The optimal input level for the DP/Pro is just below the point at which the red Headroom LEDs light. Since the DP/Pro provides its best signal-to-noise performance when its Input Level knob is set straight up, its a good idea to set the knob to this position and then adjust the output levels of your sending device to obtain a healthy Headroom LED reading.

Troubleshooting

Battery Replacement
The DP/Pro remembers its effects and various settings even when its power is turned off, since it contains a battery which keeps its memory intact. All batteries eventually become discharged, and 10 ENSONIQ DP/Pro Reference Manual
though your DP/Pro battery should last for years, you may eventually need to have it replaced by an authorized ENSONIQ Repair Station. The DP/Pro will tell you when its battery needs replacing. It will flash the following when you power up:
Warning! Main battery is low. See manual.
This display will appear only briefly, and then allow you to proceed normally. Make sure that everything in RAM that youd like to keepor any special system settingshave been safely stored on an external MIDI storage deviceas described in Chapter 2and take the DP/Pro to an authorized ENSONIQ Repair Station as soon as possible to have the battery replaced.
Reinitializing the DP/Pro
All computer-based devicesincluding the DP/Prooccasionally experience signs of data corruption. If your DP/Pro begins acting oddly, you can reinitialize its software to clear out any problems lurking there. Warning: Make sure youve saved any effects or system settings that you want to preserve to an external MIDI device before reinitializing. Reinitializing erases the contents of the DP/Pros user memory banks, and resets all System/MIDI parameters to their default values.
To Reinitialize the DP/Pro
1. 2. 3. Hold down the System/MIDI button. While continuing to hold the System/MIDI button, press the Cancel button. Let go of both buttons. The displays shows:
Press ENTER to Reinit. All data will be lost!
4. Press the Enter button to reinitialize the DP/Pro.

2System/MIDI Parameters

What Are the Global System and MIDI Parameters?
The global System and MIDI parameters provide options for determining the overall behavior of your DP/Pro. These parameters create the framework within which all other DP/Pro operations occur. Certain special procedures are also available via the System/MIDI parameter pages. All of the System and MIDI parameters are accessed by: pressing the System/MIDI button.
pressing the Next and Previous Page buttons to navigate among the parameters. turning the Value knob to set the selected parameters value.
Tip: When youve altered a parameters value, you can press the Cancel button to undo your edit. You can also double-click the Cancel button to quickly set any parameter to its default value. Tip: Important System/MIDI parameters are bookmarked for easy access. Press the System/MIDI button repeatedly to jump from one bookmarked parameter to the next. You can also use this technique to quickly access any System/MIDI parameter by jumping to the nearest bookmark and then using the Next or Previous Page buttons to locate the parameter you want.
The Numbering of the System/MIDI Parameters
The System/MIDI parameters are numberedas each parameter is selected, its number appears in the auxiliary display to the left of the DP/Pros main display.

P stands for parameter

This shows the number of the currently displayed and selected parameter
Selecting the Type of Audio to be Processed
The first step in using the DP/Pro is determining the type of audio youll be sending into its input jacks. All DP/Pros can process analog audio. Any DP/Pro with an ENSONIQ DI-Pro digital I/O board installed can also process incoming digital audio in AES and S/PDIF formats.
System/MIDI Parameter 1: Input k Input=Analog Clock=48.000 kHz

Values: Default:

Analog; Digital, AES; Digital, S/PDIF; Ana+Dig, AES; Ana+Dig, S/PDIF Analog
Note: The listed values are available when the optional DI-Pro digital I/O board is installed in the DP/Pro. When the DI-Pro board is not present, only the Analog setting is visible.
What this Parameter Does:

The Effect parameter operates in conjunction with System/MIDI parameters 16 and 17, described above. Set the Effect parameter to the number of the effect youd like selected when the DP/Pro receives the Program Change value displayed in the Map field to its left. This feature is active only when parameter 16 is set to Use Map. Each effect is shown as a four-digit number. The first digit represents the bank in which the effect is stored. The three remaining digits show the program number of each effect within the selected bank. If System/MIDI parameter 76 is set to Yes, an asterisk following the effects bank and program numbers shows that the memory location is currently empty. If parameter 76 is set to No, unused locations will not be available for selection by this parameter.
System/MIDI Parameter 19: ENTER to Send SysEx Dump Type ENTER to Send SysEx Dump Type=Bank 0 RAM Effects
Values: Default: Selected Effect; Bank 0 RAM Effects; Bank 1 RAM Effects; All RAM Effects; All System Params (this includes all System/MIDI parameter settings) Bank 0 RAM Effects
When this page is displayed, pressing the Enter button causes the DP/Pro to transmit a System Exclusive (SysEx) data dump of the object selected on the lower line of the display. This provides an opportunity to store the contents of the DP/Pros memory in an external MIDI storage device. Note: Since SysEx data records the MIDI Device ID number of the sending device, make sure to note the setting of the MIDI Device ID parameter (System/MIDI parameter 6) when performing the dump. In order to successfully reload the data back into the DP/Pro at a later date, this Device ID number must match the one embedded in the SysEx data. In addition, the Accept SysEx Msgs System/MIDI parameter (12) must be set to Yes in order for the DP/Pro to reload SysEx data transmitted from an external source.
Setting Up a Reference for Time-Based Effects
Many of the DP/Pros algorithms contain time-based elementsLFOs and delays, for examplethat can be synchronized to a timing reference. This provides a high degree of timing control of those elements. The DP/Pro provides its own internal clock for such purposes, or it can synchronize its algorithms to MIDI clocks received from and external MIDI device. Tip: The algorithm parameter charts in Chapter 6 of the DP/Pro Reference Guide show which algorithm elements are capable of synchronization. Any parameter with the letter T (for Time) in its Attributes column can be synchronized. The DP/Pros internal clock can be set by manually adjusting the System/MIDI System Tempo parameter, or by tapping out the desired tempo on the Tap button. The DP/Pro can be set to respond to Tap button strikes in a variety of ways.

The DP/Pros Effect Finder can search for effects according to the manner in which theyre used. These possible uses are presented as the various Appfor Applicationcategories in Effect Finder (for more on using Effect Finder, see Chapter 3). You can also create up to 10 of your own usage categories for situations not covered by those already written into the DP/Pros software. Each can contain up to 10 effects This will allow you to use Effect Finder to locate effects according to your unique needs. Each of the 10 user-defined categories can be selected from among the App values in Effect Findertheyre listed as Groups 1 to 10.
System/MIDI Parameter 25: Finder App Group k Finder App Group =1 Effect=None Item=1 >

1 through 10 1

The Finder App Group parameter selects one of the 10 App groups. Once youve selected a group, you can choose the effects you want to assign to the group by assigning an effect to each item number.
System/MIDI Parameter 26: Item Finder App Group =1 Effect=None i
Values: Default: 1 through 10 1

Item=1 >

The Item parameter selects one of the 10 itemsyou can think of this as a slotavailable in the selected App group.
System/MIDI Parameter 27: (App Group) Effect Finder App Group =1 Effect=None i
The Effect parameter allows you to assign one of the DP/Pros effects to the currently selected item. Each effect is shown as a four-digit number. The first digit represents the bank in which the effect is stored. The three remaining digits show the program number of each effect within the selected bank. If System/MIDI parameter 76 is set to Yes, an asterisk following the effects bank and program numbers shows that the memory location is currently empty. If parameter 76 is set to No, unused locations will not be available for selection by this parameter.
Grouping Effects for Easy Selection
The DP/Pro allows you to group effects together as songsa DP/Pro song is a list of effects meant to be selected one after the other. A song can use any of the effects in the DP/Pro, arranged in any order. There can be up to 10 steps in each songeach step being associated with a single effectand up to 10 songs in the DP/Pros memory at any given time. You can move forward or back through the list by pressing the pedals on a dual foot switchsuch as an ENSONIQ SW-10 (see the System/MIDI L Ftsw Cntlr and R Ftsw Cntlr parameters below).

System/MIDI Parameter 64: AlgoA Bypass Btn System/MIDI Parameter 65: AlgoB Bypass Btn ESP-A BypassBtn=Bypass ESP-B BypassBtn=Bypass
Values: Bypassshuts off the audio processing being applied by the ESP, allowing dry audio to continue to pass through. Inp Mutestops the inputting of audio into the ESP, allowing any signal already being processed to finish sounding in a natural manner Out Mutestops the output of the ESP, instantly cutting off all audio. This setting allows you to continue sending audio into the ESP, so that when you deactivate the bypass, any audio currently being processed will be heard. All Mutestops both the input to and the output from the ESP. Bypass
The ESP-A Bypass Btn and ESP-B Bypass Btn parameters let you control precisely the behavior of the ESPs when theyre bypassed. Tip: Double-clicking either Bypass button sets the selected ESP to All Mute, regardless of the setting of ESP-A Bypass Btn or ESP-B Bypass Btn parameters.
Enabling/Disabling Status Messages
You can set the DP/Pro so that it will display messages informing you: of the current bypass state of the ESP whose Bypass button youve just pressed.
that the DP/Pro is installing either the last-saved version of the currently selected effect or the contents of the edit buffer when you press the Compare button.
System/MIDI Parameter 66: Display Bypass State k Display Bypass State=Off Show Compare Message=Off

Off; On Off

The Display Bypass State parameter determines whether the DP/Pro will display a status message each time a Bypass button is pressed (On) or not (Off).
System/MIDI Parameter 67: Show Compare Message Display Bypass State=Off Show Compare Message=Off
Values: Default: Off; On Off
The Show Compare Message parameter determines whether the DP/Pro will display a message telling you when its installing the last-saved version of the currently selected effect or the contents of the edit buffer, to help you keep track of which version of an effect is in place.
Protecting Effects from Accidental Erasure
The DP/Pro provides a memory-protection feature to help prevent the accidental erasure of effects in banks 0 and 1 as you create, edit, save, and perhaps inadvertently overwrite, effects.
System/MIDI Parameter 68: Memory Protect k Memory Protect=Off System Wake Up=Restart
The Memory Protect parameter enables (On) or disables (Off) the safeguarding of effects in the DP/Pros user banks from accidental erasure.
Setting What Happens When You Tu rn On the DP/Pro
The System/MIDI Wake Up parameter can be set so that the DP/Pro powers up in either of two states: RestartThe DP/Pro will power up with the default factory effect, DepTh oF SpaCe, selected. RestoreThe DP/Pro will restart with the last-selected effect still selected.

4Signal Routing

Choosing a Signal Path
The audio signals sent into the DP/Pros left and right inputs can be directed through the DP/Pro and out of its left and right outputs in a variety of ways. Each of these signal pathswhich is called a routingprovides a different type of effect processing. Tip: When you select effects n the DP/Pro, each effects routing is shown on the top line of the effect-selection display.

Stereo: Serial

Input Jacks L ESP-A Input Jacks R ESP-B Output Jacks R Output Jacks L
In this routing: The audio sent into the DP/Pros left and right inputs is treated as a single stereo image. The stereo image is sent into ESP-A. The left and right outputs of ESP-A are fed into the left and right inputs, respectively, of ESP-B. The left and right outputs of ESP-B are sent to the DP/Pros left and right outputs.

Stereo: Feedback

In this routing: The audio sent into the DP/Pros left and right inputs is treated as a single stereo image. The stereo image is sent into ESP-A. The left and right outputs of ESP-A are fed into the left and right inputs, respectively, of ESP-B. The left and right outputs of ESP-B are sent back to the left and right inputs, respectively, of ESPA, as well as to the DP/Pros left and right outputs.
Tip: The amount of signal fed back into ESP-A from ESP-B is controlled by the B>A Input Level Mixer parameter (see Chapter 8).

Stereo: Parallel-S

Input Jacks L ESP-A Input Jacks R Output Jacks R Output Jacks L
In this routing: The audio sent into the DP/Pros left and right inputs is treated as a single stereo image. One copy of the stereo image is sent into ESP-A. Another copy of the stereo image is sent into ESP-B. The left output of ESP-A is summed with the left output of ESP-B and sent to the DP/Pros left output. The right output of ESP-A is summed with the right output of ESP-B and sent to the DP/Pros right output.

Stereo: Parallel-M

Input Jacks L ESP-A Input Jacks R Output Jacks L

Output Jacks R

In this routing: The audio sent into the DP/Pros left and right inputs is treated as a single stereo image. One copy of the stereo image is sent into ESP-A. Another copy of the stereo image is sent into ESP-B. The left and right outputs of ESP-A are summed to mono and sent to the DP/Pros left output. The left and right outputs of ESP-B are summed to mono and sent to the DP/Pros right output.

Parameter Name Thresh OutCeiling Release Lookahead Ref Value -20.0dB +0.0dB 100.0ms 25m [Default] Min -96.0dB -99.0dB 50.0us 25m [Default] Max +0.0dB +0.0dB 10.0sec 41.67m [24fps] Attributes M
B=parameter has bi-polar range H=high-frequency limit determined by system sample rate L=lowest frequency limited by Set Min Freq System/MIDI parameter
G=maximum gain limited by Set Max Gain System/MIDI parameter M=parameter has supplemental metered display T=parameter can be synchronized to system clock or MIDI clocks

Compressor/Limiter

Left Lookahead Lo Shelf Input
Sidechain Frequency, Gain Mode

Level Detector

Ratio, Threshold, Knee

Output Level

Lo Shelf

Attack, Release, Hold

Description: Similar to the Compressor algorithm (see next page), but operates as a limiter at high ratios (no makeup gain is applied). I/O Characteristics: Stereo-in, stereo-out
Parameter Name Output Thresh Ratio Knee-Width SC LoCut Fc SC LoCut Gain Detector Attack Release Hold Lookahead Ref Value +0.0dB -20.0dB 1.0:1 Hardest 100Hz +0.0dB Peak 10.0ms 100.0ms 100.0ms 0.0ms Min -99.0dB -99.0dB 1.0:1 Hardest 1Hz -99.0dB Peak 50.0us 50.0us 0.0us 0.0ms Max +96.0dB +0.0dB 100:1 Softest 20.000kHz +0.0dB RMS 10.0sec 10.0sec 10.0sec 50.0ms Attributes M

Compressor

Ratio, Threshold, Target, Knee
Description: A compressor with an adjustable knee and automatic gain makeup. By varying the knee width, the response can be set anywhere from hard and precise to soft and tube-like. The sidechain filter reduces pumping effects, while the adjustable lookahead delay allows precise overshoot correction. The addition of selectable peak or RMS detection makes this a versatile dynamics processor for use with a wide range of sources. I/O Characteristics: Stereo-in, stereo-out
Parameter Name Output Thresh Ratio Target Level Knee-Width SC LoCut Fc SC LoCut Gain Detector Attack Release Hold Lookahead Ref Value +0.0dB -20.0dB 1.0:1 +0.0dB Hardest 100Hz +0.0dB Peak 10.0ms 100.0ms 100.0ms 0.0ms Min -99.0dB -99.0dB 1.0:1 -99.0dB Hardest 1Hz -99.0dB Peak 50.0us 50.0us 0.0us 0.0ms Max +0.0dB +0.0dB 100:1 +0.0dB Softest 20.000kHz +0.0dB RMS 10.0sec 10.0sec 10.0sec 50.0ms Attributes M

Servo Limiter

Left Lookahead
Sidechain Frequency, Cut Output Level

Ratio, Threshold

Description: A feedback-type compressor/limiter based on a vintage design. Notes: Compressor gain is continuously adjusted as a function of the level of the compressed signal itself, resulting in a response quite unlike that of more recent feedforward-type compressors that monitor directly the level of the source. Has adjustable lookahead delay (a feature uncommon in feedback-type compressors) and sidechain EQ. I/O Characteristics: Stereo-in, stereo-out.

Parametric EQ

Peak/Notch

Lo Shelf Lo Shelf

Mid 1 Mid 1

Mid 2 Mid 2

Mid 3 Mid 3

Mid 4 Mid 4

Mid 5 Mid 5

Mid 6 Mid 6

Mid 7 Mid 7

Mid 8 Mid 8

Hi Shelf Hi Shelf
Description: Simultaneous low shelving, high shelving, and eight peak/notch filters. Notes: Peak/notch bandwidth is selectable as the frequency span between the -3 dB points or as that between the half-gain (in dB) points. The former setting has a gentler feel; the latter setting yields symmetric boost/cut curves. I/O Characteristics: Stereo-in, stereo-out.
Parameter Name EQ Input EQ Output BW Def LoShelf Fc LoShelf Gain Mid 1 Fc Mid 1 Gain Mid 1 BW Mid 2 Fc Mid 2 Gain Mid 2 BW Mid 3 Fc Mid 3 Gain Mid 3 BW Mid 4 Fc Mid 4 Gain Mid 4 BW Mid 5 Fc Mid 5 Gain Mid 5 BW Mid 6 Fc Mid 6 Gain Mid 6 BW Mid 7 Fc Mid 7 Gain Mid 7 BW Mid 8 Fc Mid 8 Gain Mid 8 BW HiShelf Fc HiShelf Gain Ref Value +0.0dB +0.0dB 3-dB Width 100Hz +0.0dB 1.000kHz +0.0dB 0.10oct 1.000kHz +0.0dB 0.10oct 1.000kHz +0.0dB 0.10oct 1.000kHz +0.0dB 0.10oct 1.000kHz +0.0dB 0.10oct 1.000kHz +0.0dB 0.10oct 1.000kHz +0.0dB 0.10oct 1.000kHz +0.0dB 0.10oct 10.000kHz +0.0dB Min -99.0dB -99.0dB 3-dB Width 1Hz -99.0dB 1Hz -99.0dB 0.00oct 1Hz -99.0dB 0.00oct 1Hz -99.0dB 0.00oct 1Hz -99.0dB 0.00oct 1Hz -99.0dB 0.00oct 1Hz -99.0dB 0.00oct 1Hz -99.0dB 0.00oct 1Hz -99.0dB 0.00oct 1Hz -99.0dB Max +48.0dB +48.0dB Half-Gain Width 20.000kHz +48.0dB 20.000kHz +48.0dB 4.00oct 20.000kHz +48.0dB 4.00oct 20.000kHz +48.0dB 4.00oct 20.000kHz +48.0dB 4.00oct 20.000kHz +48.0dB 4.00oct 20.000kHz +48.0dB 4.00oct 20.000kHz +48.0dB 4.00oct 20.000kHz +48.0dB 4.00oct 20.000kHz +48.0dB Attributes G G H, L G H, L G H, L G H, L G H, L G H, L G H, L G H, L G H, L G H, L G

Octave EQ

Low Shelving Peak/Notch High Shelving

63 Hz 63 Hz

Low Shelving

125 Hz 125 Hz

250 Hz 250 Hz

500 Hz 500 Hz

1 kHz 1 kHz

2 kHz 2 kHz

4 kHz 4 kHz

8 kHz 8 kHz

16 kHz 16 kHz

High Shelving

Description: A classic octave-band equalizer, but with the lowest and highest bands implemented as adjustable shelves. Low-noise design. Notes: Peak/notch bandwidth is selectable as in the Parametric EQ. I/O Characteristics: Stereo-in, stereo-out.
Parameter Name EQ Input EQ Output BW Def LoShelf Fc LoShelf Gain 125Hz Gain 250Hz Gain 500Hz Gain 1.0kHz Gain 2.0kHz Gain 4.0kHz Gain 8.0kHz Gain HiShelf Fc HiShelf Gain Ref Value +0.0dB +0.0dB 3-dB Width 100Hz +0.0dB +0.0dB +0.0dB +0.0dB +0.0dB +0.0dB +0.0dB +0.0dB 10.000kHz +0.0dB Min -99.0dB -99.0dB 3-dB Width 1Hz -99.0dB -99.0dB -99.0dB -99.0dB -99.0dB -99.0dB -99.0dB -99.0dB 1Hz -99.0dB Max +48.0dB +48.0dB Half-Gain Width 20.000kHz +48.0dB +48.0dB +48.0dB +48.0dB +48.0dB +48.0dB +48.0dB +48.0dB 20.000kHz +48.0dB Attributes G G H, L G G G G G G G G H, L G

Delay+Chorus

Regen Damping

Delay Input Delay Right

Regen Cross-Regen

Delay Mix

Left L

Chorus

Effect Mix

Level Pan Delay Mix

Damping Level Pan
Description: A four-tap modulatable stereo delay combined with a stereo chorus. I/O Characteristics: Stereo-in, stereo-out.
Parameter Name Delay Mix L-Tap1 Time L-Tap1 Level L-Tap1 Pan L-Tap1 Regen L-Tap1 Damping R-Tap1 Time R-Tap1 Level R-Tap1 Pan R-Tap1 Regen R-Tap1 Damping L-Tap2 Time L-Tap2 Level L-Tap2 Pan R-Tap2 Time R-Tap2 Level R-Tap2 Pan Cross-Regen Delay Smoothing Effect Mix LFO Rate LFO Shape LFO L/R Phase Depth Center Spread Ref Value 100% Delay 0.0ms +0% +0% +0% 20.000kHz 0.0ms +0% +0% +0% 20.000kHz 0.0ms +0% +0% 0.0ms +0% +0% +0deg 0ms 100% Chorus 0.0Hz Sine 0deg 0.0ms 0.0ms ---M--Min 100% Dry 0.0ms -100% -100% -200% 1Hz 0.0ms -100% -100% -200% 1Hz 0.0ms -100% -100% 0.0ms -100% -100% -180deg 0ms 100% Delay 0.0Hz Triangle -180deg 0.0ms 0.0ms L--|--R Max 100% Delay 1365ms +100% +100% +200% 20.000kHz 1365ms +100% +100% +200% 20.000kHz 1365ms +100% +100% 1365ms +100% +100% +180deg 100.0sec 100% Chorus 20.0Hz 4-Step +180deg 25.0ms 50.0ms R--|--L Attributes T B B B H, L T B B B H, L T B B T B B B

Delay+Flanger

Description: A four-tap modulatable stereo delay combined with a stereo flanger. I/O Characteristics: Stereo-in, stereo-out.
Parameter Name Delay Mix L-Tap1 Time L-Tap1 Level L-Tap1 Pan L-Tap1 Regen L-Tap1 Damping R-Tap1 Time R-Tap1 Level R-Tap1 Pan R-Tap1 Regen R-Tap1 Damping L-Tap2 Time L-Tap2 Level L-Tap2 Pan R-Tap2 Time R-Tap2 Level R-Tap2 Pan Cross-Regen Delay Smoothing Effect Mix LFO Rate LFO Shape LFO L/R Phase Depth Center Notch Depth Regen Ref Value 100% Delay 0.0ms +0% +0% +0% 20.000kHz 0.0ms +0% +0% +0% 20.000kHz 0.0ms +0% +0% 0.0ms +0% +0% +0deg 0ms 100% Flanger 0.0Hz Sine 0deg 0.0ms 0.0ms 0% 0% Min 100% Dry 0.0ms -100% -100% -200% 1Hz 0.0ms -100% -100% -200% 1Hz 0.0ms -100% -100% 0.0ms -100% -100% -180deg 0ms 100% Delay 0.0Hz Triangle -180deg 0.0ms 0.0ms 0% -99% Max 100% Delay 1365ms +100% +100% +200% 20.000kHz 1365ms +100% +100% +200% 20.000kHz 1365ms +100% +100% 1365ms +100% +100% +180deg 100.0sec 100% Flanger 20.0Hz 4-Step +180deg 25.0ms 50.0ms 100% +99% Attributes T B B B H, L T B B B H, L T B B T B B B

Delay+Phaser

Description: A four-tap modulatable stereo delay combined with a stereo phaser. I/O Characteristics: Stereo-in, stereo-out.
Parameter Name Delay Mix L-Tap1 Time L-Tap1 Level L-Tap1 Pan L-Tap1 Regen L-Tap1 Damping R-Tap1 Time R-Tap1 Level R-Tap1 Pan R-Tap1 Regen R-Tap1 Damping L-Tap2 Time L-Tap2 Level L-Tap2 Pan R-Tap2 Time R-Tap2 Level R-Tap2 Pan Cross-Regen Delay Smoothing Effect Mix LFO Rate LFO Shape Depth Center Notch Depth Regen Ref Value 100% Delay 0.0ms +0% +0% +0% 20.000kHz 0.0ms +0% +0% +0% 20.000kHz 0.0ms +0% +0% 0.0ms +0% +0% +0deg 0ms 100% Phaser 0.0Hz Sine 0% 0% Min 100% Dry 0.0ms -100% -100% -200% 1Hz 0.0ms -100% -100% -200% 1Hz 0.0ms -100% -100% 0.0ms -100% -100% -180deg 0ms 100% Delay 0.0Hz Triangle 0% -99% Max 100% Delay 1365ms +100% +100% +200% 20.000kHz 1365ms +100% +100% +200% 20.000kHz 1365ms +100% +100% 1365ms +100% +100% +180deg 100.0sec 100% Phaser 20.0Hz 4-Step 100% +99% Attributes T B B B H, L T B B B H, L T B B T B B B

Distortion+Chorus

Left Distortion Lo Shelf Mid 1 Mid 2 Hi Shelf Chorus Output Right
Description: Stereo distortion combined with a stereo chorus. I/O Characteristics: Stereo-in, stereo-out.
Parameter Name Dist LPF Fc Dist Offset Dist Gain Dist Curve Dist Volume Post VCF Fc Post VCF Q Dist Dry Lev EQ Input LoShelf Fc LoShelf Gain Mid 1 Fc Mid 1 BW Mid 1 Gain Mid 2 Fc Mid 2 BW Mid 2 Gain HiShelf Fc HiShelf Gain EQ Output Effect Mix LFO Rate LFO Shape LFO L/R Phase Depth Center Spread Ref Value 2.00kHz 0% 0.0dB Soft 0dB 2.00kHz 1.0 Off 0.0dB 100Hz 0.0dB 1.00kHz 1.0 0.0dB 1.00kHz 1.0 0.0dB 10.0kHz 0.0dB 0.0dB 100% Chorus 0.0Hz Sine 0deg 0.0ms 0.0ms ---M--Min 10Hz -99% Off Soft Off 10Hz 1.0 Off Off 10Hz Off 10Hz 1.0 Off 10Hz 1.0 Off 10Hz Off Off 100% Dist 0.0Hz Triangle -180deg 0.0ms 0.0ms L--|--R Max 20.0kHz +99% +48dB Buzz 0dB 7.10kHz 40.0 0.0dB +24dB 20.0kHz +24dB 20.0kHz 40.0 +24dB 20.0kHz 40.0 +24dB 20.0kHz +24dB +24dB 100% Chorus 20.0Hz 4-Step +180deg 25.0ms 50.0ms R--|--L Attributes H, L B
G H, L G H, L G H, L G H, L G G T B

Distortion+Flanger

Left Distortion Lo Shelf Mid 1 Mid 2 Hi Shelf Flanger Output Right
Description: Stereo distortion combined with a stereo flanger. I/O Characteristics: Stereo-in, stereo-out.
Parameter Name Dist LPF Fc Dist Offset Dist Gain Dist Curve Dist Volume Post VCF Fc Post VCF Q Dist Dry Lev EQ Input LoShelf Fc LoShelf Gain Mid 1 Fc Mid 1 BW Mid 1 Gain Mid 2 Fc Mid 2 BW Mid 2 Gain HiShelf Fc HiShelf Gain EQ Output Effect Mix LFO Rate LFO Shape LFO L/R Phase Depth Center Notch Depth Regen Ref Value 2.00kHz 0% 0.0dB Soft 0dB 2.00kHz 1.0 Off 0.0dB 100Hz 0.0dB 1.00kHz 1.0 0.0dB 1.00kHz 1.0 0.0dB 10.0kHz 0.0dB 0.0dB 100% Flanger 0.0Hz Sine 0deg 0.0ms 0.0ms 0% 0% Min 10Hz -99% Off Soft Off 10Hz 1.0 Off Off 10Hz Off 10Hz 1.0 Off 10Hz 1.0 Off 10Hz Off Off 100% Dist 0.0Hz Triangle -180deg 0.0ms 0.0ms 0% -99% Max 20.0kHz +99% +48dB Buzz 0dB 7.10kHz 40.0 0.0dB +24dB 20.0kHz +24dB 20.0kHz 40.0 +24dB 20.0kHz 40.0 +24dB 20.0kHz +24dB +24dB 100% Flanger 20.0Hz 4-Step +180deg 25.0ms 50.0ms 100% +99% Attributes H, L B

Distortion+Phaser

Left Distortion Lo Shelf Mid 1 Mid 2 Hi Shelf Phaser Output Right
Description: Stereo distortion combined with a stereo phaser. I/O Characteristics: Stereo-in, stereo-out.
Parameter Name Dist LPF Fc Dist Offset Dist Gain Dist Curve Dist Volume Post VCF Fc Post VCF Q Dist Dry Lev EQ Input LoShelf Fc LoShelf Gain Mid 1 Fc Mid 1 BW Mid 1 Gain Mid 2 Fc Mid 2 BW Mid 2 Gain HiShelf Fc HiShelf Gain EQ Output Effect Mix LFO Rate LFO Shape Depth Center Notch Depth Regen Ref Value 2.00kHz 0% 0.0dB Soft 0dB 2.00kHz 1.0 Off 0.0dB 100Hz 0.0dB 1.00kHz 1.0 0.0dB 1.00kHz 1.0 0.0dB 10.0kHz 0.0dB 0.0dB 100% Phaser 0.0Hz Sine 0% 0% Min 10Hz -99% Off Soft Off 10Hz 1.0 Off Off 10Hz Off 10Hz 1.0 Off 10Hz 1.0 Off 10Hz Off Off 100% Dist 0.0Hz Triangle 0% -99% Max 20.0kHz +99% +48dB Buzz 0dB 7.10kHz 40.0 0.0dB +24dB 20.0kHz +24dB 20.0kHz 40.0 +24dB 20.0kHz 40.0 +24dB 20.0kHz +24dB +24dB 100% Phaser 20.0Hz 4-Step 100% +99% Attributes H, L B

BroWn 224 & SwirL Reverb, Hall PerCuSSion PlaTe SnAre VerB VintagE RooM CluB MoDeleR SpAtiaL DelaYs TaP-TemPo BouNce AnTiMatteR DelaYs ResoNanT DelaYs RandomiZed DelaYs LusCiouS DelaYs TwEakY TaPs TimE ModuLatoR W i D e N inG TaPs Reverb, Plate Reverb, Plate Reverb, Hall Reverb, Hall Delay, Spatial Delay Delay Delay Delay Delay Delay Delay Delay, Spatial PitchMod PitchMod PitchMod
LusH Multi-ChoRus PitchMod Wild Multi-Chorus Shifted Chorus DiamonD ChoRus
ParaMetriC ChoRuS PitchMod Pretty Harmonizer Chordal Harmony EviL ScaRy HarMo HarMo-SynThesiS PitchMod PitchMod PitchMod PitchMod

2077 2078

LosT SouLs HarMo LiQuiD FlanGe RhYthM FlanGe MulTi-PhaSor LiQuiD PhaSor RhYthmiC PhaSor SloW TreMoLo GuiTaR TreMoLo Pad Chopper
PitchMod PitchMod PitchMod PitchMod Delay, PitchMod PitchMod Dynamics Dynamics Reverb, NonLin, Spatial, Dynamics Dynamics Spatial PitchMod, Spatial Delay, PitchMod, EQ/Filtr Delay, PitchMod Delay, EQ/Filtr Amp/Spkr Delay Reverb, Hall, Delay Spatial, EQ/Filtr, Amp/Spkr Spatial, EQ/Filtr, Amp/Spkr Spatial, EQ/Filtr, Amp/Spkr EQ/Filtr, Amp/Spkr EQ/Filtr, Amp/Spkr EQ/Filtr, Amp/Spkr Reverb, Room, Spatial, EQ/Filtr, Amp/Spkr EQ/Filtr, Amp/Spkr
Rec/Mix, Guitar-E, Keys, Vocals Rec/Mix, Guitar-E, Keys, Vocals Rec/Mix, Bass, Guitar-E, Keys Rec/Mix, Drums, Guitar-E, Keys, Percussn, Vocals Rec/Mix, Guitar-E, Keys Rec/Mix, Guitar-E, Keys Drums, Keys, Percussn, Rec/Mix Rec/Mix, Guitar-E, Keys Rec/Mix, Guitar-E, Keys Keys, Drums, Rec/Mix, Vocals, Guitar-E Rec/Mix, Guitar-A, Guitar-E, Keys, Percussn, Vocals Rec/Mix, Guitar-E, Keys, Vocals, Percussn Rec/Mix, Guitar-E, Keys Keys, Vocals, Rec/Mix, Guitar-E Guitar-E, Keys, Rec/Mix, Vocals Rec/Mix, Vocals, Keys, Guitar-E Guitar-E, Keys Rec/Mix, Guitar-E, Keys, Vocals Live/PA, Rec/Mix, Brass, Guitar-A, Guitar-E, Keys, Piano, Strings, Vocals, WindReed Master, Rec/Mix, Drums, Percussn, *Custom Master, Rec/Mix, Drums, Percussn, Vocals, *Custom Rec/Mix, Master, Drums, Vocals, Percussn, *Custom Rec/Mix, Drums, Percussn, Vocals Live/PA, Rec/Mix, Bass, Drums, Guitar-E, Keys, Vocals Live/PA, Rec/Mix, Vocals, *Custom Rec/Mix, Guitar-E, Keys
Lost Souls Speed / Depth Liquidity Edge Notch Factor Swirl Factor Stages Rotation Add Stereo Chop Factor
Regen Psychadelia Rotation Dampness Rotation Liquidity Step Mix Phaser Depth Intensity Inverse
PsychaDeliC FlanGe PitchMod

2093 2094

TemPo-PaNNeR Animated Random Flange-o-Pan ChaT-ShiFt Phasic-Chatter PsyKotic Chat RoTarY In SpacE DeeP Sea EcHo DDL and Reverb InStanT AntiQue TabLe RaDio AurAtOnEs tiny SpEaKerS Subwoofer AM TrAnsisToR Amp In A RooM
Less Center Animation Wider DDL Level Add Delays Mess It Up Fast / Slow Delay Length DDL Regen Age Hum / Buzz Distance Ugliness Crossover Pt Distance Mic Position
More Edge Intensity Random Pitch Balance Faze Phactor DDL Level Room Size Feedback Texture Hiss Level Noise Brightness Image Subharmonics Cheapness Uni-Vibe

HaRd WooD RooM 126 HarMo-SynThesiS 127 Headroom LEDs 10 Heat 10 HF, glossary entry 139 HiCut, glossary entry 139 Hiding unused effect locations 34 Highest quality 14 HiShelf, glossary entry 139 Hold, glossary entry 139 Hysteresis, glossary entry 139
I/O Level switch 10 Inc, glossary entry 139 Independent gating of left and right channels 60 Input jacks 14 Input level 9
described 10 optimal setting 10 Input Level Knob optimal setting 10 Input parameter 14 Input type selecting 14 Installing effects, algorithms and variations 7 InStanT AntiQue 128 IntiMate Hall 125 Item parameter 23
LusciouS PlaTe 126 LusH Multi-ChoRus 127
MaJestiC HaLL 125 MaKe My MiX LOUD! 129 Making changes permanent 8 Map 1 through 4 parameters 114 Map parameter 19 Master EQ & LiMiTMaster EQ & LiMiTMaster EQ & Widen 129 Mastering Limiter algorithm 53 Max 1 through 4 parameters 113 Max 1 through Max 4 parameters 116 Maximum boost limit, setting 33 MediuM RooM 126 Memory locations RAM 37 ROM 37 user-writable 37 Memory Protect parameter 31 Memory protection enabling and disabling 31 Meter Function switch 10 LEDs 10 Meter Range parameter 32 Metering setting up front-panel HeadroomLEDs 10 within algorithms 32 Method 1 through Method 4 parameters 115 MIDI Bank Select messages 37 capabilities 15 channel ESP-A and ESP-B 16 summary 15 System 16 controllers list 130 enabling reception controllers 17 overall 16 Program Change and Bank Select messages 17 SysEx Data 17 enabling transmission controllers 18 Program Change and Bank Select messages 18 glossary entry 139 implementation chart 131 jacks MIDI In, glossary entry 140 MIDI Out, glossary entry 140 ENSONIQ DP/Pro Reference Manual

Jacks Input 14

Knee width, glossary entry 139 Knob 1 Name parameter 117 Knob 2 Name parameter 117
L Ftsw Cntlr parameter 27 Large PlaTe 126 LEaD VoCaL PlaTe 125 LED, glossary entry 139 LEDs 2 Leslie speaker simulation 87 LF, glossary entry 139 LFO glossary entry 139 in algorithms shared waveshapes 52 Mod LFOs defined 118 LFO 1 Shape parameter 118 LFO 2 Shape parameter 118 Limiter, glossary entry 139 Lin 113 Line conditioning 9 LiQuiD FlanGe 128 LiQuiD PhaSor 128 LivE DruM SpaCe 127 LoCut, glossary entry 139 Log 113 Lookahead, glossary entry 139 LooP CrUncHeR 129 LooP GooP 129 LooP Mangler 128 Loop Recorder algorithm 68 Loop-ReCord & EQ 129 LoShelf, glossary entry 139 LosT SouLs HarMo 128 Low-frequency limit, setting 33 LSB, glossary entry 139 LusCiouS DelaYs 127 10