Table of contents

Recording menu.....64 Navigating the recording menu....64 Image size and image quality...66 Color mode....68 About Adobe RGB....68 Digital Effects (FX) Control....69 Recording mode reset....70 Bracketing setup....70 Bracketing order.....70 Flash modes....71 Wireless/Remote flash....72 Wireless/Remote camera and flash ranges...74 Flash control....75 Manual flash and power ratio...76 Instant playback.....77 Noise reduction....77 Interval....78 A short guide to photography....80 Light sources and color....81 What is an Ev?....81 Playback menu....82 Navigating the playback menu...82 Frame-selection screen....83 Delete....84 Format....85 View folder....85 Lock....86 Index playback format....87 Slide Show....88 About DPOF....88 DPOF setup.....89 Date imprint.....90 Index print....90 Cancel print.....90 Opening the custom & setup menus....91
Custom menu....92 AF / Shutter release priority setup...94 Focus-hold button setup....94 AF / MF button setup....94 AEL button setup....95 AF with shutter-release button...95 Auto AF setup....96 Control-dial setup....96 Control-dial (exposure compensation) setup...96 Control-dial lock.....97 Exposure-compensation setup....97 AF illuminator.....97 Shutter lock.....97 AF area setup....98 Monitor display setup....98 Recording display setup....98 Anti-Shake viewfinder display setup....98 ISO button setup....99 Zone Matching....99 ISO menu setup....100 M-SET button setup....100 Creating a menu shortcut....100 Custom menu reset....101 Setup menu.....102 LCD brightness.....104 Transfer mode....104 Video output....105 Viewing images on a television...105 Audio signals....106 Language....106 Date and time setup....107 File number memory....107 Folder name....108 Select folder....108 New folder.....109 LCD backlight....109 Auto power save....109 Menu section memory....110 Delete confirmation....110 Clean CCD.....110 Reset default....112 11
Accessory notes....114 AC Adapter AC-11 (sold separately)...114 About the battery charger cord...114 Vertical Control Grip VC-7D (sold separately)...115 Focusing-screen compatibility....115 Lens shadowing....115 Smooth focus....116 Focal-length conversion....116 CCD-plane indicator....117 Lens compatibility.....117 Attaching an accessory flash...117 Flash compatibility....118 High-Speed Sync. (HSS)...118 Using the flash terminal....119 Data-transfer mode....120 System requirements...120 Connecting the camera to a computer...121 Connecting to Windows 98/98 second edition...122 Automatic installation....122 Manual installation....123 Auto power save (Data-transfer mode)...125 Memory card folder organization...126 Disconnecting the camera from the computer...128 Windows 98/98 second edition...128 Windows Me, 2000 Professional, and XP...128 Macintosh.....129 Changing the memory card (data-transfer mode)...130 Windows 98/98 second edition...130 Windows Me, 2000 Professional, and XP...130 Macintosh.....130 Removing the driver software - Windows....131 PictBridge....132 Notes on printing errors....133 Navigating the PictBridge menu...134 Batch print....135 Index print.....135 Paper size.....136 Layout....136 Print quality....137 Data print....137 DPOF print....137 12

Troubleshooting.....138 Care and storage....141 Camera care....141 Cleaning.....141 Storage.....141 Operating temperatures and conditions...142 Memory card care and handling...142 Batteries.....142 LCD monitor care....143 Copyright....143 Before important events or journeys...143 Questions and service....143 Technical specifications....144

NAMES OF PARTS

CAMERA BODY
* This camera is a sophisticated optical instrument. Care should be taken to keep these surfaces clean. Please read the care and storage instructions in the back of this manual (p. 141).
1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11.
Front control dial Shutter-release button Exposure-mode dial (p. 39) Dial Lock Release Flash (p. 31) Exposure-compensation dial (p. 48) Flash-compensation dial (p. 48) Flash sync. terminal (p. 119) Strap eyelet (p. 18) DC terminal (p. 114) Remote-control terminal (p. 45)
12. 13. 14. 15. 16. 17. 18. 19. 20. 21.
Focus-mode dial (p. 52) Lens release (p. 19) Lens mount Mirror* Lens contacts* Self-timer lamp (p. 57) Tripod socket Depth-of-field preview button (p. 53) Battery-chamber release (p. 22) Battery-chamber door (p. 22)
1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14.
Main switch Eyepiece sensors* Viewfinder* (p. 17) Eyepiece cup (p. 59) Accessory shoe Diopter-adjustment dial (p. 20) Drive-mode dial (p. 56) AE lock button (p. 46) Metering-mode dial (p. 50) White-balance button (p. 60) White-balance dial (p. 60) AF/MF button (p. 53) Rear control dial USB port/Video-out terminal (p. 105, 121)
15. 16. 17. 18. 19. 20. 21. 22. 23. 24. 25. 26. 27.
Card-slot door (p. 24) Controller & Spot-AF button (p. 54) Focus-area switch (p. 54) Access lamp Anti-Shake switch (p. 32) Camera-sensitivity (ISO) button (p. 51) Memory set button (p. 63) LCD monitor* (p. 16, 34) Playback button (p. 34) Delete button (p. 36) Magnification button (p. 38) Display button (p. 33, 37) Menu button

Names of parts

RECORDING MODE DISPLAY
The recording display shows information on camera operation in panels. The information displayed varies with the functions set. As the camera is rotated to a vertical position, the display automatically rotates to compensate for the camera position.

VIEWFINDER

Wide focus frame

Spot AF area (p. 54)

1. Memory / exposure mode / exposure panel 2. Flash panel 3. Digital Effects panel 4. Metering / AF area / AF mode / Release priority / Drive mode panel 5. 6. 7. 8. 9. 10. AE lock / battery condition panel Ev scale Color mode / camera-sensitivity panel Image size / quality panel White-balance panel Frame counter
Local focus areas (p. 55)
Spot-metering area (p. 50)
The spot AF area and local focus areas are illuminated briefly to indicate the point of focus when the focus is locked.

Camera Notes

The monitor-display setup and recording-display setup custom functions in section 3 of the custom menu control the monitor display (p. 92, 98).

1. 2. 3. 4. 5. 6. 7.

Anti-Shake scale (p. 32) Flash-compensation indicator (p. 48) Flash signal (p. 31) High-speed sync. indicator (p. 118) Wireless/Remote flash indicator (p. 72) Manual focus indicator (p. 52) AE lock indicator (p. 46)

8. 9. 10. 11. 12. 13.

Focus signal (p. 29) Shutter-speed display Aperture display Ev scale Camera-shake warning (p. 30) Frames-remaining counter (p. 56)

GETTING UP AND RUNNING

This section covers the preparation of the camera. This includes the changing of batteries, memory cards, and lenses as well as the use of external power supplies.

ATTACHING A LENS

This camera uses interchangeable lenses. See page 117 for compatible lenses. Never touch the inside of the camera, especially the lens contacts and mirror. Take care not to let dust enter the body. Remove the body cap from the camera and the rear cap from the lens. Always keep the camera strap around your neck in the event that you drop the camera. Pass the tip of the strap through the cameras strap eyelet from below (1). Attach the strap so the tip comes between the strap and the camera. The side of the strap with the remote-cord clip (p. 45) should be attached to the side of the camera with the remote-control terminal Align the red mounting index on the lens and camera body. Carefully insert the lens into the mount, then turn it clockwise until it clicks into the locked position. Do not insert the lens at an angle. If it does not fit, check its orientation with the index marks. Never force the lens.
ATTACHING THE CAMERA STRAP
Thread the tip of the strap through the holder ring and the inside of the buckle and pull to tighten (2). Leave some slack in the camera strap so the tip may be threaded through the buckle easily. Each time the camera is turned on, it automatically focuses the lens to the infinity position, even in manual focus. This operation is necessary to ensure proper exposures.

REMOVING A LENS

Press the lens release all the way in and turn the lens counter-clockwise until it stops. Carefully remove the lens.
Push the holder ring toward the strap eyelet to secure the strap to the camera (3). Repeat with the other end of the camera strap.

Replace the caps on the lens and attach the body cap or another lens to the camera as soon as possible. Do not leave the interior of the camera exposed to dust or dirt. Check the body cap is clean and free from dust before mounting. Lens release

Getting up and running

DIOPTER ADJUSTMENT
The EVF has a built-in diopter that can be adjusted between 3.0 to +1.0. While looking through the EVF, turn the diopter-adjustment dial until the viewfinder focus frame is sharp.

CHARGING THE BATTERY

Before the camera can be used, the lithium-ion battery must be charged. Before charging the battery, read the safety warnings on page 4 of this manual. Only recharge the battery with the supplied battery charger. The battery should be recharged before each shooting session. See page 142 for battery care and storage.
INSTALLING THE MONITOR PROTECTION PANEL
Install the monitor protection panel by placing the top of the panel at the top of the monitor frame on the camera and lower panel until it clicks into place at the bottom.
Plug the power cord into the back of the charger unit (1). Plug the other end of the cord into a live household outlet. The included AC cord is designed for the current of the sales region. Only use the cord in the region it was purchased. For more on the AC cable, see page 114.
With the battery contacts toward the charger, align the channels on the bottom of the battery with the tabs on the charger unit. Slide the battery into the unit.
To remove the panel, lift from the bottom.
The indicator lamp (2) glows to show the battery is charging. The lamp goes out when the battery is charged. Charging time is approximately 150 minutes.
Slide and lift the battery to remove it from the charger. Unplug the power cord from the outlet.
INSTALLING AND CHANGING THE BATTERY
This digital camera uses one NP-400 lithium-ion battery. Before using the battery, read the safety warnings on pages 4 of this manual. When replacing batteries, the camera should be off. Open the battery-chamber door by sliding the batterychamber release toward the back of the camera.
BATTERY CONDITION INDICATOR
This camera is equipped with an automatic battery-condition indicator. When the camera is on, the indicator appears on the monitor. The indicator changes from white to red when battery power is low. If the monitor is blank, the battery may be exhausted.
Full-battery indicator - the battery is fully charged. Low-battery indicator - battery power is low. Recharge the battery. Insert the battery with the battery contacts first. Push the battery into the chamber until the battery latch clicks into place. Low-battery warning - battery power is very low. Recharge the battery. When power falls below the level of the low-battery warning, the battery exhausted message appears just before the camera shuts down. The camera will not function until the batteries are recharged.

14-segment honeycomb-pattern metering - the cameras standard metering mode appropriate for most photographic situations. By combining information on the subjects distance and position from the autofocus system, this mode is less influenced by spot lighting or backlighting. Center weighted - measures light values over the entire image area with emphasis given the central region. Spot - uses a circular area within the image to calculate the exposure. Spot metering allows precise exposure measurements of a particular object without being influenced by extremely bright or dark areas within the scene. The auto setting automatically adjusts the camera sensitivity to the light conditions between ISO 100 and 400. As the ISO value doubles, the camera sensitivity doubles; a change of one Ev. Like grain in silver-halide film that increases with speed, noise increases with sensitivity in digital imaging; an ISO setting of 100 has the least noise and 3200 has the most. A change in ISO also affects the flash range. The flash range depends on the aperture used:

ISO setting

Spot metering area If the luminance levels of the scene are outside the metering range, the both arrows at each end of the Ev scale blink. In dark conditions, use the camera flash. Under bright light, use a neutral density filter on the lens to control the light levels.
/2.8 1.0 ~ 4.3m / 3.3 ~ 14.1ft. 1.0 ~ 6.0m / 3.3 ~ 20ft. 1.4 ~ 8.6m / 4.6 ~ 28ft. 2.0 ~ 12m / 6.6 ~ 39ft. 2.8 ~ 17m / 9.2 ~ 56ft. 4.0 ~ 24m / 13 ~ 79ft.
/4.0 1.0 ~ 3.0m / 3.3 ~ 9.8ft. 1.0 ~ 4.3m / 3.3 ~ 14ft. 1.0 ~ 6.0m / 3.3 ~ 20ft. 1.4 ~ 8.6m / 4.6 ~ 28ft. 2.0 ~ 12m / 6.6 ~ 39ft. 2.8 ~ 17m / 9.2 ~ 56ft.
/5.6 1.0 ~ 2.1m / 3.3 ~ 6.7ft. 1.0 ~ 3.0m / 3.3 ~ 9.8ft. 1.0 ~ 4.3m / 3.3 ~ 14ft. 1.0 ~ 6.0m / 3.3 ~ 20ft. 1.4 ~ 8.6m / 4.6 ~ 28ft. 2.0 ~ 12m / 6.6 ~ 39ft.

400 / AUTO 3200*

* Activated with the ISO-menu-setup option in section 4 of the custom menu (p. 100).

FOCUS-MODE DIAL

Single-shot AF (Autofocus), continuous AF, automatic AF, and manual focus is set with the focus-mode dial. Turn the focus-mode dial (1) to the appropriate position to select the focus mode. The active focus mode is displayed on the monitor. The AF system activates when the shutter-release button is pressed partway down. Focus is confirmed with the viewfinder focus signals, see page 29.

The drive modes control the rate and method images are captured. Indicators showing the selected drive mode appear on the monitor. The drive mode is set with the drive-mode dial. Simply turn the dial using the lever on the front to the appropriate position to select the mode.

CONTINUOUS-ADVANCE NOTES

Continuous-advance mode allows a series of images to be captured while holding down the shutter-release button. The maximum frame rate with continuous advance is 3 frames per second. The maximum number of frames that can be captured depend on the image size and quality settings. Approximately nine RAW and RAW & JPEG images can be captured, see the chart for other combinations. Numbers are approximate and depend the subject.
Single-frame advance bracketing - to take a series of images with differing exposure (p. 58). Each image of the series is captured one by one. Continuous advance bracketing - to take a series of images with differing exposure (p. 58). The series is advanced automatically. Single-frame advance - to take a single image each time the shutter-release button is pressed (p. 28). Interval recording can be used (p. 78). Continuous advance - to take a series of images when the shutter-release button is pressed and held (p. 57). 10 second self-timer - to delay the release of the shutter by 10 seconds. Used for selfportraits (p. 57). 2 second self-timer - to delay the release of the shutter by 2 seconds (p. 57).
AF Zoom xi and Power Zoom lenses cannot be zoomed when taking pictures with continuous advance. The frame rate is affected by the flash as it must recharge between exposures. Focus and exposure are set between each frame with continuous AF and Auto AF.
L Extra fine Fine Standard 19

SELF-TIMER NOTES

With the camera on a tripod, compose the picture as described in the basic recording section (p. 28). Press the shutter-release button partway down to lock the exposure and focus. Press the shutter-release button all the way down to begin the countdown. Because focus and exposure are determined when the shutter-release button is pressed, do not stand in front of the camera when taking a self-timer image. Always confirm the focus with the focus signals before beginning the countdown. Attach the eyepiece cap if a bright light source is behind the camera, see page 59. With the ten-second self-timer, the self-timer lamp on the front of the camera and the audio signals indicate the countdown.The lamp glows steadily just before the shutter fires. To stop the countdown, change the position of the drive-mode dial or flash (lift it or push it down), or turn the camera off. The audio signal can be turned off in section 1 of the setup menu (p. 102). The mirror raises just before the exposure. With the two-second self-timer, no indication is given during the countdown. The mirror raises when the countdown starts.

FRAMES-REMAINING COUNTER

The frames-remaining counter indicate the approximate number of frames that can be stored in the camera buffer memory while recording. This number changes as images are captured and saved to the memory card.

Frames-remaining counter

BRACKETING NOTES
Bracketing is a method of taking a series of images of a static subject in which each image has a slight variation in exposure. Exposure and flash brackets can be made. Select continuous-advance bracketing or single-frame advance bracketing with the drive-mode dial (p. 56). Continuous-advance bracketing creates a successive series of images automatically when the shutter-release button is pressed and held. The shutter-release button must be pressed for each exposure when using single-frame advance bracketing. The number of frames and the bracketing increment is displayed on the Ev scale on the monitor. This can be changed in section 2 of the recording mode menu (p. 64, 70). The bracketing order can also be set on the menu (p. 70).
When exposure brackets are made in S exposure mode, the aperture controls the bracket. In A and M exposure modes, the shutter speed controls the bracket; in M mode, pressing the AEL button during the bracket changes the exposure control to the aperture. The camera uses both the aperture and shutter speed control the bracket in P and full-auto program mode.
ATTACHING THE EYEPIECE CAP
The supplied eyepiece cap prevents light from entering through the viewfinder and affecting the exposure meter or fogging the image when using the self-timer or during long exposures.
Normal Under Over Exposure bracket: 0.3Ev / 3 frames
Carefully slide the eyepiece cup from around the viewfinder frame by pushing on each side of the cup.
Slide the eyepiece cap over the viewfinder. The cap should be attached to the camera strap to prevent loss. Replace the eyepiece cup after the exposure.

0.3 Ev bracket

0.5 Ev bracket
Flash bracket: 0.5 Ev / 5 frames
OPTIONAL VIEWFINDER ACCESSORIES
The Angle Finder Vn and Magnifier Vn can be used with this camera. The Angle Finder makes using the camera at low angles easier. The Magnifier enlarges the center of the viewfinder image for critical focusing especially for macro photography. Eyepiece Corrector 1000 series diopters can be used if the adjustable viewfinder diopter is not sufficient. These accessories are mounted on the viewfinder frame as described above. For more information on these and other accessories, contact your Konica Minolta dealer.
To make a flash bracket, raise the camera flash; the ambient exposure is not bracketed. The flash recharges between exposures. Exposure brackets are made when the flash is down. Compose the picture as described in the basic recording section (p. 28). As the bracket is made, the index marks disappear from the Ev scale to show the remaining frames. When making a continuous-advance bracket, if the shutter button is release before the bracket is completed, the bracket resets. If using continuous AF or Auto AF with moving subjects (p. 52), the camera focuses between each exposure.

Make sure no objects come between the camera and flash unit. The flash units can be test fired by pressing the AEL button on the camera. AEL button setup in section 1 of the custom menu should be set to one of the hold options. If the flash does not fire, change the camera, flash, or subject position. The slow shutter sync is active in P and A exposure modes (p. 47). When the 5600HS(D) and 3600HS(D) flash is charged, the AF illuminator on the front of the unit blinks. The viewfinder flash signal shows the status of the camera flash (p. 31). Take a picture as described in the basic recording section on page 28.
Flash mode Flash control Power ratio Setup Setup Bracket order
Fill-flash Red eye Rear sync. Wireless
Wireless/Remote flash performs best under subdued light or interior lighting. Under bright light sources, the flash may not be able to detect the control signals from the cameras built-in flash. When not using off-camera flash units, always turn off the wireless flash mode in section 1 of the recording menu, or inaccurate flash exposures will result. The 5600HS(D) and 3600HS(D) flash units can be reset simultaneously with the camera. Simply mount the flash unit in the accessory shoe and change the wireless flash mode setting on the menu to another flash mode. High-speed sync. is available, see page 118. The Wireless/Remote Flash Controller is not compatible with this camera.
1. Remove the accessory shoe cap (p. 117) and slide a Program 5600HS(D) or 3600HS(D) flash on the accessory shoe until the safety lock engages. 2. Turn on the camera and flash unit. 3. Set the camera to the wireless flash mode in section 2 of the recording menu (p. 64). This simultaneously set a the flash to the wireless mode and sets the camera to the flashs wireless channel. 4. Press and hold the mounting-foot-release button to disengage the safety catch and remove the flash unit from the camera.
WIRELESS/REMOTE CAMERA AND FLASH RANGES

FLASH CONTROL

ADI, pre-flash TTL, and manual flash control are available. Flash control is changed in section 2 of the recording menu (p. 64). The flash control used depends on the lens and flash combination. ADI (Advanced Distance Integration) flash metering - combines distance information from D-series lenses with information from a pre-flash exposure. ADI metering is less influenced by subject reflectance.
Flash-to-subject distance

Ctrl dial set Exp. comp. Ctrl dial lock SS Off Off Ambient&flash On F/no.
Use the left/right keys of the controller to highlight the appropriate menu tab; the menus change as the tabs are highlighted.
To assign exposure comp. to the control dials (p. 96). To lock the control dials before AF and AE (p. 97). To specify flash output with exposure comp. (p. 97). To turn the AF illuminator on and off (p. 97).
Exp. comp. set AF illuminator
Use the up/down key to highlight the new setting. If Enter is displayed, press the central button of the controller to continue.
Shutter lock AF area setup On 0.3s. display Automatic Auto rotate On
To lock the shutter when no lens is mounted (p. 97). To control the viewfinder AF-area illumination (p. 98). To control how the monitor is turned on and off (p. 98). To set the recording display orientation (p. 98). To turn the Anti-Shake scale on and off (p. 98).
Monitor disp. Rec. display AS finder disp.
Once a setting has been selected, the cursor returns to the menu options and the new setting is displayed. Changes can continue to be made.
To switch between ISO and Zone Matching (p. 99).
ISO button set ISO menu setup M set button Custom reset ISO Memory
To set the ISO range (p. 100). To select between memory and menu shortcut (p. 100). To reset the custom functions (p. 101).

Custom menu

AF/SHUTTER RELEASE PRIORITY SETUP
This custom function has two options: AF - AF priority. The shutter will not release until the camera focuses. Release - shutter-release priority. The shutter releases even if focus cannot be confirmed. The RP indicator is displayed on the monitor when this option is selected.

AEL BUTTON SETUP

The operation of the AEL button (p. 46) can be specified in section 1 of the custom menu (p. 92). This custom function has four options: AE hold - press and hold the AEL button to lock the exposure, release the button to unlock it. The metering mode set with the metering-mode dial is used (p. 50). AE toggle - press and release the AEL button to lock the exposure. The exposure remains locked even after the image is captured. Press and release the button again to unlock the exposure. The metering mode set with the metering-mode dial is used (p. 50). Release priority indicator Spot AE hold - the spot metering area is used regardless of the metering-mode selected with the dial (p. 50). Press and hold the AEL button to lock the exposure, release the button to unlock it. Spot AE toggle - the spot metering area is used. Press and release the AEL button to lock the exposure. The exposure remains lock even after the image is captured. Press and release the button again to unlock the exposure.

FOCUS-HOLD BUTTON SETUP

Some Konica Minolta lenses are equipped with a focus-hold button. The operation of this button can be specified in section 1 of the custom menu (p. 92). This custom function has two options: Focus hold - pressing the focus-hold button on the lens locks the focus. D.O.F. preview - pressing the focus-hold button previews the depth of field (p. 53). With non-D series lenses, this is active when the aperture and shutter speed are displayed.

AF ILLUMINATOR

The built-in flash is used as an AF Illuminator. When the scene is too dark for the camera to focus, raise the built-in flash. It fires a few short bursts to provide light for the camera to focus. When an accessory flash is attached, the flash unit is used as the AF illuminator. The AF illuminator can be turned on and off in section 2 of the custom menu (p. 92). The range of the AF Illuminator is approximately 1 to 5 m ( 3.3 to 16.4 ft.). It does not fire when using the continuous AF focus mode. The AF illuminator may not operate with focal lengths of 300mm or longer or with the 3x-1x Macro Zoom.
The front control dial adjusts the shutter speed. The rear control dial adjusts the aperture. The front control dial adjusts the aperture. The rear control dial adjusts the shutter speed.
CONTROL-DIAL (EXPOSURE COMPENSATION) SETUP
Exposure compensation can be assigned to the front or rear control dial in section 2 of the custom menu (p. 92). In the recording mode, simply turn the selected control dial to adjust exposure compensation. The increment depends on the exposurecompensation dial position. For more on exposure compensation, see page 97.
Ctrl dial set Exp. comp. Ctrl dial lock Exp. comp. set AF illuminator SS Off Off Ambient&flash On F/no.

SHUTTER LOCK

The shutter lock prevents the shutter opening and exposing the CCD to dust when no lens is mounted on the camera. Turn the shutter lock off when attaching the camera to a telescope or microscope. The shutter lock is turned on and off in section 3 of the custom menu (p. 92).
Shutter lock AF area setup Monitor disp. Rec. display AS finder disp. On 0.3s. display Automatic Auto rotate On

AF AREA SETUP

The spot focus or local AF areas are illuminated when the camera focuses. The illumination period is selected in section 3 of the custom menu (p. 92) between 0.3 seconds and 0.6 seconds. AF area illuminator activation with the shutter-release button can also be turned off. AF area illuminator

ISO BUTTON SETUP

The function selected with the ISO button (p. 51) can be switched between camera sensitivity (ISO) and Zone Matching in section 4 of the custom menu (p. 92). For more on Zone Matching, see below.

MONITOR DISPLAY SETUP

Automatic and manual monitor display is selected in section 3 of the custom menu (p. 92). The automatic option employs the viewfinder eye sensors to turn the monitor off when using the viewfinder. The manual option requires the monitor to be turned off using the display button (p. 33).

ZONE MATCHING

Zone Matching is used for recording high-key or low-key scenes. Zone Matching is activated in section 4 of the custom menu. To set Zone Matching, press the ISO button (1) to open the setup screen. The left/right keys of the controller and the control dials change between high (key) and low (key).

AC ADAPTER AC-11 (SOLD SEPARATELY)
The AC Adapter AC-11 allows the camera to be powered from an electrical household outlet. The AC Adapter is recommended when the camera is interfaced with a computer or during periods of heavy use. Always turn off the camera and confirm the access lamp is not lit before changing between power supplies.
FOCUSING-SCREEN COMPATIBILITY
Open the DC terminal cover from the right. The cover is attached to the body to prevent loss. Insert the mini plug of the AC adapter into the DC terminal. Insert the AC adapter plug into an electrical outlet. This camera is supplied with a type G spherical acute matte focusing screen. Type M, L, and ML screens can also be used. Focusing screens must be installed by an authorized Konica Minolta service facility. Contact Konica Minolta for more information.

Type L / ML

LENS SHADOWING ABOUT THE BATTERY CHARGER CORD
The included AC cord is designed for the current of the sales region. Only use the cord in the region it was purchased. Lens shadowing occurs when the lens or lens hood blocks part of the output from the built-in flash. Lens shadowing appears as a semi-circular shadow at the bottom (horizontal pictures) or side (vertical pictures) of the image. Remove the lens hood before using the built-in flash. Focus distance must be 1m / 3.3ft or greater. The built-in flash can not be used with the AF 600mm f/4 Apo G(HS).

Region

Continental Europe, Korea, Singapore (220-240V) Great Britain, Hong Kong (220V-240V) United States, Canada, Japan, Taiwan (100V-120V) China (220-240V) Australia (220-240V)
Product code APC-150 APC-160 APC-170 APC-151 APC-230
The External High-Power Battery Pack Kit EPB-100 is not compatible with this camera. 114

Accessory notes

SMOOTH FOCUS
Some lenses or lens and teleconverter combinations can be difficult to focus manually. The following procedure disconnects the bodys AF system to make focusing easier. Metering accuracy and Anti-Shake performance is lower when using the function. This cannot be used with xi series or AF Power Zoom lenses.

CCD-PLANE INDICATOR

For some technical photographic applications such as macro photography, the position of the CCD plane is necessary. The CCD-plane indicator is located next to the exposure-mode dial.

The last window confirms the driver has been installed. Click Finish to close the add new hardware wizard. Restart the computer.
MEMORY CARD FOLDER ORGANIZATION
Once the camera is connected to the computer, image files can be accessed by double clicking on icons. Image folders are located in the DCIM folder. To copy images, simply drag and drop the file icon into a location in the computer.
When a new folder is created, the first three digits in the folder name is one greater than the largest folder number on the card. When the file number in the image file name exceeds 9,999, a new folder is created with a number one greater than the greatest folder number on the memory card: e.g. from 100KM023 to 101KM023. The file number on the image file may not correspond to its frame number on the camera. As images are deleted in the camera, the frame counter adjust itself to show the number of images on the card and reassign the frame numbers accordingly. The file numbers on the image files do not change when an image is deleted. When a new image is recorded, it is assigned a number one greater than the largest file number in the folder. File numbers can be controlled with the filenumber-memory function in section 2 of the setup menu (p. 107).

Drive Icon

Files and folders on the memory card can be deleted using the computer. Changing file names or adding other types of data to the card with a computer may cause the camera to malfunction.
The misc. folder contains DPOF print files (p. 88).
Image files contain exif tag data. This data includes the time and date the image was recorded as well as the camera settings used. This data can be viewed with the camera or the DiMAGE Viewer and DiMAGE Master software. If a camera image is opened in an image-processing application that does not support Exif tags, and then the image is saved overwriting the original data, the Exif tag information is erased. Some Exif compatible applications rewrite the Exif data preventing the DiMAGE Viewer or DiMAGE Master from reading it. When using software other than the DiMAGE Viewer and DiMAGE Master, always rename the image file to protect the exif tag data. To view images correctly on your computer, the monitors color space may need to be adjusted. Refer to your computer manual on how to calibrate the display to the following requirements: sRGB, with a color temperature of 6500K, and a gamma of 2.2.
From left to right: standard folder and date folder (p. 108).

100KM023

PICT0001.MRW

PICT0002.JPG

Print quality

The print quality can be set in section 2 of the PictBridge menu. The printer-setup option uses the quality set with the printer. The fine quality can be specified with the camera.

Data print

Data can be printed with the image in section 2 of the PictBridge menu. The printer-setup option uses the options set with the printer. The date of capture and the file name can be selected for printing. Data printing can also be disabled with the menu.
Highlight the current size setting in the menu and press the central button of the controller to open the paper-size screen.

:enter Language

DPOF print
2 x 3 card 100mm x 150mm 4 x x 10 Letter No. of prints: 5 Printer setup Printer setup Printer setup Printer setup
Use the four-way keys of the controller to highlight the paper size.
Printer setup L Postcard 2L
DPOF print in section 3 allows still images and an index print selected with the DPOF printing options in section 2 of the playback menu to be printed from a DPOF compatible PictBridge printer. Simply select the start option from the menu to begin the routine.
Press the central button of the controller to set the paper size.

A4 :sel.

Printing Notes
The following are the dimensions for postcard, L, and 2L paper sizes in both millimeters and inches for your reference:
The number of prints in the print run are displayed; an index print is counted as one. Press the central button of the controller to begin printing, or press the menu button to return to the PictBridge menu.

Postcard L 2L

100 X 148mm 89 X 127mm 127 X 178mm
3.9 X 5.9 in. 3.5 X 5.0 in. 5.0 X 7.0 in.
Once printing begins, the operation can be canceled by pressing the center of the controller. The printing-finished message indicates the end of the operation; press the center of the controller and turn the camera off to end the routine.

Layout

The layout of the print can be set in section 2 of the PictBridge menu. The printer-setup option uses the layout parameters of the printer. Borderless printing can be specified with the camera as well as the number of images per page.

TROUBLESHOOTING

The section covers minor problems with basic camera operation. For major problems or damage to the camera or charger, or if a problem continues to reoccur frequently, contact a Konica Minolta service facility. Problem Symptom Cause The batteries are dead. Nothing displayed on monitor. The camera will not work. The AC adapter is not connected properly. Display mode set to off. Solution Recharge battery (p. 21). Check that the adapter is connected to the camera and a live electrical outlet (p. 114). Change the display mode to full or basic (p. 33). Turn off the camera and allow it to cool. If Err is still displayed on the camera after it cools, remove and replace the battery or power cord.

System Accessories

The most comprehensive lineup of advanced AF-SLR lenses and accessories.
Konica Minolta Photo Imaging, Inc. Shinjuku Nomura Bldg., 1-26-2 Nishishinjuku, Shinjuku-ku, Tokyo 163-0512, Japan

http://konicaminolta.com

This brochure is printed with soy ink for environmental preservation. 2004 Konica Minolta Photo Imaging, Inc. 9242-4510-81 O409(ME-E)-G1 Printed in Japan
TAKE YOUR BEST SHOT, WITH THE MINOLTA DYNAX SYSTEM
The Dynax System features Konica Minoltas most innovative optical technology in a full range of exceptional lenses and accessories. Each is designed for optimum power, flexibility and compactness, to further expand your photographic horizons.

AF Wideangle Lenses

AF Wideangle Lenses offer an increased depth-offield perspective not possible with the human eye. They are ideal for photographing large group shots, landscapes or architecture.

AF 28 mm f/2

With a large maximum aperture of f/2, this wideangle lens is the perfect choice for high-speed photography and when working in dark situations.
Maximum Close Focus: 0.3 m Maximum Magnification: 13/100 life-size

AF 16 mm f/2.8 Fisheye

This fisheye lens covers a full 180 degrees view, from corner to corner of the picture. Four filters (normal, 056, FLW, B12) are built in.
Maximum Close Focus: 0.2 m Maximum Magnification: 3/20 life-size

AF 28 mm f/2.8

One of the most popular lightweight wide-angle lenses, featuring a compact design for ideal portability and mobility. Equipped with a built-in hood.

AF 20 mm f/2.8

This ultra-wideangle lens has a rear-focusing floating optical system that ensures quick, precise autofocusing and virtually eliminates close-focus aberrations. Its seven-blade aperture produces a circular opening to provide round, natural background highlights.
Maximum Close Focus: 0.25 m Maximum Magnification: 13/100 life-size

AF 35 mm f/1.4 G

This lens features a large maximum aperture that produces exceptionally bright viewfinder images. And its aspherical element and rear-focusing system contribute to the superb sharpness and high contrast of the lens.
Maximum Close Focus: 0.3 m Maximum Magnification: 1/50 life-size

AF 24 mm f/2.8

Compact and lightweight, this ultra-wideangle lens provides fast and precise autofocusing while virtually eliminating close-focus aberrations with a rear-focusing floating optical system. The seven-blade aperture provides round, natural-looking highlights with its circular opening.
Maximum Close Focus: 0.25 m Maximum Magnification: 4/25 life-size

G-Series Lenses

SSM Lenses

AD Glass

Aspherical Lens
Circular 7- or 9 -Blade Aperture

AF Standard Lenses

AF Standard Lenses were designed to closely duplicate the natural angle of the human eye. Their versatility, wide-angle coverage, and unmatched cost performance make them the most popular lenses used.

AF Telephoto Lenses

Commonly used for sports photography and portraits, AF Telephoto Lenses help isolate your subject while affording you greater shooting distance from your subject.
(D) indicates the distance encoder system. When attached to the Dynax 7D, 7, 60, 5, 40, 4 or 3L, the D lens makes features such as ADI (Advance Distance Integration) flash metering possible with Program Flash 5600 HS(D), 3600 HS(D) and 2500(D), as well as with each respective camera's built-in flash.

AF 50mm f/1.4

AF 85 mm f/1.4 G (D)
This new versatile lens offers superior and simple focusing operation due to a wider focusing ring, a non-rotating focusing ring while in AF, and a focus-hold button. It's highly effective for portrait and indoor photography. The lens has a circular aperture and features the floating focusing system to give you beautiful defocused images as well as high-resolution images.
Maximum Close Focus: 0.85 m Maximum Magnification: 16/125 life-size

AF 50 mm f/1.4

With a bright f/1.4 aperture lens, this is the most popular standard lens used.
Maximum Close Focus: 0.45 m Maximum Magnification: 3/20 life-size
AF 100 mm f/2.8 SOFT FOCUS AF 50 mm f/1.7
A standard lens with outstanding cost performance for a wide range of situations. Built-in hood.
This unique lens sharply autofocuses your subject and provides a soft surrounding effect. This softening effect can be chosen at or between three settings. When the soft effect is set to 0, it can be used as a normal 100mm lens. It features a circular aperture for a more natural-looking background.

Maximum Close Focus: 0.8 m Maximum Magnification: 17/100 life-size

STF 135 mm f/2.8 [T4.5]*

The lens construction includes an apodization filter to achieve a natural shift from focused to defocused areas. As a result, the original outline of the subject remains clear, the images are provided with depth, and the subject is visually outstanding. The lens is also designed to minimize aberrations that deteriorate defocused image areas.
Maximum Close Focus: 0.87 m Maximum Magnification: 1/4 life-size *The T-number shows the brightness of light which actually passes through the lens and is collected onto the film. It is used instead of the F-number when using an STF lens. *Exclusive for manual focus use.

AF 200 mm f/2.8 Apo G

This compact mid-telephoto lens uses AD (AnomalousDispersion) glass elements which provide apochromatic correction for top-quality images. In addition, its large maximum aperture enables shooting in low-light situations and its inner autofocusing element provides fast, precise focus adjustment. A focus-hold button is conveniently located on the side of the lens barrel, and adjusting the focusing range is easily done using the focusing range ring.
Maximum Close Focus: 1.5 m Maximum Magnification: 4/25 life-size

AF Reflex 500mm f/8

AF 300mm f/2.8 Apo G (D) SSM
This versatile and durable telephoto lens employs new ultrasmooth and ultra-quiet supersonic-wave motor technology for superior AF operation. 3 AD (anomalous dispersion) lenses, which bring outstanding sharpness to focused images, are incorporated. A circular aperture (9 aperture blades) is featured to give you smooth defocused images from the lens' widest aperture setting. This lens also has the shortest minimum focus distance in its class. Plus, you get Direct Manual Focus, a Focus Range Limiter, 4-Focus hold buttons and a Prefocus function, for greater overall telephoto lens performance.
Autofocus cannot be used with the camera models introduced before the Dynax 7 (excluding the updated Dynax 9). Available functions depend on lens and body combination. Maximum Close Focus: 2 m Maximum Magnification: 9/50 life-size

AF 300 mm f/4 Apo G

This telephoto lens uses two AD (Anomalous-Dispersion) glass elements to provide apochromatic correction for high quality images. Its circular aperture provides a natural-looking background, while its internal focusing system assures you of high-speed autofocus.
Maximum Close Focus: 2.5 m Maximum Magnification: 7/50 life-size

AF 600 mm f/4 Apo G

A large aperture, extreme-telephoto lens with an internal focusing design for outstanding telephoto effects. This lens uses AD (Anomalous-Dispersion) glass to reduce chromatic aberration to a level that places it in the distinguished apochromat class. A focus-hold button is conveniently located on the side of the lens barrel, and adjusting the focusing range is made possible by using the focusing range ring.
Maximum Close Focus: 6.0 m Maximum Magnification: 11/100 life-size

AF 400 mm f/4.5 Apo G

Two AD (Anomalous-Dispersion) glass elements on this lens correct chromatic aberrations. Its circular aperture gives you a natural-looking background, and the focus-hold button and focusing range ring improve speed-shooting performance.
Maximum Close Focus: 3.0 m Maximum Magnification: 3/20 life-size AF 1.4X Tele Converter Apo (D) AF 2X Tele Converter Apo (D)
AF 1.4X Tele Converter Apo (D) AF 2X Tele Converter Apo (D)
These new high-performance tele converters effectively extend the focal length of high-speed lenses, including SSM lenses, by 1.4X / 2X without compromising the quality of the master lens. The following is a list of compatible lenses: 300mm f/2.8 Apo G (D) SSM*1. 70-200mm f/2.8 Apo G (D) SSM*1, 200mm f/2.8 Apo G, 300mm f/2.8 Apo G, 300mm f/4 Apo G*2, 400mm f/4.5 Apo G*2, 600mm f/4 Apo G*2. 200mm f/4 Macro Apo G*3, and STF 135mm f/2.8 [T4.5]*3.
*1 With the combination of these tele converter and camera models introduced before the Dynax 7 (excluding the updated Dynax 9), only manual focus is available. *2 When attached to the AF 2X Tele Converter Apo (D), only manual focus can be activated. *3 When these tele converters are combined, only manual focus is available.

AF Reflex 500 mm f/8

The worlds first compact and lightweight autofocus reflex-type telephoto lens. A convenient built-in focus-hold button is located on the side of the lens barrel for quick and sure operation. It can also be used on the Dynax 3000i, 9000, 7000, and 5000 in manualfocusing mode (autofocusing and focus indicator will not function).
Maximum Close Focus: 4.0 m Maximum Magnification: 13/100 life-size

AF Macro Lenses

AF Macro Lenses are for people who enjoy close-up photography. These lenses allow you to take life-size pictures without having to use additional equipment, thus offering a new world of photographic possibilities.
AF 100 mm f/2.8 Macro (D)
This new medium telephoto Macro lens is capable of continuous shooting from infinity to 1:1 magnification ratio without the aid of attachments. The advanced focus ring has been widened and will not rotate while in AF. The lens is equipped with a focus-hold button and focus-range limiter for reduced focusing time and improved operation. Plus, it has a circular aperture, and utilizes a doublefloating element focusing design. It is ideal for macro shots of foliage, small wildlife, portraits and scenic photography.
Maximum Close Focus: 0.35 m Maximum Magnification: 1/1 life-size

AF 50 mm f/2.8 Macro (D)

This standard Macro lens comes with a double-floating element focusing design, and focuses from infinity to a 1:1 magnification ratio without the aid of attachments. The seven-blade circular aperture produces a softer, more natural-looking background. A focus-hold button and focus-range limiter enhance focusing operations.
Maximum Close Focus: 0.2 m Maximum Magnification: 1/1 life-size

AF 50 mm f/3.5 Macro

Compact and lightweight, this lens features a floating element focusing design that virtually eliminates aberrations in closefocus situations. This lens allows you to focus from infinity to a 1:2 magnification ratio.
Maximum Close Focus: 0.23 m Maximum Magnification: 1/2 life-size

AF Zoom Lenses

Less is more with Konica Minolta AF Zoom Lenses. Compact and lightweight, plus the flexible and high performance characteristics of several lenses in one.
AF 200 mm f/4 Macro Apo G
The 200mm Telephoto Macro lens can focus from infinity to a 1:1 magnification ratio using no attachments. Excellent contrast is achieved by use of AD (Anomalous-Dispersion) glass. And the circular aperture provides a pleasing, natural defocusing effect. Comprehensive and absolute focus control is obtained with a detachable tripod-mounting collar, focus-hold button and a focus range-limiter. Moreover, the focusing ring is automatically deactivated while the camera is in AF mode.

Maximum Close Focus: 0.5 m Maximum Magnification: 1/1 life-size
AF 17-35mm f/2.8-4 (D) AF Macro Zoom 3X-1X f/1.7-2.8
This is the world's first and only AF lens able to operate in the 3X to 1X magnification range. It also provides motorized zooming and framing for quick set-up. This compact and lightweight 2X zoom covers a wide-angle range from 17 to 35mm. It features a maximum aperture of f/2.8, a short minimum focus distance of 30cm, and a circular aperture (7 aperture blades).
Maximum Close Focus: 0.3m Magnification: 1/5.4 life-size

AF mm f/3.5 G

This flexible zoom gives you the freedom to compose in the superwide angle ranges as close as 0.3 metres to your subject. With aspherical lenses and Anomalous-Dispersion (AD) glass you can be assured of sharp, distortion-free images throughout the field - even at maximum wide angle at full-open aperture.
Maximum Close Focus: 0.3 m Maximum Magnification: 17/100 life-size

AF 20-35 mm f/3.5-4.5

With this ultra-wide angle zoom lens, you can capture landscapes, architecture, or interior photography in narrow rooms. Aspherical elements within the lens let you take high-quality pictures, while keeping it light and compact.
Maximum Close Focus: 0.5 m Maximum Magnification: 2/25 life-size

AF 2870 mm f/2.8 G

This lens allows you to use a maximum aperture of f/2.8 at any focal length from 28 to 70mm. It also has a nine-bladed circular aperture that produces rounded, more natural background highlights, in addition to a moving mask that blocks flare-causing light at any focal length.
Maximum Close Focus: 0.85 m Maximum Magnification: 9/100 life-size

AF 2485 mm f/3.5-4.5

This lens provides high image quality by using two compound aspherical elements to reduce aberrations common at wide focal lengths. Its wide 3.5X zoom range includes an ultra-wide 24mm focal length.
Maximum Close Focus: 0.5 m Maximum Magnification: 17/100 life-size

AF 28-75mm f/2.8 (D)

The AF 28-75mm f/2.8 (D) lens gives you a great performance with a portable body. It employs a maximum aperture of f/2.8 at any focal length between 28 to 75mm. This lens also delivers a short minimum focus distance of 33cm at any focal length.
Maximum Close Focus: 0.33m Magnification: 1/3.9 life-size
AF 24105 mm f/3.5-4.5 (D)
This ultra-compact standard 4.3X zoom lens covers a range from 24mm wide angle to 105mm medium telephoto. Its widened focusing ring will not rotate while in AF. And the lens features a circular aperture and aspherical lenses for clear and vivid images, as well as beautiful defocusing effects.
Maximum Close Focus: 0.5 m Maximum Magnification: 182/1000 life-size
AF 28-80 mm f/3.5-5.6 (D) (Also available in black)

Maximum Close Focus: 1.5 m Maximum Magnification: 6/25 life-size
G-Series AF lenses stand out for the distinctive level of image quality and photographic performance they provide serious photographers. Circular aperture design, double-floating and floating focusing systems, AD (Anomalous Dispersion) glass, aspherical lens elements and a focushold button, are advanced G-Series design features that help produce a unique soft and natural defocusing effect, as well as enabling you to take truly high quality photos with the sharpness and vividness you expect.
SSM (Supersonic-wave Motor) Lenses
The supersonic-wave motor uses the nature of piezo-electric element, which changes shape when voltage is applied. Compared to conventional DC motors, the supersonic-wave motor has characteristics that fit the lens drive, such as producing high torque from slow rotation and providing quick start and stop responses. By employing this motor, the SSM lenses provide ultra-quiet, ultra-smooth and superior AF operation.
AD (Anomalous Dispersion) glass decreases chromatic aberration more than normal optical glass, to prevent a decrease in resolving power which occurs when the focal length increases. The unique AD glass developed by Konica Minolta enables vivid reproductions when using large diameter telephoto lenses and telephoto zoom lenses.
AF 100-400 mm f/4.5-6.7 Apo
This ultra-telephoto features a light and compact 400mm zoom lens with wide-ranging 4X zoom. Two AD (AnomalousDispersion) glass elements correct chromatic aberrations, and the circular aperture provides natural-looking backgrounds.
Maximum Close Focus: 2.0 m Maximum Magnification: 1/4 life-size
Konica Minolta retains a distinct advantage in the use of aspherical optics. With ordinary spherical lenses, the focal point varies according to whether the incident light passes through the central or peripheral part of the lens, thus producing spherical aberration. While perfect compensation has never been achieved, and is particularly difficult to compensate for in large diameter lenses, decreasing the lens curve or combining dispersion lenses are methods commonly used in an attempt to compensate for spherical aberration. Konica Minoltas aspherical lenses are developed not only to correct spherical aberration in large diameter lenses, but also to take high Focal plane contrast images with less blotting Spherical lens effects while in the largest aperture. Konica Minoltas aspherical lenses are effective in correcting distortion while Focal plane using wide and standard zooms. Whats more, the use of aspherical lenses Aspherical lens decreases the total number of lenses required to produce a complete lens. This Spherical aberration of spherical technology has enabled Konica Minolta lenses and corrected images using aspherical lenses. to create more compact lenses.
Circular 7- or 9 - Blade Aperture

G-Series Lenses Aspherical Lens

SSM CIR

AD AD Glass SSM Lenses Circular 7- or 9 -Blade Aperture
The closer the aperture shape is to becoming a perfect circle, the more beautiful your defocused effect will be. Thats why Konica Minoltas specially-designed aperture blades produce a circular opening from their widest setting down 1.5 steps to help smooth a scenes out-of-focus areas. When you take a picture with sunlight shining through foliage, a picture at sunset or a picture of neon lights, the source of the light can be defocused beautifully. The number of aperture blades must be maximized to make the aperture as perfectly circular as possible. Conversely, each blade can be curved to produce a circular aperture, and thus a desired blurring effect.

Angle Of View

Standards, Telephotos, Wideangles, Macros and Zooms. They change the way your camera sees a scene. They provide you with the right degree of coverage for each photographic situation.

WIDEANGLE

STANDARD

MIDDLE TELEPHOTO

100 mm

135 mm

TELEPHOTO

200 mm

300 mm

600 mm

Perspective
Your lens choice affects the size, position and importance of a pictures subjects in relation to each other. The wider your wide angle lens is, the larger the difference in size your subjects foreground and background will be. Further, the larger the telephoto lens used, the more your foreground and background will overlap.

Depth-Of-Field

The choice of lens influences the area of sharp focus in front of, and/or behind the main subject. The wider your aperture, the shallower your depth-of-field will be. This will allow you to further defocus your background. Whats more, the narrower your aperture, the deeper your depth-of-field will be. This enables you to capture a clear shot of your subject, as well as your background.

85 mm 200 mm

f/5.6 f/16

AF Lens Specifications

Lens AF 16/2.8 Fisheye AF 20/2.8 AF 24/2.8 AF 28/2 AF 28/2.8 AF 35/1.4 G AF 50/1.4 AF 50/1.7 AF 85/1.4 G (D) AF 100/2.8 SOFT FOCUS STF 135/2.8 [T4.5] (5) AF 200/2.8 Apo G AF 300/2.8 Apo G (D) SSM (7) AF 300/4 Apo G AF 400/4.5 Apo G AF Reflex 500/8 (6) AF 600/4 Apo G AF 1.4X Tele Converter Apo (D) (3) AF 2X Tele Converter Apo (D) (4) AF 50/2.8 Macro (D) AF 50/3.5 Macro AF 100/2.8 Macro (D) AF 200/4 Macro Apo G AF Macro Zoom 3X-1X/1.7-2.8 AF 17-35/2.8-4 (D) NEW AF 17-35/3.5 G AF 20-35/3.5-4.5 AF 24-85/3.5-4.5 AF 24-105/3.5-4.5 (D) AF 28-70/2.8 G AF 28-75/2.8 (D) NEW AF 28-80/3.5-5.6 (D) AF 28-100/3.5-5.6 (D) AF 35-80/4-5.6 II AF 70-200/2.8 Apo G (D) SSM (7) AF 70-210/4.5-5.6 II AF 75-300/4.5-5.6 (D) AF 100-300/4.5-5.6 Apo (D) AF 100-400/4.5-6.7 Apo Elements/ Groups 11/8 10/9 8/8 9/9 5/5 10/8 7/6 6/5 7/6 7/7 8/6 8/7 13/12 9/7 9/7 7/5 10/9 5/4 6/5 7/6 5/5 8/8 13/8 7/5 14/11 15/12 13/11 14/12 12/11 16/11 16/14 8/7 10/8 8/8 19/16 10/10 13/10 11/10 14/11 Angle of View 28.410 3X: 8 x 12 mm (1), 1X: 24 x 36 mm (1) 7532 75-248.Minimum Focus 0.2 m 0.25 m 0.25 m 0.3 m 0.3 m 0.3 m 0.45 m 0.45 m 0.85 m 0.8 m 0.87 m 1.5 m 2.0 m 2.5 m 3.0 m 4.0 m 6.0 m 0.2 m 0.23 m 0.35 m 0.5 m Working Distance 3X: 25 mm, 1X:40 mm 0.3 m 0.3 m 0.5 m 0.5 m 0.5 m 0.85 m 0.33 m 0.4 m 0.48 m 0.38 m 1.2 m 1.1 m 1.5 m 1.5 m 2.0 m

G designates Konica Minolta's exclusive G-Lens Series. (D) indicates the distance encoder system. When attached to the Dynax 7D, 7, 60, 5, 40, 4 or 3L, the D lens makes features such as ADI (Advance Distance Integration) flash metering possible with Program Flash 5600 HS(D), 3600 HS(D) and 2500(D), as well as with each respective camera's built-in flash.
Minimum Aperture f/22 f/22 f/22 f/22 f/22 f/22 f/22 f/22 f/22 f/32 f/2.8 (T4.5)-31 (T32) f/32 f/32 f/32 f/32 f/32 f/32 f/32 f/32 f/32 3X: f/16, 1X: f/27 f/22-32 f/22 f/22-27 f/22-27 f/22-27 f/22 f/32 f/22-38 f/22-38 f/22-32 f/32 f/22-27 f/32-38 f/32-38 f/32-45
Filter (dia.) integral 72 mm 55 mm 55 mm 49 mm 55 mm 55 mm 49 mm 72 mm 55 mm mm integral 42 mm integral integral integral 55 mm 55 mm 55 mm 72 mm 72 mm mm mm mm mm mm mm mm mm mm mm mm mm mm mm
Dimensions (dia. x length) 75 x 66.5 mm 78 x 53.5 mm 65.5 x 44 mm 66.5 x 49.5 mm 65.5 x 42.5 mm 68 x 76 mm 65.5 x 43 mm 65.5 x 39 mm 81.5 x 72.5 mm 71.5 x 78 mm 80 x 99 mm 86 x 134 mm 122 x 242.5 mm 91 x 220.5 mm 109 x 275 mm 89 x 118 mm 169 x 449 mm 64 x 20 mm 64 x 43.5 mm 71.5 x 60 mm 66 x 55 mm 75 x 98.5 mm 79 x 195 mm 86 x 117 x 94.5 mm 83 x 88.5 mm 82.5 x 90.5 mm 77.5 x 69.5 mm 74 x 73 mm 71 x 69 mm 83 x 114.5 mm 73 x 94 mm 63 x 68 mm 66 x 78 mm 63 x 66 mm 87 x 196.5 mm 69.5 x 93 mm 71 x 122 mm 73.5 x 101.5 mm 79.5 x 149 mm
Weight 400 g 285 g 215 g 285 g 185 g 490 g 235 g 170 g 560 g 440 g 730 g 790 g 2,310 g 1,410 g 1,920 g 665 g 5,500 g 170 g 200 g 295 g 240 g 510 g 1,130 g 1,100 g 430 g 600 g 325 g 415 g 395 g 850 g 510 g 190 g 240 g 150 g 1,340 g 320 g 460 g 485 g 840 g
(1) Size of image that fills the film plane. (2) W x D x H. (3)(4) For use with AF 300/2.8 Apo G (D) SSM*1, AF 70-200/2.8 Apo G (D) SSM*1, AF 200/2.8 Apo G, AF 300/4 Apo G*2, AF 400/4.5 Apo G*2, AF 600/4 Apo G*2, AF 200/4 Macro Apo G*3, and STF 135/2.8 [T4.5]*3 lenses only. Autofocus cant be used in the following combinations: AF 1.4X / AF 2X Tele Converter Apo (D), lenses displaying this sign (*1) and camera models introduced before Dynax 7 (excluding the up-dated Dynax 9). AF 2X Tele Converter Apo (D) and lenses displaying this sign (*2). AF 1.4X / AF 2X Tele Converter Apo (D) and lenses displaying this sign (*3). (5) Manual focus only.
(6) When attached to the 3000i, 9000, 7000 and 5000, neither AF nor Focus Indicator can be used. Focusing must be manual. (7) Autofocus cannot be used in the following combinations: With the camera models introduced before the Dynax7 (excluding the updated Dynax 9). With the former tele converters AF 1.4X Tele Converter II Apo / AF 2X Tele Converter II Apo. Notice: When used with si- and xi-Series cameras, all AF lenses can be operated in either autofocus or manual focus mode. Expert Autozoom features cannot be used. The above specifications are determined based on Konica Minolta test standards. The specifications are based on the information available at the time of printing and are subject to change without notification. The colour of the products shown may differ slightly from the actual units due to the printing proccess.

Flashes

The versatility and flexibility of Konica Minoltas flash systems offer you a multitude of creative options. Experiment with light and shade using the high performance Program Flash 5600HS(D)/3600HS(D), or the compact and highly capable Program Flash 2500(D).

0-90 upward

(D) indicates the distance encoder system. It makes features such as ADI (Advanced Distance Integration) flash metering with the Dynax 7D, 7, 60, 5, 40, 4, 3L and D lenses, as well as DiMAGE A2, A1, 7Hi, 7i, 7 and 5.

Program Flash 3600HS(D)

New and improved features take the Program Flash 3600HS(D) to another level in lighting photography simplicity. This unit provides the maximum guide number of 36 in metres (at 85mm and ISO 100). It offers high-speed synchronization in all shutter speeds. And it is equipped with a built-in auxiliary light. It boasts improved flash-metering performance that reduces or eliminates the effects of background conditions, all from an ultra-compact body.

Program Flash 5600HS(D)

This newly-developed high powered flash enhances your indoor and night photographs. It offers a maximum guide number of 56 in metres (at 85mm and ISO 100). And it aligns to all speeds of the high-speed shutter. This, coupled with its compact design, increases its effectiveness and versatility as a System Accessory. Operability
The innovative bounce flash head conveniently tilts 10 degrees downward, 90 degrees upward, 90 degrees clockwise, and 180 degrees counter-clockwise for optimum freedom in composing your images.
0-90 upward 10 downward 90 clockwise 180 counter -clockwise

Program Flash 2500(D)

Introducing the newest member of the Program flash family the progressive Program Flash 2500(D) with a guide number of 25 in metres at ISO 100. It provides flash coverage for lenses as wide as 28mm. It also features an ADI (Advanced Distance Integration) flash metering and bounce flash head that effortlessly tilts 90 upward. Plus, this unit is compatible to both SLRs and digital still cameras for a complete flash performance in a compact flash package.
High-Speed Sync (HSS) (5600HS(D)/3600HS(D))
High-Speed Sync synchronizes with all shutter speeds. This function is greatly helpful when taking a portrait picture with day-light sync. *Wireless/remote high-speed synchronization allows off-camera flash control at all shutter speeds. The wireless design makes setup fast and easy for dramatic and beautiful flash results in any lighting situation.
*Effective only when used with the Dynax 9, 7D, 7, 60, or 5.

Program Flash 5600HS(D) Specifications
Exposure control Guide number Power (in metres) AF illuminator range Manual Power level Setting Wireless Flash Contorol High Speed Sync Flash (with 9): Modelling Flash 17mm 24mm 28mm 35mm 50mm 70mm 85mm 32 0.5m-10m based on Konica Minoltas standard testing procedures using a 24mm lens. Power level; 1/1, 1/2, 1/4, 1/8, 1/16, 1/32 Maximum distance of control: approx. 5m 1/12000-1/200 s. Direct through-the-lens (TTL) flash metering in all exposure modes; manual flash control selectable.

High-Speed Sync (HSS)

Custom Functions (5600HS(D))
Your flash provides the following custom functions to expand your photographic control: Wireless Channel Setting, Choice of Units for Distance Display, Auto-power Off-time Setting, Wireless Auto-power Off-time Setting, and Exposure Mode Settings for Manual Flash.
ADI Flash* (5600HS(D)/3600HS(D)/2500(D))
The ADI (Advanced Distance Integration) Flash feature calculates a guide number according to the distance from subject, ambient light and pre-flash reflectivity. This provides a flash metering performance that reduces or eliminates the effects of background conditions or your subjects reflectance, for a level of control accuracy never before possible.
* Effective only when attached to the Dynax 7D, 7, 60, 5, 40, 4, 3L, D lenses, as well as DiMAGE A2, A1, 7Hi, 7i, 7 and 5.
Model 2 Model 1 Flash output 40HZ, 4s 2HZ, 3 bursts Guide number (ISO 100 in metres) 1.4 5.6 Multi-Burst 1/8-1/32 Power level: 1-100hz Frequency : 2 - 40 times, - (When [-] is selected, flash keeps Repetitions: firing during the exposure duration) Bounce -10, 45, 60, 75, 90 Vertical: 30, 45, 60, 75, 90 Clockwise: 30, 45, 60, 75, 90, 120, 150, 180 Counter-clockwise: Four AA-size batteries (Alkaline, Lithium) Power Sources External Battery Pack EP-2 Set (six AA-size batteries) External Battery Pack EP-1 Set (six C-size batteries) Recycling Time Lithium Alkaline Battery type Internal Approx. Approx Recycling power 0.2-13 0.2-11 time External Approx. Approx. (seconds.) power (EP-2) 0.2-7 0.2-5 77.5 x 132 x 95.5 mm Dimensions 370 g Weight (w/o batteries)
Program Flash 3600HS(D) Specifications
Exposure control Guide number Power (in metres) Wireless Flash Contorol High Speed Sync Flash (with 9) Bounce Vertical Power Sources Dimensions Weight (w/o batteries) 24mm 28mm 35mm 50mm 70mm 34 Maximum distance of control: approx. 5m 1/12000-1/200 s. 0, 45, 60, 75, 90 Four AA-size batteries (Alkaline, Lithium) 68 x 122 x 89 mm 260 g 85mm 36 Direct through-the-lens (TTL) flash metering in all exposure modes.

The Colour Meter III F is a compact colour meter which measures both ambient and flash illumination. It has a 9 channel memory and displays measured values in LB and CC index, filter number and CC index, or photographic colour temperature to simplify the process of colour measurement and filtration.

Colour Meter II F I

Other Accessories
Minolta system accessories are designed to further complement and enhance the performance of your Dynax camera.

Eyepiece Corrector 1000

Eyepiece correctors adjust the viewfinder focus for varying degrees of hyperopia and myopia. Simply mount the eyepiece correctors on the finder to enable use without glasses. Nine strengths are available.

Slide Copy Unit 1000

This convenient unit can be quickly and easily coupled with the AF Macro Zoom 3X-1X lens for copying 35mm transparencies in mounts or strips. Magnifications up to 3X are easily set. Provision is made for easy attachment of the lighting unit of the Macro Flash 1200 AF as a transillumination source.

Magnifier VN

Ideal for close-up, macro, copying, and telephotography, this magnifier enlarges the viewfinder image approximately 2.3 times.

7D 7xi

800si 700si 600si

8000i 7000i 5000i 3000i

Wide Strap

Angle Finder VN

Used to look through the finder when the camera is in hard-to-view positions, including chest level or low angles. Can be rotated to view from the top, sides or back for copy photography. Selectable 1X or 2X magnification.

Dynax Wide Strap WS-1500

Usable with Dynax 9/7D/7/60/5/40/4/3L/800si/700si/600si/505si/500si/ 404si/303si/300si/9xi/7xi/5xi/3xi/2xi/SPxi/8000i/7000i/5000i/3000i.
Focusing Screen 9 (9) / Focusing Screen Type M* DM-9 Type ML* Type S
matte field with vertical/ horizontal scales

Type L

matte field with grid

Data Memory Back DM-9

Data Memory Back DM-9 can store up to 18 items of photographic data from each of 400 rolls of 36 exposure film on SmartMedia, and offers data imprinting on the outside of the film frame.

Focusing Screen 7

Quartz Data Back QD-9
Dynax Quartz Data Back 9 lets you imprint the date or time on your pictures. It gives you the choice of printing the data as day/month/year, month/day/year or year/month/day. You can also print the time of exposure in 24-hour time format. Data imprinting may also be turned off if you wish.

Type M

Type L

Type ML

Type S
Focusing Screens 9, 7D and 7/ Focusing Screens Eyepiece Cups EC-9 (9) / EC-1100 (7) / EC-1200 (5) / EC-1300 (60/4/3L) / EC-1400 (7D) EC-1000 (800si/700si/9xi/5xi) / EC-7xi (7xi)
Designed to prevent the entry of light from the viewfinder, these eyepiece cups are made of soft rubber to prevent damage to glasses. The standard Type G (acute-matte) focusing screen may be changed to Type M*1, Type ML*1 (Super-spherical acute matte), Type L (matte field with grid) or Type S*2 (matte field with vertical/horizontal scales) focusing screens. Only at any Konica Minolta Service Centre for the 7, 800si, 700si, 600si and 9xi.

Film Scanners

Konica Minolta invites you to experience the world of quality digital image creation, with its full lineup of high-performance film scanners.

DiMAGE Scan Elite 5400

Max.5400dpi input resolution Automatic image enhauncement with Digital ICETM, Pixel Polish and more Easy-to-adjust manual focus button High-speed USB 2.0 compatible Sophisticated design with slim body Quick Scan Button, and Easy Scan Utility equipped for the beginners
http://konicaminolta.com/dimage

DiMAGE Scan Multi PRO

Max. 4,800dpi input resolution 16bit A/D conversion and wide 4.8 dynamic range Wide film format compatibility Automatic image enhancement with Digital ICE3 TM technology Ultra SCSI and IEEE1394 (FireWire) interface Multi sample scanning Colour Matching

DiMAGE Scan Dual IV

Max.3200dpi input resolution Automatic image enhauncement with Digital ICETM, Pixel Polish and more Easy-to-adjust manual focus button High-speed USB 2.0 compatible Quick Scan Button, and Easy Scan Utility equipped for the beginners
Film Scanners Specifications
Usable Film Type DiMAGE Scan Multi PRO 35mm film Medium format film (120/220) 16mm film*, TEM film* *With the optional Multi Format Set 35mm film: 4,800dpi 120/220 film: 3,200dpi 16bits 4.8 Ultra SCSI IEEE1394 (FireWire) 168 x 128 x 377 mm DiMAGE Scan Elite 5400 35mm film DiMAGE Scan Dual IV 35mm film APS film
Optical Resolution A/D Conversion Dynamic Range Interface Dimensions (W x H x D)
5,400 dpi 16 bits 4.8 USB IEEE1394(FireWire) 65 x 163 x 360 mm
3,200 dpi 16 bits 4.8 USB 145 x 100 x 325 mm
*Specifications and accessories are based on the latest information available at the time of printing and are subject to change without notice. *All brand and product names are trademarks or registered trademarks of their respective owners.

Camera Cases

7/ 5/4/3L 60/40

CH-800SiL CH-800Si

CH-700SiL CH-700Si

CH-600SiL CH-600Si

505si SUPER/ 500si SUPER/ 505si/404si/303si 500si/300si
CH-301SiL CH-301Si CH-100L CH-100 CH-9xi

CH-7xi

CH-7xiL CH-5xi

CH-5xiL

3xi/2xi/SPxi

CS-700Si CH-3xi CH-3xiL

CS-700SN CS-700M CS-700L
AF 16/2.8 Fisheye AF 20/2.8 AF 24/2.8 AF 28/2 AF 28/2.8 AF 35/1.4 G AF 50/1.4 AF 50/1.7 AF 50/2.8 Macro AF 50/2.8 Macro (D) AF 50/3.5 Macro AF 100/2.8 Macro AF 100/2.8 Macro (D) AF 200/4 Macro AF 85/1.4 G AF 85/1.4 G (D) AF 100/2.8 SOFT FOCUS STF 135/2.8 [T5.6] AF 200/2.8 Apo G AF 300/2.8 Apo G (D) SSM AF 300/4 Apo G AF 400/4.5 Apo G AF Reflex 500/8 AF 600/4 Apo G AF 17-35/2.8-4 (D) NEW AF 17-35/3.5 G AF 20-35/3.5-4.5 AF 24-85/3.5-4.5 AF 24-105/3.5-4.5 (D) AF 28-70/2.8 G AF 28-75/2.8 (D) NEW AF 28-80/3.5-5.6 II AF 28-100/3.5-5.6 (D) AF 28-105/3.5-4.5 AF 35-80/4-5.6 II AF 70-200/2.8 Apo G (D) SSM AF 70-210/4.5-5.6 II AF 75-300/4.5-5.6 II AF 75-300/4.5-5.6 (D) AF 80-200/2.8 Apo G AF 100-300/4.5-5.6 Apo AF 100-300/4.5-5.6 Apo (D) AF 100-400/4.5-6.7 Apo * Consists of bottom cover and a front cover Specifications and accessories are based on the latest information available at the time of printing and are subject to change without notice.