Hughes Kettner Bassforce L 100-watt Bass Combo
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(English)
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Hughes Kettner Bassforce L 100-watt Bass Combo
User reviews and opinions
| payoung |
5:39pm on Sunday, October 31st, 2010 ![]() |
| Great sounding and can handle alot of watts BUT...mine blew out within 6 months of owning it. powerful speakers, good subwoofer, overall good quality subwoofer doesnt hit low bass Full, rich, unusually warm sound none | |
| arthans |
3:22am on Sunday, September 19th, 2010 ![]() |
| I own several sets of these speakers. Use them home and work. Small class room. Price is right. The best of all is no extra power cords to work with. | |
| Luc4 |
8:11pm on Sunday, July 4th, 2010 ![]() |
| Not for Large rooms. But a helluva buy for the dorm. The Bass sound Great! And clear!! Great Bang for my Buck!! Compact Design","Easy To Use". These are good speakers if one is interested in listening to music in a small room setting or sitting in somewhat close proximity to the speakers. | |
| manthios |
12:55pm on Tuesday, May 25th, 2010 ![]() |
| I needed a good set of speakers for my computer that gave excellent sound quality at a low price, this U.S. based company proved once again buying U. I purchased this unit for my son to go with his new computer. He loved the look and the quality of them. The sound was real clear. | |
| rob_volandu |
11:52pm on Thursday, May 20th, 2010 ![]() |
| I wanted a set of speakers for a small space and these were perfect. These work fine for any applications I use. I have not tried classical music. | |
| Cabo |
2:39am on Monday, April 5th, 2010 ![]() |
| I was looking online at various speakers, one of which was these. I bought these for my laptop and they are actually not too bad considering the $30 price tag. | |
Comments posted on www.ps2netdrivers.net are solely the views and opinions of the people posting them and do not necessarily reflect the views or opinions of us.
Documents
GD/ 09.11. 99
SERVICE DOCUMENTATION
Bass Force L
Inhaltsverzeichnis/ Contents
1 Schaltplne/ schematic diagrams
Bestckungsplne/ component parts
Explosionszeichnung/ explosion drawings
Bestellnummern/ order no.
Bestellinformationen/ ordering informations
Technische Daten/ technical data
Schaltplne/ schematics
E 970338
E 948002 E 948024 E 948025
230V 117V 100V
E 952014
E 546013
E 980101
E 958095 E 958096 E 970345
230V 0 /7 V
E 950006 E 950029 E 966011
N am e D a tu m S ie b d ru c k lo g o K e in e F a rb e D ru c k e B e z e ic h n u n g K e in e O b e rfl c h e
M u s ic & S a le s 2 0.1 1.E 952038 E 952041
B a s s f o rc e L C h a s s is 0 V E 4 4
B a s s f o r c e L C h a s s is 0 /7 V E 5 6
E 982186
E 502056 E 502044
0 /7 V 230V E 400083 E 974355
E 976023 E 974322 E 974094 E 982087
E (2 X 4 )
E (0 X 0 )
E 976009 E 974145
E 974341 E 994113 E 974286 E 974340 E 974011
N am e
D a tu m
S ie b d ru c k lo g o K e in e F a rb e D ru c k e K e in e
O b e rfl c h e
M u s ic & S a le s 2 0.1 1.9 9
B e z e ic h n u n g
B a s s fo rc e L 0 V /7 V /0 V
4 no. 25 26
Bestellnummern/ order no. Bass Force L schematic position mains switch (230V) mains switch (100/ 117V) mains transformer mains transformer P1 (gain) P2 (mid) P3 (treble) P4 (bass) P5 (master) D3 D11, D12 D13 D16- D19 T1 T2 T3 T4 T5 T6 T7 T8 T9 T10 T11 IC 1 IC 2 name switch switch transformer transformer pot pot pot pot pot rectifier z-diode z-diode rectifier transistor transistor transistor transistor transistor transistor transistor transistor transistor transistor transistor OP Amp OP Amp specs 230V 117V 230V Combo 100/117V Combo 50 K log, mono 10 K log, mono 10 K log, mono 50 K lin, mono 10 K lin, mono 1N4007 15V/ 1,3W 27V/ 0,5W 1N5404/ 3A/ 400V BC546B BC546B BD238 BD679 TIP142 TIP147 BC639 BC640 BC639 BF245B BC307B MC33078P TL072 part no. E E E E E E E E E E E E E E E E E E E E E E E E E E 940 018
GD/ 08.11. 99
Bestellinformationen und Ersatzteilbestellungen Deutschland: Music & Sales Leipziger Strae 3 D- 66606 St. Wendel Service Tel.: 06851/ Fax: 06851/ E-mail: service@musicandsales.com Technische Fragen Tel.:06851/ E-mail: service@musicandsales.com Sparepart orders and technical questions for all other countries: contact your local distributor or Hughes & Kettner Leipzigerstr. St. Wendel Germany Tel.: +49 6851/Fax: +49 6851/Email: intlservice_handk@musicandsales.com
Bass Force L Eingnge/ inputs: Input:
Buchse/ connection: Bauart Eingang/ input type: Eingangsimpedanz/ input impedance: Empfindlichkeit/ sensitivity: max. Eingangspegel/ max.input level: Buchse/ connection: Bauart Eingang/ input type: Eingangsimpedanz/ input impedance: Empfindlichkeit/ sensitivity: max. Eingangspegel/ max.input level:
BEDIENUNGSANLEITUNG
MANUAL
ENGLISH DEUTSCH FRANAIS ITALIANO ESPAOL
illustrations
technical data
0 - W AT T B A S S C O M B O
50 - 60 Hz 230 V~ T 1 A 100 V~ T 2 A
CAUTION!
TO PREVENT THE RISK OF FIRE AND SHOCK HAZARD DONT EXPOSE THIS APPLIANCE TO MOISTURE OR RAIN.DO NOT OPEN CASE; NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
117 V~ SB 2000 mA Max. power consumption 180 VA
M A D E I N S T. W E N D E L / G E R M A N Y
LEAVE ENOUGH SPACE FOR PROPER VENTILATION! REAR PANEL MAY BECOME TO HOT TO TOUCH!
Mixing Console
FX Devices
LINE OUT
RETURN
Phones
TECHNICAL DATA
PREAMP SECTION:
Bass frequency: Mid frequency: Treble frequency: 70 Hz, +10/-10 dB, active 400/1000 Hz, + 6 / - 10 dB, passive 15 kHz, +14/-10 dB, passive
GENERAL FEATURES
Voltage: 230 V (for Europe) 117 V (for North America) 100 V (for Eastern Asia)
max. Power consumption: 80 VA (8 ohms) Mains fuse: sb 250 mA (230 V-model) sb 500 mA (117 V-model) sb 630 mA (100 V-model) 496 x 547 x 420 mms 24 kgs.
INPUTS
Input FX Return - 10 dB; 1 M ohm - 10 dB; 47 k ohms
OUTPUTS
FX Send: Line Out: - 10 dB; 220 ohms 0 dB; 220 ohms
Dimensions, L x H x D: Weight:
POWERAMP
DYNACLIP bipolar solid state power amp: 100 watts into 4 ohms Slew rate 10 V/ s Frequency response 10 Hz - 20 kHz (-3dB/+ 0 dB)
We reserve the right to modify specifications in response to new technical developments.
PHONES
500 mW into Internal Speaker 4-600 ohms 100 watts, 4 ohms, 15 Hughes & Kettner Custom
1.0 CONNECTIONS AND CONTROLS
INPUT: Connect active or passive basses to this jack. GAIN: Controls the input sensitivity of the BassForce preamp. Use it to dial in a level suitable for the output level of the bass you have connected. Higher gain settings produce punchier tone well-suited to rock styles. BASS: This active voicing control defines the bottom end. At a setting of 12 oclock, the signal remains completely unaffected. MID: Determines how much the mid-range frequencies are boosted or cut. TREBLE: Use this control to adjust the high end, i.e. dial in overtones or add a cutting edge to the tone. To give your BassForce a warmer tone, we placed this pot in the circuit right after the input stage, so it also has some influence over preamp saturation. MASTER: Controls the stage volume of the BassForce. It does not however influence the output level of the LINE OUT jack. FX- SEND: Connect this output to the input of your effects device. FX- RETURN: Connect the output of your effects device to this jack. LINE OUT: Output of the BassForce preamp. Connect it to a mixer or power amp. This output is post-EQ sectionin other
words, the settings of the tone knobs influence this signal; the MASTER volume knob, however, does not. PHONES: Connect headphones to this jack. The BassForce speaker output circuit is muted automatically when this jack is used. MAINS: AC power supply switch. MAINS SOCKET: Connect the Euro-norm mains cable to this socket. The fuse bracket is integrated in the socket; ensure you use specified replacement fuses only!
2.0 STANDARD SETUP / CABLE CONNECTIONS 3.0 OPERATING THE BASSFORCE L
3.1 INPUT SECTION AND VOICING SECTION
1. Finding the Right Gain Setting: The response of the BassForce preamp depends entirely on the instrument you are playing, its pickups, signal level and to some extent your playing style. Use the GAIN control to dial in a suitable level. Play as you normally would and turn up the knob to a point just prior to clippingensure the POWERAMP CLIP LED does not light up. Please note that the higher you turn up the TREBLE, the greater the likelihood of saturating the BassForce preamp.
2. Fine-tuning the Voicing Section The mid-range frequencies are primarily responsible for shaping the overall tone of a bass instrument! The MID knob lets you drastically alter the tone. For example, cutting back these frequencies will help produce snappy slap sounds. Turning them up will conjure up growling rock sounds. When you're trying to shape the tone of your instrument, the middle frequencies are a great place to get startedthey give your sound a "backbone" which you can flesh out as you please. For the next step, your best bet is to dial in the required amount of bottom end via the BASS knob. It also enables you to make allowances for the conditions of a given room, for instance to eliminate those dreaded "drone" frequencies. Finally, adjusting the high end via the TREBLE knob is simple. The knob particularly affects the frequencies reproduced by the middle cone and consequently defines whether the tone is more "silky," "punchy" or "fat".
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