To select a function

1. Press cs to display the function menu. 2. Use the br (10-key) [4] (

Setting

) and [6] ( to display the function you want.

) keys

S t.GrPno

Number Buttons

Use the number buttons to enter numbers and values. Enter the same number of digits as the currently displayed value. Example: To enter tone number 001, input 1.
You can exit the function menu by pressing cs. After selecting functions 8 through 12, press the br (10-key) [7] (ENTER) key to display the menu items submenu. Then use [4] ( ) and [6] ( ) to select an item. You can exit a submenu by pressing the br (10-key) [9] (EXIT) key.
3. Refer to the indicated pages for details about

each function.

Negative values cannot be input using the number buttons. Use [] (decrease) and [+] (increase) instead.

[] and [+] Buttons

You can use the [] (decrease) and [+] (increase) buttons to change the displayed number or value. Holding down either button scrolls the displayed setting. Pressing both buttons at the same time will revert to the initial default setting or the recommended setting.
See Page E-40 E-28 E-10 E-15 E-14 E-14 E-22 E-23 E-24 E-32 E-33 E-33 E-33 E-57 E-15 E-16 E-55 E-10 E-66 E-66 E-67 E-67 E-23 E-57 E-58
Function Transpose Accompaniment Volume Song Volume Touch Response Tuning Reverb Chorus Sampling Automatic Sampling Start Automatic Sampling Stop Sampled Tone Protect 9 Step Up Lesson Voice Fingering Guide Note Guide Performance Evaluation Phrase Length 10 Other Settings Arpeggiator Hold Pedal Effect Pitch Bend Range (CTK-5000 only) Accompaniment Scale LCD Contrast 11 MIDI Settings Keyboard Channel Navigate Channels Local Control Accomp Out 12 Delete Sampled Sound Delete User Rhythm Delete User Song Delete All Data Delete
Display Trans. AcompVol Song Vol Touch Tune Reverb Chorus SAMPLING AutoStrt AutoStop (Protect) LESSON Speak NoteGuid Scoring PhraseLn OTHER ArpegHld Jack Bend Rng AcompScl Contrast MIDI Keybd Ch Navi. Ch Local AcompOut DELETE (tone name) (song name) All Data

(rhythm name) E-45

The tone and other parameters revert to their initial defaults whenever you turn on power (page E-9).

Getting Ready to Play

Preparing the Music Stand

Music stand

Using Batteries
Be sure to turn off power before loading batteries. It is up to you to prepare six commercially available D-size batteries. Do not use oxyride batteries or any other nickel based batteries.
1. Open the battery cover on the bottom of the

Digital Keyboard.

Power Supply

Either an AC adaptor or batteries can be used to power this Digital Keyboard. Normally, use of AC adaptor power is recommended. The AC adaptor does not come with this Digital Keyboard. Purchase it separately from your retailer. See page E-3 for information about options.
2. Load six D-size batteries into the battery

compartment.

Make sure the positive + and negative - ends of the batteries are facing as shown in the illustration.

Using the AC Adaptor

Use the AC adaptor when you want to power the Digital Keyboard from a household electrical outlet. Specified AC Adaptor: AD-5 (CTK-4000) AD-12 (CTK-5000)

AC adaptor

3. Insert the tabs of the battery cover into the
holes on the side of the battery compartment, and close the cover.
DC 9V terminal (CTK-4000) DC 12V terminal (CTK-5000)

Household power outlet

Low Battery Indication
Be sure to turn off Digital Keyboard power before connecting or disconnecting the AC adaptor. The indicator shown below starts to flash to let you know when battery power is low. Replace the batteries with new ones.
Low battery indicator (flashes)
Playing the Digital Keyboard
Turning on Power and Playing

1. Press 1.

This turns on power.

Using Headphones

Using headphones cuts off output from the built-in speakers, which means you can practice playing even late at night without disturbing others. Be sure to turn down the volume level before connecting headphones.
2. Try playing something on the keyboard. Use 2

to adjust volume.

PHONES/OUTPUT jack (CTK-4000) PHONES jack (CTK-5000) Decrease Increase
Headphones do not come with the Digital Keyboard. Use commercially available headphones. See page E-3 for information about options. Turning off the Digital Keyboard causes most current settings to be cleared. The Digital Keyboard will revert to initial settings the next time you turn it on. This is true for all settings except for sample sound protection. Once you turn it on it remains on until you turn it off again.

Auto Power Off (Using Batteries)
While you are using batteries for power, power will turn off automatically if you do not perform any operation for about six minutes. Auto Power Off is disabled while the AC adaptor is being used for power.
Do not listen to very high volume output over headphones for long period. Doing so creates the risk of hearing damage. If you are using headphones that require an adaptor plug, make sure you do not leave the adaptor plugged in when removing the headphones.

Disabling Auto Power Off

You can disable Auto Power Off to ensure that power is not turned off automatically during a concert, etc.
1. While holding down bo, turn on power.
Auto Power Off will be disabled.
Changing Keyboard Response to Touch Pressure (Touch Response)
Touch Response alters tone volume in accordance with keyboard pressure (speed). This provides you some of the same expressivity you get on an acoustic piano.
Changing Touch Response Sensitivity
Use the procedure below to control how much the volume of played notes change in accordance with playing speed. Select the setting that best matches your playing style.
1. Press cs and then use the br (10-key) [4] (
and [6] ( E-6). ) keys to display Touch (page
Keyboard Instrument Sound Intensity
Sound intensity depends on the speed that keys are pressed.
People normally believe that the stronger the pressure applied to a piano keyboard, the louder the sound. Actually, however, the intensity of the notes played depends on the speed at which keys are pressed. Notes are louder when keys are pressed quickly, and quieter when keys are pressed slowly. Keeping this in mind as you play a keyboard musical instrument lets you control note volume without striving to apply too much pressure with your fingertips.
2. Use br (10-key) [] and [+] keys to select one of
the three Touch Response sensitivity settings.
Off (oFF) Touch Response is turned off. Sound volume is fixed, regardless of key press speed. Normal Touch Response More sensitive Touch Response than Type 1

Layering Two Tones

You can use the following procedure to layer two different tones (such as piano and strings) so they sound simultaneously when you press a keyboard key.
1. Select the first tone you want to use.
Press bo and then use br (10-key) to select the tone you want. Example: 026 ELEC.PIANO 1 (CTK-5000)
You can use the procedure below to assign different tones to the right range and left range of the keyboard, so it sounds like you are playing an ensemble between two instruments.
To select the two tones for a split keyboard
1. Select the tone for the right side range (page

E-12).

Press bo and then use br (10-key) to select the tone you want. Example: 335 FLUTE 1 (CTK-5000)

E.Pi ano1

2. Press cp.

Flute 1

2. Press co.

Lights

3. Use br (10-key) to select the second tone you
Example: 212 STRINGS (CTK-5000)
3. Use br (10-key) to select the left side range tone

St r i ngs

4. Play something on the keyboard.
Both tones sound at the same time.

you want.

Example: 056 VIBRAPHONE 1 (CTK-5000)
5. Pressing cp again to unlayer the keyboard (so it
plays only the tone you selected in step 1).
Each press of cp toggles between layered (two tones) and unlayered (one tone).

Vi bes 1

This will sound the tones assigned to the left and right side ranges of the keyboard.
VIBRAPHONE 1 Split point FLUTE 1

Disappears F3

Splitting the Keyboard between Two Different Tones
5. Pressing co again to unsplit the keyboard (so it
Each press of co toggles between split (two tones) and unsplit (one tone).

Using Reverb

Reverb adds reverberation to notes. You can change the duration of the reverb.
and [6] ( E-6). ) keys to display Reverb (page

Disappears

If you turn on both layer and split, layering will be applied to the right side range of the keyboard only.

3. Use the br (10-key) [] and [+] keys to select the
tone number of the data you want to delete.
When manual sampling stop is enabled, sampling stops when you release cr or the keyboard key, not when you press it. Sampling does not stop if you hold down the button or key.
4. Press the br (10-key) [7] (ENTER) key.
This displays a delete confirmation message.

Su r e?

5. Press the br (10-key) [+] (YES) key to delete the
data, or [] (NO) or [9] (EXIT) to cancel the delete operation.
After the delete procedure is complete, Complete will appear on the display followed by the screen in step 2 of the above procedure.
For information about deleting individual drum sounds in a drum sampling set, see Editing Sampled Drum Set Sounds on page E-21.
Protecting Against Accidental Deletion of Sampled Sounds
You can use the following procedure to protect each sampled sound against accidental deletion.
tone number of the sampled tone you want to protect.
2. Press cs and then use the br (10-key) [4] (
3. Press the br (10-key) [7] (ENTER) key. 4. Use the br (10-key) [4] (
to display Protect. ) and [6] ( ) keys

Protect

5. Press the br (10-key) [+] key to turn on

protection.

Once protected a tone cannot be deleted. A protected tone is indicated as shown below.

*1 : O r

Protected
Saving Sample Data on an External Device
SD memory card (CTK-5000 only) (page E-61) Computer (page E-68)
Maintaining Sampled Sound Data in Memory
After you save sampled sound data in memory, it will remain there as long as power is supplied to the keyboard. However, if you disconnect the AC adaptor when there are no batteries loaded, sampled sound data will be deleted. Tips for Maintaining Data Use both batteries and the AC adaptor together. Make sure that batteries with sufficient power are loaded whenever you disconnect the AC adaptor. Connect the AC adaptor to the keyboard and plug it into a power outlet before replacing batteries. Before connecting or disconnecting the AC adaptor or replacing batteries, first press 1 to turn off power.

Playing Built-in Songs

With this Digital Keyboard, built-in tune data is referred to as songs. You can listen to the built-in songs for your own enjoyment, or you can play along with them for practice.
2. To change to another song while demo playback is in progress, use br (10-key) [] and
[+] keys to enter the song number you want (page E-6).
This will cause demo playback to jump to the song whose number you entered. You cannot use br (10-key) number buttons to select a song.

) keys to display LESSON (page
to display PhraseLn. ) and [6] ( ) keys
to display NoteGuid. ) and [6] ( ) keys

Ph r aseLn

phrase length you want.
Off (oFF) Preset (PrE) The phrase length is from the beginning to the end of the song. Phrase lengths are as specified in the song.

No t eGu i d

4. Press the br (10-key) [] key to select the OFF
Turning Off Performance Evaluation
Use the following procedure to turn off performance evaluation, which evaluates your performance and displays a score in Lesson 2 and Lesson 3.
The following options are available for songs loaded from external sources only. Short (Ln1) Middle (Ln2) Long (Ln3) Length of one phrase is one measure. Length of one phrase is two measures. Length of one phrase is four measures.
to display Scoring. ) and [6] ( ) keys

Sco r i ng

Indicator disappears when performance evaluation is turned off.
Using Auto Step Up Lesson
With Auto Step Up Lesson, the Digital Keyboard advances through each lesson automatically.
Auto Step Up Lesson Procedure
Phrase 1 Lesson Lesson Lesson 3
1. Select the song and part you want to practice

(page E-26).

2. Press cm.
Listen to the first phrase in Lesson 1. In Lesson 1, the sample phrase is played only once before advancing to Lesson 2.
Phrase 2 Lesson Lesson Lesson Phrase 1, 2 Lesson 3*
3. Auto Step Up Lesson stops automatically after
you are able to get through all of the lessons successfully.
In Lesson 2 and Lesson 3, the Digital Keyboard advances to the next lesson if you are able to achieve the Bravo! evaluation result. To cancel a lesson, press cm or bl.
Phrase 3 Lesson Lesson Lesson Phrase 1, 2, 3 Lesson 3*
You can change the step and phrase during Auto Step Up Lesson using 8, 9, and bs to cl. Starting Auto Step Up Lesson automatically turns on phrase repeat (page E-32) and play evaluation (page E-33). These features cannot be turned off during lessons.
Next phrase practice using the same procedure
Final phrase Lesson Lesson Lesson From Phrase 1 to the final phrase Lesson 3*
Lesson complete * Auto Step Up Lesson advances to the next phrase, regardless of whether the Bravo! result is attained.
Music Challenge Keyboard Game

1 bqbpbo bpbo

Music Challenge is a game that measures your reaction speed as you press keys in response to on-screen keyboard indicators and fingering guide indications.

5. Pressing bm again returns to rhythm only

accompaniment.

For information about starting Auto Accompaniment as soon as a chord is played, see Using Synchro Start on page E-40. You can use the split point to change the size of the accompaniment keyboard range (page E-14).
1. Start play of the Auto Accompaniment rhythm
Selecting a Chord Input Mode
You can select from among the following five chord input modes. FINGERED 1 FINGERED 2 FINGERED 3 CASIO CHORD FULL RANGE CHORD

2. Press bm.

This enables chord input on the accompaniment keyboard.

Accompaniment keyboard

1. Hold down bm until the chord input mode
selection screen appears on the display.

Lights Chord input mode

3. Use the accompaniment keyboard to play

chords.

This will cause bass and harmony Auto Accompaniment parts to be added to the rhythm part.
Chords (no melody played) Melody

Cho r d

chord input mode you want.
For information about each chord input mode, see the separate Appendix. If you do not perform any operation after the chord input mode selection screen appears, the display will return automatically to the screen that was displayed before you held down bm.
F3 Example: Pressing D-F#-A-C on the accompaniment keyboard 4 Accompaniment for the D-F#-A-C chord (D7) sounds.
4. Play other chords with left hand as you play the
melody with your right hand.
Using Auto Accompaniment FINGERED 1, 2, and 3
With these three input modes, you finger 3-note or 4-note chords on the accompaniment keyboard. Note that with some chords, even if you do not finger the third or fifth note, they will be played anyway.
CASIO CHORD Fingering Chord Type Major Chords Letters above the accompaniment keyboard indicate the chord assigned to each key. Pressing a single accompaniment area key in the CASIO CHORD mode will play the major chord whose name is marked above the key. All of the accompaniment area keys that are marked with the same chord name play exactly the same chord. Minor Chords To play a minor chord, press the accompaniment area key that corresponds to the major chord, while also pressing one other accompaniment area key to the right. Seventh Chords To play a seventh chord, press the accompaniment area key that corresponds to the major chord, while also pressing two other accompaniment area keys to the right. Minor Seventh Chords To play a minor seventh chord, press the accompaniment area key that corresponds to the major chord, while also pressing three other accompaniment area keys to the right. Example C (C Major)
C C#D Eb E F F#G Ab A Bb B C C#DEb E F
FINGERED 1 Play the component notes of the chord on the keyboard. FINGERED 2 Unlike FINGERED 1, 6th input is not b possible. m7 or mis input. FINGERED 3 Unlike FINGERED 1, allows input of fraction chords with the lowest keyboard note as the bass note.

11-1. Press the br (10-key) [] key to exit without

saving.

This displays the delete confirmation message. Press the br (10-key) [+] key to exit the editing procedure.
Saving User Rhythm Data on an External Device
Maintaining User Rhythm Data in Memory
After you save user rhythm data in memory, it will remain there as long as power is supplied to the keyboard. However, if you disconnect the AC adaptor when there are no batteries loaded, user rhythm data will be deleted. Tips for Maintaining Data Use both batteries and the AC adaptor together. Make sure that batteries with sufficient power are loaded whenever you disconnect the AC adaptor. Connect the AC adaptor to the keyboard and plug it into a power outlet before replacing batteries. Before connecting or disconnecting the AC adaptor or replacing batteries, first press 1 to turn off power.
11-2. Press the br (10-key) [+] key to save the data.
Use br (10-key) [] and [+] keys to select the rhythm number you want to save. You can edit the user rhythm name. Use the br (10key) [4] ( ) and [6] ( ) keys to move the cursor to the character you want to change, and then use [+] and [] to change the character.
12. Press br (10-key) [7] (ENTER) key.
This will display a message asking if you want to save the user rhythm. Press the br (10-key) [+] key to save the data. Press the br (10-key) [] key to return to the screen that was displayed before you pressed [7] (ENTER) key.
If you select a user rhythm number that already contains data, the existing data will be replaced by the new data.
You cannot change the tone assigned to the keyboard while an Auto Accompaniment editing (rhythm edit) operation is in progress.

To delete saved data

The following procedure cannot be performed while an Auto Accompaniment editing (rhythm edit) operation is in progress.
Flashes Used memory (Unit: Kbytes)

User rhythm name

user rhythm you want to delete.
5. Press the br (10-key) [7] (ENTER) key.
6. Press the br (10-key) [+] (YES) key.
After the delete procedure is complete, Complete will appear followed by the screen in step 2 of the above procedure. To cancel the delete operation, press [] (NO) or [9] (EXIT) in place of [+] (YES).
Saving Keyboard Setups to Registration Memory

1 bp br

Registration memory lets you store Digital Keyboard setups (tone, rhythm, etc.) for instant recall whenever you need them. Registration memory simplifies performance of complex pieces that require successive tone and rhythm changes. You can have up to 32 setups in Registration memory at one time. bs and bt to cm are used for recording.
Registration Save Example
This example saves the data shown in the table below to the following setups in Bank 1. Initial melody setup saved to Setup 1-1. Second melody setup saved to Setup 1-2. Third melody setup saved to Setup 1-3. Setup 11 Tone Number Rhythm Number Tempo 080 Setup Setup 089 089

1. Press bp. 2. Press 3.

Maintaining Data in User Scale Memory (CTK-5000 only)
After you save data in user scale memory, it will remain there as long as power is supplied to the keyboard. However, if you disconnect the AC adaptor when there are no batteries loaded, data in user scale memory will be deleted. Tips for Maintaining Data Use both batteries and the AC adaptor together. Make sure that batteries with sufficient power are loaded whenever you disconnect the AC adaptor. Connect the AC adaptor to the keyboard and plug it into a power outlet before replacing batteries. Before connecting or disconnecting the AC adaptor or replacing batteries, first press 1 to turn off power.

Equa l

There are a total of 17 scales: the 16 shown in the table above (page E-54) plus Equal Temperament (Number: 00, Scale Name: Equal).
Using the Current Scale Notes for Auto Accompaniments
You can use the following procedure to reflect the scale you adjusted using the scale fine tune or the quarter tone function, or the preset scale you selected with the preset function in Auto Accompaniments.
4. After you are finished, press 3 to assign the
Saving User Scales (CTK-5000 Only)
You can store up to four user scales configured by you in memory for later recall when you need them.

To save a user scale

1. Press bp. 2. Press 3. 3. While holding down cn, press a button from bt to cm to select an area.

To recall a user scale

to display AcompScl. ) and [6] ( ) keys
1. Press bp. 2. Press 3. 3. Use buttons bt to cm to select the user scale

you want to recall.

4. Use the br (10-key) [+] key to select on.

Using Music Preset

Selecting a Music Preset instantly changes the Digital Keyboard to a preset setup (tone, rhythm, tempo, etc.) for play of songs of various genres/categories. The press of a button sets up the Digital Keyboard so those songs sound exactly the way you thought they should. See the separate Appendix for a complete list of the 305 Music Presets that are available.

Using the Arpeggiator

The Arpeggiator makes it possible to play an arpeggio pattern automatically. There are 90 different arpeggio patterns from which to choose in order to match the music you are playing.
1. Hold down bo until the indicator shown below

Preset number

The Arpeggiator is controlled using the same button cq as Auto Harmonize (page E-41). Because of this, these two functions cannot be used at the same time.
1. Hold down cq until the Auto Harmonize or
If you do not perform any operation for a few seconds, the display will return to the previous screen automatically.

To cancel data load, press ct again.
You also could use [] and [+]. Display this screen Lod SmplTone Lod UserRhy. Lod UserSong Lod Rec.Song Lod ScaleMem Lod Regist. Lod All Data
To load this data Sampled sound User rhythm User song Recorded song User scale memory Registration data All data

********

Use the following procedure to delete data saved on an SD memory card.
want to delete as described below.
To delete this type of data Sampled sound User rhythm User song Recorded song Do this Select the tone number of the sampled sound. Select the rhythm number of the user rhythm. Select the song number of the user song. Select the song and put the Digital Keyboard in playback standby. Press bp and then 3. Select one of the Digital Keyboards default built in tones, songs.
Pressing [9] (EXIT) will return to the screen that was displayed before you pressed [7] (ENTER).
data (file) you want to load.
7. Press the br (10-key) [7] (ENTER) key.
This will load the data into Digital Keyboard memory.
If there is already data stored in the user area where you are trying to load data, an overwrite confirmation message will appear. Press the br (10-key) [+] (YES) key to overwrite, or [] (NO) or [9] (EXIT) key to cancel.
To cancel data delete, press ct again.
To delete this type of data Sampled sound User rhythm User song Recorded song User scale memory Registration data All data
Display this screen dEL SmplTone dEL UserRhy. dEL UserSong dEL Rec.Song dEL ScaleMem dEL Regist. dEL All Data
Deleting Data from an SD Memory Card
Playing Back Data from an SD Memory Card
You can use the following procedure to play back user song data (page E-59) directly from an SD memory card.
Whenever you copy a file to the SD memory card that you plan to play on the Digital Keyboard, be sure to store the file in the SD memory cards MUSICDAT folder (page E-62).
number of the data (file) you want to delete.
1. Insert the SD memory card that contains the
This will display the delete confirmation screen.

2. Press ct.

This will display the file numbers and song names for the data stored on the display.
3. Use br (10-key) to select the song you want to
8. Press the br (10-key) [+] (YES) key.
To cancel the delete operation, press [] (NO) or [9] (EXIT) in place of [+] (YES).

4. Check if your computer system complies with
the minimum requirements for Data Manager.
5. Download Data Manager and its users guide to
6. Follow the procedure in the users guide that
you downloaded in step 5 to install and use Data Manager.
You can download accompaniment data from the Internet Data Expansion system of the CASIO MUSIC SITE (http://music.casio.com/) and load it into the memory of this Digital Keyboard. Note that there is not any accompaniment data intended specifically for this model, so you should use data for other models.
Connecting to Audio Equipment
This Digital Keyboard can be connected to commercially available stereo, amplifier, or recording equipment, to a portable audio player or other equipment.
Playing an External Device from the Digital Keyboard
Connection requires commercially available connecting cords, supplied by you. The connecting cords should have a stereo mini plug on one end and a plug that matches the configuration of the external device on the other end.
Outputting Keyboard Notes to Audio Equipment
Connection requires commercially available connecting cords, supplied by you.
Turn off the external device when making connections. After connecting, turn down the Digital Keyboard and external device volume levels whenever turning power on or off. After connecting, turn on the Digital Keyboard and then the external device. If keyboard notes sound distorted when they are sounded from external audio equipment, lower the Digital Keyboards volume setting.
Turn off the Digital Keyboard when making connections. After connecting, turn down the Digital Keyboard and external device volume levels whenever turning power on or off. After connecting, turn on the external device and then the Digital Keyboard. If notes are distorted when they are sounded on the external device, lower the volume setting of the external device.
Portable audio player, etc.

CTK-4000

Stereo standard plug Digital Keyboard AUDIO IN jack
Audio equipment, amplifier, etc.
Digital Keyboard PHONES/OUTPUT jack

Operation When I perform a skip forward or skip back operation, the skip operation moves multiple song measures instead of only a single measure. Tone, rhythm, and other settings revert to their initial defaults whenever you turn on the Digital Keyboard. Computer Connection I cant exchange data between the Digital Keyboard and a computer. Check to make sure that the USB cable is connected to the Digital Keyboard and computer, and that the device is selected correctly with your computers music software settings (page E-65). Turn off the Digital Keyboard and then exit the music software on your computer. Next, turn the Digital Keyboard back on and then restart the music software on your computer. While song playback is stopped or a Step Up Lesson is in progress, skip forward and skip back operations are performed in phrase units (page E-26). Though Digital Keyboard settings reset when you turn off the Digital Keyboard, you can save setups to registration memory for instant recall whenever you need them (page E-46).
Check and adjust the accompaniment volume setting (page E-40). Check and adjust the song volume (page E-28). Turn power off and then back on to initialize all Digital Keyboard settings (page E-9).

Specifications

Models Keyboard Touch Response Maximum Polyphony Tones Built-in Tones Sampling Tones Functions Reverb Chorus Metronome Beats per Measure Tempo Range Song Bank Built-in Songs User Songs Step Up Lesson Lessons Lesson Part Functions Music Challenge Auto Accompaniment Built-in Rhythms User Rhythms Registration Recorder Keyboard Play Playing Along with a Built-in Songs Memory Capacity Other Functions Transpose Octave Shift Tuning Scale Tuning Music Preset One Touch Preset Auto Harmonize Arpeggiator MIDI Musical Information Function Pitch Bend Wheel (CTK-5000 only) Pitch Bend Range SD Memory Cards (CTK-5000 only) Supported SD Memory Cards Functions 2GB or less SMF playback, file storage, file recall, file delete, card format
CTK-4000 / CTK-standard-size keys 2 types, Off 48 notes (24 for certain tones) CTK-4000: 570 CTK-5000: 670 Up to 8 (Melody Sampling: 5, Drum Sampling: 3)* Up to 10 seconds Layer, Split 1 to 10, Off 1 to 5, Off 0, 2 to to Up to 10* 4 (Listen, Watch, Remember, Auto) L, R, LR Repeat, Voice Fingering Guide, Note Guide, Performance Evaluation 20 notes CTK-4000: 180 CTK-5000: 200 Up to 10 (Accompaniment Edit)* 32 (4 setups 8 banks) Real-time recording, playback 5 songs, 6 tracks 1 song (L, R, LR) Approximately 12,000 notes (total for 6 songs) 1 octaves (12 to +12 semitones) Upper/Lower 2 octaves A4 = approx. 440 Hz 100 cents Scale Fine Tune (CTK-5000 only), Quarter Tone (CTK-5000 only), Preset Scales 305 CTK-4000: 180 CTK-5000: types 90 types 16 multi-timbre received, GM Level 1 standard Tone, Rhythm, Song Bank, numbers and names; staff notation, fingering, pedal operation, tempo, measure and beat number, chord name, etc. 0 to 12 semitones

UPPER 1 UPPER 2

Layering and Splitting Tones
You can configure the keyboard to play two different tones at the same time (Layer) or to play different tones in the left and right ranges (Split). You can even use Layer and Split in combination with each other and play three different tones at the same time. The UPPER 1 part is used alone when playing an individual tone on the keyboard. When layering two tones, the UPPER 1 part and UPPER 2 parts are used. When splitting the keyboard between two tones, the low range of the keyboard plays the LOWER part. One tone across the entire keyboard (page E-14) This configuration uses the UPPER 1 part only (Layer: Off, Split: Off). You can configure the settings described below to adjust each part when using multiple tones in layer and split configurations. To adjust this setting for each part: Octave shift Volume balance Stereo position, effect (reverb, chorus) levels, and other detailed settings Go here for more information: Using Octave Shift (page E-18) Using the Mixer (page E-39)

UPPER 1

Two layered tones across the entire keyboard (page E-16) This configuration uses the UPPER 1 part and UPPER 2 part (Layer: On, Split: Off).
Two tones, one for the left range and one for the right range of the keyboard (page E-17) This configuration uses the UPPER 1 part and LOWER part (Layer: Off, Split: On).

To layer two tones

To split the keyboard between two tones
group(s) and numbers of the two tones (UPPER 1 part tone and UPPER 2 part tone) you want to use.
group(s) and numbers of the tones (UPPER 1 part tone and LOWER part tone) you want to use.
If they are displayed, press the R-19 (SPLIT) button and/or R-20 (LAYER) button to clear both indicators from the display. When neither indicator is displayed, the tone you select will become the UPPER 1 part tone.
If they are displayed, press the R-19 (SPLIT) button and/or R-20 (LAYER) button to clear both indicators from the display. When neither indicator is displayed, the tone you select will become the UPPER 1 part tone
3. Use the TONE buttons and dial to select the

UPPER 1 part tone.

4. Press the R-20 (LAYER) button.
This causes the A indicator to appear on the display. This indicates that the tone you select will become the UPPER 2 part tone.
4. Press the R-19 (SPLIT) button.
This causes the @ indicator to appear on the display. This indicates that the tone you select will become the LOWER part tone.
5. Use the TONE buttons and dial to select the

UPPER 2 part tone.

LOWER part tone.
6. Play something on the keyboard to check how

This displays the scale fine tuning screen like the one shown below.
3. Use the dial or the R-14 (, +) buttons to change

the setting value.

To do this: Not apply scale settings to Auto Accompaniment Apply scale settings to Auto Accompaniment Select this setting: oFF on
4. When the setting is the way you want, press the

R-15 (EXIT) button.

4. You can adjust the tuning of each individual

note in the scale.

(1) Use the R-17 (t) button to move the 0 to Note, and then use the dial or R-14 (, +) buttons to select the name of the note you want to fine tune. You can also press a keyboard key to specify a note. (2) Use the R-17 (y) button to move the 0 to Cent, and then use the dial or R-14 (, +) buttons to fine tune the selected note. You can fine tune a note within the range of 99 through +99 cents. Adjusting all of the notes in the scale to 0 changes the selected tuning to equal temperament. The C indicator will be on the display when any note in the scale has a value other than 0.
The above scale on/off setting affects the Auto Accompaniment bass part and Chord 1 through Chord 5 parts (A11 through A16). You also can turn scales settings on or off for each individual part using the Part Parameter (page E-44) Scale (Part Scale Enable) setting.
Playing Arpeggio Phrases Automatically (Arpeggiator)
With the arpeggiator, you can play various arpeggios and other phrases automatically by simply pressing keys on the keyboard. You can select from a number of different arpeggiator options, including playing arpeggios from a chord, playing various phrases automatically, and more.
4. Press the R-18 (AUTO HARMONIZE/

ARPEGGIATOR) button.

This causes a pointer indicator to appear on the display next to ARPEGGIATOR.
1. Hold down the R-18 (AUTO HARMONIZE/
ARPEGGIATOR) button until the type selection screen shown below appears on the display.
5. Configure arpeggiator settings as required.
The settings you can configure are described in the table below. For information about how to configure settings, see To change the setting of a function menu item (page E-96). For information about this setting: Go here:
ArpegHold Whether arpeggio should be played while keyboard keys are depressed or (Arpeggiator Hold) (page E-97) after the keys are released The number of times arpeggio is played within one beat When the keyboard is split between two tones, whether arpeggio should be played when UPPER keyboard or LOWER keyboard keys are pressed

Type number Type name

ArpegSpeed (Arpeggiator Speed) (page E-98) ArpegPart (Arpeggiator Part) (page E-98)
6. On the keyboard, play a chord or a single note.
Arpeggio is played in accordance with the currently selected arpeggiator type and the note(s) you play.
2. Use the dial or R-14 (, +) buttons to select the

arpeggiator type you want to use.
You can select one of the arpeggiator types (013 through 162). Refer to the separate Appendix for detailed information about supported arpeggiator types. When selecting the arpeggiator type, you can assign the recommended tone for the currently displayed type as the keyboard tone, by holding down the R-18 (AUTO HARMONIZE/ARPEGGIATOR) button until a pointer indicator starts to flash on the display next to ARPEGGIATOR.
7. To turn off the arpeggiator, press the R-18
(AUTO HARMONIZE/ARPEGGIATOR) button again.
This causes the pointer indicator next to ARPEGGIATOR to disappear from the display.

Flashing

For information about type number 001 through 012, see Using Auto Harmonize (page E-28).
This exits the type selection screen.

Using Auto Accompaniment

L-4 -L-9 L-4 L-9
L-11 L-12 L-13 L-14 L-16 L-18 L-15 L-17
With Auto Accompaniment, simply select the accompaniment rhythm you want and the matching accompaniment (drums, guitar, etc.) will play automatically when you play a chord with your left hand. Its like having your own personal backup group along with you wherever you go. This Digital Keyboard has 200 built-in Auto Accompaniment patterns, which are divided into five groups. You can edit built-in rhythms to create your own original rhythms (called user rhythms), which you can save in a sixth group. For more information, see the separate Appendix.
3. Use the dial to scroll through the rhythm
numbers until the one you want is displayed.
Example: Group B, Number 005
Playing an Auto Accompaniment
group and the number of the rhythm you want to use.

Rhythm name Group Number

2. Use the buttons from L-4 ([A] POPS/ROCK/
DANCE) to L-9 ([F] USER RHYTHMS) to select a rhythm group.
The L-9 ([F] USER RHYTMS) button is for the user rhythm group. For details, see Using the Rhythm Editor (page E-29).
You can also use the R-14 (, +) buttons to select a rhythm number. Holding down either button will scroll through rhythm numbers at high speed. Pressing both of the R-14 (, +) buttons at the same time will select 001 in the currently selected group.

4. Use the L-11 (TEMPO w) and L-12 (TEMPO q)
buttons to adjust the tempo setting.
5. Press the L-18 (ACCOMP ON/OFF) button so the
D indicator is on the display.
Each press of the button toggles accompaniment between on (D indicator displayed) and off (indicator not displayed). All accompaniment instrument parts sound while accompaniment is on (D indicator displayed), while only percussion instrument parts (drums, etc.) sound while accompaniment is off (indicator not displayed).
6. Press the L-16 (SYNCHRO/ENDING) button.
This enters synchro standby (Auto Accompaniment waiting for you to play a chord), with the F indicator flashing on the display. The flashing F indicator means that the normal Auto Accompaniment pattern is standing by.
10. When you are finished, press the L-17 (START/
STOP) button again to stop Auto Accompaniment.
Pressing the L-16 (SYNCHRO/ENDING) button instead of the L-17 (START/STOP) button will play an ending pattern before stopping Auto Accompaniment play. For details about ending patterns, see Modifying Auto Accompaniment Patterns (page E-27).
7. You also can use the buttons described below
to change to intro or variation pattern standby.
To enter synchro standby for this pattern: Intro Variation Press this key: L-13 (INTRO) button Display Indicator: E flashing
L-15 (VARIATION/ H FILL-IN) button flashing
For details about intro and variation patterns, see Modifying Auto Accompaniment Patterns (page E-27).
You can use the following procedure to adjust the volume level of the Auto Accompaniment, without affecting the volume of Digital Keyboard output. For details, see AccompVol. (Auto Accompaniment Volume) (page E-99). You can change the size of the chord keyboard by using the split feature to move the split point (page E-17). The keyboard keys to the left of the split point make up the chord keyboard.
8. Play the chord you want on the chord keyboard

(left keyboard keys).

Auto Accompaniment will start playing when you play the chord. To start percussion part play without playing a chord, press the L-17 (START/STOP) button. Example: To play a C chord
Chord keyboard Melody keyboard
The chord root and type that corresponds to the keys you press appear in the chord area of the display.
9. Play other chords with your left hand as you
play the melody with your right hand.
You can use CASIO Chord or other simplified chord fingering modes to play chords. For details, see Selecting a Chord Fingering Mode in the following section. You can use the L-14 (NORMAL/FILL-IN) and L-15 (VARIATION/FILL-IN) buttons to modify accompaniment patterns. For details, see Modifying Auto Accompaniment Patterns (page E-27).

Each press of the L-14 (NORMAL/FILL-IN) button toggles between normal and normal fill-in, and each press of the L-15 (VARIATION/FILL-IN) button toggles between variation and variation fill-in. The indicator for the currently selected accompaniment pattern will flash on the display. Selecting this accompaniment pattern: Intro Normal Normal fill-in Variation Variation fill-in Ending Causes this indicator to flash: E F FG H GH J
To create and save a user rhythm
1. Select the rhythm you want to edit in order to

create your user rhythm.

2. Press the C-2 (RHYTHM EDITOR) button.
4. Use the R-17 (u, i) buttons to select the
instrument part you want to edit.
This displays the rhythm editor screen.
Instrument part being edited
The name of the instrument part you select will appear on the display. Selecting this instrument part: Percussion Drums Bass Chord 1 to Chord 5 Causes this name to appear on the display: PERC DRUM BASS CHORD1 to CHORD5
Accompaniment pattern being edited Rhythm number and rhythm name assigned to the instrument part of the accompaniment pattern being edited (Default: Number and name selected in step 1)
5. Edit the selected accompaniment pattern
instrument part as desired.
While performing the procedure below, you can press the L-17 (START/STOP) button and perform repeat playback of only the accompaniment pattern you are editing. Each press of the L-17 (START/STOP) button starts or stops playback. (1) While [RHYTHM] is displayed in line three of the rhythm editor screen, specify a number to assign a rhythm to the instrument part of the selected accompaniment pattern. Settings are configured using the same procedures as those for rhythm selection. Perform steps 1, 2, and 3 under Playing an Auto Accompaniment on page E-24. (2) Configure the mixer settings of the selected accompaniment pattern instrument part as desired. Press the C-5 (MIXER) button, use the R-17 (t, y) buttons to select one of the items described in the table below, and then use the dial or R-14 (, +) buttons to change the setting. Display: Item name TONE: Part Tone Description Specifies the instrument part tone setting. Setting Range All tones (except user tones)*1 on: Sounds the part. oFF: Mutes the part. 000 to 127

Bank 2 selected

While the BANK screen is displayed after pressing the C-8 (BANK) button, use the dial or R-14 (, +) buttons to select the bank you want. If you do not perform any operation for a few seconds, the display will return to previous screen automatically.

Setup 6-1 recalled

3. While holding down the C-13 (STORE) button,
press a button from C-9 (1) to C-12 (4) to select an area.
This will save the settings you configured in step 1 into the applicable setup. If there is anything already stored in the setup, it will be replaced (deleted) with the new setup.
Notes currently being sounded by the keyboard may stop if you recall a setup that causes a change in octave shift (page E-18). To keep this from happening, either select a setup that does not cause a change in the octave shift setting, or hold down the pedal (which will cause notes currently being played to be sustained).

Registered as Setup 2-1

Using the Song Sequencer

C-3 C-4 C-5 R-15

R-1 -R-12 R-1 R-12

R-16 R-17 R-14 R-13

L-13 L-15 L-14 L-17
You can use the song sequencer to record keyboard play (including Auto Accompaniment), or to record individual parts (multi-track recording) and combine them into a final song. After recording data, you can edit each individual note (event). You can have up to five recorded songs (approximately 12,000 notes total) stored in memory at the same time.
Starting One-touch Recording (EASY REC)
EASY REC lets you start recording of keyboard play with a single button operation.
EASY REC is a function of the song sequencer. For details on using the song sequencer, see What you can do with the song sequencer (page E-66). EASY REC can be used to record keyboard play that uses a music preset (page E-50). For details, see To use EASY REC to record a performance using a music preset (page E-66).
To use EASY REC to record
1. Configure Digital Keyboard settings for your

performance.

Configure the following settings: tone and rhythm selection, tempo, layer and split, synchro standby (when using Auto Accompaniment), mixer, etc. For details about settings that can be configured, see Recording Start under System Track and Track 01 through 16 Common Recording Content (page E-67) and System Track Recording Content (page E-67). Performing step 2 below enters record standby. After that, recording will start whenever you play something on the keyboard. After step 2, take care that you do not accidentally press a keyboard key and unintentionally start recording.
2. Press the C-4 (RECORD) button.
The button will start flashing and the EASY REC screen shown below will appear on the display.

Song area number

(4) Use the R-17 (y) button to move the 0 to Precount and then use the R-14 (, +) buttons to turn the precount on or off. Turing on the precount inserts a one-measure count before the start of recording when you press the L-17 (START/STOP) button in step 4. (5) Press the R-15 (EXIT) button to exit the menu.

Recording Individual Tracks
This section explains how to record to the system track and how to record to Tracks 01 through 16. For details about track configuration and what is recorded to each track, see What you can do with the song sequencer (page E-66).

system track.

If the system track already contains recorded data, starting recording in step 7 below will cause the current system track data to be deleted.
To record a performance to the system track
1. Press the C-3 (SONG SEQUENCER) button to
enter the song sequencer mode.
5. Configure panel settings as required for your
Configure the following settings: tone and rhythm selection, tempo, layer and split, synchro standby (when using Auto Accompaniment), mixer, etc. For details about settings that can be configured, see Recording Start under System Track and Track 01 through 16 Common Recording Content (page E-67) and System Track Recording Content (page E-67). For information about mixer settings, see Mixer Settings in the Song Sequencer Mode (page E-72).
6. Perform the following steps to configure beat
An asterisk (*) next to a song area number indicates that there is already data recorded in that area. L in the level meter indicates that the system track is currently selected, while M indicates that another track (01 through 16) is selected. In the case of M, a pointer (e) indicates which track is selected. A black box ( ) in the level meter above a track number indicates that there is already data recorded in that track.

song area number.

Selecting a song area that already contains recorded data will immediately recall the header settings of the song (page E-67).
3. Press the C-4 (RECORD) button.
The button will start to flash and the Digital Keyboard will enter record standby, which means recording will start whenever you play something on the keyboard. Up to step 7, take care that you do not accidentally press a keyboard key and unintentionally start recording.
(2) Use the dial or R-14 (, +) buttons to configure the beat setting. You can specify a beat setting of 2/4 to 8/4, 2/8 to 16/8. (3) Use the R-17 (y) button to move the 0 to Metronome and then use the R-14 (, +) buttons to turn the metronome on or off. Turning on the metronome causes it to sound a count during recording, but not during playback. (4) Use the R-17 (y) button to move the 0 to Precount and then use the R-14 (, +) buttons to turn the precount on or off. Turing on the precount inserts a one-measure count before the start of recording when you press the L-17 (START/STOP) button in step 7. (5) Press the R-15 (EXIT) button to exit the menu.
Page 2 of the menu screen has a RecType setting, but this setting cannot be used when recording a performance to the system track.
7. Start playing something on the keyboard.

3. Press the C-5 (MIXER) button to display the

mixer screen.

4. Use the R-17 (u, i) buttons to select the part
you want to play (A04 through A16, B01 through B16).
For example, to play only the melody that was recorded using the UPPER 1 part and recorded into the system track, select Part A05. For details about the content of each part, see How Parts are Organized (page E-39).
Start point input area End point input area
2. Specify a measure as the start point of the
phrase to be repeat played.
(1) Press the R-14 (+) button. This will input 001:01:00 into the start point input area (A), and cause the cursor to start to flash. (2) Use the dial or R-14 (, +) buttons to specify the start measure number.

brackets (%) to Part.

3. Specify a measure as the end point of the
(1) Press the R-17 (i) three times to move the cursor to the end point input area. Press the R-14 (+) button. The end point input area (B) initially shows the measure that is one measure after the start point. (2) Use the dial or R-14 (, +) buttons to specify the end measure number.
6. Press the R-14 (, +) buttons at the same time.
This causes the setting to change to Sol (Solo).
7. Press the L-17 (START/STOP) button.
This starts playback only of the part you selected in step 4. Playback stops automatically when it reaches the end of a song. To stop playback part way through, press the L-17 (START/STOP) button.
5. Press the R-15 (EXIT) button to exit the locator

screen.

6. Perform the following steps to start phrase

repeat play.

(1) Press the L-13 (REPEAT) button. This causes the ? indicator to appear on the display. (2) Press the L-17 (START/STOP) button. The specified phrase plays back in a loop.
7. To stop playback, press the L-17 (START/STOP)

Editing a Song

The following operations are supported during song editing. Deleting a specific song or all songs Copying a song from one area to another Deleting specific measures from a song Inserting blank measures into a song Extracting system track recorded content to track 04 through 07 or 09 through 16 Renaming songs
Pressing the R-15 (EXIT) button without pressing the R-16 (ENTER) button in step 4 above will cancel the phrase setting operation and close the locator screen. The start point and end point specified on the locator screen by the above operation will be displayed as the initial default values when you display the screen of editing the next event. To delete all events in a specific range of a track (page E-87) To copy the events within a specific range to a desired location (page E-88) To quantize all note events within specific range of a track (page E-90) To delete all pitch bender events within a specific range of a track (page E-91) This lets you repeat play and check the phrase so you can perform the above operation to edit it.

To start a song editor operation
button, press the C-3 (EDIT) button to display the editor menu.
Song Edit and then press the R-16 (ENTER) button.
This displays the song editor menu shown below.

To clear a song

4. Press the R-17 (y) button to move the thick

brackets (%) to To.

1. Perform the procedure under To start a song
editor operation on page E-75 to display the song editor menu, with the 0 located at Clear.
This displays the Clear Song screen.
song area number you want to clear.
An asterisk (*) next to a song area number indicates that there is already data recorded in that area. An asterisk (*) next to a song area number indicates that there is already data recorded in that area.
5. Use the dial or R-14 (, +) buttons to specify the
song area number you want to copy to.
6. Press the R-16 (ENTER) button.
If the copy destination song area does not contain recorded data, the copy operation is performed immediately. If the copy destination song area already contains recorded data, The confirmation message shown below appears asking if you want to overwrite the existing data.
You can select All here to clear all songs.
To copy a song from one area to another
editor operation on page E-75 to display the song editor menu.
Press the R-14 (YES) button to perform the copy operation and overwrite the existing song or the R-14 (NO) button to cancel.
Copy and then press the R-16 (ENTER) button.
This displays the Copy Song screen. At this time the thick brackets (%) will be located at the Copy setting.
song area number you want to copy from.
To delete a specific measure from a song
To insert blank measures into a song
DeleteMeas. and then press the R-16 (ENTER) button.
This causes Delete Measure screen to appear. At this time the thick brackets (%) will be located at the Measure setting.
InsertMeas. and then press the R-16 (ENTER) button.
This causes Insert Measure screen to appear. At this time the thick brackets (%) will be located at the Measure setting.
song measure you want to delete.
song measure number from which you want the insert to start.

brackets (%) to Size.

number of measures you want to insert.
For example, specifying 002 for Measure and 003 for Size will insert three blank measures in front of song measure 2.
6. After everything is the way you want, press the
number of measures you want to delete.
7. In response to the Sure? message that
appears, press the R-14 (YES) button to insert or the R-14 (NO) button to cancel.

Loading and Removing a Memory Card
A memory card must be positioned correctly when being loaded into the Digital Keyboard. Trying to force an improperly oriented memory card into the slot can damage the memory card and the slot.

Entering the Card Mode

Enter the card mode when you want to perform memory card operations. While in the rhythm mode (page E-7) press the C-7 (CARD) button to enter the card mode.
1. With the top of the memory card facing
upwards (so you can see it), carefully insert it into the Digital Keyboards SD card slot (T-1) until stops with a click.
This will cause the : indicator to disappear from the display and the ; indicator to appear.
2. To remove the memory card first press it into

the slot further.

This will cause the memory card to disengage and eject partially. Pull the memory card the rest of the way out of the slot.
If the message No Card appears on the display, it means there is no memory card in the card slot. For details about what appears on the display while a card is loaded, see Playing a Music File from a Memory Card (page E-108). To exit the card mode, press the C-7 (CARD) button again. This will cause the ; indicator to disappear from the display and the : indicator to appear.

Formatting a Memory Card

Format a memory card before using it for the first time. Before formatting a memory card, make sure it does not have any valuable data stored on it. The memory card format operation performed by this Digital Keyboard is a quick format. If you want to completely delete all of the data on the memory card, format it on your computer or some other device.
1. Insert the memory card you want to format into
the Digital Keyboards card slot.
Make sure the memory card is write-enabled. Check the position of the cards write-protect switch to ensure it is not in the write-protect position.
2. Press the C-7 (CARD) button to enter the card
This displays the function menu Play/CardUtl screen.
4. Use the R-17 (t, y) buttons to move the 0 to

CardFormat.

3. Depending on the type of data you want to save
to the memory card, perform one of the steps shown below.
All setup registration banks are saved as a batch. Other data is saved in area (data item) units.
To save this type of data: One user rhythm Do this: 1. Press the L-9 ([F] USER RHYTHMS) button. 2. Use the dial or R-14 (, +) buttons to specify the user rhythm number. 1. Press the R-12 ([L] USER TONES) button. 2. Use the dial or R-14 (, +) buttons to specify the user tone number. 1. Perform steps 1 through 4 under To use a DSP (page E-36). 2. Use the dial or R-14 (, +) buttons to specify the user DSP number (101 through 200). 1. While holding down the L-7 ([D] WORLD/ VARIOUS) button, press the L-8 ([E] PIANO RHYTHMS) button to display the music preset screen. 2. Press the L-9 ([F] USER RHYTHMS) button. 3. Use the dial or R-14 (, +) buttons to specify the user preset number. 1. Press the C-3 (SONG SEQUENCER) button to enter the song sequencer mode. 2. Use the dial or R-14 (, +) buttons to specify the song number. Press the C-8 (BANK) button to display the registration bank selection screen.

Size Over

1. The data on the memory card is too big to play. 2. The data you are trying to load is too large.

Wrong Data

1. The memory card data is corrupted. 2. The memory card contains data that is not supported by this Digital Keyboard.

Meas. Limit

You tried to perform an operation during song sequencer song editing or user music preset editing that would cause the number of measures in the song or chord progression to exceed 999. 1. There is not enough memory capacity required for rhythm editor operations. 2. Remaining memory capacity became too low during music preset editing. 3. There is not enough memory capacity required for song sequencer operations.
Make sure your edits do not cause the number of measures to exceed the 999-measure limit.

Memory Full

1. Select the rhythm you want to use. 2. Referring to To clear user preset data (page E-55), delete user presets you no longer need in order to free up memory. 3. Delete other tracks and/or songs to free up memory space. Use a different name.

File Name

When renaming a file on a memory card, attempting to specify a file name that is already used.

Connecting to a Computer

You can connect the Digital Keyboard to a computer and exchange MIDI data between them. You can send play data from the Digital Keyboard to music software running on your computer, or you can send MIDI data from your computer to the Digital Keyboard for playback.
2. After starting up your computer, use a
commercially available USB cable to connect it to the Digital Keyboard.
Digital Keyboard USB port USB cable (A-B type)
Minimum Computer System Requirements
The following shows the minimum computer system requirements for sending and receiving MIDI data. Check to make sure that your computer complies with these requirements before connecting the Digital Keyboard to it. Operating System Windows XP (SP2 or later) *1 Windows Vista *2 Windows 7 *3 Mac OS X (10.3.9, 10.4.11 or later, 10.5.8 or later, 10.6.3 or later) *1: Windows XP Home Edition Windows XP Professional (32- bit) *2: Windows Vista (32- bit) *3: Windows 7 (32- bit, 64-bit) USB port

Screen contents are visible only from straight This is due to production limitations. It does not indicate malfunction. ahead. Sound Nothing happens when I press any keyboard key. Adjust the main volume setting (page E-13). Check if something is plugged into the T-4 (PHONES) jack on the back of the Digital Keyboard. Turn power off and then back on to initialize all keyboard settings (page E-13). Press the L-18 (ACCOMP ON/OFF) button to disable chord input with chord keyboard (page E-24). With rhythms E:029 to E:038, nothing will sound until you play a chord on the keyboard. Try playing a chord (page E-26). Check and adjust the accompaniment volume setting (page E-99). If there is no user rhythm stored in memory, Auto Accompaniment will not start when you press the L-17 (START/STOP) button while a rhythm in the range of F:001 to F:010 is selected (page E-24). Turn power off and then back on to initialize all Digital Keyboard settings (page E-13). Check and adjust the metronome volume setting (page E-99). Turn power off and then back on to initialize all Digital Keyboard settings (page E-13).
Nothing happens or notes do not play normally when I play on the left side of the keyboard. Nothing happens when I start an Auto Accompaniment.
The metronome does not sound.
Symptom Notes keep sounding, without stopping. Action Turn power off and then back on to initialize all Digital Keyboard settings (page E-13). Replace the batteries with new ones or switch over to AC adaptor power (page E-9). Notes are cut off whenever the number of notes being sounded exceeds the maximum polyphony value of 48 (24 for some tones). This does not indicate malfunction. See the separate Appendix. Adjust the main volume setting (page E-13). Turn power off and then back on to initialize all Digital Keyboard settings (page E-13). Replace the batteries with new ones or switch over to AC adaptor power (page E-9). Change the Touch Response setting (page E-97). Turn power off and then back on to initialize all Digital Keyboard settings (page E-13). This is due to system limitations. It does not indicate malfunction.
Some notes are cut off while they are playing. The volume or tone setting I configured has changed.
Output volume does not change even though I change my keyboard pressure. In certain keyboard ranges, the volume and tone quality sound are slightly different from those in other keyboard ranges. With some tones, octaves do not change at the far ends of the keyboard. The pitch of the notes does not match other accompanying instruments or sounds strange when played along with other instruments.

01: Wah

This is a wah effect that can automatically affect the frequency using an LFO. Parameters and Value Ranges: 1 :Resonance (0 to 127) Adjusts the strength of resonance. 2 :Manual (0 to 127) Adjusts the wah filter reference frequency. 3 :LFO Rate (0 to 127) Adjusts the LFO rate. 4 :LFO Depth (0 to 127) Adjusts the LFO depth. 5 :LFO Waveform (off, sin, tri, random) Selects the LFO waveform.

05: Auto Pan

Performs continual left-right panning of the input signal using an LFO. Parameters and Value Ranges: 1 :LFO Rate (0 to 127) Adjusts the panning rate. 2 :LFO Depth (0 to 127) Adjusts the panning depth. 3 :LFO Waveform (sin, tri) Selects the LFO waveform.

02: Compressor

Compresses the input signal, which can have the effect of suppressing level variation and make it possible to sustain dampened sounds longer. Parameters and Value Ranges: 1 :Depth (0 to 127) Adjusts compression of the audio signal. 2 :Attack (0 to 127) Adjusts the attack amount of the input signal. A smaller value causes prompt compressor operation, which suppresses the attack of the input signal. A larger values delays compressor operation, which causes the attack of the input signal to be output as-is. 3 :Release (0 to 127) Adjusts the time from the point the input signal drops below a certain level until the compression operation is stopped. When an attack feeling is desired (no compression at the onset of sound), set this parameter to as low a value as possible. To have compression applied at all times, set a high value. 4 :Level (0 to 127) Adjusts the output level. 5 :Threshold (0 to 127) Adjusts the volume level at which the compression operation starts.

06: Tremolo

Adjusts the volume of the input signal using an LFO. Parameters and Value Ranges: 1 :LFO Rate (0 to 127) Adjusts the tremolo rate. 2 :LFO Depth (0 to 127) Adjusts the tremolo depth. 3 :LFO Waveform (sin, tri) Selects the LFO waveform.

07: Phaser

Produces a distinctive pulsating, broad sound by using an LFO to change the phase of the input signal and then mixes it with the original input signal. Parameters and Value Ranges: 1 :Resonance (0 to 127) Adjusts the strength of the resonance. 2 :LFO Rate (0 to 127) Adjusts the LFO rate. 3 :LFO Depth (0 to 127) Adjusts the LFO depth. 4 :LFO Waveform (sin, tri, random) Selects the LFO waveform.

03: Distortion

Digital distortion that applies an overtone to the input signal and distorts it. Parameters and Value Ranges: 1 :Gain (0 to 127) Adjusts the input signal gain. 2 :Level (0 to 127) Adjusts the output level.