CyberChamp Amplifier
Important Safety Instructions
This symbol warns the user of dangerous voltage levels localized within the enclosure of the unit. This symbol advises the user to read all accompanying literature for safe operation of the unit. Read, retain, and follow all instructions. warnings. Heed all performance; or the product has been dropped, or the enclosure damaged. Only use a cart or stand with this product that is recommended by this products manufacturer. The power supply cord of this product should be unplugged from the outlet when left unused for a long period of time, or during electrical storms. Do not drip nor splash liquids, nor place liquid filled containers on the unit. CAUTION: No user serviceable parts inside, refer servicing to qualified personnel only. Fender amplifiers and loudspeaker systems are capable of producing very high sound pressure levels which may cause temporary or permanent hearing damage. Use care when setting and adjusting volume levels during use. FCC COMPLIANCE NOTICE This equipment has been tested and found to comply within the limits for a Class B digital device, pursuant to Part 15 of the FCC rules. These limits are designed to provide a reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy and if not used in accordance with the instructions, may cause harmful interference to radio communications and there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures: reorient or relocate the receiving antenna, increase the separation between the equipment and receiver, connect the equipment into an outlet on a circuit different from that of the receiver. Consult the dealer or an experienced radio/TV technician if help is needed.
Only connect the electric line cord to an earth grounded AC receptacle in accordance with the voltage and frequency ratings listed under INPUT POWER on the rear panel of this product. WARNING: To prevent damage, fire or shock hazard, do not expose this unit to rain or moisture. Unplug the AC power line cord before cleaning the unit exterior (use a damp cloth only). Wait until the unit is completely dry before reconnecting it to power. Maintain at least 6 inches of unobstructed air space behind the unit to allow for proper ventilation and cooling of the unit. This product should be located away from heat sources such as radiators, heat registers, or other products that produce heat. This product may be equipped with a polarized plug (one blade wider than the other). This is a safety feature. If you are unable to insert the plug into the outlet, contact an electrician to replace your obsolete outlet. Do not defeat the safety purpose of this plug. Protect the power cord from being pinched or abraded. This product should be serviced by qualified service personnel when: the power supply cord or the plug has been damaged; or objects have fallen, or liquid has been spilled onto the product; or the product has been exposed to rain; or the product does not appear to operate normally or exhibits a marked change in
A PRODUCT OF: FENDER MUSICAL INSTRUMENTS CORPORATION CORONA, CA USA Copyright 2003 by FMIC Trademarks
Blackface, CyberChamp, Champ, CyberTwin, Cyber-Series, Deluxe, DynaTouch, Mr. Gearhead, Virtual Tone Interpolation, Bassman, Deluxe Reverb, Fender, Princeton, Twin Reverb, and all related logos, are trademarks or registered trademarks of FMIC. Other trademarks are properties of their respective owners.

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I n t ro d u c t i o n

Your new CyberChamp amplifier is brought to you by the same Toneteam that created the Fender CyberTwin and Cyber-Deluxe amplifiers. As the crowning achievements of Fenders most advanced research and development project, CyberSeries amplifiers are endowed with Fenders exclusive Virtual Tone Interpolation technology (patent number 6,222,110). VTI technology enables the CyberChamp amplifier to be different amplifiers according to circuit design. Starting with a virtual circuit board, the CyberChamp amplifier "rewires" its fundamental architecture to become the essence of some of the amplifier greats Fenders Blackface, DynaTouch, Tweed and Modern amps, and even the best of the British amps! The CyberChamp amplifier allows you to be the amp designer. Start with one of 14 permanent amp and effect setups stored within the Cyber-Champ amptwist some knobs, make some changes, then save to one of the 7 rewritable preset locations reserved onboard for your original amplifier designs. MIDI implementation on the CyberChamp amplifier enables you to transfer presets to and from the amp for backup to a PC, or for exchange with other CyberChamp amplifier players. The CyberChamp amplifier also puts a huge array of studioquality effects at your command: Reverb, Modulation and Delay effects, enough to satisfy most any sonic appetite. And many are in stereo, so you can use the headphones jack to enjoy a fully ambient stereo dimension. The CyberChamp amplifiers DynaTouch power amp circuitry and Celestion speaker deliver powerful, responsive Tone to you and your audience. Its not just loud on paper.

Feature s

21 Amp Design presets selectable using the Preset and Bank buttons or a MIDI controller: 14 Permanent presets great amp and effects setups that are always available Fender Custom Shop bank 7 premium amp and effects combinations Your Amp Collection bank 7 stock classic amplifiers 7 Rewritable presets create and save your own amp and effects setups in the Players Lounge bank 3 groups of studioquality effects that can be used simultaneously: 4 Reverb types with selectable levels and MIDIaccessible parameters 5 Modulation effect types with selectable levels and MIDIaccessible parameters 3 Delay effect types with selectable levels and MIDIaccessible parameters MIDI implementation: 27 Continuous Controllers for adjusting amp settings using external MIDI equipment (sequencer, computer, footcontroller or CyberSeries amplifier) Presetdefined Continuous Controller enables footpedal control of programmable parameters System Exclusive functionality for selective preset management Front panel MIDI IN and MIDI OUT ports Virtual Tone Interpolation technology offers 7 Amp Type selections with tone stacks located before or after the drive circuitry as appropriate Hum Reduction algorithm (patent pending) actively seeks out and suppresses environmental hum Onboard digital chromatic tuner 65 watts of output power 12, 8 Celestion speaker Stereo headphone/line out jack Thank you for choosing Fender To n e , Tr a d i t i o n a n d I n n o v a t i o n s i n c e 4 6

Overview

1 Over view
CUSTOM SHOP AMP COLLECTION PLAYERS LOUNGE

GAIN INPUT

VOLUME

TREBLE

MIDDLE

MASTER

MIDI PHONES

IN TUNE

PHASER

Operation Essentials

Each preset contains a complete set of amplifier and effects settings. There are three banks of presets: CUSTOM SHOP AMP COLLECTION PLAYERS LOUNGE Permanent Permanent Rewritable
Presets and Banks The CyberChamp is instantly reconfigured each time you select a preset. Use the preset buttons to select a preset in the current bank. Press the BANK button , then a preset button to select a preset from another bank. Note that when you select a preset, the position of each knob will not reflect its actual setting (except by coincidence) until it is captured. Knob Capture You must first capture control of a knob to adjust the setting. Capture by turning the knob until the adjacent LED lights up. Once captured, further adjustments are immediate and audible. Saving Presets Captured knob settings are released when you make a preset selection. but you can save all your current settings simply by holding any preset button in for 2 seconds. Your new preset is saved into the Players Lounge bank, assigned to the button held. Your new preset is automatically activated.

+ + + +

REVERB

MOD. F/ X

DEL AY
Capture control of a knob by turning it until the adjacent LED lights up. Capture happens when the knob setting matches its actual (internal) setting stored within the current preset. You can save 7 of your own amplifier and effects settings in the Players Lounge bank of presets.

+ A. INPUT JACK

+ + Input connection for your guitar. The input level automatically adjusts itself to + + + ensure an adequate + signal level is supplied to the DSP circuitry. + +

B. GAIN

GAIN VOLUME
Controls the distortion level and contributes to the overall amp loudness. Use VOLUME {C} to adjust for (normalize) any undesired volume level change resulting from a GAIN level change.

C. VOLUME

Controls the postdistortion signal level and contributes to the overall amp loudness. Use in conjunction with GAIN {B} to normalize volume differences between presets.

D. TREBLE

TREBLE MIDDLE BASS
Controls the highfrequency tone level.

E. MIDDLE

Controls the midfrequency tone level.
The tone controls come before or after the distortion circuitry, depending on the Amp Type of the preset (see Presets starting on page 7).

F. BASS

Controls the lowfrequency tone level.

G. MASTER

Controls the overall volume output from the amplifier together with GAIN {B}, and VOLUME {D}. MASTER is the final volume gatekeeper limiting the maximum output level of the CyberChamp amplifier. The MASTER knob position (setting) is an absolute limiteven when controlling MASTER with MIDI messages. MASTER is not preset programmable.

H. REVERB

+ + Selects a Reverb type and level. The level increases going clockwise within + + each type as illustrated from off (), to maximum (+). +
Reverb Type SPRING ROOM HALL ARENA Description Bright Blackface Reverb with long decay + Bright room with medium decay Medium-bright hall with long decay Dark frequency response with long decay

+ REVERB

I. MOD F/X

+ E T RE

+ PHASER + MOD. F/X +
Selects a Modulation effect type and level. The level increases going clockwise within each type + illustrated from off (), to maximum (+). Set a custom as + modulation rate by pressing TAP at least twice at the desired rate. Press TAP once for+the slowest rate possible. There is only one level setting for Phaser. + Modulation Effect Type Description + + + CHORUS Medium sweep rate with high depth + VIBRATONE Fast rate with medium depth

+FLANGE

TREMOLO

+ PHASER +

Fast rate with medium-high depth and duty cycle + Slow sweep rate with medium depth + Medium sweep rate with medium depth +

Preset A B C D E F G

Name Red House R.I.P. Hang 10 Texas Shuffle Modified Combo Euro Trem Boris Chorus
Amp Type High-Gain Tweed with 59 Bassman Pre-Distortion tone controls Max-Gain, Modern Heavy Metal Combo with Post-Distortion tone controls Clean Tweed with 59 Bassman Pre-Distortion tone controls High-Gain Blackface, with vintage PreDistortion Fender Blackface tone controls Maximum-Gain Modern Modified Combo with Post-Distortion tone controls High-Gain British Combo with PostDistortion tone controls Clean DynaTouch with Pre-Distortion tone controls
Reverb None Room, dark frequency response with short decay Spring, bright Reverb with long decay Spring, medium-bright Blackface Reverb None None None
Modulation None Chorus, slow sweep rate with high depth None Vibratone, fast rate with medium depth None Tremolo, fast rate with high depth Chorus, slow sweep rate with high depth
Delay 300ms Tape Delay, low feedback with medium wow & flutter None 130ms Tape Delay, low feedback with medium wow & flutter 130ms Tape Delay, low feedback with medium wow & flutter None None None

Amp Collection Bank

The Amp Collection (permanent) presets contain classic stock amplifiers. Press BANK repeatedly until the yellow LED lights up, then press a preset button (AG) to activate an Amp Collection preset.
Name 49 Champ 55 Deluxe 65 Princeton Reverb 65 Deluxe Reverb Princeton 65 DSP British Invasion Vintage British Crunch
Amp Type Crunch Tweed with 59 Bassman Pre-Distortion tone controls High-Gain Tweed, with 59 Bassman Pre-Distortion tone controls Clean Blackface, with vintage PreDistortion Fender Blackface tone controls Crunch Blackface, with vintage PreDistortion Fender Blackface tone controls High-Gain DynaTouch with PostDistortion tone controls Crunch Jangly British Combo with PreDistortion tone controls Crunch vintage British Combo with Post-Distortion tone controls
Reverb None None Spring, medium-bright Blackface Reverb Spring, medium-bright Blackface Reverb Hall, bright with medium decay Hall, bright with long decay None
Modulation None None None None None None None
Delay None None None None 260ms Digital Delay, medium feedback None None

Players Lounge Bank

The Players Lounge (rewritable) presets are outfitted from the factory with a variety of amplifier and effects combinations but they are rewritable for your own preset designs. Press the BANK repeatedly until the green LED lights up, then press a preset button (AG) to activate a Players Lounge preset. NOTE: The table (below) will not be valid for presets that you have customized. RESET: To reset the Players Lounge bank to factory presets, hold down the A and G preset buttons while turning the CyberChamp amplifier on.

Resetting will erase any custom presets you have created.
Name Stadium Rock Morning Light Psychobilly N-D Clean Arena Jazz Box Barracuda
Amp Type Higher-Gain British Combo with PostDistortion tone tone controls
Reverb Arena, bright frequency response with long decay
Modulation None Vibratone, fast rate with medium depth None Chorus, slow sweep rate with high depth None None Phaser, medium sweep rate with medium depth
Delay 300ms Tape Delay, low feedback with medium wow & flutter None 130ms Tape Delay, low feedback with medium wow & flutter 100ms Tape Delay, low feedback with medium wow & flutter None None 350 ms Ducking Delay, medium feedback, high ducking
Clean Blackface, with vintage PreRoom, bright frequency Distortion Fender Blackface tone controls response with medium decay High-Gain Tweed with 59 Bassman Pre-Distortion tone controls Maximum-Gain, Modern Heavy Metal Combo with Post-Distortion tone controls Room, dark frequency response with medium decay Room, dark frequency response with medium decay
Crunch Blackface, with vintage PreArena, bright frequency Distortion Fender Blackface tone controls response with long decay Clean DynaTouch with Pre-Distortion tone controls Maximum-Gain, DynaTouch Pre-Distortion tone controls Hall, bright frequency response with medium decay Room, dark frequency response with medium decay

Preset Editing

You can use a Players Lounge preset as the starting point for a new preset, but the descriptions in the table above will no longer be valid for presets you have customized.
You can create 7 of your own presets and save them in the Players Lounge bank. First select any preset with the desired Amp Type as the foundation for your new preset see the tables on pages 7 and 8. Then adjust the amplifier settings any way you like. When satisfied, press and hold any preset button for 2 seconds. Your new preset is saved in the Players Lounge bank (assigned to the button held) and it is automatically activated. NOTE: The previous contents of the Players Lounge preset you are saving to will be overwritten with your new preset.

Effect EditingAdvanced

A computer with a MIDI capable soundcard, appropriate adapters and a MIDI utility application are required for advanced effect editing.
Using a computer you can edit effect parameters that are inaccessible through the CyberChamp front panel controls. Your modified effect can then be saved to a Players Lounge preset and used in the modified form using the front panel controls (See Advanced Effect Editing on page 10).

3 MIDI

MIDI IN OUT
This section describes the Musical Instrument Digital Interface (MIDI) capabilities of the Cyber-Champ amplifier. The CyberChamp amplifier supports the MIDI standard using the MIDI IN and OUT jacks on the front panel, both 5-pin DIN jacks. The amplifier uses Channel Messages and System Exclusive Messages to accomplish the following tasks:

Channel Messages

See the MIDI Implementation Chart on page 14 for details.
Switching Tuner and Effects On/Off
You can switch the tuner on and off using MIDI program change 127 in any bank (00, 01, 02). You can switch the effects (Modulation and Delay) on and off using continuous controller 85any value between 64 and 127 turns effects on and any value between 0 and 63 turns effects off. Reverb is not affected.

Echoing Control Changes

You can control two or more CyberChamp amplifiers as one by linking their MIDI ports together. Connect MIDI OUT on the primary amplifier to MIDI IN on the auxiliary amplifier and so on down the line. The first time each knob is used you must capture it on all amplifiers before you can adjust the setting on all amplifiers. To ensure that you have captured a particular setting on all amplifiers, turn the knob through its full range of values, then to the desired value. Further adjustments will be synchronized.

Selecting Presets

You can select presets using MIDI program changes. A continuous controller pedal set to number 11 can be used to control either the Modulation effect rate or the Delay effect interval according to the program change number used:
MODULATION EFFECT RATE CONTROL DELAY EFFECT INTERVAL CONTROL Program Change # Bank Custom Shop 56
To switch your continuous controller pedal between Modulation rate and Delay interval for the same preset, go up or down 30, respectively. For example, 15 and 45 are both preset F in the Amp Collection bank but 15 controls Modulation rate and 45 controls Delay interval. All program changes are made in MIDI bank 00 and are echoed on transmit channel 1.
Program Change # Bank Custom Shop 26
Preset A B C D E F G A B C D E F G A B C D E F G
Preset A B C E F D G A B C D E F G A B C D E F G

Amp Collection

Players Lounge

Adjusting Amp Settings

You can adjust any knob on the CyberChamp amplifier using the following continuous controller numbers. Values range from 0=off to 127=maximum.

Continuous Controller # Parameter Setting Master Volume Effects Off/On Gain Volume Treble Middle Bass Reserved Master Volume Reverb Level Reverb Time Reverb Dwell (Input) Reverb Diffusion Reverb Tone Modulation Effect Level Modulation Effect Rate Modulation Effect Parameter 2 Modulation Effect Parameter 3 Modulation Effect Parameter 4 Tap Interval Delay Level Delay Time Delay Feedback Delay Parameter 2 Delay Parameter 3 Reverb, Multi-Effects Modulation Effect, Multi-Effects Delay, Multi-Effects
Control changes can be recorded using a sequencer so that you can play them back during performances. A sequencer must first capture knobs before it can control their settings. To do this, ramp the continuous controller through the full range of values, then return it to the desired value (setting). The sequencer will then have active control of the knob (parameter). NOTE: If sequencer capture is lost (by manually turning the knob for example) the sequencer must recapture control of that parameter to use it again.

(0-63=off, 64-127=on)

(see page 11) (see page 11) (see page 11)
(see page 12) (see page 12) (see page 12)

Advanced Effect Editing

Reverb
Reverb parameters in the figure and table below are accessible only by MIDI continuous controller numbers 109-113 and have a value range of 0-127.
All 4 Reverb types have the same 5 editable parameters.
Reverb parameter Continuous Controller numbers
SPRING, ROOM, HALL, ARENA Parameter value definitions
Level Time Dwell Diffusion Tone Amount of Reverb (0 is off, 127 is maximum) Duration of Reverb sustain (0 is shortest, 127 is longest) Signal level input to the Reverb circuit (versus output level controlled by the REVERB knob). (0 is minimum, 127 is maximum) Density of Reverb from sparse with nonuniform decay, to dense with smooth decay (0 is sparsest, 127 is smoothest) Brightness of Reverb (0 is darkest, 127 is brightest)

CC# 113

Reverb (all) Level Time Dwell Diffusion Tone

Modulation Effects

Modulation Effect parameters in the figure and table below are accessible for the current effect type only by MIDI continuous controller numbers 114-118 (except Rate (CC# 115) which is also accessible by the TAP button). Continuous controller messages have a value range of 0-127. CC# 118 Chorus Level Rate Depth Avg. Delay Time Left/Right Phase Vibratone Level Rotor Speed Doppler Freq. Shift Low-Pass Filter Range Left/Right Phase
Tremolo Level Rate Depth Offset Shape
Flange Level Rate Depth Feedback Left/Right Phase
Phaser Level Rate Depth Feedback Stereo Spread
CHORUS Parameter value definitions
Level Rate Depth Average Delay Time Left/Right Phase1 Amount of the Chorus effect (0 is off, 127 is maximum) Sweep rate of the Chorus effect (0.08 Hz selected as 0 is slowest, 10 Hz selected as 127 is fastest) Amount of Doppler frequency shift and how apparent the Chorus effect sounds (0 is minimum, 127 is maximum) Average delay time of the moving Chorus taps (repeats), use higher settings for doubling effect (0 is shortest, 127 is longest) Stereo - Phase between left and right channel low frequency oscillators (0 is minimum stereo effect, 127 is maximum stereo effect)
VIBRATONE Parameter value definitions
Level Rotor Speed Doppler Frequency Shift Low-Pass Filter Range Amplitude Modulation Depth Amount of the Vibratone effect (0 is off, 127 is maximum) Rate of the virtual rotating speaker baffle (0.08 Hz selected as 0 is slowest, 10 Hz selected as 127 is fastest) Amount of Doppler frequency shift and how apparent the Vibratone effect sounds (0 is minimum shift, 127 is maximum shift) Amount of high frequencies in the Vibratone signal (0 is minimum, 127 is maximum) Amount the volume level varies with each cycle of the Vibratone effect (0 is minimum, 127 is maximum)
TREMOLO Parameter value definitions
Level Rate Depth Offset Shape Amount of the Tremolo effect (0 is off, 127 is maximum) Cycle rate of the Tremolo effect (0.08 Hz selected as 0 is slowest, 10 Hz selected as 127 is fastest) Amount the volume level drops with each cycle of the Tremolo effect (0 is minimum depth, 127 is maximum depth) Offset of the low-frequency oscillator (0 is minimum, 127 is maximum) Smoothness of the Tremolo waveform (0 is subtle and natural, 127 is choppy and percussive)

DUCKING Parameter value definitions
Level Delay Time Feedback Release Time Ducking Threshold Amount of the Delay effect (0 is off, 127 is maximum) Interval between Delay repeats (30 milliseconds selected as 0 is shortest, 1450 milliseconds selected as 127 is longest) Number of Delay repeats (0 is 1 repeat, 127 is many repeats) Duration that the delayed signal is suppressed after live playing (input) stops (0 is shortest wait, 127 is longest wait) Sensitivity of the ducking action to your playing strength (signal level) (0 in least reactive, 127 is most reactive)
System Exclusive Messages
See Appendix 2 on page 15 for details. The last saved version of a preset is actually what is transmittedrecent (unsaved) edits are not transmitted.

Transferring Presets

You can transfer any preset between CyberChamp amplifiers or between a CyberChamp amplifier and a computer.

CyberChamp to CyberChamp

Connect MIDI OUT on the transmitting amplifier to MIDI IN on the receiving amplifier. Select the preset you want to send on the transmitting amplifier then hold the BANK button for 2 seconds. After the preset buttons flash on the receiving amplifier, hold any preset button for 2 seconds to save to that location in the Players Lounge bank.
Your computer must have a MIDI capable soundcard with appropriate adapters and you must have a MIDI utility application such as Cakewalk.

CyberChamp to Computer

Connect MIDI OUT on your CyberChamp amplifier to MIDI IN on your computer. Open a new SysEx file in your MIDI utility application to accept the preset transfer (dump). Select the preset you want to send on the CyberChamp amplifier, then hold the BANK button for 2 seconds.

Computer to CyberChamp

Connect MIDI OUT on your computer to MIDI IN on your CyberChamp amplifier. Open a SysEx file containing a preset in your MIDI utility application then initiate the transfer (dump). After the preset buttons flash on the CyberChamp amplifier, hold any preset button for 2 seconds to save to that location in the Players Lounge bank.

See Appendix 3 on page 16 for details.
Selecting Effect Types and Switching Hum Reduction On/Off
You can select effect types and turn Hum Reduction on or off using SysEx messages. A sequencer or a computer with a MIDI capable soundcard and a MIDI utility application are required for these functions. The SysEx messages required for these operations are in Appendix 3 on page 16.

Appendices

4 Appendices

Appendix

FUNCTION Basic Channel Mode Note Number Velocity After Touch Pitch Bender Control Change Program Change System Exclusive System Common System Real Time Auxiliary Messages
Default Changed Default Messages Altered Note Number True Voice Note ON Note OFF Keys Channel
MIDI Implementation Chart
TRANSMITTED 1 X Mode 3 X X X X X X X X X O RECOGNIZED Omni X Mode 2 X X X X X X X X X O REMARKS Transmit Channel is fixed at 1.
Mode 1: Omni On, Poly Mode 3: Omni Off, Poly
O O 0 6, 10-16, 20-26, 0 6, 10-16, 20-26, 30-36, 40-46, 50-56 30-36, 40-46, 50-56 O O Song Position X X Song Select X X Tune Request X X Clock X X Commands X X Local On/Off X X All Notes Off X X Active Sensing X X System Reset X X GM ON X X Mode 2: Omni On, Mono Mode 4: Omni Off, Mono

Implemented True #

Continuous Controller Number is fixed at 11. All program changes in Bank #00. Program changes to program 127 (any bank) activates/deactivates the Tuner. See Appendix 2, 3, 4

O: Yes X: No

NOTES: The CyberChamp amplifier does not recognize or transmit System Common messages. All knob adjustments (even knobs not captured) are transmitted via MIDI OUT. MIDI program changes and continuous controller changes are also echoed through the MIDI OUT port. Another CyberChamp amplifier connected as a receive MIDI device will mirror all these changes.

SysEx MIDI Dump

This appendix contains tables describing the System Exclusive message components and protocol for MIDI Dump. NOTE: The nomenclature for values uses an H to designate that the one-byte value is expressed in Hexadecimal (00H FFH).

System Exclusive Header

VALUE F0H 08H nnH 31H ffH F7H DESCRIPTION Start of System Exclusive Message Fender Manufacturer ID nn = Device ID (minus one) Amp ID number 31H. The upper nibble identifies the Cyber-Champ amplifier and the lower nibble designates software version Function ID number: 02H = One Preset Dump End of System Exclusive Message

System Exclusive Packet

VALUE F0H 08H nnH 31H ffH PnH Data cbH F7H DESCRIPTION Start of System Exclusive Message Fender Manufacturer ID nn = Device ID (minus one) Amp ID number 31H. The upper nibble identifies the Cyber-Champ amplifier and the lower nibble designates software version Function ID number: 02H = One Preset Dump Packet Number Data bytes: The data bytes have been formatted following the MIDI Specification 1.0 Checksum byte used for error checking End of System Exclusive Message
System Exclusive End of File Message
VALUE F0H 08H nnH 21H ffH 7BH F7H DESCRIPTION Start of System Exclusive Message Fender Manufacturer ID nn = Device ID (minus one) Amp ID number 31H. The upper nibble identifies the Cyber-Champ amplifier and the lower nibble designates software version. Function ID number: 01H = Utilities Message, 02H = One Preset Message End of System Exclusive File Byte End of System Exclusive Message
MIDI Dump Initiation Message
VALUE F0H 08H nnH 21H 04H 23H 00H 00H 00H ddH 7BH F7H DESCRIPTION Start of System Exclusive Message Fender Manufacturer ID nn = Device ID (minus one) Amp ID number 31H. The upper nibble identifies the Cyber-Champ amplifier and the lower nibble designates software version. Message ID number for additional parameter controls. ID number indicating request for a MIDI Dump Unused Data Byte Unused Data Byte Unused Data Byte Dump ID byte: 01H = Transmit Utilities, 02H = Transmit One Preset End of System Exclusive File Byte End of System Exclusive Message
SysEx Effect Type/Hum Reduction
This appendix contains tables describing the System Exclusive message components and protocol for selecting effect types and switching hum reduction on and off. NOTE: The nomenclature for values uses an H to designate that the one-byte value is expressed in Hexadecimal (00H FFH).
System Exclusive Preset Edit Message
VALUE F0H 08H nnH 21H 05H ddH vvH 7BH F7H DESCRIPTION Start of System Exclusive Message Fender Manufacturer ID nn = Device ID (minus one) Amp ID number 31H. The upper nibble identifies the Cyber-Champ amplifier and the lower nibble designates software version. Message ID number for additional parameter controls. Parameter ID number for additional parameter controls (See table below). Value for the parameter you wish to edit (See table below). End of System Exclusive File Byte End of System Exclusive Message

If a problem persists, consult an authorized Fender Service Center, or point your browser to: www.fender.com or www.mrgearhead.net and click on support.

TYPE: PART NUMBERS:

Specifications
PR (120V, 60Hz) USA 2290301000 (110V, 60Hz) TW 2290303000 (240V, 50Hz) AUS 2290304000 (230V, 50Hz) UK 2290305000 (220V, 50Hz) ARG 2290306000 (230V, 50Hz) EUR 2290307000 (100V, 50Hz) JPN 2290309000 (220V, 60Hz) ROK 180W 65W @ 5%THD 8 One 12, 8 Celestion G12P-80 (P/N 005985000) PRIMARY: F4A 125V (100V, 120V units), F1.6A 250V (230V, 240V units) SECONDARY: T1A 250V (digital supply, all units) IN, OUT 1/4 Stereo HEIGHT: 17.25 in (43.8 cm) WIDTH: 18.5 in (47.0 cm) DEPTH: 9.5 in (24.1 cm) 30 lb (13.6 kg) Product specifications are subject to change without notice.
POWER REQUIREMENTS: POWER OUTPUT: RATED LOAD IMPEDANCE: SPEAKER COMPLEMENT: FUSES MIDI JACKS: PHONES JACK: DIMENSIONS

WEIGHT:

P/N 059813

CyberChamp Amplifier

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Product specifications are subject to change without notice.

P/N 059813