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JBL XTI 100

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Comments to date: 9. Page 1 of 1. Average Rating:
mivera 4:26pm on Thursday, November 4th, 2010 
Excellent sound quality Previously I had my old Sony hi-fi connected to my PC to act as my PC speakers.
dcarter_za 12:48pm on Friday, September 10th, 2010 
Clear sounds and great bass, but the midrange... Small and pretty portable. works for computer and tvs. pumps out big sound for being so small of a system. easy to work.
jlemcke 3:26am on Sunday, July 25th, 2010 
after hearing a lot of good review from JBL and there respected market of speaker making, I desided to buy on mainly because of the Brand and style. Cool as hell speakers. Great for students, great for college dorms. Super Low Price. Great Thump. Louder than expected, for such little speakers.
mayandar 6:41am on Wednesday, July 7th, 2010 
This is actually the second time around I have purchased these speakers for two different systems.
grotendr 2:19am on Sunday, June 27th, 2010 
Better than TV speaker but not hi-fi by any means... I bought this for my 32" LCD TV in my bedroom.
foxy 12:30am on Friday, June 25th, 2010 
I bought it six years ago, and the sound qual...  The touch volume control is genius.
hazard48 9:13am on Wednesday, June 9th, 2010 
Great Sound, Rubbish Construction Easy set-up, stylish, powerful - good. Great improvement on my TV sound.. Brought my last month after reading the reviews. I needed to improve the nasty audio from my Sony Bravia3 tv.
krkljan 8:16pm on Tuesday, May 4th, 2010 
Wow! These speakers are great. It amazing how such a big sound comes from such small speakers.
9400Nørresundby 3:15am on Sunday, May 2nd, 2010 
Good but not for professional signals I bought these to replace some very high-end Genelec monitors which accompanied a TV edit suite which was being ...

Comments posted on www.ps2netdrivers.net are solely the views and opinions of the people posting them and do not necessarily reflect the views or opinions of us.

 

Documents

doc0

Klang Punkte Preis

34000 2/02
9/01 6/00 1/03 8/01 1/03 10/01 1/01 4/99 1/03 6/99 1/03 12/01 3/99 1/03 3/99 5/98 5/99 1/03 1/03 5/02 10/99 5/01 6/02 2/01 10/98 10/02 4/02 2/00 3/02 2/01 9/02 8/02 2/01 2/02 9/02 6/99

54 *46

2600 1300
1/99 1/02 5/98 6/02 4/99 9/99 2/02 12/02 11/02 8/98 11/01 11/02 2/02 11/02 2/99 11/98 5/01 5/00 2/99 1/01 2/02 11/02 5/99 2/99 10/00 5/02 4/02 5/01 10/01 10/01 10/01 3/01 2/99 6/00 4/02 4/02 4/00 8/00 10/01 4/02 4/02 10/01 1/01 7/02

Obere Mittelklasse

Castle Inversion 50i (A, B) ALR Jordan Entry XL (A) B&W CDM 7 SE (A) Lua 5/3 D (B) Lua 4.3 D Diva (A) Visonik Evolution 702 (A) A.C.T. AL 30 (A) KEF Q 65.2 (A) Quadral Argent 85 (A) Vienna Acoustics Bach (A) B&W DM 604 S 2 (A) Canton Ergo 700 DC (A) Magnat All Ribbon 12 (A) Triangle Antal XS (A; Rhren-geeignet!) Dynaudio Audience 62 (A)
10/3/1500 5/1400 11/2090 4/1200 6/1200 10/1250 6/1100 6/1300 5/1200 11/1000 1/1300 8/1250 6/1000 6/01

56 stereoplay 3/2003

Rote Schrift
= stereoplay Highlight = stereoplay Referenz

www.stereoplay.de

Infinity Alpha 50 (A) Jamo 7.7 (A, B) JBL XTi 80 (A) JBL XTi 100 (A) Mission m 74 (A) Heco Argon 50 (A) Heco Signature Front (A) JMlab Chorus 715 (A) JMlab Opal 615 (A) Magnat Vintage 420 (A) Magnat Vintage 450 (A) Phonar P 20 s (A) Phonar P 30 s (A, B) Quadral Argent 75 (A) Tannoy Revolution R 3 (A) B&W DM 602.5 S 3 (A) Canton CT 720 DC (A) Canton LE 107 (A) JBL XTi 60 (A) Monitor Audio Silver 5i (A) Visonik Evolution 602 (A) ASW Cantius IV (A, B) KEF Coda 90 (A) KEF Q 35.2 (A) Mordaunt Short MS 908 (A) Tannoy Mercury mX 4 (A) Tannoy Revolution R 2 (A) Infinity Alpha 30 (A) Boston VR 940 (A, B) Jamo E 670 (A) Magnat Vintage 120 (A)
900 6/5/1/11/8/3/2/1/5/8/1/8/10/11/6/2/3/8/3/1/1/3/8/3/1/8/3/3/3/3/3/01
JMlab Chorus 706 (C) B&W DM 600 S 3 (D) Dali Blue 2002 (C) Tannoy Mercury mX 2 (C) B&W DM 303 (C, D) Canton LE 103 (C) Infinity Alpha 10 (C, D) Nubert nuBox 310 (C, D) Elac 101 (C, D) JBL LX 2001 (C, D) Magnat Vintage 105 (D) Jamo E 610 (C, D) Quadral QLX 115 (C, D) Tannoy mX 1 (C, D) Dali 1001 (C, D)
10/02 2/03 10/02 10/02 8/01 8/01 8/01 12/01 8/01 8/01 8/01 8/01 8/01 8/01 8/01
Canton AS 50 Heco Horizon 10 A JBL PB 10 JMlab Chorus SW 700 Magnat Omega 380 Quadral Cube Sub 67 aktiv Teufel M 3000 SW Teufel M 5000 THX ASW Delta 300 II Canton AS 22 Mission ms 8 as Nubert AW 850 Dali SWA 8 Elac Sub 101 ESP Infinity Alpha Sub Magnat Alpha 25 A Magnat Omega 300 Canton AS 15 SC Klipsch KSW 12 KEF PSW 1000 Yamaha YST SW 320 JBL ATX 100 S Magnat Alpha 20 A
700 12/2/2/250 2/03 12/99 2/03 2/03 12/99 12/99 4/02 2/03 12/99 2/03 2/03 2/03 2/03 12/00 2/03 12/00 2/03 12/00 2/03 4/02

Wand-Lautsprecher

Auch hervorragend als Rearspeaker fr Mehrkanal-Anlagen.
Thiel PowerPoint (E) B&W CDM SNT (E) 3/02 3/02
Dali AW 8 Heco Slam 10 A Klipsch KSW 10 Yamaha YST SW 105

750 650

3/02 8/98 12/97 2/98 12/01 2/99 6/01 5/99 2/99 2/99 2/00 5/98 12/01 3/01 6/01 6/01 3/01 10/01 5/02 2/00 2/00 5/02 12/01 1/98
Accuphase C 275 (Phono AD 275: 1550,-) Mark Levinson No. 380 (ohne Phono) McIntosh C 100 (Phono MM+, MC+) Naim NAC 202 + HiCap (ohne Phono) Octave HP 500 Mk III (R.; Pho. 650,-) Pass X 2 (ohne Phono) AudioNET PRE 1 G 2 (MM/MC 290,-) Graaf GM 13.5 B II (Rhre; ohne Phono) Octave HP 300 (Phono MC 800,-) Bow Warlock (ohne Phono) Audio Research LS 25 (Rhre; o. Phono) AVM V 2 (MM/MC 125/150; FB 50,-) Meridian 562/517/516 (A/D;D/A;MC) Accustic Arts Preamp I AVM Evolution V 4 (MM/MC 125/150,-) Technics SU C 3000 (Akku; Phono MM) TAG McLaren PA 20 R (ohne Phono) T+A P 1220 Musical Fidelity X P 100 (MM-) Myryad MP 100 (MM-/MC+ 115/145,-) NAD S 100 (ohne Phono) Linn Kolektor (Phono MM++) Rotel RC 995 (Phono MM/MC) Rotel RC 1070 (Phono MM+) NAD C 160 (Phono MM/MC++) Creek P 43 (MM 75,-/120,-, MC 90,-) Rotel RC 972 (Phono 75,-)

gut - sehr gut

Harman/Kardon HK 670 (Phono MM) NAD C 350 (ohne Phono) Cyrus 5 (ohne Phono) Marantz PM 7000 (Phono MM-) NAD C 320 (ohne Phono) NAD C 320 BEE (ohne Phono) Vincent SV 226 (ohne Phono) Yamaha AX 892 (Phono MM-, MC-) Harman HK 650 (Phono MM-) Kenwood KAF 3030 R (MM-) Marantz PM 6010 OSE (Phono MM) Rotel RA 931 Mk 2 (Phono MM-) Sony TA FB 920 R (Phono MM--) Creek 4330 (Phono MM++ 75,-, MC 110,-) Marantz PM 4000 (Phono MM) Pioneer A 607 R (Phono MM) Sony TA FB 740 R (Phono MM) Technics SU A 707 (Phono MM) Technics SU A 808 (Phono MM) Yamaha AX 396 (Phono MM) Denon PMA 655 R (MM++) NAD C 300 Sherwood AX 5090 (Phono MM-) Yamaha AX 496 (Phono MM) Harman/Kardon HK 630 (Phono MM) Sony TA FE 530 (Phono MM-) Rotel RA 921 (Phono MM)
Creative DTT 3500 (5.1-Set inkl. Decoder) Quadral SAM 4600 Terratec SubSession Klipsch Promedia 2.1

444 250

4/01 2/00 2/00 1/02
Boston MediaTheater Creative CSW Digital Boston BA 790 TDK XS iV S 80 JBL Media 2000

250 2/10/7/4/2/00

Verstrker

Vollverstrker

Accuphase E 530
Octave V 40 (Rhre; ohne Phono)

8900 2/03

2750 10/02
Ayre AX 7 (FB; ohne Phono)
T+A PA 1530 (Phono optional) ASR Schfer Emitter II HD (Phono optional) Electrocompaniet ECI 4 Symphonic Line RG 10 Mk 3 (Phono MM/MC) Tri 88 Signature (Rhre) ASR Emitter 1 Plus SQ (Phono 175) JJ Electronic 828 (Rhre; ohne Phono) Lindemann Amp 4 Octave V 50 KT 88 (Rhre; MM 200,-) Vaic 32 B (Rhre; ohne Phono) Accuphase E 211 (Phono 450,-) AudioNET SAM V 2 (Phono 290,-) Cayin 500 (Rhre; ohne Phono) Graaf Venticinque (Rhre; Phono 445,-) Lua Sonata (Rhre; Phono MM/MC) Marantz PM 14 Mk II KI (Phono MM/MC) Sonus Faber Musica TAC 834 (Rhre; ohne Phono) Vincent SV 238 (ohne Phono) Electrocompaniet ECI 3 (ohne Phono) Lua 4040 C (Rhre; ohne Phono) Lua 6060 C (Rhre; ohne Phono) AVM A 2 (FB und Phono optional) Euphya Alliance 250 (Phono MM) Lundahl Magnetic Amplifier Burmester Rondo 991 (ohne Phono) T+A PA 1520 R (MM/MC 200,-) Accuphase E 306 V (MM+,MC+,750,-) Creek 5350 SE (PhonoMM/MC140,-) Pathos ClassicOne Marantz PM 17 Mk II (Phono MM-, MC) Rotel RA 1070 (Phono MM) SAC Icon (Phono MM, MC) Arcam A 85 (Phono MM+MC 180,-) AVM Competition amp (ohne Phono) Cayin TA 35 (Rhre; ohne Phono) Cairn Alegra (ohne Phono) Cayin TA 30 (Rhre; ohne Phono) Vincent SV 233

21500 9/02

10/11/8000 2/9450 10/01
AVM Evolution M 5 (Paar) Accustic Arts Amp II (Kraftstromanschluss) AVM M 2 (Paar) KR Enterprise VT 6000 PPM (Rhre, Paar) Naim NAP 200 SAC La Forza (Paar) T+A A 1520 Accustic Arts Amp I Musica Nova Pegasus T Audio Analogue Donizetti (Paar) Cairn Studio I Cairn Mea (Paar) Rotel RB 1090 T+A A 1220 Cairn Ion T 2 (Paar) Linn LK 85 Rotel RB 1070 Marantz MA 6100 (Paar) Musical Fidelity X AS 100 Myryad MA 100 NAD C 270
3/6400 9/2300 8/9950 9/12/1850 8/2000 1/3400 3/2250 6/1400 8/2250 8/1480 8/2250 8/1100 1/980 8/800 3/750 5/700 8/1250 5/825 3/600 5/01

58 stereoplay 3/2003

Digital-Endverstrker
Audio Physic Strada (Paar) Bel Canto Evo 200.2

DVD-Surround-Receiver

Eingebauter DVD-Player.

6/02 4/00

Surround-Receiver
Klang Punkte Preis Heft Heft

15000 3000

Revox M 51 (mit Multiroom) T+A K 6 (mit Einmessautomatik!) Linn Classik Movie
Marantz SR 14 Mk II (93%)1,3,4,6,9
T+A SR 1510 R (100%)1,3 Onkyo TX DS 989 (85%)1,2,3,4,6 Rotel RSX 1065 (85%)1,3,6,7,9 Onkyo TX DS 898 (85%)1,3,6,7,9 Kenwood KRF X 9995 D (95%)1,2,3,6,7,9 Onkyo TX NR 900 E; Net Client (92%)1,3,6,7,8,9,11 Rotel RSX 1055 (88%)1,3,6,7,8 Denon AVR 3803 (95%)1,3,6,7,8 Harman AVR 5550 (95%)1,3,5,6,7,8 Sony STR VA 333 ES (88%)1,3,6,7,8,10 Harman AVR 7000 (88%)1,3,5 Kenwood KRF X 7775 D (88%)1,2,3,6,7,9 Onkyo TX DS 696 (93%)1,3,7 Yamaha RX V 1300 (98%)1,3,6,7,8,10 Harman AVR 4000 (95%)1,3,11 Marantz SR 7200 (92%)1,3,6,7 Onkyo TX SR 700 (96%)1,3,6,7,8 Sony STR DB 940 (82%)1,3 Sony STR DB 1080 (85%)1,3,6,7,8,10 Yamaha RX V 1000 RDS (95%)1,3,6,10 Harman AVR 3500 (93%)1,3,5,7 Marantz SR 6300 (97%)1,3,6,7,8 NAD T 752 (96%)1,3,6,7 Panasonic SA RX 10 (88%)1,3,7(Digital-Amps!) Pioneer VSX D 1011 (97%)1,3,6,7,8,9
52/47 52/45 51/46 48/39 47/38 46/38 46/40 45/37 45/38 45/38 44/37 44/37 44/37 43/35 42/36 42/36 42/36 42/35 42/35 42/34 41/34 41/35 41/34 41/34 41/35

5000 2/01

1200 9/01 7/00 3/02 1/02 1/02 3/03 3/03 1/03 3/03 8/02 9/00 7/01 7/01 12/02 1/01 1/02 12/02 1/01 12/02 7/01 4/02 12/02 12/02 9/02 12/02
52/6150 12/02 52/5000 7/02 50/3400 3/02
Receiver Stereo; Surround siehe Rubrik Multikanal
T+A R 1520 R (MM/MC 225,)
T+A R 1220 R (MM/MC 225,-)
Empfang Punkte Preis Heft
Sharp DVD SD SH 111 (6 Digitalendstufen) Sony AVD S 10 34/1500 6/02 32/800 9/02

97% 3/99

97% 7/00
T+A K 1 (inklusive CD-Spieler) Harman/Kardon HK 3270 Kenwood KRF A 4030 Sony STR DE 135 Technics SA EX 140 90% 85% 85% 85% 11/250 10/200 10/200 10/200 10/00
DVD-Surround-Komplettanlagen
DVD-Receiver plus Satelliten-Subwoofer-Boxenset.

Magnat M-one1,3

37/1300 1/03
SonicBlue Rio Receiver fr PC-gesteuertes Multiroom: 30 Punkte, je 300 Euro, 2/02.

Arcam CD 72 T Musical Fidelity X-Ray Sony CDP XA 555 Harman/Kardon HD 760 Linnenberg CD-Drive Rotel RCD 971 Thule Spirit Player Arcam Alpha 7 SE AVM CD 2 Marantz CD 6000 OSE KI NAD C 541 (mit HDCD) NAD C 541i (mit HDCD)
735 4/5/11/3/9/3/2/10/5/5/5/6/02
Marantz CD 6000 OSE NAD C 540 Denon DCD 1450 Sony CDP XB 930 Yamaha CDX 993 Harman/Kardon HD 740 Mission dAD 1.5 Denon DCD 685 NAD C 521i Rotel RCD 951 Marantz CD 5000 Marantz CD 6000 NAD C 520 Onkyo DX 7222 Denon DCD 755 Kenwood DPF 3030 Onkyo DX 7333 Sony CDP XB 720 Technics SL PS 7 Sony CDP XB 630 Yamaha CDX 496 Yamaha CDX 596 Technics SL PG 4 Denon DCD 485 Yamaha CDX 450 2/2/3/5/3/3/8/7/6/3/3/1/3/3/10/6/3/5/10/5/5/5/3/3/5/00

Plattenspieler

Laufwerk-Tonarm-Kombis
Clearaudio Master Ref. + SME 3500
Immedia RPM 2 + RPM Nouvelle Platine Verdier + Linn Ekos

14050 8/98

3/98 8/01
Linn Sondek LP 12 + Lingo + Ekos Audiomeca J + SL 5 Rega Planar 9 + RB 1000 Transrotor SuperSevenHE40/60+SME3500 Clearaudio Champion Reference Linn Sondek LP 12 + Valhalla + Akito 2 Phonosophie No3/PS + Naim Aro AcousticSignature FinalTool+RoksanTabriz Oracle Delphi Mk V Anniv. + SME 345 Rega Planar 9 + RB 900 Transrotor Galileo2.5+GoldringEroicaMC Wilson Benesch Circle + Act 0.5 Acoustic Signature Samba + RB 300 Clearaudio Solution,RegaRB300,SigmaMC Thorens TD2001SE,GoldringEroicaMC ClearaudioSolution,Project6.9,AlphaMM Clearaudio Champion + OME 300 ST Rega Planar + Netzteil Orbit Pro-Ject Perspective inkl. Pro-Ject 9

CD-Laufwerke

Burmester 979 Teac P 70
Mark Levinson No. 37 Wadia 270 Accustic Arts Drive I

2/8000 8/02

7/99 4/98 3/01
8/01 3/98 5/02 6/02 7/01 8/01 6/94 4/00 10/99 6/97 8/01 2/98 1/02 12/98 12/98 12/98 2/01 2/01 2/01
Dynavector DV 20 X H (High-Output-MC) Goldring Elite (MC) Dynavector DV 10 X 4 Mk II (High-Output-MC) Goldring 1042 (MM) Grado Statement Platinum (MC) Clearaudio Virtuoso Wood (MM) Goldring 1022 GX (MM) Benz Micro MC Gold (MC) Goldring Eroica LX (MC) Ortofon Nr. 2 (MC) Denon DL 103 (MC) Goldring 1012 GX (MM) Denon DL 160 (High-Output-MC) Ortofon Vigor (High-Output-MC)

145 140

8/02 5/91 8/02 8/01 2/02 4/02 12/00 12/00 10/98 10/98 4/97 12/00 12/00 12/00
Clearaudio Alpha Wood (MM) Denon DL 110 (High-Output-MC) Ortofon OM 20 Super (MM) Audio-Technica AT 95 E (MM) Audio-Technica AT 450 E (MM) Benz Micro MC 20 E 2 (High-Output-MC) Clearaudio Aurum Alpha 2000 (MM) Grado Prestige Gold (MM) Rega Elys (MM) Ortofon OM 10 Super (MM) Sumiko Blue Point (High-Output-MC) Grado Prestige Blue (MM)

+++++++++13300

+++++++ ++++++ ++++++ ++++++ +++++ +++++ ++++ ++++ ++++ ++++ 875 1100
11/01 11/01 6/01 6/01 6/01 6/01 6/01 6/01 6/01 11/01

62 stereoplay 3/2003

= stereoplay Highlight Rote Schrift = stereoplay Referenz
Monitor black&white LS 1200 Monster Cable M 2.2s Straight Wire Rhapsody S Straight Wire Serenade Straight Wire Virtuoso R Transparent Music Wave Transparent Music Wave Plus Audioquest Granite Express Six Speaker Cable Fadel Art Stream Special* Goertz AG 2 Veracity Kimber Kable 8 TC Transparent The Wave 100 Wire World Atlantis III+ Wire World Oasis III+ Audioquest Type 4 Chord Company Carnival Express Four Speaker Cable Fadel Art Stream* Goertz MI 1 Center Stage* Goertz MI 2 Veracity* Kimber Kable 4 PR Kimber Kable 8 PR Monitor black&white LS 800 Monitor black&white LS 1000 Monster Cable Z 3 Reference Straight Wire Stage Straight Wire Octave II Audioquest F 14 Audioquest Type 2 Kimber Kable Black Shadow Monitor Atmos Air Silver Monitor Atmos Air 195 Monitor Atmos Air 309 Monitor black&white LS 300 Monitor black&white LS 500 Monster Cable M 1.2s Wire World Orbit III+
++++ 430 ++++ 750 ++++ 720 ++++ 1550 ++++ 2050 ++++ 570 ++++ 900 +++ 550 +++ 465 +++ 675 +++ 2450 +++ 440 +++ 400 +++ 664 +++ 413 ++ 180 ++ 120 ++ 260 ++ 575 ++ 240 ++ 375 ++ 120 ++ 165 ++ 125 ++ 167 ++ 550 ++ 200 ++ 430 + 35 + 90 + 50 + 60 + 33 + 39 + 75 + 90 + 235 + 192
11/01 11/01 11/01 11/01 11/01 11/01 11/01 6/01 3/02 6/01 6/01 11/01 11/01 6/01 6/01 6/01 3/03 2/03 6/01 6/01 6/01 11/01 11/01 11/01 11/01 11/01 11/01 11/01 6/01 6/01 11/01 6/02 6/02 6/02 11/01 11/01 11/01 6/01
Audioquest Diamondback (189) Chord Company Chrysalis (95) Express Four Interconnect (58) Goertz Tourmaline Copper (708) Kimber Kable Hero (74) Kimber Kable PBJ (53) Mogami Little Wonder (83) Nordost Black Night (30) Oehlbach XXL Series 2 (104) Oehlbach NF 13 (77) Wire World Atlantis III+ (205) Wire World Oasis III+ (205) Audioquest Sidewinder (225) Chord Company Calypso (65) Kimber KableTonik (54) Kimber Kable Silver Streak (49) Mogami Pure Contact (60) Oehlbach NF 14 (76) Wire World Orbit III+ (166) Wire World Terra III+ (160) Oehlbach NF 1 (56)

Audioquest Amazon (146) ++++++++ Chord Company Signature (90) ++++++++ Kimber Kable Select KS 1021 (56) ++++++++ NBS Monitor IV (771) ++++++++ Wire World Gold Eclipse III+ (230) ++++++++ Fadel Art AeroFlex Plus (645) +++++++ Fadel Art Reference 0.5 (335) +++++++ Kimber Kable Select KS 1011 (84) +++++++ Audioquest Python (61) ++++++ Chord Company Anthem (112) ++++++ Chord Company Chorus (235) ++++++ Fadel Art ProLink (75) ++++++ Kimber Kable Select KS 1010 (43) ++++++ Nordost SPM (38) ++++++ Fadel Art AeroLink (79) +++++ Goertz Sapphire Silver (1141) +++++ Goertz Triode Quartz TQ 2 (597) +++++ Mogami Absolute Pure (109) +++++ NBS Mine Serpent II (180) +++++ NBS Dragon Fly (187) +++++ Nordost Red Dawn (36) +++++ Oehlbach XXL Series 100 (58) +++++ Wire World Polaris III+ (229) +++++ Chord Company Chameleon (89) ++++ Chord Company Cobra 2 (87) ++++ Chord Company Silver Siren (89) ++++ Express Six Interconnect (56) ++++ Fadel Art AeroLitz (62) ++++ Goertz Micro Pearl Copper (438) ++++ Mogami Blue Diamond (127) ++++ Mogami Pure Resolution (63) ++++ NBS Stingher (241) ++++ Nordost Blue Heaven (30) ++++ Audioquest Coral (79) +++ 285 180
Digitalkabel koaxial (Cinch)
Wire World Gold Starlight III Furukawa Grazioso Mogami Pure Digital Monster M 1000 D Siltech HF 75 Straight Wire InfoLink Straight Wire Silverlink II Eagle Green Monitor Black & White Monster DataLink 100 Oehlbach NF 113 Oehlbach XXL 7 Audioquest VSD 2 Monitor Seventy-Five Blue ++++++ +++++ +++++ +++++ +++++ +++++ +++++ ++++ ++++ ++++ ++++ ++++ +++ +++ 2/01 2/01 2/01 2/01 2/01 2/01 2/01 2/01 2/01 2/01 2/01 2/01 2/01 2/01

Sony MDR CD 3000

drahtgebunden, geschlossene Bauweise

11/02 11/02

11/02 2/03 11/02 11/02 10/97 5/02 4/02 11/02 11/02 2/03 9/01 5/02 9/01 5/02 5/02 5/02 5/02 9/01 11/02 11/02 5/02 9/01 9/01 3/02 9/01 9/01 2/03 5/02 5/02 9/01 9/01 11/02 5/02 11/02

500 4/92

150 12/99

Beyerdynamic DT 831

Sennheiser HD 25T Sennheiser HD 25 SP MB Quart QP 805 HS Sony MDR CD 570T Bang & Olufsen A 8T Sennheiser PX 200T Koss SportaProT Beyerdynamic DT 231 Sennheiser HD 202 Sony MDR G 61T
8/94 12/99 12/99 12/99 8/00 1/03 7/99 12/99 3/02 12/97

Digitalkabel symmetrisch

Wire World Gold Starlight III Mogami Absolute Digital Fadel Art Digilitz Straight Wire InfoLink Straight Wire Megalink 110 Audioquest Falcon Oehlbach XXL 3 ++++++ +++++ ++++ ++++ ++++ +++ +++ 80 2/01 2/01 2/01 2/01 2/01 2/01 2/01

Drahtlose Kopfhrer

Besonders empfehlenswert
AKG Hearo 888 Titan (F digital, Raumkl.+ProLogic) AKG Hearo 999 (Fdig.,Raumkl.+AC3auchf.Boxen) Sony MDR DS 5100 (Infrarot, Raumkl.+AC3,DTS) Sennheiser RS 60 (F analog, Raumklang)

Preis Heft

Racks nach Klangcharakter
Klangsteigerung (+) gegenber Standard-Regal Ikea Ivar.

doc1

A PPLICATION G UIDE

THE VRX900 LINE ARRAY
Line arrays are acoustical sources placed closely together in a straight line. For practical reasons drivers are placed in enclosures which are configured vertically. An advantage of a very large line array is that the sound level drops at about 3 dB per distance doubling. Conventional speaker level drops at 6 dB per distance doubling. This effect is frequency dependence, the longer a line arrays is the more of this desired effect will take place. VRX900 line arrays benefit from some of these effects, but since they are small and compact, the results are not as pronounced. Each cabinet houses a curved waveguide with multiple HF drivers. They are set to a vertical angle of 15 and can be combined together to achieve the desired coverage. Line arrays like JBLs VERTEC can be configured to focus energy to reach distant areas by mechanically designating a straight portion (usually the top ) of the hanging line array vs. a curved section (usually the end closer to the audience) which will result in less focused energy. Since VRX900 does not provide the option of mechanically manipulating the angles between the cabinets, it has an ACS ( Amplitude Configuration Selector ) built in. The technique is called Amplitude Shading or Gain Shading and allows the adjustment of the HF levels for each cabinet. When the ACS system is correctly set, a very homogenous sound field can be achieved. The level in front of the stage (ACS = -3 dB ) will not be excessively loud. The far-reaching areas (ACS = +3 dB ) will have adequate sound levels. Since the levels near the stage are lower in comparison to a conventional loudspeaker system, microphone feedback problems will be minimized. Another advantage of line arrays are that their vertical directivity is high. This means that the sound can be aimed directly at the audience and the room acoustics will have less impact on the final listening experience. The sound operator has more control.
VRX900 SYSTEM SUGGESTIONS
A variety of system examples for the 8-inch VRX928LA (SYSTEMS # 1- # 4) and the 12-inch VRX932LA/P (SYSTEMS # 5-# 8) have been chosen in order to answer the most asked questions:
1. HOW LARGE of a crowd does a system cover? 2. HOW FAR does it throw? 3. HOW LOUD does it get?
The following selections are based on the most common combinations of VRX900 line array systems. The applications shown, although generic, will be satisfactory under most conditions. However it cannot substitute an in depth evaluation based on exact conditions of a specific situation. All examples provide at least 105 dB SPL, which is a common target for general music, and provide a very homogeneous (within 6 dB) coverage for a given audience area per number of speakers. Example applications are based on EASE simulations of direct sound ( 500 Hz - 4 kHz averaged ). The actual figures might be higher in a closed room. The approximated audience size is based on area size, (80 feet wide x listed depth, assumes a person occupies an area of 3' x 3' (0.9 m x 0.9 m). The shown side views are illustrated with the VRX900 array tools. Since the array tools display only one possible array at a time, and dont consider the overlap of a second system, add 3 dB to get the shown results to match the EASE calculations.
VRX928LA SYSTEM APPLICATION EXAMPLE #1
300 People SPL : 103 to 107dB maximum at 35ft. (11m)

System Specification:

For 1x VRX928LA Per Side
Coverage Per System: 100 x 15 (Horizontal x Vertical ) Frequency Response ( 3 dB): 87 Hz - 19 kHz (without subwoofer ) 40 Hz - 19 kHz (with subwoofer ) 1 SPL : 126 dB (1 Watt / 1 meter) One channel of power amplification of 650 - 1600 Watts at 8 Ohms (Crown XTi 4000, I-Tech 6000 ) per side Application Height: 7.5 ft. (2.3 m) via SS2-BK tripod ACS switch in -3 dB position
For applications with further low-frequency demand and for outdoor applications, add one VRX915S Subwoofer to each system for sufficient LF coverage. Use one channel of amplifier power of 1200 - 3200 Watts at 4 Ohms (Crown XTi 4000, I-Tech 6000) per side Tip: To achieve the best performance for the VRX915S subwoofer, add an EQ filter: Bell, 45 Hz, + 2.5 dB, Q: 2.5 and use an 80 Hz crossover point. Sub / Sat wiring: For a Fast and Clean Setup we recommend the use of a 4 conductor NL4 to NL4 cable. Route pins +1 / -1 to the satellite speaker and pins +2/-2 to the subwoofer.

: Represents program levels, might be up to 3 dB higher than indicated, when measured in peak hold mode.
Top view, two systems of 1x VRX928LA

Example Audience Area

Side view with one systems of 1x VRX928LA
VRX928LA SYSTEM APPLICATION EXAMPLE #2
500 People SPL : 105 to 110dB maximum at 45 ft. (14 m)

For 2x VRX928LA Per Side

Coverage Per System: 100 x 30 ( Horizontal x Vertical) Frequency Response ( 3 dB): 87 Hz - 19 kHz (without subwoofer ) 40 Hz - 19 kHz (with subwoofer ) SPL1 : 130 dB (1 Watt / 1 meter ) One channel of power amplification of 1200 - 3200 Watts 4 Ohms (Crown XTi 4000, I-Tech 6000 ) per side Application Height: 8 ft. (2.4 m) via SS4-BK pole mount on top of one VRX915S Subwoofer ACS set to +3 dB for top speaker and -3 dB position for lower speaker.
For application with further low-frequency demand and for outdoor applications, add one or two VRX915S Subwoofer to each system for sufficient LF coverage. For two VRX915S subwoofers per side (wired in parallel) use one channel of amplifier power 3,000 - 6,400 Watts at 2 Ohms (Crown I-Tech 8000 ) or power each subwoofer individually with 1,200 - 3,200 Watts at 4 Ohms (Crown XTi 4000, I-Tech 6000 ). Tip: To achieve the best performance for the VRX915S subwoofer add an EQ filter: Bell, 45 Hz, + 2.5 dB, Q: 2.5 and use a 80 Hz crossover point. Sub / Sat wiring: For a Fast and Clean Setup we recommend the use of a 4 conductor NL4 to NL4 cable. Route pins +1/-1 to the satellite speaker and pins +2 / -2 to the subwoofer.
Top view, two systems of 2x VRX928LA
Side view with one systems of 2x VRX928LA
VRX928LA SYSTEM APPLICATION EXAMPLE #3
700 People SPL : 102 to 108 dB maximum at 65 ft. (20 m)
System Specification: For 3x VRX928LA Per Side Coverage per system: 100 x 45 (Horizontal x Vertical ) Frequency Response ( 3 dB): 87 Hz - 19 kHz (without subwoofer ) 40 Hz - 19 kHz (with subwoofer ) 1 SPL : 131 dB (1 Watt /1 meter) One channel of power amplification of 3,000 - 6,400 Watts at 3 Ohms (Crown I-Tech 6000, I-Tech 8000 ) per side Suspended 2 at 18 ft. (5.5 m) Three speakers wired in parallel and ACS set to +3 dB for top, 0 dB for middle and -3 dB position for lower speaker.
For applications with more low-frequency demand and in outdoor applications, add two VRX915S Subwoofer to each array for sufficient LF coverage. For two VRX915S subwoofers per side (wired in parallel) use one channel of amplifier power 3,000 - 6,400 Watts at 2 Ohms (Crown I-Tech 8000 ) or power each subwoofer individually with 1,200 - 3,200 Watts at 4 Ohms (Crown XTi 4000, I-Tech 6000 ). Tip: To achieve the best performance for the VRX915S subwoofer add an EQ filter: Bell, 45 Hz, + 2.5 dB, Q: 2.5 and use a 80 Hz crossover point.

: Represents program levels, might be up to 3 dB higher than indicated, when measured in peak hold mode. : Please refer to VRX user guide for more information about safe rigging.
Top view, two systems of 3x VRX928LA
Side view with two systems of 3x VRX928LA
This Illustration shows clearly the advantages of amplitude shading (ACS)
VRX928LA SYSTEM APPLICATION EXAMPLE #4
1000 People SPL : 99 to 105dB maximum at: 100 ft. (30 m)
For 4 x VRX928LA per side
Coverage per system: 100 x 60 (Horizontal x Vertical) Frequency Response ( 3 dB): 87 Hz - 19 kHz (without subwoofer) 40 Hz - 19 kHz (with subwoofer) SPL 1: 132 dB (1 Watt /1 meter) Two channels of power amplification of 1,200 - 3,200 Watts at 4 Ohms (Crown XTi 4000, I-Tech 6000 ) per side Suspended 2 at 25 ft. (7.6 m)
Note: In order to reach an even coverage, continuous array shading of +3 dB, 0 dB, -3 and -6 dB (top to bottom ) was in place. This continuous shading can be achieved by using one amplifier channel for the two top speakers and one channel for the two bottom speakers and attenuating the lower speaker pair by 6 dB while setting the actual lower speakers ACS switches to +3 dB and 0 dB. For applications with more low-frequency demand and in outdoor applications, add four VRX915S Subwoofer to each array for sufficient LF coverage. For two VRX915S subwoofers per side (wired in parallel) use one channel of amplifier power 3,000 - 6,400 Watts at 2 Ohms (Crown I-Tech 8000 ) or power each subwoofer individually with 1,200 - 3,200 Watts at 4 Ohms (Crown XTi 4000, I-Tech 6000 ). Tip: To achieve the best performance for the VRX915S subwoofer add an EQ filter: Bell, 45 Hz, + 2.5 dB, Q: 2.5 and use an 80 Hz crossover point.
Top view, two systems of 4x VRX928LA
Side view with two systems of 4x VRX928LA
The array tool allows moving the speaker cluster outside of the window for placement in larger rooms.
VRX932LA SYSTEM APPLICATION EXAMPLE #5
300 People SPL : 105 to 111dB maximum at 35 ft. (11m)

For 1x VRX932LA Per Side

Coverage per system: 100 x 15 (Horizontal x Vertical) Frequency Response ( 3 dB): 75 Hz - 20 kHz (without subwoofer ) 34 Hz - 20 kHz (with subwoofer ) 1 SPL : 133 dB (1 Watt /1 meter ) Application Height: 7.5 ft. (2.3 m) via SS2-BK tripod One channel of power amplification of 1,500 - 3200 Watts at 8 Ohms (Crown I-Tech 6000, I-Tech 8000 ) per side ACS switch in -3 dB position
For applications with further low-frequency demand and in outdoor applications, add one VRX918S Subwoofer to each system for sufficient LF coverage. Use two channels of amplifier power of 1,500 - 3,200 Watts at 8 Ohms (Crown I-Tech 6000 ) for best results.

Top view, two systems of 1x VRX932LA

Example audience area

Side view with two systems of 1x VRX932LA
VRX932LA SYSTEM APPLICATION EXAMPLE #6
500 People SPL : 111 to 117dB maximum at 45 ft.(14 m)
System Specification: For 2 x VRX932LA Per Side Coverage Per System: 100 x 30 (Horizontal x Vertical) Frequency Response ( 3 dB): 75 Hz - 20 kHz (without subwoofer ) 34 Hz - 20 kHz (with subwoofer ) SPL 1 : 138 dB (1 Watt / 1 meter ) Application Height: 8 ft. (2.4 m) via SS4-BK pole mount on top of Subwoofer One channel of power amplification of 3,000 - 6,400 Watts at 4 Ohms (Crown I-Tech 6000, I-Tech 8000 ) per side ACS set to +3 dB for top speaker and -3 dB position for lower speaker.
For application with higher low-frequency demand and in outdoors application, add one or two VRX918S Subwoofer to each system for sufficient LF coverage. Use one channel of amplifier power from 1,500 - 3,200 Watts at 8 Ohms (Crown I-Tech 6000 ) for single subwoofer or a power amplification of 3,200 - 6,400 Watts /4 Ohms (Crown I-Tech 6000, I-Tech 8000 ) when utilizing two VRX918S subwoofers in parallel for each system. Sub / Sat wiring: For a fast and clean setup we recommend the use of a 4 conductor NL4 to NL4 cable. Route pins +1 / -1 to the satellite speaker and pins +2 / -2 to the subwoofer.

Side view 2x VRX932LA

VRX932LA SYSTEM APPLICATION EXAMPLE #7
700 People SPL : 105 to 111dB maximum at 65 ft.(20 m)
For 3 x VRX932LA per side
Coverage per system: 100 x 45 (Horizontal x Vertical) SPL1: 139 dB (1 Watt /1 meter ) Frequency Response (+/- 3 dB): 75 Hz - 20 kHz (without subwoofer ) 34 Hz - 20 kHz (with subwoofer ) 2 Suspended at 18 ft. (5.5 m) One channel of power amplification of 3,600 - 9,600 Watts at 3 Ohms (Crown I-Tech 8000 ) per side Three speakers wired in parallel and ACS set to +3 dB for top, 0 dB for middle and -3 dB position for lower speaker. For application with additional low-frequency demand and in outdoor applications add two or three VRX918S Subwoofer to each system for sufficient LF coverage. For two VRX918S subwoofers per side (wired in parallel) use one channel of amplifier power 3,000 - 6,400 Watts /4 Ohms (Crown I-Tech 6000, I-Tech 8000 ).
Top view, two systems of 3x VRX932LA:

3x VRX932LA

VRX932LA SYSTEM APPLICATION EXAMPLE #8
1000 People SPL : 105 to 111 dB maximum at 100 ft. (30 m)

For 4 x VRX932LA Per Side
Coverage per system: 100 x 60 (Horizontal x Vertical) SPL 1 : 141 dB (1 Watt /1 meter ) Frequency Response ( 3 dB): 75 Hz - 20 kHz (without subwoofer ) 34 Hz - 20 kHz (with subwoofer ) 2 Suspended at 25 ft (8 m) Power requirements: Two channels of power amplification with minimum of 3000 Watts at 4 Ohms (Crown I-Tech 6000 ) per side
Note: In order to achieve an even coverage, continuous array shading of +3 dB, 0 dB, -3 and -6 dB (top to bottom) was in place. This continuous shading can be accomplished by using one amplifier channel for the two top speakers and one channel for the two bottom speakers and attenuating the lower speaker pair by 6 dB while setting the actual lower speakers ACS switches to +3 dB and 0 dB. For application with additional low-frequency demand and in outdoors application, add 2 - 4 VRX918S Subwoofer to each system for sufficient LF coverage. Use two VRX918S in parallel for best efficiency and economy! Use one channel of amplifier power with a minimum of 3000 Watts / 4 Ohms (Crown I-Tech 6000 ) for two VRX918S wired in parallel, per side
Top view, two systems of 4x VRX932LA:
Example audience area. Please notice the low level at the stage and the even distribution of energy.
Side view 4x VRX932LA: Using the array tool shows the effect of ACS.
Note: The lowest hanging speaker could not be attenuated with the array tool - please subtract 3 dB for the effected region.

VRX900 ACCESSORIES

Optional array frames attach to the integrated rigging hardware of each enclosure providing an easy to use, elegant suspension system for flown arrays. A second array frame may be installed at the bottom of an array for applications where the system must be aimed down sharply.
VRX-AF: for VRX932LA, VRX932LA-1/P, VRX918S/P VRX-SMAF: for VRX928LA, VRX915S Please refer to your user guide for suspension guidelines, maximum allowable array size and more. (www.jblpro.com/products/portablesound/vrx)
SS4-BK The Adjustable Pole Mounts to a 20 mm flange on top of the VRX900 subwoofers. It contains a wedge ring, which fills out a possible gap between the pole and the socket for more wobble free deployment of the top speakers. Weight: 2.7 kg Adjustable from 35.5 in- 57 in (905 mm - 1450 mm)
SS2-BK The Tripod stand allows the employment of up to two line-array speakers. Weight: 3.5 kg Adjustable from 54in - 89 in (1380 mm - 2260 mm)

WK-4S Wheel Kit for subwoofer VRX918S/P and VRX915S contains four 3 in. swivel casters with anti rattle shim. Mounting hardware included.
SRX718S-CVR Protective Cover for VRX918S/P and SRX718S with extra protection in grille area will fit when wheel kit is mounted.
#229-00009-01 kit contains 3 pieces M10 x 35 mm forged steel shoulder bolts. A M10 eyebolt kit is available as an alternative to array frames.

SYSTEM SETUP

The majority of VRX900 owners use their systems in passive mode. If you want to operate your system in bi-amp mode, please visit our website www.jblpro.com/tunings/index.htm for the latest processor tunings. Please note that when operated in bi-amp mode, the VRX932LA-1 requires a unique DSP preset that is different from the preset required for bi-amplified operation of the VRX932LA. When operated in bi-amp mode, VRX932LA and VRX932LA-1 performance is fully compatible provided that the correct preset is used for processing the respective models.
Matrix of electronic product support files for VRX900
Currently posted processor tuning data: 4/9/2008
DSC 280/260 dbx DR 260 dbx DR PA dbx DR480 dbx DR4800 Crown I-Tech Crown XTi BSS 366 BSS London Lake
VRX932LA 1x bi-amp fullrange

1x bi-amp VRX918S

1x bi-amp SRX728S

pdf pdf

wizard/firmware wizard/firmware

wizard/firmware

1x passive VRX918S
1x passive SRX728S 2x bi-amp fullrange

pdf pdf

2x bi-amp VRX918S
2x bi-amp SRX728S 2x passive with VRX918S

2x passive with SRX728S

3x bi-amp fullrange

3x bi-amp VRX918S

3x bi-amp SRX728S

3x passive with VRX918S

VRX932LA-1 1x bi-amp fullrange
pdf pdf pdf pdf pdf pdf pdf
2x bi-amp fullrange 2x bi-amp VRX918S
VRX915M 1x bi-amp fullrange

pdf pdf pdf pdf pdf pdf

VRX928LA 1x bi-amp fullrange

1x bi-amp with Sub

1x passive with Sub

2x bi-amp fullrange

2x bi-amp with Sub

2x passive with Sub

3x bi-amp fullrange 3x bi-amp with Sub

3x passive with Sub

Infrasonic Filter Settings: It is a good practice to use High Pass Filter ( HPF ) to prevent frequencies below the system tuning frequency from reaching the speaker. Sending these infrasonic signals to the speaker will not result in any appreciable acoustical output, but will put unnecessary stress on the woofer and reduce available amplifier headroom. A High Pass Filter will protect your VRX900 system from excess infrasonic energy with little, if any loss of significant program content. Model VRX932LA-1 VRX928LA VRX918S VRX915S HPF 24 dB/octave 60 Hz 80 Hz 40 Hz 45 Hz

CONTACT INFORMATION

Mailing Address:
JBL Professional 8500 Balboa Blvd. Northridge, CA 91329

Shipping Address:

JBL Professional 8370 Balboa Blvd., Dock D Northridge, CA 91329 (Do not return product to this address without first obtaining prior authorization from JBL)

Customer Service:

Monday through Friday 8:00am -5:00pm Pacific Coast Time In the U.S.A. (800)8JBLPRO (800.852.5776) www.jblproservice.com

On The World Wide Web:

www.jblpro.com
Professional Contacts, Outside The USA:
Contact the JBL Professional Distributor in your area. A complete list of JBL Professional international distributors is provided at our U.S.A. website - www.jblpro.com

Product Registration:

Register your product online at www.jblpro.com/registration

VRXAPPGUIDE 05/2008

8500 Balboa Boulevard Northridge, CA 91329 USA Visit us online at www.jblpro.com

 

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