For All the Right Moves. the Canon Grand Master
3CCD DIGITAL VIDEO CAMCORDER

www.canondv.com

The Full Potential of Digital Video In One Extraordinary Camcorder
Just as Canon's Hi8 camcorders have set the standard time and again, the XL1 is Canon's new flagship camcorder and the product that defines the leading edge of Digital Video.

DV format

Whether your need is broadcast production or simply the very best picture quality, the mini DV format delivers more than 500 lines of horizontal resolution nearly a 25% improvement in picture quality over the best analog formats. The tape formulation is advanced to last longer and even withstand repeated use without failure, virtually eliminating drop out and delivering higher output and less noise.
Achieve Super High Resolution Alongside Super Low Light Capability
3CCD The XL1 maximizes the capability of the DV format by using a 3CCD system with a separate CCD for each primary color (red, green, blue). A beam-splitting prism precisely separates the light passing through the lens into individual color components, and each is sent to its own CCD. This process achieves outstanding detail with highly accurate color reproduction suitable for the demands of the high-end production field wide dynamic range, low color noise, natural color resolution and low aliasing.
Pixel Shift Canon solves common shooting dilemmas with a larger pixel size and the process of Pixel Shift, which gives wider dynamic range, better low light, reduced vertical smears, and high quality still images without sacrificing the highest resolution.

Super low Light

The XL1 incorporates three CCD image sensors, each with 270,000 pixels, specifically designed for freedom when shooting under extremely low light conditions. The size of each pixel is 72 square microns. That's 150% larger than the pixel-size on comparable models. The result is an overall 4dB improvement (approx.) in sensitivity.

IEEE 1394 (DV Terminal)

The XL1 is equipped with a DV terminal that conforms to IEEE 1394 for digital transfer of video and sound, in addition to regular video and audio outputs. It takes just a single digital cable to edit, copy and record your video virtually free from generation loss in image and sound quality.
The Process of Pixel Shift
Human eyes respond best to green. The green component of a video signal contains 60% of the picture detail whereas the red and blue components comprise only 40%. We have physically shifted the green CCD the equivalent distance of 1/2 pixel horizontally from the red and blue CCD, then electronically shifted the green signal 1/2 pixel vertically. Why has Canon done this? Shifting the green CCD increases the sampling points, resulting in a rival for 410,000 pixel CCD systems in terms of resolution, while providing numerous advantages. It responds to the demands for the highest DV picture quality, combined with exceptional low light, wider dynamic range, minimal vertical smear and superior digital still images.

Vertical Smear Reduction

Shooting subjects in extremely bright conditions is handled up to professional standards with the XL1. Vertical white streaks from bright light sources are greatly reduced.
Unparalleled Optics Plus Interchangeable-lens Versatility
Top Grip With Recording Controls
In addition to the normal side grip, the XL1 features a carrying handle complete with a duplicate set of recording and zoom controls to better meet your individual recording style, as well as being ideal for low-angle recording.
SuperRange Optical Image Stabilizer
Until now, optical image stabilizers have used solely a gyro sensor to detect camcorder vibration (the data from which controls a vari-angle prism that continuously corrects the path of the incoming light). SuperRange goes one step further by examining the image after it is received by the CCD, and detecting any low-frequency vibrations missed by the gyro. This data is fed-back to accelerate and refine the movement of the vari-angle prism. This greatly improves performance for low frequency vibration, resulting in the most advanced optical image stabilization available today.

Magnesium Alloy Body

The XL1 camcorder is designed to support extensive field use. Its chassis is mounted in a single, durable magnesium frame to provide overall strength and protection from external shock blending twenty times the durability of ordinary camcorder bodies, with countless times the style.
Interchangeable Lens System
A super-flexible system with an unbeatable range. XL1 maximizes your options via the new XL mount system, for a potential focal range of between 24 and 2160 mm, made possible through the use of XL and EF (camera) lenses.

Image stabilizer ON

Image stabilizer OFF

Multi-View Finder

Whatever your position, the finder complements your point of view. Slide the high-resolution (180,000 pixel) color finder across to suit your individual line of sight whether you use your left or right eye and move from closerange to open-range at the flick of a switch.

Suppression Rate [%] 0.3

Conventional Optical Image Stabilizer

1 Frequency [Hz]

Suppression Performance of SuperRange Optical Image Stabilizer

1000mm

16X Zoom Lens XL 5.588mm IS With Extender XL 1.6X Extra Wide-angle Lens XL 3.410.2mm
Focal range expressed as 35mm equivalents
Professional Performance In Each and Every Feature
Optical Image Stabilized 16X Zoom Lens (as standard)
An optical 16X Zoom (32X Digital) is included as standard with the XL1 the world's longest available lens for a DV camcorder. It resolves over 600 TV lines to give an extraordinarily sharp image. By exceeding the DV standard of 500 TV lines, the Canon lens delivers greater visual "sharpness" through its higher sensitivity in the all important 100 to 250 TV line resolution area. It is fitted with a variable angle prism for image stabilization, has an ND filter, manual focus and zoom rings, plus a push AF function. You can also boost the power of XL lenses, with no loss of image sharpness, by attaching the 1.6X Extender (optional) between the XL lens and the XL1.

3 Shooting Modes

The XL1 has three shooting modes to accommodate any of your recording needs.

Programmed AE

Puts advanced recording techniques at your fingertips to ensure great results in various shooting conditions. There are six programs in all, giving you the balanced control that you have come to expect from Canon.

Spotlight

(1) Normal Movie Mode By merging Canon's unique optics with 3CCD (with pixel shift technology), the XL1 delivers recordings of stunning resolution and color rendition some of the best video images ever seen outside of the TV studio. This is the video recording mode for normal use. (2) Digital Photo Mode Take more than 500 brilliantly clear still pictures on a single tape (in SP mode). The photo mode further distinguishes XL1 by capturing extremely high resolution still images. The camera records the still pictures for approximately 6 seconds, as well as recording the sound for your verbal notes or narration. (3) Frame Movie Mode This Frame Movie Mode captures exciting, high-resolution frame still images by using Pixel Shift technology. It can record an incredible 30 frame still images a second continuously and effectively eliminates motion flicker by capturing a full image with every scan. Because you are shooting continuously, you need never worry about missing a single moment. (Use Normal Movie mode for standard video shooting.)

Shutter-priority/Aperturepriority (Tv/Av)
The new Tv and Av modes permit easy operation while retaining the creative image controls commonly found on Canon's 35mm SLR cameras. In the Tv mode, you select the shutter speed from 1/60 to 1/15000 of a second and the XL1 will automatically set a matching aperture. In the Av mode, you select the aperture from f/1.6 to f/16* and the XL1 automatically sets a matching shutter speed.

16X Zoom

32X Digital. plus 1.6X Extender
Tv *For the provided 16x lens

EF Adapter

Another valuable accessory is the EF Adapter that fits onto the XL1 to allow you to use Canon EF lenses*.

3X Super Wide-Angle Zoom

An optional 3X wide-angle zoom lens will also be available (Summer 1998) to give an approximate range of 3.4 10.2mm (35mm film equivalent of 24 72mm).
*In this case, focus manually 4

Photo Search

Search through your still images, quickly and easily, wherever they are on a tape.

Manual Control

In addition to Tv and Av operation, the XL1 offers a complete range of manual controls, ideal for challenging situations and more creative recordings. In particular, there is complete freedom to set the exposure at any combination of shutter speed and aperture levels. Set the gain manually to five preset levels ranging from -3 to +12dB. Set the white balance manually, or choose either the indoor or outdoor mode. Shift the exposure by up to two stops around the automatically set level.

Zebra Pattern

Reveal areas of overexposure, using these diagonal stripes to guide you when setting the aperture and shutter speed.
Prepared for Balanced-type Microphones
The optional MA-100 Microphone Adapter/Shoulder Pad (with XLR connectors) allows you to use balancedtype microphones with the XL1. This unit also lets you attach a commercially available wireless microphone receiver plus it functions as a shoulder pad for advanced handling and control.

Microphone

The XL1 comes complete with a highly sensitive microphone, that gives excellent performance in terms of frequency response.
M: Frequency Response 10.0 10.0 /Div dB

Slow Shutter

Whether your aim is a "streaming" background when panning, or perfect low-light recording, you can choose from three slow shutter settings 1/30, 1/15 and 1/8 of a second.

-70.0 Fxd Y 20 Log Hz 20k

Time Code

This precisely identifies each recording down to the individual frame, showing the hour, minute, second and frame in the display. The XL1 uses a "drop-frame" system that is particularly accurate.
SLR-Style Flash Photography
Attach a Canon Speedlite E-TTL flash (380EX) using the optional FA-100 Flash Adapter to use the XL1 for flash photography, just like you would with an SLR camera. The camera sets the flash duration, sending out a pre-exposure flash to ensure correct exposure before the main flash is sent out.
Four-Channel Digital Audio System
The XL1 listens harder than any other camcorder, by offering three digital audio modes (16 bit for the highest sound quality, and two 12 bit modes) and by being the first camcorder to offer simultaneous recording on four channels. What is more, you can output each signal completely independently too!

Data Code

Data code recorded separately from the video signal allows you to display or hide the date and time as required. In addition, you can choose to display other data shutter speed and exposure settings alongside.
q Self-timer q Digital Fader q Headphone Terminal (with level adjustment) q Video and S-video terminals for analog output. q LANC Terminal q LP Mode q Wide Screen TV Effect q Remote Control with Jog/Shuttle Dial q Lithium Ion Power Supply

XL1 Nomenclature

Stereo microphone Viewfinder focusing ring Viewfinder Eye cup AE Shift dial Audio LCD panel ND FILTER switch STABILIZER switch LIGHT button AUDIO MONITOR button POWER dial Attachment bar Focusing ring Zooming ring PUSH AF button Auto/Manual Focus switch EXP. LOCK button LENS RELEASE switch REC LEVEL swich (AUDIO 2) REC LEVEL switch INPUT SELECT switch Socket for Shoulder Pad SP-100, Microphone Adapter/ Shoulder Pad MA-100 Shoulder Pad SP-100 Zoom control PHOTO button HOLD lever
START/STOP button start/stop button Remote sensor Tally lamp PHONES LEVEL dial (phones) terminal Accessory shoe Zoom control PHOTO button EYE POINT SELECT switch PAUSE button REW button FF button STOP button PLAY button REC button Tally lamp Remote sensor 3CCD XL Lens Mount Electronic Contacts IRIS wheel MENU button cursor key cursor key cursor key L/R dials (AUDIO 2) GAIN dial
White balance selector knob WHITE BALANCE set button STANDBY button LEVEL dial BALANCE dial Video terminal DC out terminal Audio 1 terminals S-video terminal RECORD SEARCH + button EVF DISPLAY button D. EFFECT ON/OFF button RECORD SEARCH / (record review) button D. EFFECT SELECT button SHUTTER key SHUTTER key AUDIO 2 terminal (R) AUDIO 2 terminal (L) EJECT button BATTERY RELEASE button Tripod socket Grip belt REMOTE terminal Flash adapter terminal DV terminal
SELF TIMER button ON SCREEN button MENU button cursor key AUDIO MONITOR button PLAY button REW button (frame reverse) button STOP button PAUSE button START/STOP button PHOTO button Transmitter ZOOM buttons DATA CODE button cursor key cursor key cursor key MIX BALANCE buttons PHOTO SEARCH buttons FF button (frame advance) button x2 button SLOW button Jog/Shuttle dial

Power Sources

CH-900 Dual Battery Charger/ Holder Lithium Ion Battery Packs
Record for up to 90 minutes with the compact BP-927. Holds two battery packs. Can charge them consecutively and connect directly to XL1 to give twice the playback time.
Canon Digital Videocassettes
CB-900 Car Battery Adapter
To charge lithium ion batteries or power the camera from a car cigarette lighter socket.

DVM-E60

Digital Video Cassette

DVM-CL

Creative Shooting Accessories

EF Adapter XL

Fits onto the XL1 to allow you to use Canon EF lenses.
Digital Video Head Cleaning Cassette

FA-100 Flash Adapter

Enables you to use a Speedlite flash with the XL1.

380EX Speedlite Flash

Attaches to the XL1 to give SLR-style flash photography. (The optional FA100 Flash adapter is also necessary.)

Carrying Accessories

FS-72U Filter Set
Includes multiple-image, R-cross and zoom-spot filters.
MA-100 Microphone Adapter/Shoulder Pad
Allows you to use a mic. that has XLR connectors with the XL1, plus makes shoulder-mounted shooting possible. In addition, use it to attach a wireless microphone receiver or the separately available CH-900 Dual Battery Charger/ Holder.

Extender XL 1.6X

Fits between the XL1 and an XL lens to boost the power of the lens by 1.6X.
VL-10Li Battery Video Light
Powerful 10 W illumination. A lithium ion battery attaches directly, so operation is cable-free.

HC-3000 System Case

A solid and lockable system case that provides stylish protection during transportation and storage.
Availability differs from area to area.
This mark identifies genuine Canon video accessories. When you use Canon video equipment, we recommend Canon-brand accessories or products bearing the same mark.

Canon XL1 Specifications

Power supply (rated): 7.2 V DC Power consumption (While recording, AF=ON): 9.5 W ( Approx., recording with the AF turned on) Television system: EIA standard (525 lines, 60 fields) NTSC color signal Video recording system: 2 rotary heads, helical scanning system DV system (Consumer digital VCR SD system) Digital component recording Audio recording system: PCM digital sound: 16 bit (48kHz/2ch), 12 bit (32kHz/ 2 from 4 ch), 12 bit (32kHz/4ch simultaneous) Image sensor: 3CCD 1/3" Pixel Shift (charge coupled device) 270,000 pixels (250,000 effective pixels) Tape format: Videocassettes bearing the (Mini DV) mark. Tape speed: SP: 3/4 ips (18.81 mm/s); LP: 1 /2 ips(12.56 mm/s) Maximum recording time: SP: 60 minutes (with a 60 min. cassette); LP: 90 minutes (with a 60 min. cassette) Fast forward/rewind time: 2 mins 50 sec. (with a 60 min. cassette) Lens mount: XL Interchangeable lens system (16x zoom [supplied]: f/1.6-2.6, 5.5-88mm) Focusing system: TTL autofocus, manual focusing possible. Maximum shutter speed: 1/15,000 sec Minimum illumination: 2 lx (using XL 5.5-88mm lens and slow shutter at 1/8 of a second) Recommended illumination: More than 100 lx Filter diameter: 72mm (XL lens) Viewfinder: 0.7-inch, color LCD (approx. 180,000 pixels) Microphone: Stereo electret condenser microphone DV terminal: Special 4 pin connector (based on IEEE1394) Output level: Video terminal: RCA jack, 1 Vp-p/75 unbalanced, synchronized load S-video terminal: 4 pin mini DIN, 1 Yp-p (Y signal), 0.286 Vp-p (C signal) Audio terminal: RCA jack (L, R), 2 sets 4dBm (47k load)/3k or less, unbalanced Input level: Audio terminal: RCA jack (L, R) , 2 sets -11dBV/47k (LINE), unbalanced -35dBV/600 (MIC ATT), unbalanced -55dBV/600 (MIC), unbalanced Microphone terminal: 3.5mm stereo mini-jack, -59dBV (with 600 mic)/600 Operating temperature range: 32 - 104 F (0 - 40 C) Dimensions: 83/4 x 87/16 x 165/16 in (223 x 214 x 415 mm) Weight (not including lens and battery pack): 3 lbs 1115/16 oz approx. (1.7kg) (fully loaded): 6 lbs 47/8 oz approx. (2.86kg)

THE CANON XL1 KIT

XL1 Zoom Lens 16X XL 5.5-88 mm IS BP-927 Battery Pack CA-900 Compact Power Adapter DC-900 DC Coupler SS-1000 Shoulder Strap WL-D2000 Wireless Controller SP-100 Shoulder Pad S-150 S-video Cable STV-150 Stereo Video Cable DVM-E30 DV Cassette Lens Hood
Printed on 40% reused paper.
Errors and omissions excepted. Weight and dimensions are approximate. Subject to change without notice. *Connect only equipment bearing the LANC Canon is a trademark of Canon Inc.

symbol.

CANON INC.

U.S.A.

30-2, Shimomaruko 3-chome, Ohta-ku, Tokyo 146, Japan CANON U.S.A., INC. NEW JERSEY OFFICE 100 Jamesburg Road, Jamesburg, NJ 08831, USA CANON U.S.A., INC. CHICAGO OFFICE 100 Park Blvd. Itasco, IL 60143-2693, USA CANON U.S.A., INC. LOS ANGELES OFFICE 15955 Alton Parkway, Irvine, CA 92718, USA CANON U.S.A., INC. HONOLULU OFFICE 1020 Auahi Street, Bldg. #8, Honolulu, HI 96814, USA CANON CANADA INC. HEADQUARTERS 6390 Dixie Road, Mississauga, Ontario L5T 1P7, Canada CANON CANADA INC. MONTREAL OFFICE 5990 Cte-de-Liesse, Montreal, Quebec H4T 1V7, Canada CANON CANADA INC. CALGARY OFFICE 2828, 16th Street, N.E. Calgary, Alberta T2E 7K7, Canada CANON MEXICANA, S. DE R. L. DE C. V. Calzada de Tlalpan 479, Col. Alamos C.P. 03400 Deleg. B. Jurez, Mxico, D. F., Mxico CANON LATIN AMERICA, INC. 6505 Blue Lagoon Drive Suite 325 Miami FL 33126 USA CANON HONGKONG CO., LTD. 10F, Mirror Tower, 61 Mody Road, Tismshatsui East, Kowloon, Hong Kong
Warning: Unauthorized recording of copyrighted materials may infringe on the rights of copyright owners and be contrary to copyright laws.

CANADA

MEXICO CENTRAL & SOUTH AMERICA ASIA

PUB. DCE-101 1197P66

CANON INC. 1997
PRINTED IN JAPAN IMPRIME AU JAPON

AE Shift dial (p. 68) Microphone cable (p. 18)

Audio LCD panel (p. 119)

Remote sensor (p. 30) Tally lamp (p. 30) AUDIO 2 RCA jack (R) (p. 96) AUDIO 2 RCA jack (L) (p. 96)
PHOTO button (p. 42) Grip zoom control (p. 38)
Lens hood locking screw (p. 15) EJECT (p. 22) button Grip belt (p. 24)
BATT. RELEASE button (p. 19)
Start/stop button (p. 35) DV terminal (p. 65) REMOTE terminal (p. 85)
Flash adapter terminal (p. 60)
Backup battery compartment (p. 99)

Tripod socket (p. 101)

Socket for attaching the SP-100 Shoulder Pad or MA-100 or MA-200 Microphone Adapter/Shoulder Pad. Do not attach a tripod to this socket.
PHOTO button (p. 42, 64) Handle zoom control (p. 38, 57) STOP START/STOP button (p. 35, 64) LOCK lever (p. 101)
LOCK START/STOP PHOTO AUDIO DUB.
button (p. 76) button (p. 76) / button (p. 76)

PLAY/PAUSE

Viewfinder focusing ring (p. 17) Viewfinder (p. 13, 67)
REC / button (p. 92) AV INSERT button (p. 92) AUDIO DUB. button (p. 94) FF button (p. 76)
Attachment bar (p. 24) Release lever (p. 16) PHONES LEVEL dial (p. 54) (phones) terminal (p. 54) Viewfinder BRIGHT screw (p. 17) STABILIZER switch (p. 40) AUDIO 1 RCA jacks (p. 83) ND FILTER switch (p. 41) PUSH AF button (p. 66) Video terminal (p. 83) S-video terminal (p. 83) Main LCD panel (p. 119) Auto/Manual focus switch (p. 66) REC (record) SEARCH + button (p. 45) REC (record) SEARCH / (record review) button (p. 45)
REC SEARCH EVF DISPLAY ON/OFF

AV INSERT

DC out terminal
POWER dial (p. 25) STANDBY button (p. 35) WHITE BALANCE set button (p. 75) White balance selector knob (p. 75) GAIN dial (p. 73)

D.E./BARS SELECT

EVF DISPLAY button (p. 37) D. E. /BARS SELECT button (p. 38) D. E. /BARS ON/OFF button (p. 38)

ON/OFF

SHUTTER

MENU button (p. 25)

SHUTTER SHUTTER
button (p. 67) button (p. 67)

VCR OFF

A Tv Av M
VCR mode Power off Easy Recording Auto Shutter-Priority Aperture-Priority Manual Spotlight
Recording programs (camera mode)
PHOTO button (p. 64) Transmitter START/STOP button (p. 64)
SELF TIMER button (p. 64)

ZOOM buttons (p. 38)

ON SCREEN button (p. 114)

START/ STOP SELF TIMER

MENU button (p. 25) Cursor key (p. 25) AUDIO MONITOR button (p. 51, 54) SEARCH SELECT button (p. 81) REW PLAY button (p. 76) button (p. 76)
DATA CODE button (p. 79, 114)
ON SCREEN DATA CODE MENU EXECUTE

ZERO SET MEMORY

Cursor key (p. 25) EXECUTE button ZERO SET MEMORY button (p. 82) AUDIO DUB. button (p. 94) MIX BALANCE buttons (p. 96) SEARCH buttons (p. 81) FF button (p. 76) (frame advance) button (p. 78)

AUDIO DUB.

AUDIO MONITER ST-1

SEARCH SELECT

ST-2 MIX BALANCE

PLAY STOP

(frame reverse) button (p. 78) STOP (p. 76) button

REC PAUSE

REVERSE

FORWARD

WIRELESS CONTROLLER WL-D3000

2 button (p. 78)

button (p. 78)
REC PAUSE button (p. 87) PAUSE (p. 77) button

JOG SHUTTLE

Jog/Shuttle dial (p. 78)
Attaching and Detaching the Color Viewfinder Unit
If you are a Body Kit user, refer to the viewfinder instruction manual.
E Attaching the Color Viewfinder Unit
1. Slide the viewfinder unit onto the bracket and tighten the locking screw to hold the unit in place.
2. Connect the viewfinder cable to the socket at the front of the camera body. Detaching the Viewfinder Unit 1. Detach the viewfinder cable. 2. Loosen the unit locking screw and slide the viewfinder unit off the bracket.
Mounting and Unmounting XL Lenses
Any lens bearing the mark can be used with this camcorder. If you are a Body Kit user, please refer to the appropriate lens instruction manual. Note that the lens functions vary by the lens type.

Mounting the lens

1. Remove the dust cap from the lens and the body cap from the camcorder. 2. Align the red dot on the camera body with the mount positioning point (the red dot) on the lens, then turn the lens clockwise until it clicks and locks into place. Unmounting the lens

LENS RELEASE

1. Slide and hold the LENS RELEASE switch and turn the lens counter-clockwise until it stops. Then, remove the lens from the camera body. 2. When you are not using the lens or camera, be sure to replace the dust cap and body cap.

The main menu disappears. Notes: Pressing the MENU button at any time closes the menu. Selecting [ RETURN takes you back one menu, or closes the main menu. Items that are unavailable due to the setting of other menu items or program AE modes, appear in purple. You may find it convenient to use the wireless controller to move around the menus. Press the MENU button to open/close the menu and use the arrow keys to in place of turning the IRIS/SELECT dial. Push the EXECUTE button to select. Pressing the start/stop button or the PHOTO button will close the menu and start recording. You can display the menus on a connected TV screen by turning TV SCREEN on through the menu or using the wireless controllers TV SCREEN button. See p. 88 for TV hookup instructions.

List of Menus E

Turn to the appropriate page for a detailed explanation of each function. q CAM. MENU Appears when the POWER dial is set to camera mode. There are 6 (+1) submenus within the CAM. MENU. q To camera set up submenu w To custom preset submenu e To VCR set up submenu r To display set up submenu t To system submenu y To custom key submenu u Close the main menu
CAM. MENU SE L. SETSET MENUC L OS E

q e t u

CAM. S E T UP CS TM PRE S E T VCR S E T UP D I S P. S E T UP S Y S T EM CUS TOM K E Y S RE T URN
q Camera set up submenu q Movie mode w 16:9 effect e Zebra pattern r Zebra pattern level t Grip zoom control y Handle-top zoom control u Clear scan i Return w Custom preset submenu o Preset No. !0 Color gain !1 Color phase !2 Sharpness !3 Setup level !4 Return

q q e t u

C AM. S E T UP
SE L. SETSET MENUC L OS E MOV I E MODE NORMA L : 9 OF F Z E BRA OF F Z E BRA L E V E L Z OOM GR I P V AR I A B L E Z OOM HAND L E MED I UM C L E AR SCAN RE T URN

w r y i

w o !1 !3

C S TM PRE S E T

SE L. SETSET MENUC L OS E P RE S E T N o. < 1 > + C O L OR GA I N R C O L OR PHA S E G + S HARPNE S S + S E T UP L E V E L RE T URN

!0 !2 !4

e VCR set up submenu !5 Record mode !6 Audio mode !7 Audio 1 input sensitivity !8 Audio 2 input sensitivity !9 Power save @0 Self timer @1 To INTERVAL TIMER submenu @2 Return

e !5 !6 !8 @1

V CR S E T UP
SE L. SETSET MENUC L OS E R EC MODE S P A UD I O MODE bit S T 1 A UD I O 1 I N L I NE A UD I O 2 I N L I NE PWR S A V E SHU T O F F S E L F T. O F F I N T ERV A L RE T URN

!7 !9 @0 @2

r Display set up submenu @3 EVF color @4 16:9 guide line display @5 TV screen @6 Guide information @7 Return

r @3 @5 @7

D I S P. S E T UP
SE L. SETSET MENUC L OS E
E V F CO L OR : 9 GU I DE S OF F T V SCRE EN ON G U I DE I N FO OF F RE T URN
t System submenu @8 Sensor @9 Tally lamp #0 Character recording #1 DV control #2 Time zone/Daylight saving time #3 Date/time set #4 Return

Available functions in recording programs vary by the lens type.
16 IS 2, 16 IS lens and 3 wide lens
Recording program Manual focus ring Zoom ring Image Stabilizer *1 ND filter Focus mode Push AF button i (fixed at autofocus) i i (fixed at on) h h h [ (Easy Recording) h h h
Except [ (Easy Recording)
*1: 16 IS2/16 IS lens only 16 manual lens
Recording program Zoom ring ND filter Zoom speed i [ (Easy Recording) h h h

Easy Recording

The simplest way to use the camera is with the POWER dial set to the [ position. The camera will take care of focus, exposure and other adjustments, leaving you free to point and shoot.
In normal recording conditions, set the POWER dial to n (Auto). This is the same as the Easy Recording program, except that you now have the option of using any of the cameras manual functions you can adjust focus and exposure, set the white balance, and so on.

Manual

Select this program for total creative freedom when operating the camcorder. You can set aperture and shutter speeds completely independently to give you exactly the exposure you require. There are 27 shutter speed settings, between 1/8 and 1/15000 of a second and 28 aperture values, between f/1.6 and f/16 (you can also close the iris.)

F 5. 6

Spotlight
The exposure is automatically adjusted for glare-free recordings of subjects lit by a concentrated light source.

SPOTLIGHT

Giving priority to shutter speed (shutter-priority: Tv)
Use this program to let you select the shutter speed. The camera sets the appropriate aperture (F number) automatically to give the correct exposure. When you turn the POWER dial to Tv, the current shutter speed is shown in the viewfinder. Select your desired shutter speed by pressing the SHUTTER r and t buttons.

Tv 1000

You can choose 12 shutter speeds between 1/8 and 1/15,000 of a second and also CS (Clear Scan) mode. If you try to set a shutter speed that is either too high or too low for the shooting conditions, the indicator flashes in the viewfinder. In this case, increase or decrease the setting until the flashing stops, or slide the ND FILTER switch ON/OFF as appropriate before changing the setting. Note: When recording in extreme low-light conditions, we recommend the use of a Canon Speedlite or Video Light (available as optional accessories, see page 60).
Giving priority to the aperture (aperture-priority: Av)
Use this program to let you select the aperture (iris diameter) to give you maximum control over the depth of field. A large F number (a small aperture) gives a greater depth of field.

Av F2.8

Under very bright conditions when you have set the F number to f/16, blurring of the image may occur. Check the image in the viewfinder while setting the aperture. When a lens that has a built-in ND filter is attached, if you switch the filter on, the intensity of the light is reduced and the image in the viewfinder may go dark. In such a case, switch the filter off and change the aperture setting. When shooting in the [ (Easy Recording) or n (Auto) programs on bright sunny days outdoors, the camera may display ND ON/ND OFF repeatedly. In this case, it may be effective to switch to the Av recording program and adjust the setting of the F number to between f/5.6 and f/11 (the shutter speed may become higher than usual). The camera sets the appropriate shutter speed automatically to give the correct exposure. When you turn the POWER dial to Av the current F number is shown in the viewfinder. Select your desired F number by turning the IRIS/SELECT dial. You can choose 8 F numbers between f/1.6 and f/16, and CLOSE to shut the iris completely. If you try to set an F number that is too high or too low for the shooting conditions, the indicator flashes in the viewfinder. In this case, increase or decrease the setting until the flashing stops. Note: The camera memorizes the latest Tv or Av value until a new value is set except when you change the exposure after locking the exposure. Turning off the camcorder or changing the recording program does not erase the stored value.

Selecting the Audio Mode

A MO UDIO NIT OR

L -dB R 2 0

AUDIO 1/MIC REC LEVEL INPUT SELECT MIC A ATT. M AUDIO 1 LEVEL BALANCE

REC LEVEL A M MIN

AUDIO 2 MIN
The XL1S can record sound in 3 audio modes: 16-bit (48kHz, 2 channel) for the highest sound quality 12-bit ST-1 (32kHz, 2 from 4 channels) for recording on two channels (stereo 1), leaving two channels (stereo 2) free for you to add new sound at a later date. 12-bit ST-1, 2 (32kHz, 4 channels) for simultaneous recording on four channels (stereo 1 and stereo 2).

AUDIO MODE 16bit

1. To switch between the 3 modes, open the camera menu and select VCR SET UP. 2. Select AUDIO MODE, then select a mode. 3. Close the menu.
The name of your chosen mode is displayed in the viewfinder and main LCD panel. After selecting the audio mode you can set the audio input: The settings for 16-bit and 12-bit stereo 1 audio are the same, and are explained under Two Channel Recording on the next page. The settings for 12-bit stereo 1, 2 are explained under Four channel Recording on page 53. Note: For audio output details, including how to play back a tape that has new sound on stereo 2, see page 96.
Setting the Audio Input Two Channel Recording
Set the input for Stereo 1 in one of two ways, A or B, depending on the source for the input:
A. Using the supplied microphone or attaching an external microphone to the mini jacks 1. Change the audio mode at the menu if necessary (see page 26). 2. Slide the INPUT SELECT switch to MIC.
This assigns the MIC mini jacks as the source for the audio input. In place of the supplied microphone, you can attach an external microphone to the mini jacks. If you wish to use the attenuator to provide more natural sound without distortion (when recording in loud places) slide the INPUT SELECT switch to ATT.
B. Using the AUDIO 1 RCA jacks 1. Change the audio mode at the menu if necessary (see page 26). 2. Slide the INPUT SELECT switch to AUDIO 1.
This assigns the AUDIO 1 RCA jacks as the source for the audio input.

AUDIO 1 IN LINE

3. Open the camera menu and select VCR SET UP. 4. Select AUDIO 1 IN, then select a mode.

While in record mode

Press the INDEX WRITE button and the index signal will be recorded for approximately 6 seconds. During this time, INDEX appears in the viewfinder.
While in record pause mode 1. Press the INDEX WRITE button and INDEX will appear in the viewfinder. 2. Press the start/stop button to begin recording.
The index signal will be recorded for approximately 6 seconds. During this time, INDEX appears in the viewfinder.

Zebra pattern

The zebra pattern is a series of diagonal stripes that appear in the viewfinder to highlight areas of overexposure. Use a guide to setting the aperture (iris) and shutter speed. This function can also be selected from CAM. SET UP in the camera menu (ZEBRA). The zebra pattern level can be adjusted in the same submenu (ZEBRA LEVEL)(p. 26). Press the ZEBRA button to display the zebra pattern. Press the button again to eliminate the pattern. The camera does not record the zebra pattern. It only appears in the viewfinder.

VCR stop

You can turn the recorder section off and leave the camera section turned on. This allows you to adjust the camera regardless of the 5-minute timer. VCR STOP can be operated only by the custom key. Press the VCR STOP button to turn the recorder section off. Press the button again to return to record pause mode.

Audio 1 input level

VCR MODE
Press the AUDIO 1 IN button to display the Audio 1 input level select menu.
1. Select the input level from MIC, MIC ATT 20 (mic level with attenuator 20dB), LINE. 2. Close the menu by pressing the IRIS/SELECT dial. 56

Audio 2 input level

Press the AUDIO 2 IN button to display the Audio 2 input level select menu. The AUDIO 2 IN button operates the same way as the AUDIO 1 IN button.

Grip zoom speed

Press the ZOOM GRIP button to display the grip zoom speed select menu.
1. Select the zoom speed from VARIABLE, LOW, MEDIUM and FAST. 2. Close the menu by pressing the IRIS/SELECT dial.

ZOOM GRIP VARIABLE

Handle-top zoom speed
Press the ZOOM HANDLE button to display the handle-top zoom speed select menu.
1. Select the zoom speed from LOW, MEDIUM and FAST. 2. Close the menu by pressing the IRIS/SELECT dial.

ZOOM HANDLE MEDIUM

Data code
Press the DATA CODE button once to display the data code. Press the button again to hide the data code.
Fading In and Out Between Scenes

E Fade trigger

When you start recording, the scene gradually fades in from a black screen. When you stop recording, it gradually fades out. Set the fade trigger each time you wish to use it (both before you fade in and again before you fade out). FADE-T is shown constantly in the viewfinder when it is ready for use.

Playing back a Cassette

VCR OFF A Tv Av

REC AUDIO DUB. AV INSERT

You can use the viewfinder for instant, on-the-spot playback. To play back your recordings on a TV, see p. 83. To use the wireless controller, see p. 30.
Notes: To avoid accidental recording, make sure that you slide the tab on the cassette so that it exposes the hole (the switch position is usually labelled SAVE or ERASE OFF). You cannot play back a tape recorded in SP or LP modes.
1. Attach a power source and turn the POWER dial to VCR. 2. Load the cassette. 3. Press the PLAY e button to start playback.
To end playback, press the STOP 3 button. To wind the tape forwards, stop playback and press the FF 1 button. To wind the tape backwards, stop playback and press the REW ` button. If the playback picture is rough (mosaic-like noise), clean the video heads using a Canon DVM-CL Digital Video Head Cleaning Cassette or a commercially available digital video head cleaning cassette.

Other playback modes

Playback Pause To view the video as a still picture press the PAUSE a button. To resume normal playback, press it again, or press the PLAY e button. The camera automatically goes into stop mode after about five minutes playback pause. Edit Search When the camera is in playback pause, you can use edit search to play the tape forwards or backwards to find the point where you want to start or restart editing. Press and hold the edit search + and buttons (the REC SEARCH buttons) during playback, while you check the picture in the viewfinder. The + button plays the recording forwards and the button plays it backwards. Release the button when you find the point where you want to start editing. The camera returns to playback pause. Fast Forward Playback To play back the recording at about 9.5 times normal speed, press and hold the FF 1 button during normal playback or press and hold the FF 1 button during normal fast forward. Rewind Playback For reverse playback at about 9.5 times normal speed, press and hold the REW ` button during normal playback or press and hold the REW ` button during normal rewind.

Special playback

These can only be operated from the wireless controller (p. 30). Frame Advance To play back frame by frame, press the +/ae button repeatedly during playback pause. Press and hold to play back continuous frame advance. Frame Reverse To play back on reverse frame by frame, press the /4a button repeatedly during playback pause. Press and hold to play back continuous frame reverse. Slow Forward Playback To play back at about 1/5 normal speed, press the SLOW M button during normal playback. Press the PLAY e button to return to normal playback. Slow Reverse Playback To play back in reverse at about 1/5 normal speed, press the /4a button and then the SLOW M button during normal playback. Press PLAY e to return to normal playback. Reverse Playback To play back in reverse at normal speed, press the /4a button during normal forward playback. Press the PLAY e button to return to normal forward playback. Forward 2 Playback Press the 2 button during normal playback. Press the PLAY e button to return to normal playback. Reverse 2 Playback Press the /4a button and then the 2 button during normal playback. Press the PLAY e button to return to normal playback.

Searching the Tape (Photo Search/Date Search/Index Search)
This allows you to move quickly through still pictures recorded anywhere on a tape (photo search), between different days or areas of recording (date search), or index signals recorded anywhere on a tape (index search).
1. Press the SEARCH SELECT button to choose between photo/date/index search.
PHOTO SEARCH, DATE SEARCH or INDEX SEARCH is shown in the display for 4 seconds.
2. Press the - and + buttons to move backwards or forwards through the still pictures, between different days of recording or recorded index signal.
Press once to move to the start of the previous/next still picture, day or index on the tape. You can press more than once to move to the corresponding still picture, day or index (up to a maximum of 10 times), e.g. press the + button 5 times to move forward 5 still pictures, days or index signals. PHOTO SEARCH/DATE SEARCH/INDEX SEARCH appears in the middle of the viewfinder alongside the - or + mark and number to search through. You can change direction easily by pressing the button for the opposite direction. Notes: Press 3 (stop) to stop mid-search. If you begin a search very close to the start of a recorded still picture during photo search, the camera may skip straight past it. When you have set the area for the World Clock, date search also looks for the change in date based on the adjusted time. A date/area cannot be identified if the total recording time on that day/area was less than 1 minute. Date/index search playback may start just before or after the beginning of the located section. If the data code is not displayed correctly you will not be able to operate the date search correctly.
Returning to a Pre-Marked Position
ZERO SET MEMORY AUDIO DUB.

AUDIO MONITER

REW PLAY STOP FF
Use the wireless controller to mark a point on a tape that you want to return to following playback.
1. Press the ZERO SET MEMORY button on the wireless controller during playback at a point you want to return to later.
The time code is replaced by a tape counter that is set to zero with the indication. Press the ZERO SET MEMORY button once more to cancel the zero set memory.

The tape in the camera: When using the XL1Ss AV insert function, only record to tapes recorded in SP mode with continuously recorded time codes. If there are non-recorded portions or portions recorded in a mode other than SP mode on the tape, recording will stop.
The playback tape: Use only tapes without non-recorded portions. If there are non-recorded portions or changes in the recording mode, you may not be able to insert AV correctly. You cannot insert AV in the following cases: The playback tape has been poorly recorded. During special playback: fast forward playback, rewind playback or slow playback etc. (analog only).
TV: You cannot insert AV from a TV program with anomalous synchronized signals, such as when the program itself received poor signals.
Example recording from a VCR
1. Connect the camera to the VCR. 2. Prepare the VCR and TV.
Set the TV/Video selector on the television to Video. For further details, see Connections for Playback on a TV Screen on p. 83. Turn on the VCR and load a recorded cassette. See your TV and VCR instruction manuals for details.
3. Slide the INPUT SELECT switch to AUDIO 1. 4. Select LINE of the AUDIO1 IN from VCR SET UP of the VCR menu. 5. Turn the cameras POWER dial to VCR and load a recorded cassette.
Make sure the REC/SAVE tab on the cassette has been slid to REC (closed position).
Editing 1. On the VCR, locate a point 3 seconds before the scene to be inserted. Set the VCR to playback pause mode. 2. On the camera, press PLAY and locate the recording start point. Set the camera to playback pause mode.
You can use the playback buttons on the body of the camera or the special playback functions on the wireless controller in the same way as in playback mode.
3. Press the AV INSERT button.
AV INSERT and 2a appear in the viewfinder.
4. Play back the cassette in the VCR. 5. To start inserting, press the play pause e/a button on the camera.

2a changes to 2.

6. To stop inserting, press the STOP button on the camera.
Inserting stops and AV INSERT disappears from the viewfinder. The camera returns to stop mode. If instead of pressing STOP you press play pause e/a, the camera returns to the AV insert pause mode. If you set the zero set memory at the position on the tape where you want to stop inserting, every time you return to that point, the camera will cancel its AV inserting and enter stop mode.
7. Stop playback on the VCR.

Audio Dubbing

You can add sound to the original sound on a pre-recorded tape from audio products (AUDIO 1) or with the provided or external microphone (MIC). The original sound will not be erased. For best results, add sound to tapes that have been recorded with this camcorder in SP mode with 12-bit ST-1 sound. If there are nonrecorded portions on the tape, or portions recorded in a mode other than SP mode, or with 16-bit or 12-bit, 4-channel sound, dubbing will stop. If your tape hasnt been recorded in SP mode with 12-bit ST-1 sound, we recommend dubbing your original tape onto a blank tape using the XL1Ss analog line-in function, then dubbing audio onto the new tape. Make absolutely sure to set the audio mode of the new tape to 12-bit ST-1 and the recording mode to SP. You cannot add audio using the AUDIO 2 terminal. To connect other audio equipment (using AUDIO 1 IN terminal) :

The XL1S System Diagram (Availability differs from area to area)
ZR-1000 Zoom Remote Controller SS-1000 Shoulder Strap
WL-D3000 Wireless Controller

SP-100 Shoulder Pad

BP-930, BP-945 Battery Pack
VL-10Li Battery Video Light
MA-200 Microphone Adapter/ Shoulder Pad
420EX Speedlite FA-200 Flash Adapter MA-100 Microphone Adapter/ Shoulder Pad MiniDV Video Cassette DC-900 DC Coupler CB-910 Car Battery Adapter

550EX Speedlite

Extender XL 1.6
BP-930, BP-945 Battery Pack CA-910 Compact Power Adapter FS-72U Filter Set 16 IS2 Zoom (5.5-88mm) Lens
3 Zoom XL 3.410.2mm CH-910 Dual Battery Charger/Holder
16 manual zoom XL 5.4-86.4 mm EF lens EF Adapter XL
Video Head Cleaning Cassette S-150 S-video Cable TV
VCR STV-150 Stereo Video Cable
FU-1000 Monochrome CRT Viewfinder Unit.
HC-3100 System Case FU-500 Color Viewfinder Unit
* Can be attached to the 16 IS2and 16 manual zoom lenses.

Optional Accessories

Call or visit your local retailer/dealer for genuine Canon video accessories. You can also obtain genuine accessories for your Canon camera by calling: 1-800-828-4040, Canon U.S.A. Information Center. Battery Packs The BP-930 is supplied as standard. It is also available as an optional accessory. The optional BP-945 provides 50% more recording time than the BP-930.

BP-930 BP-945

CB-910 Car Battery Adapter Power your camera, or recharge battery packs on the move. The car battery adapter plugs into your cars cigarette lighter socket and runs off a 12-24V DC negative ground battery.
FS-72U Filter Set Ultraviolet, neutral density and circular polarizing filters to help you take control of difficult lighting conditions.
HC-3100 System Case A solid, lockable case that provides safe and stylish protection for the camera during transportation and storage.
MA-100 Microphone Adapter/Shoulder Pad Allows you to use a microphone that has XLR connectors with the XL1S, plus makes shouldermounted shooting possible. In addition, use it to attach a wireless microphone receiver or to hold the separately available CH-910 Dual Battery Charger/Holder.
MA-200 Microphone Adapter/Shoulder Pad Allows you to use a microphone that has XLR connectors with the XL1S and to have the video signal in BNC connector, plus makes shouldermounted shooting possible. In addition, you can attach a wireless microphone receiver or to hold the separately available CH-910 Dual Battery Charger/Holder. Different from the MA-100, you can use up to 4 microphones simultaneously with the MA-200.
FA-200 Flash Adapter Facilitates use of a Canon Speedlite 420EX/550EX with the XL1S.
3 Zoom XL 3.410.2mm A super wide-angle lens that gives a range of mm (35mm film equivalent).
16 Manual Zoom Lens XL 5.486.4mm A high-resolution zoom lens gives you 2 zoom modes (manual and powered), built-in ND filter and AE functions.

Extender XL 1.6 Attach this extender between a Canon XL lens and the XL1S to boost the focal length of the lens by 1.6.
EF Adapter XL This allows you to attach Canon EOS lenses to the XL1S. The difference in size between the XL1Ss 1/3 CCDs and 35mm film means that the effective focal length of still camera lenses is multiplied by 7.2. A 300mm lens, for example, is transformed into an incredible 2,160mm super telephoto. Consult your local service outlet to make sure there are no compatibility problems with your chosen lens. FU-1000 Monochrome CRT Viewfinder Unit Professional quality B&W viewfinder with a 1.5 CRT.
VL-10Li Battery Video Light This compact yet powerful video light can be used for both indoor and outdoor shooting. Lithium ion battery packs can be used to power the light. Approximate usage times are as follows: BP-min BP-min BP-min
CH-910 Dual Battery Charger/ Holder This holds two battery packs and can charge them both consectively. It can then be connected directly to the XL1S using its DC Coupler to give twice the playback time. It can also make use of the high performance battery pack BP-930, to give up to 3hrs. recording time. 420EX Speedlite 550EX Speedlite Attaches to the XL1S to give SLR-style flash photography (the optional FA-200 Flash Adapter is also necessary).

420EX 550EX

Zoom Remote Controller ZR-1000 When this product is plugged into the LANC m terminal of a Canon camcorder, it is possible to control functions such as the start and stop of recording and the zoom and focusing functions while the camcorder is mounted on a tripod, without touching the camcorder body itself.

N GENU NO

RY CA SO
This mark identifies genuine Canon video accessories. When you use Canon video equipment, we recommend Canon-brand accessories or products bearing the same mark.

VI INE DE

Provided accessories: Body Kit and Complete Kit :
SS-1000 Shoulder Strap BP-930 Battery Pack CA-910 Compact Power Adapter DC-900 DC Coupler S-150 S-video Cable STV-150 Stereo Video Cable SP-100 Shoulder Pad Body Cap Complete Kit only: 16 XL IS 2 5.5-88mm Zoom Lens Lens Hood Lens Cap Dust Cap Lens Soft Case

Recording mode (p. 37) Time code (p. 117) Cassette: set for erasure prevention or not loaded (p. 23) Tape has reached the end (p. 118)

Exposure lock (p. 67)

F number (aperture size) (p. 49)

Shutter speed (p. 49)

Remaining battery power (p. 98)

Audio LCD panel

Manual recording level (p. 49) Audio mix (p. 96) When only PB is shown = 16-bit mode
L, R Recording levels (p. 52)

Specifications

E XL1S
Power Supply (rated): 7.2 V DC Power Consumption (while recording, AF=ON): 8.7 W (Approx., recording with the AF turned on with 16 IS2lens) Television system: EIS standard (525 lines, 60 fields) NTSC color signal Video recording system: 2 rotary heads, helical scanning system DV system (Consumer digital VCR SD system) Digital component recording Audio recording system: PCM digital sound: 16 bit (48kHz/2ch), 12 bit (32kHz/2 from 4ch), 12 bit (32kHz/4ch simultaneous) Image sensor: 3CCD 1/3 Pixel Shift (charge coupled device) 270,000 pixels (250,000 effective pixels) Tape format: Videocassettes bearing the D mark. Tape speed: SP: 3/4 ips (18.81 mm/s); LP: 1/2 ips(12.56 mm/s) Maximum recording time: SP: 80 minutes (with a 80 min. cassette); LP: 120 minutes (with a 80 min. cassette) Fast forward/rewind time: 2 mins 20 sec. (with a 60 min. cassette) Lens mount: XL Interchangeable lens system Focusing system: TTL autofocus, manual focusing possible Minimum focusing distance*: 13/16 inch (2cm) on maximum wide angle; telephoto end: 3ft 4in (1m) Maximum shutter speed: 1/15,000 sec Minimum illumination: 2 lx* (using slow shutter at 1/8 of a second) Recommended illumination: More than 100 lx Filter diameter: 72mm (XL lens)* Viewfinder: 0.7-inch, color LCD* (approx. 180,000 pixels) Microphone: Stereo electret condenser microphone DV Terminal: Special 4 pin connector (based on IEEE1394) Output level: Video terminal: RCA jack, 1 Vp-p/75 unbalanced, synchronized load S-video terminal: 4 pin mini DIN, 1 Vp-p (Y signal), 0.286 Vp-p (C signal) Audio terminal: RCA jack (L, R), 2 sets 4dBm (47k load)/3k or less, unbalanced Headphone terminal: 3.5mm, -25dBV (16 load) /120 Input level: Video terminal: RCA jack, 1 Vp-p/75 unbalanced, synchronized load
S-video terminal: 4 pin mini DIN, 1 Vp-p (Y signal), 0.286 Vp-p (C signal)
Audio terminal: RCA jack (L, R), 2 sets -11dBV/47k (LINE), unbalanced -35dBV/600 (MIC ATT), unbalanced -55dBV/600 (MIC), unbalanced Microphone terminal: 3.5mm stereo mini-jack, -59dBV (with 600 mic)/600 Operating temperature range: 32104F (040C) Dimensions: 8 3/7/5/16 in (415 mm) Weight (not including lens and battery pack): 3 lbs 12 oz approx. (1.7kg) (fully loaded): 6 lbs 3 oz approx. (2.86kg)