End User License Agreement
This End User License Agreement (Agreement) is an agreement between FUJIFILM Corporation (FUJIFILM) and you, which sets forth the terms and conditions of the license granted for you to use the software provided by FUJIFILM. The CD-ROM contains third party software. In case a separate agreement is provided by a third party supplier for its software, the provisions of such separate agreement shall apply to the use of such third party software, prevailing over those of this Agreement. 1. Definitions. (a) Media means the CD-ROM titled Software for FinePix CX- which is provided to you together with this Agreement. (b) Software means the software which is recorded on Media. (c) Documentation means the operation manuals of Software and other related written materials which are provided to you together with Media. (d) Product means Media (including Software) and Documentation collectively. 2. Use of Software. FUJIFILM grants to you a nontransferable, nonexclusive license: (a) to install one copy of Software onto one computer in binary machine executable form; (b) to use Software on the computer onto which Software is installed; and (c) to make one backup copy of Software. 3. Restrictions. 3.1 You shall not distribute, rent, lease or otherwise transfer all or any part of Software, Media or Documentation to any third party without FUJIFILMs prior written consent. You also shall not sublicense, assign or otherwise transfer all or any part of the rights granted to you by FUJIFILM under this Agreement without FUJIFILMs prior written consent. 3.2 Except as expressly granted by FUJIFILM hereunder, you shall not copy or reproduce all or any part of Software or Documentation. 3.3 You shall not modify, adapt or translate Software or Documentation. You also shall not alter or remove copyright and other proprietary notices that appear on or in Software or Documentation. 3.4 You shall not, or shall not have any third party, reverse-engineer, decompile, or disassemble Software.
EC Declaration of Conformity
We Name: Address: FUJIFILM Europe GmbH Heesenstrasse Dusseldorf, Germany
declare that the product Product Name: FUJIFILM DIGITAL CAMERA FinePix F40fd / FinePix F45fd / FinePix F47fd Manufacturers Name: FUJIFILM Corporation Manufacturers Address: 7-3, AKASAKA 9-CHOME, MINATO-KU, TOKYO 107-0052, JAPAN conforms to the following Standards: Safety: EN60065 EMC: EN55022: 1998 Classe B EN55024: 1998 EN61000-3-2: 1995 + A1: 1998 + A2: 1998 following the provision of the EMC Directive (89/336/EEC, 92/31/EEC) and Low Voltage Directive (2006/95/EC).
Dusseldorf, Germany Place
April 1, 2007 Date Signature/Managing Director
This product comes with batteries. When these are empty, you shouldnt throw them away but deliver them as domestic chemical refuse.

Gold contact area Align the gold marking with the gold contact area, then insert an SD Memory Card completely.
Loading the Memory Card CAUTION
Be sure to unlock the protection of the SD Memory Card before inserting it. If it is locked, recording/deleting images, as well as formatting are not available. To unlock the protection, slide the switch back, and the SD Memory Card will work normally.
Protection switch How to replace the Memory Card CAUTION
A new SD Memory Card or a card previously used on a PC or any device other than the camera should be formatted (p.113) on the camera before use. Do not use a miniSD adaptor or a microSD adaptor which have exposed contact areas on the back. Use of these adaptors may cause a malfunction or damage due to the improper contacts. Push the Memory Card into the slot and then slowly remove your finger. The lock is released and the Memory Card is pushed out.
When storing Memory Cards, make sure that they are kept out of the reach of children. A Memory Card could be swallowed and cause suffocation. If a child swallows a Memory Card, seek medical attention or call emergency number right away. If the Memory Card is oriented incorrectly, it will not go all the way into the slot. Do not apply force when inserting a Memory Card. Note that the Memory Card may spring out if you release your finger quickly from the card immediately after the lock is released. Operation of this camera is only guaranteed when it is used with FUJIFILM xD-Picture Card and operationchecked SD Memory Card (p.19). See p.142 for information on the xD-Picture Card, SD Memory Card and the internal memory.

Z About internal memory

1 / 24 / 2007

10:00 AM

FinePix F40fd / FinePix F45fd / FinePix F47fd has internal memory that can store images without Memory Card. Y appears on the LCD monitor when internal memory is active.
When a Memory Card (sold separately) is inserted [Record images]: Record images to a Memory Card. [Playback images]: Playback images in a Memory Card. When a Memory Card (sold separately) is not inserted [Record images]: Record images to internal memory. [Playback images]: Playback images in internal memory. Z About images in the internal memory Images held in the cameras internal memory may be corrupted or erased due to problems such as camera faults. Save your important data to another media (i.e., DVD-R, CD-R, CD-RW, hard disk, etc.). It is possible to transfer saved images on the internal memory to a Memory Card (p.93). CAUTION

Erase the unnecessary images in the internal memory. (p.43)
The size of an image file varies depending on the subject. For this reason, the number recorded may not represent the actual number of frames. See p.160 for information on the standard number of available frames.

Turning On and Off

Turning the camera on in Photography mode
Press POWER down fully to turn the camera on. Press POWER again to turn the camera off.
Turning the camera on in Playback mode
Press w for about 1 second to turn the camera on in Playback mode. Press POWER to turn the camera off.
MEMO Changes between Photography mode and Playback mode
Press w during shooting to change to Playback mode. Press the shutter button down halfway to return to Photography mode.
To change to Photography mode, press the shutter button down halfway.
The lens moves and the lens cover opens when turning the camera on in Photography mode. Take care not to obstruct the lens. Take care not to get fingerprints on the camera lens as this will result in impaired image quality in your shots.
Setting the language, date, and time
When using the camera for the first time after purchasing, the language, date, and time are cleared. Set the language, date, and time.

Set the date and time.

DATE / TIME NOT SET

YY.MM.DD

12:00 AM
screen appears when turning the camera on.

START MENU / LANG.

A Press p or q to select Year, Month, Day, Hour, or Minute.
B Press n or o to correct the setting.

SET NO

MEMO A Press n, o, p, or q to select the language.
Holding down n or o changes the numbers continuously. When the time displayed passes 12, the AM/PM setting changes.
B Press MENU/OK to confirm the setting.

Change the date format.

DATE / TIME NOT SET DD. MM. YY
Set the POWER MANAGEMENT options.
POWER MANAGEMENT POWER SAVE QUICK AF CLEAR DISPLAY Power saving for longer battery life

MM / DD / YY

YY. MM. DD SET
A Press p or q to select the date format.
A Select an option from the menu.
B Press n or o to set the format.
B Press MENU/OK to confirm the setting. MEMO
The confirmation screen appears when the battery is removed and the camera has been left unused for a long period. Keep the charged battery inside of the camera to retain the camera settings. Once a charged battery is installed for 4 days, the settings will be retained for roughly 7 days, even if the battery is removed.

Display Lit green Blinking green Blinking green and orange alternately
Status Locking the focus, Setting the Mode dial Camera shake warning, AF warning, or AE warning (ready to shoot) Recording to Memory Card or internal memory (ready to shoot) Recording to Memory Card or internal memory (not ready) Charging flash (flash will not fire) Warnings for Memory Card and internal memory Card not formatted, incorrect format, memory full, Memory Card or internal memory error Lens operation error Using the Camera

Indicator lamp

Lit orange Blinking orange Blinking red
Detailed warning messages appear on the LCD monitor (p.143-147).
Using Intelligent Face Detection when taking pictures
Intelligent Face Detection allows you to focus on and adjust the brightness of peoples faces. Intelligent Face Detection is effective with the camera held horizontally or vertically. Available Photography modes: B, / (H, , , , , ), s , , ,
B Press the shutter button down fully to take pictures.
Subjects not suitable for Intelligent Face Detection
Intelligent Face Detection automatically focuses on a face(s) turned towards the camera. However, difficulties will occur with the Intelligent Face Detection mode in the following situations: The face is obscured by glasses, sunglasses, a hat or hair. A person turned sideways, or who has their head tilted The subject is too far away to recognize a face Intelligent Face Detection will not work in cases where the subject is standing on his/her head, is not a person (pet or other animal), or if the camera is not held correctly.
A To activate Intelligent Face Detection press To turn Intelligent Face Detection off, press

once. again.

When there are multiple people in the frame, Intelligent Face Detection will set a green frame around the face nearest to the center of the picture. This face has focusing priority.

Green frame

If the camera or subject move as the picture is taken, the subjects face may move out of the Intelligent Face Detection frame. When the camera is detecting multiple faces, the green frame is set around the face near the center. If you want to focus on another subject, move the camera so that the new subject is in the center of the screen. If focus is still not achieved, press (Intelligent Face Detection) to turn off the function, and take the picture using AF/AE lock (p.34). Intelligent Face Detection can focus on a face in a white frame providing the subjects in the green and white frame are of the same focal length. Pressing the shutter button halfway with Intelligent Face Detection off, the focus will be on the center of the frame.
Taking pictures with the focus and exposure locked
In the above composition, the subjects (two people in this case) are not in the AF frame. Pressing the shutter button halfway at this point will result in the subjects being out of focus.

AF/AE lock is useful:

Use AF/AE lock to guarantee best result when shooting a subject that is not suited to autofocusing (p.35). CAUTION
When taking a picture in AF/AE lock, cancel Intelligent Face Detection.

Using AF/AE lock

Move the camera slightly so that one of the subjects is in the AF frame.
Continue to hold the shutter button down halfway. Move the camera back to the original image and press the shutter button fully.
1 / 24 / 2007 10:00 AM 250 F 5.6
Press the shutter button down halfway to focus on the subject.
AF/AE lock can be applied repeatedly before the shutter is released. Use AF/AE lock in all Photography modes to guarantee excellent results. On FinePix F40fd / FinePix F45fd / FinePix F47fd, pressing the shutter button down halfway locks the focus and exposure settings (AF and AE lock).

Double beep

Halfway pressed
Subjects not suitable for autofocus
FinePix F40fd / FinePix F45fd / FinePix F47fd uses a highprecision autofocusing mechanism. However, it may have difficulty focusing on the following:

AF-assist illuminator

Use this illuminator to focus on the subject in dimly lit conditions. When pressing the shutter button down halfway, the camera fires the AF-assist illuminator (white) while focusing on your subject.
AF-assist illuminator Very shiny subjects such as a mirror or car body

Fast moving subjects

Subjects photographed through glass Subjects that do not reflect well, such as hair or fur Subjects with no substance, such as smoke or flames Dark subjects Subjects with little or no contrast between the subject and the background (such as subjects dressed in the same color as the background) Shots where another high-contrast object (not the subject) is close to the AF frame and is either closer or further away than your subject (such as a shot of someone against a background with strongly contrasting elements) For such subjects use AF/AE lock (p.34).
Even when the AF-assist illuminator fires, the camera may have difficulty focusing in some conditions. Even though there is no danger to safety, do not expose it directly in someones eyes. See p.107 for information on turning the AF-assist illuminator off. AF-assist illuminator does not fire in ,,., , , , , or mode. When using the AF-assist illuminator in Macro mode, the camera may have difficulty focusing to take closeup shots.

B Press n or o to select

ERASE.

B Press

(n). C Press q.
C Press p or q to select OK. DPress MENU/OK to erase the displayed image.
Erasing the Images/Movies Erasing the Images/Movies
PLAYBACK MENU ERASE IMAGE ROTATE PROTECT COPY VOICE MEMO TRIMMING BACK FRAME ALL FRAMES
Erasing one frame at a time (FRAME)
D Press n or o to select FRAME or ALL FRAMES.
A Press p or q to select the erasing frame (file). B Press MENU/OK to erase the currently displayed frame (file). MEMO
To erase another frame (file), repeat above steps. When erasing frames (files) is completed, press DISP/ BACK.
E Press MENU/OK to confirm the setting.
Pressing MENU/OK repeatedly erases consecutive frames (files). Take care not to erase a frame (file) by mistake.
Erasing all frames (ALL FRAMES)
ERASE ALL OK? IT MAY TAKE A WHILE
When using a Memory Card, the images in the Memory Card are erased. When not using a Memory Card, the images in the internal memory are erased. Protected frames (files) cannot be erased. Unprotect the frames (files) before erasing them (p.91). If DPOF SPECIFIED. ERASE OK? or DPOF SPECIFIED. ERASE ALL OK? appears, press MENU/ OK again to erase the frames (files).
CAUTION A Press p or q to select OK. B Press MENU/OK to erase all the frames (files). MEMO Press DISP/BACK to cancel erasing of all the frames (files). Some unprotected frames (files) will be left unerased.
Erased frames (files) cannot be recovered. Back up important frames (files) onto your PC or another media.
Using the Photography Functions Procedure of Setting
Specify the camera settings for taking pictures to get the best result. A general guide is given below.
B Auto Picture Stabilization This is the easiest mode for taking pictures (p.49). Used for selecting a fast shutter speed that reduces camera shake and movingsubject blurring (p.49). This mode produces beautiful images that retain the natural ambience when shots are taken in low-light conditions (p.50). This mode shoots 2 images continuously without flash and with flash. Shooting with flash allows you to take a picture of a main subject brightly. This mode is useful for shooting 2 different types of pictures at the same time (p.50). Select the best Shooting mode for the scene being shot (p.51). This mode provides more detailed settings that are impossible to set in B Auto mode ( p.56).
Select the Photography mode.
Turn the Mode dial to select the Photography mode. The camera settings are tailored to the scene being shot.

Natural Light

NATURAL & d
/ Scene position s Manual
Specify the photography settings.

AUTO/]/6/7/9/ 0/-/8

OFF/f/k/h
p-MODE MENU (Photography)
Setting the camera performance ( POWER MANAGEMENT)
Use this function to save power and increase the life of the battery, or to increase the focusing speed for shooting. CAUTION
POWER MANAGEMENT cannot be set when shooting mode is set for.

Setting the menu (p.66)

QUICK AF
When the shutter button is pressed halfway, the focusing speed will be increased. This function allows you to shoot pictures quickly and is effective when you do not want to miss the chance to shoot. The Intelligent Face Detection function (p.32) will automatically turn ON in various shooting modes. The images will be displayed finely on the LCD monitor, however the camera consumes more power. MEMO
The focal range is approximately 1m (3.2 feet) to infinity. The LCD monitor display will go dark when no operation is made for 30 seconds, and will light up when any buttons are pressed. When AUTO POWER OFF is set to OFF, the setting will be changed to 5MIN.

POWER SAVE

To save power, the LCD monitor display will automatically go dark when no operation is made for 10 seconds. Also, the number of displayed frames per second will be minimized. CAUTION
When Intelligent Face Detection function (p.32) is ON, POWER SAVE will be cancelled. Select POWER SAVE when using continuously for long periods in a hot place. If using in other modes continuously for long periods in a hot place, vertical linear noise may appear in the image by the nature of CCD.

CLEAR DISPLAY

The Intelligent Face Detection function (p.32) will automatically turn ON in various shooting modes. Also, the LCD monitor display will light up. The images will be displayed finely on the monitor. Be aware of the battery charge, since the camera consumes more power. MEMO
The LCD monitor display will go dark when no operation is made for 30 seconds, and will light up when any buttons are pressed. CLEAR DISPLAY will turn ON when using an optional AC power adaptor. When AUTO POWER OFF is set to OFF, the setting will be changed to 5MIN.
The LCD monitor display will light up when any buttons are pressed.

SHOOTING MENU

Adjusting exposure compensation (S EXP. COMPENSATION)
Available Photography mode: s (p.56)
Use this menu for shots to get the correct brightness (exposure), such as shots with extremely high contrast between the subject and the background.

EXP. COMPENSATION

Guide to compensation
Backlit portraits: +2/3 EV to +1 2/3 EV
Very bright scenes (such as snowfields) and highly reflective subjects: +1 EV
positive (+) compensation
Shots made up predominantly of sky: +1 EV Spotlit subjects, particularly against dark backgrounds: 2/3 EV Scenes with low reflectivity, such as shots of pine trees or dark foliage: 2/3 EV
negative () compensation CHECK
Compensation range: 2 EV to +2 EV (13 steps in 1/3 EV increments) Explanation of Terms EV (p.163)
MEMO Any of the following disables exposure compensation:
Using the flash in AUTO or b mode Shooting dark scenes in d mode
Selecting light metering method ( PHOTOMETRY)
Available Photography modes: s (p.56) (When Intelligent Face Detection is turned OFF)
Use this setting when the correct exposure cannot be obtained by the shooting conditions.
To use the photometry modes effectively
MULTI In this mode, the camera uses automatic scene recognition to analyze the subject and provide optimum exposure in a wide range of shooting conditions. SPOT This mode is useful for subjects with strongly contrasting light and dark areas where you want to achieve the correct exposure for a particular feature. AVERAGE The advantage of this mode is that the exposure tends not to change for different compositions or subjects. This mode is particularly effective for shots of people wearing black or white clothing and shots of scenery.
) MULTI (Pattern): Light metering where the camera assesses the scene and selects the correct exposure. _ SPOT : Light metering where the exposure is optimized for the center of the image. : Light metering where an average + AVERAGE value for the entire image is used.
Adjusting color balance (T WHITE BALANCE)
Available Photography modes: s (p.56)
Adjust the color balance based on white to suit the color of the ambient light around the subject.

WHITE BALANCE AUTO

] Custom white balance
A Select ] custom white balance. B Hold a piece of white paper under the light source for setting the white balance, so that it fills entire the LCD monitor. Then press the shutter button to set the white balance.

CUSTOM WB

NEW WB NOT CHANGE
AUTO: Automatic adjustment ] : Select the white balance be using white paper to suit the shooting conditions. 6 : Shooting outdoors in good weather 7 : Shooting in shade 9 : Shooting under Daylight fluorescent lamps : Shooting under Warm White fluorescent lamps 0 : Shooting under Cool White fluorescent lamps 8 : Shooting in incandescent light
The white balance setting does not affect the image shown on the LCD monitor. To use the white balance set previously, press the MENU/OK without pressing the shutter button.
C When the correct exposure is measured, COMPLETED! appears. Press MENU/OK button to confirm the setting.

COMPLETED!

SHOOTING MENU Set the exposure compensation again, using a negative value () when [OVER] appears and a positive value (+) when [UNDER] appears (p.73).
N 25 ISO AUTO(1600) AUTO(1600)
Taking pictures continuously ( CONTINUOUS)
Use this mode to take pictures of a moving subject.
SHOOTING MENU EXP. COMPENSATION PHOTOMETRY WHITE BALANCE AUTO LONG PERIOD OFF CONTINUOUS FINAL 2 AF MODE TOP 2 SET - UP OFF

OVER or UNDER Example

You can change the white balance for a photographed image by using colored paper instead of white paper.
h: LONG PERIOD continuous shooting k: FINAL 2 continuous shooting f: TOP 2 continuous shooting
In AUTO mode, the correct white balance may not be achieved for subjects such as close-ups of peoples faces and pictures taken under a special light source. Select the correct white balance for the light source. When the flash fires, the white balance (except for custom white balance) setting for the flash is used. Consequently, to achieve a particular effect, the flash mode should be set to C Suppressed flash (p.58). The specified custom white balance is retained until it is reset. This setting is retained even if the battery is removed. The color tones may vary depending on the shooting conditions (light source, etc.). After taking the picture, check the image color (white balance). Explanation of Terms White Balance (p.163)
Setting the menu (p.66) CAUTION
Number of available frames is limited depending on the available space on the Memory Card or internal memory. In TOP 2 and FINAL 2 continuous shooting mode, the focus is determined in the first frame and cannot be changed in mid-sequence. The exposure is determined in the first frame, but in LONG PERIOD continuous shooting the exposure is adjusted for the scene being shot. The speed of continuous shooting varies depending on the shutter speed. The flash cannot be used as the flash mode is set to C SUPPRESSED FLASH (p.58). However, when the mode is changed back to normal photography, the flash setting specified before continuous shooting was selected is restored. For TOP 2 and FINAL 2 continuous shooting, the results are always displayed after you shoot. Note that pictures taken using LONG PERIOD continuous shooting are recorded without displaying the results. In FINAL 2 and LONG PERIOD continuous shooting mode, only 1 frame can be shot when using the FINAL 2 / LONG PERIOD continuous shooting mode and Selftimer mode together. Continuous shooting cannot be selected in NATURAL & d.

Rechargeable Battery NP-70 (1150 mAh) A Lithium-ion large capacity rechargeable battery.
AC Power Adapter AC-5VX Use the AC-5VX when taking pictures or play back images for long periods or when FinePix F40fd / FinePix F45fd / FinePix F47fd is connected to a PC. * The shape of the AC power adapter, the plug, and power outlet depend on the country.
Image Memory Card Reader DPC-R1 The DPC-R1 provides a quick and easy way to transfer images back and forth between your PC and an image memory card (xD-Picture Card and SmartMedia). The DPC-R1 uses the USB interface for highspeed file transfer. -Compatible with xD-Picture Card of 16 MB to 512 MB, and SmartMedia of 3.3 V, 4 MB to 128 MB. This is not compatible with the SD Memory Card. PC Card Adapter DPC-AD The PC Card Adapter allows the xD-Picture Card and SmartMedia to be used as a PC Card Standard ATA-compliant (PCMCIA 2.1) PC card (Type u). -Compatible with xD-Picture Card of 16 MB to 512 MB, and SmartMedia of 3.3 V, 2 MB to 128 MB. This is not compatible with the SD Memory Card. CompactFlash Card Adapter DPC-CF Loading an xD-Picture Card into this adapter allows you to use the card as a CompactFlash card (Type s). -This is not compatible with the SD Memory Card. Waterproof Case WP-FXF40 This waterproof case protects your FinePix F40fd / FinePix F45fd / FinePix F47fd from water damage yet allows you to make camera adjustments and use the flash. Dive up to 40 meters (131 feet) underwater with your FinePix F40fd / FinePix F45fd / FinePix F47fd digital camera.

e Card

Using Your Camera Correctly
Read this information and the Safety Notes (p.171), to make sure you use your camera correctly. Z Places to Avoid Do not store or use the camera in the following types of locations: In the rain or in very humid, dirty, or dusty places In direct sunlight or in places subject to extreme temperature rises, such as in a closed car in summer Extremely cold places Places with strong vibration Places with smoke or steam Places subject to strong electric magnetic fields (such as near broadcasting tower, power lines, radar, motors, transformers, magnets, etc.) In contact with chemicals such as pesticides Next to rubber or vinyl products Z Damaged by Water or Sand FinePix F40fd / FinePix F45fd / FinePix F47fd can be damaged on the inside and outside by water and sand. When you are at the beach or close to water, make sure that the camera is not damaged by water or sand. Take care not to place the camera on a wet surface. Z Damaged by Condensation If the camera is carried from a cold location into a warm place, water droplets (condensation) may form on the inside of the camera or on the lens. When this occurs, turn the camera off and wait an hour before using the camera. Condensation may also form on the Memory Card. In this event, remove the Memory Card and wait a short time. Z When the Camera is Not Used or is stored Periods of Time If you do not intend to use the camera for a long period of time, remove the battery and the Memory Card. Z Cleaning Your Camera Use a blower brush to remove any dust on the lens or LCD monitor, and then gently wipe the camera with a soft, dry cloth. If any soil remains, apply a small amount of lens cleaning liquid to a piece of FUJIFILM lens cleaning paper and wipe gently. Do not scratch hard objects against the lens or LCD monitor. Clean the body of the camera with a soft, dry cloth. Do not use volatile substances or cleaning products these items can cause damage. Z Using the Camera When Traveling When traveling overseas, do not place your camera in the check-in baggage. Baggage can be subjected to violent shocks, and the camera may be damaged inside or outside.

Notes on storage

The Rechargeable Lithium-ion Battery NP-70 is both compact and capable of storing large quantities of power. However, if it is stored for long periods while charged, the performance of the battery can be impaired. If the battery will not be used for some time, run the battery out before storing it. If you do not intend to use the camera for a long period of time, remove the battery from the camera. Store the battery in a cool place. * The battery should be stored in a dry location with an ambient temperature between +15C and +25C (+59F and +77F). * Do not leave the battery in hot or extremely cold places. Z Handling the Battery To avoid injury or damage, observe the following: Do not carry or store battery with metal objects such as necklaces or hairpins. Do not heat the battery or throw it into a fire. Do not attempt to take apart or change the battery. Do not recharge the battery with chargers other those specified. Dispose of used battery promptly. To avoid damaging the battery or shortening its life, observe the following: Do not drop the battery or otherwise subject it to strong impacts. Do not expose the battery to water. To make sure that you obtain optimum battery performance, observe the following: Always keep the battery terminals clean. Do not store battery in warm or humid places. Storing the battery for long periods in a hot location can shorten the battery life.
If you use the battery for a long period, the camera body and the battery itself will become warm. This is normal. Use the AC power adapter supplied with the camera if you are taking pictures or viewing images for a long period of time. Z Specifications of the included NP-70 Nominal voltage DC 3.6V Nominal capacity 1150 mAh Operating 0C to +40C (+32F to +104F) temperature Dimensions 35.3 mm 40.3 mm 9.4 mm (1.4 in. 1.6 in. 0.4 in.) (W H D) Mass (Weight) Approx. 28 g (1.0 oz.)
Notes on Using the Battery Charger
Use with the following power supply cord set: Cord: UL Listed, Type SPT-2, No.18 AWG, rated 300V, 10A, minimum 4 ft (1.2m), maximum 10 ft (3m) long. One end terminates in a molded-on, parallel-blade, (nonpolarized) attachment plug with a 7A, 125V (NEMA 115P) configuration. The battery and battery charger themselves will become warm due to the power stored inside them. This is normal and does not indicate a fault. Wherever possible, use the battery charger in a well-ventilated location. There may be vibration noises from inside the battery charger during use. This is normal and does not indicate a fault. Do not use the battery charger to charge batteries other than rechargeable battery NP-70. The battery charger could cause interference if placed close to a radio during charging. In this event, move the radio and charger further apart. Do not leave the battery charger in the following types of locations: Extremely humidity or high temperatures, such as close to a heating appliance or in direct sunlight Places with strong vibration In very dusty places The battery charger accepts input voltages of 100-240 V AC at 50 or 60 Hz and can be used all over the world. However, the shape of the plug and socket-outlet depends on the country of use. Consult your travel agent for details.

Number of recorded pixels Still image: pixels/pixels/ Still image: pixels/pixels/ pixels/ pixels/pixels/ pixels/pixels pixels/pixels/ (i/%/4/2/`) ( /%/[/3/2/`) File size Lens Focal length See the table on the p.160 Fujinon 3 optical zoom lens F2.8-F5.1 f=8 mm-24 mm (Equivalent to approx. 36 mm-108 mm on a 35 mm camera) (%: Equivalent to approx. 37mm-111 mm on a 35 mm camera) Approx. 6.9 (3 optical zoom lens is used together: Max. zoom scale: approx. 20.7) F2.8 to F8 (Up to 10 steps) Normal:wide-angle: approx. 45 cm (1.5 ft.) to infinity telephoto: approx. 60 cm (2.0 ft.) to infinity Macro: wide-angle: approx. 7 cm (2.8 in.) to 80 cm (2.6 ft.) telephoto: approx. 30 cm (1.0 ft.) to 80 cm (2.6 ft.)
Digital zoom Aperture (Wide-angle) Focal range
System Sensitivity AUTO/AUTO(400)/AUTO(800)/AUTO(1600)/Equivalent to ISO 100/200/400/800/1600 (Standard output sensitivity) * Equivalent to ISO 100 to 2000 (varies depending on the Shooting mode) TTL 256-zones metering Multi, Spot, Average Program AE (NATURAL LIGHT), (NATURAL & d), H (PORTRAIT), , (LANDSCAPE),. (SPORT), / (NIGHT), (FIREWORKS), (SUNSET), (SNOW), (BEACH), (UNDERWATER), (MUSEUM), (PARTY), (FLOWER), (TEXT) Available Available 2 EV to +2 EV in 1/3 EV-step increments (s) 3 sec. to 1/2000 sec. (depend on Exposure mode) FIREWORKS, you can set the shutter speed to 4 seconds or less. * When the scene position is set to Top-2: Number of recorded frames: up to 2 frames (Max. 1.3 frames/sec.) Number of recorded frames: Last 2 frames before releasing the shutter button (Max. 0.9 frames/sec.) Long-period: Number of recorded frames: Depend on memory size. 1.5 sec. interval at i N depending on quality level. (Max. 0.6 frames/sec.) Final-2: Mode: Single-AF, Continuous AF AF system: TTL contrast-type AF frame selection: AF (CENTER), AF (MULTI)
Photometry Exposure control Scene position
Picture Stabilization Intelligent Face Detection Exposure compensation Shutter speed Continuous shooting
System White balance Self-timer Flash type Automatic scene recognition/Preset (Fine, Shade, Fluorescent (Daylight), Fluorescent (Warm White), Fluorescent (Cool White), Incandescent) /Custom Approx. 2 sec./10 sec. Auto flash Effective range: (S: AUTO): Wide-angle: approx. 60 cm-6.5 m (2.0 ft.-21.3 ft.) Telephoto: approx. 60 cm-3.5 m (2.0 ft.-11.5 ft.) Macro: approx. 30 cm-80 cm (1.0 ft.-2.6 ft.) Auto, Red-eye Reduction, Forced Flash, Suppressed Flash, Slow Synchro, Red-eye Reduction + Slow Synchro 2.5 inches, Aspect ratio: 4:3; 230,000 pixels Amorphous silicon TFT, Approx. 100% coverage pixels/pixels (%/$) (30 frames per second with monaural sound) A series of continuous image can be recorded depending on the available space on a Memory Card or internal memory. Zoom cannot be used during movie recording. Intelligent face detection, Power management, Best framing, Frame No. memory Intelligent face detection, Trimming, Slide show, Multi-frame playback, Sorting by date, Image rotate, Voice memo, Infrared communication PictBridge, Exif print, Language ( , Portugus, Nederlands, photo mode(p-mode) , English, Francais, Deutsch, Espaol, Italiano, , , , , , Magyar, Polski, Svenska), Time difference, FinePix

Indonesia

Malaysia

Philippines

YKL Development & Trdg. Corp. Technical support Repair service FUJIFILM (Singapore) Pte Ltd Technical support & Repair service Korea Fujifilm Co., Ltd. Technical support Yonsan AS Center (Fujidigital) Repair service Kangnam AS Center (Digitalgallery) Repair service

Singapore

South Korea South Korea South Korea

South Korea Taiwan

Thailand
Busan AS Center (Digital-Sewon) 241-4, Bujeon-dong, Busanjin-gu, Busan, Korea TEL +82-51-806-1472 FAX +82-51-817-0083 merahan@yahoo.co.kr Repair service No. 38, Min-Chuan E. Rd. Sec. 6, Taipei (114), Taiwan, R.O.C. Hung Chong Corp. TEL 886-2-6602-8988 FAX 886-2-2791-8647 dah@mail.hungchong.com.tw Technical support & Repair service 388 SP Building, 8th Floor, Phayathai, Bangkok 10400 FUJIFILM (Thailand) Ltd. TEL +662-2730029 ext. 755 FAX +662-2730239 supaleark@fujifilm.co.th Technical support Repair service 388 SP Building, 8th Floor, Phayathai, Bangkok 10400 TEL +662-2730029 ext.761,762 FAX +662-2730239 warin@fujifilm.co.th

Safety Notes

Make sure that you use your FinePix F40fd / FinePix F45fd / FinePix F47fd camera correctly. Read these Safety Notes and your Owners Manual carefully before use. After reading these Safety Notes, store them in a safe place.

WARNING

If a problem arises, turn the camera off, remove the battery, disconnect and unplug the AC power adapter. Continued use of the camera when it is emitting smoke, is emitting any unusual odor, or is in any other abnormal state can cause a fire or electric shock. Contact your FUJIFILM dealer. Do not allow water or foreign objects to enter the camera. If water or foreign objects get inside the camera, turn the camera off, remove the battery and disconnect and unplug the AC power adapter. Continued use of the camera can cause a fire or electric shock. Contact your FUJIFILM dealer. Do not use the camera in the bathroom or shower. This can cause a fire or electric shock.
Do not use in the bathroom or shower.

About the Icons

The icons shown below are used in this document to indicate the severity of the injury or damage that can result if the information indicated by the icon is ignored and the product is used incorrectly as a result.
Unplug from power socket.
This icon indicates that death or serious injury can result if the information is ignored. This icon indicates that personal injury or material damage can result if the information is ignored.
The icons shown below are used to indicate the nature of the information which is to be observed.
Triangular icons tell you that this information requires attention (important). Circular icons with a diagonal bar tell you that the action indicated is prohibited (Prohibited). Filled circles with an exclamation mark tell you an action that must be performed (Required).

TR2008-638, Dartmouth College, Computer Science

Methods

Digital Image Ballistics from JPEG Quantization: A Followup Study
Hany Farid Department of Computer Science Dartmouth College Hanover NH 03755

Abstract

The lossy JPEG compression scheme employs a quantization table that controls the amount of compression achieved. Because different cameras typically employ different tables, a comparison of an images quantization scheme to a database of known cameras affords a simple technique for conrming or denying an images source. This report describes the analysis of quantization tables extracted from 1,000,000 images downloaded from Flickr.com.

Introduction

Since the JPEG image format has emerged as a virtual standard, most cameras encode images in this format. This lossy compression scheme allows camera manufacturers to balance the amount of compression and the quality of their images. This tradeoff is embodied in the JPEG quantization table. In earlier work [1], we showed that the quantization table is fairly distinct across various cameras, and can therefore be used to conrm or deny the source of an image (see also [2]). This initial study examined one image taken from one of 204 cameras, but suffered from not considering the different quantization tables that are employed with varying camera quality and resolution settings. In this report, we expand on our earlier work by considering a much larger and more diverse collection of images. 1
Using the Flickr API, 1,000,000 images were downloaded from Flickr.com, a popular photo-sharing website. Since we are interested in the JPEG quantization table employed by different cameras, it was necessary to eliminate any images that had been edited or altered by any photo-editing software. To this end, only images tagged as original by Flickr were downloaded. Images were then eliminated if they were not 3-channel color images, and further eliminated if they had incomplete metadata, inconsistent modication and original dates, or a software metadata tag suggesting that the image had been edited by a photoediting software. This ltering eliminated 557,045 images, leaving 442,955 images. The camera make, model, resolution, and JPEG quantization table were extracted from each of the 442,955 images metadata. In order to further eliminate possible edited or altered images, only those entries with ve or more images having the same paired make, model, resolution, and quantization table were retained. This ltering eliminated 105,329 images, leaving 337,626 images for the nal analysis. The remaining 337,626 images spanned 10,153 different distinct pairings of camera make, model, resolution and quantization table (accounting for 48 different camera manufacturers, and 859 different camera models). It is from these 10,153 entries that the distinctness of the paired resolution and quantization table was analyzed. Both the resolution and quantization table were combined in order to provide a more rened criteria for narrowing the search criteria to identify the source camera.

Results

The 10,153 entries described in the previous section fall into equivalence classes of size 1 to 178, where each class has identical resolution and JPEG quantization table. The average class size is 20.13, with a standard deviation of 35.7 (a class of size 1 means that the paired values are unique). The median class size is 5. Of the 10,153 entries, 2,704 entries (26.6%) have a unique paired resolution and quantization table, and 37.2% have at most two matches, and 44.1% have at most three matches.
Figure 1: The distribution of equivalence class sizes for paired resolution and JPEG quantization (a class size of 1 denotes a unique pairing).
Shown in Figure 1 is the distribution of the size of these equivalence classes, and shown in Appendix A are the cameras belonging to the same equivalence class. In the majority of cases, it is cameras from the same manufacturer that share the same quantization table, although in several situations there is a signicant amount of overlap between cameras of different manufacturers. If we ignore resolution and partition only on the quantization tables, then the 10,153 entries fall into equivalence classes of size 1 to 899, where each class has an identical quantization table. The average class size is 273.6, with a standard deviation of 276.1. The median class size is 254, and 517 (5.1%) have a unique quantization table, and 8.3% have at most two matches, and 10.4% entries have at most three matches.
and by the Institute for Security Technology Studies at Dartmouth College under grants from the Bureau of Justice Assistance (2005-DD-BX-1091) and the U.S. Department of Homeland Security (2006-CS-001-000001). Points of view or opinions in this document are those of the author and do not represent the ofcial position or policies of the U.S. Department of Justice, the U.S. Department of Homeland Security, or any other sponsor.

References

[1] H. Farid. Digital image ballistics from JPEG quantization. Technical Report TR2006-583, Department of Computer Science, Dartmouth College, 2006. [2] J.D. Kornblum. Using JPEG quantization tables to identify imagery processed by software. Digital Investigation, 5:S21S25, 2008.

Discussion

While the JPEG quantization table is clearly not unique, it (paired with the image resolution) is reasonably effective at narrowing the source of an image to a single camera make and model or to a small set of possible cameras.

Appendix A

Each entry in the rst table corresponds to a camera with unique resolution and quantization table. Each entry in the second table corresponds to an equivalence class of identical resolution and Acknowledgments quantization table. The size of the equivalence class is in the rst column, and the camera make This work was supported by a gift from Adobe and model and resolution are in the second colSystems, Inc., a gift from Microsoft, Inc., a grant from the National Science Foundation (CNS-0708209), umn. 2

Olympus E-420 (1920 2560) Olympus E-500 (2448 3264) Olympus E-510 (1641 2188) Olympus E-520 (2736 3648) Olympus m:robe MR-500i (960 1280) Olympus SP510UZ (769 1024) Olympus u1030SW,S1030SW (1920 2560) Olympus u10D,S300D,u300D (1536 2048) Olympus u30D,S410D,u410D (1704 2272) Olympus u710,S710 (2304 3072) Olympus u770SW,S770SW (1536 2048) Olympus u790SW,S790SW (1536 2048) Olympus u820,S820 (2448 3264) Olympus u850SW,S850SW (1920 2560) Olympus uD600,S600 (2112 2816) Panasonic DMC-FS5 (2048 3072) Panasonic DMC-FX01 (1200 1600) Panasonic DMC-FX01 (480 640) Panasonic DMC-FX100 (2248 4000) Panasonic DMC-FX12 (2304 3072) Panasonic DMC-FX30 (1920 2560) Panasonic DMC-FX3 (1880 2816) Panasonic DMC-FX500 (2736 3648) Panasonic DMC-FX55 (1080 1920) Panasonic DMC-FZ18 (1712 2560) Panasonic DMC-FZ18 (817 1024) Panasonic DMC-FZ18 (820 1024) Panasonic DMC-FZ20 (240 320) Panasonic DMC-FZ28 (2736 3648) Panasonic DMC-FZ30 (1712 2560) Panasonic DMC-FZ3 (1512 2016) Panasonic DMC-FZ50 (2400 3600) Panasonic DMC-FZ5 (1920 2560) Panasonic DMC-FZ7 (1360 2048) Panasonic DMC-FZ7 (2112 2816) Panasonic DMC-FZ8 (1080 1920) Panasonic DMC-FZ8 (535 800) Panasonic DMC-LC5 (840 1120) Panasonic DMC-LS60 (1050 1400) Panasonic DMC-LS70 (1536 2048) Panasonic DMC-LX2 (1152 2048) Panasonic DMC-LX2 (576 1024) Panasonic DMC-LX2 (852 1280) Panasonic DMC-LX3 (1768 2656) Panasonic DMC-LX3 (854 1280) Panasonic DMC-LZ5 (2112 2816) Panasonic DMC-LZ7 (1536 2048) Panasonic DMC-TZ1 (1920 2560) Panasonic DMC-TZ1 (858 1200) Panasonic DMC-TZ3 (1440 2560) Panasonic DMC-TZ3 (2144 3216) Panasonic DMC-TZ3 (960 1280) Panasonic DMC-TZ4 (2176 3264) Panasonic DMC-TZ5 (1296 1728) Panasonic DMC-TZ5 (2088 3712) Pentacon DCZ 6.8 (596 795) Pentax *ist DS2 (2000 3008) Pentax K100D (788 1050) Pentax K10D (1308 1948) Pentax K10D (2000 3008) Pentax K10D (671 1000) Pentax K10D (967 1280) Pentax K20D (3104 4672) Pentax Optio 330GS (1536 2048) Pentax Optio A10 (2448 3264) Pentax Optio S10 (1944 2592) Pentax Optio S55 (1536 2048) Pentax Optio S7 (1728 2304) Research In Motion BlackBerry 8100 Series (1024 1280) Research In Motion BlackBerry 8310 (1200 1600) Ricoh GR DIGITAL 2 (2736 2736) Ricoh R8 (2832 3744) Samsung Digimax 301 (768 1024) Samsung i70 (2304 3072) Samsung <KENOX S630/S630> (2112 2816) Samsung S85 (2448 3264) Samsung VLUU L100, M100/L100, M100 (1875 2500) Samsung VLUU NV10, NV10 (2016 2688) Sanyo C5 (2760 3680) Sanyo E6 (329 448) Sanyo E6 (334 448) SeaLife DC800 (480 640) Sony CYBERSHOT (1200 1600) Sony CYBERSHOT (1920 2560) Sony CYBERSHOT (600 800) Sony DCR-DVD505 (1728 2304) Sony DCR-PC110 (480 640) Sony DCR-SR65 (864 1152) Sony DSC-F828 (759 1012) Sony DSC-H1 (576 768) Sony DSC-H3 (1080 1920) Sony DSC-H50 (596 795) Sony DSC-H5 (336 504) Sony DSC-H7 (371 495) Sony DSC-P100 (1728 2592) Sony DSC-P200 (384 512) Sony DSC-P43 (960 1280)