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Canon EOS Rebel TIAbout Canon EOS Rebel TI
Here you can find all about Canon EOS Rebel TI like manual and other informations. For example: 300v 35mm film camera, 35mm slr, 300v.

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Manual

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Canon EOS Rebel Ti - Eos Rebel Ti Manual Digital Camera, size: 3.7 MB

 

Canon EOS Rebel TI

 

 

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SLR Camera Kit Canon EO5 Rebel Ti

 

User reviews and opinions

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Comments to date: 10. Page 1 of 1. Average Rating:
doja 1:22am on Wednesday, November 3rd, 2010 
Thank You The Cannon E O S camera was dispatched to me in good condition,and arrived on time.
ccooper 3:44am on Friday, September 10th, 2010 
This camera I bought used and I have been using for a while. I absolutely love this camera! This was my second SLR camera. My first I got when I was much younger and too impatient for manual cameras.
_info 10:52pm on Wednesday, August 4th, 2010 
suitable for learners and well trained ones! versatility lacking I used to own the Canon EOS 3000V. Infact it was my first SLR. A great camera for a beginner to start with. This was my first slr camera although it is not my first use of an slr camera. versatility, variety of features dislike the grip
matti 11:50pm on Friday, July 30th, 2010 
I came upon this camera by accident. I was buying a spare camera for my wife who wants to take up photography. I was using a EOS1V. Then.
bmoore 9:22pm on Wednesday, June 23rd, 2010 
Outstanding Photographic Hardware As a working pro for many years i have used some of the best equipment availlable.
gladys2005 7:33pm on Sunday, June 20th, 2010 
The Canon Rebel Ti has all the makings of a good camera. I have owned other Canon 35mm camera over the last 20 years. However.
gsawyer 10:00am on Sunday, May 9th, 2010 
Cheap lots of features for the price Plastic lens mount, 28-90 lens (when supplied with camera)
Lukanga 11:53pm on Friday, April 23rd, 2010 
Simply THE BEST !! Overall the Canon EOS300 is a great camera , could do with a bit more weight , most of body made from lightweight plastic .
jawo 1:47pm on Tuesday, April 6th, 2010 
camera eos 300 Camera in excellent condition.I have to study how to use it now but i think it is a good point to start with. Fantastic entry level SLR Having used this model at at college I felt it was natural to purchase my own one when I went to university.
ndriutti 10:48pm on Thursday, March 11th, 2010 
Overall the Canon EOS300 is a great camera , could do with a bit more weight , most of body made from lightweight plastic . The Canon EOS300V is a very good camera for beginers Photograph Quality:good ; Features:good.

Comments posted on www.ps2netdrivers.net are solely the views and opinions of the people posting them and do not necessarily reflect the views or opinions of us.

 

Documents

doc0

Keep the removed caps where you will not lose them. AF stands for Autofocus. MF (or M) stands for Manual Focus.

Page 17

How the Shutter Button Works
The EOS cameras shutter button can be depressed halfway or all the way. There is a click stop at the halfway point.
Pressing the Shutter Button Halfway or Fully
The shutter button works as described below.
When it is pressed halfway:
Autofocusing (AF) is activated. When
the subject is in focus, the AF point which achieved focus will flash, the beeper will sound, and the focus confirmation light will light up. Also, the shutter speed and aperture are set and displayed on the LCD panel and in the viewfinder.
When it is pressed fully:
The shutter is released to take the
picture and the film advances by one frame.
If an Extender is used and the maximum aperture of the lens becomes smaller than f/5.6 (the lowest f/number), autofocusing will not operate. Camera movement during the moment of exposure is called camera shake. Camera shake can cause blurred pictures. To prevent blurred pictures due to camera shake: Hold the camera steady (page 20). Use your finger tip to touch the shutter button, grasp the camera with your entire right hand, then press the shutter button gently.

Page 18

Loading and Unloading Film

Loading Film

After you load the film, the camera first winds the entire roll onto the cameras take-up spool. With DX-coded film, the camera automatically sets the films ISO speed. Then each time a picture is taken, one frame of film is rewound back into the film cartridge. The frame counter shows always number of shots remaining.
Command 1 Turn theexcept < Dial to any setting >. back cover. 2 Open the back cover release lever as Slide the

shown by the arrow.

Insert the film cartridge at an angle as shown in the illustration.
4 Align the edge of the film with the orange < > index mark.
Hold down the film cartridge while
pulling out the film leader.
If the edge of the film leader goes
beyond the orange mark, rewind some of the film back into the cartridge. Wrong
cover. 5 Close the backedge of the film is Check that the
aligned with the < > mark, then close the back cover until it snaps shut. After you close the back cover, the film will start winding on the take-up spool and the frame counter will count up. The camera will then make a shutter-release sound and the < > icon and total frame count will be displayed. During the films prewind, the ISO speed is displayed on the LCD panel.

This mode is for taking pictures of people at twilight or at night.The flash illuminates the subject while a slow sync speed obtains a natural-looking exposure of the background.
If you want to photograph only a night scene (without people), use the < > mode instead. Tell the subject to keep still even after the flash fires. If you also use the self-timer (page 27), the self-timer lamp will flash to indicate that the picture was taken.

Flash off

You can disable the flash when you do not want it to fire.
The built-in flash or any external Speedlite will not fire.

In the < <

> mode, use a tripod to prevent camera shake. In the <

> or

> mode, use a tripod if the shutter speed display blinks.

Page 26

Using Red-eye Reduction (with the built-in flash)
When flash is used in a low-light environment, the subjects eyes may come out red in the photograph. Red eye happens when the light from the flash reflects off the retina of the eyes. The cameras red-eye reduction feature turns on the red-eye reduction lamp to shine a gentle light into the subjects eyes to narrow the pupil diameter or iris. A smaller pupil reduces the chances of red eye from occurring. Red-eye reduction can be set in any shooting mode except < >, < > and < >.
the < > 1 Moveon the LCDarrow to the < icon panel.
Look at the LCD panel and press the
> button to move the arrow. ( )
the < > 2 TurnLCD panel. dial to set the
Press the shutter button halfway to
return to normal camera operation.
When red-eye reduction is enabled,
the red-eye reduction lamp-on indicator will be displayed in the viewfinder and on the LCD panel when you press the shutter button halfway. To cancel red-eye reduction, set on the LCD panel.
Red-eye reduction lamp-on indicator
Red-eye reduction will not work unless the subject looks at the red-eye reduction lamp. Tell the subject to look at the lamp. For maximum effectiveness, take the picture after the red-eye reduction lamp turns off (after 1.5 sec.). You can take a picture even while the red-eye reduction lamp is lit. The effectiveness of red-eye reduction varies depending on the subject. To further increase the effectiveness of red-eye reduction, go to a brighter environment or move closer to the subject.

Page 27

Using the Self-timer
The self-timer is useful when you want to be in the picture. It can be used in Basic Zone and Creative Zone modes. You should use a tripod.

1 Show the < panel.

Press the <

> icon on the LCD

> button to display the < > icon. To cancel the self-timer, press the < > button again or turn the Command Dial to < >.
2 Take the picture. procedure is the The picture-taking
same as with the < > Full Auto mode on page 22. Look through the viewfinder and press the shutter button fully to start the self-timer. When you press the shutter button fully, the beeper will sound and the picture will be taken 10 sec. later. During the first 8 sec., the beeper beeps slowly and the self-timer lamp blinks slowly. During the final 2 sec., the beeper beeps quickly and the self-timer lamp blinks quickly. Also, the self-timer display on the LCD panel counts down in seconds.
Do not stand in front of the camera when you start the self-timer. Doing so will throw off the focus. To cancel the self-timer after it starts, press the < > button again. When using the self-timer to take a picture of only yourself, first lock the focus (page 33) on an object at the same distance where you will be in the picture.

Page 28

Wireless Remote Control (DATE Model only)
With Remote Controller RC-1 (optional), wireless operation is possible up to 5 meters away from the front of the camera.

display the <

> button to > icon.
2 Take the picture. toward the Point the controller

Remote control sensor

cameras remote control sensor and press the transmit button. Display indications 2-sec. delay: The indicator will be the same as during the last 2 sec. of the self-timer. No delay: When the picture is taken, the self-timer/wireless remote control lamp will flash.
Certain types of fluorescent lights might cause the remote control operation to work improperly. Place the camera away from any fluorescent lights as far as possible. If you set the film advance mode lever to < > and do nothing for four minutes, the wireless remote control mode will be canceled automatically to save battery power.

Using the Eyepiece Cover

When you use the self-timer or wireless remote control and your eye does not cover the eyepiece, stray light entering the eyepiece may affect the exposure setting. To prevent this, attach the eyepiece cover to the eyepiece.
1 Remove the eyecup from the eyepiece.
Slip on 2 13) overthe Eyepiece cover (page the eyepiece. 28

Page 29

Imprinting the Date or Time (DATE Model only)
The camera has a date feature with an automatic calendar to 2099. It can imprint the date or time on the photograph as shown in the left photo. The imprinting can also be disabled so nothing is imprinted. The date or time can be imprinted in any shooting mode.
The date or time is imprinted on the lower right corner of the photograph.

1 Move the <

> arrow to <
( ) Look at the LCD panel and press the < > button. If the date and time has not been set, will blink on the LCD panel. See page 30 to set the date and time.
the 2 Selectthe < date format. > dial. Turn
The date format will change in the following loop:

Year, month, day

Month, day, year

Day, month, year

Day, hour, minute

Page 30

Setting the Date and Time
< > 1 Move thethe LCDarrow to < press>. panel and the Look at
< > button. If the date and time has not been set, will blink on the LCD panel.
digit be set. 2 Select the < >tobutton. Press the
The digit selection will change in the
following sequence: year, month, day, hour, minute, .
3 Set the correct> number. dial. Turn the <
Repeat steps 2 and 3 until all the
date and time digits are set correctly.
4 Finalize the date and time setting. Keep pressing the < > button until

no digits are blinking.

If you press the <
> button while is blinking, 0 sec. will be set.
If a picture is taken while the date and time are blinking, the date and time will not be imprinted on that picture. The date and time setting can be retained for about 10 min. after the cameras batteries are removed.

NNN E SEC3 (31-51)

02.5.11 11:16 AM

Page 31

User-Controlled Shooting
Selecting an AF point..32 Focusing Off-Center Subjects..33 When Autofocus Fails..34 Selecting the Film Advance Mode..35 Metering Modes..35 : Program AE..36 : Shutter-Priority AE..38 : Aperture-Priority AE..40 Depth-of-field Preview..41 : Manual Exposure...42 : Automatic Depth-of-Field AE..43 AE Lock..44 : Exposure Compensation..45 Auto Exposure Bracketing (AEB).46 Bulb Exposures..47 Multiple Exposures..48 Using the Built-in Flash..49 : Setting the ISO Film Speed..50 Silencing the Beeper...51 LCD Panel Illumination..51 Using the Remote Switch..51

Cre ati v

The Creative Zone modes enables you to set any shutter speed and aperture to obtain the exposure or effect you want. You can set the AF point, film advance mode, AE lock, exposure compensation, AEB, multiple exposures, and depth-of-field preview.

Page 32

Selecting an AF point
The AF point is used for focusing. The AF point can be selected automatically by the camera or manually by you. In the Basic Zone modes and < > mode, the AF point selection is automatic only. In the < >, < >, < >, and < > modes, the AF point can be selected either automatically or manually.
Automatic AF point Selection
The camera selects the AF point automatically according to situation.
Manual AF point Selection
You can select any of the seven AF points manually. This is best when you want to be sure to focus on a particular subject, or to use the time of the AF function to help you compose a particular shot quickly.
the < ( 1 Presscurrent AF > button.light. ) The point will
2 Select the desired AF point. on the While looking at the AF points
LCD panel or in the viewfinder, turn the < > dial to select the desired AF point. The selected AF point will flash in the viewfinder. The AF point selection will change in the looping sequence below. After selecting the AF point, press the shutter button halfway. The camera will then be ready to take pictures.
Automatic AF Point Selection Manual AF Point Selection

Page 33

Focusing Off-Center Subjects
If you want to focus an off-center subject not covered by any of the AF points, use focus lock as described below.
1 Select the desired AF point. (page 32) the 2 Focusthe AFsubject. the subject, then point on Aim
press the shutter button halfway.
3 Keep pressing the shutter button halfway and recompose the

picture as desired.

4 Take the picture.
Focus lock also works in the Basic Zone modes (except< from step 2 above.

>). Just start

Page 34

When Autofocus Fails

The camera has a high-precision AF system which can focus almost all subjects. However, it can fail to achieve focus (the focus confirmation light < > blinks) the subjects listed below.
Difficult Subjects for Autofocusing
Low-contrast subjects. Example: Blue sky, flat surface with a solid color. Subjects in very low light. Extremely backlit or reflective subjects. Example: Automobile with a strong reflection. Overlapping near and far objects. Example: Animal behind bars in a cage. In such cases, use one of the following methods to focus: (1) Focus lock an object at the same distance as the subject and recompose. (2) Set the lens focus mode switch to <MF> or <M> and focus manually as explained below.
If focus cannot be achieved even with the EOS-dedicated Speedlites AF-assist light, select the center AF point.

Manual Focusing

lens mode switch 1 Set the(or <Mfocusolder lenses). to > on <MF>
The < > icon will be displayed on the LCD panel.
the subject. 2 Focusthe lens manual focusing ring Turn
until the subject is in focus in the viewfinder.
If you hold down the shutter button halfway while focusing manually, the active AF point will flash and the focus confirmation light < > will light when focus is achieved.

Page 35

Selecting the Film Advance Mode
Two film advance modes are provided: single-frame and continuous shooting.

Press the <

> button.

Show the <

> (single) or < > (continuous) icon on the LCD panel. Each time you press the < > button, the icons will appear in the following looping sequence:
The continuous shooting speed is
approx. 2.5 frames per sec.

Metering Modes

The camera has three metering modes: Evaluative, partial, and centerweighted average metering. Evaluative metering is the standard metering mode. Partial metering is set automatically when AE lock is used (page 44), and centerweighted average metering is set automatically in the < > mode (page 42). Evaluative metering
This is an all-around metering mode suited even for backlit subjects. The viewfinder field is divided into 35 metering zones to which the three AF points are linked for evaluative metering. The camera determines the main subjects size, position, brightness, background, front and back lighting, etc., so that it can select the proper exposure for the subject at all times.

Partial metering

This is particularly effective when the background is much brighter than the subject due to backlighting, etc. This method uses a center area of approximately 9.5% of the screen. The area covered by partial metering is shown on the left.
Centerweighted average metering
The metering is weighted at the center and then averaged for the entire scene.
In the One-Shot AF and AI Focus AF (except AI Servo AF) modes (page 55), when you press the shutter button halfway and focus is achieved, the exposure is locked automatically at the same time.

Page 36

:Program AE
Like the < > (Full Auto) mode, this is a general-purpose mode to make picture-taking easy. It sets the shutter speed and aperture automatically to suit the subjects brightness. P stands for Program. AE stands for auto exposure.
2 Press the shutter button halfway to focus.
3 Check the display.and aperture are The shutter speed
set automatically and displayed in the viewfinder and on the LCD panel. If the shutter speed and aperture do not blink, a correct exposure will be obtained. If the shutter speed and aperture blink, see Exposure Warning List on page 53.

Page 37

4 Take the picture. and press the Compose the shot
The Difference Between <

> and <

The < > and < > modes set the same shutter speed and aperture settings automatically for picture-taking. The following features can be used with < >, but not with < Manual AF point selection AEB Film advance mode selection Depth-of-field preview Program shift Multiple exposures AE lock with the < > button Built-in flash ON/OFF Exposure compensation

About Program Shift

In the Program AE mode, you can freely change the shutter speed and aperture combination (program) set by the camera while retaining the same exposure. This is called program shift. To shift the program, press the shutter button halfway and turn the < > dial until the desired shutter speed or aperture is displayed. After the picture is taken with the shifted program, the shifted program is canceled automatically and the original program is restored. Program shift cannot be set when the built-in flash is used.

Page 38

:Shutter-Priority AE
In this mode, you set the shutter speed and the camera sets the aperture automatically to suit the brightness of the scene. A fast shutter speed can freeze the motion of a fast-moving subject. Or, a slow shutter speed can blur the subject to give the impression of motion. Tv stands for Time value which is the shutter speed.

set the desired aperture.
4 Start the bulb exposure.shutter Press and hold down the
button. During the bulb exposure, blinks on the LCD panel. The bulb exposure continues as long as you hold down the shutter button.
Remote Switch RS-60E3 (optional) is recommended for bulb exposures. Bulb exposures can also be taken with wireless remote control (optional). Press the transmit button to start the exposure, and press it again to stop the exposure. (DATE Model only) With a new set of batteries, the maximum bulb exposure time (at 20C) will be about 4 hours.

02.5.11 11:17 AM

Page 48

Multiple Exposures

By not advancing the film after taking a picture, up to nine exposures can be shot on a single frame.
< > button. ( ) The frame counter will show .
2 Set the desired number of multiple exposures.

Turn the <

> dial.
Three multiple exposures have been set above.
3 Take the picture.the multiple After you take all
exposures, the film advances to the next frame automatically and the multiple-exposure setting is canceled.
If you shoot multiple exposures on the first few or last few frames of a roll, the multiple exposures might not be precisely aligned due to the film curling. During multiple-exposure shooting, the < > arrow next to the < > icon on the LCD panel will blink. To cancel multiple exposures before shooting, set the number of multiple exposures to 1. To cancel multiple exposures after shooting, follow steps 1 and 2 to set the number of multiple exposures to blank.

Page 49

Using the Built-in Flash

In a Basic Zone Mode

In a Basic Zone mode (except < >, < > and < >), the built-in flash will pop up and fire automatically in low-light or backlit conditions.

In a Creative Zone Mode

When using a Creative Zone mode, press the < built-in flash.
> button to pop up the
: Use this mode for automatic flash photography. The flash sync speed and flash aperture will be set automatically as with the < > (Full Auto) mode. : Use this mode if you want to set a flash sync speed slower than 1/90 sec. The camera will set the flash aperture automatically to obtain a correct flash exposure. : Use this mode if you want to set the flash aperture. In this mode, you can obtain a balanced exposure between the subject and a dark background (night scene, etc.) with a slow sync speed set automatically by the camera. The flash illuminates the subject while the background is exposed with a long shutter speed. : This mode enables you to set both the flash sync speed and flash aperture. The subject is properly exposed with the flash and the background is exposed with the flash sync speed and aperture you have set. : The result will be the same as using the < > mode.

Flash Sync Speeds and Flash Apertures
Mode Sync Speed The sync speed is set automatically to 1/90 sec. Flash Aperture The flash aperture is set automatically according to the TTL program.
Any sync speed 1/90 sec. or slow- The flash aperture is set automaticaler can be set manually.* ly to match the sync speed you set. The sync speed is set automatically within a range of 30" to 1/90 sec. to match the flash aperture you set. Any sync speed 1/90 sec. or slower can be set manually.* * If the sync speed is set faster than 1/90 sec., it will be reset automatically to 1/90 sec.
You set the flash aperture manually.

Page 50

Flash Distance Range (With EF 28-90mm f/4-5.6)
ISO 28mm Negative Film Slide Film 1 - 3.0 / 3.3 - 9.8 90mm Negative Film 1 - 3.0 / 3.3 - 9.8 Slide Film 1 - 2.1 / 3.3 - 6.- 4.3 / 3.3 - 14.1
100 m / ft 1 - 4.2 / 3.3 - 13.1
400 m / ft 1 - 8.5 / 3.3 - 27.9 1.2 - 6.0 / 3.9 - 29.- 6.0 / 3.3 - 19.7
When using the built-in flash, stay at least 1 meter/3.3 feet away from the subject. Otherwise, part of the photo will look dark. When using the built-in flash, detach any hood attached to the lens. A lens hood will partially obstruct the flash coverage. When a super telephoto lens or a fast, large-aperture lens is attached, the built-in flash coverage might be obstructed. To retract the built-in flash, push it down. The built-in flashs flash coverage is 28mm lens angle. If more light is required, use an external, EOS-dedicated Speedlite (optional).
:Setting the ISO Film Speed
If the film is not DX-coded or if you want to set a different film speed, you can set the film speed manually after loading the film into the camera. The settable film speed range is ISO 6 to 6400.
> button to move the arrow. ( ) The current film speed is displayed.
film speed. 2 Set the desired dial to set the film Turn the < >

speed.

The manually-set film speed will be canceled if the film is taken out and DXcoded film is loaded.

Page 51

Silencing the Beeper

The beeper can be silenced in all of the shooting modes.
2 Set the setting>to . dial. Turn the <
To enable the beeper to sound, set to

LCD Panel Illumination

Illuminating the LCD panel.
Press the < > button. ( ) To turn off the illumination, press the
< > button again or press the shutter button halfway. While the LCD panel is illuminated, pressing any buttons (except the shutter button) or turning any dials will extend the illumination time.

Using the Remote Switch

Connect the (optional) Remote Switch RS-60E3s plug to the cameras remote control terminal. Press the release button to take the picture.

NNN E SEC4 (52-59)

02.5.11 10:48 AM

Page 52

Reference

Basic Photography Terms

Exposure
Exposure occurs when the film is exposed to light. Correct exposure is obtained when the film is exposed to a proper amount of light in accordance with the films sensitivity to light. The correct exposure is adjusted with the cameras shutter speed and lens aperture.

Shutter speed

The shutter speed is the length of time the cameras shutter opens to expose the film to the light coming through the lens. The shutter speed is displayed on the cameras LCD panel and in the viewfinder. It ranges from 1/2000 sec. to 30 sec. and bulb.

Aperture

The aperture setting (f/number) indicates the size of the aperture opening in the lens (focal length/aperture diameter). It is used to adjust the amount of light striking the film. The aperture setting is displayed on the cameras LCD panel and in the viewfinder. It can range anywhere from 1.0 to 91, depending on the lens attached to the camera.

ISO film speed

The ISO film speed indicates the films sensitivity to light. The higher the film speed, the more sensitive the film is. Therefore, ISO 400 and higher-speed films are suited for low-light conditions. The ISO film speed is set in accordance with standards set by the International Standardization Organization (ISO). A film speed from 6 to 6400 can be displayed on the LCD panel.

Depth of field

This is the range where acceptable focus can be achieved in front of and behind the point of optimum focus. The smaller the aperture (the larger the f/number), the deeper the depth of field. And the larger the aperture (the smaller the f/number), the shallower the depth of field.

(page 40)

Page 53

Exposure Warning List

Mode Blinking Warning Indication The subject is too dark. The subject is too bright. The picture will be underexposed. The picture will be overexposed. The picture will be underexposed. The picture will be overexposed. Countermeasures Use flash.

Attach a neutral density filter to the lens. Turn the < > dial to set a slower shutter speed. Turn the < > dial to set a faster shutter speed. Turn the < > dial to set a larger aperture (smaller f/number). Turn the < > dial to set a smaller aperture (larger f/number).
1) Move away from the subject and try again. The desired depth of 2) If a zoom lens is used, field cannot be use the shortest focal obtained. length. The subject is too dark. The subject is too bright. Use flash. The result will be the same as using the < > mode. Attach a neutral density (ND) filter to the lens.
The sample warnings above apply when the lens used has a maximum aperture of f/4.0 and minimum aperture of f/22. The maximum and minimum aperture warning displays will differ depending on the lens attached to the camera.

Page 54

Feature Availability Table
Command Dial Mode One-Shot AI Servo AF Built-in Flash Metering Mode Film Advance Functions AI Focus Auto AF Point Selection Manual AF-Assist beam Single frame Continuous
Self-timer/Remote control
Evaluative Partial Centerweighted avg. Auto Firing Always Firing
Program shift Exposure Compensation AE Lock Depth-of-field preview Date ISO Speed Red-eye Reduction Beeper Multiple Exposures AEB
: Set automatically. ( ): Set automatically during AE lock. : User-selectable/settable.

Page 55

AF Mode

One-Shot AF

When focus is achieved, the exposure setting is set simultaneously and the focus is locked. The shutter cannot be released until focus is achieved.

AI Servo AF

Ideal for moving subjects. The moving subject is focused continuously while the camera predicts the subject's point of focus for when the shutter is released. The exposure is set when the shutter is released.

AI Focus AF

When you press the shutter button, the AF mode (One-Shot AF or AI Servo AF) is set automatically depending on whether the subject is moving or not.
AF Mode and Film Advance Mode
Film Advance Mode One-Shot AF The picture cannot be taken until focus is achieved. When focus is achieved, it also locks at the same time. The evaluative meterings exposure reading is also locked. (The exposure setting is retained until the picture is taken.) The same conditions as above apply during continuous shooting (at about 2.5 frame per second). AI Servo AF

Single frame

Autofocusing continues to match the subjects movement. The exposure setting is determined at the moment of exposure.

Continuous

The same conditions above apply during continuous shooting. Autofocusing continues during continuous shooting (at about 2.3 frame per second).

Page 56

Troubleshooting Guide
If there is a problem, try to resolve it by referring to this Troubleshooting Guide. If the problem still persists, take the camera to your nearest Canon Service Center. Nothing is displayed on the LCD panel. The picture looks blurred. The batteries are exhausted. Replace the batteries with new ones. (page 14) The batteries have been installed incorrectly. Install the batteries correctly. (page 14) The lens focus mode is set to <MF> (or <M>). Set the lens focus mode to <AF>. (page 16) There was camera shake when the picture was taken. Hold the camera steady or use a faster shutter speed. (page 17) The frame count is not displayed on the LCD panel. The shutter Take out the film and load it correctly. (page 18) does not work. The < > icon blinks on the LCD panel. Replace the batteries with new ones. (page 14) The < > icon blinks while the rewound film is still in the camera. Replace with a new roll of film. (page 18) The focus confirmation light < > in the viewfinder blinks and focus cannot be achieved. Select another AF point. (page 32) If focus still cannot be achieved, focus manually. (page 34) The battery level is very low. The < > icon blinks on Replace the batteries with new ones. (page 14) the LCD panel. A misoperation has occurred. Press the shutter button halfway. (page 17) Remove the batteries and reload it. (page 14) If the blinking < > icon does not turn off, consult your nearest Canon Service Center.
When using an external flash unit, an EOS-dedicated Speedlite is recommended. Using the camera with a flash unit (equipped with electrical contacts on the hot shoe foot), high-voltage flash unit, or flash accessories dedicated to a different brand may result in camera misoperation or malfunction.

Page 57

Major Specifications
Type..35 mm AF/AE SLR camera with built-in winder and flash Recording media.35 mm film Image size..24 x 36 mm Compatible lenses..Canon EF lenses Lens mount..Canon EF mount (electronic data exchange)

Viewfinder

Type..Eye-level pentamirror Coverage.90% vertically and horizontally Magnification..0.7x (1 diopter with 50mm lens at infinity) Eyepoint..18.5 mm Dioptric adjustment range..2.5 - +0.5 diopter Focusing screen..Fixed (New Laser Matte screen) Mirror..Quick-return half mirror (Transmission: reflection rate of 40:60, No mirror cut-off with EF 300mm f/2.8L plus Extender 2x or shorter lens) Viewfinder information.AF (superimposed AF point, focus confirmation light); Exposure (shutter speed, aperture, exposure level, exposure warning, AE lock); Flash (flash ready, hi-speed sync, FE lock, red-eye reduction, out of working range warning) Depth-of-field preview.Depth-of-field preview button

doc1

NOMENCLATURE
AF-assist Beam/ Red-Eye Reduction Lamp Flash-Sync Contacts Film Advance Mode/ Self-timer/Remote Control Button Remote Control Terminal Flash Pop-up Button

Built-in Flash

Hot Shoe Shutter Button Remote Control Sensor/Self-timer/ Remote Control Lamp

Grip (Battery Chamber)

Lens Release Button

KNOW HOW

Dioptric Adjustment Lever Viewfinder Eyepiece Strap Mount Film Check Window Back Cover Release LCD Panel Back Cover

Command Dial Main Dial

1-800-OK-CANON www.usa.canon.com Canon U.S.A., Inc. One Canon Plaza Lake Success, NY 11042, U.S.A. Canon Canada Inc. 6390 Dixie Road, Mississauga, Ontario L5T 1P7, Canada Canon Mexicana, S. DE R.L. DE C.V. Perifrico Sur No. 4124, 5 y 6 pisos Col. Ex-Rancho de Anzaldo 01900 Mxico, D.F.
AE Lock/ FE Lock Button AF Point Selector Exposure Compensation Button/ Aperture Setting Button
Midroll Rewind Button LCD Panel Illumination Button Function Button
Battery Compartment Cover Release Lever
Depth-of-Field Preview Button

0033W393 8/02

2002 canon u.s.a., inc.

printed in u.s.a.

Tripod Socket

Guide Holes

www.canoneos.com

Get a Grip on the Future

Open the Door to the World of Photography.
The new EOS Rebel Ti lets you in on everything SLR photography and the Canon EOS System have to offer. Advanced automation that propels your images to the next level immediately.creative control available when youre ready.and access to Canons legendary lenses and accessories.
Shoot life as it happens: the Rebel Ti has the fastest autofocus in its class. One-Shot AF handles all-around shooting, while AI Servo AF tracks movement to focus children, pets, wildlife and sporting events with astonishing accuracy. AI Focus AF

Pro Performance

With high performance built into every system, and full, intelligently-designed automation, breathtaking results are a given at any skill level.
expects the unexpected, switching from One Shot to AI Servo as needed. An Orientation Detection Sensor ensures focus in horizontal or vertical format, and youll catch action sequences with an easy preprogrammed Continuous Shooting mode enabled by fast, silent, 2.5 fps film advance.

The Cockpit Deck

Inspired by the flight decks of the most advanced aircraft, the Rebel Ti's user interface puts all critical information right in front of your eyes and controls at your fingertips for intuitive operation right from the start.
Accurate, consistent exposure is critical in taking your photography to the next level. With the Rebel Ti, exposure is instantly and automatically calculated using information Fast, accurate and flexible, Rebel Tis three autofocus systems (the camera chooses the best one automatically) free you to concentrate on your composition and just have fun. Seven focusing points cover an area wider than any other camera in its class, letting you place your subject off-center or even focus on the area covered by multiple focus points. And the selected focus point is highlighted in the viewfinder, eliminating any surprises. from 35 metering zones linked to the AF points. Then, all within the same split second, the calculation is further refined to compensate for lighting extremes and vertical or horizontal orientation. Even in backlit situations, your pictures will be properly, pleasingly exposed.
Look into the glare-free laser matte viewfinder. Seven wide-area focusing points are clearly superimposed to guide composition. There is even dioptric adjustment so that prescription glasses can be removed for up-close comfort. The extra-large, easyto-follow LCD panel is illuminated for clear viewing whatever the lighting conditions. And shooting feels natural because the shutter button, AF point selector, Main Dial, Command Dial and even the LCD panels buttons are all within reach for onehanded operation.

COMMAND DIAL

A built-in, automatic popup flash eliminates guesswork. It recycles for action quickly, and with a Red-Eye Reduction lamp built right in, images are natural and flattering.

High Speed Sync

Rebel Ti incorporates Canons advanced TTL system: 3-zone flash metering that actually knows which point has been selected for focus. This level of precision ensures a flash thats customized to each shot for exceptional results. And when you add an optional EX Speedlite, the camera gives you access to E-TTL flash mode, which uses a split-second preflash fire to gather even more
Manual Exposure Aperture-Priority AE Shutter Speed-Priority AE
Automatic Depth-of-Field AE Flash Off
Intelligent Program AE OFF Full Auto Portrait Landscape
Night Scene Sports Close-up

y Red-Eye Reduction

Without Red-Eye Reduction
Everyday operations have been conveniently consolidated to the command dial, main dial and shutter button for one-handed operation and a quick and easy learning curve.
in-depth metering information.
Pick up the Rebel Ti and youll never want to put it down. A spectacularly ergonomic design gives you a secure, comfortable grip, even with the cameras light weight and compact shape. Loading film is effortless with a fast (and conveniently silent), fully automatic prewind system. Midroll rewind even allows you to remove a partially exposed roll. The lens mount is solid stainless steel for enduring performance as you switch between Canons full line of world-renowned lenses.
After pressing the Depth-of-Field Preview button Without Depth-of-Field Preview
By pressing the AF Point Select button and turning the dial, you can easily choose any one of the seven focusing points. The Depth-of-Field Preview button is a high-end feature that lets you see exactly whats in focus before you take the shot. With AE Lock, exposure is precisely set and then stored in the memory, giving you time to recompose your shot without rushing. When you add a Speedlite, the AE Lock becomes an FE Lock, letting you spot meter with the flash, then save the proper flash exposure until youre ready to shoot.

* FE Lock * AE Lock

VIEWFINDER DISPLAY
Fun and easy Programmed Image Controls handle a full range of common shooting conditions: Portrait for fine-tuned subjects

New Laser-matte Screen

with atmospheric background blur; Landscape for expansive depth-of-field; Close-up for

AF Point

Portrait
Superimposed Position (7 points)
Extensive Creative Capability
Discover the excitement of SLR photography at your own pace, whether the creative photographer in you is just emerging or already well established.
gorgeously detailed texture and color; Sports for the best fastaction shots; and Night Scene for naturally-lit subjects and attractive nightscapes. Of course, Full Auto is yours to make quality shooting completely carefree, and you can choose a Flash Off setting which disables any external Speedlite as well.

* AE Lock/FE Lock

Focus Confirmation Light Exposure Level Aperture (0091) Shutter Speed (200030" bulb)

U Full Auto

Landscape

x Flash-ready

Beyond Flash Working Range Warning (During FE Lock) H High-speed Sync (FP Flash)

Close-up

Sports

LCD PANEL

Auto Exposure Bracketing from top: Correct Exposure Overexposure Underexposure

Night Scene

You can always rely on Rebel Tis automatic exposure system for professional results, but the cameras special exposure controls give you lots of room for experimentation. With Multiple Exposure Control, you can place up to nine images in a single frame for impressive surrealistic compositions. Auto Exposure Bracketing records a single shot three ways, properly exposed, overexposed and underexposed, to the degree you select. You can also set the shutter speed at 1/2-stop increments for special effects, and the shutter features a 10-second self-timer to let you in on your own shot.
When youre ready for even more creative control, Rebel Ti is ready to give it to you. Depth-of-Field AE lets you sharply focus two objects with proper exposure. Set aperture

D Depth-of-Field AE

with Aperture Priority AE, shutter speed with Shutter Priority AE, and maintain a constant exposure while you experiment with shutter/ aperture combinations with Intelligent Program AE. Use Manual for your full artistic imprint: set shutter speed and aperture in any combination and override built-in metering systems.

Shutter Priority AE

EOS REBEL Ti SPECIFICATIONS
TYPE AND MAJOR COMPONENTS Type: 35mm focal plane shutter SLR autofocus/autoexposure camera with built-in motor drive and retractable flash. Lens Mount: Canon EF mount (electronic signal transfer system). Usable Lenses: Canon EF lenses. Viewfinder: SLR-type, eye-level roof prism mirror gives 90% vertical and horizontal coverage of actual picture area and 0.70x magnification with 50mm lens at infinity. Mirror: Quick-return half mirror. Standard Diopter: Adjusted to -1. (18.5mm eye relief) Dioptric Correction: -2.5 - +0.5 dpt. Depth-of-Field Preview: Enable with depth-of-field preview button. Focusing Screen: Fixed, full-surface new laser-matte screen marked with focusing points. Viewfinder Information: Numbers and symbols displayed by LCD at bottom of viewing area. (Yellow-Green) 1. Shutter speed (If unsuitable blinks at 2 Hz as a warning.) 2. Aperture (If unsuitable blinks at 2 Hz as a warning.) 3. * : Indicates AE lock or FE lock (Partial metering at center.) 4. L : Exposure level scale with dot indicators in 1/2-stop increments. (2 stops) 5. x : Lights when flash is ready; blinks at 2 Hz if flash range is ineffective during FE lock. 6. H : Lights during high-speed sync. (FP flash) 7. i : In-focus indicator. (Blinks at 2 Hz if focus cannot be achieved.) Shutter: Vertical-travel, focal plane shutter with all speeds electronically controlled. Front and rear shutter curtains both have dedicated electromagnetic release control. (Curtain speed: 6.3ms / 24mm) Shutter Speeds: 30 to 1/2000 sec., Bulb; X-sync at 1/90 sec. Can be set in 1/2-stop increments. AUTOFOCUS AF Control System: TTL-SIR (Secondary Image Registration) CMOS sensor with seven AF points. Focusing Point Selection: The focusing point can be selected by camera (Automatic) or by user (Manual). Focus Modes: 1. Autofocus: One of the following two AF modes is set automatically depending on the picture-taking mode. The shutter does not release until focus is achieved. (a) One-Shot AF: Autofocus locks when focusing is achieved. (b) Predictive AI Focus AF: Continuously tracks subject movement and achieves focus before the exposure starts. (c) AI Focus AF for automatic switching between One-Shot AF and predictive AF for moving subjects. 2. Manual Focus: Setting the lens focus mode switch to MF enables manual focusing with the focusing ring. Focus Operation: Autofocus is activated by pressing the shutter button halfway. AF Working Range: EV1-18 (at ISO 100) AF-assist Beam: Automatically emitted when necessary and aimed at the area covered by the active focus point. EXPOSURE CONTROL Light Metering: 1.TTL full-aperture metering using 35-zone SPC(Silicon Photocell). Three metering patterns available. (a) 35-zone Evaluative metering. (b) Central partial metering which covers approximately 9.5% of finder area. (c) Center weighted average metering (Set automatically in M mode.) 2.E-TTL: 35-zone pre-flash metering linked to active AF point using Speedlite 550EX, 420EX, or 220EX. 3. A-TTL, TTL Flash Metering: off-the-film, 3-zone A-TTL autoflash linked to focusing points, 3-zone TTL autoflash metering. Metering Range: EV 1-20 (with 50mm f/1.4 lens at ISO100) Exposure Modes: (1) Intelligent program AE with variable shift. (2) Shutter speed-priority AE (3) Aperture-priority AE (4) Auto DEP (5) Full Auto (Intelligent program AE, unshiftable) (6) Programmed Image Control Modes: Portrait, Landscape, Close-up, Sports, Night Portrait and Flash Off (7) E-TTL program flash AE (8) A-TTL program flash AE (9) TTL program flash AE (10) Metered Manual Exposure Compensation: (1) Auto Exposure Bracketing (AEB) up to 2EV in 1/2 steps. (2) Manual exposure compensation up to 2 EV in 1/2 steps. Unavailable in the Full Auto and P.I.C. modes. Multiple Exposure: Up to 9 exposures can be preset. Automatically clears upon completion. Cancelable midway. FILM TRANSPORT Film Speed Setting: ISO 25-5000 automatically set in 1/3 step increments according to DX code. Can also be set manually from ISO 6-6400 in 1/3 step increments. Film Loading: Automatic prewind system. After film positioning and back cover closure, the film automatically winds to the 1st frame. Film Transport: Single-frame advance or continuous advance set automatically according to the picture-taking mode. Film Wind: One of two modes can be set: Single Frame and Continuous. (In Continuous Mode, with AF locked, approximately 2.5 fps and in AI Servo AF Mode, approximately 2.3 fps.) Film Rewind: Automatically rewinds at the end of roll. Midroll rewinding possible. Quiet Film Transport: Film winding sound level : Approximately 60dB. Film Transport Confirmation: By up/down counting of frame counter in LCD panel. BUILT-IN FLASH Type: Built-in, retractable TTL autoflash head in the pentaprism. Auto pop-up and serial-controlled. Guide Number: 39 ft / 12 m (ISO 100) Flash Coverage Angle: Covers the angle of view of 28mm lens. Recycling Time: Approximately 2 seconds. The icon lights in viewfinder when ready. Flash Duration/Color Temperature: 1ms or less / equivalent to daylight. Shooting Distance Range:

EF28-90mm f/4-5.6 ISO Negative film 3.3 ft~13.8 ft 3.3 ft~27.9 ft Wide: 28mm Slide film 3.3 ft~9.8 ft 3.3 ft~19.7 ft Negative film 3.3 ft~9.8 ft 3.3 ft~19.6 ft Tele: 80mm Slide film 3.3 ft~6.9 ft 3.3 ft~14.0 ft

Welcome to EOS

Access the worlds largest selection of autofocus lenses, and accessories to support your creativity for years to come.

100mm Macro

Enjoy compatibility with most EOS System accessories, including powerful EX Series Speedlites for portable, professional-quality lighting. The lightweight, attachable Battery Pack BP-220 gives you a comfortable grip and shutter button for vertical shots.
Speedlite 220EX Speedlite 420EX
EOS Rebel Ti with Battery Pack BP-220

ULTRA-WIDE ZOOMS

WIDE ANGLE

SUPER TELEPHOTO

Rebel Ti lets you in on Canons full line of EF lenses, world-renowned for optical quality. The EF 28-90mm f/4-5.6 II, standard zoom lens is an ideal all around lens for wide-angle to medium telephoto photography. When you are ready for something more, there are over 50 EF lenses from 14mm to 1200mm to choose from. Find more information at www.usa.canon.com/eflenses/.
EF 16-35mm f/2.8L USM EF 20-35mm f/3.5-4.5 USM EF 22-55mm f/4-5.6 USM

STANDARD ZOOMS

EF 24-85mm f/3.5-4.5 USM EF 28-70mm f/2.8L USM EF 28-80mm f/3.5-5.6 II EF 28-90mm f/4-5.6 II USM EF 28-90mm f/4-5.6 II EF 28-105mm f/3.5-4.5 II USM EF 28-105mm f/4-5.6 USM EF 28-135mm f/3.5-5.6 IS USM EF 28-200mm f/3.5-5.6 USM EF 35-80mm f/4-5.6 III EF 35-350mm f/3.5-5.6L USM

TELEPHOTO ZOOMS

Fish-eye EF 15mm f/2.8 EF 14mm f/2.8L USM EF 20mm f/2.8 USM EF 24mm f/1.4L USM EF 24mm f/2.8 EF 28mm f/1.8 USM EF 28mm f/2.8 EF 35mm f/1.4L USM EF 35mm f/2
STANDARD & MEDIUM TELEPHOTO
EF 400mm f/2.8L IS USM EF 400mm f/4 DO IS USM EF 400mm f/5.6L USM EF 500mm f/4L IS USM EF 600mm f/4L IS USM EF 1200mm f/5.6L USM

EXTENDERS

EF 1.4x II EF 2x II Life Size Converter EF
EF 50mm f/1.0L USM EF 50mm f/1.4 USM EF 50mm f/1.8 II EF 85mm f/1.2L USM EF 85mm f/1.8 USM EF 100mm f/2 USM

TELEPHOTO

MP-E 65mm f/2.8 1-5x Macro EF 50mm f/2.5 Compact Macro EF 100mm f/2.8 Macro USM EF 180mm f/3.5L Macro USM

TILT-SHIFT

Red-Eye Reduction: Red-Eye Reduction lamp lights while the shutter button is pressed halfway and focusing and metering are achieved. POWER SOURCE Battery: Two CR2 lithium batteries housed inside the camera grip. Battery Check: Battery level is displayed by the battery level indicator on the LCD panel. Battery level is indicated in one of four levels. Shooting Capacity (24-exposure rolls):

Ambient Temperature Normal Temperature (68F/20C) Low Temperature (4F/-20C) flash not used Shooting Conditions 50% with flash 100% flash use 22 15
EF 55-200mm f/4.5-5.6 USM EF 70-200mm f/2.8L IS USM EF 70-200mm f/2.8L USM EF 70-200mm f/4L USM EF 75-300mm f/4-5.6 IS USM EF 75-300mm f/4-5.6 III USM EF 75-300mm f/4-5.6 IIl EF 80-200mm f/4.5-5.6 II EF 100-300mm f/4.5-5.6 USM EF 100-400mm f/4.5-5.6L IS USM
EF 135mm f/2L USM EF 135mm f/2.8 w/ Soft Focus EF 200mm f/1.8L USM EF 200mm f/2.8L II USM EF 300mm f/2.8L IS USM EF 300mm f/4L IS USM
TS-E 24mm f/3.5L TS-E 45mm f/2.8 TS-E 90mm f/2.8
EOS Rebel Ti Date Model Date/Time Imprint: (EOS Rebel Ti Date only) Day/Month/Year, Month/Day/Year, Year/Month/Date, Date/Hour/Minute DIMENSIONS Size: EOS Rebel Ti / EOS Rebel Ti Date:5.12 (W) x 3.46 (H) x 2.52 (D) in./130 (W) x 88 (H) x 64 (D) mm Weight: EOS Rebel Ti: 12.9 oz / 365 g without batteries All data are based on Canons Standard Test Method. Subject to change without notice.

 

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