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3232 Band Flanger 7811 Band Phaser 1815 Banddelays 3610 BanddelaysBandtaps 7210 Bandtaps+CrsSpOBrian 6710 BandtapsBarking Chamber 7911 Basic Stereo Echo 7711 BasicRoom 1816 Basilica 4912 Bass Balls 7211 Bass Rack 3513 Bass Space 7212 BB Delayz 615 Beatbox Reverb 4312 Beeg Garage 1610 Bejing Dragons D 5712 Bejing Dragons V 8012 Bell Constr. Kit 6310 Bell Ringer 6311 BeyondTheStars 6312 Big Church 6313 Big Hall Big Movie 5013 Big Muff W/ Dead 9v 814 Big Room 5423 Big Squeezolo 616 Big Voice Pro 4510 Bigger And Brighter 1917 Bigger Is Wider 815 Biomechanica 816 Biomechanica Three 854 Biomechanica Two 817 Bit Desert Bit Desert BitDecimationPreamp 819 Bits Cruncher 820 Bits Smasher 6410 Black Hole 3314 Black Queen 2610 Blue Box Verb 2311 Blues Heart 7412 Bob's New Room 6611 Boom Box 1713 Boston Chamber 617 Brain Loops 618 Brass Plate 6211 BrassPlt+1210Chorus 7111 Brightener British Smash Broadcast Delay Bubbly Freq Flange Bullhorn B-vox Delays+verb B-vox Pitch+verb C3P-Yo! Can't Carry Tune Carsultyal Steel Catacomb CB Radio CBM Phaser Cellular Phone Centering Echoes Chamber2 Character Shift 1>2 Chim-Chiminee Chipmunks Choir+Diffchorus Choir+Diffchorus 2 Choir+Verb Choir+Verb 2 ChoralEchoVerb ChoralWindVerb Chordal Swell ChordConstruct'nKit ChordRezonator8 Chorus & Plate Chorus Smear Chorusdelays Chorusdelays2 ChorusEchos 8ch Chorused Cabinet Chorused Delays ChoruspaceO'Brien Chorustaps Chorustaps 2 ChromaticTuner Circle Panner Circles&Ellipses Class A Distortion4 Classroom Clean Chords CleanPreamp Clearmntn Claps Clearmntn Delays Click Test Clock Radio 3212 Close Nonlinear 510 Cloudfuzz 511 ClrmntnDlys+EMTplate 512 Clrmtn's NemWhipper 4713 ColorSlapGuitar 4714 Colortaps+Verb 3014 Comb Distortion 1818 Comb Room 1819 Combdelays 2117 CombdelaysCombtap+Diffchorus 910 Combtaps 911 CombtapsComp(3bandFIR) Quad 3015 Comp(3bandFIR)_S 821 Comp(4bandFIR)_S 623 Comp(5bandFIR)_M 4915 Comp/Eq/Micro/Verb 5418 Compr>3band Eq 8ch 5523 Compress & De-ess 5517 Compress Highs Only 5518 Compressor_Cousin It 5520 Crafty Ensemble 5521 Crafty EnsembleCrazy Dialer 5524 CreamyVocoderAlpha 5525 CreamyVocoderBeta 5527 CrWrlds2+AMSDMXCrWrlds2+SPlt+AMSDM 317 Crypt Echo 318 Crystal 5th Caves 6316 Crystal Caves 6317 Crystal Heaven 4916 Crystal Morpher 6212 Crystal Oct & 5ths 3811 Crystal Octaves 5210 Crystal Orbits 2215 Crystal Pad Crystal Sevenths 5723 Crystal Worlds CrystalGyroscope 2216 Cumulo-nimbus 1821 Cup Mute 6411 Cussing It 1012 Cyber Twang 1013 Deep Space 1312 Delays Matrix 1313 Delays Suite 5811 Delaytaps Delaytaps 2 Demondelay Denny's Echoroom Der Verb Dervish Desert Oboe DesertDemon DesertDistortion DesertMorpher DesertPercussion1 DesertPercussion2 DesertVoices Detune & Reverb Detune Chorus Detuned Band Delay DetuneRoom#28 Detuners 8ch Diatonic +/- Oct Diatonic +3rd+5th Diatonic +3rd+7th Diatonic +4th+6th Diatonic +5th+Oct Diatonic +5th-4th Diatonic +5th-oct Diatonic Thesaurus Diatonic Trio Diatonic_8mod DiatonicShift_8 Diatonicshift_O Diatonicshift_Q Diffchorus+Delay Diffchorus+Delay 2 DiffuseRoom#24 Dig Sig Gen 4 Digi Cell Phone Digi Timesqueeze(R) DigiDegrader Dimension D Dinosaurs Dirty Master Box 4 Dist-o-rt Maniac Distortion Preamp Dither Dly>Phsr_Ambience Dly>Phsr_MPitch DontGoInTheCellar Doom Of Matrix Doorbell (403)

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TrueStereoPhaser Turbulence TV In Next Room Twang Guitar Two Band Crossover Two Delays Two Longdelays Two Reversedelays Ufo (413) UK Ambience UK Bright UK Nonlinear Ultra AutoCorrect Ultra Cents Ultra Cents 2 Ultra Diatonic Ultra Diatonic 2 Ultra Diatonic 3 Ultra Interval Ultra Interval 2 Ultra Interval 3 Ultra UserScales Ultra UserScales 2 Ultra UserScales 3219 Ultratap 1 Ultratap 2 Undo Manifold Undoloop Undulate Union Station Verb Universal Matrix Univibe Unreelroom Unreelroom_Q Up Banddelay Vai Shift 1 Vai Shift 2 Varispeed Sampler Verb Tester Vibra Pan Vibrato_S Vibropad Video Delay 8 Vintage Delay Vintage St DuckDlys Virtual Pedalboard Virtual Rack 1 Virtual Rack 3039 Virtual Rack 3 Vocal Chamber Vocal Chorusdelays Vocal Hall Vocalflyer_M Vocalflyer_S VocalverbTwo Voder 13 Voice Disguise Voice Process Pro Voice Processor Vox Channel Strip Vox Double+Slap Vox Plate Vox Pro_VintDly Vox Shimmer Voxplate / Chorus VoxPro_Vdly_Chorus VoxProcess_S Walkie Talkie Wammy_s WaPolyReverse Warm Shift Waterized Water-like Wavelab WeKnowBeetBoxTrtMe We're A Big Crowd We're A Small Crowd Whirly Mellow White Noise White Queen Wicked Wide Hall Wide Room W-I-D-E Solo Wideshift Will-o-the-wisp WitchesDance With Warts In WonderfulBirds Wooden Mens Room Woosh Maker Wormhole X-DSP Contr Receive X-DSP Contr Send YourHarmonyDevice Zipper Up

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Banks and Presets
The H8000 does not use banks in the same way as the DSP4000 and Orville. However, the presets are arranged in such a way that the first two of four digits of the preset number may be thought of as a bank number. Programs sharing this bank number will be similar in type or function.

1 Simple

List of banks and also basic Mute, Thru and Oscillator presets.

H8000 Banks Mute

Nothing in, nothing out. Thats all.

96 8,0,8,0,8

Thru Oscillator (440)
The preset's input is electronically connected to the output. Octal in and out. General-purpose oscillator. On loading it is set to a 440 Hz sine wave for tuning. LFO (fm) allows addition of an offset and modulation. Output will clip above +12dB. Aliasing will be audible on triangular and square waves at higher frequencies. Nothing in, mono out.

Note Oscillator

96 4,4
A simple oscillator whose frequency is that of the chosen note. Quad in, quad out.

2 Artist Bank

This bank includes some of the classic presets written by and for artists, using Eventide effects units.

Amp-u-lation

96 2,2
Tube power amp/speaker emulation. This little guy can really do the trick of cleaning up harsh fuzz or to feed a P.A. Stereo in and out.

{PM}[G]

AMS DMX Guitar AMS Lucky Man BackwardGarden3 BackwardGarden3 BadBadThing Big Muff W/ Dead 9v

Reich Loops 3

{DY}[GVKXS](tim) A simple quad loop with <t_skew> parameters which add that time to their respective loop lengths. Be careful as artifacts from changing <t_skew> will occur within the feedback path. Quad in and out.

727 728

Rotation Loop RotationManifold

48 4,4,4

{DY}[GVKXS](tim) Quad loops (40sec) feedback to next loop # this rotates the loop clockwise over time. Quad in and out. {PRDCY}[GVKXS](TT)(tim) 'rotation loop + effects. Shifts>loops>verbs>slaps. quad shifts (2 sec) quadloops (40sec) feedback to next loop # quadverbs quadslaps out1=shift1/loop1/verb1/slap4 out2=shift2/loop2/verb2/slap3 out3=shift3/loop3/verb3/slap2 out4=shift4/loop4/verb4/slap1 Quad in and out.

729 730

Skew Loop 1
" Skew is set in seconds.

48 2,2,2

Skew Loop 2
" Skew is set as a percentage of loop length.
{DY}[GVKX](tim) Stereo loops. Right loop has a <skew> amount parameter which adds that amount to its loop length. Max delay is 80 sec on left and 90 sec on right. Stereo in and out.

731 732

Undo Manifold Undoloop
'Undo Loop' + effects. pitch>loops>verb>delays. Stereo in and out.

{PRD}[GVKX](TT)(tim)

{D}[GVKX](tim) Signal feeds a stereo 30 sec loop used as a buffer. If you like what you hear hit <merge>, If you don't hit <clear>. During the 'event' no new data can be input. Event duration equal to loop length. Stereo in and out.

YourHarmonyDevice

{PRDM}[GVX] Mono loop (max 10 sec) >3 shifters with pre-settable values>autopanner >verb. Build a sequence of chords with tune 1/2/3 parameters & step thru it with triggers or ext. triggers( Tip 2 & Ring 2). <assign1> is volume pedal to loop. <assign2> is loop feedback. Great 4 E-BOW pads!!! Loop a C Root tone & step thru chords while you solo on top. Summed in, stereo out.

Envelope Flanger 8

48 8,8
A flanger that is controlled by the level of the input. <attack> and <decay> control the response time. For something different, try LONG <depth>'s. Octal in and out.

96 || 8,8

828 829
Flange Echoes Flanged Delays Hiccup Chorus
{DME}[VD](TT) Each of four flangers are panned and then feed a stereo echo. Stereo in and out. Two delays in which the echoes are flanged. Stereo in and out. Eight chorusing delays into a stuttering tremolo effect. You can engage an external control to change the trem rate. Summed in, stereo out.

831 831

Infinite Flange Infinite Flange

48 2,|| 2,4

Many flange lines are modulated such that you always hear rising or falling flanges. Because of the mechanisms involved, the program distorts upon loading (sorry!). (1+2), 4 (mono) out. Summed in, mono out.

{RDE}[K]

Leslie Simulator
Basic rotating speaker effect with a little reverb. There's actually two speakers (high and low) and you can alter each to your taste. When you load this preset, the settings are for what we believe to be most natural. Summed in, stereo out.
Pan Chorus's Panning Delays Pingchoruspong Polymod Chorus

96 2,2,2,2,2

Four delays are panned and swept with eight oscillators, creating a rich but tight field of voices. Stereo in and out. Four delay lines. Each is panned by its own LFO. Also, each has another LFO modulating its delay. Stereo in and out. Series delays with LFO's. Summed in, stereo out.
{DM}[GK] Three sets of stereo delays with FM modulation of each set. This allows very rich modulation while smearing the sense of sweep patterns. Stereo in and out.
Polymod Delay Pure Comb Flange Pure Comb Flange8

96 2,4,8,8

Tweak of 'polymod chorus' set for chorus and delays with subtle modulation patterns. Stereo in and out.

838 839

A flange modulated by the level of the input. Attack and Decay control response. Flange controls depth. The Flange is recombined with the INVERSE of the original signal. All that remains are the combs.

QuantizedDelays

These four parallel delays have user selectable bit paths. These allow emulation of older style gear. 24 bit all the way down to one. Summed in, stereo out.

1315 1315

Europa Europa Galaxy Borders 2 Galaxy Borders 2

48 2,|| 2,2,|| 2,4

{PRE}[XS](TT) Breathing crystals. Eq > Verb > 4v reverse shifters(10 sec)Galaxy Border BACKWARDS! Stereo in/Quad out.
{PRE}[XS](TT) Starhip Argon 576KWX gets out of Nebula415, reaching the Galaxy Border. eq>reverse shifters(10 sec)>verb. Try with longer delay settings. Stereo in/Quad out.

1316 1316

Gothica VROOOM Gothica VROOOM
{PRE}[XS](TT) Arcanum Misterium iacet in Gothica VROOOM. EQ > Verb > 4v reverse shifters (10 sec) Galaxy Border BACKWARDS! Stereo in, quad out.

1317 1317

Italo's Space Italo's Space
{PRE}[XS](TT) Strange & beautiful place. EQ > Verb > 4v reverse shifters (10 sec) Galaxy Border BACKWARDS! Stereo in, quad out.

1320 1321

{DM}[XS]
MachineLife MachineLife Onirica Ritmica Onirica Ritmica Singularity Stratospherics

48 2,|| 2,2,|| 2,2,2,2

{PRD}[XS] 'BeyondTheStars' in parallel with 'Tapdelays'. Stereo in, quad out.
{PRE}[XS](TT) Sides bounce! EQ > Verb > 4v reverse shifters(10 sec) > Ring Modulators. Stereo in, quad out. {PRD}[XS] Eight detuners set as a continuously downward atmosphere. Great for sparse source material. Stereo in and out. Strange oscillating delays with modulation. Unusual rhythmic effect or ambiance if used with volume swells. Summed in, stereo out.

14 Filters

This bank offers a collection of static and modulated filters: was, formant mouthlators, harmonic enhancers, sample & hold filters, sweeps and synth-style filters, bandpass and crossovers. We have included many of our favorite effects here.

'AllWays'PanFltr

96 2,4
Eight filters modulated such that at any time 4 are going 'up' and 4 are going 'down'. The effect takes a few seconds to kick in. Mono in, dual stereo out.

Cup Mute

Simulates the sound of a trumpet-like bell with a cup mute. A generalized mod input is accepted to modulate the input on the fly. Hit parameter to get second page of parameters. Mono in, stereo out.

Dual Modfilters

{MEY}[GVDK](TT) Dual envelope filters/wa/auto wa pedals. <masters> override individual channels. Env normally=lowpass, Wa normally=bandpass. Stereo in and out.

Tight Bandpass Mod Two Band Crossover

48 2,2,4

A very tight bandpass modulated by an LFO. Taps controls timbre. Summed in, quad out. Two-band crossover Stereo in, stereo hi and low bands out. Stereo in, dual stereo out.

15 Fix Tools

This bank includes presets to correct out-of-tune vocals and Nem Whippers created for Bob Clearmountain, used to precisely correct pitch in vocal tracks.

{P}[V]

Auto Pitch Correct
Automatically corrects any vocal that is within half a semitone of the correct pitch. Outside of this range it will pull to the next note. Note that this process will quantize the pitch of the signal (you do have control over the quantize factor) so be careful, as you may loose slides and inflection. Summed in, stereo out.

1511 1513

Clrmtn's NemWhipper
" Summed in, mono out.

NemWhipper Dual

" Dual mono in, dual mono out.

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NemWhipper Stereo
" Stereo in and out.
This is a pitch shifter set up to allow precise correction of out-of-tune notes. Each of four selectable settings permits specifying of a maximum and minimum pitch shift limit, so the engineer can 'whip' the knob quickly to the desired degree of correction. without fear of overshooting.

External Correct

Pitch shifter set up to enable the 'fix it in the mix' engineer to ride flat vocals with the pitch wheel of a MIDI keyboard, modulating the shifter +/- 100 cents. Summed in, stereo out.

16 Front Of House

A great group of presets crafted for Front-of-the-House work, including multi-fx networks, classic Eventide Micropitch thickeners, reverbs, delays, detuners, compressorsall you might need on your live mixing boards.

Character Shift 1>2

A simple two voice detuner/shifter with a feedback loop feeding each voice back to the mono put.Each feedback loop has an integrated slew filter as an effective tool for characterization. Mono in, stereo out.

Eq & Comp + Timer

A special live preset, designed for conferences with a close time schedule: 2 channels of EQ and compression with an independent timer function: Enter the desired amount of speech time and hit the 'start' soft key. When the time is over the back panel relays are switched. (see 'hookup' SOFT KEY) IMPORTANT:Timer has NO effect on audio! Audio chain includes two bands of parametric EQ plus sweep-able locut filter and linkable soft knee compressor for each channel. Switchable in, stereo out.

1612 1612

F Of H Multi F Of H Multi
{PRDM}[GVDK] Multieffects. In1>pitch, in2>delays, in3> vocal reverb, in4> percussion reverb. Pitch + delays stereo out 1+2 reverbs stereo out 3+4. Quad in, stereo out.

17 Inst - Clean

Clean Preamp simulations with effects. We have used a guitar to set parameter values, particularly the EQ settings - feel free to adjust them to your needs. Preamp, compression, EQ and gate form the basic structure. Volume Pedal is patched to Assign 1 as a default.
Acoustic Gtr Rack Bass Rack 96 2,2,2
{PRDMCEY}[G] EQ>Compression>Chorus>Delay>Reverb followed by a stereo out mixer. DLY>VRB knob controls input to the reverb section. Mono in, stereo out.

1712 1713

{EY}[GV]
Biomechanica CleanPreamp Fermilab Gerrys Bass 99 Hexentanz In Ovo In Ovo Jinn Parallel Pedalboard Piano (sustenudo) Series Pedalboard Serpentine Serpentine The Gyre Tom's Acoustic Gtr
Preamp>sample/hold filter>delay>verb. Summed in, quad out.

{RDMCEY}[GVDKXS]

96 2,2,2,2,2,|| 2,4
Clean preamp simulation. comp>EQ>vol pedal>gate. Summed in, dual mono out.

1714 1715

{DMEY}[X] Preamp>phased multitaps. Summed in, stereo out. Bass rig : compressor into Eq, feeding a thickener and a fuzz. Tuner helps keeping life 'in tune.' Summed in, mono out.
{RDCEY}[GKS] Preamp>combtaps>reverb. Reverb has output selection. Summed in, quad out.

{PRDCEY}[GKS]

Preamp>pingringpong>verb. Summed in, quad out.

96 2,2,2,2,2,|| 2,2,2,2

{PRCEY}[GKS] Preamp>dual crystals>verb. Summed in, quad out. {PRDMCEY}[G] Parallel pedalboard Compressor >, pitch+ flanger +echo+reverb with pan controls. Summed in, stereo out. {RDCEY}[K] Preamp>multitap>verb. Emulates the sustain pedal of a piano. <mod1> is the sostenuto pedal. Summed in, quad out.
{PRDMCEY}[G] Series pedal board. Compressor>pitch> flanger>echo>reverb with pan control. Summed in, stereo out.
{RDMCEY}[GKS] Preamp>fm chorus>verb. Output selection of the reverb, front, rear or both. Summed in, quad out. {RDCEY}[GKS] Preamp>bandtaps>verb. Summed in, quad out. {PDMCEY}[G] Subtle enrichment effect. As the name implies try it with acoustic guitar or guitar played with an acoustic feel. Summed in, stereo out.

1725 1726

Twang Guitar Virtual Pedalboard
{RDMCEY}[G] Preamp>FM Trem>delay>reverb. Summed in, quad out. {PDME}[G] Rather than lug your pedalboard and rack into the studio, try this emulation. Six separate effects, each with individual controls. Mono in, mono out.

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1727 White Queen 96 2,4
{PRCEY}[G] Preamp>dual crystals>diffusors. Summed in, quad out.

18 Inst - Distortion

Our award winning Distortion module shows its many powers in this bank. By modelling analog distortion types based on a proprietary curve-fitting process, this module produces characteristics that are highly responsive to the input signal. Here a full blown preamp is coupled to many different fx variation, including modulateable filters, delays, choruses, ring modulators, reverbs, diffusors, shifters, inverse reverbs, time compression and tremolos. A great collection of unique textures and distortion tones. Volume Pedal is patched to Assign 1 as a default.
Arkham Distortion Arkham Distortion Atavachron Atavachron 48 2,|| 2,2,|| 2,4
" Tweaked for distorted legato lines. {RDCEY}[G](TT) Preamp>tapdelay>reverb. Summed in, quad out.
Bejing Dragons D Bejing Dragons D Bejing Dragons V Bejing Dragons V Biomechanica Three British Smash British Smash Carsultyal Steel Carsultyal Steel Cyber Twang Cyber Twang Desert Oboe Desert Oboe DesertDemon DesertMorpher DesertMorpher Distortion Preamp Dunwich Distortion Dunwich Distortion Electronica Gtr Electronica Gtr
48 2,|| 2,2,|| 2,2,2,|| 2,2,|| 2,4

{PRCEY}[G](TT)

Preamp>crystals>diffusion. Summed in, quad out.
Preamp>crystals>reverb. Summed in, quad out.
{DMEY}[G](TT) Pre>modfilter>pingpong. Summed in, quad out.

{PRDMCEY}[G](TT)

Preamp>ringmod>tapdelay>diffchorus. Summed in, quad out.
48 2,|| 2,2,|| 2,2,2,|| 2,4
Preamp>tapdelay>diffchorus. Summed in, quad out.
Preamp>crystals>reverb. Tweaked for over the top cyber gtr crunch. Summed in, quad out.
{RDCEY}[G](TT) {RDCEY}[G](TT)
Preamp>tapdelay>diffchorus. Summed in, quad out. Preamp>demondelays>diffchorus. Summed in, quad out.

{RDMCEY}[G](TT)

96 2,2,|| 2,2,|| 2,4
Comp>dynamic distortion>EQ>vol ped>gate. Summed in, mono out.

34 Percussion

A large variety of now-classic-Eventide delays and reverbs set up for percussion. These include rooms and ambience processes, as well as some unusual effects that will usefully color and alter your source material. Among these are a number of gated reverbs and non linear effects, where the reverb reflections get louder as they decay.

{Y}[D]

808 Rumble Tone Beatbox Reverb Drum Chamber Drum Filter Drum Flanger Drum Flutters Firecracker Snare

96 2,2,2,2,2,2,2,2

Adds sub-harmonics to a kick drum. An oscillator is gated until triggered. Summed in, mono out. A one of a kind talking reverb with adjustable vowels and words. Stereo in and out.

3411 3412

{RDE}[D]

{RE}[D](TT)

A really bitey snare ambience with EQ. Summed in, stereo out. Dual stereo triggered filters. Has sweep rate and envelope parameters. Stereo in and out. Another flanger tweaked for drums. Stereo in and out. Unusual fluttery, gated-sounding thing. Sampled industrial dishwasher? Summed in, stereo out. A versatile reverb with gate & dynamic filter built in. The filter is controlled by an envelope follower, unlike Dynamic Reverb whose filter is controlled by a less dynamic gate envelope. TURN MONITOR VOLUME DOWN WHILE ADJUSTING FILTER since instabilities & overload may occur with low q's and wide sweep widths. Try adjusting sweepwidth to a negative number! You can disable gate by turning thresh to -100 or ungated lvl to 100%. Summed in, stereo out.

{EY}[D]

{DM}[D]

{REY}[D]

3417 3417

{P}[D]

Group Claps Group Claps Liquid Toms
A useful clap thickener built from 8 pitch shifters with delays.1~4 from left and 5~8 from right input. Stereo in and out. Watery band delays. Tweaked for toms. Summed in, stereo out.

{PE}[D]

Page 55 of 110

3419 3420

Nerve Drums NoizSnareBrightener
{RDME}[D](TT) Ringy, close delay taps. Summed in, stereo out. This effect is very useful for brightening up dull snare drums. White noise is effectively gated by DSP input 1. Attack and Decay control the response time. Use the EQ to modify the sound of the noise. Summed in, mono out.
Nonlinear#1 PercussBoingverb Ring Snareverb
A little non-linear ambience. Has gated effect, nice on snare. Summed in, stereo out. Bizarre boingy verb. Need a new color for that off-color song? Summed in, stereo out.

3422 3423

{RDE}[D](TT)
{RDE}[D](TT) Very pitchy reverb. Emphasizes ring frequencies. Maybe use in conjunction with other snare reverb. Summed in, stereo out.

" Eventide surround concert hall favourite. " Nice surround ambience for percussive instruments.

5.1 Lead Guitar

" Lively and very active reverb for leads.

Page 61 of 110

4133 4134

5.1 Percussion Room

" Fine tuned for congas and tablas.
48 6,6,6,6,6,6,6,6,6,|| 6,|| 6,6,|| 6,6,|| 6,|| 6,6
5.1 Piano Hall 5.1 Rich Chamber 5.1 Sax Hall 5.1 Snare Plate 5.1 Stadium 5.1 Theater Stage 5.1 Vox Plate 5.1 Choir Chamber 5.1 Choir Chamber 5.1 Classic Plate 5.1 Classic Plate
" Typical plate reverb, now in 5.1.
" If you have a nice pianonow you also have a hall for it, in surround! " Good for all sources, particularly voice and sax. " Beauty for laid back sax linesin a surround hall. " Classic snare ambience, now in 5.1. " Around youan empty stadium, reflecting sounds in the distance. " Typical auditoriums environment ambience, walking around the empty stage. " Another classic space for any vocal track.
" Smaller than a hall, fine tuned for a group of singers.
5.1 Concert Hall 96 5.1 Drums Booth 5.1 Drums Booth 5.1 Drums Room96
" Nice room at 96KHz!
" Eventide concert hall, for your 96KHz surround processing tasks. " Tight surround ambience for percussions. " Tight surround ambience for percussions.
Full I/O surround algorithm. E/r dlys attempt to recreate the reflections of walls, floor and ceiling. Size pre-sets e/r dlys patterns, diff delays and hicuts. Scaler scales diff delays. You can change all e/r dlys and hicuts values for each Size preset. It will remember your settings. 5.1 in and out.

4150 4151

5.1 Gregorian Church 5.1 Gregorian Church 5.1 Metal Tunnel 5.1 Metal Tunnel
" What a horrible place we are in!
48 6,|| 6,|| 6,6,6,|| 6,|| 6,6,6,|| 6,6,|| 6,|| 6,6,6,6,6
" Surround vastity. Great on sparse playing.
5.1 Sax Chamber 5.1 Sax Chamber 5.1 Snare Chamber 5.1 Snare Chamber
" Crafted for your snare!
" Those bop lines feel right in this chamber.
5.1 Surr Slap Back 5.1 Surr Slap Back 5.1 Vox Bright Plate 5.1 Vox Bright Plate 5.1 Vox Hall 5.1 Vox Hall 5.1 Choir Chmbr E/r 5.1 Concrete Lrg E/r
" Reflections come back, from around you.
" Rock vocals love to swim in such a bright verb.
" Warm and large, this hall sounds great on human voice. " Early reflections of a lively mid-size space. " Colored surround reflections from hard surfaces.

A newer version of 'Big Hall' with extra accessibility. Summed in, stereo out.
Similar to 'Room#24' this one has 28 delays, making it very smooth and dense. Stereo in and out.
{RDE}[VDK](TT) Big, warm concert hall with both input and output EQ. Stereo in and out. {RDE}[VDK](TT) Large VFW type room, with input and output EQ. Stereo in and out. {RDE}[VDK](TT) Warm medium hall. Larger version of 'Masterverb Hall 1.' Stereo in and out.

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Matt's Fat Room Roomy Hall SplashVerb 3B X-over Hall

{RDE}[VDK] {RDE}[VDK]

Warm, slightly chorusy room with input and output eq. Switchable mono/stereo in, stereo out. Nice room with a warm hall body and a touch of chorus. Stereo in and out.
A very long, tunnel-like hall with gateable inputs. Stereo in and out.
{RE}[GVDKX] A three band stereo crossover sends audio to three parallel verbs with low & high decay scaling ratios according to mid decay. These decay controls can also be fully independent. Pitch modulation parameters are separate for each verb. Output level for each band & hicut on master output available. Stereo in and out.

45 Reverbs - Plates

This bank includes plate and spring emulations for all occasions. Some are smooth, others are metallic or swept; plates are dense and colored, great for percussion, vocals and brass. They are particularly popular among vocalists, who want a diffuse background without recognisable reflections or placement clues.
4518 Chorus & Plate EMT-style Plate Metallic Plate Reverb A2 Sizzler Plate Springverb St.Plate+Chorus Stereo Plate Swept Plate 96 2,2
Nice, tight ambience with some built-in chorusing. Stereo in and out.
{RDM}[GVDK](TT) {RDE}[GVDK]

96 2,2,2,2,2,2,2,2,2

Warm emulation of a big plate with childproof controls. Summed in, stereo out.
{RDE}[VD](TT) Bright, dense and metallic, as the name says. Summed in, stereo out. {RDM}[GVDK] Modulated allpass filters in front of a reverb. Stereo in and out. {RDE}[D](TT) {RDME}[G] Sizzly-sounding platelike reverb. Summed in, stereo out. Boinky, ringy, cheapo-spring, reverb sound. Summed in, stereo out. Stereo chorus in parallel with a plate-like reverb. Stereo in and out.

{RDM}[GVDK](TT)

{RD}[GVDK](TT) Dense, midrangy plate. A little like most plates but somehow different. Stereo in and out. {RDE}[GVDK](TT) Plate with built in EQ's. Summed in, stereo out.

46 Reverbs - Preverb

Useful reverbs and spaces design tools are offered here. Diffusors, early reflections and multi-tap delays are available here to show off many of the structures used in the reverb presets. Use them in your personal algorithm building experiments.

Vocal Chorusdelays

{DMEY}[V] Simple stereo chorus/delays with ducked feedback paths. Thresh is ducker sensitivity and triggered by sum of l+r. Stereo in and out.

VocalverbTwo

{PRCEY}[V] Stereo comp/EQ + unreelroom. A complete vocal chain front to back, perfect for those comp-ed vocals. Stereo in and out.

{PE}[V]

Voice Disguise
Disquises voice for stool pigeon to appear on '60 Minutes'. Pitch shifts up and down using random lengths and random directions. Mono in, mono out.

Voice Processor

{DMEY}[V] Make voice tracks more compelling. Accomodates wide range of mic techniques, adds upward level, full EQ, de-ess, and compress. WARNING: adds 2/3 sec. delay. Switchable in, mono out.

Vox Double+Slap

{PRDMCE}[V] This is a doubler and a slap echo. Good for vocals. You can add reverb by turning up the verb level and decay time. Summed in, stereo out.

Vox Shimmer

{PRDMCE}[V] A beautiful, complex, multi-effect vocal processor. This is a tweak of 'Voxplate/Chorus,' featuring shift, delay and verb. Summed in, stereo out.

Voxplate / Chorus

{PRDMCE}[V] An excellent one-stop vocal treatment. It has EQ for left and right inputs, a pitch shifter for thickening, a reverb, and a delay with modulation capabilities. Summed in, stereo out.

VoxProcess_S

Stereo vocal process. Comp/de-ess/EQ. Stereo in and out.

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68 Vocoders
The Predictive Vocoder creates a vocoder effect using a high-resolution physical model of the human vocal tract. Use these presets as they areready to go!

6810 6810

CreamyVocoderAlpha CreamyVocoderAlpha
20 band (20~20k) vocoder. Left In = Carrier (often instrument) Right In = Modulator (often voice) Switchable carrier (input or noise) Not what you are used to in a vocoder as this goes well beyond the range of voice. Dual mono in, stereo out.

6811 6811

CreamyVocoderBeta CreamyVocoderBeta
20 band (70~8k) vocoder. Left In = Carrier (often instrument) Right In = Modulator (often voice) Switchable carrier (input or noise) Tweaked for tighter frequencies in the range of human voice. Dual mono in, stereo out.

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PolySwirl Tap September Canons 48 2,2,2
{RDME}(TT) A Vanilla Rack, but vanilla can be delicious, too. Switchable in, stereo out.
{RDM}[GK](TT) Built for performance of the title. Three parallel ping-pong delays > chorus/flanger >verb. The first two delays are configured as a 'set' with only delay times independently controlled. Tempo monitor as well as external control of inputs and feedbacks of the 'two' sets of delays asist in performance. Stereo in and out.

6919 6919

SmearCoder SmearCoder
Swirly clouds surround you. A new twist on gated reverb. A signal is Vocoded with a Smeared version of itself. The Vocoder can be fed with a clean or distorted signal, as can the Smearverb. Summed in, stereo out.

ToddsPedalShiftVerb

{PR}[G](TT) Shift>verb <assign 1> controls both voices. <pitch#> sets heel position. <pmod> sets mod amount (toe position). <pitch> + <pmod> = shift at 'toe' <real #> shows actual value. Preset tweaked for 'thick fifths up' to 'thick octaves up'. Summed in, stereo out.

70 Programming

Great learning tools for those willing to build their own personal algorithms.
Empty Program Inter-DSP Receive 96 0,0,0
An empty program, to be used as a starting point when using the Patch Editor. Nothing in, nothing out. You need to load this patch in one DSP and Inter-DSP Send patch in the other DSP. The SEND patch will output control information to the RECEIVE patch, across DSPs, using the C_BRIDGE module. The RECEIVE patch will monitor the signal from the Global bridge. Use VSIG to see how simple and useful this can be. Nothing in, nothing out.

Inter-DSP Send

96 0,0
You need to load this patch in one DSP and Inter-DSP Receive patch in the other DSP. The SEND patch will output control information to the RECEIVE patch, across DSPs, using the C_BRIDGE module. The RECEIVE patch will monitor the signal from the Global bridge. Use VSIG to see how simple and useful this can be. Nothing in, nothing out.

Interface Modules

Tutorial patch showing Interface modules work. Learn the use of knobs, faders, monitors, meters and gangs. Nothing in, nothing out.

Patch Instruct

Dual*10 Grafic Eq

Dual 10 band EQ with separate controls. Choose freq, bandwidth (in octaves), as well as levels (in dB). Mast is an offset added to the boost. Stereo in and out.

Stereo*10 Grafic Eq

Stereo 10 Band. Choose freq, bandwidth (in octaves), as well as levels (in dB)<mast> is an offset added to the boost. Stereo in and out.

Simple Sampler

Basic single-take 85 second sampler. Stereo in and out.

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4 Beatcounter
These presets are based on a beat counter algorithm. Feed the left channel with the source you want to delay and the right channel with the time setting source, e.g. a snare drum. The unit will calculate the timing and ignore all figures like rolls and fills played in between. For panners and choruses the calculated time is converted into a frequency rate.

Gaspodes Dly_M

Gaspodes Dly_S
stereo Simple delays, based on beat counter math.- see also in 'general descriptions. 1st input is used for trigger 2nd input feeds 1st delay - out1. 3rd input feeds 2nd delay - out2. Start hitting 'expert' menu, 'out status' switches the trigger channel to first output so you can monitor and adjust the gate. Stereo out.

Gaspodes Pndly_M

1st input is used for trigger 2nd input feeds delay - out 1,2 Mono delay with synched panner, based on beat counter math.see also in general descriptions. Start hitting 'expert' menu, 'out status' switches the trigger channel to right output so you can monitor and adjust the gate. 'timing' parameter on the panner page relates to 'counted time' value. Dual mono in, stereo out.

General Informations

96 0,0
General information on the Beatcounter suite of presets. Nothing in, nothing out.

5 Delays

This bank offers many useful delay based presets. Whether used for imaging effects, doubling, or long delay and poly-rhythms, theres something for all applications, including Eventide classic Reverse Delays. Historical note: the first Eventide Digital Delay Line, the 1745 model, appeared in 1971, offering an impressive 200 ms of delay time in its expanded version, using a total of 980 shift register chips to achieve this. The H7600, in contrast, offers almost 260 seconds of storage at a 48KHz sampling rate !!

{D}(TT)

Delaytaps Demondelay Ducked Delays
Series delays. Summed in, stereo out. Very controllable multitap preset. Tweaked here as a reverse effect. Summed in, stereo out.
{DY}[V](TT) Repeating echoes that get out of the way for the input. Adjust `Delay' for rhythm, and `Duck' for sensitivity. Tunable version is `Dual Ducked Delay'. Switchable in, stereo out.

{PRDMCEY}[V](TT) Compr>eq>micropitch in parallel to verb. Vintage Dlys in parallel to post compr/eq signal and micropitch. Don't mix dry in. Use dry level as post compressor and eq level. Summed in, stereo out. These dual fx can store 10 tweaks. All params marked with a * are remembered by each tweak, which can be remotely recalled with a MIDI cc message and the tweak# knob. Set your pedalboard 10 switches to send the same MIDI cc#, with values 1 to10 to recall tweaks 1>10. A router selects dual mono or stereo input and trimming. Selectable mono-stereo in, stereo out
6 V Dlys & Verb Brass Plate//2vHarmo ClrmntnDlys//EMTplt Detune//VintageDlys Drum Plate//Top40Com DuckDlys//AMSDMXgtr Large Room//TapeEcho Midi Mpitch//Verb12 Piano Hall//ChrsDlys Snare Plate//Inverse St.Undulator//AmsDmx StTremolo//St10GrEQ TC2290//TC1210
48 2,2,2,2,2,2,2,2,2,2,2,2,2,2
{RDME}[GVDK](TT) {PRDCE}(TT)
Six V Dlys & Reverb in parallel.
Brass Plate & 2v Harmonizer in parallel.
{PRDMCE}(TT) Clearmountain Dlys & EMT Plate in parallel. {PDME}(TT) {RDCEY}[D](TT) Detune & Vintage Delays in parallel. Drum Plate & Top 40 St Compressor in parallel.
{PDMY}[G](TT) Ducked Delays & AMS DMX Guitar in parallel. {RDME}(TT) Large Room & Tape Echo in parallel.
{PRM}(TT) MIDI St Micropitch & MIDI Reverb 12 in parallel. {RDME}[K](TT) Piano Hall & Chorused Delays in parallel. {RDE}[D](TT) {PDMY}(TT) Snare Plate & Inverse Snare in parallel. Stereo Undulator & AMS DMX 1580S in parallel.
{MEY}(TT) St Tremolo Lux & St 10 Graphic EQ in parallel. {DMY}(TT) 2290 & 1210 in parallel.

11 Dynamics

Fine tuned compressors, expanders, tremolos, noisegates, amplitude followers, mastering quality multiband compressors all here in this bank.

Amplitude Follower

Modulates the amplitude of one signal with another. The result is much like a triggered gate, except that the level of the modulated signal is ALWAYS proportional to the level of the modulator. Dual mono in, stereo out.

Auto V/O Ducker

Smoothly fades music (or sfx) before voice or other 'priority' signal. No pumping, unaffected by input level over threshold. Includes one-second delay. Switchable in, mono out.

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1112 Bigger Is Wider 96 2,2
{REY}[VD] Energy below 200 Hz (bass notes and male voices) triggers stereo width enhancement. Completely compatible: mono listeners hear original signal. Stereo in and out.

Fm Trem

{MY}[GK](TT) Fm version tremolo. <sens> is fm sensitivity, triggered by a sum of input 1&2. <polarity> selects trem direction. Stereo in and out.
Dual Compressors Dual Noisegates
Dual compressors. <master> params override all individual compressors. Stereo in and out. Dual gates. Select the sidechain/trigger inputs at <master> menu. <master> params override individual gates. Stereo in and out.

Omnipressor (R)

This 'vintage' emulation comes directly from the source. Richard would be happy to share with you his foray into 'Vsig', our graphics editing package. His journey 'The Anatomy of a Preset', as well as Vsig itself, may be down loaded from our web site at eventide.com. Mono in, mono out.

Perfect Trem

{MY}[GVK](TT) Retriggerable fm tremolo. Audio can retrigger the LFO so downbeats can set angle of waveform. Audio can also modulate the LFO to allow a faster or slower rate during decay. Stereo in and out.

Dual Expanders

Stereo/dual mono expanders. <master> parameters control all channels simultaneously. Individual channel controls override masters. Stereo in and out.
Bpm FM Trem Ramp Up/Ramp Down
Bpm Version of Fm Trem. Sync or oppose L and R trems. Stereo in and out. This preset gives you the ability to create audio fades in & out, either exponentially, linearly, or define your own envelope. Stereo in and out.
SemiClassic Squeeze Top 40 Compressor
Has a knee and considerable overshoot. A classic compressor topology is used in this algorithm. You can overload a little without harsh clipping. Dual mono in, dual mono out.

{Y}[VD]

1124 1125
Tremolo Lux Comp(3bandFIR)_S Comp(4bandFIR)_S
{MY}[GK] Tremolo with some envelope modulation. Has rate and tremolo depth. Stereo in and out. Master parameters <m_> offset all bands as seen in graph. Note that crossover frequencies are bound to each other.

1127 1128

Comp(5bandFIR)_M
Fixed at 2 octave bands. Summed in, mono out. Through the use of FIR filters these multiband compressors keep phase coherent.

Manual Tape Flange2 Masderring Lab 22 Radio Check
{D}[GVDK] Rock the Knob to get the flange. Old style flanger. Dual mono in, dual mono out.

24 MIDI Keyboard

A bank of MIDI keyboard controlled FX - from harmony to resonance, tremolo, harmonics extraction

{PM}[K]

Midi Harmony
Four pitch shifters into a stereo mixer. Can play 4 part harmony when used with MIDI keyboard. Full ADSR. Mono in, stereo out.

MIDI Monitor

MIDI Note Number Translator and Display. This displays the last MIDI note received by the H7600 in several useful ways: As MIDI Note Number, Cents (above MIDI note 0), frequency and Period. Use this module when creating presets which use MIDI note input to control Parameters. Use Cents to control Pitch modules, use frequency to set values for modulation effects use Period to set values for delay times (useful for resonant delays) In some cases, you may wish to multiply the values coming from this module in order to get them into a useful range for your purposes. Nothing in, nothing out.

{D}[KS]

Midi Pitch Delay
Makes inharmonic sounds harmonic! Notes controlled from a MIDI keyboard. ADSR controls dynamics. Speed controls how fast notes change. Fb controls feedback. Stereo in and out.

Midi Sine Ring Mod

Ring mods the input signal with a sine wave controlled from a MIDI keyboard. Speed controls how quickly the sine wave changes freq. Stereo in and out.

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MIDI Tremolo
Four Tremolo modules. The rate of each one is set by the pitch of the incoming MIDI note(s). This preset requires incoming MIDI notes. The tremolo rate will be the same as the fundamental frequency of the incoming MIDI note. Use the TremRate display to view the rate of the tremolos. If you find that the incoming MIDI notes are setting your tremolo rates too fast, use the freqMult parameter to scale the LFO rates up or down to your liking. High freqMult settings and high MIDI notes yield a distorted LoFi sound while lower notes and lower settings give more typical Tremolo effects. Use various MIDI intervals to create musically interesting tremolo effects: Playing an octave yields two Tremolos with a 2:1 ratio between their rates. Perfect fourths yield a 3:4 ratio. Create your own LFO shapes for each Tremolo using the Tremolo parameters. Change how MIDI notes are assigned to the Tremolo speeds using the MIDI Mode parameter. Use output panners to set the panning of the 4 tremolos. Use the Input parameter to switch from stereo to Stereo input. Stereo in and out.

MidiHarmonixExtract

48 1,2
Extracts the harmonic content of a note played on a MIDI keyboard from the input signal. Speed controls how fast the 'extracting' note changes. Mono in, stereo out.

{E}[KS]

MidiWaveformImpose
Sets the center freqs of 24 bandpass filters to the first 24 harmonics of a note played on a MIDI keyboard. MIDI parameter sets channel. Speed controls how fast notes change. Increase PeakQ to highten 'note' effect. Mono in, stereo out.

QuadOffsetTrem

Four tremolo modules. All use the same LFO. LFO Rate can be set between 0 and 20KHz! Use lower settings for standard trem effects, higher rates for lo-fi distorted sound. Change the relative phase of the 4 trems using the TimeOffset control. This will give a wider effect. Create your own LFO shape using the Custom Waveform designer. On the In/Out page you can set the output panning of each of the Tremolos and select from either Stereo or Stereo input. Stereo in and out.

SetNoteRezon

Four Resonant delays. The resonant frequency of each one is set by the incoming MIDI notes. This preset requires incoming MIDI in order to function properly. Use the panners to set the quad pan position of each of the resonators. Use the Input parameter to switch from stereo to Stereo input. The MIDI mode parameter changes the way in which incoming MIDI notes are assigned to the four resonators. Stereo in and out.

26 Mix Tools

Useful mixer tools, including the Mixers Toolbox presets - sophisticated structures that include multi-effects arrays.

LMS Filter

Adaptive filter. Signal goes in left, noise goes in right. There is a delay for the noise input. Signal minus noise comes out left. Noise from signal comes out right. Check out the LMS module in the manual. Dual mono in, dual mono out.
Mixer's Toolbox #1 Mixer's Toolbox #2 Mixer's Toolbox #3
Uses a reverse pitch shifter.

Mixer's Toolbox #4

Uses a reverse pitch shifter. {PRDMCE}(TT) Input tone control into pitch shifter, reverb, and delay (chorus). Pitch shifter also feeds the reverb & delay. Final output EQ. Summed in, stereo out.

30 Multi Effects

A set of great multi-effects algorithms, again showing just some of the many possibilities of our open architecture. From multi-voice delays, choruses, pitch shifters, tremolos, coupled with verbs, to full blown mixer channels strips dedicated to vocal or instrument sources.

3011 BB Delayz 96 2,2

{RDME}(TT) Very fast and close feedback delays in the center of the stereo field, with long echo repeating/panning delays on the outside of the stereo field. Interesting on percussives as well as tuned instruments. Mono in, stereo out.

Big Squeezolo

Pitch-shifts with a slight modulation. Squish! Summed in, stereo out.

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Dervish Detune & Reverb Easternizer
Smooth swirling delays via enveloped series chorus delays and stereo flanging. Summed in, stereo out. Micro pitch-shift into reverb. Stereo in and out.
{PRDMCE} Input tone control into pitch shifter, reverb, and delay (chorus). Pitch shifter also feeds the reverb & delay. Final output EQ. Summed in, stereo out.

One Way Phaser

Eternal upward or downward phaser. Because of the mechanisms involved, the program distorts upon loading (sorry!). Summed in, stereo out.
Random Phaser Samp & Hold Phaser Sci-Fi Phaser Sci-Fi Phaser A Sci-Fi Phaser B StereoizingPhaser Techno Phaser
Randomly phases and pans input for a silky sort of psychosis. Stereo in, Stereo out (1 = 4, 2 = 3). Stereo in, stereo out. Phaser modulated via Sample and Hold 'circuit'.
20-pole phase shifter. Mono in, mono out. This flavor gives 9 notches out left, and 12 notches out right. Summed in, stereo out. 17-pole phase shifter. Move the MANUAL knob for stepping effect. Stereo in and out.

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TrueStereoPhaser
User selectable poles. Sync parameter lets you invert the mod direction i.e. while left channel rises, right channel descends. Stereo in and out.

Stereo Phaser

15-pole phase shifter. Stereo in and out.

36 Pitchtime

Another Eventide first! PitchTime is a powerful new algorithm for manipulating the pitch and duration of audio in real-time with very low latency. Based on a multi-channel Pitch Shifter and Time Scaler module, it allows for up to 8 channels of phase-coherent pitch shifting and time change. Pitch may be increased or decreased by up to four octaves, while duration may be sped up by 400% and slowed down indefinitely. Common applications are in frame rate conversion of video and film, synchronizing audio delays, and real-time tempo modification. Many other very creative applications are also available in the H7600 in the Loop Delays and Instrument Distortion banks.

Broadcast Delay

Soft version of our broadcast profanity delay line. This device allows you to 'dump' a chunk of audio if someone swears on air. The presence of the inherent delay line is why they ask you to turn your tv/radio down if you are talking on air. Stereo in and out.

EZ Ptimesqueeze

Load two presets:. EZ Ptimesqueeze for audio. 'EZTime_delay for the timecode channel. Set proper 'routing.' Enter the current and desired lengths and set your deck's varispeed to match the <PCT> or <SPEED> displays.The <audio> menu is an optional fine-tune process, and will set BOTH presets <delay> parameters. These <delay> parameters are bidirectional (either preset will reflect changes).

St Framerate Conv

Stereo framerate converter. Enter the present and desired frame rates. Pitch will be adjusted accordingly. Stereo in and out.

3616 3619

PitchtimeSqueeze PitchtimeStretch
Timesqueeze allows independent duration and pitch control.

38 Post Suite

Post/Broadcast type effects, simple to use, great fun and very useful! From Timesqueeze to telephone filters, walkie-talkie and cinema projectors replicas A wider range of this type of effects can be found in banks 71 to 85.

{ME}[X]

Bell Constr. Kit

96 0,2

Create any telephone or beeper 'chirp' with complete control. <Ring> or an external trigger toggles the ring. bounce a bunch together for ambience. Nothing in, mono out.

Digi Cell Phone

{SDCEY}[X] Choose your cell phone manufacturer, service provider, and location. Dial in echo and change the type and frequency of dropouts. Everything from decent cell phone connection to ridiculous. Play and have fun. Summed in, mono out.

{EY}[X]

Headphone Filter Noise Canceller

96 1,2,2

Makes left input sound like a set of headphones on the floor. Mono in, mono out. Proper adjustment should allow one to subtract out noise from a signal. You must put the noise source into right channel and with proper alignment, that noise should be eliminated from the source to be fixed (on the left input). Dual mono in, dual mono out.

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{P}[X]

TimeSqueeze(R)

Stereo shift with a percentage pitch change. Have the math done for you to re-pitch to a varispeed source. Note the range control in the <expert> menu instead of the usual min/max pitch limits. Stereo in and out.

{MEY}[X]

Walkie Talkie
An attractive lo-fi band passed tone with background noise and interferences ducked by the incoming signal. Makes your cell phone sound good ! Summed in, mono out.

{PME}[X]

Woosh Maker
Turns your Eventide into analog synth, for classic 'woosh' sound effects. Fine-tune the sound from the EXPERT menu while using an external trigger. Nothing in, stereo out.

16mm Projector

{PDME}[X] Makes the sound of a school film projector (remember those?), including gate noise, loop flutter, reel wow, hiss, and exciter lamp hum. Switchable in, mostly, except stereo reverb in large auditorium. Switchable in, stereo out.

Scratchy 33 RPM

Bandwidth limiting, stereo blend, and scratches! Use 'Quality' settings, or grab sliders for a custom effect. Ticks have 33 1/3 RPM rhythm. Stereo in and out.

Piano Hall

{RDE}[K](TT) Stereo diffusor > verb + 2 parallel delay lines (1sec) to simulate walls reflections. Post low and high shelving eqs filter the whole processing path. Stereo in and out.

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Plate > BandPass Room > Bandpass 96 2,2,2
{RDE}[DX](TT) Post processed verb: stereo diffusor > verb + 4 parallel delay lines. 1st set of delays (1sec) has no feedback, 2nd set of delays (2.8sec) has feedback. A post hicut filters the whole processing path > band pass filter with automatic & manual adjustable spread in octaves. Stereo in and out.
Rich Chamber Sax Chamber Sax Plate Slap Plate Snare Plate Tiled Room Vocal Chamber Vocal Hall Vox Plate
2,2 2,2 2,2 2,2 2,2 2,2 2,2 2,2 2,2
{RDE}(TT) Stereo diffusor > verb + 4 parallel delay lines. 1st set of delays (1sec) has no feedback, 2nd set of delays (2.8sec) has feedback. A post hicut filters the whole processing path. Stereo in and out.

Wide Hall

{RDE}[GVK](TT) Stereo diffusor > verb + 2 parallel delay lines (1sec) to simulate walls reflections. Post low and high shelving EQs filter the whole processing path. Stereo in and out.

Hall_Peaking Fltr

{RDME}(TT) Stereo diffusor > verb + 2 parallel delay lines (1sec) to simulate walls reflections. Peaking filter follows. Use Sync for pseudo panning. Use Character and Polarity for dramatic filter changes. Stereo in and out.

Chamber>Glide Dlys

{RDME}(TT) Stereo diffusor > verb + 2 reflections delays + 2 echo lines > gliding delays. 1st set of delays (1sec) has no feedback, 2nd set of delays (2.8sec) has feedback. Glide delays add verb post processing. Stereo in and out.
Flanged EchoVerb Large Room2 Loneliness Really Large Room Reverb Suite

{RDME}(TT) {RDME}(TT)

Flanged post delays and verb. The '70s are back! Stereo in and out. Just in case you need a large room with some extended verb tail. Stereo in and out.
Ambient Verb. Input EQ > Diff > Verb. EQ shapes sound prior to entering diff/verb network. Stereo in and out. A really, really large room. Stereo in and out.

Kitchen Reverb

Tight real room for voice or sfx. Use `Mute Input' to test or for ringouts. For a tunable version, see `Medium Booth'. Switchable in, stereo out.

Plate Reverb

Tight, dense echo good for voice and music. Use `Mute Inp' button to test character and for ringouts. A tunable version is `Drew's Stereo Plate'. Switchable in, stereo out.

Tape Reverb

Back in the days when a production room meant two tape recorders and a cart machine, we sometimes added echo by mixing the tape output of a deck with its input signal. (Sometimes this was the unintentional effect of a bad power supply filter.) This preset emulates that effect, including the cumulative high-end loss and tape noise, tuned for studio-deck head spacing and with selectable speed. Mono or stereo in, each output is processed separately. Truly retro, man. Switchable in, dual mono out.

{R}[V]

Tile Men's Room
Tight, dense echo. Use `Mute Input' to test echo. A tunable version of this patch is 'Empty Swimming Pool'. Switchable in, stereo out.

Union Station Verb

Big, BIG warm room. (It's even bigger than its name, but we couldn't fit Grand Central Station in the display). Summed in, stereo out.

75 Px - Entertainment

The effects in this bank should in general be used 100 percent wet, as they incorporate their own mixing.

Big Movie

Did you ever notice how movie theaters sound like nothing else on earth? Program lets you control the room size, speaker quality. and even add the rumbling bass notes that leak from other theaters in the cineplex. (The leakage is actually your input, modified and delayed. But it sounds real). Stereo in and out.

Boom Box

Simulates a cheap tape deck with plenty midrange distortion and a false bottom. `Awful' gradually restricts bandwidth. `Pan' moves entire stereo image. Just listen to that bass, man! And that awful distortion. Includes <H-Bass> button to make it even boomier. Stereo in and out.

{REY}[X]

Fake Call-in
Feed it two clean voice signals - one for the host, and one for the guest - and they'll turn into a complete call-in show. Includes telephone effect on the guest mic, automatic ducking, so the host overrides the guest, and an optional studio echo overall. It sounds okay if there's a little leakage between mics when you record, but works best when the inputs are isolated or cleaned up in a DAW. particularly if the voices interrupt each other. Caller number four, you're on the air. Dual mono in, stereo out.

This program turns your voice into a flock of munchkins. The <Ragged> slider appears in a number of voice multiplier presets. It lets you control how much in unison the group is when it speaks: think of the difference between a trained choir, a group singing 'Happy Birthday', and a bunch of drunks. Mono in, stereo out.

Fantasy Backgrounds

{RDME}[X] Generates a rich stereo background for magic or science fiction scenes. In Xanadu did Kubla Khan a stately pleasuredome decree: where Alph, the sacred river, ran through caverns measureless to men. (Coleridge, 1797). Nothing in, stereo out.

{PD}[X]

Magic Echo
Tuned repeats climb up or down at various intervals and speeds. Try different presets on voice, or select one of the scale settings and manually adjust the speed to fit a piece of music. Stereo in and out.

Morph To Magic

{PRDCE}[X] These magicians have deep, echoed voices with mysterious chanting overtones. This is a true morphing, not a crossfade. Morph manually or use button. <Chant> adds bell-like resonances, <shift> adjusts pitch, <echo> adjusts. you know. Good on voices or music. If the chant fader is very high, faster morph speeds might develop a clicking sound. Slow down to eliminate the clicks. Mono in, stereo out.

Singing Mouse

{PDME}[X] Mickey Unplugged! Raises the midrange an octave or more, but keeps the bass in place. It works best with songs that have a soloist over a low bass line. Try it on Billy Joel's 'Still Rock n Roll' or almost anything of Johnny Cash's. A schmaltzy vibrato can be added, if desired. Stereo in and out.

Trolls

Your voice gets converted to your choice of one, two, or many low-pitched talkers (trolls can't count higher than two). They get even more menacing as you advance <Ragged>. Also, neat on sfx. Mono in, stereo out.

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77 Px - Gimmix
The effects in this Bank should in general be used 100 percent wet, as they incorporate their own mixing.

Backwards

This is like the popular H3000 effect, only it's matrixed to stay in true stereo and is more controllable. Breaks the input up into little pieces, and then plays each of them backwards. Try it on voice, mixed music and on solo instruments like violin. Switchable in, stereo out.

Awfultones

Need some `real-world' speakers for checking a mix? They don't get any worse than these doggies. It's also a handy production effect, any time you want a quick, lousy sound (portable radios, jukeboxes, etc.). Distortion, Honking, Bandlimit, and Mono/Stereo are separately switchable. Stereo in, switchable out.

{PEY}[V]

Brightener
Adds clean second harmonic to signals above the <Tuning> frequency, like the popular 'Enhancer' efx. only silkier. Like perfume, a little goes a long way. Stereo in and out.

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Easy Timesqueeze
Easier and better-sounding than an H3000B, and with perfect pitch accuracy! Enter the current length and the desired length. Then set your deck's varispeed to match the PCT or SPEED display. The [Audio] page is for fine-tuning quality. More delay, or higher lowest sound, does a smoother job. <Manual Pitch> lets you tweak the pitch determined by the [Timings] page - sometimes, setting it a little lower than normal helps make squeezed voices more natural. Switchable in, stereo out.

Hiss Eliminator

This is a single-ended, high-frequency noise reducer. You can use it to reduce tape hiss without having to record through an encoder, and also to cut down sync whine, air conditioner or computer noises, and other high frequencies. Bring <Gate> all the way down, then adjust <Highs> until the filter opens on the desired sound but closes when the sound goes away. Then advance <Gate> and <Bypass> for additional broadband reduction. Stereo in and out.

Hum Eliminator

Uses three different processes to fix noisy bottoms. <Notch> gives a sharp dip every 60 Hz, using a comb filter - it's useful for powerline hum and dimmer noise. <DeHum> is a sliding lo-cut filter for low-level noises: adjust it to pass the desired signal and close on the junk. <LoCut> is a sharp filter useful for pure waves. Since low frequencies often have harmonics throughout the spectrum, they're harder to remove. Experiment with different combinations of the three until you get the best results. and don't expect miracles on particularly noisy signals. The Notch filter depends on system timing. It'll work properly when the Eventide is set to a precise 44.1 kHz or 48 kHz sample rate, but may have problems at other frequencies. (If you want to accommodate other hum or sample frequencies, set C_CONSTANT Tune in the Patch editor). Stereo in and out.

Robot Band

{DMEY}[X] Attempts to analyze the input melody, add a harmonically related bass line, and a new melody based on the rhythm. <Groove> controls how well the robots stay with the input. The normal output is a mix of the input and those jamming robots. Press <Solo> to let the bots take a few bars on their own. Since the program has to analyze the melody in real time, it works best with simple lines and worst with chords. Try it with a variety of different inputs. Stereo in and out.

Theremin

Leo Theremin created one of the first synthesizers in the 1920s, played by waving your hands in front of an antenna. For the technical, it used two RF oscillators beating together to produce the heterodyne tone. While a few composers put it to work as a serious instrument (including the Beach Boys in Good Vibrations), it received more acceptance from science fiction producers. This is the classic 'ooh-wee-ooh' sound of a bad flick, or accompaniment to a late lamented chanteuse. It works best with solo, not chords. Pick up a microphone and sing into it. Adjust <Shift> to put the sound in its proper octave - Theremins are much higher than most singing voices. <Mute> keeps it from responding to background sounds. Mono in, mono out.

Tribbles

{PDME}[X] Breaks up input into random animal- sounding squeals. Easy to use - no controls. Just voice in = thingies out. Some people have trouble with these. Summed in, stereo out.

80 Px - Vox

This is a bank of basic vocal enhancers and tools. It includes presets to change the pitch for effects, as well as others to correct out-of-tune vocals. In addition are a number of unusual reverbs, particularly suitable for vocal use. The effects in this Bank should in general be used 100 percent wet, as they incorporate their own mixing.

`Max' Stutter

<Width> sets length of each stutter, <Repeat> is how long it keeps stuttering, <Pitch> makes them rise up or down. If <Width>and <Repeat> are less than half, output will try to catch up after the effect. Switchable in, mono out.

Big Voice Pro

{PRDCY}[V] This is a downward pitch shifter with serious reverb and slap on the ends of words only. Small amounts add depth to an announcer, while large amounts are Oz-like. It's similar to 'Big Voice', but a lot more versatile and with additional processing. <Reverb> is the open, spacious effect you get in a large hall. <Slap> is a repeating echo (echo. echo.). Choose either or both, and make them duck out of the way with the <Sense> slider. Switchable in, stereo out.

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{PRDCY}

{PRDCE}
Room Tones Stereo Next Door
Big empty spaces. Mix at low level under dialog to fill holes" Cuts everything but the lows, then adds artificial harmonics [Bright] so there's still a signal. Be careful that Gain doesn't go into distortion. Stereo in and out.

Swinging Reverb

{PRDMCY} Rich echo with vibrato and modulated by input. Check the presets to get an idea what it does -- don't forget to check Reverb page on each -- and then play with the settings. Voice or music. Stereo in and out.

83 Px-Production Tools

A collection of useful tools for digital mangling, from delays to shifters.and hum and clipping restoration applications. Includes an Emotion Meter as well!

Bass Enhance Kit

Two separate processes, use either or both. To bypass a section, turn OUTPUT counterclockwise to 'Input'. SUB HARM generates 2 extra bass lines, 1 and 2 octaves below original bass. Use if you've got very good speakers that can carry deep bass. SPEAKER COMPENSATE takes the existing bass, which might not pass through a small speaker, and adds a harmonic. This can fool the ear to hearing more bass than a speaker actually carries, without muddying things for people with good speakers. TIP: Turn one section's OUTPUT to 'input' while you tune the other. Stereo in and out.

Big Woosh Brightener

Let the presets give you an idea of what each slider does, then go wild. Longer wooshes have slight randomness" Brightens up signal by adding even harmonics above the Tuning freq. You can set Rolloff to be -lower- than Tuning freq to get rid of harmonic distortion or noise, then add synthetic harmonics. Stereo in and out, voice, music or sound effects.

Delay Kit

Two independently-settable delays with feedback and cross-channel feedback. Very nice on voice or fx (particularly ones that stop, so you can hear tails). Can be tuned to rhythm of music. Caution: if Filter, Feedbk, and Cross are all high, can go into oscillation. Selectable in, stereo out.

Dialog Cleaner

Universal cleaner for noisy interviews and other location recordings. To use, turn Monitor knob all the way CCW, then step through the circuit, changing Monitor knob to tune each section: 1. Low Cut - adjust Low Cut knob to remove room rumble. 2. Node 1 - Set Node 1 mode to Tune, adj Mode 1 Hz until room resonance jumps out, then set mode to desired amount of cut. 3. Node 2 - adjust as you did Node 1, usually about twice as high a freq. 4. Gates 1 to 4 - adjust thresholds (on Gates page) to pass voice and cut background noise and echo. 5. Set Monitor to Main Out for full processing. Or press Up and Down arrows (on Numeric Pad) to compare input with processing. Mono in, mono out.