Brand: DENON ELECTRONICS
Part Number: 2760843903
Here you can find all about Denon AVR-2307CI, for example manual and troubleshooting, review. You can also write a review. [ Report abuse or wrong photo | Share your Denon AVR-2307CI photo ]
Denon AVR-2307CI Home Cinema Amplifier, size: 6.2 MB
Denon AVR-2307CI Supplementary Guide
Denon AVR 2307 Repair Brief.mpg
User reviews and opinions
|~WhitE-RaveN~||5:48pm on Sunday, May 2nd, 2010|
|For the money ($900 in Dec 2006) this has bee... For the money ($900 in Dec 2006) this has been a very disappointing product. I bought it because of the reviews, the brand name.|
Comments posted on www.ps2netdrivers.net are solely the views and opinions of the people posting them and do not necessarily reflect the views or opinions of us.
About the remote control unit
In addition to controlling the AVR-2307CI, the attached remote control unit (RC-1043) can also be used to control the following products: q DENON component products w Component products other than DENON: Set using the preset memory function ( page 65).
Operating range of the remote control unit
Point the remote control unit at the remote sensor when operating it. The remote control unit can be used from a distance of approximately 23 feet/7 meters, at a horizontal angle of up to 30 with respect to the sensor.
Inserting the batteries
q Remove the remote control units rear cover. w Set two R6P/AA batteries in the battery compartment in the indicated direction. Approx. 23 feet/7 m
e Put the rear cover back on. Notes on batteries: Replace the batteries with new ones if the set does not operate even when the remote control unit is operated nearby the unit. (The attached batteries are only for verifying operation.) When inserting the batteries, be sure to do so in the proper direction, following the < and > marks in the battery compartment. To prevent damage or leakage of battery fluid: Do not use a new battery together with an old one. Do not use two different types of batteries. Do not short-circuit, disassemble, heat or dispose of batteries in flames. Remove the batteries from the remote if it will not be in use for long periods. If the battery fluid should leak, carefully wipe the fluid off the inside of the battery compartment and insert new batteries. When replacing the batteries, have the new batteries ready and insert them as quickly as possible.
NOTE: It may be difficult to operate the remote control unit if the remote sensor is exposed to direct sunlight or strong artificial light.
Cautions on installation
Note: For heat dispersal, do not install this unit in a confined space such as a bookcase or similar enclosure.
Part names and functions
For details on the functions of these parts, refer to the pages given in parentheses ( ).
@7 @6 @5 @4 @3
@0 !8 @1 !9
!6 Cursor buttons (D, H) (11) !7 MASTER VOLUME control knob(25) !8 TUNING buttons (, ) (37) !9 STATUS button (26) @0 DIMMER button (26) @1 VIDEO SELECT button (40) @2 Display
COMPONENT VIDEO IN Y
COMPONENT VIDEO OUT Y PB PR
S VIDEO IN
VIDEO IN HDMI OUT
L R L R
AUDIO OUT L R
S VIDEO OUT
The AVR-2307CI is equipped with HDMI terminals, so it can be connected to a DVD player or monitor using an HDMI cable. The component video input and/or output terminals may be labelled differently on some monitors or video components. Check the owners manuals for other components for further information. Audio signals are only output from the HDMI monitor out terminal when audio signals are input to the HDMI input terminal. When connecting the AVR-2307CI and DVD player using an HDMI cable, also connect the AVR-2307CI and monitor using an HDMI cable ( page 19).
Audio signal flow is shown with white arrows, video signal flow is shown with gray arrows.
Connect a non-DVD video disc player (such as a laser disc, VCD/SVCD, or future high definition disc player) to the DVD/VDP terminals in the same way.
Auto Setup/Room Equalizer (Room EQ) Functions
The AVR-2307CIs auto setup and room equalizer functions use the attached microphone to measure the acoustic properties in the room and automatically make the optimum settings. When the auto setup procedure is performed, one of the following three correction curves can be selected for the room equalizer function. Normal: Adjust the frequency response of all speaker suitable for general surround system. Front: This adjusts the characteristics of each speaker to the characteristics of the front speakers. Flat: This the frequency response of all speakers flat. This mode is optimum for playing multi-channel signal music.
q Connecting a microphone
1 Connect the attached setup microphone to <SETUP MIC>.
<SETUP MIC> DH F G, ENTER
microphone on a camera 2 Mount the setupreceptor pointing towardstripod, etc., and set with the the ceiling.
To make the sound field settings manually ( page 60 ~ 63). Microphone
Place the setup microphones sound receptor at the height of the ears in the listening position. It is not possible to measure properly if there are any obstacles between the speakers and microphone. Check that there are no obstacles.
On screen display for component video outputs and HDMI output
When viewing component video signals or HDMI signals via the AVR-2307CI, the on screen display is displayed on the monitor when the System Setup operations are performed and when the remote control units ON SCREEN button is operated. When only component video signals are input to the AVR-2307CI, the characters of the on screen display are not displayed over the picture.
Connecting equipment with HDMI terminals [To convert analog video signals to HDMI signals]
The AVR-2307CI is equipped with a function for converting analog video signals into HDMI signals. You can do this by either a component or a video or a S-Video connection. Audio signals are not output from the HDMI monitor output terminal, so also make analog or digital audio connections. To play sound using digital audio connections, assign the digital terminal (coaxial or optical) at Setting the Digital In Assignment ( page 49).
Connecting a TV/DBS tuner
For best picture quality choose the component video connection to your TV or DBS tuner. S-Video and composite video outputs are also provided. To connect the digital audio output from the TV or DBS tuner, you can choose from either the coaxial or optical connections. If you choose to use the coaxial connection, it needs to be assigned. For more information about Digital Input Assignment ( page 49).
COMPONENT VIDEO OUT Y PB
Connecting a video camera or video game
Video camera / Video game
Use an HDMI monitor compatible with an HDMI input resolution of 480i or 576i. If your monitor is not equipped with an HDMI terminal, connect the AVR-2307CI to the monitor using the component video, S-Video, or composite video terminals.
Connecting a CD player
To connect the digital audio output from the CD player, you can choose from either the coaxial or optical connections. If you choose to use the optical connection, it needs to be assigned. For more information about Digital Input Assignment ( page 49).
Connecting the external inputs (EXT. IN) terminals
These terminals are for inputting multi-channel audio signals from an outboard decoder, or a component with a different type of multi-channel decoder, such as a DVD-Audio player, or a multi-channel Super Audio CD player, or other future multi-channel sound format decoder. The video signal connection is the same as that for a DVD player ( page 9). For instructions on playback using the external input (EXT. IN) terminals ( page 25).
DVD Audio-Video / Super Audio CD player / External decoder
7.1ch AUDIO OUT FRONT L L
SURROUND BACK L R
Connecting a turntable
Turntable (MM cartridge)
Connections with an HDMI/DVI-D conversion cable (adapter)
The HDMI video stream signals (video signals) are theoretically compatible with DVI-D. When connecting to a monitor, etc., equipped with DVI-D terminals, it is possible to connect using an HDMI/DVI-D conversion cable, but depending on the combination of devices used the image might not be output. When using an HDMI/DVI-D conversion adapter, the image may not be output properly due to poor contact with the connected cable, etc.
Input signals LINEAR PCM DVD-Video Dolby Digital DTS LINEAR PCM PACKED PCM DVD-Audio (with CPPM / without CPPM) CD LINEAR PCM Multi area Super Audio CD Stereo area CD area
Copyright Protection System
C C C C C E E C
To play back the digital video and audio of DVDVideo and DVD-Audio through an HDMI/DVI-D connection, both the connected player and monitor are required to support a copyright protection system called HDCP (High-bandwidth Digital Content Protection System). HDCP is copy protection technology that comprises data encryption and authentication of the partner equipment. The AVR-2307CI supports HDCP. Please see the users manual of your video display for more information about this.
The AVR-2307CI is HDMI Ver. 1.1 compatible.
If your digital monitor or DVD player only supports DVI-D, please obtain and use an HDMI-DVI conversion cable or adaptor, available from your dealer.
Connecting Other Sources Connecting Other Sources NOTE: Do not connect the output of the component connected to the OPTICAL 3 OUT terminal on the AVR2307CIs rear panel to any terminal other than the OPTICAL 3 IN terminal.
Connecting a DVD recorder
For best picture quality choose the component video connection to your DVD recorder. S-Video and composite video outputs are also provided. If you choose to use the optical connection, it needs to be assigned. For more information about Digital Input Assignment ( page 49). If you wish to perform analog dubbing from a digital sources, such as a DVD recorder to an analog recorder such as a cassette deck, you will needs connect the analog inputs and outputs as shown below, in addition to the digital audio connections.
Connecting a VCR
There are two sets of video deck (VCR) terminals, so two video decks can be connected for simultaneous recording or video copying. If you choose to use the component video connection, it needs to be assigned. For more information about Component Input Assignment ( page 53).
VOLUME [MUTING] [ON SCREEN] DIMMER STATUS
To lower the subwoofer channel level in the EXT. IN mode, press SURROUND PARAMETER and select SW. ATT. For some players the playback level of the SW channel may seen strong. If so, set to ON.
SURROUND PARAMETER INPUT MODE
3 Start playback on the selected component.
For operating instructions, refer to the components manual.
Basic Operation Basic Operation
Turning the sound off temporarily (MUTING) Press [MUTING].
You can adjust the muting level ( page 58).
Checking the currently playing program source, etc. On screen display Press [ON SCREEN].
The current program source and various settings are displayed on the monitor screen.
Using the surround modes Types of surround modes and their features
The AVR-2307CI is equipped with many surround modes. We recommend using the surround modes as described below in order to achieve the maximum effect for the specific signal source. is a 6.1-channel/7.1-channel surround mode.
Canceling MUTING mode: To cancel the muting mode, either press [MUTING] or adjust the volume.
Sources recorded in Dolby Digital EX
Front panel display Listening over headphones Connect the headphones to <PHONES>.
No sound is produced from the speakers automatically.
The current program source and various settings are indicated on the display.
DOLBY DIGITAL EX / +PLIIx* ( page 28) This mode is optimized for playing sources recorded in Dolby Digital EX.
Sources recorded in DTS-ES
DTS-ES DSCRT 6.1 / MTRX 6.1, +PLIIx* ( page 28) This is the optimum mode for playing sources recorded in DTS-ES.
NOTE: To prevent hearing loss, be careful not to raise the volume level excessively when using headphones.
Switching the brightness of the display Press DIMMER.
The brightness of the display can be adjusted in three steps. The display can also be turned off.
Dolby Digital or DTS Surround (5.1 ch sources) 2 ch sources recorded in Dolby Surround
DOLBY DIGITAL / DOLBY DIGITAL+PLIIx* / DTS SURROUND / DTS 96/24 / DTS+PLIIx* / DTS+NEO:6 ( page 28) This mode is optimized for playing 5.1-channel or 7.1-channel music. For Dolby Surround recording sources, Dolby Pro Logic II playback is conducted.
Switching the front speakers Press <SPEAKER> to turn the corresponding speaker pair on.
2-channel sources recorded in XM HD Surround
NEURAL SURROUND ( page 30) This is the optimum mode for playing sources recorded in XM HD Surround.
Sources recorded in stereo Sources recorded in monaural
PURE DIRECT Use this mode to play analog input music sources with extremely high quality. DIRECT / STEREO Effective for achieving pure playback. If there is no need for tone control or distribution of the low frequencies in function of the speaker configuration, select the DIRECT mode to achieve the best sound quality. DENON Original Surround Modes ( page 34, 35) Select these for 7.1-channel playback with sources recorded in stereo or monaural. The effects are different for each of the surround modes. Select the one most suited for the source being used. DTS NEO:6 ( page 30) This is a surround mode for playing 6.1- or 7.1-channel stereo sources developed by Digital Theater Systems. One of two playing modes, MUSIC (for music sources) or CINEMA (for movie sources), can be selected according to your preferences. DOLBY PRO LOGIC IIx* ( page 29) Developed by Dolby Laboratories, this surround mode provides 7.1-channel surround sound with conventional stereo (2-channel) sources. Select CINEMA mode for movie surround soundtracks, MUSIC for music sources, and GAME for 2-channel game box audio sources.
Viewing still pictures and videos (only for iPods equipped with the slideshow / video function)
Use this procedure to view photo and video data stored on the iPod on a monitor.
[VOLUME] [ENTER] [D H F G] STATUS
Stop: Press [ENTER] for at least 2 seconds during playback. Repeat play: Press [MODE]. The mode switches as follows each time [MODE] is pressed. RPT One: Single track repeat RPT All: All track repeat Shuffle play: Press [MEMORY]. The mode switches as follows each time [MEMORY] is pressed. SFL Songs: Single track shuffle SFL Albums: Album shuffle The mode switches between the Browse mode and the Remote mode if [MODE] is pressed for at least 2 seconds. D In the Remote mode, only [D H F G] and [ENTER] can be used.
Press [MODE] for at 1 Browse mode to the least 2 seconds to switch from the Remote mode.
Remote iPod is displayed on the AVR-2307CIs display.
D the iPods screen, press [D ] 2 Watchingor Video, then press [ENTER]Hor to ]select G Photos [G.
The iPods photo and video data are displayed on the monitor.
[ENTER] [D H F G]
To output photo or video data recorded on the iPod to the monitor, the iPods TV Out setting (under Video Settings) must be set to ON. For details, refer to the iPods operating instructions.
Disconnecting the iPod Press <ON/STANDBY> or [OFF] and set the AVR2307CIs power to the standby mode.
The iPod can be disconnected after switching to a function other than the one to which the iPod input is assigned.
Multi zone music entertainment system
When the outputs of the ZONE2 OUT terminals are wired and connected to integrated amplifiers installed in other rooms, different sources can be played in rooms other than the MAIN ZONE in which this unit and the playback devices are installed. (Refer to ZONE2 on the diagram below.) ZONE2 speaker out and pre-out can be used when ZONE2 is selected at Power Amp Assignment in the System Setup Menu. In this case, surround back speaker out cannot be used for MAIN ZONE. When a sold separately room-to-room remote control unit (DENON RC-616, 617 or 618) is wired and connected between the MAIN ZONE and ZONE2, the remote-controllable devices in the MAIN ZONE can be controlled from ZONE2 using the remote control unit.
3 Start playing the source to be output.
For operating instructions, refer to the manuals of the respective components. The signals of the source selected in the ZONE2 mode are also output from the VCR-1, VCR-2 and CD-R/TAPE recording output terminals. Digital signals are not output from the ZONE2 audio output terminals. About the MULTI ZONE connections ( page 42).
4 Press [FUNCTION].
The ZONE2 source switches directly.
of the 5 The output levelcontrolledZONE2 SPEAKER.OUT terminals can be pressing [VOLUME]
Default setting (ZONE2 volume level): dB (Minimum)
[MODE SELECTOR 2]
ZONE2 SOURCE set to 6 When the the preset channel canfunction ispressing TUNER, be selected
[ZONE2 OFF ] [ZONE2 ON ]
[MAIN ON/OFF] [FUNCTION]
When using ZONE2, it is possible to turn the power for the MAIN ZONE only on or off by pressing [MAIN ON/OFF].
Recording (audio and/or video)
About the memory functions Last function memory
The various settings set when the AVR-2307CIs power is switched to standby are stored in the memory. When the power is turned back on, the settings made when the power was switched to standby are recalled.
Press <ZONE2/REC SELECT> until RECOUT appears on the display.
Use < 2 (audioFUNCTION> to select the source to be recorded and/or video).
The indicator and the indicator for the selected source light.
The various settings are stored in the memory for about 1 week, even when the power is turned off or the power cord is unplugged.
3 Record (the audio or video signals).
For operations, see the operating instructions of the device from which you are recording (audio or video signals). To cancel, press <ZONE2/REC SELECT> and set the function to ZONE2. The source selected for MAIN ZONE is output from the digital output terminal (OPT-3). The source selected in the REC SELECT mode is not associated with the output from the digital output terminal (OPT-3). NOTE: When the REC OUT mode is selected, [ZONE2] and [FUNCTION] (ZONE2) cannot be operated. Digital signals are not output from the analog REC OUT terminal.
Initialization of the microprocessor (Reset)
Use the procedure described below to reset the microprocessor if the display is abnormal or if the buttons on the main unit or the remote control unit do not operate.
1 Switch off the unit using <POWER>. following <SPEAKER> (A and B) and press 2 Hold the >. <POWER
the entire display is 3 Check thatsecond, and releaseblinking with an interval of about 1 your fingers from the 2 buttons.
3 Press F G to select Basic or Custom.
Basic: The Speaker Setup settings are displayed. Custom: The speaker settings for the 2-channel direct and stereo modes can be changed.
OFF: The dynamic range is not compressed. Normally using in this mode.
For a description of the settings for the different items, see pages 60 ~ 63.
5 Press ENTER.
When a center speaker or surround speakers are not connected, the sounds in those channels are directed to the front speakers.
Setting the Auto Surround Mode
Set whether or not to store the surround mode last played for the input signal. The surround mode used at last for the four types of input signals shown below is stored in the memory, and the signal is automatically played with that surround mode the next time it is input. q Analog and PCM 2-channel signals (STEREO) w 2-channel signals of Dolby Digital, DTS or other multi-channel format (DOLBY PLIIx Cinema) e Multi-channel signals of Dolby Digital, DTS or other multichannel format (DOLBY/DTS SURROUND) r PCM multi-channel signals other than Dolby Digital and DTS (MULTI CH IN) Default settings are indicated in ( ). During playback in the PURE DIRECT mode, the surround mode does not change even if the input signal is changed.
Setting the Manual Equalizer Setup
Adjust the tone of the various speakers while listening to the playback signals.
1 Press D H to select Manual EQ Setup, then press ENTER. 2 Press F G to set, then press ENTER.
All CH: All channels can be adjusted simultaneously. L/R CH: The left and right channels of the pair of speakers can be adjusted simultaneously. Each CH: The channels can be adjusted separately.
Press D H to select Auto Surround Mode, then press ENTER. Press F G to set.
3 Press F G to select the speaker.
The display changes as follows. q Select L/R CH
FL/FR SBL/SBR C SL/SR
w Select Each CH
FL SBR SB
C SR SL
e Select All CH In this case, speaker selection is not performed.
4 Press D H to select the frequency, then press F G to adjust.
Center speaker Front speaker Subwoofer Surround speaker Surround back speaker
Select Large or Small not according to the actual size of the speaker but according to the speakers capacity for playing low frequency (bass sound below the frequency set for the Crossover Frequency) signals. If you do not know, try comparing the sound at both settings (setting the volume to a level low enough so as not to damage the speakers) to determine the proper setting.
Advanced Setup Part 2 Advanced Setup Part 2
Setting the Subwoofer Setup
Select the method of playback of the subwoofer for playing the low bass signals.
Setting the Distance
This parameter is for optimizing the timing with which the audio signals are produced from the speakers and subwoofer according to the listening position.
1 Press D H to select Subwoofer Setup, then press ENTER. 2 Press F G to set.
LFE: For any channel(s) that are set to Large, low frequencies in that channels corresponding source are directed to that loudspeaker only. The low frequencies played from the subwoofer are only the LFE signals and the low frequencies of channels set to Small. LFE+Main: Low frequencies from speaker channels that have been set to Large are reproduced from those speakers as well as from the subwoofer(s).
Measure the distances between the listening position and the speakers (L1 to L8 on the diagram at the below). FL C FR
.. L1 L2 L3 L4
L1 L4 L5
L6 L7 L8
L5 L6 L7 L8
The subwoofer mode setting is only valid when and Yes is set for the subwoofer in the Setting the Speaker Configuration. Select the LFE+Main mode if you want low frequency signals to always be played from the subwoofer channel. Select the mode achieving a voluminous bass sound when playing music or movie sources.
1 Press D H to select Distance, then press ENTER. 2 Press F G to select Meters or Feet. 3 Press D H to select the speaker, then press F G to set. 4 Press ENTER.
Press D to select Step, then press F G to change the amount of variation if so desired. The distance changes in units of 1 foot (0.1 meters) or 0.1 foot (0.01 meters) each time the button is pressed. Select the value closest to the measured distance. Please note that the difference of distance for every speaker should be 20 ft (6.0 m) or less. If you set an invalid distance, a CAUTION notice, such as screen right will appear. In such cases, move the appropriate speaker to the position of the displayed value.
Setting the Channel Level
Set the volume of the various speakers so that the sound output from the speakers and the subwoofer seems to have the same volume level.
Adjusting the test tone using the remote control unit
Adjustment of the test tones using the remote control unit is only possible in the Auto mode and only valid in the STANDARD (Dolby / DTS Surround) mode. The adjusted levels are automatically stored for the different surround modes.
1 Press D H to select Channel Level, then press ENTER. 2 Press F G to set.
Auto: Adjust the level while listening to the test tones produced automatically from each speaker. Test tones are automatically emitted from each speaker. Manual: Adjust with the speaker from which the test tone is output switched manually.
1 Press [TEST TONE].
Test tones are output from the different speakers.
2 Press F G to adjust the volume. 3 Press [TEST TONE].
Press D H to select Test Tone Start, then press F to select Yes.
To cancel the setting, press H and select Level Clear, then press F and select Yes.
Auto mode is 4 WhenF G to adjust theselected: volume. Press
Test tones are output automatically, in the order shown below.
FL SW C SL FR SBL SB SR SBR
(1 speaker) (2 speakers)
To adjust the channel level separately for the different play modes after setting the channel level, perform the operation on page 36.
The volume can be adjusted within the range 12.0 dB to +12.0 dB.
Manual mode selected: 4 When D H to select theisspeaker, then press F G to Press
-2 adjust the volume.
Setting the Crossover Frequency
Set the frequency (Hz) below which the bass sound of the various speakers is to be output from the subwoofer. For speakers that are set to Small, frequencies under the crossover frequency are cut before the signal is output, and the low frequency component that was cut is output from the subwoofer or the speakers that are set to Large.
Others Setup Setting the Room Equalizer Setup
Set the Room Equalizer setting with All or Assign for each surround mode.
D H 1 Press ENTER.to select Crossover Frequency, then press
1 Press D H to select Room EQ Setup, then press ENTER. 2
Press F G to set, then press ENTER.
All: Sets the equalizer for all surround modes. Assign: Sets the equalizer individually for each surround mode ( 28). page
Press F G to set.
40, 60, 80, 90, 100, 110, 120, 150, 200, 250 Hz: Set as desired according to your speakers bass playback ability.
When All is selected: Press F G to set.
OFF: The equalizer is not used. Normal: Adjust the frequency response of all speaker suitable for general surround system. Front: Adjusts the frequency response of the surround speakers to match the characteristics of the front channel speakers.
AUDIO BAND / PICTURE ADJUST ENTER MEMORY / SUBTITLE DISPLAY RETURN Default setting (Preset code) Special remarks
Special remarks: q It is only possible to set the preset memory for one device per mode. When a new code is preset, the previous code is automatically deleted. w Note that the function names of the DVD buttons on the remote control unit may differ for some brands. Check beforehand. e The CD, CD-R/MD, TAPE, VCR or DVD/VDP buttons can be assigned to a TV or satellite tuner (or cable TV) ( page 69).
Setting the punch through function
Punch Through is a function allowing you to operate 1, 2, 6, 7, 8 and 9 on CD, TAPE, CD-R/MD, DVD/VDP or VCR components when in the DBS/CABLE or TV mode. By default, nothing is set.
1 Set [MODE SELECTOR 1] to VIDEO. Set [MODE SELECTOR 2 registered (DBS/CABLE 2] to the component to be or TV). 3 Press [MEMORY] and [INPUT MODE] at the same time.
4 Input the number of the component you want to set.
CD TAPE CD-R/MD DVD/VDP VCR No setting No. 5 0
About the speakers Surround back speakers
Sound position directly to the rear can be achieved easily by adding a surround back speaker to a 5.1-channel system. In addition, the acoustic image extending between the sides and the rear is narrowed, thus greatly improving the expression of the surround signals for sounds moving from the sides to the back and from the front to the point directly behind the listening position.
Change of positioning and acoustic image with 5.1-channel systems
FL SW C FR
Number of surround back speakers
We recommend using two speakers. When using dipolar speakers in particular, be sure to use two speakers.
w When playing movies and musics
[As seen from above] Front speakers Center speaker
Placement of the surround left and right channels when using surround back speakers
We recommend installing the speakers for the surround L and R channels a bit forward.
Monitor Subwoofer 45 ~ 60 Surround speakers
[ As seen from the side ] Surround speaker Front speaker 2 to 3 feet/ 60 to 90 cm Point slightly downwards Surround back speaker
Examples of speaker layouts
Below we introduce examples of speaker layouts. Refer to these to arrange your speakers according to their type and how you want to use them.
 Using surround back speaker(s)
q When mainly playing movies Recommended when your surround speakers are single or 2-way speakers.
Movement of acoustic image from SR to SL [As seen from above] Front speakers Center speaker
 When not using surround back speakers
[ As seen from above ]
Front speakers Center speaker
Change of positioning and acoustic image with 6.1-channel systems
Monitor Monitor Subwoofer 60 Surround speakers Subwoofer [As seen from the side] Surround speaker Surround back speaker Front speaker 2 to 3 feet/ 60 to 90 cm 60 Point slightly downwards 120 Surround speakers Surround back speakers 60 [ As seen from the side ] Surround speaker Front speaker 2 to 3 feet/ 60 to 90 cm
 Dolby Pro Logic II Dolby Pro Logic II is a matrix decoding technology developed by Dolby
Laboratories. Regular music such as that on CDs is encoded into 5 channels to achieve an excellent surround effect. The surround channel signals are converted into stereo and full band signals (with a frequency response of 20 Hz to 20 kHz or greater) to create a three-dimensional sound image offering a rich sense of presence for all stereo sources.
DTS-ES is a new surround format developed by Digital Theater Systems. A sound image and sense of positioning can be achieved by adding a surround back (SB) channel to the conventional 5.1-channels. DTS-ES Discrete 6.1: This is the latest format, in which all 6.1-channels, including the SB channel, are recorded independently. Since the different channels are independent, the sound can be designed with total freedom. DTS-ES Matrix 6.1: With this format, the SB channel is matrix-encoded and inserted into the SL and SR channels, then decoded for the SL, SR and SB channels upon playback. This achieves a surround sound more faithful to the artists sound design intentions than with conventional 5.1- or 6.1-channel systems.
 Dolby Pro Logic IIx Dolby Pro Logic IIx is a further improved version of the Dolby Pro Logic II matrix decoding technology.
Audio signals recorded in 2 channels are decoded to achieve a natural sound with up to 7.1-channels. There are three modes: Music suited for playing music, Cinema suited for playing movies, and Game which is optimum for playing games.
Sources recorded in Dolby Surround
Sources recorded in Dolby Surround are indicated with the following logo marks. Dolby Surround support mark: Manufactured under license from Dolby Laboratories. Dolby, Pro Logic and the double-D symbol are trademarks of Dolby Laboratories.
Neural Surround, a breakthrough in audio technology, will bring the excitement of surround music to more of Americas listening audience. It provides the rich envelopment and discrete image detail of surround sound in a format 100 % compatible with stereo. With superior spectral resolution and channel separation, Neural Surround draws the brains attention to sonic details in musical instruments, vocals, and ambience that are typically masked by other playback systems. This allows the listener to fully experience the richness and subtleties in recorded performance as never before. As the chosen format for XM Satellite Radios new XM HD surround programming, Neural Surround will help deliver more surround music to more listeners than any other broadcast format. XM Satellite Radio will be the first radio company -to broadcast surround sound on the radio 24 hours a day and will offer three channels fully dedicated to Neural Surround music. This alone will amount to more than 25,000 hours of Neural Surround music each year.
Admiral Adventura Aiko Akai Alleron A-Mark Amtron Anam Anam National AOC
Magnavox 005, 010, 017, 030, 033, 038, 050, 056, 071, 078, 079, 085, 089, 108, 109, 110, 127, 131, 132, 145 Marantz Matsui Memorex 015, 017, 071, 014, 027, 045, 083, 118, 144 Metz MGA 160, 161, 162, 163 001, 039, 048, 056, 057, 058, 065, 081, 083 Midland Minutz Mitsubishi 001, 016, 039, 048, 056, 057, 058, 065, 081, 082, 083, 105 Montgomery Ward Motorola MTC NAD National National Quenties NEC 011, 020, 144, 145, 146 121, 147 031, 034, 039, 048, 095 008, 075, 076, 128 002, 036, 061, 031, 038, 039, 048, 057, 084, 086, 135, 147 Nikko NTC Optimus Optonica Orion Panasonic 128 011, 012, 093, 121 004, 139 002, 009, 017, 036, 037, 071, 141, 143, 147 Philco 005, 010, 030, 050, 051, 056, 079, 085, 127, 131, 132, 145, 147 Siemens Signature Simpson Sony Soundesign Spectricon Sharp SBR Schneider Scott Sears Sansui Sanyo Realistic Saisho Samsung Pioneer Portland Price Club Proscan Proton Pulsar Quasar Radio Shack RCA Philips 005, 015, 017, 050, 051, 056, 078, 087, 088, 089, 131, 132, 147 124, 128, 095 040, 044, 125 035, 051, 092, 036, 037, 074, 141 011, 044, 063, 093, 118 040, 044, 125, 130, 137, 151, 152 014, 063, 093, 003, 015, 034, 053, 055, 057, 094, 095, 136, 013, 014, 021, 022, 063, 064, 081, 008, 014, 021, 022, 023, 024, 025, 040, 052, 057, 062, 063, 064, 065, 073, 075, 076, 097, 098, 125, 159 011, 012, 013, 026, 093, 099, 100, 104, 045, 043, 046, 138, 146, 150 030, 050, 062 007, 033 Zonda Zenith Universal Victor Video Concepts Viking Wards Tera THOMSON Toshiba Symphonic Tandy Tatung Technics Teknika Squareview Supre-Macy Supreme Sylvania 004 032, 005, 010, 017, 030, 078, 079, 085, 089, 101, 127, 131, 132, 145, 155 004, 148 012, 121 036, 001, 030, 032, 034, 052, 054, 078, 083, 095, 144, 156, 157 035, 129 165, 166 008, 014, 034, 063, 075, 076, 095, 097, 136, 158, 159 020, 066, 088 019, 073, 032, 122 005, 045, 066, 078, 085, 088, 089, 093, 102, 103, 131, 132, 148 042, 114, 115, 140, 144, Eastern Garrard Gemini General Instrument Hytex Jasco Jerrold Magnavox Movie Time NSC Oak Panasonic Philips Pioneer RCA Regency Samsung Scientific Atlanta Signal SL Marx Starcom Stargate Teleview Tocom TV86 Unika United Artists Universal Viewstar 030, 033, 034 030, 031, 011 009, 016, 017, 026, 000, 006, 020 001, 005 011, 012, 013, 018, 021 002, 003, 015 014, 023 004, 024, 007, 010, 011 018, 019 027, 028
A/V Surround Receiver
Custom Integrated Multi Source/Multi Zone 7.1 A/V Surround Receiver features HDMI repeater/conversion, XM-HD Surround and iPod Command and Control Capability.
s Fully discrete 7-channel high power amplifiers Front Center Surround Surround Back 100 W + 100 W 100 W 100 W + 100 W 100 W + 100 W (8 ohms, 20 Hz - 20 kHz, 0.08 % THD) (8 ohms, 20 Hz - 20 kHz, 0.08 % THD) (8 ohms, 20 Hz - 20 kHz, 0.08 % THD) (8 ohms, 20 Hz - 20 kHz, 0.08 % THD)
s HDMI In/Out terminals and repeater function (Supports 1080p signal) The AVR-2307CI is equipped with 2 HDMI inputs, as well as 1 output, allowing the selection of multiple digital video signals. The HDMI terminals also accepts multi-channel digital audio input and the input signals can be output via amps. s Video Up/Down conversion capable of output to HDMI The AVR-2307CI includes a video up/down conversion function that allows the unit to be connected to the video monitor via a single cable regardless of the video input signal's format as follows: 1) Composite video signals are converted to HDMI, component video, & S-video; 2) S-video signals are converted to HDMI, component video, & composite video; 3) Component video signals are converted to HDMI s Component video circuits which maintain flat response up to 100MHz, ensuring sharp image quality s 3 sets of component video inputs
s High-quality sound reproduction New high resolution 32bit floating point DSP 96 kHz processing circuit 24 bit, 192 kHz capability high resolution D/A conversion s Denon's basic design for high-quality sound reproduction Power transformer for high power driven Twin drive rectifier Large aluminum extruded heatsink s Wide-Range Play Capability for DVD-Audio and Super Audio CD The power amp circuits of the AVR-2307CI have been meticulously designed to reproduce the exceptionally high sound quality with wide frequency response from 10 Hz to 100 kHz. s Supports the most advanced surround playback formats DTS 96/24 Decoding for DVD-Video DTS-ES Discrete 6.1 and Matrix 6.1 DTS NEO:6 DTS Dolby DIgital Dolby Digital EX Dolby Pro Logic Ix I s Cinema Equalizer s Multi Source / Multi Zone 2 source 2 zone capability Powered Zone2 (Assignable power amp) Zone2 line output All ch Preout s Custom Integrated RS232C serial command control Remote in/out IR command control Discrete power on/off, source select and vol ume for main and second zones command. IR off, panel lock mode Assignable +12V trigger output s Pure Direct mode, for the pure enjoyment of music in high-quality sound
s ASD-1R Control Dock for iPod (option): Supports iPod playback when connected to the AVR-2307CI iPod (*1) playback can be enjoyed through the AVR-2307CI when the ASD-1R, Denon's original Control Dock for iPod (sold separately), is connected to the dedicated control terminal of the AVR-2307CI. The iPod can also be controlled via the remote controller supplied with the AVR-2307CI.
*1) Supports 3rd-generation and later iPods equipped with a Dock connector. Some functions may not work depending on the generation of the iPod and the version of the software.
Black version is also available.
s XM Mini-Tuner Ready* (Supports XM 5.1ch surround powered by Neural Audio) *Optional XM Mini-Tuner and subscribes are required. s Auto Setup and RoomEQ with Microphone The AVR-2307CI includes an Auto Set-up function that performs basic settings for the speakers based on frequency response data for the speakers and the listening room that was measured by a supplied high-performance microphone, and a Room EQ (equalizer) function that optimizes frequency response characteristics for the listening room.
s Assignable surround back (L/R) amplifiers for front (L/R) channel bi-amping, or for Multi-zone playback Amplifiers initially reserved for Surround back (L/R) channels can be assigned to bi-wire Front (L/R) channels to improve playback quality in the front for enhanced listening enjoyment. Or the amplifiers can be assigned to Zone 2 speakers. s 8ch EXT. IN terminal s On Screen Display s 5 Channel/ 7 Channel Stereo Mode s 3 User Mode Buttons s 2-line dot matrix display s Night Mode for not disturbing others s Function Rename s AC Inlet s Input Function Level s REC OUT Selector s Front Panel Inputs (with S-Video, Digital Optical Input) s Front A/B Speaker Terminals s New user-friendly remote s High-grade 7 Channel Speaker Terminals (all ch) s Frequency Synthesis Tuning 56-Station AM/FM/XM Random Preset Memory Tuning Auto Preset Memory (AM/FM)
s Audio Delay Function (0 - 200 msec.) s Personal Memory Plus, for Easy Operation The AVR-2307CI includes the Personal Memory Plus function that automatically remembers the surround mode you last used for each program source, so that you do not need to select the mode again for that program. s Variable subwoofer crossover switching (40/60/80/90/100/110/120/150/200/250Hz)
Input/Output Terminals For Every A/V System Audio Inputs 9 Analog Inputs PHONO, CD, (TUNER), DVD/VDP, TV/DBS, VCR-1, VCR-2, CDR/TAPE, V.AUX(FRONT) 8 Analog EXT. Inputs FRONT L/R, CENTER, SURROUND L/R, SUBWOOFER 6 Digital Inputs OPTICAL x 4 (incl. FRONT x 1) COAXIAL x 2 Audio Outputs 1 Analog PRE OUT Terminals 7.1 ch 2 sets of Analog REC OUT Terminals VCR, CDR/TAPE 1 set of Multi-Zone Output ZONE Digital Output OPTICAL x 1 Video Inputs 3 sets of Component Video Inputs VIDEO1, VIDEO2, VIDEOComposite Inputs DVD/VDP, TV/DBS, VCR-1, VCR-2, V.AUX(FRONT) 5 S-Video Inputs DVD/VDP, TV/DBS, VCR-1, VCR-2, V.AUX(FRONT) Video Outputs 1 set of Component Video Output MONITOR 3 Composite Outputs VCR-1, VCR-2, MONITOR 3 S-Video Outputs VCR-1, VCR-2, MONITOR
Specifications Power Amplifier Section Rated output *THD figures are power amp stage values. Front 100 W + 100 W (8 ohms, 20 Hz - 20 kHz, 0.08 % THD) 135 W + 135 W (6 ohms, 1 kHz, 0.7 % THD) Center 100 W (8 ohms, 20 Hz - 20 kHz, 0.08 % THD) 135 W (6 ohms, 1 kHz, 0.7 % THD) Surround 100 W + 100 W (8 ohms, 20 Hz - 20 kHz, 0.08 % THD) 135 W + 135 W (6 ohms, 1 kHz, 0.7 % THD) Surround Back 100 W + 100 W (8 ohms, 20 Hz - 20 kHz, 0.08 % THD) 135 W + 135 W (6 ohms, 1 kHz, 0.7 % THD) Preamplifier Section Input sensitivity/Impedance PHONO(MM) 2.5 mV/47 kohms CD, DVD/VDP, TV/DBS, VCR-1, VCR-2, CDR/TAPE, V.AUX(FRONT) 200 mV/47 kohms Output level/Load impedance SUBWOOFER 1.2 V/10 kohms CDR/TAPE, VCR-1, VCR-mV/47 kohms Frequency response 10 Hz - 100 kHz (+1, -3 dB) (Tone Defeat On) Signal-to-noise ratio 100 dB (IHF-A weighted) (Tone Defeat On) Tone control Treble: 6 dB at 10 kHz Bass: 6 dB at 100 Hz FM Section Tuning frequency range 87.5 - 107.9 MHz Usable sensitivity 1.0 V (11.2 dBf) AM Section Tuning frequency range 520 - 1710 kHz Usable sensitivity 18 V General Power supply AC 120 V, 60 Hz Power consumption 5.5 A Dimensions 17-3/32 (W) x 6-47/64 (H) x 16-27/64 (D) 434 (W) x 171 (H) x 417 (D) mm Weight 29 lbs5oz 13.0 kg
*Design and specifications are subject to change without notice. *Dolby, Dolby Digital, Pro Logic II, Dolby Digital EX and the double-D device are registered trademarks of Dolby Laboratories Licensing Corporation. *DTS is registered trademarks of DTS Technology. *iPod is a trademark of Apple Computer, Inc., registered in the U.S. and other countries. *2006 XM Satellite Radio Inc. All rights reserved.
Denon Electronics (USA), LLC. 100 Corporate Drive, Mahwah, New Jersey 07430 USA TEL: 201-762-6500 usa.denon.com Denon Canada Inc. 505 Apple Creek Blvd, Unit 5, Markham, Ontario, Canada L3R 5B1 TEL: 905-475-4085 ca.denon.com
Denon Brand Company D&M Building, 2-1 Nisshin-cho, Kawasaki-ku, Kawasaki-shi, Kanagawa, 210-8569, Japan www.denon.com 16750806 A
DB1100 8419B-2 BM300 Mcbc580DBT Lexibook E30 HT-XQ100T GZ-MG21E Black 225MW Nuvi 780 DVX482 Nikon 8700 Headphones S9 70GS-61SN W3000H-BNS Illico CTK-900 BH-905 CCD-TRV52 CT300H Models Altima-2001 LFV1260 DVP-NS78HP UXP400 IM500 Peugeot 407 NAS-D50HD PG-1000 DB200 TDA-7592R STR-DK5 PB100 HQ8870 Troubleshooting Essential DMC-ZS3 42A456p2D NVD-U12E ALL-IN-ONE Travelmate 6492 HTS3270 SR-DVM70us-sr-dvm70 Canon ZR90 STR-D665 VGN-FZ31M EP8015 TLX-02311B KV-28DA55 ICD-SX56 29PT8608-12 If-ED Masquerade-redemption HDC-SD3 Poulan 2050 Montero Lavalogic1600 Tomtom 720T WTC0823K Curve 8300 23PF8946 12-125 MX R-SE7 Luftig Hood CDX-GT740UI SDM-S95D C210SF PD115 DCR-SX33E 46PP9302 KX-FP300 CDX-GT23W HEM-711AC PRO M200 8800F Security 2004 Xbox 360 KLV-14AP2 Multimix16firewire Humminbird 717 MS8318E Clean Strav53 HQ481 Review Ultra Zoom FAX-phone B640 Assault Strap MC 2470 Servers Aera 500 AS305-20B 2800 Zoom SA-PM01 2-23 RE M4304 Spider-2003 Mce KIT YST-SW320 Recorder 160 Aspire 9120
manuel d'instructions, Guide de l'utilisateur | Manual de instrucciones, Instrucciones de uso | Bedienungsanleitung, Bedienungsanleitung | Manual de Instruções, guia do usuário | инструкция | návod na použitie, Užívateľská príručka, návod k použití | bruksanvisningen | instrukcja, podręcznik użytkownika | kullanım kılavuzu, Kullanım | kézikönyv, használati útmutató | manuale di istruzioni, istruzioni d'uso | handleiding, gebruikershandleiding
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101