Owners Manual

Eight Channel Digital Mixer with DSP Effects

Introduction

Thank you very much for purchasing the Fostex VM88. Please read the following to get the most satisfaction from your purchase, and to learn important information about safety precautions when using Fostex products. The VM88 digital mixer does all internal signal processing digitally. The input features 8 analog channels, of which 4 channels (XLR or PHONE) are for microphones; digital inputs (S/P DIF or ADAT) via optical connection are provided. For outputs, an optical digital output (S/P DIF or ADAT) in addition to stereo out (balanced/unbalanced), headphone out, AUX send/out and monitor outs in analog are also provided. An insert function is featured in channels 1 - 4 for more flexibility during mixing. In addition to each input channel, an three band EQ is also provided for the master output. The VM88 also incorporates high performance DSP multi-effects on two channels that operate by A.S.P. (Fostex Advanced Signal Processing Technology*) exclusively developed by Fostex. This allows a wide range of equalizing and effects processing. All settings, including mix and effects settings, are stored in scene memory, and a desired scene memory can be recalled instantaneously. Although small and lightweight, the VM88 is a high performance unit. Please read this manual carefully before operation to understand all functions of the VM88.
* See page 24 for more details on the A.S.P. (Fostex Advanced Signal Processing Technology).
Model VM88 Owners Manual CAUTION:
TO PREVENT ELECTRIC SHOCK, MATCH WIDE BLADE OF PLUG TO WIDE SLOT, FULLY INSERT.

CAUTION

RISK OF ELECTRIC SHOCK DO NOT OPEN

ATTENTION:

POUR EVITER LES CHOCS ELECTRIQUES, CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER - SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated "dangerous voltage" within the product's enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons. The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance. INTRODUIRE LA LAME LA PLUS LARGE DE LA FICHE DANS LA BORNE CORRESPONDANTE DE LA PRISE ET POUSSER JUSQU' AU FOND.

"WARNING"

"TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE."

SAFETY INSTRUCTIONS

1. Read Instructions - All the safety and operating instructions should be read before the appliance is operated. 2. Retain Instructions - The safety and operating instructions should be retained for future reference. 3. Heed Warnings - All warnings on the appliance and in the operating instructions should be adhered to. 4. Follow Instructions - All operating and use instructions should be followed. 5. Water and Moisture - The appliance should not be used near water - for example, near a bathtub, washbowl, kitchen sink, laundry tub, in a wet basement, or near a swimming pool, and the like. 6. Carts and Stands - The appliance should be used only with a cart or stand that is recommended by the manufacturer. 12. Power Cord Protection - Power supply cords should be routed so that they are not likely to be walked on or pinched by items placed upon or against them, paying particular attention to cords at plugs, convenience receptacles, and the point where they exit from the appliance. Cleaning - The appliance should be cleaned only as recommended by the manufacturer. Nonuse Periods - The power cord of the appliance should be unplugged from the outlet when left unused for a long period of time. Object and Liquid Entry - Care should be taken so that objects do not fall and liquids are not spilled into the enclosure through openings. Damage Requiring Service - The appliance should be serviced by qualified service personnel when: A. The power supply cord or the plug has been damaged; or B. Objects have fallen, or liquid has been spilled into the appliance; or C. The appliance has been exposed to rain; or D. The appliance does not appear to operate normally or exhibits a marked change in performance; or E. The appliance has been dropped, or the enclosure damaged. Servicing - The user should not attempt to service the appliance beyond that described in the operating instructions. All other servicing should be referred to qualified service personnel.

Stereo out signal ON/OFF is controlled by this switch. For details, please refer to Normal mix mode on page 15.
switched ON/OFF. Refer to [Effect edit mode] on page 24 for details.

16. Effect 1 key

This is pressed to select the EFF 1 effects type or the parameter to be edited. Also, if this key is pressed while pressing the EXIT key, muting of EFF 1 can be switched ON/OFF. Refer to [Effect edit mode] on page 24 for details.

5. Monitor in jack

External signals are input here. The input signal is adjusted via the MON IN GAIN knob and directly mixed into the monitor circuit, so that it can be monitored at the PHONES and MON OUT L, R jacks together with a monitor signal selected by the MON SEL switch.

17. Enter key

This is used to accept the current mode setting. This key will setup scene memory mode (page 30), the setup mode (page 33) and also the setup of effects type (page 26). Please refer to their respective explanation for details.

6. Monitor out jack

Powered monitoring speakers or an amplifier + speaker combination are plugged in here. The signal to be monitored is selected by the MON SEL switch and the output is adjusted with the MON OUT GAIN knob. For details, please refer to Connecting peripheral equipment on page 9.

18. Exit key

This is used to exit from all modes but the normal mix mode. This key works for the channel parameter edit mode (page 20), the effects edit mode (page 24), the scene memory mode (page 30) and the setup mode (page 33). Refer to their respective explanations for details.
7. Foot switch connecting jack
A foot switch (Fostex Model 8051) is plugged in here. The foot switch function can be changed by the [SETUP mode] explained later. The initial setting recalls the scene memory. Refer to page 33 for details.

19. Data encoder

This dial is rotated to make settings such as setup of PAN and EQ. This dial works in the channel parameter edit mode (page 20), the scene memory mode (page 30) and the effects edit mode (page 24). Refer to their respective explanations for details.

Normal Mix Mode

Normal mix mode means each INPUT fader/MASTER fader is active, and the ON/OFF of each channel is operational so basic mixing functions can be executed. When the VM88 is in [Initial state of VM88], as explained in the previous section, if the INPUT fader of the channel to which a signal is being input (Example: The channel 1 INPUT fader if a sound source is connected to INPUT 1.) and the MASTER fader is raised, signals will be output from the STEREO OUT L, R jacks and the DIGITAL OUT connector. Also, if headphones are connected to the PHONES jack, the same signal will be heard in the headphones. The headphone monitoring sound volume can be adjusted by the top panel PHONES GAIN knob. Throughout these operation, the VM88 LCD display will change as explained below.
The MASTER fader display section: Character display section:
lights following the [Init.Mix] display. This symbol means "edit" and indicates that the setting had been changed from the initial state. At this point of operation, the initial state had been changed by this moving the INPUT and MASTER faders. The present position to which the MASTER fader is set will be indicated by numbers 00 ~ 99. The standard level setup number is [80].
The current scene number will be displayed.

Level display section:

The input signal level will be displayed for channels 1 ~ 4, 5/6 and 7/8 and the output level in accordance to the MASTER fader position indicated by L and R.

L 44.1kHz 48kHz

Level meter:
Displays the STEREO BUSS L, R output levels.

MASTER

SCENE NO.

E1 L MIN

EFF/AUX E2 A1

Status display section:

Nothing will light up in the normal mix mode.

PHANTOM PHANTOM

PAN AN

MID EQ

CH ON/CH SEL

All channels are ON.

-20 -30 -40

-20 -30

< Useful information !>

Selecting the monitor signal
For monitor signals from MON OUT L, R and PHONES jack, any one of the stereo buss L, R signal, AUX buss 1 signal or AUX buss 2 signal can be output and selected by the MON SEL switch depending on the application as shown in the schematic below.
* Monitor signal selected by the MON SEL switch is output from the MON OUT L, R jacks and PHONES jack.
* The monitor signal sound level output from each connector can be adjusted by these knobs.
* ON/OFF is switched with each press of the respective MON SEL switch ( =OFF, =ON).
< Caution at monitoring with headphones! >
Because the PHONES output is designed for high sensitivity, there is ample gain available through the PHONE GAIN knob even when it is only raised a small amount. Therefore, when monitoring the various buss signals or input signals from external equipment connected to the MON IN connector, gradually raise the PHONES GAIN knob from its MIN position so as not to raise the gain to an unnecessarily high level. Otherwise, a loud noise could injure your ears.
Regardless to the MON SEL switch setting, the input signal from MON IN L, R can be monitored by adjusting the GAIN knob of MON IN.
In the normal mix mode, if the position of the INPUT fader/MASTER fader before switching off power is different from when power is switched on (refer to schematic below), the FADER ADJUST and LEVEL ADJUST key LEDs (red) will flash. This is because the fader setting before switching off power is in memory, and the VM88 is indicating that fader and level adjustment is possible. The fader position can be reset to the position prior to switching off power, and the level position can be deliberately set to the present sound volume setting.
* To return to the setting before switching off power:
Press the flashing FADER ADJUST key (It will enter the fader adjust mode). Subsequently, adjust each fader position by referring to [Fader adjust mode] explanation.
* To set to the present fader position:
Press the flashing LEVEL ADJUST key and the VM88 will enter the level adjust mode. Then setup by following [Level adjust mode] on page 31. If it is not necessary to match the fader positions, the FADER ADJUST key flashing will extinguished after all faders are moved and the VM88 will return to the normal mix mode. <Setting before switch off of power>

Changing the channel

Changing the setup content
Channel 1 is selected in the initial state and the channel to be edited is selected by pressing each respective CH ON/CH SEL key. The CH ON/CH SEL key LED (green) of the selected channel will blink.
Setup is changed by utilizing the DATA encoder.
<Useful Information!>
When selecting a desired item, each time the respective key is pressed, it will move to the next item, and if the key is held down, it will change one item backward in the setup item list.
Setup method for PAN setting
Balance of channels 1 ~ 4, 5/6, 7/8 and STEREO MASTER signals must be setup. 1. Press the PAN/EQ key to light up the [PAN] dot in the status display section.
The LCD will display the following: * Character display section:
[1-Pan: C] will be displayed. Now PAN of channel 1 can be setup, and this indicates that the present PAN setting is for centering the sound image (C).
3. The number is adjusted with the DATA encoder.
The number can be changed within the range of [L10] ~ [C] ~ [R10] and the sound image position will change accordingly. The graphic display will also change at the same time.
[L10] ~ [L1] ~ [C] ~ [R1] ~ [R10] will be displayed.
The digit moves up and down.
<Useful information!>

Blinking Lit

2. Press the desired CH ON/CH SEL key and select the channel to be adjusted.
CH ON/CH SEL key of the selected channel will blink.
When the DATA encoder is activated to set PAN, its position will be displayed digitally in 21 steps within the range of [L10] ~ [C] ~ [R10] but the actual change in sound will be continuous (smooth). If channels 5/6 and 7/8 had been selected, balance between the two channels can be setup. If the MASTER had been selected, balance between L and R can be setup.
Setup method for EQ setting
Individual setup of the low region (LO), mid region (MID) and high region (HI) for the signals of channels 1 ~ 4, 5/6, 7/8 and STEREO MASTER. <Useful information!>
The equalizer specs of VM88 are, 100Hz +/- 18dB (shelving type) for LO-EQ, 1kHz +/- 18dB (peaking type) for MID-EQ, and 10kHz +/- 18dB (shelving type) for HI-EQ. Each can be adjusted in 1dB steps.

1. [LO], [MID] or [HI] dots in the status display section will light by successively pressing the PAN/EQ key.
The LCD display will show the following: Example: Character display section when [LO] is made to light.
[1-LO: 0] will be displayed. In this condition, LOEQ of channel 1 can be adjusted and is the indication that the present LO-EQ setting is flat (0dB).
3. The number is set with the DATA encoder.
The number will change in the range of [-18dB] ~ [+18dB] and the equalized sound will also change. The graphic display will also change at the same time.
[+18] ~ [+1] ~ [0] ~ [-1] ~ [-18] will be displayed.
Digit will move up and down. Blinking Lit
<Useful information!> 2. The channel you wish to adjust is selected by pressing the desired CH ON/CH SEL key.
The selected channel CH ON/CH SEL key will blink. When channels 5/6 and 7/8 are selected, the two channels will be simultaneously equalized. If MASTER is selected, both L and R will be equalized at the same time.
Setup method of the EFFECT SEND level
In the following, the effects send level of the signal in the channel to which effects is to be applied is adjusted before sending it to the DSP multi-effects (EFF 1/EFF 2) contained in the VM88. It is also possible for the effect send signal to select either POST (post fader) or PRE (prefader). The VM88 is set to POST (post fader) in the initial state. <Useful information!>
* The EFFECT SEND signal adjusted in channels 1 ~ 4, 5/6 and 7/8 is sent to the VM88 internal DSP multi-effects (EFF1 or EFF 2). The operating explanation used here is based on the effects type ([Norm. HALL] in EFF 1, [CHORUS] in EFF 2) which are preset in EFF 1/EFF 2. Twenty-eight preset effects for EFF 1 and 38 types for EFF 2 are provided in the VM88. To select other effects or adjust effect parameters, refer to [Effect edit mode] on page 24. * Because EFFECT SEND is set in the post fader (the signal controllable by the INPUT fader) in the initial state, in this explanation it is necessary for the INPUT fader to be raised on the channel in which the EFFECT SEND level is to be adjusted. In addition, the MASTER fader to adjust output level from ST OUT L, R is also raised. To setup of the EFFECT SEND PRE/POST, see page 23.
1. Status display section [E1] or [E2] dots are lit by pressing the EFF/AUX key.
The LCD will display the following: Example: Character section when [E1] is lit.

Mono delay Panning delay Mono delay. Specify BPM and note value to set the delay time. Panning delay. Specify BPM and note value to set the delay time. Short delay that allows you to set the delay time precisely. Doubling that allows you to set separate delay times for L and R. Produces a chorus effect. A doubling effect can also be added. Produces a flanging effect. Pitch shift adjustable in a +/-2 octave range. Pitch shift with a feedback delay, allowing strange effects to be produced.
Selecting the effect type
Here's how to select the effect type for EFF 1 or EFF 2.
Press this to set the effect type for EFF 1.
Press this to set the effect type for EFF 2.
* As described earlier in "Normal mix mode," raise the INPUT fader of a channel to which a signal is being input and raise the MASTER fader, so that the sound is heard at an appropriate level. * As described earlier in "Setting the effect send level," raise the EFF 1 SEND level or the EFF 2 SEND level for the channel(s) to which you wish to apply the effect.
1. If you wish to set EFF 1, press the EFF EDIT mode EFF 1 key. To set EFF 2, press the EFF 2 key.
With the initial settings, the following displays will appear.
When the EFF 2 key is pressed:
With the initial settings, [CHORUS] will appear.
When the EFF 1 key is pressed:
With the initial settings, [Norm HALL] will appear.
2. Use the DATA encoder to select the effect type.
The effect types listed in the foregoing tables will appear in succession. When an effect type appears, it will be blinking. The blinking indicates that the effect type has not yet been selected.
3. Press the [ENTER] key.
The effect type will be finalized, and the parameter setting screen will appear. The default (initial) parameter values will be displayed.
Details on the parameters are given in the following section, "Parameter settings."
4. To exit Effect Edit mode, press the EXIT key twice in succession.

You will return to Normal Mix mode.
When you press the ENTER key to finalize the effect type, the sound will be muted for an instant.
Effect parameter settings
Here's how to set the effect parameters. 1. If the effect parameter that you wish to adjust is not displayed, press the EFF 1 key (or the EFF 2 key) twice.
One of the parameters of that effect type will appear.
4. If you wish to adjust another parameter, repeat from <step 2>. 5. When you are finished making settings, press the EXIT key twice to exit Effect Edit mode. <Useful Information!>
The parameter display will change as you repeatedly press the EFF 1 (or EFF 2) key. If you hold down the key for a certain length of time, the parameter display will go back to the previous screen.
2. Press the EFF 1 key (or the EFF 2 key) several times to display the desired parameter.
The parameters that appear will differ, depending on the effect type that is selected.
3. Use the DATA encoder to adjust the value.
For details on the meaning and range of each parameter, refer to "Effect parameter details" on the next page.
When the effect parameter being edited is "Delay Time" or "BPM," you can also use the ENTER key or a foot switch to make the setting by tapping, as an alternative to using the DATA encoder. In order to use the foot switch for tap input, you need to make settings in the Setup mode "Foot switch function setting" menu. For details refer to page 33 "Setup mode."
< Note for tap input using the ENTER key / foot switch >
When tap input is used, the value will be finalized on the fourth tap. This means that you must tap four times or more.

Muting an effect

You can mute the effect sound of effect 1 or effect 2. To mute the effect sound: Hold down the EXIT key and press the EFF 1 key (or EFF 2 key).
The effect sound of effect 1 (or effect 2) will be muted, and the dry sound will be heard. When muting is on, the EFF 1 key (or EFF 2 key) LED will blink.
To cancel muting: Once again hold down the EXIT key and press the EFF 1 key (or EFF 2 key).
The dry sound will change back to the effect sound. When mute is turned off, the EFF 1 key (or EFF 2 key) LED is off.
Effect muting can also be switched on/off by a foot switch (separately sold) as an alternative to the above procedure. The foot switch can be used to switch muting on/off for effect 1 or effect 2, or can simultaneously mute both effect 1 and effect 2. For details refer to page 33 Setup mode.

Effect parameter details

The parameters that can be adjusted will depend on the parameter type. Reverb effect parameters (parameter type: REVERB)
For effect types 1--24 of the preceding "Effect type" table, the following four parameters can be adjusted.
1. REVERB TIME 2. PRE DELAY 3. HI RATIO 4. E/R BALANCE Adjust the length of reverberation. Range: 0.1--9.9 seconds (99 steps in 0.1 second units) Adjust the time from the original sound until reverberation begins. Range: 0--100 ms (101 steps in 1 ms units) Adjust the decay ratio of the high frequencies. Range: 0--10 (11 steps in increments of 1) Adjust the volume of the early reflections. Range: 0--99 (100 steps in increments of 1)

Delay+reverb effect parameters (parameter type: DELAY+REVERB)
For effect types 25--28 of the preceding "Effect type" table, the following four parameters can be adjusted.
1. DELAY TIME 2. FEEDBACK 3. DLY BAL 4. REVERB TIME Adjust the delay time: Range: 1--230 ms (230 steps in 1 ms units) * The ENTER key / foot switch can be used for tap input (refer to page 27). Adjust the number of delay repeats. Range: 0--99 (100 steps in increments of 1) Adjust the delay balance. Range: 0--99 (100 steps in increments of 1) Adjust the length of reverberation. Range: 0.1--9.9 seconds (99 steps in 0.1 second units)
Delay effect parameters (parameter type: DELAY)
For effect types 29 and 30 of the preceding "Effect type" table, the following four parameters can be adjusted.
1. DELAY TIME 2. FEEDBACK 3. HI RATIO 4. FILTER Adjust the delay time. Range: 5--680 ms (136 steps in 5 ms units) * The ENTER key / foot switch can be used for tap input (refer to page 27). Adjust the number of delay repeats. Range: 0--99 (100 steps in increments of 1) Adjust the decay ratio of the high frequencies. Range: 0--10 (11 steps in increments of 1) Adjust the tone of the delay sound. Range: L9~L1, -, H1~H9 * [-] is Filter Off * L1~L9 = LPF (larger numbers will lower the cutoff frequency) * H1~H9 = HPF (larger numbers will raise the cutoff frequency)
BPM delay effect parameters (parameter type: BPM DELAY)
For effect types 31 and 32 of the preceding "Effect type" table, the following four parameters can be adjusted.
1. BPM 2. NOTE Adjust the BPM. Range: 30--250 bpm (221 steps in units of 1) * The ENTER key / foot switch can be used for tap input (refer to page 27). Select the note value for the delay. Range: 24, 16, 8T, 16.8, 4T, 8., 4, 2T, 4., 2, 2., 1 * 24 = 16th note sextuplets, 16 = 16th notes, 8T = 8th note triplets, 16. = dotted sixteenth notes, 8 = 8th notes, 4T = quarter note triplets, 8. = dotted eighth notes, 4 = quarter notes, 2T = half-note triplets, 4. = dotted quarter notes, 2 = half notes, 2. = dotted half notes, 1 = whole notes * The "." shown in the ninth character of the LCD indicates a dotted note. * The "T" shown in the ninth character of the LCD indicates a triplet. Adjust the number of delay repeats. Range: 0--99 (100 steps in increments of 1) Adjust the tone of the delay sound. Range: L9~L1, -, H1~H9 * [-] is Filter Off * L1~L9 = LPF (larger numbers will lower the cutoff frequency) * H1~H9 = HPF (larger numbers will raise the cutoff frequency)

3. FEEDBACK 4. FILTER

Short delay effect parameters (parameter type: SHORT DELAY)
For effect type 33 of the preceding "Effect type" table, the following four parameters can be adjusted.

1. PITCH 2. ADJUST Adjust the amount of pitch shift. Range: -24--0--+24 (49 steps in semitone units) * +/-12 is one octave. +/-24 is two octaves. Make fine adjustments to the amount of pitch shift. Range: -50--0--+50 (101 steps in increments of 1) * +50 is a semitone sharp. -50 is a semitone flat. Select the processing method. Range: 1--3 (3 steps)

3. MODE

Delay pitch effect parameters (parameter type: DELAY PITCH)
For effect type 38 of the preceding "Effect type" table, the following four parameters can be adjusted.
1. PITCH 2. ADJUST Adjust the amount of pitch shift. Range: -24--0--+24 (49 steps in semitone units) * +/-12 is one octave. +/-24 is two octaves. Make fine adjustments to the amount of pitch shift. Range: -50--0--+50 (101 steps in increments of 1) * +50 is a semitone sharp. -50 is a semitone flat. Adjust the delay time until the pitch-shifted sound is heard. Range: 0--500 ms (251 steps in increments of 2) * The ENTER key / foot switch can be used for tap input (refer to page 27). Adjust the number of delay repeats. Range: 0--99 (100 steps in increments of 1)

3. DLY TIME

4. FEEDBACK

Scene Memory Mode

The VM88 provides 21 scene memories (scene numbers 00--20). Of these, scene number [00] is a preset scene named "Initial Mix," and cannot be modified by the user. Your own settings can be stored in scene numbers [01]--[20]. Each scene stores the contents of Normal Mix mode, Channel Parameter Edit mode, and Effect Edit mode as a set. An eight-character alphanumeric name can be assigned to each scene memory you store.

Storing a scene memory

Here's how to store the current mix data as a scene memory. 1. Press the SCENE STORE key.
The number and name of the currently selected scene will blink.
If you select scene number [00] and attempt to store, the display will indicate [Read Only], and the operation will be ignored.
4. Use the DATA encoder and cursor keys (EFF 1 key / EFF 2 key) to input the scene name.
A scene name of up to eight characters can be assigned, using the following characters and symbols.
2. Rotate the DATA encoder to select the scene number [01]--[20] into which you wish to store the settings. 3. Press the ENTER key.
The store destination scene number will be finalized, and you will now be able to input the scene name. The current scene name will be dis played.
A~Z a~z 0~9 + - * / # & ! ? ( ) [ ] < > :. , <- -> _ 5. When you have finished entering the scene name, press the ENTER key. <Useful Information!>

The scene memories you store are preserved even when the power is turned off. However if you reset the VM88 (by pressing the RESET key), all scene memories other than scene number [00] will return to the initial state. If you decide to halt the process during the scene memory store procedure, press the EXIT key. From any point in the procedure, this will return you to Normal Mix mode.

Recalling a scene memory

Here's how to recall a previously-stored scene memory. 1. Press the SCENE RECALL key.
The scene number and scene name will blink.

Blinking

2. Rotate the DATA encoder to select the scene number [00]--[20] that you wish to recall.
As the scene number changes, the corresponding scene name will be displayed.

3. Press the ENTER key.

The scene will be recalled.
* The contents that are recalled will depend on the Setup mode settings "Channel fader recall" and "Master fader recall" described later in this manual. For details refer to "Setup mode" later in this manual. * Regardless of the position of the faders when a scene is recalled, the sound will be output at the stored volumes from the instant of the recall. If you are monitoring through head phones, be careful of the sudden loud sounds that may occur when a scene is recalled.

Level adjust

When the physical fader locations and the actual volumes do not match (for example, after a scene memory has been recalled), you can use this function to force the volume levels to the current fader locations. 1. Press the LEVEL ADJUST key.
The display will ask [Level Adj?].

2. Press the ENTER key.

The Level Adjust operation will be executed. This will cause the volumes to change to the current fader locations.

Fader adjust

When the physical fader locations and the actual volumes do not match (for example, after a scene memory has been recalled), you can use this function to manually adjust the fader locations. < NOTE >

Clearing a scene memory

Here's how to clear a specific scene memory. 1. Simultaneously hold down the SCENE RECALL key and SCENE STORE key.
The number and name of the currently selected scene will be displayed.
The scene memory will be cleared.
If you select scene number [00] and attempt to clear it, the display will indicate [Read Only], and the operation will be ignored. Only scene numbers [01]--[20] can be cleared.
2. Rotate the DATA encoder to select the scene number that you wish to clear, and press the ENTER key.
The display will ask whether you wish to clear the selected scene number. (The example screen shown here is when you have selected scene number [02].)
Lit The display will indicate [Clear 02 ?], and [?] will blink.

Setup Mode

In the Setup mode, you can make the following settings to specify how the VM88 will operate.
1. Setup of the SYSTEM CLOCK (Set to INT or EXT). 2. Setup of DIGITAL IN (Setup of DIGITAL IN format/input channel) 3. Setup of DIGITAL OUT (Setup of DIGITAL OUT format) 4. Setup of phantom power ON/OFF 5. Setup of peak hold time (Setup of the level meter peak hold time) 6. Setup of input mode for INPUT 5/6 (Setup to STEREO or MONO inputs) 7. Setup of input mode for INPUT 7/8 (Setup to STEREO or MONO inputs) 8. Setup of ON/OFF for the fader fix mode 9. Setup of ON/OFF for the channel fader recall mode 10. Setup of ON/OFF for the master fader recall mode 11. Setup of the foot switch function (Setup for functioning of the foot switch) 12. Voltage check of the internal battery
Making settings in setup mode
Setting the various setup menus can be carried out in the same manner as shown below. However, the internal battery check menu only is for confirmation of the voltage display. < Please remember! >
The battery check menu is the only one which simply displays the current internal battery voltage when the ENTER key, in <Step 3>, is pressed and there is no setup item to be selected. Using the DIGI IN setup menu, two items - DIGI IN format and input channel - can be set. When the ENTER key is pressed (Step-3) after selecting the DIGI IN setup menu, the VM88 will change to the display to select the DIGI IN format. Then, when the ENTER key <Step-5> is pressed, simultaneous with setup of format, the display will change to the next layer input channel select. By repeating <Step-3> ~ <Step-5> the DIGI IN input channel can be set. For details on the DIGI IN setup menu, refer to the next page.

(356891)

Digital Multitracker
INPUT 1/9/A 2/10/B 3/11/C 4/12/D 5/13/E 6/14/F BAL 7/15/G UNBAL INSERT BAL 8/16/H UNBAL MON OUT INSERT L R PHONES

MON OUT

PHONES

MIC PEAK

2/10/B

3/11/C

4/12/D

5/13/E

6/14/F

7/15/G

8/16/H

CH STATUS/CH SEL

CH STATUS

ORANGE

MUTE RECALL

SCENE STORE CLEAR

OPTICAL

DIRECT RCL

MAP EFF EDIT

EFF2 ACCESS ACCESS

MUTE PHANTOM PHANTOM EQ/COMP HI-G/F/Q

EFF1/EFF2

PRE/POST

-10 -10

COMP INPUT SEL
REC ASSIGN BUSS SOURCE REC TRK
DIRECT REC TRK INT MIXDOWN

AUX1/AUX2

MID-G/F/Q

DISP SEL

PGM SEL

-20 -30 -40 -50 -60

PRE/POST START PAN LO-G 1 FADER CH VIEW HOLD/ 2
AUTO RTN AUTO PUNCH IN OUT
TIME BASE CLIPBOARD ALIGN SEL

A RTN A PLAY

4 MARK UNDO /REDO

6 VARI PITCH

SCENE SEQ.

CH PARAM EDIT

LOCATE

CH STATUS ORANGE

RED REC

GREEN PLAY

P.EDIT EVT MEM

RECORD

REWIND

AUTO PUNCH

+6 +6 +6
CLIPBOARD PLAY LOCATE ABS 0 LOCATE REC END

FADER ADJUST

-10 -10 -10

EXIT/NO

LEVEL ADJUST
-20 -30 -40 -50 -60 -20 -30 -40 -50 -60 -20

EJECT ENTER/YES

-30 -40 -50 -60

JOG SHUTTLE

TRACK INPUT

MASTER

Operation Manual

CAUTION

RISK OF ELECTRIC SHOCK DO NOT OPEN

CAUTION:

TO PREVENT ELECTRIC SHOCK, MATCH WIDE BLADE OF PLUG TO WIDE SLOT, FULLY INSERT.

ATTENTION:

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER - SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
POUR EVITER LES CHOCS ELECTRIQUES, INTRODUIRE LA LAME LA PLUS LARGE DE LA FICHE DANS LA BORNE CORRESPONDANTE DE LA PRISE ET POUSSER JUSQU' AU FOND.
The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated "dangerous voltage" within the product's enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons. The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance.

"WARNING"

"TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE."

SAFETY INSTRUCTIONS

1. Read Instructions - All the safety and operating instructions should be read before the appliance is operated. 2. Retain Instructions - The safety and operating instructions should be retained for future reference. 3. Heed Warnings - All warnings on the appliance and in the operating instructions should be adhered to. 4. Follow Instructions - All operating and use instructions should be followed. 5. Water and Moisture - The appliance should not be used near water - for example, near a bathtub, washbowl, kitchen sink, laundry tub, in a wet basement, or near a swimming pool, and the like. 6. Carts and Stands - The appliance should be used only with a cart or stand that is recommended by the manufacturer.

Please read page 57. I want to store and recall the mixing setting.
Please read page 120. I want to digitally record my own selected tunes from CD and MD. Please read page 61. I want to locate to the head of the program while fast winding.
Please read page 88. I want to make a backup of the song data. Please read page 67. I want to use the internal compressor. Please read page 98. I want to use the condenser type microphone. Please read pages 54 and 141. I want to send a signal to an external effector. Please read page 140. I want to use the equalizer at recording. Please read page 53. I want to search the point by digital scrubbing. Please read pages 40 and 51. I want to use the internal effector at recording. Please read page 67.
Please read pages 41, 50 and 56.
I want to change the speed at playback/record.
I want to operate the faders in pairs.
Please read page 68. I want to manage the programs by naming them.
Please read page 139. I want to make a tempo map.
Please read page 71. I want to use the SCSI type CD-RW drive.
Please read pages 126 and 128. I want to mixdown without using external equipment.
Please read page 114. I want to use the optional CD-RW drive.
Please read page 79. I want to format the backup disks.
Please read pages 114 and 145. I want to erase a tune.
Please read page 102. I want to setup the MTC offset time.
Please read page 75. I want to record in time with the metronome sound.
Please read page 131. I want to sync with external equipment.
Please read page 87. I want to mix record the track playback sound and a newly performed tune.
Please read page 90-94. I want to output a MIDI sync signal to external MIDI equipment.
Please read page 85. I want to make a ping-pong recording.
Please read page 130. I want to ascertain the hard disk format information.
Please read page 86. I want to apply protect on a recorded program.
Please read page 137. I want to exchange the hard disk.
Please read page 133. I want to use the recorded sound in the computer.
Please read page 24. I want to make event map of the scenes.
Please read page 108. I want to setup PAN.
Please read page 64. I want to ascertain the recording functions of VF160.

Please read pages 40 and 50. I want to delete an unnecessary program.
Please read page 9. I want to operate the Adat Mixer Mode.
Please read page 71. I want to locate to a point previous to the desired point.

Please read page 95.

Please read page 130.

Table of Contents

Safety Instruction..2 Precautions...3
Programming the PUNCH IN/OUT points...38 Auto Punch In/Out rehearsal..38 Auto Punch In/Out take...38
Chapter 1 Basic Features of VF160
Introduction...8 Product Features...8
Track Exchange...39 Mixing...40
Level Adjustment...40 PAN Adjustment...40 Equalizer Adjustment...40 Effect Send Level Adjustment..41 Modifying Effect Type...41

Before Operating...9

Two RECORDING Modes..9 RECORDING System..11 PROGRAM...11 REMAIN Indicator...11 CHANNEL and TRACK...12 ADDITIONAL TRACK...12 INPUT Monitoring and PLAYBACK Monitoring..12 EVENT....12 TRIM...13 FADER...13 [CH STATUS/CH SEL] key...13 TIME BASE...14

Mix Down...42

Analog Mix Down...42 Digital Mix Down...42
Instructions to Record with BUSS RECORD..43
Recording the H Input Signal to Track 1.44 Recording 8 INPUTs to Tracks 7 and 8.46
Chapter 3 Advanced Mixer Operations
Initial condition when the power is turned on.49 Operations while the Normal Display is shown..49
Fader...49 Channel mute and Solo function..49 Master channel mute...49 Adat Mixer Mode On/Off..49

Names and Functions..15

Analog Input/Output Section..16 Mixer Section...17 Recorder Section...19 Display Section...22 Rear Panel...22 Front Panel...22
About the hard disk storage device..23
Reformatting the Hard Disk..23 Replacing a Hard Disk..24 Formatting the New Hard Disk..26
Channel Parameter Edit..50
Adjusting PAN...50 Adjusting EQ..51 Controlling Effect Send Level..52 Selecting Pre/Post of Effect Sends..52 Controlling AUX Send Level..53 Selecting Pre/Post of AUX Sends..53 Controlling Fader Levels..54 Setting the Compressor..54 Channel View...55
Chapter 2 Basic Recording and Playback
About demonstration song!..27 Connections of Peripheral Equipment.28 LCD...29 Instructions for DIRECT Record..31
Recording to One Track..31 Recording to Two Tracks..33

Effect Edit Mode...56

About the Effect Types...57 Selecting the Effect Type..58 Effect Parameter Settings...59 Effect Parameter Details...59

Locate Function...34

ABS Locate...34 Locating a mark point using a Memory key..34
Saving on the Memory key and Mark key..35 Direct Location of Memory key or Mark key..35 Changing the Time Saved in the Memory key and Mark key.35

Scene Memory...61

Storing to a Scene Memory..61 Recalling a Scene Memory..62 Level Adjust...62 Fader Adjust..62 Direct Recall of a Scene Memory..63 Clearing a Scene Memory...63

14. [SCENE-STORE/MAP] Key
* This is used to store scene memory. * Press this key while the [SHIFT] key is depressed to CHECK/CHANGE the scene map. * Simultaneously press this key and the [SCENE-RECALL/ DIRECT RCL] key to erase the scene memory.

[GREEN]:

[OFF]:
15. [EFF EDIT-EFF1/MUTE] Key
* This is used to CHECK/CHANGE the EFFECT type and parameter settings of EFFECT 1. * Press this key while the [SHIFT] key is depressed to turn ON/OFF the mute feature of EFFECT 1.
* Use the [CH STATUS/CH SEL] key to select the channel to change any settings together.
23. [MASTER CH STATUS/CH SEL] Key
* This becomes the master channel ON/OFF key when the LCD is in the normal display mode (described later). * Select the channel to CHECK/CHANGE any settings with the ([CH PARAM EDIT] Key (No. 17-22)] to CHECK/ CHANGE any PAN, equalizer or other mixer settings. * The STATUS of the key lights ON are defined below.
16. [EFF EDIT-EFF2/MUTE] Key
* This is used to CHECK/CHANGE the effect type and parameter settings of EFFECT 2. * Press this key while the [SHIFT] key is depressed to turn ON/OFF the mute feature of EFFECT 2.
17. [CH PARAM EDIT-EFF1/EFF2/PRE/POST] Key
* This is used to CHECK/CHANGE the send level settings of EFFECT 1 or EFFECT2. The EFFECT 1 and EFFECT 2 settings alternate every time the key is pressed. * Press this key while the [SHIFT] key is depressed to CHECK/CHANGE the PRE/POST settings of EFFECT 1 or EFFECT 2. * Use the [CH STATUS/CH SEL] Key to select the channel to change any settings together.
[GREEN]: The level of the stereo buss L, R outputs are adjustable with the fader. [OFF]: The signals to the master fader are [MUTE] (no sound).

24. [MASTER] Fader

* This is used to adjust the master level of the sound signals output from the STEREO OUT L, R jacks.
18. [CH PARAM EDIT-EQ/COMP-HI/G/F/Q/COMP] Key
* This is used to CHECK/CHANGE the high frequency parametric equalizer settings. The parameter settings alternate every time the key is pressed. * Press this key while the [SHIFT] key is depressed to CHECK/CHANGE the COMPRESSOR settings. * Use the [CH STATUS/CH SEL] Key to select the channel to CHECK/CHANGE any settings together.

38. [CLIPBOARD-OUT/MARK7] Key
* This key is used to CHECK/CHANGE the parameter saved at the end point (CLIPBOARD OUT POINT) when copying from or pasting to the clipboard. * Press this key while the [SHIFT] key is depressed to CHECK/CHANGE the parameters saved in [MARK7]. * This can be used as Locate Memory.

45. [LOCATE/EVT MEM] Key

* This key is used to locate the editing point (AUTO PUNCH POINT, etc.) and Mark Point. * The last located parameter is saved as the parameter of this key, every time. Therefore, it is possible to simply press this key to go to the last located point( L A S T LOCATE). * Press this key while the [SHIFT] key is depressed to edit the parameter saved in Event Memory (Event number 01-99).
39. [A RTN/A PLAY/SCENE SEQ.] Key
* Every time this key is pressed the mode switches from Auto Play -> Auto Return -> Auto Repeat -> OFF, and this mode is shown on the LCD.

46. [SCRUB] Key

* This is used to digitally scrub sounds in the FWD and REV direction without any change in pitch.

51. [F FWD/NEXT] Key

* Press this key while the machine is stopped for 30X rewind speed. * 3X cuing (rewinding with sound) takes place when this key is pressed during the PLAY status. * Press this key while the [SHIFT] key is depressed to locate the NEXT memory (locate the next event memory). * Press this key while depressing the [STOP] key to LOCATE REC END. * Press this key while editing the parameters to move the column (digit) to edit.
47. [RECORD/AUTO PUNCH] Key
* Press the [PLAY] key while this key is depressed (or press this key while the [PLAY] key is depressed) to start recording the READY track. (Key: Light ON) * The READY track goes in the input monitor mode when only this key is pressed (Key: Flashing). Pressing this key again cancels the input monitor and the READY track goes to the Playback Monitor mode. * Press this key while the [SHIFT] key is depressed to turn ON/OFF AUTO PUNCH.
52. [FADER ADJUST/LEVEL ADJUST] Key
* This key flashes during scene memory recall, etc. to notify the user that the currently set fader parameter and the internally set fader position are not the same. * Press this key to go to the Fader Adjust Mode. The internally set fader position is checked. By adjusting the fader setting manually it is possible to adjust the actual fader position according to the internally set fader position. * Press this key while the [SHIFT] key is depressed to go to the Level Adjust Mode. This forcibly adjusts the volume to the current fader position.

48. [STOP] Key

* Press this key during PLAY, REC, F FWD, REW to stop recorder operations. * Press this key in the SETUP mode to escape one stage each from the SETUP mode. * Press the [PLAY]/[REWIND]/[F FWD] key while this key is depressed for the following operations. * This is used to CANCEL/PAUSE the SETUP menu settings, copy/paste and various other sound editing processes. [STOP]+[PLAY]: CLIPBOARD PLAY
Play the sound that is copied or moved to the clipboard.

53. [SHIFT] Key

* This key is used as the function key for various keys and dials that have a shift function. The key functions are shown at the bottom of the key if the key has a shift function.
[STOP]+[REWIND]: LOCATE ABS0
Locate the beginning of the ABS (ABS = 00M 00S 00F) of the current program.
[STOP]+[F FWD]: LOCATE REC END
Locate the portion in which sound is recorded (REC END) on the current program.

54. [EXIT/NO/EJECT] Key

* This is used to CANCEL/PAUSE the SETUP menu settings, copy/paste and various other sound editing processes. This key is the opposite of the [ENTER/YES] key. * Press this key while the [SHIFT] key is depressed to remove the removable type SCSI disk used for backup purposes.

49. [PLAY] Key

* Press this key to start playing the recorder. * Press the [RECORD] key while this key is depressed (or press this key while the [RECORD] key is depressed) to start recording the READY track. * PUNCH OUT (REC CANCEL) takes place when only the [PLAY] key is pressed during the recording process. * Press this key while the [STOP] key is depressed to start CLIPBOARD PLAY.

55. [ENTER/YES] Key

* This is used to SET/EXECUTE the SETUP menu settings, copy/paste and various other sound editing processes. This key is the opposite of the [EXIT/NO] key.

50. [REWIND/PREV] Key

* Press this key while the machine is stopped for 30X rewind speed. * 3X cuing (rewinding with sound) takes place when this key is pressed during the PLAY status. * Press this key while the [SHIFT] key is depressed to locate the PREV (previous) memory (locate the previous event memory). * Press this key while depressing the [STOP] key to LOCATE ABS 0. * Press this key while editing the parameters to move the column (digit) to edit.

The cursor moves every time the [HOLD/>] key is pressed. The cursor can also be moved using the [REWIND] key or [F FWD] key.
5. Turn the [JOG] dial to select the track to exchange to. 6. Press the [ENTER/YES] key.
Exchange appears on the LCD and the exchange process takes place instantaneously. Completed! appears on the LCD when the exchange process is completed. Then the system returns to the Normal Display.
The track selection menu of the Track Exchange mode appears.
Select Err! appears on the LCD and the exchange process is invalidated if the same track is selected for the track to exchange from and track to exchange and [ENTER/YES] is pressed. (Ex: 03<=>03 and so on)

Mixing

After recording with DIRECT Recording, adjust the play level, equalize the sound or add some effects to the audio sound of track 1-16. This section describes how to adjust the level, PAN, equalizer, effect send level and effect.

Level Adjustment

Use the Channel Fader to adjust the play level of each channel. Use the Master Fader to adjust the stereo OUT level of the output signal of the sounds mixed. Tips: Master Level
Check the stereo OUT level with the L/R level meter on the LCD. If the output level is too high, the output will distort. Adjust the Master Fader so it does not exceed 0 on the L/R level meter.

Equalizer Adjustment

For fader-paired channels (set by the Pair fader setting menu in the Setup mode), controlling EQ settings for one channel affects both channels simultaneously. See page 138 for details about how to pair faders.
1-1. Press the [HI-G/F/Q] key.
The menu to set the high frequencies of the equalizer appears.
1-2. Press the [MID-G/F/Q] key.

PAN Adjustment

<Caution>
If you must edit channel parameters such as setup of PAN or EQ, be sure to check that the Scene Sequence Mode, explained later, is switched Off. Should the parameters be edited with this Scene Sequence Mode switched On, the parameters will be returned to their original setting when the VF160 is operated in PLAY or STOP. Refer to page 66 for On/off of the Scene Sequence Mode.
The menu to set the mid frequencies of the equalizer appears.
1-3. Press the [LO-G] key.
The menu to set the low frequencies of the equalizer appears.

1. Press the [PAN] key.

The PAN setup menu appears on the LCD. Select CH! will be flashes.
2. Press the [CH STATUS/CH SEL] key of the channel intended for equalizer adjustments.
The channel name and current setting of the channel selected appears on the LCD.
2. Press the [CH STATUS/CH SEL] key of the channel intended for PAN adjustment.

Channel view

You can see the current setting information for channels 1 through 16 via the Channel view screen. 1) Channel on/off 2) Fader levels 3) Send levels and pre/post selections for EFF1, EFF2, AUX1 and AUX2. 4) Pan positions 5) Signal destination (stereo busses or Rec busses) 1. Press the [LO-G] key while holding down the [SHIFT] key.
The channel view screen appears. The first time you bring up the channel parameter edit screen, the message prompting to select a channel ("Select CH!") flashes, as well as all the CH STATUS/CH SEL indicators on the panel flash. From the second time on, the screen shows the status information of the previously selected channel when bringing up the screen (as shown in the drawing of step 2 below).
3. To turn off the channel view screen, press the [EXIT/NO] key.
The current setting information is shown, together with the channel name.

Effect Edit Mode

The VF160 offers high quality ambient effects by employing the A. S. P. (Fostex Advanced Signal Processing Technology), which is exclusively developed by Fostex. With the A. S. P., you can obtain an incomparably clean and high density Hall Reverb, overwhelmingly clear Room Reverb and wonderfully hi-fidelity Plate Reverb. In addition to these typical Reverbs, the VF160 provides not only various practical algorithms such as Delay, Chorus, Flanger and Pitch Bend, but some combinations of these are also available, e.g., Delay+Reverb.
* A. S. P. (Fostex Advanced Signal Processing Technology)
The A. S. P. is an exclusive new digital effect processing technology designed by Fostex. This method extracts maximum efficiency from the limited DSP power. It achieves an overwhelmingly high density Early Reflection sound and wonderfully smooth High Dump response through the H. F. A. (Harmonic Feedback Algorithm). Also, it carries out an elaborate reverb simulation with clear sounds through the H. D. L. P. (Hi-Density Logarithmic Processing), which eliminates the mutual interference between the numerous integrated delay modules and reduce the impurity and girt of the sound. * H. F. A. (Harmonic Feedback Algorithm) There is one of indispensable elements in the natural echo called Early Reflection Sound, which is usually sacrificed in commercial reverb products in order to reduce costs. (In practice, the Early Reflection Sound means the very first reverberated sound that bounces back from walls, floors and ceilings of concert halls). The entire reverb sound quality depends on this Early Reflection Sound and how closely it can resemble the real echo. The H. F. A. is an algorithm that enables the effect unit to reproduce a clear and natural Early Reflection Sound by applying an ideal harmonic feedback to each delay module. * H. D. L. P. (Hi-Density Logarithmic Processing) The reverb sounds consist of lots of small delay elements combined in a complex way, which are produced by many delay modules inside the effect unit. In order to obtain smooth and comfortable reverb sounds, it is very important to efficiently organize the relationship between each delay module and minimize negative mutual interference. The H. D. L. P. is a technology which applies efficient logarithmic processing to each delay module, so that they can work in the most efficient way in order to eliminate harmful reverb elements and roughness. This makes it possible to establish high density and transparent sounds.

The screen shows the event memory list.
The display shows the screen for selecting the scene number for the selected event memory.
4. Rotate the [JOG] dial to enter the desired value for the editing field.
Repeat step 3 and 4 to enter the desired values to all fields.
5. Press the [ENTER/YES] key after editing the time.
The event memory with the edited time is created, and the display returns to the Normal Display.
3. While the scene number is flashing, rotate the [JOG] dial counterclockwise.
"EVT DEL" (Event Delete) flashes in the scene number field, showing that the event memory selected above is ready to be deleted.
6. To create other event memories, repeat step 1 through 5.
Creating the scene event map
After preparing the event memory list, you can create the scene event map. Note that all necessary scene memories must be stored in advance when carrying out the following. 1. While the VF160 is stopped, press the [SCENE STORE/MAP] key while holding down the [SHIFT] key.
4. While "EVT DEL" is flashing, press the [ENTER/YES] key.
The confirmation message for deleting the selected event memory, in which "Sure?" flashes.
5. Press the [ENTER/YES] key
To cancel the operation, press the [EXIT/NO] key. The selected event memory is deleted and the screen shows the event memory list.
6. Press the [EXIT/NO] key (or the [STOP] key).
Scene sequence mode on/off selection
You can turn on or off the scene sequence mode for selecting whether or not executing the scene sequence program using the scene event map. 1. While the VF160 is stopped, press the [A RTN A PLAY/SCENE SEQ] key while holding down the [SHIFT] key.
After "SCENE SQ: ON" is briefly shown on the screen, the Normal display appears. Each time you press the [A RTN A PLAY/SCENE SEQ] key while holding down the [SHIFT] key, ON and OFF alternates. When the scene sequence mode is set to ON, the scene number indicator on the Normal display is highlighted (When OFF, it is not highlighted).
<Screen appearances during playback>
The following show the screen appearances during playback with the scene event map in which scene number 02 (with title "XXX") is recalled at 01m 30s and scene number 05 (with title "YYY") is recalled at 05m 00s.

Track Exchange allows the tracks currently on the program to be interchanged (all real tracks and additional tracks) on mono track or multiple track (2 tracks or 8 tracks each) units. This function makes it possible to exchange real tracks. A real track can be emptied by moving a real track to a blank additional track. This means that real track can be recorded with other data. All-in-all, track exchange allows effective utilization of the tracks. As already described in the Erase section, the Track Exchange feature is necessary to check the REC END point of an additional track.

Executing Track Exchange

1. Press the [EDIT] key while the recorder is in the STOP state, and show Track Exchange? on the display.
2. Next press the [ENTER/YES] key.
The track exchange selection display appears. The current display indicates that track 1-8 and track 916 can be exchanged in 8 track units. To select another combination, go to the next step, respectively.
Exchange in 8-track units
1. While "01-08" on the left is flashing, press the [HOLD/>] or [F FWD] key to make "09-16" flashing.
If you select the same track(s) for both the left and right columns (for example, "04<=>04", "01&02<=>01&02" or "01-08<=>01-08"), you cannot carry out a track exchange. "Select Err" appears on the display and the display returns to the previous one.
2. Turn the [JOG] dial to select 09-16 or 17-24 to flash on the display.
The tracks are instantly exchanged. Completed! appears on the display when the tracks are successfully exchanged. Then the LCD returns to the original time base display.
Exchange in mono or 2-track units
1. Turn the [JOG] dial while 1-8 is flashing.
You can select among mono tracks (1 through 24) and stereo 2 tracks (1&2, 3&4,. 23&24), as well as 8 tracks. The right column shows the same unit, according to the selection on the left column as shown in the figure below. Therefore, you should select track(s) in the left column first and then select track(s) in the right column.

The "Adat Mixer Mode" can only be used via DIRECT recording. It cannot be used with BUSS recording. If an attempt is made to activate the "Adat Mixer Mode" when the recording mode is set to the BUSS mode, the display will show "Rec Mode Change!" with a flashing "Sure?". If you press the [ENTER/YES] key, the recording mode changes to the DIRECT mode and activates the "Adat Mixer Mode". If you press the [EXIT/NO] key, "Adat Mixer Mode" will be canceled and the recording mode will remain the same. Tracks set to "IN (input) via "INPUT SEL" selection (IN or TRK) will not be input monitor mode when the "Adat Mixer Mode" is active.

adat OUT adat OUT

adat IN
Computer System with a MIDI/audio integrated software supporting MMC/MTC and a sound card equipped with the Adat optical input.

-20 -30

Control the monitor levels of audio tracks 1 through 8 of the personal computer.

-40 -50 -60

Adjusts the master level. Control the monitor levels of MIDI sound sources. Control the monitor levels of analog instruments.
1. Set both "digital input" and "digital output" settings in the Setup mode to "adat".
See pages 134 and 135 for details about settings.
1. Connect the VF160 [DATA IN] and [DATA OUT] connectors respectively to the adat IN and adat OUT connectors of the personal computer containing a sound card. 2. Connect the MIDI OUT connectors of the personal computer to the MIDI IN connectors of the MIDI sound source device and the VF160, and connect MIDI sound sources to the VF160 inputs 1 through 6. 3. Connect analog sound sources (such as mic, guitar, etc.) to inputs 7 and 8. 4. Connect the VF160 [MIDI OUT] connector to the [MIDI IN] connector of the personal computer, and feed MTC from the VF160 to the computer.
2. When the Normal display is shown, press the [INPUT SEL] key while holding down the [SHIFT] key to make the "Adat Mixer Mode" active.
Chapter 6 Save/Load of song data
You can save or load the desired song data using an S/PDIF digital signal, adat digital signal, SCSI device (MO, zip or CD-RW), as well as the Fostex optional CD-RW drive (Model CD-1A). The file formats you can use are the FDMS3 (Fostex Digital Management System-3) and WAV (SCSI device only. You cannot save a WAV file to a CD-RW/CDR disc). This function allows you to save finished or unfinished song data, including audio data and various SETUP information, to an external digital recorder or SCSI backup device, and load the data later. You can also make an original audio CD (CD-DA) using a CD-RW/CD-R disc.

If you quit loading before completing, the loaded data is invalid.
10. Stop the external DAT (or adat) machine.
11. Press the [EXIT/NO] key (or the [STOP] key) repeatedly until exiting the Setup mode.
Saving/Loading data using SCSI (MO, zip)
You can save/load song data using a SCSI backup disk (MO, zip). Normally a backup SCSI disk should be formatted by the backup format (for backup use only). You can also save data to or load data from a WAV file on a SCSI disk formatted for DOS format (for computer use). Since song data written in a WAV file can be read by a computer as well as be loaded in the VF160, you can use such data with a music software. For details about save/load using an external SCSI-type CD-RW drive or the optional CD-RW drive (Model CD-1A), see page 114.
A write-protected disk cannot be used. Release the protection before using. The disk formatted by the VF160 can be used for saving/loading by the FDMS-3. The VF160 cannot DOS-format a disk for saving/ loading by a WAV file. So, to DOS-format a disk, use a personal computer, etc.
Connect the unit's SCSI connector (half pitch 50-pin type for Macintosh) to an external SCSI device. Before connecting to a SCSI device, read the following notes carefully.
1. After connecting a backup SCSI device to the VF160, turn on the both machine. 2. Insert a backup disk into the SCSI device.
Make connection with the power turned off. You can connect only one SCSI device via the SCSI connector of the VF160. When connecting a external SCSI device to the unit, insert a SCSI terminator to the other (unused) SCSI connector of the device. Or, if the device provides a switch that switches the SCSI termination, set it to ON. There is no limitation for the ID number of the backup SCSI device. The unit automatically recognizes the device as a backup SCSI device. You must format the disk used with the backup SCSI device after connecting the device. See "Formatting a backup disk" below for the detail information.
3. Press the [SETUP] key to enter the Setup mode.
4. Use the [JOG] dial to select "Disk Format" and press the [ENTER/YES] key.

Do not stick any paper, etc. on the label side. Also do not scratch the label side, which may cause problems during playback or recording. Use only a felt pen or equivalent for writing any memo on the label side. Using a ball-point pen, pencil, etc. that has a hard tip may damage a disc.

<Audio CD discs>

As these are read-only discs, you only can use them for loading track data to the VF160.
Never use a warped or chipped disc, which may damage the CD-RW drive.
See the VF160 operation manual for details about how to save/load song data or how to make an audio CD.
<Notes on care of disc>
If there is a dust, dirt or fingerprints on the disc, which may cause error in playback or recording, wipe the disc with a soft, dry cloth or alcohol from the center out. Never wipe from the outside to center. Do not use a cleaner for analog discs or antistatic spray, as well as volatile solvents such as benzine, which may damage the disc surface. Do not expose any disc to direct sunlight, or leave it in hot, moist or cold places. Read the attached manual packed with the disc before using it.

How to install the CD-1A

<Notes on installing the CD-RW drive>
The CD-RW drive is made of precision parts. Do not apply a mechanical shock or use excessive force when installing it. Before installing the drive, make sure that the power of the VF160 is off and the power cord is disconnected. Install the drive correctly according to this manual. Note that damage to the drive caused by inappropriate installation is not covered by the guarantee.
Place the VF160 upside down on a material such as a soft cloth, and unscrew the screw that fixes the blank panel.
Be careful not to drop the VF160 or give a strong shock to the VF160, which may damage the hard-disk drive built into it. Keep the blank panel for future use in case you unmount the CD-1A.
Use two screws supplied with the CD-1A to fix the CD-1A to the VF160 from the front panel.
Tighten the screws with a screwdriver.
Unfasten the screw that fixes the blank panel.

screw position

Blank panel Remove the blank panel.
Use the screw you removed in step 1 to fix the blank panel supplied with the CD-1A to the front panel.
Slant the panel slightly when inserting the panel inside the unit.
Keep the screwmentioned above, which will be used in step 4 below after installing the CD-RW drive.
Turn the VF160 over and insert the CD-1A into the slot on the front panel.
Push the CD-1A firmly, without forcing, so that the connector of the CD-1A fits into its companion in the slot. connector