This chapter explains a few preparatory steps and basic operations with the EOS-1Ds Mark II.

Recharging the Battery

For details on using the battery, refer to the instructions for the Ni-MH Pack NP-E3 or Ni-MH Charger NC-E2.

Connect the power cord.

The <POWER> lamp will light.
2 Detach the protective cover and connect the battery.
Attach the cover to the battery compartment cap and store it. Whenever the battery is out of the camera, be sure to attach the protective cover to prevent a short circuit.
3 Recharge the battery.battery, the When you connect the
recharging will start automatically and the <CHARGE> lamp will light. s When the battery is fully recharged, the lamp will blink quickly (twice per sec.). s It takes about 120 minutes to fully recharge a completely exhausted battery. After recharging the battery, disconnect it and unplug the power cord from the power outlet.
Installing and Removing the Battery

Installing the Battery

Detach the battery compartment cap.
Grasp both sides of the cap and pull it off.
2 Insert the battery. while pushing it Insert the battery and
in, turn the release handle as shown by the arrow.
If the batterys rubber lining (to repel water) is not clean, use a moist cotton swab to wipe it clean. Rubber lining
Checking the Battery Level
When the <4> switch is set to <1> (p.27), the battery level will be indicated as follows:
z : Battery level OK. x : Battery level is low.
b : Battery will be exhausted soon. n : Battery must be recharged.

Battery Life

Temperature

At 20C / 68F At 0C / 32F

Shots remaining

Approx. 1200 Approx. 800

The gures above are based on CIPA (Camera & Imaging Products Association) testing criteria.
The actual number of shots may be fewer than indicated above depending on the shooting conditions. The number of possible shots will decrease with more frequent use of the LCD monitor. The number of possible shots will also decrease if you hold down the shutter button halfway for prolonged periods or only activate the autofocus without taking a picture. If you keep recharging the Ni-MH battery without fully exhausting it rst, the batterys capacity will decrease. To learn how to avoid a decrease in the battery capacity, refer to the Ni-MH Charger NC-E2s instructions.

Removing the Battery

Flip out the battery release handle and turn it as shown by the arrow.
battery release 2 Press theout the battery. button and take
Using a Household Power Outlet

Q W E R Y U I O

About White Balance
The three RGB (red, green, and blue) primary colors exist in the light source in varying proportions depending on the color temperature. When the color temperature is high, there is more blue. And when the color temperature is low, there is more red. To the human eye, a white object looks white regardless of the type of lighting. With a digital camera, the color temperature can be adjusted with software so that the colors in the image look more natural. The subjects white color is used as the criteria for adjusting the other colors. The cameras <Q> setting uses the CMOS sensor for auto white balance.

3Custom White Balance

With custom white balance, you shoot a white object that will serve as the basis for the white balance setting. By selecting this image, you import its white balance data for the white balance setting.
Photograph a white object.
Make sure the plain, white subject lls the entire center spot metering circle. Set the lens focus mode switch to <g>, then focus manually. (p.76) Set any white balance setting. (p.48) Shoot the white object so that a standard exposure is obtained. If it is underexposed or overexposed, a correct white balance setting might not be obtained.
2 Select [Custom WB]. Select the <z> tab.
Hold down the <X> button and turn the <5> dial to select [Custom WB]. Then let go of the button. s The 9-image index display will appear.
the 3 Select downimage. > button and Hold the <X
turn the <5> dial to select the image you shot in step 1. Then let go of the button.
the balance data. 4 ImportdownwhiteX> button and Hold the <
turn the <5> dial to select [OK]. Then let go of the <X> button. s The images white balance data will be imported.
<O 5 Select down >. <B> button and turn Hold the
the <5> dial to select <O>. Then let go of the <B> button. s The custom white balance will be set.
Instead of a white object, an 18% gray card (commercially available) can produce a more accurate white balance.
Setting the Color Temperature
You can numerically set the white balances color temperature.
Select <P> for the white balance.
Hold down the <B> button and turn the <5> dial to select <P>.
color 2 Set thedown thetemperature. and turn Hold <B> button
the <6> dial to set the desired color temperature. Then let go of the button. The color temperature can be set from 2800K to 10000K in 100K increments.

When setting the color temperature for an articial light source, set white balance correction (magenta or green) as necessary. If you want to set <P> to the reading taken with a color temperature meter, take test shots and adjust the setting to compensate for the difference between the color temperature meters reading and the cameras color temperature reading.

White Balance Correction

You can correct the standard color temperature for the white balance setting. This adjustment will have the same effect as using a color temperature conversion or color compensating lter. Each color can be corrected to one of nine levels. Users familiar with using color temperature conversion or color compensating lters will nd this feature handy.
Hold down the <B> button and press the <u> button.
Hold down the <B> button. You can let go of the <u> button.
Hold down the < 2 the <6> or <5B> and turn > dial.
The <6> dial adjusts blue (B) and amber (A), and the <5> dial adjusts magenta (M) and green (G). You can adjust both blue (B)/amber (A) and magenta (M)/green (G). To cancel white balance correction, return the setting to 0.
During the adjustment, <a> will be displayed in the viewnder. One level of the blue/amber correction is equivalent to 5 mireds of a color temperature conversion lter. (Mired: measuring unit indicating the density of a color temperature conversion lter. ) You can also set white balance bracketing and AEB shooting in addition to the white balance correction.
White Balance Auto Bracketing
With just one shot, three images having a different color tone can be recorded simultaneously. Based on the white balance modes standard color temperature, the image will be bracketed with a blue/amber bias or magenta/green bias. This is called white balance bracketing. It can be set up to 3 levels in single-level increments.
Hold down the <B> button and press the <V> button.
The rear LCD panel will be as follows: Hold down the <V> button. You can let go of the <B> button.
down the < 2 Hold 6> or <5V> and turn the < > dial.
The <6> dial adjusts blue (B) and amber (A), and the <5> dial adjusts magenta (M) and green (G). You can only set either the blue (B)/ amber (A) bias or magenta (M)/green (G) bias. : OFF : 1 level : 2 levels : 3 levels s The number of remaining shots displayed on the LCD panel will be one-third the normal count.
3 Take the picture.images will be Three bracketed
recorded in the memory card in the following sequence: standard color temperature, decreased color temperature, and increased color temperature. To cancel white balance bracketing, return the setting to < >.
One level of the blue/amber correction is equivalent to 5 mireds of a color temperature conversion lter. You can also set white balance correction and AEB shooting in addition to the white balance bracketing. If you set AEB in combination with white balance bracketing, a total of nine images will be recorded for a single shot. During continuous shooting, the number of images recorded will be three times the number of shots taken. Since three images are recorded for one shot, the memory card will take longer to record the shot.

The left <f> tab shows the folders in the CF card, and the right <g> tab shows the folders in the SD card. The number next to the <f> and <g> tabs indicate the respective cards remaining capacity. 100EOS1D is the folder No. and the number on the right is the number of images contained in the folder.
A folder cannot be created beyond folder No. 999.
Creating Folders with a Personal Computer
With the memory card open on the screen, create a new folder named Dcim. Open the Dcim folder and create as many folders as necessary to save and organize your images. The folder names must start with three digits from 100 to 999 followed by ve letters, like 100ABC_D. The ve letters can be a combination of upper or lower case letters from A to Z and an underbar. There can be no spaces in the folder name. Also, if there are folder numbers with the same threedigit number (regardless of the letters) such as 100ABC_C and 100ABC_D, the camera will not recognize the folders.

Selecting a Folder

Hold down the <X> button and turn the <5> dial to select a folder. Then let go of the button. s The folder will be selected.
Selecting the Memory Card
Select the memory card to be used for image recording, playback, and erasing. Hold down the <er> button and turn the <5> dial to select the memory card. Then let go of the button. The left [f] tab is the CF card, and the right [g] tab is the SD card.
Using Both Memory Cards for Image Recording (Backup)
The image is recorded with the same le No., pixel count, and recording quality in the same-numbered folder in both the CF card and SD card.

Select [BackUp].

Select the <c> tab. Hold down the <X> button and turn the <5> dial to select [BackUp]. Then let go of the button.
the 2 Select downdesired setting. and Hold the <X> button
turn the <5> dial to select the setting. Then let go of the button. Either selection, h or j, will record the same image onto both cards.
Difference between h and j

subject. 3 Focus the shutter button halfway. Press the
The aperture value is set automatically.
4 Check the viewnder display and shoot.
As long as the aperture value is not blinking, the exposure will be correct.
If the maximum aperture blinks, it indicates underexposure. Turn the <6> dial to set a slower shutter speed until the aperture value stops blinking. Or increase the ISO speed.
If the minimum aperture blinks, it indicates overexposure. Turn the <6> dial to set a faster shutter speed until the blinking stops. Or decrease the ISO speed.
Shutter Speed Display The shutter speeds from 8000 to 4 indicate the denominator of the fractional shutter speed. For example, 125 indicates 1/125 sec. Also, 0"5 indicates 0.5 sec. and 15" is 15 sec.

fAperture-Priority AE

In this mode, you set the desired aperture and the camera sets the shutter speed automatically to suit the subject brightness. This is called aperture-priority AE. A larger aperture (lower f/number) will result in a blurred background ideal for portraits. The lower the f/number, the more blurred the background will become. If a smaller aperture (larger f/number) is used, the foreground and background will be in focus. The higher the f/ number, the clearer the focus will be for both near and far subjects. *f stands for Aperture value.

With a large aperture

With a small aperture
Select <f> on the LCD panel.
Hold down the <W> button and turn the <6> dial to select <f>. Then let go of the button.
aperture value. 2 Set theatdesiredLCD panel and turn Look the top
The shutter speed is set automatically.
As long as the shutter speed is not blinking, the exposure will be correct.
If the 30" shutter speed blinks, it indicates underexposure. Turn the <6> dial to set a larger aperture (smaller f/number) until the shutter speed stops blinking. Or increase the ISO speed.
If the 8000 shutter speed blinks, it indicates overexposure. Turn the <6> dial to set a smaller aperture (larger f/number) until the aperture stops blinking. Or decrease the ISO speed.
Aperture Value Display The larger the f/number, the smaller the aperture opening will be. The aperture values displayed will differ depending on the lens. If no lens is attached to the camera, 00 will be displayed for the aperture value.

Depth-of-field Preview

Press the depth-of-eld preview button to stop down the aperture and see the range of acceptable focus in the viewnder.
The exposure will be locked (AE lock) while you press the depth-of-eld preview button.

aManual Exposure

In this mode, you set both the shutter speed and aperture value as desired. To determine the exposure, refer to the exposure level indicator in the viewnder or use a handheld exposure meter. This method is called manual exposure. *a stands for Manual.

Eyepiece Shutter

If you take a picture without looking through the viewnder, stray light may enter the eyepiece and affect the exposure. To prevent this, turn the eyepiece shutter lever as shown by the arrow to shutter the eyepiece.

Flash Photography

With EX-series Speedlites
An EOS-dedicated, EX-series Speedlite makes ash photography as easy as any AE mode. For details on using the EX-series Speedlite, refer to the Speedlites instruction manual. The EOS-1Ds Mark II is a Type-A camera compatible with all EX-series Speedlites providing the features below.

E-TTL II Autoash

E-TTL II is a new autoash exposure system incorporating improved ash exposure control and lens focusing distance information, making it more precise than the previous E-TTL (evaluative ash metering with preash) system.The camera can execute E-TTL II autoash with any EX-series Speedlite.
High-Speed Sync (FP Flash)
High-speed sync (FP or focal-plane ash) enables ash synchronization with all shutter speeds from 30 sec. to 1/8000 sec.

FE (Flash Exposure) Lock

Press the cameras <I> button to lock the ash exposure at the desired part of the subject. This is the ash equivalent of AE lock.
Flash exposure compensation
In the same way as normal exposure compensation, you can set exposure compensation for ash. Set ash exposure compensation up to 3 stops in 1/3-stop increments.
FEB (Flash Exposure Bracketing)
FEB is the ash version of AEB. (Only with FEB-compatible Speedlites.) Set ash exposure bracketing up to 3 stops in 1/3-stop increments.
E-TTL II wireless autoash with multiple Speedlites
Like with wired, multiple Speedlites, E-TTL II wireless autoash with multiple Speedlites provides all the above features. Since connection cords are unnecessary, exible and sophisticated lighting setups are possible. (Only with wireless-compatible Speedlites.)
Metered Manual Flash Exposure

Select [Protect images].

Select the <x> tab. Hold down the <X> button and turn the <5> dial to select [Protect images]. Then let go of the button.
2 Select the desired protection setting.
Hold down the <X> button and turn the <5> dial to select the desired setting. Then let go of the button. s A conrmation dialog will appear. Hold down the <X> button and turn the <5> dial to select [OK]. Then let go of the button.
Protected images cannot be erased with the cameras Erase function. To erase protected images, rst cancel the image protection.
KSound Recording for an Image
You can record and add sound to any image. The sound data is recorded in the image le and can be played with the software provided.
1 Display the image to have sound. the sound. 2 Recordthe <H> button for about 2 Press

microphone

sec. When [Recording] appears, keep pressing the <H> button and speak into the built-in microphone. The maximum time for a single sound recording is 30 sec. To end the sound recording, let go of the button. s Images having a sound recording will have the <j> icon displayed.
Sound recording is possible while in any image display format. Sound recording is not possible with a protected image. The camera cannot playback the sound. To make a sound recording longer than 30 sec. , repeat step 2 to make another recording for the same image. You can also record sound right after image capture during the image review by following step 2.

Erasing Images

You can erase a single image with the <L> button, erase all images in a folder, or use menu commands to erase all images in a memory card. Only protected images will not be erased. Once an image is erased, it cannot be recovered. Make sure you no longer need the image before erasing it. To prevent important images from being erased accidentally, protect it.

Erasing a Single Image

1 Display the image to be erased. the L> 2 PressErase<menubutton. at the The will appear
bottom of the screen. PTo exit the erase menu, press the <L> button again.

Order screen. 4 Exit thethe <7> button. Press
The Print Order screen will reappear. Press the <7> button again to save the print order to the memory card. The menu will then reappear.

Selecting All Images

The print order can also be set or canceled for all the images in the memory card. One standard-type print will be ordered for all the images. Note that after following the Selecting Individual Images procedure, if you do the Selecting All Images procedure, the print order will change to All images.

Select [All].

The All screen will appear.
setting. 2 Select the desired camera, select Depending on your
[Mark all in card] or [Mark all in folder]. If you select [Clear all in card], all the images in the memory card selected for printing will be deselected. If you select [Clear all in folder], all the images in the folder selected for printing will be deselected.
Print Order screen. 3 Exit the Print Order screen, press the On the
<7> button. The settings will be saved to the memory card, and the menu will reappear.
Note that 1 images cannot be selected for printing even when you set Mark all. When using a PictBridge printer, print no more than 100 images for one print order. If you specify more than this, all the selected images might not be printed.
Direct Printing with DPOF
With a printer compatible with direct printing, you can easily print images specied with DPOF.

Prepare to print.

See pages 122-123 and follow Preparing to Print up to step 5.
[Print Order]. 2 SelectPrint Order screen will appear. The
Select 3 [Print][Print].displayed only if the will be
camera is connected to the printer and printing is possible. s The set up screen will appear.
4 Set the printing options.
wPictBridge Set the [Paper settings] and <E> printing effects. (p.125) ACP Direct / SBubble Jet Direct Set the [Style]. (p.129/132)
5 Start printing. Select [OK].
s The printing will start. To stop the printing, press the <X> button while [Stop] is displayed, then press [OK].
When printing with a PictBridge or Bubble Jet Direct printer, be sure to set the paper size. With PictBridge, the le No. cannot be imprinted. If [Borders] is set, the date might be imprinted on the border, depending on the printer. The date might look light if it is imprinted on a bright background or border. With CP Direct, if [Print type] is set to [Index], the number of images printed on one index sheet will be as follows: Credit card size: 20 images L size: 42 images Postcard size: 63 images As for the number of index images with Bubble Jet Direct, see the BJ printers instruction manual. If you stopped the printing and want to continue printing the remaining images, select [Resume]. Note that printing will not resume if you stop the printing and any of the following occurs: You changed the print order. You deleted an image that was selected for printing. The memory cards remaining capacity was low when you stopped the printing. If there is a printing problem, see page 128 for PictBridge, page 131 for CP Direct, or page 134 for Bubble Jet Direct.

Customizing the Camera

Custom Functions enable you to customize various camera features to suit your picture-taking preferences.
3Setting a Custom Function
Select [Custom Functions (C.Fn)].
Select the <n> tab. Hold down the <X> button and turn the <5> dial to select [Custom Functions (C.Fn)]. Then let go of the button.
Custom Function. 2 Set thedown the <X> button and Hold
turn the <5> dial to select the Custom Function to be set. Then let go of the button. Hold down the <X> button and turn the <5> dial to select the desired setting. Then let go of the button.
menu. 3 Exit thethe <M> button. Press
The Custom/Personal Function menu will reappear. s The respective Custom Function setting (number) will be displayed in the Custom Function list.
Clearing All Custom Functions
In step 1 above, if you select [Clear all Custom Functions], the Clear all Custom Functions screen will appear. Hold down the <X> button and turn the <5> dial to select [OK]. When you let go of the button, all the Custom Function settings will be cleared.
3Custom Function Settings

C.Fn-03 is unused.

C.Fn-01
Viewnder display during exposure
1: Displays the exposure information and number of remaining shots during continuous shooting.

C.Fn-02

Shutter release without card
1: The shutter button will not work without a memory card in the camera. This prevents shooting without a memory card. If there is no memory card and you press the shutter button, Card will blink on the top LCD panel and in the viewnder. It indicates that C.Fn-02-1 is in effect.

C.Fn-04

Shutter button/AE lock button
1: You can focus at one location and obtain AE lock at another location in the scene. Press the <w> button to autofocus and press the shutter button halfway to attain AE lock. 2: In the AI Servo AF mode, you can press the <w> button to stop the AF operation momentarily. This prevents the AF from being thrown off by any obstacle passing between the camera and subject. The exposure is set at the moment the picture is taken. 3: This is useful for subjects which keep moving and stopping repeatedly. In the AI Servo AF mode, you can press the <w> button to start or stop the AI Servo AF operation. The exposure is set at the moment the picture is taken. Thus, the focusing and exposure will always be at the optimum point as you wait for the decisive moment.

* About P.Fn-11, 12, 13, 22, and 29
To preserve the same Personal Function numbers (P.Fn-00 to 31) used by previous EOS-1 cameras, a few Personal Function numbers have been left unused.
3Clearing and Resetting Personal Functions
You can clear or reset Personal Functions that have been set and registered with the provided software. The Personal Function settings can be modied only with the provided software.
number of the Personal 2 Select thewhose setting you want Function to clear or reset.
Hold down the <X> button and turn the <5> dial to select Personal Function number. Then let go of the button.
3 Clear or reset the setting. turn the Hold down the <X> and
<5> dial. To cancel the setting, select [OFF]. To reset, select [ON]. Then let go of the <X> button. s To indicate the effective choice, [ON]or [OFF] will be displayed in green.
Clearing All Personal Functions
In step 1 above, if you select [Clear all Personal Functions], the Clear all Personal Functions screen will appear. Hold down the <X> button and turn the <5> dial to select [OK]. When you let go of the button, all the Personal Function settings will be cleared. To reset the Personal Function settings, follow the procedure above.
3Saving and Reading Camera Settings
You can save the shooting mode, menu settings, Custom Function settings, Personal Function settings, etc. , onto the memory card and later read them into the camera. Therefore, you can read all these settings into another EOS-1Ds Mark II camera body.

Saving camera settings

Select [Save camera settings].
Select the <c> tab. Hold down the <X> button and turn the <5> dial to select [Save camera settings]. Then let go of the button.
Save 2 Hold the camera settings. and down the <X> button
turn the <5> dial to select [OK]. Then let go of the <X> button. s The camera settings will be saved onto the memory card.

Shutter release: Self-timer: Remote control:
Soft-touch electromagnetic release 10-sec. or 2-sec. delay Remote control with N3 type terminal

Flash

EOS-dedicated Speedlite: E-TTL II autoash with EX-series Speedlite PC terminal: Provided

Drive System

Drive modes: Single, Continuous Continuous shooting speed: Approx. 4 shots/sec. Max. burst: JPEG: Approx. 32 shots (Large, JPEG 8) RAW: Approx. 11 shots

LCD Monitor

Type: Monitor size: Pixels: Coverage: Brightness adjustment: Interface languages: TFT color liquid-crystal monitor 2.0 in. Approx. 230,000 100% with respect to the effective pixels Five levels provided 12 Single image, single image (INFO.), 4-image index, 9image index, magnied zoom (approx. 1.5x - 10x), rotated image In the single image and single image (INFO.) formats, any overexposed highlight areas will blink in the image display. Erase protection of one image, all images in a folder, or all images in the memory card can be applied or canceled at one time. One image, all images in a folder, or all images in the memory card can be erased (except protected images) at one time.

Image Playback

Image display format:

Highlight alert:

Image Protection and Erase

Protection:

Erase:

Sound Recording

Recording method: File format: Recording time: The voice annotation recorded with the built-in microphone is attached to the image. WAV Max. 30 sec. per recording CP Direct, Bubble Jet Direct, and PictBridge-compatible printers JPEG images (Print ordering enabled with DPOF version 1.1) 20 Custom Functions with 65 settings 27 Possible

Direct Printing

Compatible printers: Printable images:

Customization

Custom Functions: Personal Functions: Camera setting saving/reading:

Power Source

Battery: One Ni-MH Pack NP-E3 * AC power can be supplied via the AC adapter and DC coupler. Number of possible shots: At 20C/68F: Approx. 1200 At 0C/32F: Approx. 800 * The above gures apply when a fully-charged Ni-MH Pack NP-E3 is used. Battery check: Automatic Power saving: Provided. Power turns off after 1, 2, 4, 8, 15, or 30 min. Back-up battery: One CR2025 lithium battery

Dimensions and Weight

Dimensions: Weight: 156 (W) x 157.6 (H) x 79.9 (D) mm / 6.1 x 6.2 x 3.1 in. 1215 g/42.9 oz. (body only. battery: 335 g/11.8 oz. )

Working Conditions

Working temperature range: 0C- 45C / 32F - 113F Working humidity: 85% or less
All the specications above are based on Canons testing standards. The cameras specications and physical appearance are subject to change without notice.
Digital Camera Model DS126081
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation. Note:This equipment has been tested and found to comply with the limits for class B digital devices, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures: Reorient or relocate the receiving antenna. Increase the separation between the equipment and receiver. Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. Consult the dealer or an experienced radio/TV technician for help. The cable with the ferrite core provided with the digital camera must be used with this equipment in order to comply with Class B limits in Subpart B of Part 15 of the FCC rules. Do not make any changes or modications to the equipment unless otherwise specied in the manual. If such changes or modications should be made, you could be required to stop operation of the equipment. Canon U.S.A. Inc. One Canon Plaza, Lake Success, NY 11042, U.S.A. Tel No. (516)328-5600
accessories..168 Adobe RGB..55 AE lock..95 AEB..93 AF mode...66 AF point activation area.72 AF point registration/switching.70 AF point selection..68 AI Servo AF.66 aperture value..88 auto power off..27 auto rotate..104 Av (Aperture-priority AE).88 Direct Printing.. 121, 143 PictBridge.. 125 CP Direct.. 129 Bubble Jet Direct.. 132 drive modes. 77
erase.. 115 error codes.. 165 exposure compensation.. 92 eyepiece shutter.. 97
FE lock.. 98 le numbering.. 63 ash.. 98 focus lock.. 67 focusing screen.. 166 folder creation.. 60 folder selecting. 61 format.. 118

KNOW HOW
1-800-OK-CANON www.usa.canon.com
Canon U.S.A., Inc. One Canon Plaza Lake Success, NY 11042 U.S.A. Canon Canada Inc. 6390 Dixie Road Mississauga, Ontario L5T 1P7 Canada Canon Latin America 703 Waterford Way, Suite 400 Miami, FL 33126 U.S.A. Canon Mexicana, S. de R.L. de C.V. Blvd. Manuel vila Camacho No. 138, Piso 17 Col. Lomas de Chapultepec C.P. 11000 Mxico, D.F. Mxico www.canon.com.mx
0054W868 8/CANON U.S.A., INC. PRINTED IN U.S.A.
Photography by Canon Explorers of Light.
Intuitive Speed, Massive Resolution and Perfect Operation.
Presenting the next generation of EOS professional digital SLRs. A stunning combination of performance, resolution and ease of use, this trio of cameras is ready for anything. All Canon EOS digital SLRs combine Canon designed high-resolution sensors with the blazingly fast DIGIC II Image Processor, for nearly instant response across the board. Canons renowned build quality ensures perfect operation no matter the situation. Compatibility with over 50 EF Lenses and wide variety of accessories, plus new technologies, like the Wireless File Transmitter WFT-E1A and Canons wide-format printers, ensures that the EOS system is the most advanced today and is ready to be compatible with whatever tomorrow brings.
The Worlds Fastest Digital SLR* Refined Canons new EOS-1D Mark II N can record at 8.5 fps for up to 48 frames in one burst. It features Canons proven 8.2 Megapixel CMOS sensor with a 1.3x conversion factor, combined with the speed and intelligence of the DIGIC II Image Processor, all in a rock-solid, magnesium alloy body.

* As of August 2005

Widen Your Horizons The new EOS 5D has a full-frame 12.8 Megapixel CMOS sensor combined with Canons DIGIC II Image Processor, a high-precision 9-point AF system with 6 Supplemental points, and Picture Style color control to deliver images of superior quality with enough resolution for any application, all in a compact lightweight body.
Unparalled Resolution and Performance The EOS-1DS Mark II is a must have for those looking to capture huge, beautiful images fast. With a full-frame 16.7 Megapixel sensor, the EOS-1DS Mark II captures up to 32 consecutive frames at speeds up to 4 fps, rendering the largest file in Canon Digital SLR history.

Commercial Applications

Gil Smith
The Ultimate in Resolution.
My main concern with any camera system is having a wide array of lenses available
that are manufactured to professional standards. I love using extreme wide-angle lenses and the full frame chip on the EOS-1Ds Mark II allows me to utilize all of the EOS lenses to their full potential. The creation of this particular photograph was immeasurably faster than previously possible thanks to Canons superior use of emerging technology. We were in a studio in a controlled lighting situation, wired to the internet with the art director hundreds of miles away. We were able to capture and send shots instantly, and the art director evaluated and approved the image in minutes. The Canon EOS-1Ds Mark II connected to a computer or a network is a remarkable platform for photography in this digital age.
The EOS-1Ds Mark II captures more pixels than the competition, quickly delivering a high-resolution photograph without equal. The 1Ds Mark IIs 16.7 Megapixel full-size CMOS sensor captures 4992 x 3328 pixels, enough resolution for almost anything. In addition, with ISO ratings of 50-3200, combined with Canons noise reduction technology for an incredibly low signal to noise ratio, theres almost nowhere this sensor wont perform. The 1Ds Mark II can take full advantage of Canons array of EF lenses, as its sensor is the same size as a traditional film SLR, meaning no focal length conversion factorlenses will have the same view they would on a 35mm camera. The 1Ds Mark II can also be shot at lower resolutions to conserve space on memory cards if large images are not the priority of the shoot.

Camera: EOS-1Ds Mark II Lens: EF 70-200mm f/2.8L USM
2005 Gil Smith All Rights Reserved.

Fashion Photography

Melvin Sokolsky
As a photographer shooting fashion Ive found that the relationship between the

White Balance Controls

The EOS-1Ds Mark II has nine white balance modes plus PC-1 to PC-3, for registration of up to three temperatures. To fine-tune white balance, the 1Ds Mark II also features white balance compensation in addition to a number of different white balance bracketing options, for spot-on white balance in any number of lighting situations.
subject and photographer requires a highly responsive camera, even more so than in sports or journalism photography. In fashion, the cadence of shutter releases will spur on the models performance in a kind of dance with the photographer. In my experience, the EOS-1Ds Mark II has proved to be the best when used in tandem with the vast arsenal of lenses in the EOS line. I, in fact, prefer the 1Ds Mark II to any of the 22MP medium format backs both in terms of image quality and FPS response time. For the photo on the left, I deliberately placed the model in a cocoon of veils to create a situation that would produce moir and chromatic aberration problems that most cameras could not handle. The veils envelop the model with multiple layers to amplify the potential moir problem; clearly the EOS-1Ds Mark II performed flawlessly.

Color Matrix

Just as traditional photographers choose their film based upon considerations of light, saturation and color temperature, the EOS-1Ds Mark IIs Color Matrix function allows the photographer to change characteristics as if they were changing films or filters. There are 5 preset color matrixes and 2 customizable color settings, allowing photographers to fine-tune the color space to their specifications. Whether using the cameras preset color spaces, or customizing color settings for the shoot, photographers can expect precise, natural color, every time.
Canon Digital Camera Color Space
Camera: EOS-1Ds Mark II Lens: EF 70-200mm f/2.8L IS USM
2005 Melvin Sokolsky All Rights Reserved
Commercial Studio Photography

Michel Tcherevkoff

DIGIC II: Faster, Smarter Operation from Start to Finish.
Heres what I like about the Canon EOS system: Fast shooting, instant feedback,
instant changes in the color temperature, instant change of ISO. No more changing of film from B&W to tungsten to daylight and everything in between, its all right there. No more grain with high-speed film, no more need to shoot at low ISO to accommodate slow tungsten film. Plus, you keep only the best shots! I love the high-resolution sensor, and the big new LCD monitor is the best! Few corporations today have a commitment to innovative research and development based on the demand of its customers. Canon does. Pretty forward thinking!

Camera: EOS-1D Mark II N Lens: EF 16-35mm f/2.8L USM
2005 Vincent Laforet All Rights Reserved

Sports Photography

Peter Read Miller
Fast Capture, Faster Processing.
As the 1 designation has always been used for the flagship models in the EOS line, Canon has made no compromises with the construction and performance of the EOS-1D Mark II N. Photographers can expect an exceptional degree of performance and reliability on par with any film camera theyve ever used. In addition to lightning-fast 45-point AF, sophisticated tracking, predictive AF technology, and precise, instant metering, no matter the setting, the 1D Mark II N can shoot 8.5 JPEG images for up to 48 shots in one burst, and at least 22 consecutive RAW images. Shutter lag is a responsive 55 milliseconds. Starting up in 0.2 sec., the EOS-1D Mark II N demonstrates its speed immediately. The revolutionary DIGIC II Image Processor complements the 1D Mark II Ns speed in capturing images by processing and saving them with corresponding speed and precision.
Since I started using the EOS-1 system, Ive witnessed
Canons continual commitment to providing the most advanced, adaptable, and highest quality equipment to the professional photographer. Why did I switch to, and continue to use, Canon EOS cameras and EF Lenses? Durability, functionality and flexibility. As a sports photographer, my equipment needs to be as tough and adaptable as the athletes I cover. They dont accept excuses for second place and neither do my photo editors. The Canon EOS-1D Mark II Ns fast and accurate
auto-focus, high frame rate, plus the incredible sharpness of Canons bright telephoto lenses were all critical to my capturing the power and grace of Maria Sharapova. The high quality files, the larger buffer, the 2.5 inch LCD screen and improved playback all helped to make everything faster and easier.
Camera: EOS-1D Mark II N Lens: EF 70-200mm f/2.8L IS USM
2005 Peter Read Miller All Rights Reserved

Wedding Photojournalism

Denis Reggie
Canons Most Advanced Flash Metering System: E-TTL II.
The EOS-1D Mark II Ns advanced features are complemented by Canons proven E-TTL II flash metering technology. Unlike older systems, E-TTL II weighs and averages the flash metering, capturing the subject as a plane and not as a point. E-TTL II incorporates distance information from compatible EF Lenses for more versatile flash exposure control, rendering consistent flash exposures even if the subject contains various colors and levels of reflection. E-TTL II also eliminates underexposure that can occur with straight reflections by ignoring sensor areas that report abnormally high levels of light from the calculated reading. In addition, E-TTL II prevents overexposure when photographers lock focus and recompose the shot. In this case, E-TTL II calculates the flash output level according to the distance information, not simply the reading off of the subject. This means more consistent flash exposure results, no matter where the photographer chooses to focus.

In a lot of ways you are only as good as the tools you
uselearn to use the best tools properly and your advantage is miles high. As such, I believe that having my Canon cameras and lenses is critical at every job I photograph. Beautiful files, speedy focus, fast lenses, Image Stabilization, high ISOs, easy exposure compensation, and excellent dynamic range are critical to capturing moving moments in life and its those moments that I earn my living from. There can be no compromise. Photographing three little girls at sunset in this remote setting required all the elements that are important to my work. Having a compact, lightweight camera with the imaging power of the EOS 5D made this shoot possible. Without the right tools this shoot would not have been possible.
Camera: EOS 5D Lens: EF 70-200mm f/2.8L IS USM
2005 Michele Celentano All Rights Reserved

Nature Photography

George Lepp

The Result Is Clear.

The EOS 5D has been designed to provide the photographer with instant feedback, saving valuable time when reviewing images. A new 2.5 inch LCD screen with approximately 230,000 pixels not only displays more information, it can also be viewed from a far greater angle than many other conventional LCD screens (170). The full-featured shot information screen provides an RGB histogram, and displays the AF frames used. Magnification to check exposure and critical focus has never been faster, and it is now simple to jump quickly in image intervals up to 100. Menus are easily accessed at the touch of a button, and feature larger, easier-to-read text than previous models. Whether changing color parameters, setting up custom functions, organizing folders, setting white balance, or any other feature, the new screen is designed with the professional in mind. Photographers get to their information quickly, so they never lose a shot. Wrapped in magnesium-alloy, the BG-E4 adds buttons for vertical shooting, and takes either BP-511A batteries or AAs.
Every time I go into the field my Canon EOS digital
system allows me to capture precisely what I see. I need a camera that will solve the photographic problems that are inevitable in outdoor photography. Will the cameras functions assist me, or be an obstacle to overcome? Will it focus quickly enough? Stand up to the weather and terrain I frequently find myself in? Most importantly, will the image quality be up to the standards that my clients and I demand? Canon has always been interested in what those of us in the field have to say, and the improvements made over the years reflect that input. If not for the fullframe sensor on the EOS 5D, for example, this dramatic fisheye shot would not be possible. Occasionally theyll even think of something I didnt even know I needed!

TOP LCD PANEL INFORMATION
Shooting Mode P : Program AE M : Manual Exposure T : Shutter-priority Ae V : Aperture-priority Ae Aperture AEB amount AF Point Selection Mode (AF, [ ], HP) Memory Card No. (1,2) Metering Mode Evaluative Metering Partial Metering Spot Metering Center-weighted Average Metering Battery Level Mark Shutter Speed Bulb Bulb Exposure Time (Min.:Sec.) AF Point Selection Mode ([ ], SEL) FE Lock Busy ( ,PC ) Error ( )
Shots Remaining ISO Speed Self-timer Countdown Bulb Exposure Time Error Code Remaining Images to Record AF Mode One-Shot AF AI SERVO AF Drive Mode Single Continuous Shooting* High-speed Continuous Shooting** Low-speed Continuous Shooting** Self-timer (10 sec.) Self-timer (2 sec.) Exposure Level Scale Exposure Compensation Level AEB Amount Flash Exposure Compensation Level
Personal Function Mark Flash Exposure Compensation
REAR LCD PANEL INFORMATION (EOS-1Ds Mark II)
White Balance Auto Daylight Shade Cloudy Tungsten Light Fluorescent Light Flash Custom Color Temperature Image Quality Large Medium1 Medium2 Small RAW RAW+Large RAW+Medium1 RAW+Medium2 RAW+Small Blue/Amber/ White Balance Correction Folder No. White Balance Bracketing Level File No. Color Temperature Personal White Balance Green/Magenta/ White Balance Correction Data Transfer Mark
CF Card Selection Indicator SD Memory Card Selection Indicator
REAR LCD PANEL INFORMATION (EOS-1D Mark II N)
Shutter Button Main Dial Exposure Compensation/ Aperture Button Strap Mount Top LCD Panel
White Balance Auto Daylight Shade Cloudy Tungsten Light Fluorescent Light Flash Custom Color Temperature SD Memory Card Indicator SD Card Selection Icon CF Card Indicator CF Card Selection Icon RAW Image-recording Card Slot Indicater White Balance Bracketing Level
* EOS-1Ds Mark II Only ** EOS-1D Mark II N Only
Blue/Amber/ White Balance Correction Green/Magenta/ White Balance Correction Image-recording Quality Large Medium1 Medium2 Small RAW RAW+Large RAW+Medium1 RAW+Medium2 RAW+Small
Data Transfer Icon Monocrome Shooting Folder No. File No. Color Temperature Personal White Balance

NOMENCLATURE for EOS 5D

Self-timer Lamp Strap Mount
Spot Metering Circle AF Points (with Superimposed Display)
Lens Release Button PC Terminal Digital Terminal Remote Control Terminal (N3 type) CF Card Slot Cover Video OUT Terminal

Focusing Screen

Grip (Battery Compartment)
Depth-of-field Preview Button Battery Compartment Cover Release Lever Battery Compartment Cover Tripod Socket DC Coupler Cord Hole
* AE Lock/AEB in-progress Flash-ready High-speed Sync (FP flash) FE Lock Flash Exposure Compensation Shutter Speed FE Lock ( ) ) CF Card Full Warning ( CF Card Error Warning ( No CF Card Warning ( Aperture ) ) ) Focus Confirmation Light Maximum burst White Balance Correction Exposure Level Exposure Compensation Amount Flash Exposure Compensation Amount AEB Level

Eyecup

Multi-controller

Busy (

AE Lock/FE Lock Button/ Index/Reduce Button Viewfinder Eyepiece Direct Print Button MENU Button INFO/Trimming Orientation Button Quick Control Dial JUMP Button Setting Button Playback Button Erase Button
White Balance Auto WB Correction ISO Speed
AF Point Selection/Enlarge Button CF Card Slot
Shutter Speed Busy ( ISO Speed ) AF Point Selection ( CF Card Full Warning ( CF Card Error Warning ( No CF Card Warning ( Error Code ( Aperture Shots Remaining Shots Remaining During WB-BKT Self-Timer Countdown Bulb Exposure Time ) ) Cleaning Image Sensor ( ) ) ) )

LCD Screen

Power/Quick Control Dial Switch
Daylight Shade Cloudy Tungsten Light White Fluorescent Light Flash Custom Color Temperature Battery Level Mark
AF Mode Selection/White Balance Selection Button LCD Panel Illumination Button
Drive Mode Selection/ ISO Speed Button Metering Mode Selection/ Flash Exposure Compensation Button Shutter Button Main Dial
Drive Mode Single Continuous Self-Timer
Beeper Custom Function Recording Quality Large/Fine Large/Normal Medium/Fine Medium/Normal Small/Fine
Monochrome Shooting Metering Mode Evaluative Partial Spot Center-weighted Average Exposure Level Exposure Compensation Amount AEB Level Flash Exposure Compensation Amount AF Mode ONE-SHOT AF AI FOCUS AF AI SERVO AF
* Manual focus when none is displayed

Mode Dial

Strap Mount LCD Panel

Small/Normal RAW

Flash-sync Contacts Hot Shoe Dioptric Adjustment Knob
Flash Exposure Compensation

CF Card Writing Status

SPECIFICATIONS EOS-1Ds Mark II
Image Sensor 16.7 MP CMOS Full-frame 36 x 24mm Maximum continuous shooting speed of 4 fps (approximate) Built-in 2.0 inch color monitor Custom Functions (20 custom functions with 65 settings) Simultaneous RAW and JPEG image capture Depth-of-Field Preview Mirror Lock IEEE 1394 Compatible

EOS-1D Mark II N

8.2 MP CMOS APS-H 28.7 x 19.1mm Custom Functions (21 custom Maximum continuous functions with 69 settings) shooting speed of 8.5 fps Simultaneous or separate (approximate) RAW and JPEG image capture Built-in 2.5 inch wide viewing angle color monitor Depth-of-Field Preview Mirror Lock IEEE 1394 Compatible

EOS 5D

12.8 MP CMOS Full-frame 36 x 24mm Maximum continuous shooting speed of 3 fps (approximate) Built-in 2.5 inch wide viewing angle color monitor Custom Functions (21 custom functions with 57 settings) Simultaneous RAW and JPEG image capture Depth-of-Field Preview Mirror Lock TTL-CT-SIR CMOS Sensor. One-Shot and AI Servo AF with Focus Prediction. Manual focusing conrmation possible with EF Lenses. Automatic or manual focus point selection. Nine (plus 6 Assist AF points) Center-AF point is cross-type Hybrid high and standard precision. EV-0.5-18 (at ISO 100). Vertical-travel, focal-plane shutter with soft-touch electromagnetic release, all speeds electronically controlled. 301/8,000 sec. 1/200 sec. Digital images are stored on removable CompactFlash Type I & II. Single, 3.0 fps. TTL full-aperture metering: 35-zone Evaluative metering 8.0% Partial metering 3.5% Center spot metering Center-weighted average metering Pre-flash metering (E-TTL II) EV 120 for all patterns (at ISO 100 with f/1.4). 2 stops in 1/3 or 1/2-stop increments. 2 stops in 1/3 increments. Yes. Program AE Shutter Speed-priority AE Aperture-priority AE Full Auto Manual E-TTL II Flash AE

Special Features

Autofocus System No. of Focusing Points Autofocus Sensitivity Shutter Shutter Speeds Maximum Flash Synchronization Speed Storage Media Frames Per Second
TTL-AREA-SIR CMOS Sensor. One-Shot and AI Servo AF with Focus Prediction. Manual focusing conrmation possible with EF Lenses. Automatic or manual focus point selection. Forty-five (Area AF Ellipse) Seven central high-precision cross-type AF points. EV 0-18 (at ISO 100). Vertical-travel, focal-plane shutter with soft-touch electromagnetic release, all speeds electronically controlled. 301/8,000 sec. & Bulb; manually selectable in 1/3 stop increments. 1/250 sec.; high-speed sync. available with EX-series Speedlites. Digital images are stored on removable CompactFlash (Type I & II) or SD memory card. Single, 4.0 fps. (Can be altered in 1 fps increments with Personal Function) TTL full-aperture metering: 21-zone evaluative metering 8.5% partial metering 2.4% center spot metering 2.4% spot metering (linked to user-selected focusing point) Single, 3.0 fps, 8.5 fps (Can be altered with Personal Function) TTL full-aperture metering: 21-zone evaluative metering 13.5% partial metering 3.8% center spot metering 3.8% spot metering (linked to user-selected focusing point)

Metering System

Multi-Spot metering (up to 8 spot readings) Center-weighted average metering Pre-flash metering (E-TTL II)
Metering Sensitivity Exposure Compensation Flash Exposure Compensation AE Lock Exposure Modes White Balance Auto White Balance Color Temperature Compensation* Viewnder Viewnder Coverage
EV 020 for all patterns (at ISO 100 with f/1.4). 3 stops in 1/3 or 1/2-stop increments. 3 stops in 1/3 or 1/2-stop increments. Yes. Shutter Speed-priority AE Intelligent Program AE Manual Flash Metered Manual Aperture-priority AE with variable shift E-TTL II Flash AE Bulb Settings: Auto, Daylight, Shade, Cloudy, Tungsten Light, Fluorescent Light, Flash, Custom, Color Temperature, Personal White Balance (total 10 settings). image sensor. White Balance bracketing: 3 stops in full-stop increments. White Balance correction: 9 stops in full-stop increments. * Blue/Amber bias or Magenta/Green bias possible. Fixed eye-level pentaprism. 100% horizontal and vertical at 0.7x. 100% horizontal and vertical at 0.72x.
Settings: Auto, Daylight, Shade, Cloudy/Twilight/Sunset, Tungsten Light, White Fluorescent Light, Flash, Custom, Color Temperature (total 9 settings). image sensor. White Balance bracketing: 3 stops in full-stop increments. White Balance correction: 9 stops in full-stop increments. * Blue/Amber bias on Magenta/Green bias possible. Fixed eye-level pentaprism. 96% horizontal and vertical at 0.71x. Inside the picture area: Nine focusing points, 3.5% Partial metering circle. Displayed at the bottom of the viewing area: Shutter speed Exposure level scale FP mode indicator Aperture value Flash status (high-speed sync) AE Lock Flash expsure compenstion Remaining frames in burst FE Lock AF-in-focus indicator Red-Eye reduction

Viewnder Information

Inside the picture area: Area AF ellipse, illuminated AF frames and spot metering circle. Displayed at the bottom and right side of the viewing area: Manual exposure level Exposure compensation/ Shutter speed Flash compensation Remaining frames in burst Aperture Value Exposure level/ AE Lock Multi-Spot readings ISO Speed Flash exposure level FE Lock

JPEG Indication Hi-speed flash sync White Balance +
CF card full warning White Balance +/ Focus Confirmation
Focusing Screens Self-Timer LCD Monitor
Laser-matte screen Ec-C III, with area AF ellipse and fine spot metering circle provided as the standard screen (interchargeable with Ec-series focusing screens. Metering correction data can be set with a Custom function for the Laser-matte and New Laser-matte screens). Masked Focusing Screens (Ec and Ee versions available) Electronically controlled with 2- or 10-second delay. TFT color liquid-crystal type; 2.0 in. with approx. 230,000 pixels. 100% coverage with respect to the e=ective pixels. Brightness adjustment available with 5 levels. 12 interface languages. TFT color liquid-crystal type; 2.5 in. with approx. 230,000 pixels. 100% coverage with respect to the effective pixels. Brightness adjustment available with 5 levels 15 interface languages.
Ee-A , Ee-D and Ee-S Masked Focusing Screens (Ec and Ee versions available) Electronically controlled with 2- or 10-second delay. TFT color liquid-crystal type; 2.5 in. with approx. 230,000 pixels. 100% coverage with respect to the effective pixels. Brightness adjustment available with 5 levels. Single Image, 9-image index, Magnified zoom (approx. 1.5-10x), Auto Play, Jump (by 1/10/100 images, with 9-image index, during magnified view, during the menu display), Rotated image can be displayed. Highlight alert is displayed in Single Image (INFO.) formats, any overexposed highlight areas blink in the image display. N/A Compatible printers: SELPHY Compact Photo Printers, CP Direct, PictBridge compatible printers. 6.0 x 4.4 x 3.0 in. / 152 x 113 x 75mm 28.6 oz. / 810g
Image Playback Sound Recording Direct Printing Body Dimensions (W x H x D) Weight (Body Only)
Single Image, Single Image (INFO.), 4-image index, 9-image index, Magnified zoom (approx. 1.5x 10x), Rotated image can be displayed. Highlight alert is displayed in Single Image and Single Image (INFO.) formats, any overexposed highlight areas blink in the image display. Voice annotation recorded with the built-in microphone and attached to the image in WAVE format. Compatible printers: SELPHY Compact Photo Printers, CP Direct, PictBridge compatible printers. 6.1 x 6.2 x 3.1 in. / 156 x 157.6 x 79.9mm 43.0 oz. / 1,220g 43.2 oz. / 1,225g
CUSTOM FUNCTION CHART (EOS-1 series)
Custom Function No. C. Fn-01 C. Fn-02 C. Fn-03 C. Fn-04 Function Description Setting Finder display during exposure EOS-1Ds Mark II EOS-1D Mark II N

0 No viewnder display 1 Finder display on 0 Possible without card Shutter release without CF card 1 Not possible None (ISO Speed extension moved to menu) 0 AF/AE lock 1 AE lock/AF Shutter button/ AE Lock button 2 AF/AF lock, no AE lock 3 AE/AF, no AE lock Tv= Av= 0 Tv= Av= 1 Manual Tv/Av set. for M exp. Tv= Av= w/o lens Tv= Av= w/o lens 0 1/3-stop set, 1/3-stop comp Exposure level 1 1-stop set, 1/3-stop comp increments 2 1/2-stop set, 1/2-stop comp 0 Turns on after One-Shot AF USM Lens 1 Turns o= after One-Shot AF electronic MF 2 Always turned o= Disabled in AF mode 0 Remaining Shots/File No. 1 ISO/Remaining Shots Top LCD panel/ Back LCD panel 2 ISO/File No. 3 Shots in folder/Remaining Shots +/Auto cancellation +/No cancellation Auto bracketing sequence/cancel 2 0 +/Auto cancellation 3 0 +/No cancellation 0 On 1 O= AF point illumination On without dimming Brighter 0 = + = + 1 = + + = + + AF point selection method 2 = only = + 3 = + = + 0 Disable Mirror lockup 1 Enable 0 45/Center AF point 1 11/Active AF point Number AF points/ 2 11/Center AF point Spot metering 3 9/Active AF point 4 N/A 9/Center AF point 0 Evaluative flash metering E-TTL II 1 Averaged flash metering 0 1st-curtain synchronization Shutter curtain synchronization 1 2nd-curtain synchronization 0 Disable Safety shift in Av or Tv 1 Enable 0 Single AF point AF point 1 Expand (TTL. of 7 AF points) activation area 2 Automatic expand (max. 13) + 0 Switch to registered 1 AF point 2 Only while pressing 0 AF stop 1 AF start 2 AE lock while metering Lens AF stop button function 3 AF point: M Auto/Auto Ctr. 4 AF mode: ONE SHOT AI SERVO 5 IS start 0 Standard 1 Slow AI SERVO 2 Moderately slow tracking sensitivity 3 Moderately fast 4 Fast 0 N/A Disable Drive speed priority AI SERVO 1 N/A Enable 0 N Ec-N, R 1 L Ec-A, B, C, CII, CIII, D, H, I, L Focusing Screen 2 N/A P Ec-S
CUSTOM FUNCTION CHART (EOS-5D)
Custom Function No. Function Description Setting
PERSONAL FUNCTION CHART * (EOS-1Ds Mark II and EOS-1D Mark II
Personal Function No. P. Fn-00 Function Description

Regist. Apply.

Default (No Function) Change quality Change Picture Style Menu display Image replay Off Auto On Auto 1/200 sec. (Fixed) AF/ AE lock AE lock/ AF AF/ AF lock, no AE lock AE/ AF, no AE lock Emits Does not emit 1/3-stop 1/2-stop Fires Does not fire Off On 0,,+/ Enable 0,,+/ Disable ,0,+/ Enable ,0,+/ Disable On O= Previous (top if power off) Previous Top Disable Enable Normal Multi-controller direct Quick Control Dial direct Evaluative Average 1st-curtain sync. 2nd-curtain sync. Disable Enable Standard Expanded With Shutter Button only Also with * etc. AF stop AF start AE lock while metering

EOS-1Ds Mark II

P. Fn-00-1/2/3 P. Fn-00-1/2/3 OK/ Cancel OK/ Cancel
Set Custom Function groups

C. Fn-01

SET function when shooting
P. Fn-01 P. Fn-02 P. Fn-03 P. Fn-04 P. Fn-05 P. Fn-06
Disable shooting modes Disable metering modes Specied M exp. metering modes Set max. shutter speed Set max./min. aperture Preset shoot./ metering mode Repeat continous bracketing Number of bracketed shots C. Fn-09-2,3 bracketing: +, 0, Program shift retained
Usable modes P/Tv/Av/M/Bulb Usable modes 5 Evaluative 6 Partial 7 Spot 7 Center-weighted averaging 5 Evaluative 6 Partial 7 Spot 7 Center-weighted averaging 1/8000-30 sec. Max. 1/8000-1/250 sec. According to lens Registers and switches exposure mode, metering mode, exposure setting and exposure compensation amount. Max. f/1.0-72/ Min. f/91-1.4 Register: Press + button, then press button. Select: Press button. buLb cant be registered.

C. Fn-02

Long exposure noise reduction Flash sync. speed in Av mode

C. Fn-05

C. Fn-03

C. Fn-06

C. Fn-04

Shutter/ AE lock button

C. Fn-07
P. Fn-07 P. Fn-08 P. Fn-09 P. Fn-10
While shutter button is held down, bracketing repeats continuously in the current drive mode. Sets length of bracketing sequence to 2, 3, 5 or 7 shots. Bracketing with C. Fn-09-2,3 Bracketing seq. is plus-, 0-, and minus-compensation. Normally, any program shift amount is cancelled after one picture. P. Fn-10 retains the program shift amount. When autofocus cant be achieved, the lens is normally driven to search for the correct focus. P. Fn-14 cancels searching under this condition. Disables the external Speedlites built-in AF-assist beam. Takes a picture automatically when the subject comes to the preset focusing distance. Camera normally switches to automatic AF point selection when user dials past peripheral AF points. P. Fn-17 prevents this. Enables standard horizontal AF point selection together with automatic AF point selection with C. Fn-11-2. Adjust continuous shooting speed in 1 fps increments. High-speed continuous shooting: 8.5/7/6/5/4/3/2 fps Low-speed continuous shooting: 7/6/5/4/3/2/1 fps

C. Fn-05 C. Fn-06 C. Fn-07 C. Fn-08
AF-assisst beam Exposure level increments Flash firing ISO expansion

C. Fn-08

C. Fn-09

P. Fn-14

Lens focus search turned o=

C. Fn-10

Bracket sequence/ Auto cancel
P. Fn-15 P. Fn-16 P. Fn-17 P. Fn-18
AF-assist beam turned o= Camera shoots when in focus AF point auto sel. turned o= C. Fn-11-2: Auto AF point sel. Set continuous shooting speed Number of continuous shots Quiet, delayed shutter cocking Time length for timers LCD panel illumination ON during B

C. Fn-11

Superimposed display Menu button display position

C. Fn-12

C. Fn-13

Mirror lockup

P. Fn-19
C. Fn-14 C. Fn-15 C. Fn-16 C. Fn-17
AF point selection method

P. Fn-20 P. Fn-21

Depending on quality, number of continuous shots might be smaller than set number. In single-frame shooting mode, mechanical movement for next frame is done quietly after shutter button is returned to halfway point from fully depressed position. 6 sec. timer: 0 to 3600 sec.
C. Fn-14 C. Fn-15 C. Fn-16 C. Fn-17 C. Fn-18
E-TTL II Shutter curtain sync. Safety shift in Av or Tv AF point activation area LCD display Return to shoot

P. Fn-23

16 sec. timer: 0 to 3600 sec. Post-shutter release timer: 0 to 3600 sec. After bulb exposure starts, press LCD panel illumination button to illuminate LCD panel until bulb exposure ends. Shooting mode, metering mode, image-recording quality, AF mode, AF point selectio, drive mode, WB, picture style, color space.

P. Fn-24

C. Fn-18

P. Fn-25

Default settings when cleared
Exposure, metering, drive, AF, AF point selection, WB, image size, processing parameter [STD]/1/2/3, color matrix.

C. Fn-19

P. Fn-26
Shortened release time lag
The shutter release time lag becomes shorter than 55 ms when the aperture stops down by fewer than 3 stops (40 ms at maximum aperture). Main Dial only
Lens AF stop button function
AF point: ManualAuto/AutoCenter ONE SHOT AI SERVO IS start Off On Ee-A Ee-D Ee-S
P. Fn-27 P. Fn-28 P. Fn-30 P. Fn-31
Reversed direction of dials Exposure compensation canceled Set
switch to also be e=ective for
Quick Control Dial only Both dials Exposure compensation is done with + and When the Quick Control Dial switch is OFF, both For use with Data Verication Kit DVK-E2. will be disabled.