Owners Manual

ADAT/ANALOG Converter

ADAT/ANALOG CONVERTER

OPTICAL
CLOCK 75 ON OFF WORD OPTICAL INT(44.1k) LOCKED
ANALOG INPUT MODE 1-2 1-4 1-8
DIGITAL MODE ADAT S/P DIF

POWER STBY ON

Table of Contents
Safety Instruction....2 Introduction...3 Precautions...3 Outstanding Features....3 Names and Functions....4 Connecting Examples....5 Example at operating it as the ADAT-ANALOG converter..5 Example at operating it as the S/P DIF-ANALOG converter.8 Specifications....9

Model VC-8 Owners Manual

CAUTION:
TO PREVENT ELECTRIC SHOCK, MATCH WIDE BLADE OF PLUG TO WIDE SLOT, FULLY INSERT.

CAUTION

RISK OF ELECTRIC SHOCK DO NOT OPEN

ATTENTION:

POUR EVITER LES CHOCS ELECTRIQUES, CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER - SERVICEABLE PARTS INSIDE. The lightning flash with arrowhead symbol, REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. within an equilateral triangle, is intended to alert the user to the presence of uninsulated "dangerous voltage" within the product's enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons. INTRODUIRE LA LAME LA PLUS LARGE DE LA FICHE DANS LA BORNE CORRESPONDANTE DE LA PRISE ET POUSSER JUSQU' AU FOND.

"WARNING"

"TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE."
The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance. 9. Heat - The appliance should be situated away from heat sources such as radiators, heat registers, stoves, or other appliances (including amplifiers) that produce heat. 10. Power Sources - The appliance should be connected to a power supply only of the type described in the operating instructions or as marked on the appliance. 11. Grounding or Polarization - The precautions that should be taken so that the grounding or polarization means of an appliance is not defeated. 12. Power Cord Protection - Power supply cords should be routed so that they are not likely to be walked on or pinched by items placed upon or against them, paying particular attention to cords at plugs, convenience receptacles, and the point where they exit from the appliance. 13. Cleaning - The appliance should be cleaned only as recommended by the manufacturer. 14. Nonuse Periods - The power cord of the appliance should be unplugged from the outlet when left unused for a long period of time. 15. Object and Liquid Entry - Care should be taken so that objects do not fall and liquids are not spilled into the enclosure through openings. 16. Damage Requiring Service - The appliance should be serviced by qualified service personnel when: A. The power supply cord or the plug has been damaged; or B. Objects have fallen, or liquid has been spilled into the appliance; or The appliance has been exposed to rain; or The appliance does not appear to operate normally or exhibits a marked change in performance; or The appliance has been dropped, or the enclosure damaged.

SAFETY INSTRUCTIONS

1. Read Instructions - All the safety and operating instructions should be read before the appliance is operated. 2. Retain Instructions - The safety and operating instructions should be retained for future reference. 3. Heed Warnings - All warnings on the appliance and in the operating instructions should be adhered to. 4. Follow Instructions - All operating and use instructions should be followed. 5. Water and Moisture - The appliance should not be used near water - for example, near a bathtub, washbowl, kitchen sink, laundry tub, in a wet basement, or near a swimming pool, and the like. 6. Carts and Stands - The appliance should be used only with a cart or stand that is recommended by the manufacturer.

An appliance and cart combination should be moved with care. Quick stops, excessive force, and uneven surfaces may cause the appliance and cart combination to overturn. 7. Wall or Ceiling Mounting - The appliance should be mounted to a wall or ceiling only as recommended by the manufacturer. 8. Ventilation - The appliance should be situated so that its location or position dose not interfere with its proper ventilation. For example, the appliance should not be situated on a bed, sofa, rug, or similar surface that may block the ventilation openings; or, placed in a built-in installation, such as a bookcase or cabinet that may impede the flow of air through the ventilation openings.

C. D. E.

17. Servicing - The user should not attempt to service the appliance beyond that described in the operating instructions. All other servicing should be referred to qualified service personnel.

INTRODUCTION

Thank you very much for having purchased the Fostex Model VC-8. The VC-8 is an adat/analog converter which allows connections to be made with adat optical exclusive digital multirecorder such as the VR-800 and various analog mixers. In order to accomplish high quality collaboration with analog mixers, the professional 20 bit type are employed for AD/DA. Also, to build a most effective system matched with the number of analog mixer output BUSes (2 BUS OUT, 4 BUS OUT, 8 BUS OUT) the INPUT MODE switch makes it unnecessary to reconnect the cables at record/playback. Furthermore, the VC-8 can be used as a S/P DIF/analog converter, and by connecting to the sound card contained in various computers with digital input/output, it will give a clean record/playback environment free of internal noise generated in the computer. Before operating VC-8, it is recommended to thoroughly read this manual to insure long life of this equipment.
Precautions (please read before use)

Power supply

* When unplugging the AC adaptor from the outlet, be sure to grasp the adaptor. Attempting to unplug it by pulling on the AC cable may damage the wiring. * It is dangerous to use any power cable that is cut or frayed. If the power cable is damaged, immediately stop using it, and have it repaired. * Do not plug in or unplug the AC adaptor with wet hands. Doing so may result in dangerous electric shock. * Do not open the unit or touch any parts inside. Doing so may result in a dangerous electric shock, and could damage the unit. * Do not let water or other liquids, flammable materials, or metal objects such as pins get inside the unit. These things may cause electrical shock or short circuit the VC-8, and damage it. If the VC-8 should become wet, unplug the AC adaptor from the AC outlet, and contact your authorized service station.

Outstanding Features

* A digital multiple system can be setup by using the adat optical and analog in/out converter of the VC-8 together with various analog and digital mixers provided with adat optical such as the VR800. * Due to employ of the professional 20 bit AD/DA converter, it is possible in conjunctive operation with the analog mixer without degrading the high quality sound of digital recordings. * As the INPUT MODE is switchable, it is possible to construct a system to match the number of BUSSes in the analog mixer. * Additionally, as S/P DIF can be converted to the analog inputs/outputs and vice versa, it can be connected to the internal sound card of the computer provided with digital inputs/outputs. * Either the internal (44.1kHz) or OPTICAL/WORD (Phase adjusting range: 32~48kHz) can be selected and thus it can be widely adapted to digital equipment.

Location

* Avoid using the VC-8 in the following locations: * Locations of extreme low or high temperatures, or extreme changes in temperature. * Locations with excessive moisture or dust. * Locations where direct sunlight falls for an extended time, or near a stove or other source of heat. * Locations where electrical voltage varies. * Unstable locations or where there is heavy vibration. * Near strong magnetic fields (on top of a television or speaker).

Names and Functions

ANALOG INPUT MODE switch
This switch is used to select the channel to which the ADAT output should be assigned for the signal input to the ANALOG INPUT jack. This switch will be active only when the DIGITAL MODE switch is set to ADAT. Refer to pages 6 and 7 for details.

POWER switch/POWER LED

AC power to the VC-8 is switched ON/OFF (or standby). If the VC8 is not to used for a long period, the AC adaptor should be unplugged from the wall AC mains.

WORD IN terminal switch

This must be switched ON when the external WORD clock is input.

LOCKED LED

This indicates status of the operating clock selected by the CLOCK selector switch. Refer to page 6 for details.

CLOCK selector switch

The VC-8 operating clock (INT, WORD or OPTICAL) is selected by this switch. Refer to page 6 for details.
DIGITAL MODE selector switch
The DIGITAL MODE IN/OUT formats (ADAT or S/P DIF) is selected by this switch. Refer to page 6 for details.
DIGITAL INPUT/OUTPUT connectors ANALOG INPUT connectors (1-8)
These are connected to BUS OUT (or GROUP OUT) of the analog mixer. Refer to pages 5 and 7 for details. There are connected to the VR800 digital multitrack recorder or to the DIGITAL IN/OUT connectors of a digital recorder provided only with digital in/ out connectors.

8 IN AD-12A ONLY

12V DC IN
OUT 4 ANALOG 1 WORD IN DIGITAL
DC IN jack (Center: Plus +)
The AC adaptor (AD-12A) included with the VC-8 is connected here. Do not use an adaptor that is not soecified for the VC-8.)
ANALOG OUTPUT connectors (1-8)
These are connected to the TAPE INPUT jacks of the analog mixer. Refer to pages 5 and 7 for details.

WORD IN connector (BNC)

The external WORD clock signal is input here. Refer to page 5 for details.

Connecting Examples

Example at operating it as the ADAT-ANALOG converter
The following connecting schematic is an example of locating the VC-8 between an analog mixer with 8 TAPE IN - 8 BUS OUT (or GROUP OUT) and the VR800 (digital multitrack recorder). In this system, the 8 BUS output from the analog mixer is converted to adat digital signals and the signals of channels 1~8 can be recorded on tracks 1~8 of the VR800.

DATA OUT

WORD OUT SCSI

DATA IN

MIDI OUT IN AC IN POWER

8 IN 1

AD-12A ONLY

OUT 4 ANALOG 1

WORD IN

WORD OUT

BUSS OUT (GROUP OUT) 1~8

TAPE IN 1~8

Note: When connecting to a digital recorder with WORD OUT such as VR800, it always must be connected to WORD IN of the VC-8 and used by input of WORD clock.

Analog Mixing Console

Sound sources
Note: When the digital inputs and outputs of the VC-8 and VR800 (or another digital recorder) are connected as shown in above connecting schematic, be sure to set one side as the clock master and the other as the clock slave. In other words, if the VC-8 had been set as the master, then VR800 (or another digital recorder) must be set as the slave, or if in the reverse situation whereas VC-8 had been set as the slave, then VR800 (or another digital recorder) must be set as the master. The most recommended setting at using the VC-8 is to establish the digital recorder as the master and the VC-8 as the slave as shown in table below.
Recorder VC-8 CLOCK switch INT (44.1kHz) VR800 (or recorder): Slave VC-8: Slave VR800 (or recorder): Slave VC-8: Slave VR800: Asynchronous mode Other recorder: Internal mode VR800 (or recorder): Master VC-8: Master VR800: Synchronous mode Other recorder: External mode VR800 (or recorder): Slave VC-8: Slave
The most recommended setting. Furthermore, if the WORD clock can be input, then WORD must be input. This setting is employed if the recorder (general DAT and MD) has an internal clock and thus cannot accept digital signals. Mutual exchanged of digital signals between the equipment is possible by this setting, but deterioration of sound quality is unavoidable. This setting cannot be used. A digital loop will be created in general type DAT and MD and thus will not operate correctly.

CLOCK switch WORD or OPTICAL

Setup of the VR800

1.Set the VR800 digital input track to [AdAt] and the digital in clock to [ASYnC](Asynchronous mode). 2.Set the VR800 digital output track to [AdAt].
Note: Refer to the VR800 Owners Manual for setups of the VR800 Digital input track and Digital output track

settings.

Setup of the VC-8
Note: Be sure to switch off power to the VC-8 at setup of the various selector switches.
Should the switches be manipulated with power switched on, noise could be created and the VC-8 may not function correctly.
1.Set the DIGITAL MODE switch to [ADAT]. 2.Set the ANALOG INPUT switch to [1-8].
If it is to be connected to a 4 BUS or 2 BUS mixer, refer to next page.
4.Switch ON the terminating switch. 5.Switch on power to the VC-8.
At this stage, as signals are being input to both DATA IN and WORD IN, the LOCKED LED will be lit in orange color.
3.Set the CLOCK switch to [WORD].
<The CLOCK switch and LOCKED LED>
The CLOCK switch is for selecting the required clock frequency and is selected in accordance to the application as lited below. Depending on the application, the LOCKED LED indicates the type of digital signal that is input and setting of the CLOCK switch. CLOCK SW WORD IN OPTICAL IN LOCKED LED
Lit in green Lit in green ExtinExtinguished guished Lit in orange Lit in green ExtinExtinguished guished Lit in green Lit in green Extin- Extinguished guished

INT (44.1k)

FUNCTIONS
If the LOCKED LED is lit in green, the VC-8 will operate in sync with the digital signal input to the VC-8 DATA IN connector. If the LOCKED LED is extinguished, it indicates that no digital signal is being input and it will not operate correctly even though switched to OPTICAL. In such case, set the CLOCK switch to INT.
If the LOCKED LED is lit in red or orange, the VC-8 will operate in sync with the word clock that is input to the VC-8 WORD IN connector. If the LOCKED LED is lit in green or is extinguished, it is an indication that word clock is not being input and thus will not operate correctly even though the CLOCK switch is set to WORD. In such case, set the CLOCK switch to OPTICAL or INT.
Regardless to the LOCKED LED indication, the VC-8 will operate by its internal 44.1 kHz crystal.
When connecting a 4 BUS OUT mixer
Connect the mixer BUS OUT to INPUT 1~4 of the VC-8 and select [1-4] of the VC-8 ANALOG INPUT MODE switch. Signals input to ANALOG IN 1~4 will be assigned, respectively, to ADAT outputs 1~4 and 5~8. In other words, the ANALOG IN 1~4 signals will be simultaneously sent to tracks 1~4 and 5~8, thus 4 tracks each can be recorded without re-connecting the cables.

12V DC IN OUT 4 ANALOG 1 WORD IN DIGITAL

DATA OUT IN

When connecting a 2 BUS OUT mixer
Connect the mixer BUS OUT to INPUT 1~2 of the VC-8 and select [1-2] of the VC-8 ANALOG INPUT MODE switch. Signals input to ANALOG IN 1~2 will be assigned, respectively, to ADAT outputs 1~2, 3~4, 5-6 and 7-8. In other words, the ANALOG IN 1~2 signals, in the above combinations, will be simultaneously sent to each 2 tracks for recording without re-connecting the cable.
Example at operating it as the S/P DIF-ANALOG converter
The following is a connecting example of using the VC-8 as a S/P DIF-ANALOG converter which makes it possible to extract sound from CD and DVD with the sound card contained in the computer with S/P DIF digital output. By separating the analog circuit from the computer, this system can playback (or record) a clear sound free of noise created in the computer.

Computer/with sound card

S/P DIF OUT
Monitor amplifier or recorder
Note: The ANALOG INPUT MODE switch
will not function when the DIGITAL MODE switch is used for [S/P DIF].
1.Set the DIGITAL MODE switch to [S/P DIF]. 2.Set the CLOCK switch to [OPTICAL].
3.Switch on power to the VC-8.
<Other application examples>
When using the Fostex Mode D-track digital recorder, it can simultaneously record 16 tracks of analog signals by connecting the VC-8 as shown below.

DATA IN 9-16

DATA OUT ANALOG IN 1~8

ANALOG IN 1~8

ANALOG MIXER

Specifications

< INPUT x 8 >
Connector Input Impedance Input Level : RCA pin jack (x 8) : 20k or more : -10dBV

< OUTPUT x 8 >

Connector Load Impedance Output Level : RCA pin jack (x 8) : 10k or more : -10dBV

< DATA IN/OUT >

Connector Format : OPTICAL (x 2) : 1. IEC60958 (S/P DIF) 2. Alesis Proprietary Multi Channel Optical Interface (Switched to 1 or 2.)

< WORD IN >

Connector nput Level Input Impedance : BNC type (x 1) : TTL Level : 75 (terminator switched On/OFF)

< OTHERS >

AD DA Sampling Frequency Total Harmonic distortion Dynamic Range : 20 bit 64 times over sampling modulation : 20 bit 128times over sampling modulation : INT mode : 44.1kHz : OPTICAL/WORD mode : 32 ~ 48kHz : 0.008%(@ 1kHz, TYPICAL) : 96dB (TYPICAL)

< GENERAL >

Dimensions Weight Power Supply : 220 (W) x 43 (H) x 180 (D) mm : 1.0kg (Excluding accessories) : DC12V, 600mA,Exclusive AC Adaptor (AD-12A)
* Specifications and appearance are subjects to change without notice for product improvement. * Adat and the
marks are trademarks of Alesis Corporation.
Declaration of EC Directive
This equipment is compatible with the EMC Directive (89/336/EEC) - Directive on approximation of member nation's ordinance concerning the electromagnetic compatibility and with the Low Voltage Directive (73/23/ EEC) - Directive on approximation of member nation's ordinance concerning electric equipment designed to be used within the specified voltage range.
The Affect of Immunity on This Equipment
The affect of the European specification EN50082-1 (coexistence of electromagnetic waves - common immunity specification) on this equipment are as shown below. * In the electrical fast transient / burst requirements, radiated electromagnetic field requirements and static electricity discharging environment, this could be affected by generation of noise in some cases.
FOSTEX DISTRIBUTORS LIST IN EUROPE
* Including non - EU countries. * underlined: contracted distributors (as of November, 1997)

<AUSTRIA>

NAME: ATEC Audio-u. Videogeraete VertriebsgesmbH. ADD: Im Winkel 5, A-2325 Velm, Austria TEL: (+43) 2234-74004, FAX: (+43) 2234-74074

<ITALY>

NAME: Recoton Italia Srl. ADD:V. 1 Maggio, N 18, 40050 Quarto Inferiore, (BO) Italy TEL: (+39) 51-768576, FAX: (+39) 51-768336

<BELGIUM>

NAME: EML N. V. ADD: Bijvennestraat 1A, B3500 Hasselt, Belgium TEL: (+32) 11-232355, FAX: (+32) 11-232172

<THE NETHERLANDS>

NAME: IEMKE ROOS AUDIO B. V. ADD: Kuiperbergweg 20, 1101 AG Amsterdam, The Netherlands TEL: (+31) 20-697-2121, FAX: (+31) 20-697-4201

<DENMARK>

NAME: SC Sound ApS ADD: Malervej 2, DK-2630 Taastrup, Denmark TEL: (+45) 4399-8877, FAX: (+45) 4399-8077

<NORWAY>

NAME: Siv. Ing. Benum A/S ADD: P. O. Box 145 Vinderen, 0319 Oslo 3, Norway TEL: (+47) 22-139900, FAX: (+47) 22-148259

RECORDING System

Unlike conventional systems, the VF160 records on a hard disk storage device, instead of cassette tape. Sound source recording can start from any point on a formatted disk, as long as the point is within a 24 hour time range in ABS time. Note that it is also possible to move (locate) to any point within that time range, as well. Just think of the VF160 as coming with a tape that is pre-programmed with a 24 hour counter.
ABS0 00m 00s REC END 15m 00s 23h 59m 59s

05m 00s

10m 00s
If you select channels 1 through 4 and 16 here, tracks 1 through 4 and input H are set as recording sources. Therefore, you can record mixed signals of track and input signals. If you also select "EEF1" or "EFF2", you can record source signals with internal effect. To bounce tracks, set all channel sources to "TRK" using the "SELECT INPUT/TRACK" and set source channel for recording as shown in the following figure. Then set tracks 15 and 16 as the recording tracks (see "[BUSS-REC TRK] key" below).

recorded area

unrecorded area

unrecorded area.

You can record at any point within 24 hours in ABS time.
The REC time of cassette tape type recorders vary according to the REC time of the tape. Recording with the VF160 is more efficient since unrecorded areas of the disk are not used although the REC time is not unlimited.
unrecorded 5 minute recording 5 minute recording unrecorded area (remain) 24 hour recording.

PROGRAM

You can use up to a maximum of 99 24-hour time counted tapes with the VF160. This tape is called a Program. Note that a program exists individually on the hard disk. Therefore, each respective program can be freely recorded, played and edited without affecting other programs. A program can be named with a program title, making it easier to identify and file the musical piece. In the usual menu, the Program appears on the LCD as shown in the following Figure.

[BUSS-REC TRK] key

The [BUSS-REC TRK] key is used to select "recording tracks" for BUSS recording. After setting the recording source(s) as described above, press the [BUSS-REC TRK] key to bring up the screen such as below, so that you can select recording tracks for BUSS recording.

Signal input in the recorder Signal output from the recorder
1 track 2 track READY 3 track 4 track 5 track 6 track 7 track READY 8 track READY 9 track 10 track 11 track 12 track 13 track 14 track 15 track 16 track
Playback sound (Playback monitor) Input signal (Input monitor) Playback sound (Playback monitor) Playback sound (Playback monitor) Playback sound (Playback monitor) Playback sound (Playback monitor) Input signal (Input monitor) Input signal (Input monitor) Playback sound (Playback monitor) Playback sound (Playback monitor) Playback sound (Playback monitor) Playback sound (Playback monitor) Playback sound (Playback monitor) Playback sound (Playback monitor) Playback sound (Playback monitor) Playback sound (Playback monitor)

CHANNEL and TRACK

According to this manual, channel refers to mixer items and track refers to recorder items. For example, a sentence may read as follows. One track of recorder play music will be started on the channel 1 fader of the mixer. Eight channels worth of signals from input A to H will be recorded on tracks 7 and 8 of the recorder.

ADDITIONAL TRACK

One program on the VF160 consists of 24 tracks. The user can record, play and edit Tracks 1-16. There are also 8 additional tracks (17-24). These 24 tracks can be alternately exchanged in one track, two track (stereo pair) or an 8 track block. This is called track exchange. This makes it possible to record solo parts on several tracks, exchange the parts and compare the results. The rhythm section recorded on multiple tracks can also be completely exchanged and remixed with this feature, which is a convenience in numerous ways. Note that tracks 17-24 cannot be recorded, played or edited. They must be exchanged with tracks 1-16 to execute these features.
One track exchange Track 1 Track 2 Track 3 Track 4 Track 5 Track 6 Track 7 Track 8 Track 9 Track 10 Track 11 Track 12 Track 13 Track 14 Track 15 Track 16 Track 17 Track 18 Track 19 Track 20 Track 21 Track 22 Track 23 Track 24
When recording with the VF160, an independent audio file for each recording is respectively created on the tracks recorded. Remember that silence is also recognized as one 0 file. These audio files and 0 (silent) files are called an events. A total of 512 events can be created for each track with the VF160. An excess of 512 events cannot be recorded. It is rare that this happens in normal use. The VF160 is also complete with the function to indicate the current number of events. An alarm will sound when exceeding the maximum number of events authorized. This problem can be resolved by saving or loading the program (procedures described later) in such case. The following are specific examples of the number of events.

6/14/F BAL

7/15/G UNBAL

INSERT

8/16/H UNBAL

WARNING!

* It is also possible to simultaneously record 16 tracks. However, there will be 2 consecutive tracks on which the same sound is recorded. * The channel with the ORANGE light ON ([INPUT]) from among ch9-16 of the [CH STATUS/CH SEL] keys cannot output the audio sound on the tracks corresponding to 9-16, therefore, recording will be prohibited. As a result, the READY state cannot be established with the [DIRECT-REC TRK] key.

Recording to One Track

Here, we will record to track 1 of the recorder. Check to see that the channel faders of ch1-16 and the master fader are set to - (completely down) and that [TRIM] A to H are set to LINE position (fully turn to left). Also use (connect) a headphone or monitor speakers to monitor the sound.
INPUT 1/9/A 2/10/B 3/11/C 4/12/D 5/13/E 6/14/F BAL 7/15/G UNBAL INSERT BAL 8/16/H UNBAL

MON OUT INSERT L R

LINE MIC PEAK LINE MIC PEAK LINE MIC PEAK LINE MIC PEAK LINE MIC PEAK LINE MIC PEAK LINE MIC PEAK LINE MIC PEAK 0 10

Caution!

Preparing to Record
Connect the sound source to record to the [INPUT] 1/9/A jack. Press the [INPUT SEL] key (Key: Flashes ORANGE).
[CH STATUS/CH SEL] key of ch9-16 -> Flashes GREEN Indicates that all channels are TRK (Track) (the following LCD display appears).

Tips: Level meter

When carrying out step 8 mentioned above, levels for channel 1 and masters L and R are shown in the meters on the Normal display.
In DIRECT Recording, all channel faders are basically TRK. If there is channel in which the IN (Input) (RED: Flashing), press the [CH STATUS/CH SEL] key of that channel so it is a TRK.
The channel 1 fader controls the signal level sent to the stereo busses L and R, which you monitor. If you completely drop down the channel 1 fader, you cannot monitor the sound, but the input level of channel 1 (= recording level of track 1) is not affected. To control the input level of each channel, use the [TRIM] knob as mentioned in step 8.
Press the [DIRECT-REC TRK] key (RED: Flashing).
The menu to select the track to record appears.
1. Press the [REWIND] key while the [STOP] key is depressed, to locate ABS 0 (Locate ABS 0). 2. Press the [PLAY] key while the [RECORD] key is depressed to start recording.
The RED light of [CH STATUS/CH SEL] key and [RECORD] key of ch1 lights up to indicate that ch1 is recording.
Press the [CH STATUS/CH SEL] key of ch1 (Key: Flashing RED).
3. Press the [STOP] key to stop the recording operations.

L21 SoloVOCAL L22 Arena VOC L23 Arena CHO L24 KARAOKE L25 MnDL-HALL L26 MnDL-PLT L27 PnDL-HALL L28 PnDL-PLT
REVERB REVERB REVERB REVERB DLY+REVERB DLY+REVERB DLY+REVERB DLY+REVERB
Effect types preset for EFF 2
Name L01 ~ L28 Parameter type Explanation
1~28 are the same effect types as the EFF 1 presets listed on the preceding page. (For details refer to the preceding page.)
L29 MonoDELAY L30 PanDELAY L31 MonoBpmDL L32 PanBpmDL L33 Short DL L34 DOUBLING L35 CHORUS L36 FLANGE L37 MonoPITCH L38 DlyPITCH
DELAY DELAY BPM DELAY BPM DELAY SHORT DELAY DOUBLING CHORUS FLANGE MONO PITCH DELAY PITCH
Mono delay Panning delay Mono delay. Specify BPM and note value to set the delay time. Panning delay. Specify BPM and note value to set the delay time. Short delay that allows you to set the delay time precisely. Doubling that allows you to set separate delay times for L and R. Produces a chorus effect. A doubling effect can also be added. Produces a flanging effect. Pitch shift adjustable in a +/-2 octave range. Pitch shift with a feedback delay, allowing strange effects to be produced.
< Note: Changing the effect preset may mute the sound momentarily! >
Effect presets of the internal effect processor shown above are classified into three types; ambience/ delay type (No.1 through 28), modulation/pitch type (No.29 through 36) and pitch type (No.37 and 38). If you switch the effect preset between the three types above, the audio is momentarily muted.
Selecting the effect type
Here's how to select the effect type for EFF 1 or EFF 2. When the [EFF 2] key is pressed:
With the initial settings, L35: CHORUS will appear.

EFF EDIT EFF1 EFF2

Press this to set the effect type for EFF 1.
Press this to set the effect type for EFF 2.
2. Use the [JOG] dial to select the effect type.
* As described earlier in "Basic Recording and Play back," raise the CHANNEL fader of a channel to which a signal is being input and raise the MASTER fader, so that the sound is heard at an appropriate level. * As described earlier in "Setting the effect send level," raise the EFF 1 SEND level or the EFF 2 SEND level for the channel(s) to which you wish to apply the effect. The effect types listed in the foregoing tables will appear in succession. When an effect type appears, it will be blinking. The blinking indicates that the effect type has not yet been selected.
The effect type will be finalized, and the parameter setting screen will appear. The default (initial) parameter values will be displayed.

You can directly recall only the scene memories following to the current scene. For example, if the current scene number is 05, while scene memories are stored in scene numbers 01 through 10, you can directly recall scene numbers 06 through 10. Also note that scene number 00 cannot be recalled.
1. Press the [SCENE-RECALL] key while holding down the [SHIFT] key.
Every time you press the [SCENE RECALL] key while holding down the [SHIFT] key, the next scene is recalled. You cannot use the direct recall function When there is no scene that stores data other than scene number 00, or when the highest scene number is recalled. If you carry out the above operation, the display will show "No-additional Scene" and the operation is ignored. When a scene is directly recalled, the "Fader recall setting" of the SETUP mode is also effective, as described in "Recalling a scene memory" above.
The current physical fader position matches the recalled position.
The current physical fader position is lower than the recalled position.

Clearing a scene memory

You can clear an unnecessary scene memory by using the following procedure.
3. Repeat the previous step for each channel. 4. After adjusting all the fader positions, press the [EXIT/NO] key.
The indicator of the [FADER ADJUST] key turns off.
You cannot clear the memories in scene number 00 or current scene (whose scene number flashes in the screen) If you select scene number 00 and try to clear the memory, "Warning Can't Clear Current Scene" appears on the display and the operation is ignored.
The previous description for "Fader adjust" is assumed that "Fader recall setting" of the SETUP mode is set to "CH&MST". However, the default of "Fader recall setting" is "Off". In this setting, the indicator of the [FADER ADJUST] key will not flash when recalling a scene memory, because the fader positions are not recalled and the current fader positions remain effective. Therefore, if you want to make the recalled fader positions of a scene memory effective, set the "Fader recall setting" properly according to your requirement. See "SETUP mode" on page 137 for details about the fader recall setting.
1. Press the [SCENE RECALL] and [SCENE STORE] keys simultaneously.
The display shows the screen for selecting a scene to be cleared. "*******" shows a user-defined scene name. In the next step, you can select any scene number except "S00 Init Mix".
If the fader recall setting of the SETUP mode is set to "CH", the display shows the screen as below when the unit enters the fader adjust mode, indicating all the channel fader positions are recalled, while the master fader position is not recalled. Moving the master fader in this mode directly affects the actual fader level.

When the sequence software transmits by 7F, it means ALL DEVICE and therefore, it need not be setup. Refer to page 136, SETUP mode MIDI device ID setting for operating procedure and details.
2. Send MMC commands such as PLAY, STOP and LOCATE from the sequence software to see that the VF160 will be properly controlled.
When a correct MIDI command (MMC) is received, MIDI in the display will be lit for about 40msec. There is no setting in the VF160 to receive MMC but it will operate if a correct MIDI signal is input. If sync and control cannot be done correctly, re-check connections/cables and the setting of both equipment.
6. Press the [DISP SEL] key while holding down the [SHIFT] key to show time base in the MTC display.
Carry out various recordings while synchronizing the VF160 and a MIDI sequencer with the MIDI clock.
External MIDI Equipment Sync System by the Slave mode
Up to this point, synchronization with external MIDI equipment has been explained with the VF160 as the master and MIDI equipment as the slave but depending on the slave mode setting, the MIDI equipment can be set as the master and the VF160 as the slave.

Sound Source

Connection to external equipment
1. Connect MIDI OUT of the computer (with MIDI interface) with MIDI IN of the VF160.
The computer sequence software complying to MMC/MTC must be activated.
5. Set slave type to Vari by the SETUP mode Slave type setting.
Refer to page 133, SETUP mode Slave type setting for operating procedure and details.
1. Sequence software is setup as follows. * Set for output of MTC. * Set frame rate of the MTC to be output. * Confirm start time of the tune.
Refer to Owners Manual of the respective equipment for details.
6. Press the [DISP SEL] key while holding down the [SHIFT] key, to change the time base display to MTC.
<Precautions at MTC related setups>
The position (ABS 0 or 001BAR/1BEAT/00CLK) when the setup MTC (MTC offset time) should be output was setup by the MTC offset time setting and MTC offset mode setting. In accordance to start time of the tune set by the sequence software, setup as explained below.
1. Set to same frame rate as the sequence software by the SETUP mode MTC Frame rate setting.

Offset mode: For ABS

Set the MTC offset time about three seconds prior to the start time of the tune set by the sequence software. Because the recorder cannot immediately chase lock after input of MTC, in order to sync the unit from head of the tune, set the preroll using the sequence software, and playback from before the actual head of the tune to allow the recorder to enter into sync by the time it arrives at the head of the tune.

Trk 1 & 2 & 3&4&5& 6&7&8 Trk 9 & 10 & 11 & 12 & 13 & 14 & 15 & 16 Trk 17 & 18 & 19 & 20 & 21 & 22 & 23 & 24
Using a SCSI disk (you can save/load data for each program individually.):
When using a SCSI disk, all audio data including both the Real and Additional tracks (shown in black in the diagram below) is transferred simultaneously. No pilot tone or beep sound is recorded when saving data to a SCSI disk. Therefore, you can save or load a program much faster than using an S/PDIF or adat signal. If song data to be saved requires more space than the available disk space, you can save the data to more than one disk (up to 99 disks). You can also save/load data to or from a DOS formatted SCSI disk (MO, zip, etc. except CD-RW/ CD-R) via the WAV file format. In a save/load operation using a WAV file, you can specify a track or tracks to be saved or loaded, as well as all tracks. Using the save function to a CD-RW/CD-R disc, you can also make an original audio CD.
Trk 1 & 2 & 3 & 4 & 5 & 6 &7 & 8 & 9 & 10 & 11 & 12 & 13 & 14 & 15 & 16 & 17 & 18 & 19 & 20 & 21 & 23 & 24
You can save (load) scene memories and scene event memories only to (from) a FDMS-3 formatted SCSI disk. Scene memories and scene event memories can be saved or loaded when using a SCSI device (except WAV).
<Items that can be saved or loaded as song data>

Memory data:

Data for CLIPBOARD IN/OUT, AUTO RTN START/END, AUTO PUNCH IN/OUT. Locate data (for Locate No. 00 through 99, only available with save/load using SCSI)

Timebase:

ABS, MTC or BAR/BEAT/CLK

SETUP mode:

Bar/beat setting, tempo setting, metronome on/off, preroll time, MIDI synchronization output signal setting, MTC offset time, MTC offset mode, REC protect setting, slave mode on/off, slave type setting
<Items that cannot be saved or loaded as song data>
On/off settings for Auto play mode and Auto return mode Varipitch on/off and pitch data SETUP mode:
DIGITAL IN and DIGITAL OUT settings, bar/beat resolution on/off and device ID
<Notes for DAT and adat machines to be used>
The VF160 song data only can be saved to or loaded from a digital machine that can record 16 bit, 44.1 kHz linear digital data with S/PDIF or adat format (such as DAT and adat machines).
<Notes for saving data using the S/PDIF or adat digital signal>
When saving all data including both real and Additional track data using the S/PDIF or adat digital signal, note the following. Only the data recorded within the time duration between ABS 0 and REC END of the Real tracks is saved. Therefore, if the recorded time of Additional tracks is longer than the Real tracks, only the Additional track data within the time duration between ABS 0 and REC END of the Real tracks is saved. In the example shown on the right, the Additional tracks have data from "00m 00s" to "10m 00s", while the Real tracks have data from "00m 00s" to "07m 00s". If you are going to save all tracks, the Additional track data from "00m 00s" to "07m 00s" will be saved but the rest will not be saved.

If you cannot hear the input signal or you hear digital noise when monitoring the source signal of the external digital device, check the connections, cables and settings of both the VF160 and the external device.
*See the operation manual of the external device for the detailed information.
If you save data using the adat digital signal, select "adat". If you save data using the S/PDIF digital signal, select "SPDIF".
4. Use the [REWIND] or [F FWD] key to select "SPDIF" (or "adat") and press the [ENTER/YES] key.
The display shows the screen for selecting the program to be saved. The program number currently selected flashes, while the data size of the program is shown. While a program number is flashing, you can select the desired program to be saved.
When you save tracks including Additional tracks, read <Notes for saving data using the S/PDIF or adat digital signal> on page 96 before executing the save operation.
8. After selecting tracks, press the [ENTER/YES] key again.
The display shows "Rec Start Recorder!" together with the program and tracks to be saved, and "Sure?" flashes. This means "are you sure to start saving data to recorder?".
5. Use the [JOG] dial to select the program to be saved and press the [ENTER/YES] key.
The display shows the "Save Length" screen. Initially, the recorded time length of the selected program (ABS 0 to REC END) is shown as the time length of data saving. Normally you do not need to edit the length but you may edit it to the desired value if needed.
9. After checking any preparations on the external digital recorder are made, start it recording.
It may be a good idea to put a START-ID (for DAT) or set a locate memory at the starting position so that you can easily find the position when you load the data later.
10. Press the [ENTER/YES] key right after the external machine starts recording.
The display shows something like the one below. After a few seconds, the unit starts saving the data and "Wait time" starts counting down.
For example, if the actual recorded time is 9 min. 00 sec., you can make the length of the data to be saved shorter or longer than 9 min. 00 sec., as long as the length does not exceed 59 min.59 sec. The initially displayed value here is the length of the Real track, therefore, as noted earlier, you may edit the value to match the length of the Additional track if it is longer.

About directory of a backup disk:
A WAV file saved is recorded in the root directory (in the first layer) on the backup disk. A WAV file that can be loaded must be allocated in the root directory on the backup disk.
A WAV file moved from the root directory to another area such as a folder cannot be recognized by the VF-16, which may cause a malfunction.
About file names of WAV files
A WAV file the VF160 saves is recorded with a file name "******##.WAV". A WAV file the VF160 can load must have a file name "******##.WAV".
The first 6 characters "******" are the title that is shown in the "Title Edit" screen in the SETUP mode. These characters can be changed when saving using a WAV file or edited by a computer. The following 2 characters "##" indicate the track number (1 to 24) for the save/load using a WAV file. The last ".WAV" is the file extension indicating that the file format is WAV. The VF160 does not recognize other file names than above. See the following description for each operation about details. By using the specifications above, you can load only the desired tracks of a WAV file or load a trackswapped WAV file. See "Loading a WAV file" described later for details.

Saving a WAV file

You can save a WAV file. Make sure that the DOS-formatted disk with FAT16 is set. The following procedure assumes that the newly formatted "clean" disk is used for backup. 1. Press the [SETUP] key to enter the Setup mode.
5. While "OFF" is flashing, press the [ENTER/YES] key.
6. Use the [JOG] dial to select a program to be saved and press the [ENTER/YES] key.
The display shows the screen for selecting a track to be saved. Initially, "All Track" flashes.
The display shows the screen for selecting the backupmode (FDMS 3 or WAV), where "WAV" flashes. (When a DOS-formatted disk is set, "WAV" initially flashes.)
By rotating the [JOG] dial, you can select "From ** To **" (where the left field flashes initially) instead of "All Track". If you save data for all tracks (1 through 24), select "All Track". If you save data for any specific track(s), select "From ** To **" and specify the desired track numbers.
4. While "WAV" is flashing, press the [ENTER/YES] key.
The display shows the screen for selecting On or Off of the Clipboard export function, where "OFF" flashes. Pressing the [REWIND] or [F FWD] key switches between "On" and "Off".
<To specify the desired tracks to "From ** To **">

6. After setting the copy protection, press the [EXIT/NO] key.
The display returns to the screen for selecting the save mode, in which CD-DA now flashes.
7. While CD-DA is flashing, press the [ENTER/YES] key.
After showing Please Wait!, the display shows the screen for selecting the program(s) to be record. In the screen, a number such as 01 or 02 shows the track number, while NON shows that no program is assigned to the track.
If the program time shows 00: 00 when selecting a program as the screen example below, the CLIPBOARD IN and CLIPBOARD OUT points are not correctly set.
In other words, in the following conditions, the CLIPBOARD IN and CLIPBOARD OUT points are not regarded as being correctly set.
CLIPBOARD IN point = CLIPBOARD OUT point CLIPBOARD IN point > CLIPBOARD OUT point
If you press the [ENTER/YES] key after selecting such a program, the warning message as below appears on the display and you cannot select the program.
Void In!, Void Out!, or Void Data!
8. Press the [ENTER/YES] key again.
The highest program number available on the current drive starts flashing and its program title and the recording time are also shown. At the top of the program table, the total time of the program is shown.
It is possible to select a program that is not mixed down if it holds the correct IN and OUT points. However, if you record such a program to a CD-RW/ CD-R disc with the audio CD format, only track 1 and 2 can be recorded. So, make sure that you select programs properly when making an audio CD.
<Notes for selecting more than one program>
When recording more than one program to a CD-RW/ CD-R disc, do not skip any track when assigning programs to tracks. If you skip any track, you cannot record data to the subsequent tracks. In the following example, track 03 is skipped when assigning programs. So only tracks 01 and 02 will be recorded. Tracks 03 and subsequent tracks can not be recorded.
When a CD-RW disc on which any data is recorded is set, if you perform step 7 above (i.e. pressing the [ENTER/ YES] key when CD-DA is flashing), Not Empty! appears on the display, followed by the screen for selecting whether erasing recorded data or ejecting the disc.

Be careful because this procedure wipes out the tempo setting as well as time signature setting.
6. Next, to register other bar and time signature, repeat steps 2 through 5. 7. Upon completion of registering, press the [EXIT/NO] key (or the [STOP] key) and exit from the SETUP mode.
1. Under the above Confirmation display, select All Clear and press the [ENTER/YES] key.
A following display of All Clear, SURE ? will flash. This indicates the standby mode for clearing all signature setting data and the tempo data.
Correcting the Registered Time Signature
1. Under the previous Confirmation display, select bar/time signatures to be changed and press the [ENTER/YES] key. 2. Input the desired signature via the [JOG] dial and press the [ENTER/YES] key.
The newly input signature will be setup.
Except for the initial setting 001BAR 4/4 , other time signature settings and the tempo setting will be cleared at the same time.

Time Signature

1/4, 2/4, 3/4, 4/4, 5/4, 1/8, 3/8, 5/8, 6/8, 7/8, 8/8 or DEL DEL is used to deleted time signature data.
3. Press the [EXIT/NO] key (or STOP key) to exit from the SETUP mode.
3. Upon finishing, press the [EXIT/NO] key (or [STOP] key) to exit from the SETUP mode.
Changing the Bar Offset Figure Deleting a Time Signature
1. Under the above Confirmation display, select bar/time signatures to be deleted and press the [ENTER/YES] key. 2. Press the [ENTER/YES] key again to make */* to flash and input DEL via the [JOG] dial. 1. Under the above Confirmation display, select -002BAR Offset and press the [ENTER/YES] key.
The -002 display will change to flashing.
2. Input the desired offset value with the [JOG] dial and press the [ENTER/YES] key.
Offset value can be input in the -2 through -9 range.
The selected measure/signature setting will be deleted.
3. After correction, press the [EXIT/NO] key (or [STOP] key) to exit from the SETUP mode.
4. After deleting, press the [EXIT/NO] key (or [STOP] key) to exit from the SETUP mode.
Setting a tempo [Tempo Set]
The Tempo Map Set menu enables you to specify a tempo at a given point in a song that already has a time signature setting. For example, you can specify a tempo of 150 to the third beat of the 12th measure. Time signature and tempo settings make a Tempo Map, which is used by the VF160 to manage the song using the BAR/ BEAT/CLK time base, and enable the metronome function. Tempo settings as well as time signature settings are required when you wish to output MIDI clock and Song Position Pointer to an external sequencer.

Record digital signals of sampling frequency identical to that of the VF160.
The VF160 sampling frequency is 44.1kHz/16 bit. In a sampling frequency other than 44.1kHz/16 bit, it will be recorded with the wrong pitch. Time count will also be incorrect.

Having trouble Editing?

A warning message appears although it was only execution of copy-clip (or move-clip) ?
Correctly register the CLIPBOARD IN and OUT points.
The relation between CLIPBOARD IN point and OUT point is "IN point<OUT point". If it is registered in reverse relationship, copy-clip (or move-clip) cannot be executed.
When copy paste (or move paste) is executed, the sound section located before head of the bar is missing ?
Use the ALIGN SEL function.
If the "ALIGN SEL" function is used at executing copy paste (or move paste), the sound section located in front of the bar head can be included at pasting. Refer to page 74 for details.
*a CD-RW drive unit *two screws for mounting the drive

*a blank panel

<Usable discs>
With the CD-1A, you can use discs of following types. <CD-R discs>
Can be used for saving or loading song data, as well as making an audio CD. Note that you can record data to a CD-R disc only once. You cannot record data to a disc which has been recorded before.
<Notes on handling of discs>
When handling a disc, be careful not to dirty or scratch the surface of the disc. We recommend that you hold the disc with your finger on the disc edge and center hole.

<CD-RW discs>

Can be used for saving or loading song data, as well as making an audio CD. You can record or erase data to a CD-R disc as many times as wish.
Do not stick any paper, etc. on the label side. Also do not scratch the label side, which may cause problems during playback or recording. Use only a felt pen or equivalent for writing any memo on the label side. Using a ball-point pen, pencil, etc. that has a hard tip may damage a disc.

<Audio CD discs>

As these are read-only discs, you only can use them for loading track data to the VF160.
Never use a warped or chipped disc, which may damage the CD-RW drive.
See the VF160 operation manual for details about how to save/load song data or how to make an audio CD.
<Notes on care of disc>
If there is a dust, dirt or fingerprints on the disc, which may cause error in playback or recording, wipe the disc with a soft, dry cloth or alcohol from the center out. Never wipe from the outside to center. Do not use a cleaner for analog discs or antistatic spray, as well as volatile solvents such as benzine, which may damage the disc surface. Do not expose any disc to direct sunlight, or leave it in hot, moist or cold places. Read the attached manual packed with the disc before using it.

The following are some notes on placing and/or removing a disc.

<IMPORTANT!>

When placing a disc on the tray, support the tray from the bottom by your hand. If you push the disc to fit into the pivot on the tray without supporting the tray, the tray/drive may be damaged or broken. Also note that the disc must be pushed until it clicks so that it is locked into the pivot securely. Closing the tray without locking the disc may damage the disc.

Eject switch

<Note for removing a disc from the tray>
When removing a disc from the tray, also support the tray from the bottom by your hand. Also be careful not to unlock the disc from the pivot forcibly, which may damage the tray.
Place the disc with the label side up.
The tray slightly opens. When placing the disc, support the tray from the bottom by your hand as shown in the illustration below, and push the disc gently until it clicks so that the disc is locked into the pivot. Push the disc until it clicks so that the disc is locked into the pivot.

lens disc

Pull out the tray to fully open it.

<Caution!>

Do not touch the lens when pulling out the tray, doing so may damage it and may cause a malfunction.
Support the tray from the bottom by your hand.
To close the tray, push the tray inside by hand until locked.
Do not touch the lens when placing a disc, doing so may damaged may cause a malfunction.

Push until it is locked.

MIDI Implementation Chart
(Digital Multitracker) Model VF160
Function.. Basic Channel Default Changed Default Mode Message Altered Note Number: Velocity ********************************

Transmitted Recognized

Date: Version: V1.00

Remarks

True Voice Note ON Note OFF Keys Channels
********************************

After Touch Pitch Bend

Control Change
Program Change System Exclusive

True #

******************************** (rem. 1) (rem. 2)
: Quarter Frame Common : Song Position : Song Select : Tune System Real Time : Clock : Commands (rem. 3)
: Local ON/OFF : All Notes OFF Aux. Message : Active Sense : Reset
rem.1: MMC (Device ID=00~99, 127), MTC, Identity reply rem.2: MMC (Device ID=00~99, 127), MTC, Inquiry rem.3: START, STOP, CONTINUE
Mode 1: OMNI ON, POLY Mode 3: OMNI OFF, POLY
Mode 2: OMNI ON, MONO Mode 4: OMNI OFF, MONO

: Yes : No

MMC Command List
Command list 01: STOP 02: PLAY 03: DEFERRED PLAY 04: FAST FORWARD 05: REWIND 06: RECORD STROBE 07: RECORD EXIT 09: PAUSE 40: WRITE 41: MASKED WRITE 42: READ 44: LOCATE 46: SEARCH 47: SHUTTLE 4C: MOVE 4D: ADD 4E: SUBTRACT STOP PLAY DEFERRED PLAY F FWD REWIND REC PUNCH OUT STOP