INSTRUCTION MANUAL
Thank you for purchasing a Canon product.
The EOS-1Ds Mark II is a high-performance, digital AF SLR camera with a large (36mm x 24mm), 16.70-megapixel CMOS sensor. The camera is compatible with all Canon EF lenses (except the EF-S lens) and designed for quick shooting at will. Besides high-precision Area AF, the camera has many features for all types of photography, from fully automatic snapshooting to professional-level, creative work. Read this Instruction Manual to familiarize yourself with the proper operation of this camera.
Test the Camera Before Using
Before using the camera, take a few test shots and check that the images are properly recorded on the memory card. If the camera or memory card is faulty and the images cannot be recorded or read by a personal computer, Canon cannot be held liable for any loss or inconvenience caused.

Copyrights

Copyright laws in your country may prohibit the use of images of people and certain subjects for anything but private enjoyment. Also be aware that certain public performances, exhibitions, etc. , may prohibit photography. Canon and EOS are trademarks of Canon Inc. Adobe is a trademark of Adobe Systems Incorporated. CompactFlash is a trademark of SanDisk Corporation. Windows is a trademark or registered trademark of Microsoft Corporation in the United States and other countries. Macintosh is a registered trademark of Apple Corporation in the United States and other countries. SD is a trademark. All other corporate names and trademarks mentioned in this manual are the property of their respective owners. * This digital camera supports Design rule for Camera File System 2.0 and Exif 2.21 (also called Exif Print). Exif Print is a standard that enhances compatibility between digital cameras and printers. By connecting to an Exif Print-compliant printer, the camera setting information is incorporated and optimized to obtain better print output quality.

Item Check List

Check that all the following items have been included with your camera. If anything is missing, contact your dealer. The accessories included can also be checked in the System Map (p.170 ).
EOS-1Ds Mark II / Camera body (Eyecup, body cap, and battery compart-
ment cap attached. Built-in lithium battery for date/time.)
Ni-MH Pack NP-E3 (protective cover and instructions included) Ni-MH Charger NC-E2 (Instructions included) DC Coupler Kit DCK-E1 (Instructions included) Wide Strap L5 Interface Cable IFC-450D4 Interface Cable IFC-400PCU Video Cable VC-100 EOS DIGITAL Solution Disk Digital Photo Professional Disk Pocket Guide
Quick start guide to shooting.
EOS-1Ds Mark II Instruction Manual (this booklet) EOS-1Ds Mark II Software Instruction Manual
Explains the procedure for transferring images to a personal computer and for RAW image processing.
Digital Photo Professional Main Function Quick Guide Warranty card
* Be careful not to lose any of the above items. * Using Canon memory cards is recommended.

Contents

Introduction
Item Check List... 3 Handling Precautions... 8 Nomenclature... 10 Conventions Used in this Manual.. 16

Getting Started

Recharging the Battery... 18 Installing and Removing the Battery.. 20 Using a Household Power Outlet.. 22 Mounting and Detaching a Lens... 23 Installing and Removing the Memory Card.. 24 Basic Operation... 27 Menu Operations... 32 Restoring the Default Settings... 36 Dioptric Adjustment... 37 Setting the Date and Time... 38 Replacing the Date/Time Battery.. 39 Cleaning the CMOS sensor... 40 Attaching the Neck Strap and Hand Strap... 42

2 Image Settings

Setting the Image-recording Quality.. 44 Setting the ISO Speed... 47 Selecting the White Balance.. 48 Custom White Balance... 49 Setting the Color Temperature... 51 White Balance Correction... 52 White Balance Auto Bracketing.. 53 Selecting the Color Matrix... 55 Creating Custom Color Matrix Settings.. 56 Setting the Processing Parameters... 58 Setting the Folder and Memory Card.. 60 Creating a new folder... 60 Selecting a Folder... 61 Selecting the Memory Card.. 61 Using Both Memory Cards for Image Recording (Backup). 62 File Numbering Methods.. 63
3 Autofocus and Drive Modes
Selecting the AF Mode... 66 Selecting the AF Point... 68
Registering and Switching the AF Point..70 AF Point Activation Area..72 AF Sensitivity and Lens Maximum Aperture..73 When Autofocus Fails (Manual Focusing)...75 Selecting the Drive Mode..Self-timer Operation...78

4 Exposure Control

Selecting a Metering Mode...80 Program AE....84 Shutter-Priority AE....86 Aperture-Priority AE...88 Depth-of-eld Preview...89 Manual Exposure...90 Setting Exposure Compensation..92 Auto Exposure Bracketing...93 AE Lock....95 Bulb Exposures....96 LCD Panel Illumination...96 Mirror Lockup...97 Eyepiece Shutter....97 Flash Photography....98

If you drop the equipment and the casing breaks open to expose the internal parts, do not touch the internal parts due to the possibility of electrical shock. Do not disassemble or modify the equipment. High-voltage internal parts can cause electrical shock. Do not look at the sun or an extremely bright light source through the camera or lens. Doing so may damage your vision. Keep the camera from the reach of small children. The neck strap can accidentally choke the child. Do not store the equipment in dusty or humid places. This is to prevent re and electrical shock. Before using the camera inside an airplane or hospital, check if it is allowed. Electromagnetic waves emitted by the camera may interfere with the planes instruments or the hospitals medical equipment. To prevent re and electrical shock, follow the safeguards below: - Always insert the power plug all the way in. - Do not handle a power plug with wet hands. - When unplugging a power plug, grasp and pull the plug instead of the cord. - Do not scratch, cut, or excessively bend the cord or put a heavy object on the cord. Also do not twist or tie the cords. - Do not connect too many power plugs to the same power outlet. - Do not use a cord whose insulation has been damaged. Occasionally unplug the power plug and use a dry cloth to clean off the dust around the power outlet. If the surrounding is dusty, humid, or oily, the dust on the power outlet may become moist and short-circuit the outlet to cause a re.
Preventing Injury or Equipment Damage
Do not leave equipment inside a car under the hot sun or near a heat source. The equipment may become hot and cause skin burns. Do not carry the camera around while it is attached to a tripod. Doing so may cause injury. Also make sure the tripod is sturdy enough to support the camera and lens. Do not leave a lens or lens-attached camera under the sun without the lens cap attached. Otherwise, the lens may concentrate the suns rays and cause a re. Do not cover or wrap the battery-recharging apparatus with a cloth. Doing so may trap heat within and cause the casing to deform or catch re. If you drop the camera in water or if water or metal fragments enter inside the camera, promptly remove the battery pack and back-up battery. This is to prevent re and electrical shock. Do not use or leave the battery pack or back-up battery in a hot environment. Doing so may cause battery leakage or a shorter battery life. The battery pack or back-up battery can also become hot and cause skin burns. Do not use paint thinner, benzene, or other organic solvents to clean the equipment. Doing so may cause re or a health hazard.

Adobe RGB

L-saturat. CM set 1 & 2 Set up
Creating Custom Color Matrix Settings
You can customize the following color matrix settings: ([Color space], [Saturation] [Color tone])
Select [Set up]. 2 Hold down the <X> button and
turn the <5> dial to select [Set up]. Then let go of the button.
the 3 Select downCM Set No.> button and Hold the <X
turn the <5> dial to select [CMSet 1] or [CMSet 2]. Then let go of the button.
the 4 Select downitem<to be set. and Hold the X> button
turn the <5> dial to select the desired item. Then let go of the button.
desired setting. 5 Set thedown the <X> button and Hold
turn the <5> dial to select the desired setting. Then let go of the button. Press the <M> button to return to step 2.
the 6 Select downCM Set No.> button and Hold the <X
turn the <5> dial to select the CM Set No. that was set. Then let go of the button.

Color Matrix Settings

Color matrix 1 Standard 2 Portrait 3 H-saturat. 4 Adobe RGB 5 L-saturat. Color space sRGB sRGB sRGB Adobe RGB sRGB Saturation Standard Standard High Standard Low Color tone 0 -0 0
When [Color tone] is a negative value, it will be more reddish. A positive value makes it more yellowish. In accordance with the Design rule for Camera File System 2.0 (Exif 2.21) standard, the le number of images captured in the Adobe RGB color matrix will start with an underbar (_).
3Setting the Processing Parameters
The image you capture can be processed automatically by the camera according to one of three sets of processing parameters ([Tone Curve], [Sharpness], and [Contrast]) you set. To register the tone curve, use the provided software. Parameter
Tone Curve Sharpness Contrast

Effect

Change the image brightness, color tone, etc. The higher the setting, the sharper the image. The higher the setting, the higher the contrast.

Select [Parameters].

Select the <z> tab. Hold down the <X> button and turn the <5> dial to select [Parameters]. Then let go of the button.
[Set up]. 2 Select down the <X> button and Hold
turn the <5> dial to select [Set up]. Then let go of the button. s The set up screen will appear.
the set. 3 Select downSet No. to bebutton and Hold the <X>
turn the <5> dial to select [Set 1], [Set 2], or [Set 3]. Then let go of the button.
turn the <5> dial to select the parameter. Then let go of the button.
the 5 Select downdesired setting. and Hold the <X> button
turn the <5> dial to select the desired setting. Then let go of the button. Pressing the <M> button will return you to step 2.
the 6 Select downSet No. that> was set. Hold the <X button and

Selecting the Drive Mode

Select the drive mode.
Hold down the <W> and <Q> buttons and turn the <6> dial to select the drive mode. Then let go of the buttons. u Single shooting i Continuous shooting: Max. 4 shots per sec.
When you shoot, the images are rst stored in the cameras internal memory and then transferred to the memory card. When the internal memory becomes full during continuous shooting, the camera cannot continue to take more pictures until the images are transferred to the memory card. As the images are transferred to the memory card, you will be able to take more pictures. Press the shutter button halfway to see the maximum burst for continuous shooting in the viewnders lower right. The maximum burst is displayed even when there is no memory card in the camera. Make sure a memory card has been installed before shooting. If Card Full is displayed in the viewnder and on the LCD panel, wait until the access lamp turns off or stops blinking, then replace the memory card.

Self-timer Operation

Select the self-timer mode.
Hold down the <W> and <Q> buttons and turn the <6> dial to select the desired self-timer mode. Then let go of the buttons.

k: 10-sec. selftimer

l: 2-sec. selftimer
the 2 Focus in thesubject. and press the Look viewnder
shutter button halfway to check that the focus conrmation light is on and the exposure setting is displayed.
3 Take the picture.button completely. Press the shutter
The self-timer lamp will start blinking to indicate that it is counting down. The lamps blinking will become faster two seconds before the picture is taken.
Do not stand in front of the camera when you press the shutter button to start the self-timer. Doing so will throw off the focus. Use a tripod when you use the self-timer. To cancel the self-timer after it starts, set the <4> switch to <2>. When using the self-timer to shoot only yourself, use focus lock (p.67) for an object at about the same distance as where you will be. The 2-second self-timer is effective for close-ups or photo duplicating work to prevent camera shake (camera movement while the shutter button is pressed).

Exposure Control

You can set the optimum metering mode, drive mode, and shooting mode (d/s/f/a) to suit the particular subject. Other easy-to-use features are also provided for diverse shooting.
First set the <4> switch to <1>. If necessary, also set the <7> switch to <1>.

qSelecting a Metering Mode
Select the metering mode.
Hold down the <Q> button and turn the <6> dial to select the desired metering mode. Then let go of the button.

q Evaluative Metering

This is the cameras standard metering mode suited for most subjects even under backlit conditions. After detecting the subjects position in the viewnder; the brightness, background, front and back lighting conditions; and camera orientation (horizontal or vertical), the camera sets the proper exposure.

w Partial Metering

Effective when the background is much brighter than the subject due to backlighting, etc. The metering is weighted at the center covering about 8.5% of the viewnder area.

r Spot Metering

This is for metering a specic part of the subject or scene. The metering is weighted at the center covering about 2.4% of the viewnder area.
e Centerweighted Averaged

Metering

The metering is weighted at the center and then averaged for the entire scene.
AF Point-Linked Spot Metering
To make AF point selection faster, the selectable AF points can be limited to 11 (C.Fn-13-1) or 9 (C.Fn-13-3). The AF point manually selected among the 11 or 9 will be linked to spot metering (2.4% of viewnder). (p.69, 151)
If you use ash, you can set ash exposure compensation by holding down the <Q> button and turning the <5> dial.

Multi-Spot Metering

With multiple spot meter readings, you can see the relative exposure levels of multiple areas in the picture and set the exposure to obtain the desired result.
1 Set the metering mode to spot metering. (p.80) the <I> button. 2 Pressthe spot metering point over the Aim
area where you want a relative exposure reading, then press the <I> button. s On the right of the viewnder, the relative exposure level will be displayed for the spot meter reading taken. The exposure setting displayed is the result of averaging the multiple spot meter readings.
While referring to the exposure level indicators three spot metering marks, you can set the exposure compensation to obtain the desired result.

Fast shutter speed

Slow shutter speed
Select <s> on the LCD panel.
Hold down the <W> button and turn the <6> dial to select <s>. Then let go of the button.
shutter 2 Set theatdesiredLCD panelspeed. Look the top and turn

the <6> dial.

subject. 3 Focus the shutter button halfway. Press the
The aperture value is set automatically.
4 Check the viewnder display and shoot.
As long as the aperture value is not blinking, the exposure will be correct.
If the maximum aperture blinks, it indicates underexposure. Turn the <6> dial to set a slower shutter speed until the aperture value stops blinking. Or increase the ISO speed.
If the minimum aperture blinks, it indicates overexposure. Turn the <6> dial to set a faster shutter speed until the blinking stops. Or decrease the ISO speed.
Shutter Speed Display The shutter speeds from 8000 to 4 indicate the denominator of the fractional shutter speed. For example, 125 indicates 1/125 sec. Also, 0"5 indicates 0.5 sec. and 15" is 15 sec.

fAperture-Priority AE

In this mode, you set the desired aperture and the camera sets the shutter speed automatically to suit the subject brightness. This is called aperture-priority AE. A larger aperture (lower f/number) will result in a blurred background ideal for portraits. The lower the f/number, the more blurred the background will become. If a smaller aperture (larger f/number) is used, the foreground and background will be in focus. The higher the f/ number, the clearer the focus will be for both near and far subjects. *f stands for Aperture value.

With a large aperture

With a small aperture
Select <f> on the LCD panel.
Hold down the <W> button and turn the <6> dial to select <f>. Then let go of the button.
aperture value. 2 Set theatdesiredLCD panel and turn Look the top
The shutter speed is set automatically.

AAE Lock

AE lock enables you to lock the exposure at a different place from the point of focus. After locking the exposure, you can recompose the shot while maintaining the desired exposure level. This feature is useful for backlit and spotlighted subjects.
1 Focus the subject. Press the <w> button. 2 Aim the viewnder center(9) the over
subject where you want to lock the exposure, then press the <A> button. s The <w> icon will light in the viewnder and the exposure setting will be locked (AE lock). Each time you press the <A> button, it locks the current exposure setting.
3 Recompose and take the picture. The exposure level indicator will show
the AE lock exposure level and the current exposure level in real-time. If you want to maintain the AE lock while taking more shots, hold down the <A> button and press the shutter button to take another shot.
Partial or spot metering is recommended for AE lock over a specic point. (p.80)

Bulb Exposures

When bulb is set, the shutter stays open while you hold down the shutter button fully. This method is called bulb exposure. Use bulb exposures for night scenes, reworks, etc., and other subjects requiring long exposures.
Display buLb on the LCD panel.
Hold down the <W> button and turn the <6> dial to select buLb. Then let go of the button.
2 Turn the <6> dial to set the aperture. Take the picture. 3 Press the shutter button completely.
The elapsed exposure time will be displayed on the LCD panel. q: sec. , w: min. , e: hour
Bulb exposures may result in grainy images due to picture noise. Under the menus <z> tab, set [Noise reduction] to reduce the noise. For bulb exposures, using Remote Switch RS-80N3 or Timer Remote Controller TC-80N3 (both sold separately) is recommended.

ULCD Panel Illumination

The <U> button on the upper right of the camera toggles the LCD panel illumination on and off. To end the bulb exposure, release the shutter button completely.

Mirror Lockup

Mirror lockup is enabled with C.Fn-12. (p.151) This prevents mirror vibrations which may blur the image during close-ups or when a super telephoto lens is used. Set Custom Functions with 3 <n>.
Press the shutter button completely.
The mirror will lock in the up position.
Again press the shutter button completely.
The picture is taken and the mirror goes back down.
In very bright light such as at the beach or ski ground on a sunny day, take the picture promptly after mirror lockup. During mirror lockup, do not point the camera lens at the sun. The suns heat can scorch and damage the shutter curtains. Bulb exposures cannot be used with the self-timer. During the self-timer countdown, if you let go of the shutter button, there will be a shutterrelease sound. This is not the shutter release (no picture is taken). During mirror lockup, the drive mode will be single shooting (u) to override the current drive mode (single or continuous). After 30 seconds, the mirror lockup will be canceled automatically. Pressing the shutter button completely again locks up the mirror again. For mirror lockup, using Remote Switch RS-80N3 or Timer Remote Controller TC-80N3 (both sold separately) is recommended.

Protected images cannot be erased with the cameras Erase function. To erase protected images, rst cancel the image protection.
KSound Recording for an Image
You can record and add sound to any image. The sound data is recorded in the image le and can be played with the software provided.
1 Display the image to have sound. the sound. 2 Recordthe <H> button for about 2 Press

microphone

sec. When [Recording] appears, keep pressing the <H> button and speak into the built-in microphone. The maximum time for a single sound recording is 30 sec. To end the sound recording, let go of the button. s Images having a sound recording will have the <j> icon displayed.
Sound recording is possible while in any image display format. Sound recording is not possible with a protected image. The camera cannot playback the sound. To make a sound recording longer than 30 sec. , repeat step 2 to make another recording for the same image. You can also record sound right after image capture during the image review by following step 2.

Erasing Images

You can erase a single image with the <L> button, erase all images in a folder, or use menu commands to erase all images in a memory card. Only protected images will not be erased. Once an image is erased, it cannot be recovered. Make sure you no longer need the image before erasing it. To prevent important images from being erased accidentally, protect it.

Erasing a Single Image

1 Display the image to be erased. the L> 2 PressErase<menubutton. at the The will appear
bottom of the screen. PTo exit the erase menu, press the <L> button again.
3 Erase the image. > button and turn Hold down the <L
the <5> dial to select [OK]. Then let go of the button. s The access lamp will light or blink and the image will be erased.
You can also follow steps 2 and 3 to erase the image right after capture during the image preview.
LErasing All Images in a Folder folder containing 1 Select the be erased. (p.61) the images to playback mode. 2 Set the the <V> button. Press
If the folder selection screen is displayed, hold down the <V> button and turn the <5> dial to set the playback mode. Any image display format is okay.
the L> 3 PressErase<menubutton. at the The will appear

bottom of the screen.

Erase select [ALL]. 4 On thedown themenu,button and turn Hold <L>
the <5> dial to select [ALL]. Then let go of the button. s The conrmation dialog will appear.
5 Erase the images.> button and turn Hold down the <L
the <5> dial to select [OK]. Then let go of the button. s The access lamp will light or blink and all the unprotected images in the folder will be erased.
3Erasing All Images in the Memory Card
Select [Erase all on card].

Camera Direct Printing

This section explains how to print your digital camera photos with a printer capable of direct printing via <w> PictBridge or Canons own <A> CP Direct or <S> Bubble Jet Direct standard.
Canon CP printer Canon BJ printer Non-Canon printer
Compatible with PictBridge
Compatible with PictBridge and CP Direct
Compatible with CP Direct only
Compatible with PictBridge and Bubble Jet Direct
Compatible with Bubble Jet Direct only

ACP Direct

Page 122 - 124 Page 129 - 131

wPictBridge

SBubble Jet

Direct

Page 122 - 128
Page 122 - 124 Page 132 - 134

Preparing to Print

You do the direct printing procedure entirely through your cameras LCD monitor. The operation method is the same as selecting and setting menu settings. For details, see Menu Operations (p.32).
1 Turn the Power switch to <2>. 2 Set up the printer. the printers For details, refer to

manual.

Connect the camera to the printer.
Refer to the table (Printers and Cables) on the next page to select the proper cable to connect the camera to printer. To connect to the printer, refer to the printers instruction manual.
1 images are not compatible with direct printing. Do not disconnect the cable during direct printing.

Printers and Cables

Printer Compatibility Suitable Cable

w w A w S A S

PictBridge only PictBridge and CP Direct PictBridge and Bubble Jet Direct CP Direct only Bubble Jet Direct only Cable provided with printer Only one plug has the <D> icon. Cable provided with camera Both plugs have the <D> icon.
4 Turn on the printer. the 5 Turn1>.cameras power switch to <
Some printers may have a beeping sound.
6 Playback the image. and one of The image will appear
three icons <w, A, S> will appear on the upper left to indicate that the camera is connected to the printer. The procedure will be different depending on the icon displayed. See the applicable pages below.

Select [All].

The All screen will appear.
setting. 2 Select the desired camera, select Depending on your
[Mark all in card] or [Mark all in folder]. If you select [Clear all in card], all the images in the memory card selected for printing will be deselected. If you select [Clear all in folder], all the images in the folder selected for printing will be deselected.
Print Order screen. 3 Exit the Print Order screen, press the On the
<7> button. The settings will be saved to the memory card, and the menu will reappear.
Note that 1 images cannot be selected for printing even when you set Mark all. When using a PictBridge printer, print no more than 100 images for one print order. If you specify more than this, all the selected images might not be printed.
Direct Printing with DPOF
With a printer compatible with direct printing, you can easily print images specied with DPOF.

Prepare to print.

See pages 122-123 and follow Preparing to Print up to step 5.
[Print Order]. 2 SelectPrint Order screen will appear. The
Select 3 [Print][Print].displayed only if the will be
camera is connected to the printer and printing is possible. s The set up screen will appear.
4 Set the printing options.
wPictBridge Set the [Paper settings] and <E> printing effects. (p.125) ACP Direct / SBubble Jet Direct Set the [Style]. (p.129/132)
5 Start printing. Select [OK].
s The printing will start. To stop the printing, press the <X> button while [Stop] is displayed, then press [OK].
When printing with a PictBridge or Bubble Jet Direct printer, be sure to set the paper size. With PictBridge, the le No. cannot be imprinted. If [Borders] is set, the date might be imprinted on the border, depending on the printer. The date might look light if it is imprinted on a bright background or border. With CP Direct, if [Print type] is set to [Index], the number of images printed on one index sheet will be as follows: Credit card size: 20 images L size: 42 images Postcard size: 63 images As for the number of index images with Bubble Jet Direct, see the BJ printers instruction manual. If you stopped the printing and want to continue printing the remaining images, select [Resume]. Note that printing will not resume if you stop the printing and any of the following occurs: You changed the print order. You deleted an image that was selected for printing. The memory cards remaining capacity was low when you stopped the printing. If there is a printing problem, see page 128 for PictBridge, page 131 for CP Direct, or page 134 for Bubble Jet Direct.

TV/Video

CF card

Card reader

SD memory card
Data Verification Kit DVK-E2

Specifications

Type: Recording medium: Image size: Compatible lenses: Lens mount: Digital AF/AE SLR Type I or II CF card, SD memory card 36 x 24mm Canon EF lenses (except EF-S lens) Canon EF mount High-sensitivity, high-resolution, large single-plate CMOS sensor Effective pixels: Approx. 16.70 megapixels Total pixels: Approx. 17.20 megapixels 3:2 RGB primary color lter Located in front of the image sensor, non-removable Design rule for Camera File System 2.0: JPEG and RAW JPEG, RAW (12bit)

Imaging Element

Type: Pixels: Aspect ratio: Color lter system: Low-pass lter:

Recording System

Recording format: Image format: RAW+JPEG simultaneous recording: File size:
Provided (1) L (Large): Approx. 5.5 MB (4992 x 3328 pixels) (2) M1 (Medium1): Approx. 3.2 MB (3600 x 2400 pixels) (3) M2 (Medium2): Approx. 2.6 MB (3072 x 2048 pixels) (4) S (Small): Approx. 1.9 MB (2496 x 1664 pixels) (5) RAW: Approx. 14.6 MB (4992 x 3328 pixels) * JPEG quality: 8 * Exact le sizes depend on the JPEG quality, subject, ISO speed, etc. Folder setting: Folder creation/selection enabled File numbering: (1) Consecutive numbering (2) Auto reset (3) Manual reset Processing parameters: Standard parameters plus up to three custom processing parameters can be set Color matrix: Five standard types plus two types that can be registered with color matrix Backup image recording: Enabled (Same image recordable on CF card and SD memory card)

Interface:

IEEE1394 for personal computers USB for direct printing Video output (NTSC/PAL) Auto, daylight, shade, cloudy, tungsten light, uorescent light, ash, custom, color temperature setting, Personal white balance (Total 10 settings) Auto white balance with the image sensor White balance bracketing: 3 stops in full-stop increments White balance correction: 9 stops in full-stop increments * Blue/amber bias or magenta/green bias possible

White Balance

Settings:
Auto white balance: Color temperature compensation:

Viewnder

Eye-level pentaprism Approx. 100 percent vertically and horizontally with respect to the effective pixels Magnication: 0.7x (1 diopter with 50mm lens at innity) Eyepoint: 20 mm Built-in dioptric adjustment: 3.0 - +1.0 diopter Focusing screen: Interchangeable (9 types), Standard focusing screen: EcCIII Mirror: Quick-return half mirror (Transmission:reection ratio of 37:63, no mirror cut-off with EF 1200mm f/5.6 or shorter lens) Viewnder information: AF information (AF points, focus conrmation light), exposure information (shutter speed, aperture, manual exposure, spot metering circle, ISO speed, exposure level, exposure warning), ash information (ash ready, FP ash, FE lock, ash exposure level), white balance correction, JPEG recording, number of remaining shots, memory card information Depth-of-eld preview: Enabled with depth-of-eld preview button Eyepiece shutter: Built-in Type: Coverage:

Image Playback

Image display format:

Highlight alert:

Image Protection and Erase

Protection:

Erase:

Sound Recording

Recording method: File format: Recording time: The voice annotation recorded with the built-in microphone is attached to the image. WAV Max. 30 sec. per recording CP Direct, Bubble Jet Direct, and PictBridge-compatible printers JPEG images (Print ordering enabled with DPOF version 1.1) 20 Custom Functions with 65 settings 27 Possible

Direct Printing

Compatible printers: Printable images:

Customization

Custom Functions: Personal Functions: Camera setting saving/reading:

Power Source

Battery: One Ni-MH Pack NP-E3 * AC power can be supplied via the AC adapter and DC coupler. Number of possible shots: At 20C/68F: Approx. 1200 At 0C/32F: Approx. 800 * The above gures apply when a fully-charged Ni-MH Pack NP-E3 is used. Battery check: Automatic Power saving: Provided. Power turns off after 1, 2, 4, 8, 15, or 30 min. Back-up battery: One CR2025 lithium battery

Dimensions and Weight

Dimensions: Weight: 156 (W) x 157.6 (H) x 79.9 (D) mm / 6.1 x 6.2 x 3.1 in. 1215 g/42.9 oz. (body only. battery: 335 g/11.8 oz. )

Working Conditions

Working temperature range: 0C- 45C / 32F - 113F Working humidity: 85% or less
All the specications above are based on Canons testing standards. The cameras specications and physical appearance are subject to change without notice.
Digital Camera Model DS126081
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation. Note:This equipment has been tested and found to comply with the limits for class B digital devices, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures: Reorient or relocate the receiving antenna. Increase the separation between the equipment and receiver. Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. Consult the dealer or an experienced radio/TV technician for help. The cable with the ferrite core provided with the digital camera must be used with this equipment in order to comply with Class B limits in Subpart B of Part 15 of the FCC rules. Do not make any changes or modications to the equipment unless otherwise specied in the manual. If such changes or modications should be made, you could be required to stop operation of the equipment. Canon U.S.A. Inc. One Canon Plaza, Lake Success, NY 11042, U.S.A. Tel No. (516)328-5600

Camera: EOS-1Ds Mark II Lens: EF 70-200mm f/2.8L USM
2005 Gil Smith All Rights Reserved.

Fashion Photography

Melvin Sokolsky
As a photographer shooting fashion Ive found that the relationship between the

White Balance Controls

The EOS-1Ds Mark II has nine white balance modes plus PC-1 to PC-3, for registration of up to three temperatures. To fine-tune white balance, the 1Ds Mark II also features white balance compensation in addition to a number of different white balance bracketing options, for spot-on white balance in any number of lighting situations.
subject and photographer requires a highly responsive camera, even more so than in sports or journalism photography. In fashion, the cadence of shutter releases will spur on the models performance in a kind of dance with the photographer. In my experience, the EOS-1Ds Mark II has proved to be the best when used in tandem with the vast arsenal of lenses in the EOS line. I, in fact, prefer the 1Ds Mark II to any of the 22MP medium format backs both in terms of image quality and FPS response time. For the photo on the left, I deliberately placed the model in a cocoon of veils to create a situation that would produce moir and chromatic aberration problems that most cameras could not handle. The veils envelop the model with multiple layers to amplify the potential moir problem; clearly the EOS-1Ds Mark II performed flawlessly.

Color Matrix

Just as traditional photographers choose their film based upon considerations of light, saturation and color temperature, the EOS-1Ds Mark IIs Color Matrix function allows the photographer to change characteristics as if they were changing films or filters. There are 5 preset color matrixes and 2 customizable color settings, allowing photographers to fine-tune the color space to their specifications. Whether using the cameras preset color spaces, or customizing color settings for the shoot, photographers can expect precise, natural color, every time.

Canon Digital Camera Color Space
Camera: EOS-1Ds Mark II Lens: EF 70-200mm f/2.8L IS USM
2005 Melvin Sokolsky All Rights Reserved
Commercial Studio Photography

Michel Tcherevkoff

DIGIC II: Faster, Smarter Operation from Start to Finish.
Heres what I like about the Canon EOS system: Fast shooting, instant feedback,
instant changes in the color temperature, instant change of ISO. No more changing of film from B&W to tungsten to daylight and everything in between, its all right there. No more grain with high-speed film, no more need to shoot at low ISO to accommodate slow tungsten film. Plus, you keep only the best shots! I love the high-resolution sensor, and the big new LCD monitor is the best! Few corporations today have a commitment to innovative research and development based on the demand of its customers. Canon does. Pretty forward thinking!
Canons DIGIC II Image Processor turns information captured by the CMOS sensor into images of exceptional clarity and resolution. Photographers can expect precise, natural colors with smooth, lifelike gradations, spot-on white balance and speed in any number of lighting situations. By handling larger volumes of image data, the DIGIC II Image Processor also contributes to lower power consumption: about 1,200 shots can be taken on a full battery under normal conditions. Photographs can be recorded as JPEG images, RAW images, or both simultaneously with unprecedented control over image quality. Canon's newly developed proprietary CR2 RAW type compression method offers tremendous image quality, with rich 12-bit gradation and lossless image compression. Perfect for critical applications, amazing results can be achieved when processing Canons RAW images on a computer.
Camera: EOS-1Ds Mark II Lens: EF 50mm f/2.5 Compact Macro
2005 Michel Tcherevko= All Rights Reserved

Photojournalism

Vincent Laforet
EOS-1D Mark II N: You Spoke, We Listened.
The successor to the amazing EOS-1D Mark II, the EOS-1D Mark II N refines every facet of the photographic process, resulting in a faster, more fluid experience for the photographer. Retaining the EOS-1D Mark IIs 1.3x conversion factor and 8.2 Megapixel CMOS sensor, sophisticated 45-point AF, 21-zone Evaluative Metering, superb build quality and instant 0.2 second startup time, the EOS-1D Mark II N incorporates userrequested improvements such as an optional changeable focusing screen for critical focus in low light and a larger 2.5 inch LCD screen which provides a bigger image for playback, and can be viewed at 170 from all angles. ISO values can now be changed in the viewfinder, allowing photographers to change settings without taking the camera from their eye. The 1D Mark II N features these improvements, plus, all the shooting modes of the EOS 1 line and shutter speeds from 1/8000 to 30 sec.

In Photojournalism there is no such thing as a second chance - every moment is
unique and can never be reproduced. Therefore I need a camera system that is incredibly reliable, one that does not stand in between me and a photograph. I've come to rely on Canon cameras to not only capture the decisive moments but also to make photographs that I could not have otherwise. After five solid days of bad weather, and with a looming deadline, we finally got a clear sunset. I needed to capture a dramatic shot of the Chrysler Building but did not want to isolate it as its a vital part of the city and rooted to the streets below. Since the surrounding buildings are lower, they appeared in shadow while the Chrysler appears to be in spotlight. Flying high above New York in a helicopter banking at 45, with one chance to get the shot that will tell your story, you need confidence in your equipment, and thats why I use Canon.
Camera: EOS-1D Mark II N Lens: EF 16-35mm f/2.8L USM
2005 Vincent Laforet All Rights Reserved

Sports Photography

Peter Read Miller
Fast Capture, Faster Processing.
As the 1 designation has always been used for the flagship models in the EOS line, Canon has made no compromises with the construction and performance of the EOS-1D Mark II N. Photographers can expect an exceptional degree of performance and reliability on par with any film camera theyve ever used. In addition to lightning-fast 45-point AF, sophisticated tracking, predictive AF technology, and precise, instant metering, no matter the setting, the 1D Mark II N can shoot 8.5 JPEG images for up to 48 shots in one burst, and at least 22 consecutive RAW images. Shutter lag is a responsive 55 milliseconds. Starting up in 0.2 sec., the EOS-1D Mark II N demonstrates its speed immediately. The revolutionary DIGIC II Image Processor complements the 1D Mark II Ns speed in capturing images by processing and saving them with corresponding speed and precision.
Since I started using the EOS-1 system, Ive witnessed
Canons continual commitment to providing the most advanced, adaptable, and highest quality equipment to the professional photographer. Why did I switch to, and continue to use, Canon EOS cameras and EF Lenses? Durability, functionality and flexibility. As a sports photographer, my equipment needs to be as tough and adaptable as the athletes I cover. They dont accept excuses for second place and neither do my photo editors. The Canon EOS-1D Mark II Ns fast and accurate
auto-focus, high frame rate, plus the incredible sharpness of Canons bright telephoto lenses were all critical to my capturing the power and grace of Maria Sharapova. The high quality files, the larger buffer, the 2.5 inch LCD screen and improved playback all helped to make everything faster and easier.

Camera: EOS-1D Mark II N Lens: EF 70-200mm f/2.8L IS USM
2005 Peter Read Miller All Rights Reserved

Wedding Photojournalism

Denis Reggie
Canons Most Advanced Flash Metering System: E-TTL II.
The EOS-1D Mark II Ns advanced features are complemented by Canons proven E-TTL II flash metering technology. Unlike older systems, E-TTL II weighs and averages the flash metering, capturing the subject as a plane and not as a point. E-TTL II incorporates distance information from compatible EF Lenses for more versatile flash exposure control, rendering consistent flash exposures even if the subject contains various colors and levels of reflection. E-TTL II also eliminates underexposure that can occur with straight reflections by ignoring sensor areas that report abnormally high levels of light from the calculated reading. In addition, E-TTL II prevents overexposure when photographers lock focus and recompose the shot. In this case, E-TTL II calculates the flash output level according to the distance information, not simply the reading off of the subject. This means more consistent flash exposure results, no matter where the photographer chooses to focus.
A telling, gleeful moment is there for an instant and then gone. A cameras
ability to focus instantly and perfectly control flash exposure is often the difference between a moment lost and one captured forever. In dark reception halls, I often twist the head of my Speedlite flash to bounce off distant walls and ceilings, trusting Canons remarkable E-TTL II system to handle the tricky exposure challenge effortlessly. Whether that wall is yellow or blue, any color cast is instantly eliminated by the celebrated automatic white balance system. Difficult shots are now routine thanks to Canons industry-leading technology. I use Canon equipment with full confidence that I am using the finest photographic tools available in the world today.
Masked Focusing Screens (Ec and Ee versions available)
Ideal for portrait and wedding photographers, two new sets of focusing screens, featuring crop lines or black mask, help frame an image in a traditional 4 x 5 or square format. Compatible sets are available for the EOS-1 series cameras as well as the EOS 5D.
Camera: EOS-1D Mark II N Lens: EF 24-70mm f/2.8L USM
2005 Denis Reggie All Rights Reserved

Senior Portrait

Clay Blackmore
More Options for The Way You Work.
The EOS-1D Mark II N is one of the easiest cameras to customize to a photographers personal style of shooting. Six new Picture Style settings simulate the characteristics of different film styles, including Snapshot mode, for punchy, print-from-the-camera color, Portrait mode, for softer, more natural skin tones; Landscape, for vivid blues and greens and overall sharpness, plus Neutral, Faithful and Monochrome, which can be customized to emulate color filters with black and white film. Add Canons new interchangeable matte focusing screens, proven Custom and Personal functions (two card slots, one for CompactFlash (CF) and one for Secure Digital (SD) memory cards) with the ability to record JPEG and RAW image on different memory cards, simultaneously, and its clear that the 1D Mark II N is an incredibly adaptable photographic tool.

(Shown with optional Wireless File Transmitter WFT-E1A) Camera: EOS 5D Lens: EF 85mm f/1.2L USM
2005 Monte Zucker All Rights Reserved

Environmental Portrait

Michele Celentano
More Features, Less Camera!
The decidedly professional features of the EOS 5D are built into a newly designed compact, rugged and ergonomically designed body. Built with magnesium alloy body covers for strength and portability, measuring approximately 6" x 4.4" x 3" and under 2 lbs, the 5D is easy to carry during even the longest photo shoots. Even the grip is designed for all-day comfort, featuring a groove where the photographers middle finger falls. The metallic mode dial features roulette wheel grooving for a more positive feel, and all buttons and dials are clearly labeled and feature tactile cues, so use becomes purely instinctive. This elegant design follows over to the optional BG-E4 battery grip. With a shutter designed to take a professional 100,000 frames, the 5D is the perfect choice for a primary or secondary SLR.
In a lot of ways you are only as good as the tools you
uselearn to use the best tools properly and your advantage is miles high. As such, I believe that having my Canon cameras and lenses is critical at every job I photograph. Beautiful files, speedy focus, fast lenses, Image Stabilization, high ISOs, easy exposure compensation, and excellent dynamic range are critical to capturing moving moments in life and its those moments that I earn my living from. There can be no compromise. Photographing three little girls at sunset in this remote setting required all the elements that are important to my work. Having a compact, lightweight camera with the imaging power of the EOS 5D made this shoot possible. Without the right tools this shoot would not have been possible.
Camera: EOS 5D Lens: EF 70-200mm f/2.8L IS USM
2005 Michele Celentano All Rights Reserved

Nature Photography

George Lepp

The Result Is Clear.

The EOS 5D has been designed to provide the photographer with instant feedback, saving valuable time when reviewing images. A new 2.5 inch LCD screen with approximately 230,000 pixels not only displays more information, it can also be viewed from a far greater angle than many other conventional LCD screens (170). The full-featured shot information screen provides an RGB histogram, and displays the AF frames used. Magnification to check exposure and critical focus has never been faster, and it is now simple to jump quickly in image intervals up to 100. Menus are easily accessed at the touch of a button, and feature larger, easier-to-read text than previous models. Whether changing color parameters, setting up custom functions, organizing folders, setting white balance, or any other feature, the new screen is designed with the professional in mind. Photographers get to their information quickly, so they never lose a shot. Wrapped in magnesium-alloy, the BG-E4 adds buttons for vertical shooting, and takes either BP-511A batteries or AAs.

EF 24105mm f/4L IS USM

lens attached to the camera, a special group of lens elements automatically shift position, compensating for the movement and stabilizing the image. This compensatory effect adds the equivalent of up to three stops of exposure, expanding a photographers handheld options dramatically. Lenses using Canons Diffractive Optics are both high performance and more compact than those with traditional refractive designs. While conventional glass elements disperse incoming light, thereby causing chromatic aberration, Canons unique multi-layer diffractive elements work together with conventional glass optics to reduce the effects of dispersion and minimize or eliminate chromatic aberration. Diffractive coatings are bonded to the rear surface of one lens element and the front surface of another. These elements are attached together to form a single multi-layer diffractive (DO) element. This elements dispersion characteristics are reversed when compared to conventional optics, making it possible to cancel chromatic aberrations at each wavelength when conventional and DO elements are combined. Macro Lenses To bring small things into full-sized view, Canons EF lens lineup has a number of options for true close-up and macro photography. With macro lenses for precision, and three screw-on close-up lenses for conveniencein addition to EF Life-Size Converter and two Extension Tubes, Canon has a perfect close-up option for any situation. TS-E TS-E lenses are capable of tilt and shift movements, bringing many of the advantages of technical view cameras to the EOS system. Tilt movements alter the angle of the plane of focus between the lens and CMOS sensor (or film plane), making broad depth-of-field possible even at large apertures; shift movements move the lens optical axis in parallel, allowing the photographer to control perspective. Super Telephoto Canons Super Telephoto lenses are renowned for their optics, performance and speed. They can be found on the sidelines of every major sports event around the world. From the EF 300mm f/2.8L IS USM all the way to the EF 600mm f/4L IS USM, every professionals arsenal will be fortified with an L-series Super Telephoto.
Lens: EF 100mm f/2.8 Macro USM Lens: TS-E 24mm f/3.5L Tilt-Shift 2005 Gerry Kopelow All Rights Reserved
Canons Image Stabilizer (IS) technology makes handheld photography possible in more low-light situations than ever before. When camera shake occurs using normal lenses without IS technology, the image projected on the focal-plane also shakes, often resulting in blurred images at slower shutter speeds. In the same situation, with an IS

Camera with Master Slave Slave
Speedlite 430EX Significantly greater user control via new LCD panel on rear of flash. Wide-angle pull-down panel covers 14mm lens (on a full-frame camera). Slightly higher max. Guide number at 105mm setting (GN 141-feet, at ISO 100). Auto conversion of flash zoom coverage with compatible digital SLRs. White balance info communicated instantly to compatibe digital SLRs. Bounce upward to 90; swivel right (to 90) and left (180).
Speedlite Transmitter ST-E2 Dedicated transmitter to control unlimited number of compatible slave flashes. Compatible with Speedlite 580EX, 550EX, 430EX and 420EX. Controls compatible slave units up to 33 ft. outdoors and 49.5 ft. indoors.
2005 Gerd Ludwig All Rights Reserved
Wireless File Transfer: The Next Generation of Image Delivery
concentrate on shooting photographs, knowing that their images are being transferred in the background, automatically. Whether working on location, in the studio, shooting fashion or events, the WFT-E1A is an indispensable tool for todays pros. The WFT-E1A offers several different ways of transmitting image data: It can communicate directly with a local computer outfitted with a Canons Wireless File Transmitter WFT-E1A enables fast, wireless image transfer from EOS Digital cameras directly to a computer. This amazing productivity tool eliminates the need to stop and upload image files to the computer, allowing photographers to wireless LAN adapter, or with a direct Ethernet connection. It can also connect to a remote server through a Wireless Access Point connection. Built to withstand the rigors of professional shooting, the WFT-E1A is the perfect complement to a digital EOS System. Wireless Transmitter WFT-E1A Wireless LAN compatible (IEEE 802.11 B/G up to 54 mbps) for speedy image transmission during or after shooting. 100 Base-TX Ethernet connection for tethered, fast connection. Compatible with both USB 2.0 and IEEE 1394 (firewire) connections to the camera. Thin profile complements the design of the digital EOS Operable up to approx. 200 ft with normal. antenna, or up to approx. 500 ft with optional extended-range antenna. (ERA-E1) Offers high-security transfer using WPA-PSK, WEP and TKIP encryption (180 minutes wireless, 270 minutes wired).
For Sports Photojournalism
Wireless File transfer has already found a home with sports photographers and photojournalists, who benefit from the speed and ease of transferring images while they shoot: by transmitting images to a local computer, an assistant manages and transmits image files immediately. This way, the photographer can meet any deadline and can even get feedback on images while shooting. And, since they are transmitting their files, photographers dont have to worry about changing memory cards. Whether capturing the winning serve, or the handshake at the net, the photographer will never miss a minute of the action.

Publish

For Commercial Studio Photography
Studio photographers can transfer images automatically, either immediately or after the shooting session. In immediate mode, the art director, client, and assistants can be working, even off-site, giving feedback during the session for greater spontaneity and efficiency. In operation, images transfer to an FTP server via wireless or wired LAN. Wirelessly, the antenna supplied allows a 200 ft. range, more than sufficient for most studios. In wired mode, a port on the side of the unit connects, with an appropriate Ethernet cable, to a computer or other Ethernet device.

Layout

For Wedding Photography
Wedding photographers can have one less thing to worry about with the WFT-E1A attached to their camera. Free to roam about the ceremony and reception, photographers can feel confident knowing their images are being transferred to their computer as they shoot. They wont run out of memory cards or lose important shots while offsite downloading images to the computer. They can shoot either vertically or horizontally, transferring their images without worry of getting tangled up in wires. Results can be shared and orders can be taken on the spot, from clients and guests; showing photographs in print or on screen.
* Canon USA does not provide support for configuring TCP/IP, encryption or FTP on your computer and/or network. You should consult with your IT specialist or computer systems integrator to congure your computer and/or network for these services.
NOMENCLATURE for EOS-1Ds Mark II/EOS-1D Mark II N

VIEWFINDER INFORMATION

Spot Metering Circle Laser-matte Screen AF Point Area AF Ellipse Correct Exposure Index Exposure Level Increments : 1 stop : 1/3 stop Overexposure Flash Overexposure Exposure Level Flash exposure Level Flash Underexposure Underexposure Max. burst for continuous shooting JPEG Mark Shutter Speed Bulb AF Point Selection Mode ([ ], SEL) FE Lock Busy ( ) Aperture AF Point Selection Mode (AF, [ ], HP) Memory Card No. (1,2) Exposure Compensation Flash Exposure Compensation In-focus Indicator Remaining Shots ISO Speed Self-Timer Countdown ISO Speed Icon White Balance Compensation
Self-Timer Lamp Shutter Button Grip
PC Terminal Lens Release Button Remote Control Terminal (N3 type) Video OUT
High-speed sync (FP flash) Flash-ready Blinks when FE lock cannot be achieved * AE Lock AEB in-progress Multi-Spot metering M Manual Exposure

Depth-of-Field Preview Button

Digital Port

Vertical Grip Shutter Button
Direct Printer Port Battery Release Knob
Vertical Grip Main Dial Battery Hand Strap Eyelet Battery Release Button Tripod Socket Quick Control Dial Switch Viewfinder Eyepiece Eyecup LCD Monitor Protect/Sound Recording Button MENU Button SELECT Button DISPLAY Button Memory Card Selection/Enlarge Button Rear LCD Panel ERASE Button CLEAR Button Image Recording Quality Selection Button White Balance Button White Balance Bracketing Button Recording Microphone LCD Panel Illumination Button AEB Button Shooting Mode Selection Button AF Mode Selection Button Metering Mode Selection/Flash Exposure Compensation Button ISO Speed Button Drive Mode Selection Button Dioptric Adjustment Knob Flash-sync Contacts Hot Shoe Eyepiece Shutter Lever Vertical FE Lock/Multi-Spot Metering Button Vertical Operation ON/OFF Switch Vertical Assist Button/White Balance Compensation Button (WB button pressed simultaneously) Power Switch FE Lock/Multi-Spot Metering Button Quick Control Dial Assist Button/White Balance Compensation Button (WB Button pressed simultaneously) AE Lock/Reduce Button AF Point Selector/Enlarge Button Memory Card Slot Cover Memory Card Slot Cover Knob Access Lamp Vertical AE Lock/Reduce Button Vertical AF Point Selector/ Enlarge Button
TOP LCD PANEL INFORMATION
Shooting Mode P : Program AE M : Manual Exposure T : Shutter-priority Ae V : Aperture-priority Ae Aperture AEB amount AF Point Selection Mode (AF, [ ], HP) Memory Card No. (1,2) Metering Mode Evaluative Metering Partial Metering Spot Metering Center-weighted Average Metering Battery Level Mark Shutter Speed Bulb Bulb Exposure Time (Min.:Sec.) AF Point Selection Mode ([ ], SEL) FE Lock Busy ( ,PC ) Error ( )
Shots Remaining ISO Speed Self-timer Countdown Bulb Exposure Time Error Code Remaining Images to Record AF Mode One-Shot AF AI SERVO AF Drive Mode Single Continuous Shooting* High-speed Continuous Shooting** Low-speed Continuous Shooting** Self-timer (10 sec.) Self-timer (2 sec.) Exposure Level Scale Exposure Compensation Level AEB Amount Flash Exposure Compensation Level
Personal Function Mark Flash Exposure Compensation
REAR LCD PANEL INFORMATION (EOS-1Ds Mark II)
White Balance Auto Daylight Shade Cloudy Tungsten Light Fluorescent Light Flash Custom Color Temperature Image Quality Large Medium1 Medium2 Small RAW RAW+Large RAW+Medium1 RAW+Medium2 RAW+Small Blue/Amber/ White Balance Correction Folder No. White Balance Bracketing Level File No. Color Temperature Personal White Balance Green/Magenta/ White Balance Correction Data Transfer Mark

Special Features

Autofocus System No. of Focusing Points Autofocus Sensitivity Shutter Shutter Speeds Maximum Flash Synchronization Speed Storage Media Frames Per Second
TTL-AREA-SIR CMOS Sensor. One-Shot and AI Servo AF with Focus Prediction. Manual focusing conrmation possible with EF Lenses. Automatic or manual focus point selection. Forty-five (Area AF Ellipse) Seven central high-precision cross-type AF points. EV 0-18 (at ISO 100). Vertical-travel, focal-plane shutter with soft-touch electromagnetic release, all speeds electronically controlled. 301/8,000 sec. & Bulb; manually selectable in 1/3 stop increments. 1/250 sec.; high-speed sync. available with EX-series Speedlites. Digital images are stored on removable CompactFlash (Type I & II) or SD memory card. Single, 4.0 fps. (Can be altered in 1 fps increments with Personal Function) TTL full-aperture metering: 21-zone evaluative metering 8.5% partial metering 2.4% center spot metering 2.4% spot metering (linked to user-selected focusing point) Single, 3.0 fps, 8.5 fps (Can be altered with Personal Function) TTL full-aperture metering: 21-zone evaluative metering 13.5% partial metering 3.8% center spot metering 3.8% spot metering (linked to user-selected focusing point)

Metering System

Multi-Spot metering (up to 8 spot readings) Center-weighted average metering Pre-flash metering (E-TTL II)
Metering Sensitivity Exposure Compensation Flash Exposure Compensation AE Lock Exposure Modes White Balance Auto White Balance Color Temperature Compensation* Viewnder Viewnder Coverage
EV 020 for all patterns (at ISO 100 with f/1.4). 3 stops in 1/3 or 1/2-stop increments. 3 stops in 1/3 or 1/2-stop increments. Yes. Shutter Speed-priority AE Intelligent Program AE Manual Flash Metered Manual Aperture-priority AE with variable shift E-TTL II Flash AE Bulb Settings: Auto, Daylight, Shade, Cloudy, Tungsten Light, Fluorescent Light, Flash, Custom, Color Temperature, Personal White Balance (total 10 settings). image sensor. White Balance bracketing: 3 stops in full-stop increments. White Balance correction: 9 stops in full-stop increments. * Blue/Amber bias or Magenta/Green bias possible. Fixed eye-level pentaprism. 100% horizontal and vertical at 0.7x. 100% horizontal and vertical at 0.72x.
Settings: Auto, Daylight, Shade, Cloudy/Twilight/Sunset, Tungsten Light, White Fluorescent Light, Flash, Custom, Color Temperature (total 9 settings). image sensor. White Balance bracketing: 3 stops in full-stop increments. White Balance correction: 9 stops in full-stop increments. * Blue/Amber bias on Magenta/Green bias possible. Fixed eye-level pentaprism. 96% horizontal and vertical at 0.71x. Inside the picture area: Nine focusing points, 3.5% Partial metering circle. Displayed at the bottom of the viewing area: Shutter speed Exposure level scale FP mode indicator Aperture value Flash status (high-speed sync) AE Lock Flash expsure compenstion Remaining frames in burst FE Lock AF-in-focus indicator Red-Eye reduction

Viewnder Information

Inside the picture area: Area AF ellipse, illuminated AF frames and spot metering circle. Displayed at the bottom and right side of the viewing area: Manual exposure level Exposure compensation/ Shutter speed Flash compensation Remaining frames in burst Aperture Value Exposure level/ AE Lock Multi-Spot readings ISO Speed Flash exposure level FE Lock
JPEG Indication Hi-speed flash sync White Balance +
CF card full warning White Balance +/ Focus Confirmation
Focusing Screens Self-Timer LCD Monitor
Laser-matte screen Ec-C III, with area AF ellipse and fine spot metering circle provided as the standard screen (interchargeable with Ec-series focusing screens. Metering correction data can be set with a Custom function for the Laser-matte and New Laser-matte screens). Masked Focusing Screens (Ec and Ee versions available) Electronically controlled with 2- or 10-second delay. TFT color liquid-crystal type; 2.0 in. with approx. 230,000 pixels. 100% coverage with respect to the e=ective pixels. Brightness adjustment available with 5 levels. 12 interface languages. TFT color liquid-crystal type; 2.5 in. with approx. 230,000 pixels. 100% coverage with respect to the effective pixels. Brightness adjustment available with 5 levels 15 interface languages.
Ee-A , Ee-D and Ee-S Masked Focusing Screens (Ec and Ee versions available) Electronically controlled with 2- or 10-second delay. TFT color liquid-crystal type; 2.5 in. with approx. 230,000 pixels. 100% coverage with respect to the effective pixels. Brightness adjustment available with 5 levels. Single Image, 9-image index, Magnified zoom (approx. 1.5-10x), Auto Play, Jump (by 1/10/100 images, with 9-image index, during magnified view, during the menu display), Rotated image can be displayed. Highlight alert is displayed in Single Image (INFO.) formats, any overexposed highlight areas blink in the image display. N/A Compatible printers: SELPHY Compact Photo Printers, CP Direct, PictBridge compatible printers. 6.0 x 4.4 x 3.0 in. / 152 x 113 x 75mm 28.6 oz. / 810g
Image Playback Sound Recording Direct Printing Body Dimensions (W x H x D) Weight (Body Only)
Single Image, Single Image (INFO.), 4-image index, 9-image index, Magnified zoom (approx. 1.5x 10x), Rotated image can be displayed. Highlight alert is displayed in Single Image and Single Image (INFO.) formats, any overexposed highlight areas blink in the image display. Voice annotation recorded with the built-in microphone and attached to the image in WAVE format. Compatible printers: SELPHY Compact Photo Printers, CP Direct, PictBridge compatible printers. 6.1 x 6.2 x 3.1 in. / 156 x 157.6 x 79.9mm 43.0 oz. / 1,220g 43.2 oz. / 1,225g

CUSTOM FUNCTION CHART (EOS-1 series)
Custom Function No. C. Fn-01 C. Fn-02 C. Fn-03 C. Fn-04 Function Description Setting Finder display during exposure EOS-1Ds Mark II EOS-1D Mark II N
0 No viewnder display 1 Finder display on 0 Possible without card Shutter release without CF card 1 Not possible None (ISO Speed extension moved to menu) 0 AF/AE lock 1 AE lock/AF Shutter button/ AE Lock button 2 AF/AF lock, no AE lock 3 AE/AF, no AE lock Tv= Av= 0 Tv= Av= 1 Manual Tv/Av set. for M exp. Tv= Av= w/o lens Tv= Av= w/o lens 0 1/3-stop set, 1/3-stop comp Exposure level 1 1-stop set, 1/3-stop comp increments 2 1/2-stop set, 1/2-stop comp 0 Turns on after One-Shot AF USM Lens 1 Turns o= after One-Shot AF electronic MF 2 Always turned o= Disabled in AF mode 0 Remaining Shots/File No. 1 ISO/Remaining Shots Top LCD panel/ Back LCD panel 2 ISO/File No. 3 Shots in folder/Remaining Shots +/Auto cancellation +/No cancellation Auto bracketing sequence/cancel 2 0 +/Auto cancellation 3 0 +/No cancellation 0 On 1 O= AF point illumination On without dimming Brighter 0 = + = + 1 = + + = + + AF point selection method 2 = only = + 3 = + = + 0 Disable Mirror lockup 1 Enable 0 45/Center AF point 1 11/Active AF point Number AF points/ 2 11/Center AF point Spot metering 3 9/Active AF point 4 N/A 9/Center AF point 0 Evaluative flash metering E-TTL II 1 Averaged flash metering 0 1st-curtain synchronization Shutter curtain synchronization 1 2nd-curtain synchronization 0 Disable Safety shift in Av or Tv 1 Enable 0 Single AF point AF point 1 Expand (TTL. of 7 AF points) activation area 2 Automatic expand (max. 13) + 0 Switch to registered 1 AF point 2 Only while pressing 0 AF stop 1 AF start 2 AE lock while metering Lens AF stop button function 3 AF point: M Auto/Auto Ctr. 4 AF mode: ONE SHOT AI SERVO 5 IS start 0 Standard 1 Slow AI SERVO 2 Moderately slow tracking sensitivity 3 Moderately fast 4 Fast 0 N/A Disable Drive speed priority AI SERVO 1 N/A Enable 0 N Ec-N, R 1 L Ec-A, B, C, CII, CIII, D, H, I, L Focusing Screen 2 N/A P Ec-S
CUSTOM FUNCTION CHART (EOS-5D)
Custom Function No. Function Description Setting