Users Guide

IMPORTANT SAFETY INFORMATION
LITHIUM BATTERY WARNING CAUTION!
The symbols shown above are internationally accepted symbols that warn of potential hazards with electrical products. The lightning flash with arrowpoint in an equilateral triangle means that there are dangerous voltages present within the unit. The exclamation point in an equilateral triangle indicates that it is necessary for the user to refer to the owners manual. These symbols warn that there are no user serviceable parts inside the unit. Do not open the unit. Do not attempt to service the unit yourself. Refer all servicing to qualified personnel. Opening the chassis for any reason will void the manufacturers warranty. Do not get the unit wet. If liquid is spilled on the unit, shut it off immediately and take it to a dealer for service. Disconnect the unit during storms to prevent damage. This product may contain a lithium battery. There is danger of explosion if the battery is incorrectly replaced. Replace only with an Eveready CR 2032 or equivalent. Make sure the battery is installed with the correct polarity. Discard used batteries according to manufacturers instructions.

ADVARSEL!

Lithiumbatteri - Eksplosjonsfare.Ved utskifting benyttes kun batteri som anbefalt av apparatfabrikanten. Brukt batteri returneres apparatleverandren.
Lithiumbatteri - Eksplosionsfare ved fejlagtig hndtering. Udskiftning m kun ske med batteri av samme fabrikat og type. Levr det brugte batteri tilbage til leverandren.
VAROITUS! SAFETY INSTRUCTIONS
NOTICE FOR CUSTOMERS IF YOUR UNIT IS EQUIPPED WITH A POWER CORD. WARNING: THIS APPLIANCE MUST BE EARTHED. The cores in the mains lead are coloured in accordance with the following code: GREEN andYELLOW - Earth - Live BLUE - Neutral BROWN Paristo voi rjht, jos se on virheellisesti asennettu.Vaihda paristo ainoastaan laitevalmistajan suosittelemaan tyyppin. Hvit kytetty paristo valmistajan ohjeiden mukaisesti.

VARNING!

Explosionsfara vid felaktigt batteribyte. Anvnd samma batterityp eller en ekvivalent typ som rekommenderas av apparattillverkaren. Kassera anvnt batteri enligt fabrikantens instruktion.
As colours of the cores in the mains lead of this appliance may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows: The core which is coloured green and yellow must be connected to the terminal in the plug marked with the letter E, or with the earth symbol, or coloured green, or green and yellow. The core which is coloured blue must be connected to the terminal marked N or coloured black. The core which is coloured brown must be connected to the terminal marked L or coloured red. This equipment may require the use of a different line cord, attachment plug, or both, depending on the available power source at installation. If the attachment plug needs to be changed, refer servicing to qualified service personnel who should refer to the table below. The green/yellow wire shall be connected directly to the units chassis.
CONDUCTOR L N E LIVE NEUTRAL EARTH GND WIRE COLOR Normal BROWN BLUE GREEN/YEL Alt BLACK WHITE GREEN
ELECTROMAGNETIC COMPATIBILITY
This unit conforms to the Product Specifications noted on the Declaration of Conformity. Operation is subject to the following two conditions: this device may not cause harmful interference, and this device must accept any interference received,including interference that may cause undesired operation. Operation of this unit within significant electromagnetic fields should be avoided. use only shielded interconnecting cables.

conforms to the following Product Specifications: Safety: EMC: IEC 60065 (1998) EN 55013 (1990) EN 55020 (1991)
Refer all servicing to to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped. POWER ON/OFF SWITCH: For products provided with a power switch, the power switch DOES NOT break the connection from the mains. MAINS DISCONNECT: The plug shall remain readily operable. For rack-mount or installation where plug is not accessible, an all-pole mains switch with a contact separation of at least 3 mm in each pole shall be incorporated into the electrical installation of the rack or building. FOR UNITS EQUIPPED WITH EXTERNALLY ACCESSIBLE FUSE RECEPTACLE: Replace fuse with same type and rating only. MULTIPLE-INPUT VOLTAGE:This equipment may require the use of a different line cord, attachment plug, or both, depending on the available power source at installation. Connect this equipment only to the power source indicated on the equipment rear panel. To reduce the risk of fire or electric shock, refer servicing to qualified service personnel or equivalent. This Equipment is intended for rack mount use only.
Supplementary Information: The product herewith complies with the requirements of the Low Voltage Directive 73/23/EEC and the EMC Directive 89/336/EEC as amended by Directive 93/68/EEC. Vice-President of Engineering 8760 S. Sandy Parkway Sandy, Utah 84070, USA Date: February 21, 2003 European Contact: Your local DigiTech Sales and Service Office or Harman Music Group 8760 South Sandy Parkway Sandy, Utah 84070 USA Ph: (801) 566-8800 Fax: (801) 568-7583

Warranty

We at DigiTech are very proud of our products and back-up each one we sell with the following warranty: 1.The warranty registration card must be mailed within ten days after purchase date to validate this warranty. 2. Digitech warrants this product, when used solely within the U.S., to be free from defects in materials and workmanship under normal use and service. 3. Digitech liability under this warranty is limited to repairing or replacing defective materials that show evidence of defect, provided the product is returned to Digitech WITH RETURN AUTHORIZATION, where all parts and labor will be covered up to a period of one year. A Return Authorization number may be obtained from Digitech by telephone.The company shall not be liable for any consequential damage as a result of the product's use in any circuit or assembly. 4. Proof-of-purchase is considered to be the burden of the consumer. 5. Digitech reserves the right to make changes in design, or make additions to, or improvements upon this product without incurring any obligation to install the same on products previously manufactured. 6.The consumer forfeits the benefits of this warranty if the product's main assembly is opened and tampered with by anyone other than a certified Digitech technician or, if the product is used with AC voltages outside of the range suggested by the manufacturer. 7.The foregoing is in lieu of all other warranties, expressed or implied, and Digitech neither assumes nor authorizes any person to assume any obligation or liability in connection with the sale of this product. In no event shall Digitech or its dealers be liable for special or consequential damages or from any delay in the performance of this warranty due to causes beyond their control. NOTE:The information contained in this manual is subject to change at any time without notification. Some information contained in this manual may also be inaccurate due to undocumented changes in the product or operating system since this version of the manual was completed.The information contained in this version of the owner's manual supersedes all previous versions.

A Guided Tour of the RP300A

The Front Panel

RHYTHM30
1. Up/Down Footswitches - These 2 Footswitches are used to select Presets, access the Tuner, or bypass the RP300A. The Footswitch on the left will decrease, and the middle Footswitch will increase the Preset number. Pressing both Footswitches together will bypass the currently selected Preset. Pressing and holding both Footswitches will access the Tuner. 2. Amp A/B Footswitch - This Footswitch is used to switch between two amp channels for the selected preset. This switch is also used in conjunction with the Up Footswitch, to access the Learn-A-Lick mode. 3. Knobs - These knobs perform various functions depending on which mode is currently active in the RP300A. In performance mode, the knobs control the Amp Gain, Bass EQ, Mid EQ,Treble EQ, and Master Level. In Edit mode, these knobs adjust the Parameter values listed directly above each knob for the selected effect. When the Drum Machine is on, these knobs control the Pattern,Tempo, and Level. In Tuner mode, these knobs are used to select the desired tuning reference. 4. Select Button - This button is used to enter the Edit mode, and to select individual effects to be edited. Successive presses of this button will advance through all available Effects. It is also used to change playback speed in Learn-A-Lick mode. 5. Drums - The Drums button is used to turn on and off the built-in drum machine. When the drum machine is active, the Drums LED lights and the selected drum pattern plays continuously. 6. Matrix - The matrix provides information regarding the current Preset, and Parameter edit functions. In performance mode, the LEDs running down the left side of the Matrix will provide a visual indication of which effects are in use for the currently selected Preset. In Edit mode, the LEDs indicate the Effect currently selected for editing.
7. Display - The Display provides information for different functions depending on the mode that is active. In Performance mode, the Display will show the currently selected Preset name and numeric location. In Edit mode, the Display will show the name and value of the selected parameter. In Tuner mode, the Display will show the note being played and whether the note is sharp, flat, or in tune. 8. Store - The Store button is used to save your custom edits to the user Presets. 9. Expression Pedal - The Expression Pedal adjusts the RP300As assigned Effect Parameter in real time. Almost every Parameter is available for Expression Pedal control. Rear Panel
1. Input - Connect your instrument to this jack. 2. Jam-A-Long/Learn-A-Lick Jack - Connect this jack to the headphone output of a tape or CD player in order to jam along with the music, or to record a musical passage into the Learn-A-Lick phrase recorder. Use an 1/8 stereo plug for this connection. See page 7 for more on using the Jam-A-Long and Learn-ALick functions. 3. Left Output - Connect from this jack to the input of a single amplifier for mono applications. For stereo applications, connect this output to the input of the left amp, left channel of a power amp, or left channel of a mixing console. 4. Right Output - Connect from this jack to the input of the right amp, right channel of a power amp, or right channel of a mixing console. 5. Headphones - Connect a pair of stereo headphones to this 1/8 jack. 6. Power Input - Connect only the DigiTech PS0913B power supply to this jack.

Getting Started Making Connections
There are several different connection options available with the RP300A. Before connecting the RP300A, make sure that the power to your amplifier and the RP300A is turned off. There is no power switch on the RP300A. To turn the RP300A on or off, simply connect or disconnect the included PS0913B power supply from the Power Jack to an AC outlet. Mono Operation Connect your guitar to the Input of the RP300A. Connect a single mono instrument cable from the Left Output of the RP300A to the instrument input or effect return on your amplifier, to a channel input of a mixer, or to the line input of a power amp. If connecting to a mixing console, be sure to selecton one of the RP300As Speaker Cabinet models. See page 12 for more on using the Speaker Cabinet modeling.
Stereo Operation For stereo operation connect the guitar to the Input of the RP300A. Connect the Left Output to the input of one amplifier, channel of a mixer, or power amp. Connect the Right Output to a second amplifier, second channel of a mixer, or power amp. If connecting to a mixing console, set the pan controls of the mixer hard left and right in order to retain stereo separation and be sure to selecton one of the RP300As Speaker Cabinet models. See page 12 for more on using the Speaker Cabinet modeling.
NOTE: When using a guitar amp, it may be best to connect the guitar to the Input of the RP300A and the Output of the RP300A to the effect return of the amplifier.

Applying Power

Before applying power to anything, set your amp(s) to a clean tone and set the tone controls to a flat EQ response (on most amps, this would be 0 or 5 on the tone controls). Then follow the steps listed below. 1. Turn the amp volume all the way down. 2. Connect the plug of the PS0913B power supply to the Power Jack on the rear panel of the RP300A. 3. Connect the other end of the PS0913B power supply to an AC outlet and turn the Master Level knob until the display reads mlevel o. 4. Turn the power of your amplifier(s) to the on position and adjust the volume(s)to a normal playing level. 5. Gradually increase the RP300As Master Level to achieve the desired volume.

About the RP300A

The Presets Presets are named and numbered locations of programmed sounds which reside in the RP300A. Presets are recalled with the Footswitches. The active effects in each Preset will be indicated by the lighted LEDs in the Effect Matrix. The RP300A comes with 40 User Presets (Presets U1-U40), 40 Factory Artist Presets (Presets A1-A40), and 40 DigiTech factory presets (F1-F40). The User Presets are locations where your creations may be stored. The Artist/Factory Presets will not allow you to store any changes to them. From the factory, the 40 User Presets are exact duplicates of the 40 Factory Artist Presets. This allows you to create your own Presets without the worry of losing the sounds that came with the RP300A. Performance Mode When you first apply power to the RP300A, it will power up in Performance mode. Performance mode provides access to all of the Presets within the RP300A via the Up and Down Footswitches. The Number 1 Knob (left) will adjust the Gain for the selected Amp Type, the Number 2 Knob (second from the left) will adjust the amount of Bass enhancement, the Number 3 Knob (middle) will adjust the amount of Mid-range enhancement, the Number 4 Knob (second from the right) will adjust the amount of Treble (high frequency) enhancement, and the Number 5 Knob (right) will adjust the Master Level (volume). Bypass Mode The RP300A Presets can be bypassed for a clean, unprocessed guitar tone. To bypass the RP300A, press both the Up and Down Footswitches simultaneously. The Display will read Bypass indicating the Preset is bypassed. Pressing any of the 3 Footswitches will exit Bypass and return the RP300A to the previously selected Preset. Tuner Mode The Tuner in the RP300A allows you to quickly tune or check the tuning on your guitar. Enter Tuner mode by pressing and holding the Up and Down Footswitches simultaneously. The Display will briefly show TUNER indicating that you are in Tuner mode. To begin tuning, play a note on your guitar (a harmonic at the 12th fret usually works best). The right 2 characters in the Display will show the note being played. The left characters in the Display indicate whether you are sharp or flat. Arrows pointing to the left (<<<) indicate the note is sharp and should be tuned down. Arrows pointing to the right (>>>) indicate the note is flat and should be tuned up.When the note is in tune, the Display will show TUNED.

The Number 2 Knob adjusts the drum Tempo and ranges from BPM 40 (40 beats per minute) to BPM240 (240 beats per minute). The Number 3 Knob adjusts the volume Level of the drum loop and ranges from 1 to 99. Press the Drums button again to stop playback of the drum loop.

Editing/Creating Presets

Creating your own signature sound with the RP300A is easy and intuitive. The RP300A lets you create your own Presets, or fine tune existing Presets to suit your needs. When creating or editing a sound, you must first start with one of the User, Artist Factory, or Factory Presets. It is not possible to start with a completely empty Preset. The Preset number does not necessarily need to be the location which you intend to have it reside, as you can save your creation to any User Preset location during the store process. To edit or create a Preset: 1. Use the Up or Down Footswitches to select a Preset which will be your starting point. 2. Once you have found a Preset that you wish to edit, press the Select button once. This will take you into the Editing mode. 3. Use the Select button in conjunction with the Matrix LEDs to choose the effect you wish to edit. Successive presses of the Select button will advance to the next Effect in the Matrix. 4. Use the 5 Knobs to change parameter values. 5. Store your edited Preset. See page 9 for more on the Store procedure.

The Matrix

The Matrix is where all Effects and Parameters are selected for editing. In Edit mode, successive presses of the Select button will advance to the next Effect row. The LED will light to indicate which Effect group has been selected. Each Effect group will have up to 5 Parameters which can be modified. The Knob directly below each column is used to change the Parameter value of the selected Effect. As a Knob is rotated, the corresponding Parameters name and value or status will be shown in the Display.
When the stored value of a Parameter is changed, the Store LED will light indicating that you need to store the changes. Changing Presets, or turning the power off before storing will erase any changes made and the RP300A will revert to the stored values for the Preset.

Storing/Copying/Naming a Preset
Once the Preset has been modified to your liking, you may store your settings to any of the 40 User Preset locations (Presets U1-U40). The following steps outline the procedure for storing changes to a Preset or copying a Preset to a different location: 1. Press the Store button once. The Store button LED will blink and the first character in the Display will Flash indicating that you can now name your custom creation. 2. Use the Number 1 Knob or Up/Down Footswitches to select the desired alphanumeric character. 3. Rotate the Number 2 Knob clockwise to select the next character location, and counterclockwise to select the previous character location. Then repeat step 2 to select the desired alpha-numeric character.
4. Once the desired name is shown in the display, press the Store button again to enter the second stage of the storing process. The Display will alternate between showing the new name, and the name of the Preset about to be overwritten. 5. Select the User Preset location your new sound will reside in using the Number 5 Knob or the Up/Down Footswitches. The Display will continue to alternate between showing the new Preset name and name of the Preset about to be overwritten.
6. Press the Store button again to save the changes. Press the Select or Drums buttons at any time to abort the Store procedure. The procedure for copying one Preset to another Preset location is the same. Simply use the Footswitches to select the Preset that you want to copy, then follow the steps listed above.

About the Effects

The RP300A can be thought of as several different virtual amplifiers and individual, hi-tech stomp boxes in a single programmable package. With stomp boxes, the order in which they are connected can drastically affect the overall sound quality. The RP300A has placed the Effects in an order for optimum sound quality. The following diagram shows the order of the effects contained in the RP300A.

Effect Definitions

Each Effect within the RP300A can be programmed to suit your personal taste and application. Understanding how these Effects will alter the sound, and how each Parameter will alter the Effect will help you achieve the sound you are looking for. The following overview of the RP300As Effects outlines what each Effect and Parameter does.

Pickup/Wah

The Pickup Simulator provides the thick tone of a humbucker pickup to a guitar with single coil pickups, or the bright edgy sound of a single coil pickup to a guitar with a humbucker. This allows you to have the best of both worlds without having to change guitars during a performance. Wah is an effect controlled by the Expression Pedal. As the Expression Pedal is rocked back and forth, it makes the guitar sound as if it is saying Wah. The Wah is engaged and disengaged by applying pressure to the V-Switch located under the toe of the Expression Pedal. See Page 19 for more information regarding the V-Switch. Pickup On/Off - The Number 1 Knob turns the Pickup simulator on (ON) and off (OF). Pickup Type -The Number 2 Knob selects the type of Pick Up to be be simulated. Values include: SC>HUM (Gives a single coil pick up the warm tone of a humbucker), and HUM>SC (Gives a humbucker the unique sound of a single coil). Wah Type - The Number 3 Knob selects the type of Wah. Values include: CRY (Cry Wah is a traditional sounding Wah), BOUTIQ (Boutique Wah is a wide sweeping Wah with a more modern sound) and FULRNG (Full Range Wah sweeps the entire spectrum of audible frequencies). Wah Minimum - The Number 4 Knob is used to select the minimum point the Wah will reach in the toe up position of the Expression Pedal. Ranges from 1 to 99. Wah Maximum - The Number 5 Knob is used to select the maximum point the Wah will reach in the toe down position of the Expression Pedal. Ranges from 1 to 99.

A Noise Gate is designed to eliminate hiss and ambient noise while you are not playing. A Noise Gate can also be used to create an automatic swell in volume. The RP300A includes two different types of Noise Gates: Silencer, and Pluck. The Silencer operates as a standard Noise Gate. The Pluck Noise Gate is designed to close after every note (depending on the Pluck Sensitivity). This allows automatic volume swells to occur on a note for note basis. Gate On/Off - The Number 1 Knob turns the Noise Gate on (ON) and off (OF). Gate Type - The Number 2 Knob selects between the silNCR (Silencer ) or PLUCK (Pluck) type of Noise Gates. Gate Attack - The Number 3 Knob adjusts the length of time it takes the gate to open once the Threshold has been exceeded before the signal becomes audible. Ranges from 1 (immediate signal), to 9 (Selects the Auto Swell volume swell effect. This setting will gradually ramp up the volume).
Gate Threshold - The Number 4 Knob sets the signal strength required to open or close the Noise Gate. The Gate Threshold parameter ranges from 1 (opens easily) to 40 (requires strong signals to open). Pluck Sensitivity - The Number 5 Knob controls the point where the Gate re-triggers when using the Pluck type Noise Gate. This Parameter is only available when Pluck is the selected type of Noise Gate. Ranges from 1 (requires strong signals to re-trigger) to 99 (re-triggers with weak signals).

Mod Effects

The Modulation Effects row in the RP300A is a multi-function module allowing you to select effects such as; Chorus, Flanger,Triggered Flanger, Phaser,Triggered Phaser,Tremolo, Panner, Vibrato, Rotary Speaker,YaYa, AutoYa, SynthTalk, Envelope Filter (auto wah), Detune, Pitch Shift, and Whammy effects. When the Effects row is selected, the Number 1 Knob is used to turn the Effect module (EFFECT OF), and select the type of Modulation Effect to be used. Only one of the effects in this row can be used at a time. After selecting the type of effect in this module, the Number 2, Number 3, Number 4, and Number 5 Knobs can then be used to adjust the individual Parameters associated with the selected effect. The following list describes each Effect and their Parameters in more detail: Chorus (CHORUS) A Chorus adds a short delay to your signal. The delayed signal is modulated in and out of tune and then mixed back with the original signal to create a thicker sound. Parameter 1 - The Number 2 Knob adjusts the rate (Speed) of the modulation. Ranges from 1 to 99. Parameter 2 - The Number 3 Knob adjusts the intensity (Depth) of the modulation. Ranges from 1 to 99. Mod Level - The Number 5 Knob controls the volume of the Chorus. Ranges from 0 to 99. The Number 4 Knob has no function when the Chorus is selected. Flange (FLaNge) A Flanger uses the same principle as a Chorus but uses a shorter delay time and adds regeneration (or repeats) to the modulating delay. This results in an exaggerated up and down sweeping motion to the effect. Parameter 1 - The Number 2 Knob adjusts the rate (Speed) of the modulation. Ranges from 1 to 99. Parameter 2 - The Number 3 Knob adjusts the intensity (Depth) of the Modulation. Ranges from 1 to 99. Parameter 3 - The Number 4 Knob adjusts the amount of regeneration (repeats) added to the Flanger delay. Ranges from 1 to 99. Mod Level - The Number 5 Knob controls the mix of wet and dry signal. Ranges from 0 (all dry) to 99 (all wet). Triggered Flanger (TRGFLG) A Triggered Flanger is the same sound as a regular Flanger but allows you to choose the starting point of the Flanger sweep. In a regular Flanger, the low frequency oscillator (LFO) is continually sweeping up and down. This means that when you begin to play, the flanger may be at the top, bottom, or any random point of the sweep. With a Triggered Flanger, every time the signal exceeds the Sensitivity level setting, the Flanger will begin at the point of the sweep that you designate with the value of the LFO Start Parameter. Parameter 1 - The Number 2 Knob adjusts the rate (Speed) of the modulation. Ranges from 1 to 99.

SynthTalk (syNtLK) SynthTalk is another effect exclusive to DigiTech. It makes your guitar seem to speak based upon the dynamics of your playing style. Parameter 1 - The Number 2 Knob adjusts the Attack of the synthesized voice. Ranges from 1 to 99. Parameter 2 - The Number 3 Knob adjusts the Release of the synthesized voice. Ranges from 1 to 99. Parameter 3 - The Number 4 Knob changes the characteristics of the various synth voices. Ranges from 0 to 99. Mod Level - The Number 5 Knob adjusts the sensitivity or the input signal required to trigger the SynthTalk effect. Ranges from 0 to 99. Envelope Filter (eNvlOp) The Envelope Filter is an automatic Wah effect that alters your sound based upon how hard the strings are struck. Parameter 1 - The Number 2 Knob adjusts amount of Wah sweep once the Wah is triggered. Ranges from 1 to 99. Parameter 2 - The Number 3 Knob adjusts the sensitivity or the input signal required to trigger the Wah effect. Ranges from 1 to 99. Mod Level - The Number 5 Knob controls the mix of wet and dry signal. Ranges from 0 (all dry) to 99 (all wet). The Number 4 Knob has no function when the Envelope Filter is selected. Detune (DetUNe) A Detuner will make a copy of your incoming signal, take the copied signal slightly out of tune from the original, and mix the two signals together. The result is a doubling type of effect as if two guitars were playing the same part together. Parameter 1 - The Number 2 Knob adjusts the amount of pitch difference applied to the copied signal. Ranges from -18 to 18. Mod Level - The Number 5 Knob controls the volume of the detuned note. Ranges from 0 to 99. The Number 3 and 4 knobs have no function when the Detune effect is selected. Pitch Shift (PitCH) A Pitch Shifter copies the incoming signal, then shifts the pitch of the copied note to a different note. The shifted note is then mixed back with the original signal sounding as if two guitars were playing in harmony. Parameter 1 - The Number 2 Knob selects the interval of the shifted pitch. Ranges from -12 (12 semitones below) to 24 (24 semitones above). Mod Level - The Number 5 Knob controls the volume of the shifted pitch. Ranges from 0 to 99. The Number 3 and 4 knobs have no function when the Pitch Shift effect is selected. Whammy (wHammy) Whammy is an effect that uses an Expression Pedal to bend the pitch of the incoming signal, or add a bendable harmony with the original signal. As the Pedal is moved, the note will bend either up or down. When Whammy is selected, it is automatically placed before the Amp Modeling as shown in the block diagram (at the beginning of the Effects section). The Whammy effect must be linked to the Expression Pedal in order to function. See page 18 for more information on linking the Expression Pedal. Parameter 1 - The Number 2 Knob selects the interval and direction of the pitch bend. Choices are as follows:

Whammy (no Dry Signal) 1OCTUP (1 octave above) 2OCTUP (2 octaves above) 2NDDWN (a second below) REV2ND (a second below reversed pedal action) 4THDWN (a fourth below) 1OCTDN (an octave below) 2OCTDN (2 octaves below) DIVBOM (Dive Bomb)
Harmony Bends (Dry Signal Added) M3>MA3 (a minor third to a Major third) 2NDMA3 (a second above to a Major third above) 3RD4TH (a third above to a fourth above) 4TH5TH (a fourth above to a fifth above) 5THOCT (a fifth above to an octave above) HOCTUP (one octave above) HOCTDN (one octave down)
Mod Level - The Number 5 Knob adjusts the volume of the Whammy. Ranges from 0 to 99. The Number 3 and 4 knobs have no function when the Whammy is selected.
Delay is an effect that will record a portion of the incoming signal, and then play it back a short time later. The recording can repeat just once, several times, or infinitely (which turns off the input to the Delay and allows you to play over the top of a passage in the Delay loop). Delay On/Off - The Number 1 Knob turns the Delay on (ON) and off (OF). Delay Type - The Number 2 Knob selects one of the 3 different types of Delay. Values include: DIGTAL (Digital Delay), ANALOG (Analog Delay), P PONG (Ping Pong Delay). Delay Time - The Number 3 Knob adjusts the amount of Delay time. Ranges from 10 MS through 990 MS (10 through 990 ms in 10 ms increments), and 1.0 SEC through 2.0 SEC (1 second through 2 seconds in 100 ms increments). Feedback - The Number 4 Knob adjusts the number of times the delayed signal will repeat. Ranges from 1 to 99 and RHOLD (infinite repeat). Delay Level - The Number 5 Knob adjusts the volume of the Delay signal. Ranges from 0 to 99.

Reverb

Reverb can give the listener a sense that the material is being performed in various acoustical environments. It can provide the tight acoustics of a small room, or the ambience of huge arena. Reverb Type - The Number 1 Knob selects the Type of Reverb or acoustic environment. The RP300A provides your choice of ten different environments including: REV OF = Reverb Off STUDIO = Studio ROOM = Wood Room CLUB = Club PLATE = Plate HALL = Hall AMPTHE = Amplitheater CHURCH = Church GARAGE = Parking Garage ARENA = Arena SPRING = Spring

V-Switch

The RP300As Expression Pedal includes DigiTechs exclusive V-Switch. The V-Switch allows the Expression Pedal assignment to be switched on the fly. Applying extra pressure to the toe of the Expression Pedal will engage the V-Switch and the function of the Expression Pedal will switch between the assigned parameter and Wah. The sensitivity or amount of pressure required to engage the V-Switch can be adjusted to suit your personal taste (or weight of your foot). See page 21 for the V-Switch Sensitivity adjustment procedure.
The RP300A includes two assignable low frequency oscillators (LFO TR and LFO SQ) which can be assigned to any of the same parameters available for assignment to the Expression Pedal. A low frequency oscillator will automatically vary the value of the assigned parameter at a steady rate. A minimum and maximum value each LFO will reach may be also be assigned. For instance; if the Amp Gain was assigned to LFO TR, and the minimum value was set at 1 and the maximum value was set at 99, the RP300A would automatically sweep the amount of distortion from a clean sound to a distorted sound. Individual LFO speeds are also available for assignment. In the previous example, the LFO speed would determine the length of time it took the LFO to sweep from the clean to the distorted sound. LFO TR oscillates using a triangle waveform and LFO SQ uses a square waveform. The procedure for assigning the LFOs in the RP300A is as follows: 1. Press the Select button until the Expression row has been selected (indicated by the LED lighting on the Expression row). 2. Rotate the Number 1 Knob to select whether you want to assign LFO TR (LFO TR) or LFO SQ (LFO SQ). 3. Rotate the Number 2 Knob until the desired Parameter appears in the Display. Your choices include: A GAIN (Amp Gain) - The LFO controls the Amp Gain or amount of distortion for the selected Amp Type. AMPLVL (Amp Level) - The LFO controls the Volume of the selected Amp Type. Modulation Effects Parameters Active Effect Available Parameters Chorus SPEED (Speed), DEPTH (Depth) Flanger SPEED (Speed), DEPTH (Depth), REGEN (Regeneration) Triggered Flanger SPEED (Speed), SENSTV (Sensitivity), LFOSTR (LFO Start) Phaser SPEED (Speed), DEPTH (Depth), REGEN (Regeneration) Triggered Phaser SPEED (Speed), SENSTV (Sensitivity), LFOSTR (LFO Start) Tremolo SPEED (Speed), DEPTH (Depth) Vibrato SPEED (Speed), DEPTH (Depth) Rotary Speaker SPEED (Speed), DEPTH (Depth), DOPLER (Doppler) Panner SPEED (Speed), DEPTH (Depth) YaYa PEDAL (Pedal), DEPTH (Depth), RANGE (Range) Auto Ya SPEED (Speed), DEPTH (Depth), RANGE (Range) SynthTalk ATTACK (Attack), RELEAS (Release), VOX (Vox), SENSTV (Sensitivity) Envelope Filter AMOUNT (Amount), SENSTV (Sensitivity) Detune AMOUNT (Amount) Pitch Shift AMOUNT (Amount) Whammy AMOUNT (Amount) YAYA (YaYa) - The LFO controls the Ya Ya Effect when YaYa is engaged. WHAMMY (Whammy) - The LFO controls the Whammy effect when Whammy is engaged. EFFLVL (Effect Level) - The LFO controls the Mix Level of the selected Effect Type. FBACK (Feedback) - The LFO controls the amount of Delay Feedback. DLYLVL (Delay Level) - The LFO controls the Mix Level of the selected Delay Type. DECAY (Decay) - The LFO controls the length of Reverbs Decay time.

V-Switch Sensitivity

If you wish to adjust the sensitivity setting of the V-Switch, follow steps 1 through 7 for Calibrating the Expression Pedal and then follow the steps listed below: 1. When the Display reads VSWTCH, rock the Expression Pedal forward (toe down) and apply extra pressure on the toe of the Pedal until the Display reads DONE. 2. The Display now alternates between showing DONE (with the V-Switch sensitivity value in the numeric Display) and VSWTCHOn (or VSWTCHOf depending on whether the V-Switch is on or off). You can audition the V-Switch sensitivity by applying pressure to the toe of the Expression Pedal. 3. Rotate the Number 5 Knob to change the value of the V-Switch sensitivity. You can audition the new value again by applying pressure to the toe of the Expression Pedal. 4. Once the desired sensitivity value is selected, press any Footswitch. The RP300A will return to Performance Mode and your settings are automatically saved.

Factory Preset List

Number U/A 1 U/A 2 U/A 3 U/A 4 U/A 5 U/A 6 U/A 7 U/A 8 U/A 9 U/A 10 U/A 11 U/A 12 U/A 13 U/A 14 U/A 15 U/A 16 U/A 17 U/A 18 U/A 19 U/A 20 Artist Name James Fukai Dan Donegan Dan Donegan Jennifer Batten Jennifer Batten Mike Einziger Mike Einziger Clint Lowery Clint Lowery Clint Lowery Chad Kroeger Chad Kroeger Carlos Cavaso CJ Pierce CJ Pierce CJ Pierce Dominic Cifarelli Glen Drover Jody Payne Evil D Preset Name jfukai Dan 1 dan 2 lqdled dukpnd incubs incub2 7dust1 7dust2 7dust3 chadnb chadn2 cavaso cjtxfl cjtxtn cjtxml cifrli drover jody bloat Number U/A 21 U/A 22 U/A 23 U/A 24 U/A 25 U/A 26 U/A 27 U/A 28 U/A 29 U/A 30 U/A 31 U/A 32 U/A 33 U/A 34 U/A 35 U/A 36 U/A 37 U/A 38 U/A 39 U/A 40 Preset Name Preset Name Evil D Lush Joey Z Joeyz Joey Z whipit Metal Mike Chlasciak mtlmke Metal Mike Chlasciak warcry Metal Mike Chlasciak rip Michael Wilton crhled Michael Wilton chunk Marc Rizzo illriz Andy LaRocque rhythm Andy LaRocque solo Dave Murray clnsrm Dave Murray dabluz Dave Murray da std Dave Murray pdldrv Paul Crook crkflg Paul Crook crkwhy Acey Slade acey Glenn Tipton tipton Glenn Tipton tiptn2
Number F1 F2 F3 F4 F5 F6 F7 F8 F9 F 10 F 11 F 12 F 13 F 14 F 15 F 16 F 17 F 18 F 19 F 20

Preset Name

Display Name
Number F 21 F 22 F 23 F 24 F 25 F 26 F 27 F 28 F 29 F 30 F 31 F 32 F 33 F 34 F 35 F 36 F 37 F 38 F 39 F 40

Specifications

Input: 1/4" TS Jam-A-Long: 1 - 1/8 Stereo TRS Outputs: 2 - 1/4 TS Headphone: 1/8 Stereo TRS A/D/A: 24 bit Delta Sigma Power Supply: 9 VAC, 1.3A (PS0913B) Power Consumption: 10 Watts Memory: 40 User 40 Factory Artist 40 Factory Effects: Pickup Simulator,Wah, Compressor, Amp and Acoustic Guitar Models, 3 band EQ, Noise Gate, Auto Swell, Pluck Gate, Cabinet Modeling, Mic Placement, Chorus, Flange, Triggered Flange, Phaser,Triggered Phaser,Tremolo, Panner,Vibrato, Rotary Speaker, AutoYa,YaYa, SynthTalk, Envelope Filter, Pitch Shift, Detune,Whammy, Delay, and Reverb. Drum Machine: 30 Patterns Simultaneous Effects: up to 11 Dimensions: 8.5" L x 13" W x 2.25" H Weight: 3.76 lbs.
DigiTech 8760 S. Sandy Parkway, Sandy, Utah 84070 PH (801) 566-8800 FAX (801) 566-7005 International Distribution 8760 S. Sandy Parkway, Sandy, Utah 84070 USA PH (801) 566-8800 FAX (801) 566-7005
DigiTech and RP300A are trade marks of the Harman Music Group Inc. Copyright the Harman Music Group Printed in the USA 02/2003 Manufactured in the USA RP300A Owners Manual 18-6406-A Please visit DigiTech on the World Wide Web at: http://www.digitech.com

ELECTRIC GUITARS

1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21. 22. 23. 24. 25. 26. 27. 28. 29. 30. 31. 32. 33. 34. 35. 36. 37. 38. 39. 40. 41. 42. 43. 44. 45. 46. 47. 48. 49. 50.
Alvarez Classic Electric, Natural Alvarez Classic Electric, Sunburst Alvarez Electric, White Alvarez Regulator, Green Bolt USA, SS, Graphic Brian Moore, I8.13, Green Brian Moore, I2.13, YellowFigured CB Strat guitar, White CC Clark, Natural Charvel 275 Deluxe, Red Charvel CX390, Black ESP EC100-QM, Red Fender Strat Spec. Ed., MIM, Candy Apple Red Fender Strat, MIJ, HSS, Black Fender Squier Showmaster Skull & Crossbones Fender Squier II, Black Relicd Fender Squier Bullet, Red w SDuncan Distortion First Act VW Garage Master SpecEd, W W pg First Act VW Garage Master Spec Ed, W B pg Godin G5000, Black (option: Roland Synth PU) Greco Hollow Body (Jap), Brown Harmony solid body electric, White Hondo H2 Reissue, Red Hondo H2 Reissue2, Red Ibanez Roadmaster, Black Ibanez Axstar, Red Kay Effector, Sunburst Martin Stinger SSX, White Michael Kelly Valor X Spalted Maple Minarik Inferno Extreme, Black Parker Nitefly, Black Peavey Customized USA LTD EVH (CC, SOS) Peavey Firenza, baby powder Green Peavey Impact1, Gun Metal Grey Peavey Impact1, Red Peavey USA LTD ST Quilted w upg HB Peavey Nitro1, Black Peavey Nitro Customized, Purple Peavey Nitro Turquoise Peavey T60, Natural Regal Dobro Resurrection custom hand made guitar Rickenbacker 620, White/yellow aged Samick Strat, Deluxe Samick Greg Bennett Malibu, White St. Moritz vintage guitar Synsonics Jr Pr (1/3 size) Taylor T5 S2, Blue Figured Top Teisco E400, Powder Blue US Masters, Vector, Red
51. US Masters, Vector, Blue 52. Vester Concert Series, Black/Gold Fractal, Upg Sinvader Bridge Hum, Dual Rail Neck 53. Washburn CT2, Black (upgraded pickups) 54. Washburn CT5, Deluxe, gorgeous figured Blue 55. Washburn_JV2, Natural 56. Washburn_JV Jr, Flourescent Orange 57. Washburn JB100, White 58. Washburn KC44V, Green/ Black design 59. Washburn MR250, Red Florentine Figured 60. Washburn N6 (needs assembly) 61. Washburn P290, Green Transluscent 62. Washburn P290, Blue Green Transluscent 63. Washburn P4 Luthier, Natural 64. Washburn Pilsen WI70, Root Beer, Paint Relicd 65. Washburn RR300, Red 66. Washburn SBT-21, Black 67. Washburn WI64DL, Black and Gold 68. Washburn WI64, Black 69. Washburn WI64, Black, Upg Carvin PUs 70. Washburn WI66NC, Ebony Figured, Boogie Bros 71. Washburn WI66 Pro, Blue Figured Top 72. Washburn WI68 Prototype, Black 73. Washburn WI68, Ebony 74. Washburn WI68, Cherry Figured 75. Washburn WM100, Blue Figured Top 76. Washburn WM4, Red Florentine Figured Top 77. Westone Pantera, Ivory 78. Westone SpectrumDX, Red 79. Westone-Electra SpectrumDX, GMGray 80. Yamaha AES820, Black 81. Yamaha AES820, Copper 82. Yamaha SE700S, Burgundy 83. Warmoth Strat Rebuild ELECTRIC BASSES 1. Aria Pro II RSB Special (Motsomoku) 2. Robin Machette 5 string bass, USA, Green 3. GTX 300 Brownish Transluscent 4. GTX (unfin), KMD pus, BluePurple Refinish 5. Ibanez Gio Soundgear 6. Ibanez SR800 7. Peavey Force ABT, Black 8. Peavey Fury USA, Red 9. Peavey T60, natural 10. Washburn RB2000 ACOUSTIC GUITARS 1. Washburn NV100, Natural 2. Takamine EG531C, Black 3. Washburn C104SCE

4. 5. 6. 7. 8. 9. 10.

Alvarez 5480N Fender DG-11E Ventura Vstring NY Pro, Tak Copy, Black Burswood, Natural Hummingbird Copy Stargazer size
AMPLIFIERS 1. Acoustic 370 Head (400 watt) 2. Alamo Embassy 3. Alamo Embassy (remade cab) 4. Alamo Embassy Head 5. Alamo 2560 Capri 6. Alamo 2560 Capri 7. Alamo 2560 Capri 8. Alamo 2560 Capri 9. Alamo 2562 Challenger 10. Alamo 2562 Challenger 11. Alamo 2564 Jet 12. Alamo 2566 Fury Bass Amp 13. Bogen Challenger 35 Tube (Guit or PA) 14. Carvin AG100D 15. Carvin XV112 16. Carvin XT112 17. Crate GX15R 18. Crate CA30S 19. Crate TurboValve TV-120 20. EL84 X 2 Harp Tube Amp 21. Epiphone 10 22. Fender Deville 410, original (not reissue) 23. Fender Squier 15 24. Fender Sidekick Keyboard (30) 25. Fender Sidekick 35 Bass 26. Gibson GA-5 WT 27. Gibson GA30 Chasis & Amp only 28. Johnson Marquis JM60 29. Kustom KBA65 Bass (& KB) 30. Marshall Artist 3203 Head U33316 31. Marshall G100RCD Halfstack w JCM165A_410 32. Mesa Boogie Nomad Fourty Five 33. Multivox Premeir 5530 34. Multivox Premier P50 35. Multivox Premier P50R 36. Muntz Vintage Audio Tube Amp 37. Peavey Bandit Transtube 112 Special 38. Peavey Classic 30 39. Peavey Classic Speed Queen 40. Peavey Classic VTX 41. Peavey Classic VT Series 42. Peavey Classic 50 212

43. 44. 45. 46. 47. 48. 49. 50. 51. 52. 53. 54. 55. 56.
Peavey Deuce Peavey Delta Blues 210 Peavey Rage 158 Rocktron Replitone 212 Roland Mini Cube Sears XL40 Sundown Rocky 12S Sundown Rocky 12S (#2) Selmer Auditorium Varitone SWR Workingmans 12 Bass (banged up a bit) Teisco Checkmate 10 VOX 15 Yamaha B100-115 III Bass Yamaha HY10G
CABINETS 1. PA - Soundtech PA12 2. PA - Flite 1452 PA- 3 way X 2 3. PA - Fender PA-115 X 2 4. 112 Cabinet with Celestion Vintage 30 5. Peavey 210 Cab X 2 6. Peavey UUS-20 (12 Scorpion) 7. Marshall JCMC410A (1965A Lead) 8. Epiphone 412 Retro 9. BCabinet, 400w, 8 ohm 10. BCabinet (LG-412V) 400,8 11. 12 Cab with Peavey Scorpion 12. Vintage 12 2-way Cabinet PEDALS AND EFFECTS 1. VG99 2. GR33 / VG88 Combo 3. GNX4 4. Behringer FCB1010 (Midi Control) 5. Digitech RP7 (with 12AX7 tube) 6. Digitech RP300A 7. Zoom BFX-708 Bass Effects 8. Snarling Dogs Very-Tone Dog 9. Yamaha NE-1 10. Washburn Bad Dog Stereo Chorus 11. DOD Ice Box 64 Stereo Chorus 12. Dunlop Rotovibe JD4S (Vintage) 13. Metal Zone MT2 14. Danelectro Chili Dog 15. Cry Baby Wah 16. Marshall BluesBreaker 17. Behringer Tube Overdrive 18. Behringer Noise Reducer NR100 KEYBOARDS 1. Casio WK-1630

2. 3. 4. 5. 6. 7.

Casio WK-1630 Yamaha PSR-500 Yamaha PSR-293 Yamaha PSR-78 Yamaha PSR-88 Antique Pump Organ
PA & MIXERS & MIC 1. Yamaha EM1600 Powered Mixer 2. Samson MDR1064 Mixer 3. Mackie 1202 Mixer 4. Studio Projects B1 Mic 5. Senheisser e8155 Mic 6. Nady SP-9 7. Shure PM58 Mic 8. Realistic Stereo Electret 9. Shure PE3 Mic 10. Shure PE3 Mic RECORDING (other) 1. Audix 1A Monitors (2) 2. Samson Resolve 65a Pow Monitor 3. Alesis Proactive 2.0 Pow Monitor 4. Samson Resovl 5A X 2 5. Quattro 4X4 PERCUSSION 1. Fiberglass Congas w Stand 2. DP Conga 3. GP Bongos 4. Ion IED01Elec Drum Kit PICKUPS Humbuckers SETS 1. Set PRS McCarty (N&B) 2. Set GHS Dream 180; Bridge (Black); Neck (White) 3. Set Gibson SG (490T, XXX) 4. Set Carvin (C22N; H227) 5. Set EMG 81/85 6. Set EMG 81/89 7. Nelsonic Humbucker Set 8. Set Brian Moore iM 9. Set Washburn Headhunters 10. Set Washburn 623/621 SINGLES 1. EMG 89 2. S.Duncan JB (SH4) 3. S.Duncan Custom 4. Bill Lawrence L500
5. GHS Crusade (White) 6. S.D. Distortion (older) 7. Fender 8. Jackson Single Coil/ P90 SET 1. S.Duncan P90 Set 2. S.Duncan Strat (Middle, Neck; counterbalanced) SINGLE 1. GFS P90 2. Lace Sensor (White) 3. Dual Rail Strat Size Bass 1. Set: EMG Active Bass (SJ5, LJ5) 2. Set: KMD (240; 260; from GTX USA) 3. Sing: Bass Line Quarterpound SJB3n(Neck) (34 Total) PARTS Neck: US Masters birdseye maple with rosewood fretboard Danelectro neck Washburn neck Washburn neck Newly Departed
1. 2. 3. 4. 5. 6. 7. 8. Marshal JCMSL-X G&L Tribute, Honey Natural US Masters Bass, USA, Brownish Transluscent Gibson Ace Frehley LP (good knockoff) Washburn WI67, Ebony Phiga (Phil Gawen) Hybrid Epiphone LP Jr, Black Yamaha SE110, Fuscia

Peavey Nitro Turq2

Peavey Nitro Turq
Peavey Limited ST+ USA Quilt SBurst5
Peavey Limited ST+ USA Quilt SBurst2
Peavey Limited USA ST+ Quilt SBurst
Peavey Limited USA Quilt SBurst3
Peavey Limited USA Quilted SBurst

Peavey Limited USA+

Peavey Limited USA
Alvarez_Classic Electric_
Alvarez_Classic Electric_b
Alvarez_Classic Electric_c

Alvarez_ClassicII_

Alvarez_ClassicII_2

Alvarez_ClassicII_3

Alvarez_Electric

Alvarez_Electric1

Alvarez_Regulator

Alvarez_Regulator1

Alvarez_Regulator2

Bolt_USA

Bolt_USA1

Bolt_USA2

Bolt_USA3

Bolt_USA4

Bolt_USA back

BrianMoore_I2

BrianMoore_I2 2

BrianMoore_I2 3

BrianMoore_I2 4

BrianMoore_iVoice

BrianMoore_i813 3Voice (3)

BrianMoore_i813 (2)

Carvin_Bolt

Carvin_Bolt 2

Carvin_Bolt 3

CB Strat

CB Strat (1)

CB Strat (2)

CC Clark_Guitar

CC Clark_Guitar 2

Charvel _X390 DkBl

Charvel _X390 DkBl_1

Charvel _X390 DkBl_2

Charvel_275Dlx

Charvel_275Dlx (1)

Charvel_275Dlx (2)

Charvel_275Dlx (3)

Charvel_275Dlx (4)

CT2 and

ESP_EC100 QM

Fender_Strat_SpecEd

Fender_Strat_SpecEd (1)

Fender_Strat_SpecEd (2)

Fender_Strat_SpecEd(MIM)

Fender_Strat_SpecEd___

Fender_Talon V 2

Fender_Talon V 3
FenderSquier_Strat Bullet

FenderSquierII

FenderSquierII_ (1)

FenderSquierII_ (2)

FendSquier_ShowmasterSK ullBone4
FendSquier_ShowmasterSK ullBones1
FendSquier_ShowmasterSK ullBones2
FendSquier_ShowmasterSK ullBones3
FirstAct_VW Garage Master Special Ed complete

Godin_G5000

Godin_G5000 2

Godin_G5000 3

Greco HollowBodyElec

Greco HollowBodyElec1

Greco_Jap_HBE (1)

Greco_Jap_HBE (2)

Harmony and WI64

Harmony_Electric

Harmony_Electric1

Harmony_Electric2

Harmony_Electric3

Hondo_H2red_1

Hondo_H2redback

Hondo_H2redclose

Ibanez Axstar

Ibanez_Axstar

Washburn_WI64DL Black_Gold(1)
Washburn_WI64DL Black_Gold(2)
Washburn_WI64DL Black_Gold(3)
Washburn_WI64DL Black_Gold(4)

Washburn_WI66_NC_1

Washburn_WI66_NC_2

Washburn_WI66_NC_3

Washburn_WI66ProQ Blue

Washburn_WI66ProQ Blue1

Washburn_WI66ProQ Blue2

Washburn_WI66ProQ Blue3

Washburn_WI68_Ebony

Washburn_WI68_Ebony1

Washburn_WI68_Ebony2

Washburn_WI68_Prototype

Washburn_WI68_Prototype (1)

Washburn_WI68_Red

Washburn_WI68_Red_1

Washburn_WI68_Red_2

Washburn_WI68_Red_3

Washburn_WI68_Red_4

Washburn_WI68_RedCase
Washburn_WM4 Red Tranluscent
Washburn_WM4 Red Tranluscent 1
Washburn_WM4 Red Tranluscent 3

Washburn_WM100Q_Blue

Washburn_WM100Q_Blue1

Westone Spectrum GMG

Westone Spectrum GMG2

Westone Spectrum GMG3

Westone_Pantera 1

Westone_Pantera 2

Westone_SptectrumDX

Yamaha SE700E

Yamaha SE700E_3
Yamaha_ AES820 Copper w HSC

Yamaha_AES820 Blk

Yamaha_AES820 Blk 3

Yamaha_AES820 Blk 4

Yamaha_AES820 Blk_2

Yamaha_AES820 Copper

Yamaha_AES820 Copper 2

Yamaha_SE700E

Yamaha_SE700E 2

Yamaha_SE700E 3

Yamaha_SE700E 4

Yamaha_SE700E 5

Peavey Nitro Turq5

Peavey Nitro Turq4

Peavey Nitro Turq3

Yamaha_HY-10G_III (2)

YamahBass_B100_115_III

Acoustic 370

Acoutic 370 Head

ALAMO 2562 CHALLENGER

ALAMO CHALLENGER 2562 Nice
ALAMO CHALLENGER 2562 Nice2

Alamo Fury 2566 Bass

Alamo Fury 2566 Bass (1)

Alamo__2560Capri

Alamo__2560Capri2

Alamo_Challenger

Alamo_Challenger_1

Alamo_Embassy

Alamo_EmbassyRefurb

Alamo_EmbassyRefurb (1)

AlamoCapri2560_

AlamoCapri2560_1

AlamoCapri2560_2

AlamoCapri2560_3

ALamoEmbassyHead

ALamoEmbassyHead (1)

Bogen Challenger 35 & Other

BogenChallenger35

Cab_B52_412
Cab_Epiphone Triggerman 412 Stereo
Cab_EpiphoneTriggerman41 2
Cab_EpiphoneTriggermanStereo

Cab_Head

Cab_Oak Head Cab Peavey etc

Cab_Peavey12Speaks

Cab_PeaveyExt&Other
Cabinet and Carvin ADG100

CarlsbroWaspLead

Carvin_AG100D

Carvin_AG100D (1)

Carvin_XT112

Carvin_XT112 (1)

Carvin_XV212

Carvin_XV212 (1)

Carvin_XV212 (Other)

Celestion V30 112

Crate_CA30S

CrateGX15R

CrateHead1 and TubeWrks

CrateTV120

CrateTV120_2

CrateTV120_3

Epiphone_StudioBass10

Fender Deville410USA

Fender Deville 410 back

Fender Sidekick KeyBoard

FenderDeville410

FenderDeville410_3

FenderDeville 410_Side
FenderFrontman15B & SP10

FenderSidekickBass

FenderSidekickKB
GibsonG30&Line6SpiderII

Kustom BKA65

Kustom BKA65_1

Marshall G100R_CD

Marshall G100RCD & JCM410A

Marshall JCM410A

Marshall_Artist_3203

Marshall_Artist_3203a

Marshall_Artist_3203b
Marshall_JCM900SLX2100_ B

Marshall_JCM900SLX-2100

Marshall_JCM900SLX2100_B

MesaBoogieNomad45

MesaBoogieNomad45_2

MFM_Inv

MultiVox Premier 5530

MultiVox Premier 5530_

MultiVox Premier 5530a

MultiVox Premier 5530b

MultiVox Premier 5530c

MultiVox Premier 5530d

MultiVox Premier P50

MultiVox Premier P50a

MultiVox Premier P50b

MultiVox Premier P50c

MultiVox Premier P50d

MultiVoxPremier5530 (1)

Muntz1

Muntz2

Muntz3

Peavey112_&OTHER

Peavey Classic50 4x10 SpeedQueen
Peavey Classic50 4x10 SpeedQueen2

AriaProII_RSB_Spec1

AriaProII_RSB_Spec2

AriaProII_RSB_Spec3

AriaProII_RSB_Spec 4

AriaProII_RSB_Special

Fernandes_Atlas

Fernandes_Atlas_2

GTX_Bass_USA

GTX_Bass_USA2

GTX_USA_Bass

GTXBass_GTX300

GTXBassGTX300

Ibanez Gio Soundgear Bass

Ibanez SR-800

Ibanez SR-800 (1)

Ibanez SR-800 (2)

Ibanez SR-800 (3)

Ibanez SR-800 (4)

Peavey T40 Bass

Peavey T40 Bass 1

Peavey T40 Bass 2

Peavey T40 Bass 3

Peavey T40_

PeaveyFuryBassUSA1

PeaveyFuryBassUSA2

PeaveyFuryBassUSA3

PeaveyFuryBassUSA4

PeaveyT40

KB_Pump Organ2

KB_YamahaKBStacked

KB_YamahaPSR6b

KB_YamahaPSR293

YamahaPSR550

KB_Casio_WK1630 2008

KB_CasioWK2009

KB_Pump Organ

PU_Nelsonic Humbuckers ArtDeco

PU_Roland GKof 2

Reverb Tank

TOB_StagMagMiniBuckers

TOG Heatbuckers

Washburn Wwonderof 2

Electronics_D'Aquisto

EMG PU + Set

EMG PU Set

EMG_85_81

EMG_85_81 (1)

EMG_85_81 (3)

Equipment

MFM_Record_Studi2

MFM_Record_Studio

MFMRecordStu

MFMRecordStudioVG99

Mic_ShurePE35H_HiZ

Mic_ShurePM58&Sennheise r
Mic_ShurePM58&Sennheise r2

Mic_StudioProjects_Nady

Moser Custom Pickups

Moser Custom Pickups_b

NiceNecks (2)

NiceNecks (3)

Pickup_Collect1

Pickup_EMG_89

PU_BillLawrence2

PU_BillLawrence3

Pedal_SamsonMix&RolandV G99 GR33a Quattro

Pedals Behringer

Tuner_Korg_DT7 1of2
M-Audio Quattro 4X4 USB Midi Interface

Mixer_Mackie 1202

Mixer_Mackie_1202
Mixer_MidimanMultiMixer10
Mixer_Samson MDR1064 Mixer

Mixer_Yamaha_EM1600

Pedal Berhringer_FC1010

Pedal Collection1

Pedal Digitech GNX4

Pedal Digitech RP7

Pedal Digitech_RP7

Pedal Group

Pedal Roland VG88 & GR33
Pedal Rolls MidiBuddy mp128

Pedal VG-88 & GR33

Pedal ZOOM 3030 Effects

Pedal_Roland_VG-99

Pedal_RolandVG-99A

PA_Fender115XP+

PA_Flight 2 way

PA_Flite1452b

PA_SoundTech

SpeakCab_Peavey 210_

Speakers_Becker10

Tweeters_Dome

Tweeters_Titanium

Audix 1A Monitors

Cab B52 LG412V 400, 8

Cab_Speakers_

Eminence35ohm100wattBas sa
Eminence35ohm100wattBas sB
Eminence35ohm100wattBas sc
Monitor_Alesis_Proactive2.0

Monitor_Audix1A

Monitor_Audix1A_

Monitor_Samson65a

Monitor_Samson 50a

Monitors

Monitors_ (1)
PA_Fender15PA_15_2way (2)