actual product appearance may be subject to change.
440 world-class drum and percussion sounds, 40 bass sounds with COSM bass-amp models Three independent insert effects (EQ and compression), TSC (Total Sound Control) featuring 3-band EQ and high-quality ambience 1,000 patterns (500 preset, 500 user); easily add fills, ghost notes, chord progressions, and more 20 velocity-sensitive pads
Guitar/bass input, plus multi-effects and COSM amp models 100 effect patches (50 Preset, 50 User) for electric, acoustic, and bass guitars Four assignable footswitch and expression-pedal inputs Digital and individual outputs; USB port for importing SMFs

DR-880 Specifications

Maximum Polyphony 32 *Depending on the instruments and drum kits used, maximum polyphony may be lower s Instruments Drums: 440, Bass: 40 s Kits Preset: 100, User: 100 s Rhythm Patterns Preset: 500, User: 500 s Songs User: 100 s Maximum Note Storage approx. 30,000 notes s Resolution Per quarter note: 96 s Tempo Quarter note: bpm s Pads 20 s Display Custom LCD (with backlight) s Connectors Rear: Output: L/Mono, R (1/4 inch phone type), L, R (phono type), Digital Out (coaxial), USB, CTL: 1/2, 3/4/EXP Pedal, MIDI In, Out,
AC Adaptor jack, Front: Phones (stereo 1/4 inch phone type), Guitar/Bass Input (1/4 inch phone type) s Power Supply AC Adaptor (BOSS BRC Adaptor) s Dimensions 273 (W) x 242 (D) x 71 (H) mm s Accessories AC Adaptor (BRC series), Owners Manual, DR-880 Driver CD-ROM s Options Foot Switch: FS-5U, FS-6, Expression Pedal: EV-5, Foot Switch Cable: PCS-31 (Roland) * Specifications are subject to change without notice.

2. POWER Switch

This is the power switch that turns the DR880 on/off.

3. USB Connector

This connector lets you use a USB cable to connect the DR-880 to your computer.

8. INDIVIDUAL A, B Jacks

These jacks output only the sounds you specify.
4. MIDI Connectors (IN/OUT)
These connectors receive (IN) and transmit (OUT) MIDI data. Use MIDI cables to connect them to your MIDI sequencer or MIDI sound module.
9. MASTER OUT Jacks R/L (MONO)
These are the audio signal output jacks. Both phone jacks and RCA phono jacks are provided. If youre using the phone jacks, connect your equipment to the L (MONO) output if youre listening in monaural.

5. DIGITAL OUT Connector

This is a coaxial-type connector that outputs digital audio signals. It outputs the same sound as the MASTER OUT jacks. Connect it to your digital recorder.

10.Cord Hook

Loop the cord from the supplied AC adaptor around this hook. In the event that the cord gets tugged on accidentally, this will prevent the plug from coming out and causing the power to fail, and will prevent excessive strain from being placed on the AC adaptor jack.

11. Security Slot (

SECURITY LOCK)
http://www.kensington.com/

Before you begin playing

Making connections
The DR-880 does not contain an amp or speakers. In order to produce sound, youll need to connect an amp or audio system, or stereo headphones. Audio cables, MIDI cables, stereo headphones, and foot switches are not included. You can purchase them separately from your dealer.

fig.002-010

MIDI sequencer etc. Computer

Pad controller etc.

Digital recorder etc. Audio set
Monitor speakers (Powered)
Foot switch (FS-6 etc.) AC adaptor (BRC-series) Expression pedal (Roland EV-5) Guitar or Bass
Stereo headphones Mixer, Guitar amp, etc.
To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power on all devices before making any connections.
* To prevent the inadvertent disruption of power to your unit (should the plug be pulled out accidentally), and to avoid applying undue stress to the AC adaptor jack, anchor the power cord using the cord hook, as shown in the illustration.

fig.002-020

Before you start making connections, check the following: Have you turned down the volume controls of the DR-880 and the connected amp or other equipment? Have you turned off the power of the DR-880 and the connected amp or other equipment?

Connect your amp or audio system (or headphones) as shown in the diagram. We recommend that you use a stereo playback system in order to take full advantage of the DR-880s capabilities. If you are using the DR-880 with a monaural playback system, connect it to the OUTPUT L (MONO) jack.

Turning the power on/off

Turning the power on
Once the connections have been completed (p. 17), turn on power to your various devices in the order specified. By turning on devices in the wrong order, you risk causing malfunction and/or damage to speakers and other devices.
Before you turn on the power, check the following: Is the DR-880 correctly connected to your other equipment? Have you turned down the volume of the DR-880 and your connected amp or playback system?

fig.002-030

Turn on the POWER switch located on the DR-880s rear panel.
The following appears in the display, and the unit switches to performance mode. The screen that appears at that point is called the Pattern Play screen.

fig.002-031d

This unit is equipped with a protection circuit. A brief interval (a few seconds) after power up is required before the unit will operate normally.
Turn on the power of your amp and other connected equipment. Press [ ].
Playback will begin. While listening to the playback, turn the MASTER VOLUME knob and PART LEVEL (DRUM, BASS) knobs to adjust the DR-880s volume.

fig.002-040

Adjust the volume appropriately on your connected amp or playback system.

Press [

] to stop playback.

Turning the power off 1

Before you turn off the power, check the following: Have you turned down the volume of the DR-880 and your connected amp or playback system?
Turn off the power of your amp or connected playback system. Turn off the power of the DR-880.
Adjusting the display contrast
Depending on the location in which the DR-880 is placed, you may find the display difficult to read. If so, adjust the contrast of the display as follows.

fig.002-050

fig.002-060d
Press [EDIT]. The edit menu screen appears.

fig.002-070d

Use [CURSOR]
to move the cursor to the LCD icon and press [ENTER].
The LCD contrast setting screen appears.
Use the [VALUE] dial to adjust the contrast (range: 116). When youve made the setting, press [EXIT]. The message Now writing. will appear, and the contrast will be saved. When the contrast has been saved, the message will disappear. * Do not turn off the power while the message is displayed. Your data may be damaged if you do so.

Quick Start

Listening to the demo song
Lets start by listening to a demo song that shows off the capabilities of the DR-880.

fig.003-010

All rights reserved. Unauthorized use of this material for purposes other than private, personal enjoyment is a violation of applicable laws.

This specifies the TSC patch (p. 42) used for the song. Each pattern in the song also specifies a TSC patch, but you can choose whether playback will use the TSC patch specified within each pattern or the TSC patch specified for the entire song.

About kits

The DR-880 contains 440 instruments (drum sounds) and 40 bass tones (bass sounds). From these, collections of 60 instruments and one bass tone have been chosen and stored as kits. An insert effect can also be specified for each kit.

fig.01-030

Preset kit (P001P100) Instrument

003 004

DRUM 1 P2

User kit (U001U100)

DRUM 1 UU1 DRUM 2 DRUM DRUM 1 DRUM 2 DRUM DRUM BASS DRUM 20 DRUM 3 Insert Effect BASS20 KICK OTHERS SNARE BASS BASS KICK OTHERS Insert Effect SNARE BASS KICK OTHERS SNARE BASS

P001 2

Bass tone
DRUM 2 DRUM DRUM 1 DRUM 2 DRUM DRUM BASS DRUM 20 DRUM 3 Insert Effect BASS20 KICK OTHERS SNARE BASS BASS KICK OTHERS Insert Effect SNARE BASS KICK OTHERS SNARE BASS
The DR-880 contains 100 preset kits, and 100 user kits that you are free to modify. Each pattern remembers the kit number that was used when creating that pattern. This means that when playing patterns, the kit will also change when you switch kits.

Insert Effect

For each kit you can specify insert effects that will be applied directly to the instruments and bass tone. Insert effects for instruments Separate equalizer and compressor effects are provided for kick, snare, and other instruments. This lets you apply effects that are appropriate for the character of the instrument. Insert effects for bass tone Compressor and bass amp simulator effects are provided.

Pad bank

The instruments (drum sounds) of a kit are organized into three groups with twenty instruments in each group. These groups are called pad banks.

fig.01-040

DRUM 1
DRUM DRUM DRUM BASS Insert Effect KICK OTHERS SNARE BASS

DRUM 2

DRUM 3

BASS -1

BASS +1
Press [PAD] to select among the DRUM 13 pad banks; the currently selected pad bank is shown in the screen. You can press a key pad to play the instrument thats assigned to that pad. Hold down [SHIFT] and press [PAD] to switch to the bass pads. When you strike a key pad, the bass tone will sound at the pitch (note name) printed at the upper right of the key pad you struck. By holding down [SHIFT] and pressing [PAD] to select BASS -1 you can play the sounds one octave lower. By selecting BASS +1 you can play the sounds one octave higher.
About the maximum polyphony The DR-880 has a maximum polyphony of 32 notes (voices). Some bass sounds use two voices when you play one note, and if youre using this type of bass sound, the maximum polyphony will be less than 32 notes. For details on the number of voices used by each instrument, refer to p. 153.

Using effects

Switching effect patches
1. Press [EFFECT]. The guitar effects edit screen appears.
Editing an effect patch (Patch Edit)
1. In the guitar effects edit screen, move the cursor to one of the items below and use the VALUE dial to edit the value.

fig.04-060d

(5) (1) (3) (2) (4)
2. Move the cursor to the effect patch number, and use the VALUE dial to select the desired effect patch number.
* You can hold down [SHIFT] and press [EFFECT] to switch between Preset (P) and User (U).
(1) Effect patch Select the effect patch that you want to edit. (2) Effect on/off The guitar effects will be switched on/off each time you press [EFFECT]. (3) EFFECT TYPE (Algorithm) Select the algorithm you want to use. Range: GTR MULTI, BASS MULTI, ACO MULTI (4) PATCH LEVEL Specify the volume of the effect patch. Range: 0100 (5) Effect block diagram (algorithm) You can move the cursor to each effect and turn the VALUE dial to switch the effect on/ off. Effects that are turned off are shown with dotted lines. If you move the cursor to an effect and press [ENTER], the parameter edit screen for the selected effect will appear. Press [CURSOR] to switch the screen.

Effect Patch (p. 155)

Parameter edit screen

fig.04-070d

(6) (7)
(6) Effect block diagram (algorithm) Use [CURSOR] / to switch to the parameter edit screen for the effect at the cursor location. (7) Parameters Move the cursor to the parameter you want to edit, and use the VALUE dial to change the value. You can use [CURSOR] parameter display. / to scroll the

Chap. 5

2. When you have made the setting, press [EXIT] to return to the guitar effects edit screen. In order to indicate that the effect settings have been temporarily changed, the patch number will be displayed as *TMP. If you re-select an effect patch, or turn off the DR880 while *TMP is being displayed, all of the patch settings will return to their previous condition. As it may not be possible to restore these settings, the appropriate care should be taken. 3. If you want to keep the changes you made, proceed as described in Saving/ Copying an Effect patch (p. 88).
* If you want to name the effect patch or edit the name, proceed to Naming an effect patch (p. 88) before you save.

Manual

Resonance

FLANGER

This produces a flanging effect that can produce a swishing, jet-like modulation.

Wave Shape

0100 Adjusts the volume change

Rate of volume change

0100 Depth of volume change
0100 Depth of modulation Center frequency at which the effect is applied Strength of tonal character

DELAY

This adds a delayed version of the guitar/bass sound, making the sound richer or creating a distinctive echo-like effect.

COMPRESSOR: BASS MULTI

This effect produces long sustain by making the volume of the input signal more uniform. You can also use this as a limiter to prevent distortion by holding down just the peaks of the sound. This effect also helps to make the sound more consistent

OFF, ON Delay on/off

01200ms,

ON/OFF

Delay time OFF, ON Comp on/off Volume at which the compressor begins to operate
* If you set this to BPM, the effect will synchronize to the tempo of the pattern. If this produces a delay time that is too long, the effect will synchronize to a multiple of two times or four times the actual BPM.
1:1.00, 1:1.12, 1:1.25, 1:1.40, 1:1.60, 1:1.80, 1:2.00, 1:2.50, 1:3.20, 1:4.00, 1:5.60, 1:8.00, 1:16.0, 1:INF

Feedback

0100 The degree to which the delayed sound will repeat Volume of the delay sound

Compression ratio

REVERB
This effect adds reverberation to the sound.

Attack

0100 Strength of the attack when you pluck a string Time from when the signal falls below the specified Threshold level until when the compressor is no longer applied Volume after the sound passes through the compressor

Release

0100 Reverb on/off
ROOM, HALL, PLATE Reverb type
ROOM: This simulates the acoustical properties of a room, producing a warm reverberation. HALL: This simulates the acoustical properties of a concert hall, producing a clear and spacious reverberation. PLATE: This simulates a plate reverb unit (a device using a vibrating metal plate), producing a metallic reverberation with an extended high-frequency range.

fig.05-040d

If you re-select a TSC patch, change pattern or song, or turn off the power before executing the Write procedure, your patch data will be lost.

Naming a TSC patch

You can assign a name (patch name) of up to twelve characters to each user patch. 1. In the TSC patch edit screen, move the cursor to NAME and press [ENTER]. The patch name edit screen appears.

fig.05-031d

2. Use the VALUE dial to select the writedestination user patch. 3. To write the patch, press [ENTER]. If you decide to cancel, press [EXIT]. The message Now writing. will appear, and the TSC patch will be saved. When the TSC patch have been saved, the message will disappear.
2. Move the cursor to the location at which you want to input a character, and use the VALUE dial to choose a character.
3. When youve finished specifying the name, press [EXIT]. 4. Then continue to Writing a TSC patch.

Copying a TSC patch

1. In the TSC patch edit screen, move the cursor to COPY and press [ENTER]. The TSC patch copy screen appears.

fig.05-050d

Chapter 7 Creating an original kit (Kit Edit)
Kit Edit lets you choose sounds and make settings for the drum part and for the bass part, and store your original kit in one of the 100 user kit memories.

Editing a kit

Heres the procedure for editing a kit.

fig.06-010

Editing the Drum part
1. Use [CURSOR] / desired edit screen. to select the
Select the kit you want to edit

Edit the drum part

Edit the bass part
2. Move the cursor to the parameter you want to edit, and use the VALUE dial to edit the value.
* To hear the sounds, strike key pads 120 or play back a pattern.
* When shipped from the factory, the user kits contain the same settings as the preset kits.
Selecting the kit you want to edit
1. Press [KIT]. The kit edit screen appears.

fig.06-020d

3. When you have made the setting, press [EXIT] to return to the kit edit screen. In order to indicate that the kit settings have been temporarily changed, the kit number will be displayed as *TMP. If you re-select a kit, or turn off the DR-880 while *TMP is being displayed, all of the kit settings will return to their previous condition. As it may not be possible to restore these settings, the appropriate care should be taken. 4. If you want to keep the changes you made, proceed to Saving/Copying a kit (p. 113).

Pad Bank: DRUM 2

Chap. 9

Pad Bank: DRUM 3

Synchronizing the DR-880 with a digital recorder or MIDI sequencer
You can make the DR-880 play in synchronization with a digital recorder, MIDI sequencer, or rhythm machine.

Sync Mode setting

The Sync Mode setting specifies whether the DR-880 will operate as a slave or master. 1. With playback stopped, press [EDIT]. The edit menu screen appears. 2. Move the cursor to the MIDI icon, and press [ENTER]. The MIDI menu screen appears. 3. Move the cursor to the SETTING icon and press [ENTER]. The MIDI setting screen appears.

fig.08-030d

Master and slave
When two or more devices are to be operated in synchronization, one device must be the master, while all the other devices become slaves.

fig.08-020

Master

Slave (DR-880)

When start/stop operations are performed on the master device, it will transmit MIDI Start/ Stop messages. Each slave device will start or stop in accordance with the MIDI messages it receives. The master device also transmits Timing Clock messages according to the playback tempo. Each slave device will play in synchronization with the Timing Clock messages it receives. Other messages are also sent from the master device to the slave devices, such as the song number (Song Select) and the location within the song (Song Position Pointer).
4. Move the cursor to Sync Mode, and use the VALUE dial to specify the sync mode.

Sync Mode

INTERNAL: The DR-880 will be the master. Playback will start/stop when you operate the DR-880, and the playback tempo will be as specified on the DR-880. MIDI: The DR-880 will be the slave. It will start/stop according to messages received from an external MIDI device, and its playback will synchronize to Timing Clock messages received from an external MIDI device. REMOTE: Only the start/stop operations of the DR-880 will be controlled by messages received from an external MIDI device. AUTO: Master/slave settings will be switched automatically. Normally, the DR-880 will be the master, but it will automatically become a slave if a Start message is received from an external MIDI device while the DR-880 is stopped.
Messages used by the DR-880 for synchronization
The DR-880 uses the following MIDI messages for playback synchronization. Start Timing Clock Continue Song Select Stop Song Position Pointer
* For details on the MIDI messages that can be handled by external devices youve connected, refer to the owners manuals of your equipment.

Importing SMF data to create a pattern
You can create a pattern by importing SMF (Standard MIDI File) data from your computer.

Windows users

1. Use a USB cable to connect the DR-880 to your computer.
The following SMF data cannot be imported.
SMF Format 2 SMF data with a time signature other than 2/44/8 or 4/816/8 SMF data that is larger than the free amount of the DR-880's user memory
Data Song name Tempo Comment Single-byte alphanumeric characters and symbols only Only at the beginning of the song, and limited to a range of 20260 Only at the beginning of the song, and limited to a range of 2/44/8 and 4/816/8 Only at the beginning of the song, and Drum Ch only Drum Ch, Bass Ch Bass Ch only Bass Ch only
2. With playback stopped, press [EDIT]. The edit menu screen appears. 3. Move the cursor to the USB icon and press [ENTER]. The USB menu screen appears. 4. Move the cursor to the IMPORT icon and press [ENTER]. The SMF import screen appears.
* If USB Mode is set to MIDI, the message Check USB Mode! is displayed, and the SMF Import screen will not appear. Press [ENTER], and change the USB Mode to STORAGE, and then power it up again (p. 134).

fig.09-020d

Beat Bank select (CC#00) Program change Note on/off RPN (Bend range) Pitch bend
5. Move the cursor to MIDI Ch. Drum and use the VALUE dial to specify the MIDI channel of the drum part you want to import from SMF. Range: 116, OFF
* If you choose OFF, the drum part will not be imported.
6. Move the cursor to MIDI Ch. Bass and use the VALUE dial to specify the MIDI channel of the bass part you want to import from SMF. Range: 116, OFF
* If you choose OFF, the bass part will not be imported.

Chap. 10

7. Move the cursor to PATTERN and use the VALUE dial to specify the pattern number into which the data is to be imported. Range: 001500
* The user pattern selected as the import destination will be overwritten in the import process.
8. Press [ENTER]. When connection with the PC has been established, the message will displayed 1.Copy one SMF and 2.CloseConnection. A BOSS_DR-880 icon (or a Removable disk (*:) icon) will appear on your computer.

fig.09-030

Windows 2000/Me users 1) Right-click the DR-880 icon (or the Removable disk (*:) icon) in My Computer, and execute Remove. icon in the task tray, and 2) Click the click the message that indicates Safely remove drive (*:).

fig.09-200

BOSS_DR-880

Removable Disk (*:)

Task bar

Task tray

9. Drag and drop the SMF file you want to import onto the DR-880 icon (or the Removable disk (*:) icon).
* Only one file can be imported in one operation. Do not drag and drop two or more files.

Cause: You attempted to import SMF data that the DR-880 does not support. Action: Check that the SMF is in a format that can be imported by the DR-880. (p. 135)

Parameter List

Parameter Pattern name Range 14 characters 2/48/4, 4/816/20260 OFF, ON -, CB, CmBm CB, CmBm -12+12 P001P100, U001U100 OFF, ON P01P20, U01U20 Reset Value
Beat Measures1999 Tempo Arrange Key Rec.Key Key Shift Kit Number TSC Switch TSC Number

4/OFF C 0 P001 ON P01

Parameter Range Reset Value
Song name INFO Init.tempo Key Shift Loop Start Loop End Kit Select Kit Number TSC Select TSC Switch TSC Number
14 characters OFF, 20260 -12+12 1n 1n SONG, PATTERN P001P100, U001U100 SONG, PATTERN OFF, ON P01P20, U01U1 SONG P001 SONG ON P01

System

Output Select/Master Output Sel D. Out Lev Low EQ High EQ Ambience Output Select/Guitar Out Assign Output Sel GUITAR AMP, LINE/PHONES 0200% -20+ 20 dB -20+ 20 dB 0200% MASTER, IND. A+B, IND. A, IND. B GUITAR AMP, LINE/PHONES LINE/ PHONES 100% 0 dB 0 dB 100%

MASTER LINE/ PHONES

Parameter

Reset Value

LCD Contrast PAD Pad Sens MASTER TUNE Mastr Tune FOOT SWITCH
435445 Hz START, STOP, RESET, START/STOP, RST+STA/STP, TAP TEMPO, LOOP, PTN/SNG INC, PTN/SNG DEC, G.FX ON/OFF, G.FX Pt. INC, G.FX Pt. DEC, FAVORITE 14, FAVOR. INC, FAVOR. DEC, FAV.BNK.INC, FAV.BNK.DEC, BANK1 PAD01BANK3-PAD20 (V=1127) OFF, 1MEAS, 2MEAS STICK, Hi-HAT, VOICE 0100 LINK, MANUAL LINK, MANUAL P001P500, U001U500 116, OFF 116, OFF OFF, ON INTERNAL, MIDI, REMOTE, AUTO 1732 STORAGE, MIDI

440 Hz

Sw. 1Sw. 4
1: START/STOP 2: TAP TEMPO 3: G.FX Pt. INC 4: G.FX Pt. DEC
PLAY OPTION/COUNT IN Measures Inst Level PLAY OPTION/OTHERS Kit SelMod TSC SelMod PowerOnPtn MIDI/SETTING MIDI Ch. Drum MIDI Ch. Bass Rx MIDI Vol Sync Mode Device ID USB/MODE USB Mode
OFF STICK 80 LINK LINK P2 OFF AUTO 17 STORAGE

Preset Data List

No. Kick

041 042

Dry Kick 1 Dry Kick 2 Dry Kick 3 Dry Kick 4 Dry Kick 5 Dry Kick 6 Rock Kick1 Rock Kick2 RockDryKck DryHybdKck ReverbKick StdioKick1 StdioKick2 Warm Kick Hush Kick Hush Kick2 Wide Kick1 Wide Kick2 Reg.Kick 1 Reg.Kick 2 RckCmpKck1 RckCmpKck2 Jazz Kick Jz DryKick Maple Kick HybridKick Verb Kick Round Kick Power Kick Sharp Kick Old Kick Elec Kick MdverbKick TightKick1 TightKick2 HipHopKck1 HipHopKck2 R&B Kick 1 R&B Kick 2 R&B Kick 3 R&B Kick 4 R&B Kick 5

063 064

TechnoKck1 TechnoKck2 TechnoKck3 TechnoKck4 70s Kick 1 70s Kick 2 TR909Kick1 TR909Kick2 TR909Kick3 TR909Kick4 TR909Kick5 TR909KickDryKck TR808 Kick TR707 Kick TR606 Kick TR606DstBD Plstic BD1 Plstic BD2 DR110 Kick SH32 Kick AnalogKick Dry 1 Rim Dry 1 Snr Dry 2 Rim Dry 2 Snr Dry 3 Rim Dry 3 Snr Dry 4 Rim Dry 4 Snr Dry 5 Rim Dry 5 Snr Dry 6 Rim Dry 6 Snr Dry 7 Snr Rock Rim Rock Snare FatsoSnare DryHybdSnr RockRimSnr Heavy Rim Heavy Snr

Heavy Metal

Hard Rock

Category Alt Rock

Category R&B Pop

Category Funk Pop Funk

Fusion Funk
121 Alt Rock Alt Rock Human Beat Box 124 My Face Pop 125 Pickup 126 Way Pop 127 6/8 Pop 128 Cool Pop Cool Pop Groove Cut 131 Light Pop Light Pop Light Pop All Night Pop 135 Planet Fusion 136 Pop 16Beat 137 Pop 8Beat 138 Pop Four 139 Scaling Bass 140 Slap Pop 141 Slow Pop Slow Pop Night Pop 144 Anybody Pop 145 Dont Stop 146 Fretless Pop 147 Pop Rock 148 Heavy Pop 149 PopinRockLatin 150 Medium Pop Medium Pop Swing Pop 153 Cool Shuffle 154 High Groove 155 Groovy Pop 156 Happy Shuffle 157 Pop Shuffle 158 Med Shuffle 159 Shuffle Jam 160 Soul Pop Soul Pop Shuffle Pop Shuffle Pop 2
164 R&B Shuffle 165 Cool R&B 166 Pop Pinball 167 Cop Pop 168 Elec Pop 169 Breeze Ballad 170 R&B Ballad R&B Ballad Slow Shuffle Slow Shuffle Slow 16Beat 175 Slow Ballad Slow Ballad Slow Ballad Very Slow 179 Funky Soul Funky Soul Soul Soul Soul Soul Peddler Funk 186 Soul Funk 187 Funk Machine 188 Super Funk 189 Oakland Funk Soul Ballad Elec Pop
207 Speed Funk Pop Funk Pop Funk Fusion Funk Fusion Funk FunkyShuffle 1
213 FunkyShuffle 2 Shuffle Funk 214 FunkyShuffle Gospel Gospel Gospel Gospel Pop Gospel Pop Gospel Pop Country Country Country Country Train Train Train Train Blue Grass Blue Grass Blue Grass Go Go Rock Go Go Rock Twist Twist Charleston Charleston 2 Funk 238 Its Jazz!! 239 Jazz Brush Jazz Brush Brush Pop Brush Pop Slow Brush Slow Brush Jazz Club Jazz Club Jazz Club Jazz Blues Jazz Blues 2 Jazz Waltz Jazz Club Brush Jazz Go Go Twist

Charleston

Gospel

Country

Blue Grass

Pop Rock

190 House Funk 191 Funky Boy 192 Funk Pop 193 Heavy Funk 194 Fast Funk 195 Funk Rock Funk Rock Funk Series A 198 Funk Series B 199 Funk Series C 200 Funk Series D 201 FunkStraight FunkStraight Perc Funk Perc Funk Perc Funk Speed Funk 1

Shuffle Pop

Category Jazz Waltz

Category Fusion

Pop Fusion 6/8 Fusion 5/4 Fusion 7/4 Fusion

Category Salsa

250 Jazz Waltz Jazz Waltz Jazz Waltz 6/8 Jazz 254 Jazz Ballad 255 Mid Blues Mid Blues Mid Blues 5/4 Jazz 5/4 Jazz Foxtrot Foxtrot Foxtrot SwingFoxtrot SwingFoxtrot 2 Swing Foxtrot 265 SwingFoxtrot 5/4 Swing 267 Swing Swing Swing Swing Big Jazz Hi 272 Big Jazz Low 273 Big Series A 274 Big Series B 275 Big Series C 276 Big Series D 277 Big Ballad Big Ballad Big Band Big Band Big Band Big Band Big Band 16BeatFusion 16BeatFusion 16BeatFusion Groove Six 288 8Beat Fusion 289 Bound Fusion Bound Fusion Contemporary Contemporary 2 Fusion Big Band Swing Foxtrot 5/4 Jazz Jazz Blues

EDIT... 14 EFFECT.. 13, 33, 86 Effect Patch.. 43, 86 EFFECT TYPE... 86 ENTER... 14 EQ... 100, 108 EQUALIZER... 98 Equalizer... 108 ERASE... 63, 78 Erase.. 63, 66, 80 EXIT... 14 Expression Pedal... 91 EZ COMPOSE... 15, 6870 EZ Compose.. 6768
CHORD... 58 CHORD PROGRESSION.. 15, 69 Chord Progression.. 3839, 58, 69 CHORUS... 94 CLEAR... 66, 80 Clear... 80 COMMON... 108 COMP... 109, 111 COMPRESSOR.. 94, 96 Compressor.. 109, 111 Contrast... 20
FACTORY RESET.. 146 Factory Reset... 146 Fast-Forward ( )... 14 FAVORITE.. 15, 116117 FILL... 60
FILL IN.. 15, 60, 70 Fill-In... 38, 60, 70 FLANGER... 95 FOOT SWITCH... 122 Foot Switch... 121 FS-5U... 121 FS-6... 121 FX.... 43, 92
GFX... 117 GHOST NOTE.. 72 Ghost Note... 72 GROOVE... 7173 GROOVE MODIFY.. 15 Groove Modify.. 67, 71 GTR MULTI.. 43, 92 GUITAR... 119 GUITAR AMP.. 119 GUITAR AMP/ACOUSTIC SIM. 93 Guitar Multi... 43 GUITAR/BASS INPUT.. 13, 15, 32, 85
Key Shift.. 27, 50, 53, 77, 82 Kick... 71 KICK SNR... 68 KIT... 13, 28, 6870, 106 Kit... 28, 3840, 123 Kit Edit... 105 kit Name... 113 Kit Number... 53, 77 Kit Select.. 77 Kit SelMod.. 123
LARGE... 70 LCD... 20 Level... 107, 110, 123 LINE/PHONES... 119 LINK... 123124 LOOP.. 14, 82 Loop... 82 Loop End... 77, 82 Loop Start... 77, 82 Low EQ.. 119
HH CYM... 68 HH/Cym... 71 High EQ... 119
MANUAL.. 123124 MASTER.. 107108, 110111, 119 Master... 128 MASTER OUT.. 16, 45 MASTER TUNE.. 91, 120 MASTER VOLUME... 13 Maximum Polyphony.. 41 MEAS.... 68 Measures... 53, 123 MERGE... 62 MIDI.. 16, 125126, 128, 131, 134 MIDI Ch. Bass.. 126, 135, 137 MIDI Ch. Drum.. 126, 135, 137 MIDI Channel... 126 MIDI Communication.. 133, 143 MIDI IN.. 125 MIDI OUT.. 125 MODE... 134 Mute Group... 107
IFX (BASS).. 110 IFX (KICK)... 107 IFX (OTHERS).. 107 IFX (SNARE)... 107 IMPORT.. 135, 137 Import... 133, 135 IND. A.. 107108, 110111 IND. A+B.. 108, 110111, 119 IND. B.. 107108, 110111 INDIVIDUAL.. 16, 45 INFO.. 53, 76 Init.Tempo... 76 INS. FX... 108, 111 INSERT... 62 Insert.. 62, 78 Insert Effect.. 40 Inst.. 61, 63, 107, 123 Install... 143 Instrument... 23, 40 INTERNAL... 128 INTERVAL... 70
NAME.. 65, 79, 88, 103, 113 ND. A+B... 107 NOISE SUPPRESSOR.. 93 NORM... 56 NOTE... 55, 57 NOTE DATA FIX.. 65 Note Message.. 127 Note Number.. 127 Num of Meas... 6164
KEY... 15, 27, 50, 69, 82 Key... 27, 50, 53, 82 Key Pad.. 15, 23
OCT... 56 OCT. SHIFT... 59 ON-BASS... 59 Operating System.. 134 OS... 134 Out Assign. 45, 107108, 110111 Output Assign.. 45 Output Sel.. 119 OUTPUT SETTING.. 13, 119 Output Setting.. 45, 119
Qtz... 5658 Quantize... 54
RANGE... 58 Rate... 73 Realtime Recording.. 52 REC... 14 Rec Rehearsal... 54 Rec Standby.. 54 Rec. Velo.. 54 Rec.Key... 53 Recording... 5455 RECOVER.. 141142 Recover... 133, 141 REC-VEL.. 56 Reference Pitch... 91, 120 Rel. Time.. 107, 110 REMOTE... 128 REPLACE... 62 Reset ( )... 14 Resolution... 73 Rev. Send.. 107108, 110111 REVERB... 96 Rewind ( )... 14 ROOT.... 59 Rx MIDI Vol... 126

P.BEND... 57 PAD... 14, 23, 46, 57, 107, 120 Pad Bank... 23, 41, 46 Pad Parameter.. 107 Pad Sens... 120 PAN... 95 Pan... 107108, 110111 Part... 61, 63 PART COMMON.. 106, 110 PART LEVEL... 13 Part Level... 106 Patch Edit... 86 PATCH LEVEL... 86 Patch Name... 88, 103 PATTERN.. 15, 24, 49, 53, 68 Pattern.. 24, 3839, 68 Pattern Mode... 49 Pattern Name... 38, 65 Pattern Play Screen.. 19, 47 PERC... 68 Perc... 71 PHASER.. 95 PHONES.. 15 Pit. Coarse.. 107 PITCH BEND... 55 Pitch Bend... 57, 127 Pitch Fine... 107 Play ( )... 14 PLAY OPTION... 123124 POSITION... 56, 58, 60, 77 POWER... 16 PowerOnPtn... 124 Preset Kit... 28, 40 Preset Patch.. 30, 33, 4243 Preset Pattern... 24 Program Change... 127 Program Number.. 127 PTN... 117 P-WAH... 94
Save... 65, 79, 88, 103, 113 SENS... 54, 56 SETTING.. 126, 128, 131 Shelving... 101 SHIFT.... 14 SHUFFLE... 7273 Shuffle... 73 Slave.... 128 SMALL... 70 SMF... 133, 135 Snare... 71 SNG... 117 SONG.... 75 Song... 39 Song Mode... 75 Song Name... 79 Song Play Screen... 47 SONG/PATTERN.. 13, 24 Src... 61 Src Meas... 61 STEP REC... 55, 77 Step Recording... 52, 76 Stereo EQ... 100101 Stop ( )... 14 STORAGE... 134
STRAIGHT... 72 Sync Mode.. 128 Synchronize... 128
Tap Tempo.. 50, 81 Template... 7172 Tempo... 26, 3839, 50, 53, 81 TEMPO (TAP).. 15, 26, 50, 81 TIMES... 69 Times... 62 Tone.... 110 Total Sound Control.. 15, 30, 42 TREMOLO... 95 TSC.. 15, 30, 3839, 42, 99100 TSC Number... 53, 77 TSC Patch. 30, 3839, 42, 100, 123 TSC Select... 77 TSC SelMod... 124 TSC Switch.. 53, 77 TUNER... 13, 90 tuning.... 90 T-WAH... 97 TYPE... 59, 6869
USB... 16, 134, 137139, 141142 USB MIDI Driver.. 143 User Kit... 28, 40 User Patch... 30, 33, 4243 User Pattern... 24
VALUE.. 13, 47, 58 VEL... 57 Velocity Balance... 71 Velocity Modify.. 71 Voice... 41 Volume Message... 126
WRITE.. 65, 79, 88, 103, 113, 118 Write.. 65, 79, 88, 103, 113