E-MU Mo Phatt Reason Refill
Mo Phatt has been used on numerous hits by artists like Prince, Timberland, Outkast, Dr. Dre, Snoop, Dogg, Puff Daddy, Tori Amos, to name a few. This legendary Refill features 512 NN-XT Instruments, 512 Combinators, 109 D. Rex Loops and MIDI files. Each instrument has been finely tuned to match the hardware and then placed in a Combinator to add effects, EQ, and real-time MIDI modulation. In addition, over 100 beat patterns from Mo Phatt are included in the Rex format so the tempo can be altered or the loop sliced into smaller components. Mo Phatt is an indispensable tool for every serious Hip-Hop musician/producer, delivering all the sonic tools you need to move the masses.
COMBINATOR LIST BASSES Acid 1 Acid 2 Babybass Bagg BellyButton BelowaWoofer Blip BlowinUp Box O Bass Crandle Cube Bass Deeper Digger Bass Distroy DropOffSine1 DropOffSine2 DropOffSine3 DropOffSine4 Dubby 2 Dubby Eat Me! Election Fingered Fishy Fretless Frogged Funk Pop 1 Funk Pop 2 Funk Wave Funky Finger Funky Pik FuzzSubby Grit GutPunched Harpbass Hecho Itter Iggio Basso It Too KeyOnnate Kraft 2 Kraft MarkOther
Persistent Plucky Poppy Prophet Razza Rez Ripper Slap Pop Sonic Sine Soulfuzz Speakeasy Squared Standin Sub Level SubFive SubFour SubOne SubSix SubSonicTri SubThree SubTwo SubVocoder Technoid TheoryBass Upright Velo SlapPop YarsRevenge DRUMS & PERC 09HiHatMode 10HiHatMode 7 HiHatMode 8nt Urz A YO IIGHT BabyDoll Beat Prophet Becky Boise Bells Mono Bells Betta Beata Boombaa ClapsnSnaps ClasikStudio Claves CongasBongos Construction
Cool Guy CornaSto' Crunch Cymbals DarkFlower DubItUp EasyRider Fills FriscoLayer Funk 4 Life GM Two GOOD MU Sic GuesWho'sBak HappY'Z HardStep Hats 1 Hats 2 HiHatMono 1 HiHatMono 2 Hot n Steamy Iced Out Jelly Belly KattznJammah Kix 1 Kix 2 Klippy Lesster MarchMadnezZ Misc Mo Dist MooshooClan MuSic2DrIvBy NewBeat Nu Funk NuMetal Obsession Oh Yeah OnDaStreet Per Oct 2 Per Oct Perky Phatt Kit PhilterFreak Rainstick Regal Gate
Relapse RiDe E-Z SalsA Crunk ScratchedHead Scratches ScratchMatic ShakeHerz Shakers Slappy Snares 1 Snares 2 Snares 3 Stoopit SubwayTunnel The Ultimate The Wiz ThugItUp Thumb Piano TiME SquaRe TinkerToyz Toms U4 Got ME UainT@&#! Vilper WhatYouWant WhirlyBird WideOne Woo Kid YeaYeaZ Young Luv GUITAR & STRINGS Ballad Harp BedofFire BoogieBAby Burnt Chickn' Slide Chickn'1 Chickn'Dist Crybabe 1 Cyclone DaBradies DirtyNoter Disco Diva Disturbed
Doom 1 Exciteable Fine Slide Flange Pick Gen X Gener El General's Guitar Grit Slide Grunge HardCore Heavy Hen Drix HybridSweep Kraked Tube Lik Choppy Lik Delay Linky Fingaz Mood Nylon 2 NyLon NylonFantasy Odlil Pizz Strings Psycho Sexy Slider Slicer Slo Strum SpRinkel SprinkleUItOn StackedLegs Strata Strum Glass Suspence SyCoCry Uni Strings VIRGOE Voyeur Trax Wacka 113 Wacka Wacka 96 Wacka Do Wacka Talkin Wacka Wackaloo WackaParty2
WackaParty83 Wah DisLik Wah Getarrs Wah Not Wah Scale 4 Wah Scale 7 Wah Upper Wah Walker Weeoww Weezl Fuzz Willpy YeWah HITS All 2 All Hits 1 Biggg Brass+Tine Brazit 1 Brazit 2 Brazit 3 Brazit 4 Brazit 5 Caliente Carney Hits Chords&Hits Crunchy Dissed Hit DroppinOff Fade It Guit n Hat Harpo Hitz Knock U Out Lotsa Nice Under One Shot Org Creept Philta PianoJam2 Pinky Fingaz Satisfying SlapdatBrass Slide Hit SOOTCaSE'000
Spizy Splash StrikezAgain Sweeit theHitcher Trump Slide Wheely Gal JAMS AllmyMoMeeS AstralTravel Bonus Can I Talk ClapYoHandZ CreatrLayer DaPhattest DialToneZ DirTay drTee DJ GLO Jenkn DoitZ Dr Banner Geechee GLO Girl Watcher Glo BabieeS GrungeZ HeY ! Hive Jiver I Miss You 2 I Miss You IT'SLIKE Dat ItsUAgAIn LaLaZ LAST CHANCE Luv Joe'ns Luvline 1 Luvline 2 Luvline 3 MALE BASHER MO'HAPPYfeet MounTenbery My Girl YO My Main Man New WhirlOdr Oh BaebeeZ Play Cousin
Q BORO ShakitZ Sistahoney SmoothoneZ SpaceBoyZ Sunrise TribeOMatic U NO VideoGamez WhatUstarted Wide Hive Wile U Werk KEYS AditivOrgan CityGiggin CloudKeys Crunch Klav Doodee Far-Fg-Nugen Harp Klav HarpsiFlange HipHopTines1 HipHopTines2 KeyStonE Klav Mav Klav Synth Kool Kord MO 88 MO'E DAN NoMoreKlav Org Basic Org De Borg Org Roll Orgg Doggie Perc Klav Perk Organ Phat Klav PhatttTines Piano Jam Pretteeee 2 ReBeckTines SiMPeL Sitar 88 Skini Klav
So Kazual SOOTCaSE'300 StoneGroove Tine Fuzzies Tine Klav Tine Split Tiny Wonders Vinyl 73 WaThunk LEAD 70's Lead AllJackedUp! DadeezGAL Deep Thought FantasyWormz Glue Tone Guitlet Handwormed I Saw Worms Low&Square MonoBrass MonoGrunge PhiltaSweepa ProphetLine RaveAAHH RaveEEEE RaveLine Reeder Screamer SineWorm Stevie Synelead Two Step Violetta Yearning PAD Chasers Cherubs DanceLitez Darth Works Drone 1 Drone 2 Drone Swirl
FakingIt GothStrings Hi Q Skwarez JoVox JP Layer KnobbyTwirly Leon's Luxury MadDramA MeltingHartz MiseryMod MistyStrng OB Layer OuterLimits Pizz Sct QuietTime Sa-Spen Ful Section Sincerely Spirit Call StringLayer Synthetic TheMadSweep Trans Transform Underground WAWIFLHEAD Worry YouPhoned SFX Auto Doom Blades Clockworx 1 Clockworx 2 CosmicKlasik DeadMetal 1 DeathLaughs DownTheDrain Droning Growl Drop Horro Glide KindaMuddy LiquidBatz MarsattaksII

Mr Clean Narwhal Nightmare Nitrogen PeakinHard! PhonedAgain Play Thru PlezLemmeGo! Plop RaveSlave Reaper ReturnToZoo Rubble SciFi Toy 1 SciFi Toy 2 Seascape Shield Sick Girl Siren Spin SolarBaBies Syclear Synthomatic Trippin WeirdVox Wet Trippy WolleyBOB! YaYaYa SYNTH AgonyOrgon Betta Beata DeGlown Grinder I Like U IntoTheLight LadyOrgan1 LadyOrgan2 Objections Ohoooo! Ooops! Orchestsyn Plucky Prof Brass Prosync SilkWerm
Sin Symph 1 Sin Symph 2 Slippery SoftStuff SPICEBOY SuKaButt SupermanSaw SycoGirL Synth String VoxRoller WapperFuzz Weeperr WePhattField WhY Me VOX Agony Agony Ahyeeyah All Talk DadeezGAL Earth Lisa FemmeDoTell LadyPulsar LetsDance Pretteeee PretteeeeIII Pulsar SingingTB SycoBoy TB Eweew the Watcher Vespers VocodAhhh. Voicyst Voxcade WeirdVox2 You Zeldas Fault

Effects Mode....69 Effects Multi Mode Control..69 Master FXA Algorithm...70 A Effect Types....70 FXA Parameters: Decay/HF Damping FxB -> FxA..71 FXA Send Amounts...71 Master FXB Algorithm...71 B Effect Types....72 FXB Parameters: Feedback/LFO Rate Delay Time..72 FXB Send Amounts...72

iv E-MU Systems

MIDI Parameters... 73
MIDI Mode.... 73 MIDI SysEx ID.... 73 MIDI Enable.... 74 MIDI Program Change -> Preset... 74 Receive Program Change... 75 Real-time Controller Assignment... 75 MIDI Footswitch Assign... 76 Tempo Controller... 77 Knob Preset Quick-Edit... 77 Knobs Deep Edit... 78 Knobs/Riff MIDI Out.... 78 Preset Edit All Layers Enable... 78 Front Panel Knob Calibration... 79 MIDI SysEx Packet Delay... 80 Send MIDI System Exclusive Data.. 80 User Key Tuning... 82 Screen Viewing Angle... 82

Programming Basics...83

Modulation... 84 Modulation Sources... 85

Random Sources.... 86

Modulation PatchCords... 86 Envelope Generators... 87
Tempo-based Envelopes... 88 Envelope Repeat... 88
Low Frequency Oscillators (LFOs).. 89 Clock Modulation... 90 Modulation Destinations... 92 Modulation Processors... 93 Preset Modulation Processors... 95
Using the Modulation Processors... 97 More Examples... 99

Dynamic Filters... 101

What is a Filter?.... 102 Parametric Filters... 105 The Z-Plane Filter... 106
Signal Flow... 107 MIDI Channels & Real-time Controls.. 108
Bank Select Commands... 110
Stereo Mix Outputs... 111
MoPhatt Operation Manual v

Edit Menu.... 113

Preset Name....114
Four Layer Architecture... 115

Selecting Layers....115

Dening Layer Parameters... 116
Selecting an Instrument...116 Sound Navigator...116 Defining Key Range...117 Defining the Velocity Crossfade Range...120 Defining the Real-time Crossfade Range..122 Transposing the Instrument...125 Tuning....126 Background: Transpose vs. Coarse Tuning..126 Amplifier...126 Volume Envelope...127 Selecting the Mode...127 Defining the Volume Envelope...128 Chorusing the Layer...129 Sound Start Offset and Delay..129 Non-Transpose Mode...130 Solo Mode....130 Assign Group...131 Glide...132 Z-Plane Filters...132 MoPhatt Filter Types...133 Filter Types...133 Filter Parameters...135 Filter Envelope....135 Defining the Filter Envelope...137 Auxiliary Envelope...137 Low Frequency Oscillators (LFOs)..137 Shape....138 Sync....139 Rate....139 Delay....140 Variation....141 PatchCords....142 Modulator Polarity...143 Pitch Bend Range...145 Mix Output...145
Common Preset Parameters... 146
Preset Effects....146 FXA Algorithm...148 A Effect Types....148 FXA Parameters....149 FXA Send Amounts....149 FXB Algorithm....149 B Effect Types....149

vi E-MU Systems

FXB Parameters.... 150 FXB Send Amounts.... 150 Preset Patchcords... 151 Initial Controller Amount... 152 Keyboard Tuning... 153 Preset Links... 155 Preset Tempo Offset... 156 Audition Riff Selection.... 156 Play Solo Layers.... 156

In accordance with EN 60950 with amendments A1, A2, A3, A4, A11
This Declaration is made November 15, 1999

12 E-MU Systems

This section thoroughly describes how to set up your new MoPhatt for use. Setup includes unpacking instructions and how to connect the cables.

Unpacking

Carefully remove MoPhatt from the packaging material. Take care to save the packing materials in case you need to transport the unit. Check to make sure all components are included and in good condition. If there are missing or damaged components, contact E-MU Systems immediately for replacement or repair. The MoPhatt box should include the following components: MoPhatt rack unit Power cable Rack mounting ears This operation manual Manuals CD-ROM
MoPhatt Operation Manual 13
Setup Connection Instructions

Connection Instructions

REAL TIME CONTROLLERS ASSIGNABLE KEYS PRESET LEVEL

EXIT ENTER

SAMPLE PAGE

SEQUENCER PRESET SELECT

RETURN

EMULATOR

Basic Setup
MIDI Out Footswitch Control Pedal

IN THRU

The Headphone Output is located on the Front Panel
To Main Outs Male RCA plug to Male Phono Plug

Main Outs to Mixer In

If MoPhatt does not seem to be responding correctly, make sure that both MoPhatt and your MIDI controller are set to the same MIDI channel.

SCOTTS VALLEY CA. U.S.A.

Aux. or Tape In Amp

Speakers

Home Stereo System

Home Studio System

MIDI In
MoPhatt is controlled by MIDI messages received at the MIDI In jack. Normally you will connect MIDI Out of a controller such as a MIDI keyboard to MoPhatts MIDI In jack. Be sure to connect a Footswitch and/ or Control Pedal to your MIDI keyboard. Many of the factory presets use MIDI controllers.
The Right Main output jack carries a mono mix of the left and right channels when the Left Main plug is not plugged in. The Left Main output jack is a stereo jack carrying both channels when the right output jack is empty.

Outputs

In order to reproduce MoPhatts wide dynamic range and frequency response, use a high quality amplication and speaker system such as a keyboard amplier or home stereo system. A stereo setup is highly desirable because of the added realism of stereophonic sound. Headphones can be used if an amplier and speaker system is not available. Plug stereo headphones into the headphone jack on the left side of the front panel.

14 E-MU Systems

Studio Setup

MIDI Controller

(MIDI Keyboard, Sequencer, etc.)

Computer

MIDI Out

Additional MIDI Devices

Volume Control

This control is the master volume control for all audio outputs. The Volume Control does not affect any editing or user interface operations. For maximum dynamic range, turn this knob all the way up and control the volume from your mixer or amplier.

Master Button

The Master menu contains parameters that affect the entire machine, not just certain presets. An illuminated LED to the right of the button indicates that you are in the Master menu.

Edit Button

Use the Edit menu when you want to create or modify a preset. An illuminated LED to the right of the button indicates that you are in the Edit menu.

Control Button

The Control button is used to change the function of the Controller knobs (see the next section). Each time you press the Control button, the Control Mode toggles to select only one of the three Control Rows. The currently selected Control Row is indicated by one of the three LEDs to the right of the rows label.
MoPhatt Operation Manual 25

Audition Button

The Audition button allows you to hear any preset without hooking up a MIDI keyboard. When the Audition button is pressed, the LED next to the button will illuminate and a short Riff (programmed as part of the preset) will play. The Riff is latched on and plays continuously until the button is pressed again. Presets can be changed while Audition is latched on. See Bank Select Commands on page 110 for more information on selecting banks via MIDI. The top line of the display changes to show the MIDI Bank Select controller values needed to select the preset being auditioned. This handy feature lets you know the exact Bank and Preset number to enter into your sequencer. MSB LSB
L.E.D. Beat Markers The Audition LED ashes off quickly on each downbeat and ashes off for a longer period on the Riff Loop. The Clock LED ashes to mark each quarter note.

Preset #

Bank 0823
MSB:013 LSB:3 bts: Down Low
Left/Right Cursor Buttons
These buttons move the cursor to the next parameter on the display. (The cursor is a little ashing line underneath one of the parameters in the display.) Press either cursor button until the cursor is underneath the desired parameter. The cursor buttons have an auto-repeat feature which advances the cursor when the button is held continuously. The cursor can be moved bidirectionally using the Data Entry Control while either cursor select button is held down (for example, press and hold the right cursor button and turn the Data Entry Control).

Save/Copy Button

The Save/Copy button is used to save or copy presets and to copy data. Selected groups of parameters, such as PatchCord settings, can be copied between Presets and/or between Layers using this menu. The LED to the right of the button illuminates to indicate that you are in the Save/Copy menu. The LED also illuminates when any preset parameter has been changed in the Edit menu (or if the front panel knobs have been moved with Quick-Edit mode enabled).

Modulation PatchCords

When setting up modulation with the MoPhatt, you dene a modulation source and a modulation destination. Then, you connect the source to the destination using PatchCords. MoPhatts PatchCords are connected in the software. MoPhatt has 24 general purpose PatchCords for each layer. You can connect the modulation sources in almost any possible way to the modulation destinations. You can even modulate other modulators. Each PatchCord also has an amount parameter which determines how much modulation is applied to the destination. The modulation amount can be positive or negative. Negative values invert the modulation source.
Modulation Source LFO 1 Amount +/-
The controller Knobs assignments printed on the front panel are the system defaults. You can change any of these assignments using the Real-time Controller Assignment page in the Master menu (see page 75 for details).

Destination Amp Volume

Modulation Source LFO 1 LFO 2 Amp Env Filt Env Aux Env Wheel Pressure etc.
Destination Amp Vol Pitch Pan LFO Rate Aux Env Env Atk Glide etc.

86 E-MU Systems

Programming Basics Envelope Generators

Envelope Generators

An envelope can be described as a contour which is used to shape the sound over time in a pre-programmed manner. There are three envelope generators per layer and all of them are the rate/level type. This is how the rate/level (time based) envelopes work: When a key is pressed, envelope starts from zero and moves toward the Attack 1 Level at the Attack 1 Rate. As soon as it reaches this rst level, it immediately begins the next phase and moves toward the Attack 2 level at the Attack 2 rate. As long as the key is held down, the envelope continues on through the Decay 1 and Decay 2 stages. If the key is still held when the envelope reaches the end of Decay 2, it simply waits there for you to release the key. When you release the key, the envelope continues into the Release 1 and Release 2 stages, stopping at the end of the Release 2 stage. MoPhatts envelope generators provide great exibility for programming both complex and simple envelopes.
If two adjacent segments have the same level in a timebased envelope, the segment will be skipped. Adjacent segments must have different levels for the rate control to work.

level time

Sustain Key Down Key Released
All three envelope generators have the six stages described above. The Volume Envelope generator controls the volume of the voice over time. The Filter Envelope generator is a general purpose envelope most often used to control the lter frequency. Unlike the Volume Envelope, however, the Filter Envelope can have a negative level value as well as a positive level. There is also an Auxiliary Envelope generator which is a general purpose envelope. The Auxiliary Envelope is identical to the Filter Envelope and can have negative as well as positive levels. You can adjust the time of each stage to create myriad envelope shapes, which in turn shape the sound over time.

Random T ri a n g l e S a wtooth

Si n e

Sq u a re

% Pu ls e

25% Pulse

16% Pulse

P a t : Oct a v es

+ Octave

P a t : F i f t h + Oc t a v e

C G C C

Pa t: S u s 4 tr ip

- Octave

P a t : N een er

Si n e 1 , 2

S ine 1 ,3 ,5

Si n e + N o i s e

Hem i -q u a v er

138 E-MU Systems

The Sync eld species whether the LFO is synchronized to a key stroke or is Free Running. Key Sync starts the LFO wave at the beginning of its cycle each time you press a key on the controller. In Free Run mode, the LFO wave begins at a random point in its cycle each time you press a key on the controller.
The Rate eld determines the LFO speed in absolute frequency rate values or tempo-based note values. All values equal to or greater than zero specify absolute frequency values from 0.08 Hz to 18.14 Hz. Values less than zero specify tempo-based rates. If you modulate the rate of a tempo-based LFO, the rates will jump between the tempo-based note values with each PatchCord increment of 1. As an example: if the LFO rate was set to 8/1 and you patched the Mod Wheel to control rate with a PatchCord amount of +1, turning the Mod Wheel to maximum would change the LFO rate to 4/1d. Refer to the chart below.

RATE 0.08Hz

DELAY 60

VAR 020

Tempo-based Rates (based on Master Clock Tempo)
octal whole note dotted quad whole note octal whole note triplet quad whole note dotted double whole note quad whole note triplet double whole note dotted whole note

Display

8/1 4/1d 8/1t 4/1 2/1d 4/1t 2/1 1/1d
MoPhatt Operation Manual 139
double note triplet whole note dotted half note whole note triplet half note dotted quarter note half note triplet quarter note dotted 8th note quarter note triplet 8th note dotted 16th note 8th note triplet 16th note dotted 32nd note 16th note triplet 32nd Note
2/1t 1/1 1/2d 1/1t 1/2 1/4d 1/2t 1/4 1/8d 1/4t 1/8 1/16d 1/8t 1/16 1/32d 1/16t 1/32
The Delay parameter denes the amount of time between hitting a key on the controller and the onset of the LFO modulation. Delay can be used to simulate an effect often used by acoustic instrument players where the vibrato is brought in only after the initial note pitch is established. The following illustration demonstrates how delay works.

key down

All Delay values equal to or greater than zero specify absolute time rates from 0 to 127. Values less than zero specify Tempo-based mode. Refer to the previous table for times and tempo-based rates.

140 E-MU Systems

MoPhatt Operation Manual 147

Edit Menu FXA Algorithm

FXA Algorithm
This screen selects the effect type for Effect Processor A. The A effects consist of different reverb types and digital delays. Move the cursor to the lower line of the display and select the effect you want.
FXA ALGORITHM Lg Concert Pan

148 E-MU Systems

Edit Menu FXA Parameters

FXA Parameters

The FXA parameters are Decay, High Frequency Damping, and the FxB to FxA send. Decay sets the length of time it takes an effect to fade out. HF Damping causes the high frequency energy to fade away more quickly during the reverb decay. FxB to FxA controls the amount of the B effect sent through effect A. This allows you to place the two effects in series and create setups such as distortion through reverb among others. Please refer to the Effects chapter for more information about the effects.

FXA DECAY 048

HFDAMP 064

FxB>FxA 000

These parameters set the effects amounts for each of the four stereo effects busses.

FXB Algorithm

This screen selects the effect type for Effect Processor A. Move the cursor to the lower line of the display and select the effect you want.
FXB ALGORITHM Panning Delay
1. 2. 3. 4. 5. 6. 7. 8. 9.
Chorus 1 Chorus 2 Chorus 3 Chorus 4 Chorus 5 Doubling Slapback Flange 1
12. 13. 14. 15. 16. 17. 18. 19. 20. 21.
Flange 5 Flange 6 Flange 7 Big Chorus Symphonic Ensemble Delay Delay Stereo
23. 24. 25. 26. 27. 28. 29. 30. 31. 32.
PanDelay Chorus 1 PanDelay Chorus 2 Dual Tap 1/3 Dual Tap 1/4 Vibrato Distortion 1 Distortion 2 Distorted Flange Distorted Chorus Distorted Double
Flange 2 Flange 3 11. Flange 4
Delay Stereo 2 Panning Delay 22. Delay Chorus
MoPhatt Operation Manual 149

Edit Menu FXB Parameters

FXB Parameters
The FXB parameters are Feedback, LFO Rate and Delay. Feedback sends the output of the effect back into the input. This creates multiple echoes on a delay effect and intensies a chorus or ange effect. LFO Rate allows you to change the speed of the modulation oscillator for ange and chorus effects. Delay sets the length of the delay line. This affects the time between echoes, or the tone of ange effects.

MoPhatt Operation Manual 153

The Just C Tuning Tables

Well Tempered and Just were standard keyboard tunings up until the 20thcentury when the current equal tempered scale became prevalent. In an equal tempered scale, the octave is equally divided into 12 parts. In Just or Well Tempered scales, the 12 notes are separately tuned to produce pure chords. However, in Just tunings you are limited to playing certain chords and if you play the wrong chord it may sound very BAD! MoPhatt allows you to modulate between keys by providing you 12 user tuning tables. Tuning tables can be changed as you play using a program change (create several presets with the same sound and different tuning tables), by MIDI SysEx command (using a programmable MIDI footswitch or other device), or using a continuous controller (link 2 presets and crossfade between them using a controller). The Just C2, Just C min, Just C3 Tuning Tables These new tuning tables take the concept of just intonation a step beyond previous E-mu products. Fully explaining the mysteries of just intonation is beyond the scope of this manual, but the subject is covered exhaustively in Hermann Helmholtzs On the Sensations of Tone, available at most libraries and bookstores. The new tables are called Just C2, Just C3, and Just C Minor. Try playing in the key of C/Cm using each table. Youll quickly discover both the wonders and the frustrations of just intonation! In Just C, for example, youll nd that the chords C, Em, F, G, and Am sound beautiful. If you hold one of these chords, youll hear no beating. After playing for a few minutes, switch back to Equal Temperament for a rude awakening! At this point you might wonder why anyone would use Equal Temperament to begin with. For the answer to that question, play a D, Dmi, or Bb chord!.The intervallic ratios that make the C & G chords sound so pure make the D chord sound horribly out of tune. That's why we had to include Just C3. In this tuning, D, Dmi and Bb sound in tune, but the G chord will sound wrong. Each of the 4 tables allows you to play a different group of common chords in just intonation. Sadly, there is no single 12 note tuning that will allow all of the common chords to be in tune, and of course that's why they invented the equal temperament tuning system that we use today.

Make sure the two Flash SIMM are located in the required MoPhatt SIMM sockets. 2. Press the Save/Copy menu button. 3. Rotate the Data Entry Control to select the Duplicate Flash SIMM screen shown above. 4. Move the cursor to the bottom line and press Enter. The following screen appears and the Enter LED will be ashing.
If there are no Flash SIMMs in the unit, or if the SIMMs are in the wrong slots, an error message will be displayed.
Press ENTER to overwrite the Flash SIMM in Slot 1
Press Enter again to conrm or any other button to abort. The following screen appears and the SIMM is copied.
DUPLICATING SLOT 0 -> SLOT 1 (Takes about 5 minutes)
When MoPhatt has nished duplicating the SIMM, turn power off, remove the copied SIMM, then reboot. Thats it!
MoPhatt Operation Manual 193

194 E-MU Systems

Appendix
This section provides some of the more technical information about MoPhatt. In this appendix, you will nd information about velocity curves, MIDI commands and PatchCord charts.
Front Panel Knob Functions
The front panel knob functions are standardized for most of the factory presets. The typical functions of the controller knobs are described below. Match the controller knobs on your MIDI controller to the Realtime Controller Assignments in the Master menu to control these functions.
FILTER FILTER CUTOFF ATTACK TTACK WILD 1 FILTER FILTER RES DECAY/RLS DECAY/RLS WILD 2 SHAPE MOVEMENT WILD 3 IMAGE RATE RA TE WILD 4
The Front Panel Knobs can be reprogrammed for each preset and stored in any of the User Presets. The functions shown here are the factory programmed settings.
Filter Cutoff.. Filter Frequency Filter Res. Filter Resonance Shape. Volume or Filter Envelope Attack Image.. Pitch/Glide/Chorus Amount/Layer Volume Attack.. Volume Envelope Attack Rate Decay/Release. Volume Envelope Decay or Release Rate Movement. LFO Amount Rate.. LFO Rate Wild 1.. BEATS = Busy +/-, Non-BEATS = Filt Env Attack Wild 2.. BEATS = Variation, Non-BEATS = Filt Env Release Wild 3.. BEATS = Xpose Grp 1, Non-BEATS = Arp Velocity Wild 4.. BEATS = Xpose Grp 4, Non-BEATS = Arp Gate
MoPhatt Operation Manual 195

Appendix Presets

Presets

Preset Categories

The MoPhatt presets are organized in categories according to the types of sound. Listed below are the categories and their three letter prexes: amb: Ambient bas: Basses brs: Brass instrument gtr: Guitar, acoustic or electric key: Keyboard instrument, organ led: Leads rom: Plays thru multiple instruments in ROM str: Strings vox: Vocals arp: Arpeggiated bpm: Synchro-sonic, clocks bts: BEATS presets hit: Short, powerful kit: Drum kit pad: Sustained, rich sfx: Sound Effects syn: Synthesizer, harmonically rich

:Default v1.0

200 E-MU Systems
Appendix Instrument Listing

Instrument Listing

This section lists the raw instruments in the MoPhatt ROM set. Instruments consist of either multisamples or single samples.
:None bas:The Deepest bas:Hummertime bas:WoofaWrekka bas:Hella Boom bas:Decision'99 bas:Acid 1 bas:Acid 2 bas:Crandle bas:Frog Factory bas:Talk2MeBaby bas:Soulied bas:Speakeasy bas:Warm Welcome bas:Belly-Button bas:KeyONate bas:TheOtherMarc bas:Closer To It bas:Fish Fry bas:Prophet bas:In Theory bas:Persistence bas:Funk Pop 1 bas:Funk Pop2 bas:Funk Slap bas:SlapPopSwtch bas:Funk Finger bas:Funk Hollow bas:Funk Pick bas:Funk Wave 1 bas:Funk Wave 2 bas:Accidental bas:Finger Bass bas:Bagg bas:Destroyer bas:Blipp bas:Echo Hitter bas:DubbyDoRite bas:Dub 2 bas:GrittyStanda bas:Gritty Pulla bas:Krafty 1
42. bas:Krafty 2 43. bas:Swing Hitter 44. bas:Technoid 45. bas:Bender Hit 46. bas:Synth Boom 47. bas:PluckySynth 48. bas:HarpOneShot1 49. bas:HarpOneShot2 50. bas:HarpOneShot3 51. bas:Upright One 52. bas:SP Stand-Up 53. bas:Bass Slide 54. bas:FX F#0-B0 55. gtr:All Wahs 56. gtr:Crybaby Wah1 57. gtr:Crybaby Wah2 58. gtr:5strkchuck83 59. gtr:Wow Wacka 83 60. gtr:WackaGruv283 61. gtr:Wah Jan 83 62. gtr:Wacka 96bpm 63. gtr:Wah 64. gtr:Wah 65. gtr:CoolWaRif113 66. gtr:WACKA Do 113 67. gtr:113 Wackaloo 68. gtr:Wah Coming 69. gtr:Chickenpickr 70. gtr:Chickjacked 71. gtr:Chucka Run 72. gtr:ExcitableWah 73. gtr:Hendrix Wah 74. gtr:LikethisLik 75. gtr:Lil' Chopper 76. gtr:Lil' Chukka 77. gtr:Lil Wah Run 78. gtr:Oddlilhitter 79. gtr:Oh YEahWah 80. gtr:Versa Wa 81. gtr:Wah LikDis 82. gtr:Wah Not? 83. gtr:Wah Scale 1 84. gtr:Wah Scale 2 85. gtr:Wah Scale 3 86. gtr:Wah Scale 4 87. gtr:Wah Scale 5 88. gtr:Wah Scale 6 89. gtr:Wah Scale 7 90. gtr:Wah Scaler 91. gtr:Wah Scaler 2 92. gtr:WahSurprised 93. gtr:Wah Upper 94. gtr:Walk On Waka 95. gtr:Walker Wah 96. gtr:Wuckit 97. gtr:Funky Likka 98. gtr:Squawk Hit 99. gtr:Vinyl Mood 100. gtr:1 Note Mute 101. gtr:RapNylonWave 102. gtr:R&B NylonWav 103. gtr:EffectsD0-B0 104. gtr:Happy Strum 105. gtr:Sexy Slide 1 106. gtr:Sexy Slide 2 107. gtr:2StrokeStrum 108. gtr:Fast Slider 109. gtr:Fine Slider 110. gtr:Nln Strum Dn 111. gtr:Gritty Slide 112. gtr:Knock 1 113. gtr:Knock 2 114. gtr:Squeak 1 115. gtr:Squeak 2 116. gtr:General Elec 117. gtr:Strat 1 Shot 118. gtr:NotherElWave 119. gtr:Dis One Notr 120. gtr:Funk Pop 121. gtr:Pop 2 122. gtr:Chord Bed 123. gtr:Krackly Kord 124. gtr:Amp Noise 125. gtr:Amp Ped

202 E-MU Systems

262. hit:With 2 Tts 263. hit:Splashy 264. str:SP Suspense 265. hit:Weird Nylon 266. hit:Sp Reversal 267. gtr:Mood Riff 268. syn:BrassProphet 269. pad:Plucked Gold 270. syn:Winny 271. syn:P5 Sync 272. wav:Sinusoid 273. wav:Sine /\ 2 274. wav:SineInvrt/\2 275. wav:Sine /\ 3 276. wav:SineInvrt/\3 277. wav:Sawtooth 278. wav:Square 279. wav:Triangle 280. key:010 El Tine 281. key:1 Note Mello 282. key:Nother1Noter 283. key:010 FuzzTine 284. key:Res 1 Shot 285. key:Chords/Hits 286. key:KoolOrgKord1 287. key:Kool Kord 2 288. key:Rhodes FX 1 289. key:WindownLetGo 290. key:Loop da Loop 291. key:Growl Drop 292. key:Org Roll 1 293. key:Harpsinote 294. hit:DanceKey1 295. hit:DanceKey2 296. hit:DanceKey3 297. hit:DanceKey4 298. hit:DanceKey5 299. hit:Organ 300. hit:Maj Org 301. hit:DirtyTine 302. hit:Piano Lick 303. hit:In Concert 304. key:Kool Kord 305. key:Nother 'No 306. key:Perc Organ 307. str:Interrupted 308. str:Section Pizz 309. str:Orch Harp 310. str:Hybrid Synth 311. str:Sctn Legato 312. str:Synthetic 313. str:MoodChrdStab 314. str:Mood Stab 2 315. str:Harp Gliss 316. str:Screenplay 317. str:Sp Loooopy 318. hit:Brass Balls 319. str:Hip Hop Pizz 320. str:Big PluckHit 321. str:Rap OrchRiff 322. str:Heartbreaker 323. vox:TB Ooh! 1 324. vox:TB Ooh! 2 325. vox:Talk Box Ooh 326. vox:Talk Box Aha 327. vox:Freak! 328. vox:TBLet'sDance 329. vox:Booms! 330. vox:Doit! 331. vox:Oh Yeahs! 332. vox:Dan Cher 1 333. vox:Dan Cher 2 334. vox:Funky 1 335. vox:Funky 2 336. vox:All Vowels 337. vox:AllNTPVowels 338. vox:VowelEachOct 339. vox:Vowel Train 340. vox:Vowel Train2 341. vox:Vocoder 342. vox:All Men 343. vox:All Femmes 344. vox:Owwwwwwww 345. vox:Screamer 346. vox:YahWailer 347. vox:Wassup??? 348. vox:Techno Yeah 349. vox:Scratch Talk 350. hit:Scratch Box 351. vox:Podge 352. syn:Vox Pad 353. vox:TB Pad 1 354. vox:TB Pad 2 355. vox:Talk Brush 356. gtr:DistantCry 357. gtr:Heavy 358. syn:Vox Roller 359. vox:TB Boom 1 360. vox:TB Boom 2 361. vox:TB Boom 3 362. vox:TB Boom 4 363. vox:TB Boom 5 364. vox:TB Boom 6 365. vox:TB Do It 1 366. vox:TB Do It 2 367. vox:TB Do It 3 368. vox:TB Do It 4 369. vox:TB Do It 5 370. vox:TB Oh Yeah 1 371. vox:TB Oh Yeah 2 372. vox:TB Oh Yeah 3 373. vox:TB Oh Yeah 4 374. vox:TB Oh Yeah 5 375. vox:TB Oh Yeah 6 376. vox:TB Oh Yeah 7 377. vox:TB Vowel A 378. vox:TB Vowel E 379. vox:TB Vowel I 380. vox:TB Vowel O 381. vox:TB Vowel U 382. vox:TB Vowel Ah 383. vox:TB Vowel Eh 384. vox:TB Vowel Uh 385. vox:TB Vowel Oo 386. vox:Gina Ew 1 387. vox:Gina Ew 2 388. vox:Earth Lisa 389. vox:Male 1 390. vox:Male 2 391. vox:Male 3 392. vox:Male 4 393. vox:Male 5 394. vox:Male 6 395. vox:Male 7 396. vox:Male 8

MoPhatt Operation Manual 205
664. prc:Snare 83 665. prc:Snare 84 666. prc:Snare 85 667. prc:Snare 86 668. prc:Snare 87 669. prc:Snare 88 670. prc:Snare 89 671. prc:Snare 90 672. prc:Snare 91 673. prc:Snare 92 674. prc:Snare 93 675. prc:Snare 94 676. prc:Snare 95 677. prc:Snare 96 678. prc:Snare 97 679. prc:Snare 98 680. prc:Snare 99 681. prc:Snare 100 682. prc:Snare 101 683. prc:Snare 102 684. prc:Snare 103 685. prc:Snare 104 686. prc:Snare 105 687. prc:Snare 106 688. prc:Snare 107 689. prc:Snare 108 690. prc:Snare 109 691. prc:Snare 110 692. prc:Snare 111 693. prc:Snare 112 694. prc:Snare 113 695. prc:Snare 114 696. prc:Snare 115 697. prc:Snare 116 698. prc:Snare 117 699. prc:Snare 118 700. prc:Snare 119 701. prc:Snare 120 702. prc:Snare 121 703. prc:Snare 122 704. prc:Snare 123 705. prc:Snare 124 706. prc:Snare 125 707. prc:Snare 126 708. prc:Snare 127 709. prc:Snare 128 710. prc:Snare 129 711. prc:Snare 130 712. prc:Snare 131 713. prc:Snare 132 714. prc:Snare 133 715. prc:Snare 134 716. prc:Snare 135 717. prc:Snare 136 718. prc:Snare 137 719. prc:Snare 138 720. prc:Snare 139 721. prc:Snare 140 722. prc:Snare 141 723. prc:Snare 142 724. prc:Snare 143 725. prc:Snare 144 726. prc:Snare 145 727. prc:Snare 146 728. prc:Snare 147 729. prc:Snare 148 730. prc:Snare 149 731. prc:Snare 150 732. prc:Snare 151 733. prc:Snare 152 734. prc:Snare 153 735. prc:Snare 154 736. prc:Snare 155 737. prc:Snare 156 738. prc:Snare 157 739. prc:Snare 158 740. prc:Snare 159 741. prc:Snare 160 742. prc:Snare 161 743. prc:Snare 162 744. prc:Snare 163 745. prc:Snare 164 746. prc:Snare 165 747. prc:Snare 166 748. prc:Snare 167 749. prc:Snare 168 750. kit:Nu Soul 751. kit:80s+Drm&Bass 752. kit:Electronica1 753. kit:Dub Reggae 754. kit:DarkBeats 755. kit:DarkBeats2 756. kit:LoFi Kit 757. kit:Nu Metal 758. hit:All Hits 1 759. rom:Thru Memory 760. rom:Vowels 761. hit:All Hits 2 762. kit:1NoHats 763. kit:1NoKickSnare 764. kit:2NoHats 765. kit:2NoKickSnare 766. kit:3NoHats 767. kit:3NoKickSnare 768. kit:4NoHats 769. kit:4NoKickSnare 770. kit:5NoHats 771. kit:5NoKickSnare 772. kit:6NoHats 773. kit:6NoKickSnare 774. kit:7NoHats 775. kit:7NoKickSnare 776. kit:8NoHats 777. kit:8NoKickSnare 778. kit:9NoHats 779. kit:9NoKickSnare 780. kit:10NoHats 781. kit:10NoKikSnare 782. kit:11NoHats 783. kit:11NoKikSnare 784. kit:12NoHats 785. kit:12NoKikSnare 786. kit:13NoHats 787. kit:13NoKikSnare 788. kit:14NoHats 789. kit:14NoKikSnare 790. kit:15NoHats 791. kit:15NoKikSnare 792. kit:16NoHats 793. kit:16NoKikSnare 794. kit:17NoHats 795. kit:17NoKikSnare

MoPhatt Operation Manual 223
Received Channel Commands
Channels number (n) = 0-15. Message bytes are represented in hex. All other numbers are decimal. Running Status is supported. Command
Note Off Note On Key Aftertouch Program Change Channel Aftertouch Pitch Bend Real-time Controller Footswitch Volume Pan Expression All Sound Off Reset All Controllers All Notes Off Omni Mode Off* Omni Mode On* Mono Mode On (Poly Off)* Poly Mode On (Mono Off)* Bank Select MSB Bank Select LSB

Message

8n kk vv 9n kk vv An kk vv Cn vv Dn vv En ll mm Bn cc vv Bn cc vv Bn 07 vv Bn 0A vv Bn 0B vv Bn Bn Bn 7B 00 Bn 7C 00 Bn 7D 00 Bn 7E 00 Bn 7F 00

Bn 00 bb Bn 20 bb

Comments
velocity 0 = note off kk = 0-127 vv = 0-127 0-127 0-127 l = lsb, m = msb cc = 00-31, 64-95 cc = 64-79, vv 64 = on 0-127 0=left, 127=right, 64=center reset by multimap selection or Reset All Controllers turns all sound off ignored in omni mode ignored in omni mode forces all notes & controls off forces all notes & controls off forces all notes & controls off forces all notes & controls off bb = bank MSB (see page 110) bb = bank LSB (see page 110)

* Special Notes:

From Omni Mode.. Omni Off turns Poly On. From Poly Mode. Omni On turns Omni On; Mono On turns Mono On. From Mono Mode.. Mono Off turns Poly On; Omni On turns Omni On. From Multi Mode. Omni On turns Omni On; Omni Off or Mono Off turns Poly On; Mono On turns Mono On. All other changes have no effect.

SysEx Specication

MoPhatt contains an extensive set of MIDI SysEx commands. (Virtually every parameter is controllable via SysEx.) Because of the size and technical nature of the System Exclusive specication, it is beyond the scope of this manual. The complete SysEx specication for MoPhatt is available on the ofcial E-mu Systems, Inc. web site: www.emu.com

224 E-MU Systems

Appendix Technical Specications

Technical Specications

Audio Channels: MIDI: MIDI Channels: Presets:
64 MIDI In, MIDI Out, MIDI Thru user presets. (The number of ROM presets is determined by the sound SIMMs installed.) 6th Order (50 different types) 2 polyphonic analog outputs, 20-bit DACs +4 dB 1000 Ohms 32 MB (expandable to 64 MB) 16-bit linear data 24-bit internal processing 44.1 kHz >92 dB >90 dB 20 Hz - 20 kHz (+2/-1 dB) < 0.02% (1kHz sine wave, A-weighting) < 0.05% Phase Coherent +/- 1 at 1 kHz 15 Watts 90VAC-260VAC at 50Hz-60Hz H: 1.75 inches W: 19 inches L: 8.5 inches 6 lb., 14 oz. (3.1 Kg)
Filters: Audio Outputs: Max. Output Level: Output Impedance: Sound Memory: Data Encoding: Effects Engine: Sample Playback Rate: Signal to Noise: Dynamic Range: Frequency Response: THD + Noise: IMD Stereo Phase Power Consumption: Voltage Input: Dimensions

Weight

MoPhatt Operation Manual 225

Appendix Props

Sounds
Fred Zimmerman G.LOW.O.r?m. Ron E. Beck Sam Ward Janis Chafn Mark Blasquez St. Regis Brothers Lisa Flores Gina Wermuth Dan Becker Kat Ouono Tim Landis Michael VonStruble

MoPhatt Operation Manual 227
When returning your unit to the EMU factory, you will be issued a Return Merchandise Authorization (RMA) number. Please label all cartons, shipping documents and correspondence with this number. EMU suggests you carefully and securely pack your unit for return to the factory. (Do not send the power cord or operation manual.) Send the unit to E-MU Systems, Inc., 1600 Green Hills Road, Scotts Valley, CA 95066. You must pre-pay shipping charges to EMU; EMU will pay return shipping charges. You will be responsible for any damage or loss sustained during shipment in any direction. 3/99

228 E-MU Systems

Symbols
+ modulation polarity 143 modulation polarity 143

Numerics

19-tone tuning 153 1-bar trigger 43 2-pole lters 104 4-pole lters 104 6-pole lters 104
keyboard thru 57 latch mode 57 master parameters 50 MIDI out 48 MIDI song start 48, 58 mode 51 note value 52, 56 pattern 49, 52 pattern naming 62 pattern speed 52 resolution 50 status 51 sync 55 user patterns 59 velocity 50, 53 arpeggiator modes 49 assign group 131 attack, envelope 128, 137, 144, 164 audition beats 38 audition button 26 audition preset 17 audition riff 156 auxiliary envelope 87, 137
A effect types 171, 172 absolute value processor 93 aftertouch, mono 85 algorithm FXA 173, 174 FXB 173, 175 master FXA 70 master FXB 71 all layers 113, 115 alternate tuning 153 amount patchcord 108, 142 amplier 126 amplitude 132, 160 amplitude envelope 127 amplitude modulation 84 arp/beats mode 35 arpeggiate multiple channels 63 arpeggiator 32 channel 32 controls 50 copying settings 188 delay 55, 56 duration 61 extension 50 extension count 54 extension interval 54 factory patterns 52 gate 50 gate time 53 interval 50 key offset 60 key range 58
B effect types 171, 172 balance 107 band-pass lter 103, 133 bandwidth 105 bank 19 bank number 19, 30 bank organization 20 bank select display 26 banks selecting 31 base tempo 36 basic channel 39 basic setup 14 basics, programming 83 beats busy 41 channel 39 markers 26, 37 mode 35, 39 part transpose 45 part velocity 44 parts group 46 riffs 36 trigger layouts 43, 216 trigger offset 44 variation 42 velocity group 1-xpose group 1-bend range 66 breath controller 76 bts preset 20, 40 bts busy 41