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Konica Minolta Dynax 700SI


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Konica Minolta Dynax 700SIAbout Konica Minolta Dynax 700SI
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Konica Minolta Dynax 700SI Digital Camera, size: 1.7 MB
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Konica Minolta Dynax 700SI Annexe 1
Konica Minolta Dynax 700SI Annexe 2

 

Konica Minolta Dynax 700SI

 

 

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Comments to date: 1. Page 1 of 1. Average Rating:
djbrightman 1:16pm on Saturday, May 22nd, 2010 
I bought the 700si whilst living and working in Canada, I shot a lot of weddings at weekends and found the 700si to be a great tool. I have owned many Minolta Maxxums I collect them as a hobby. But the Minolta Dynax 700si is an awesome camera.

Comments posted on www.ps2netdrivers.net are solely the views and opinions of the people posting them and do not necessarily reflect the views or opinions of us.

 

Documents

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System Accessories

The most comprehensive lineup of advanced AF-SLR lenses and accessories.
Konica Minolta Photo Imaging, Inc. Shinjuku Nomura Bldg., 1-26-2 Nishishinjuku, Shinjuku-ku, Tokyo 163-0512, Japan

http://konicaminolta.com

This brochure is printed with soy ink for environmental preservation. 2004 Konica Minolta Photo Imaging, Inc. 9242-4510-81 O409(ME-E)-G1 Printed in Japan
TAKE YOUR BEST SHOT, WITH THE MINOLTA DYNAX SYSTEM
The Dynax System features Konica Minoltas most innovative optical technology in a full range of exceptional lenses and accessories. Each is designed for optimum power, flexibility and compactness, to further expand your photographic horizons.

AF Wideangle Lenses

AF Wideangle Lenses offer an increased depth-offield perspective not possible with the human eye. They are ideal for photographing large group shots, landscapes or architecture.

AF 28 mm f/2

With a large maximum aperture of f/2, this wideangle lens is the perfect choice for high-speed photography and when working in dark situations.
Maximum Close Focus: 0.3 m Maximum Magnification: 13/100 life-size

AF 16 mm f/2.8 Fisheye

This fisheye lens covers a full 180 degrees view, from corner to corner of the picture. Four filters (normal, 056, FLW, B12) are built in.
Maximum Close Focus: 0.2 m Maximum Magnification: 3/20 life-size

AF 28 mm f/2.8

One of the most popular lightweight wide-angle lenses, featuring a compact design for ideal portability and mobility. Equipped with a built-in hood.

AF 20 mm f/2.8

This ultra-wideangle lens has a rear-focusing floating optical system that ensures quick, precise autofocusing and virtually eliminates close-focus aberrations. Its seven-blade aperture produces a circular opening to provide round, natural background highlights.
Maximum Close Focus: 0.25 m Maximum Magnification: 13/100 life-size

AF 35 mm f/1.4 G

This lens features a large maximum aperture that produces exceptionally bright viewfinder images. And its aspherical element and rear-focusing system contribute to the superb sharpness and high contrast of the lens.
Maximum Close Focus: 0.3 m Maximum Magnification: 1/50 life-size

AF 24 mm f/2.8

Compact and lightweight, this ultra-wideangle lens provides fast and precise autofocusing while virtually eliminating close-focus aberrations with a rear-focusing floating optical system. The seven-blade aperture provides round, natural-looking highlights with its circular opening.
Maximum Close Focus: 0.25 m Maximum Magnification: 4/25 life-size

G-Series Lenses

SSM Lenses

AD Glass

Aspherical Lens
Circular 7- or 9 -Blade Aperture

AF Standard Lenses

AF Standard Lenses were designed to closely duplicate the natural angle of the human eye. Their versatility, wide-angle coverage, and unmatched cost performance make them the most popular lenses used.

AF Telephoto Lenses

Commonly used for sports photography and portraits, AF Telephoto Lenses help isolate your subject while affording you greater shooting distance from your subject.

(D) indicates the distance encoder system. When attached to the Dynax 7D, 7, 60, 5, 40, 4 or 3L, the D lens makes features such as ADI (Advance Distance Integration) flash metering possible with Program Flash 5600 HS(D), 3600 HS(D) and 2500(D), as well as with each respective camera's built-in flash.

AF 50mm f/1.4

AF 85 mm f/1.4 G (D)
This new versatile lens offers superior and simple focusing operation due to a wider focusing ring, a non-rotating focusing ring while in AF, and a focus-hold button. It's highly effective for portrait and indoor photography. The lens has a circular aperture and features the floating focusing system to give you beautiful defocused images as well as high-resolution images.
Maximum Close Focus: 0.85 m Maximum Magnification: 16/125 life-size

AF 50 mm f/1.4

With a bright f/1.4 aperture lens, this is the most popular standard lens used.
Maximum Close Focus: 0.45 m Maximum Magnification: 3/20 life-size
AF 100 mm f/2.8 SOFT FOCUS AF 50 mm f/1.7
A standard lens with outstanding cost performance for a wide range of situations. Built-in hood.
This unique lens sharply autofocuses your subject and provides a soft surrounding effect. This softening effect can be chosen at or between three settings. When the soft effect is set to 0, it can be used as a normal 100mm lens. It features a circular aperture for a more natural-looking background.
Maximum Close Focus: 0.8 m Maximum Magnification: 17/100 life-size

STF 135 mm f/2.8 [T4.5]*

The lens construction includes an apodization filter to achieve a natural shift from focused to defocused areas. As a result, the original outline of the subject remains clear, the images are provided with depth, and the subject is visually outstanding. The lens is also designed to minimize aberrations that deteriorate defocused image areas.
Maximum Close Focus: 0.87 m Maximum Magnification: 1/4 life-size *The T-number shows the brightness of light which actually passes through the lens and is collected onto the film. It is used instead of the F-number when using an STF lens. *Exclusive for manual focus use.

Maximum Close Focus: 0.35 m Maximum Magnification: 1/1 life-size

AF 50 mm f/2.8 Macro (D)

This standard Macro lens comes with a double-floating element focusing design, and focuses from infinity to a 1:1 magnification ratio without the aid of attachments. The seven-blade circular aperture produces a softer, more natural-looking background. A focus-hold button and focus-range limiter enhance focusing operations.
Maximum Close Focus: 0.2 m Maximum Magnification: 1/1 life-size

AF 50 mm f/3.5 Macro

Compact and lightweight, this lens features a floating element focusing design that virtually eliminates aberrations in closefocus situations. This lens allows you to focus from infinity to a 1:2 magnification ratio.
Maximum Close Focus: 0.23 m Maximum Magnification: 1/2 life-size

AF Zoom Lenses

Less is more with Konica Minolta AF Zoom Lenses. Compact and lightweight, plus the flexible and high performance characteristics of several lenses in one.
AF 200 mm f/4 Macro Apo G
The 200mm Telephoto Macro lens can focus from infinity to a 1:1 magnification ratio using no attachments. Excellent contrast is achieved by use of AD (Anomalous-Dispersion) glass. And the circular aperture provides a pleasing, natural defocusing effect. Comprehensive and absolute focus control is obtained with a detachable tripod-mounting collar, focus-hold button and a focus range-limiter. Moreover, the focusing ring is automatically deactivated while the camera is in AF mode.
Maximum Close Focus: 0.5 m Maximum Magnification: 1/1 life-size
AF 17-35mm f/2.8-4 (D) AF Macro Zoom 3X-1X f/1.7-2.8
This is the world's first and only AF lens able to operate in the 3X to 1X magnification range. It also provides motorized zooming and framing for quick set-up. This compact and lightweight 2X zoom covers a wide-angle range from 17 to 35mm. It features a maximum aperture of f/2.8, a short minimum focus distance of 30cm, and a circular aperture (7 aperture blades).
Maximum Close Focus: 0.3m Magnification: 1/5.4 life-size

AF mm f/3.5 G

This flexible zoom gives you the freedom to compose in the superwide angle ranges as close as 0.3 metres to your subject. With aspherical lenses and Anomalous-Dispersion (AD) glass you can be assured of sharp, distortion-free images throughout the field - even at maximum wide angle at full-open aperture.
Maximum Close Focus: 0.3 m Maximum Magnification: 17/100 life-size

AF 20-35 mm f/3.5-4.5

With this ultra-wide angle zoom lens, you can capture landscapes, architecture, or interior photography in narrow rooms. Aspherical elements within the lens let you take high-quality pictures, while keeping it light and compact.
Maximum Close Focus: 0.5 m Maximum Magnification: 2/25 life-size

AF 2870 mm f/2.8 G

This lens allows you to use a maximum aperture of f/2.8 at any focal length from 28 to 70mm. It also has a nine-bladed circular aperture that produces rounded, more natural background highlights, in addition to a moving mask that blocks flare-causing light at any focal length.
Maximum Close Focus: 0.85 m Maximum Magnification: 9/100 life-size

AF 2485 mm f/3.5-4.5

This lens provides high image quality by using two compound aspherical elements to reduce aberrations common at wide focal lengths. Its wide 3.5X zoom range includes an ultra-wide 24mm focal length.
Maximum Close Focus: 0.5 m Maximum Magnification: 17/100 life-size

AF 28-75mm f/2.8 (D)

The AF 28-75mm f/2.8 (D) lens gives you a great performance with a portable body. It employs a maximum aperture of f/2.8 at any focal length between 28 to 75mm. This lens also delivers a short minimum focus distance of 33cm at any focal length.
Maximum Close Focus: 0.33m Magnification: 1/3.9 life-size
AF 24105 mm f/3.5-4.5 (D)
This ultra-compact standard 4.3X zoom lens covers a range from 24mm wide angle to 105mm medium telephoto. Its widened focusing ring will not rotate while in AF. And the lens features a circular aperture and aspherical lenses for clear and vivid images, as well as beautiful defocusing effects.
Maximum Close Focus: 0.5 m Maximum Magnification: 182/1000 life-size
AF 28-80 mm f/3.5-5.6 (D) (Also available in black)
By using three, double-sided, aspherical lenses, you can now get an incredibly accurate image from an ultra-small, ultra-light standard zoom lens. This lens provides excellent macro capabilities, and by using a circular aperture, it also produces an attractive defocused image description.
Maximum Close Focus: 0.4 m Maximum Magnification: 10/41 life-size
AF 28-100mm f/3.5-5.6 (D) (Also available in black)
This compact and lightweight 3.5X standard zoom lens covers from a wide-angle focal length of 28mm to a telephoto focal length of 100mm. It delivers high image quality by employing a single aspheric element, as well as a circular aperture for attractive defocused images.

SSM (Supersonic-wave Motor) Lenses
The supersonic-wave motor uses the nature of piezo-electric element, which changes shape when voltage is applied. Compared to conventional DC motors, the supersonic-wave motor has characteristics that fit the lens drive, such as producing high torque from slow rotation and providing quick start and stop responses. By employing this motor, the SSM lenses provide ultra-quiet, ultra-smooth and superior AF operation.
AD (Anomalous Dispersion) glass decreases chromatic aberration more than normal optical glass, to prevent a decrease in resolving power which occurs when the focal length increases. The unique AD glass developed by Konica Minolta enables vivid reproductions when using large diameter telephoto lenses and telephoto zoom lenses.
AF 100-400 mm f/4.5-6.7 Apo
This ultra-telephoto features a light and compact 400mm zoom lens with wide-ranging 4X zoom. Two AD (AnomalousDispersion) glass elements correct chromatic aberrations, and the circular aperture provides natural-looking backgrounds.
Maximum Close Focus: 2.0 m Maximum Magnification: 1/4 life-size
Konica Minolta retains a distinct advantage in the use of aspherical optics. With ordinary spherical lenses, the focal point varies according to whether the incident light passes through the central or peripheral part of the lens, thus producing spherical aberration. While perfect compensation has never been achieved, and is particularly difficult to compensate for in large diameter lenses, decreasing the lens curve or combining dispersion lenses are methods commonly used in an attempt to compensate for spherical aberration. Konica Minoltas aspherical lenses are developed not only to correct spherical aberration in large diameter lenses, but also to take high Focal plane contrast images with less blotting Spherical lens effects while in the largest aperture. Konica Minoltas aspherical lenses are effective in correcting distortion while Focal plane using wide and standard zooms. Whats more, the use of aspherical lenses Aspherical lens decreases the total number of lenses required to produce a complete lens. This Spherical aberration of spherical technology has enabled Konica Minolta lenses and corrected images using aspherical lenses. to create more compact lenses.
Circular 7- or 9 - Blade Aperture
G-Series Lenses Aspherical Lens

SSM CIR

AD AD Glass SSM Lenses Circular 7- or 9 -Blade Aperture
The closer the aperture shape is to becoming a perfect circle, the more beautiful your defocused effect will be. Thats why Konica Minoltas specially-designed aperture blades produce a circular opening from their widest setting down 1.5 steps to help smooth a scenes out-of-focus areas. When you take a picture with sunlight shining through foliage, a picture at sunset or a picture of neon lights, the source of the light can be defocused beautifully. The number of aperture blades must be maximized to make the aperture as perfectly circular as possible. Conversely, each blade can be curved to produce a circular aperture, and thus a desired blurring effect.

Angle Of View

Standards, Telephotos, Wideangles, Macros and Zooms. They change the way your camera sees a scene. They provide you with the right degree of coverage for each photographic situation.

WIDEANGLE

STANDARD

MIDDLE TELEPHOTO

100 mm

135 mm

TELEPHOTO

200 mm

300 mm

600 mm

Perspective
Your lens choice affects the size, position and importance of a pictures subjects in relation to each other. The wider your wide angle lens is, the larger the difference in size your subjects foreground and background will be. Further, the larger the telephoto lens used, the more your foreground and background will overlap.

Depth-Of-Field

The choice of lens influences the area of sharp focus in front of, and/or behind the main subject. The wider your aperture, the shallower your depth-of-field will be. This will allow you to further defocus your background. Whats more, the narrower your aperture, the deeper your depth-of-field will be. This enables you to capture a clear shot of your subject, as well as your background.

85 mm 200 mm

f/5.6 f/16

AF Lens Specifications

Lens AF 16/2.8 Fisheye AF 20/2.8 AF 24/2.8 AF 28/2 AF 28/2.8 AF 35/1.4 G AF 50/1.4 AF 50/1.7 AF 85/1.4 G (D) AF 100/2.8 SOFT FOCUS STF 135/2.8 [T4.5] (5) AF 200/2.8 Apo G AF 300/2.8 Apo G (D) SSM (7) AF 300/4 Apo G AF 400/4.5 Apo G AF Reflex 500/8 (6) AF 600/4 Apo G AF 1.4X Tele Converter Apo (D) (3) AF 2X Tele Converter Apo (D) (4) AF 50/2.8 Macro (D) AF 50/3.5 Macro AF 100/2.8 Macro (D) AF 200/4 Macro Apo G AF Macro Zoom 3X-1X/1.7-2.8 AF 17-35/2.8-4 (D) NEW AF 17-35/3.5 G AF 20-35/3.5-4.5 AF 24-85/3.5-4.5 AF 24-105/3.5-4.5 (D) AF 28-70/2.8 G AF 28-75/2.8 (D) NEW AF 28-80/3.5-5.6 (D) AF 28-100/3.5-5.6 (D) AF 35-80/4-5.6 II AF 70-200/2.8 Apo G (D) SSM (7) AF 70-210/4.5-5.6 II AF 75-300/4.5-5.6 (D) AF 100-300/4.5-5.6 Apo (D) AF 100-400/4.5-6.7 Apo Elements/ Groups 11/8 10/9 8/8 9/9 5/5 10/8 7/6 6/5 7/6 7/7 8/6 8/7 13/12 9/7 9/7 7/5 10/9 5/4 6/5 7/6 5/5 8/8 13/8 7/5 14/11 15/12 13/11 14/12 12/11 16/11 16/14 8/7 10/8 8/8 19/16 10/10 13/10 11/10 14/11 Angle of View 28.410 3X: 8 x 12 mm (1), 1X: 24 x 36 mm (1) 7532 75-248.Minimum Focus 0.2 m 0.25 m 0.25 m 0.3 m 0.3 m 0.3 m 0.45 m 0.45 m 0.85 m 0.8 m 0.87 m 1.5 m 2.0 m 2.5 m 3.0 m 4.0 m 6.0 m 0.2 m 0.23 m 0.35 m 0.5 m Working Distance 3X: 25 mm, 1X:40 mm 0.3 m 0.3 m 0.5 m 0.5 m 0.5 m 0.85 m 0.33 m 0.4 m 0.48 m 0.38 m 1.2 m 1.1 m 1.5 m 1.5 m 2.0 m
G designates Konica Minolta's exclusive G-Lens Series. (D) indicates the distance encoder system. When attached to the Dynax 7D, 7, 60, 5, 40, 4 or 3L, the D lens makes features such as ADI (Advance Distance Integration) flash metering possible with Program Flash 5600 HS(D), 3600 HS(D) and 2500(D), as well as with each respective camera's built-in flash.

Minimum Aperture f/22 f/22 f/22 f/22 f/22 f/22 f/22 f/22 f/22 f/32 f/2.8 (T4.5)-31 (T32) f/32 f/32 f/32 f/32 f/32 f/32 f/32 f/32 f/32 3X: f/16, 1X: f/27 f/22-32 f/22 f/22-27 f/22-27 f/22-27 f/22 f/32 f/22-38 f/22-38 f/22-32 f/32 f/22-27 f/32-38 f/32-38 f/32-45
Filter (dia.) integral 72 mm 55 mm 55 mm 49 mm 55 mm 55 mm 49 mm 72 mm 55 mm mm integral 42 mm integral integral integral 55 mm 55 mm 55 mm 72 mm 72 mm mm mm mm mm mm mm mm mm mm mm mm mm mm mm
Dimensions (dia. x length) 75 x 66.5 mm 78 x 53.5 mm 65.5 x 44 mm 66.5 x 49.5 mm 65.5 x 42.5 mm 68 x 76 mm 65.5 x 43 mm 65.5 x 39 mm 81.5 x 72.5 mm 71.5 x 78 mm 80 x 99 mm 86 x 134 mm 122 x 242.5 mm 91 x 220.5 mm 109 x 275 mm 89 x 118 mm 169 x 449 mm 64 x 20 mm 64 x 43.5 mm 71.5 x 60 mm 66 x 55 mm 75 x 98.5 mm 79 x 195 mm 86 x 117 x 94.5 mm 83 x 88.5 mm 82.5 x 90.5 mm 77.5 x 69.5 mm 74 x 73 mm 71 x 69 mm 83 x 114.5 mm 73 x 94 mm 63 x 68 mm 66 x 78 mm 63 x 66 mm 87 x 196.5 mm 69.5 x 93 mm 71 x 122 mm 73.5 x 101.5 mm 79.5 x 149 mm
Weight 400 g 285 g 215 g 285 g 185 g 490 g 235 g 170 g 560 g 440 g 730 g 790 g 2,310 g 1,410 g 1,920 g 665 g 5,500 g 170 g 200 g 295 g 240 g 510 g 1,130 g 1,100 g 430 g 600 g 325 g 415 g 395 g 850 g 510 g 190 g 240 g 150 g 1,340 g 320 g 460 g 485 g 840 g
(1) Size of image that fills the film plane. (2) W x D x H. (3)(4) For use with AF 300/2.8 Apo G (D) SSM*1, AF 70-200/2.8 Apo G (D) SSM*1, AF 200/2.8 Apo G, AF 300/4 Apo G*2, AF 400/4.5 Apo G*2, AF 600/4 Apo G*2, AF 200/4 Macro Apo G*3, and STF 135/2.8 [T4.5]*3 lenses only. Autofocus cant be used in the following combinations: AF 1.4X / AF 2X Tele Converter Apo (D), lenses displaying this sign (*1) and camera models introduced before Dynax 7 (excluding the up-dated Dynax 9). AF 2X Tele Converter Apo (D) and lenses displaying this sign (*2). AF 1.4X / AF 2X Tele Converter Apo (D) and lenses displaying this sign (*3). (5) Manual focus only.
(6) When attached to the 3000i, 9000, 7000 and 5000, neither AF nor Focus Indicator can be used. Focusing must be manual. (7) Autofocus cannot be used in the following combinations: With the camera models introduced before the Dynax7 (excluding the updated Dynax 9). With the former tele converters AF 1.4X Tele Converter II Apo / AF 2X Tele Converter II Apo. Notice: When used with si- and xi-Series cameras, all AF lenses can be operated in either autofocus or manual focus mode. Expert Autozoom features cannot be used. The above specifications are determined based on Konica Minolta test standards. The specifications are based on the information available at the time of printing and are subject to change without notification. The colour of the products shown may differ slightly from the actual units due to the printing proccess.

Flashes

The versatility and flexibility of Konica Minoltas flash systems offer you a multitude of creative options. Experiment with light and shade using the high performance Program Flash 5600HS(D)/3600HS(D), or the compact and highly capable Program Flash 2500(D).

0-90 upward

(D) indicates the distance encoder system. It makes features such as ADI (Advanced Distance Integration) flash metering with the Dynax 7D, 7, 60, 5, 40, 4, 3L and D lenses, as well as DiMAGE A2, A1, 7Hi, 7i, 7 and 5.

Program Flash 3600HS(D)

New and improved features take the Program Flash 3600HS(D) to another level in lighting photography simplicity. This unit provides the maximum guide number of 36 in metres (at 85mm and ISO 100). It offers high-speed synchronization in all shutter speeds. And it is equipped with a built-in auxiliary light. It boasts improved flash-metering performance that reduces or eliminates the effects of background conditions, all from an ultra-compact body.

Program Flash 5600HS(D)

This newly-developed high powered flash enhances your indoor and night photographs. It offers a maximum guide number of 56 in metres (at 85mm and ISO 100). And it aligns to all speeds of the high-speed shutter. This, coupled with its compact design, increases its effectiveness and versatility as a System Accessory. Operability
The innovative bounce flash head conveniently tilts 10 degrees downward, 90 degrees upward, 90 degrees clockwise, and 180 degrees counter-clockwise for optimum freedom in composing your images.
0-90 upward 10 downward 90 clockwise 180 counter -clockwise

Program Flash 2500(D)

Introducing the newest member of the Program flash family the progressive Program Flash 2500(D) with a guide number of 25 in metres at ISO 100. It provides flash coverage for lenses as wide as 28mm. It also features an ADI (Advanced Distance Integration) flash metering and bounce flash head that effortlessly tilts 90 upward. Plus, this unit is compatible to both SLRs and digital still cameras for a complete flash performance in a compact flash package.

Program Flash 3600HS(D) Specifications
Exposure control Guide number Power (in metres) Wireless Flash Contorol High Speed Sync Flash (with 9) Bounce Vertical Power Sources Dimensions Weight (w/o batteries) 24mm 28mm 35mm 50mm 70mm 34 Maximum distance of control: approx. 5m 1/12000-1/200 s. 0, 45, 60, 75, 90 Four AA-size batteries (Alkaline, Lithium) 68 x 122 x 89 mm 260 g 85mm 36 Direct through-the-lens (TTL) flash metering in all exposure modes.
Program Flash 2500(D) Specifications
Exposure control Guide number Bounce Vertical Power Sources Recycling Time Battery type Recycling time (seconds) Number of flashes Dimensions Weight (w/o batteries) Direct through-the-lens (TTL) flash metering in all exposure modes. 25 in metres at ISO 100 0, 60, 90 Four AA-size batteries (Alkaline, Ni-MH Lithium) Alkaline Approx. 0.2-6 200-x 115 x 69 mm 190 g Ni-MH Approx. 0.2-5 200-4000 Lithium Approx. 0.2-6 500-10000

Program Flash 2000xi

The Program Flash 2000xi is a compact unit featuring simple operation. It features a 35mm angle of coverage and has a maximum guide number of 20 in metres at ISO 100. A wideangle adapter also provides flash coverage from 35mm down to 28mm.
Program Flash 2000xi Specifications
Exposure Control Guide Number (in metres) Power Source Recycling Time Dimensions Weight (w/o batteries) Direct through-the-lens (TTL) autoflash metering in all flash exposure modes. 20; 16 with wideangle adapter. Four AA-size 1.5 V alkaline-manganese batteries. 0.5-4 s. 67 x 61.5 x 92.5 mm 140 g

Flash Accessories Chart

Bounce Reflector V Set

4 Alkaline Batteries

Cable CD

5600HS(D)

Camera
Minolta Macro Ring Flash 1200 Minolta Macro Twin Flash 2400 Minolta Macro Flash Controller
The latest Macro flash line-up for Konica Minolta SLR AF cameras. The Twin Flash 2400 features flexible and ideal lighting for both macro nature photography and close-up shooting of small collectibles. The ring flash unit gives shadowless lighting which is ideal for macro medical and scientific photography. The Macro Flash Controller can be used with the Twin Flash 2400, as well as the Macro Flash 1200 without any attachment adapter.

Off-Camera Cable OC-1100

Triple Connector TC-1000

Cable EX

Exposure Control Guide Number single-burst flash conventional flash at ISO 100, in meters Power Level Power Source Recycling Time approx. Dimensions Macro Controller Twin Flash Unit Macro ring flash Weight (w/o batteries) Macro Controller Twin Flash Unit Macro Ring Flash *Wide-angle Adapter
Auto-electronic flash with direct TTL OTF flash metering Ring flash Twin flash power level flashtube flashtube flashtube flashtube flashtube flashtube w/adapter* w/diffuser 1/1 Selectable from seven levels (1/1, 1/2, 1/4, 1/8, 1/16, 1/32, 1/64) Alkaline Ni-MH Lithium 0.2-6 0.2-5 0.2-x 123 x 91 mm 43 x 41 x 37 mm 98 x 121 x 22 mm 245 g (w/o batteries) 30 g (w/o batteries) 120 g (w/o batteries)

8000i/ 5000i 3000i 7000i

5600 HS (D)

3600 HS (D)

2500 (D)

2000xi Macro Ring Flash Twin Flash
Program Reset Advanced Distance Integration Auto Zoom Ratio High Speed Sync Remote High Speed Sync Slow-shutter Sync Remote Off-camera Flash Modeling Multi-burst Manual Flash Control AF Illuminator Program Reset Advanced Distance Integration Auto Zoom Ratio High Speed Sync Remote High Speed Sync Slow-shutter Sync Remote Off-camera Flash AF Illuminator Advanced Distance Integration Ratio Slow-shutter Sync AF Illuminator Program Reset AF Illuminator Slow-shutter Sync Program Reset Slow-shutter Sync Modeling (4) Manual Flash Control

(6) (1) (6)

(3) (3)

Remote Flash Controller
(1) 4 segment flash metering (2) for 9xi wireless function is available only when used with 5600HS, 5400xi or the wireless remote controller (3) possible only with customised setting (4) only with twin flash (5) 9xi only (6) The zoom position is a slightly smaller focal length than when attached to the 35mm film SLR camera

Meters

Meter Accessories

Flash Meter VI

Konica Minolta brings a new dimension to integrated exposure meters with the Flash Meter VI. It provides unsurpassed balance and feel, as well as a large LCD readout, which displays incident or reflected-light Spot meter readings for ambient, flash or combinations with analysis of flash. Its unique Exposure Navigation System enables the displaying of the latitude of the final medium, while also displaying both incident and reflected-spot readings. This ensures that important details will be recorded as you envision them.
Viewfinder 5 degree Flat diffuser Reflected-Light Attachment II Mini Receptor Sync Cord III

Auto Meter V F

Auto Meter V F provides exposure analysis for flash measurements, showing the ratio of flash light to overall exposure. Additional easy-to-use functions that are included are the Brightness Difference function for adjusting lighting balance, the Memory With Analog Scale for previsualising results by measuring multiple points and the Calculation function for averaging stored measurements of biasing exposure readings for shadows or highlights.
The Colour Meter III F is a compact colour meter which measures both ambient and flash illumination. It has a 9 channel memory and displays measured values in LB and CC index, filter number and CC index, or photographic colour temperature to simplify the process of colour measurement and filtration.

Colour Meter II F I

Other Accessories
Minolta system accessories are designed to further complement and enhance the performance of your Dynax camera.

Eyepiece Corrector 1000

Eyepiece correctors adjust the viewfinder focus for varying degrees of hyperopia and myopia. Simply mount the eyepiece correctors on the finder to enable use without glasses. Nine strengths are available.

Slide Copy Unit 1000

This convenient unit can be quickly and easily coupled with the AF Macro Zoom 3X-1X lens for copying 35mm transparencies in mounts or strips. Magnifications up to 3X are easily set. Provision is made for easy attachment of the lighting unit of the Macro Flash 1200 AF as a transillumination source.

Magnifier VN

Ideal for close-up, macro, copying, and telephotography, this magnifier enlarges the viewfinder image approximately 2.3 times.

7D 7xi

800si 700si 600si

8000i 7000i 5000i 3000i

Wide Strap

Angle Finder VN

Used to look through the finder when the camera is in hard-to-view positions, including chest level or low angles. Can be rotated to view from the top, sides or back for copy photography. Selectable 1X or 2X magnification.

Dynax Wide Strap WS-1500

Usable with Dynax 9/7D/7/60/5/40/4/3L/800si/700si/600si/505si/500si/ 404si/303si/300si/9xi/7xi/5xi/3xi/2xi/SPxi/8000i/7000i/5000i/3000i.
Focusing Screen 9 (9) / Focusing Screen Type M* DM-9 Type ML* Type S
matte field with vertical/ horizontal scales

Type L

matte field with grid

Data Memory Back DM-9

Data Memory Back DM-9 can store up to 18 items of photographic data from each of 400 rolls of 36 exposure film on SmartMedia, and offers data imprinting on the outside of the film frame.

Focusing Screen 7

Quartz Data Back QD-9
Dynax Quartz Data Back 9 lets you imprint the date or time on your pictures. It gives you the choice of printing the data as day/month/year, month/day/year or year/month/day. You can also print the time of exposure in 24-hour time format. Data imprinting may also be turned off if you wish.

Type M

Type L

Type ML

Type S
Focusing Screens 9, 7D and 7/ Focusing Screens Eyepiece Cups EC-9 (9) / EC-1100 (7) / EC-1200 (5) / EC-1300 (60/4/3L) / EC-1400 (7D) EC-1000 (800si/700si/9xi/5xi) / EC-7xi (7xi)
Designed to prevent the entry of light from the viewfinder, these eyepiece cups are made of soft rubber to prevent damage to glasses. The standard Type G (acute-matte) focusing screen may be changed to Type M*1, Type ML*1 (Super-spherical acute matte), Type L (matte field with grid) or Type S*2 (matte field with vertical/horizontal scales) focusing screens. Only at any Konica Minolta Service Centre for the 7, 800si, 700si, 600si and 9xi.

*1 Focusing Screen 9, 7D and 7 only. *2 Not available for 7D.
800si 700si 600si 9xi 8000i 7000i

800si 700si

Vertical Control Grip VC-9 (9) / VC-7 (7) Data Saver DS-100
The Data Saver DS-100 expands the Dynax 7s photographic data memory capacity via SmartMedia* cards. The recorded information can then be viewed on the Dynax 7s Navigation Display or uploaded to a PC. SmartMedia* cards are available in 2/4MB (data for 400 rolls), 8/16MB (data for 900 rolls) and 32MB (data for 1900 rolls) capacity.
*SmartMedia is a registered trademark of Toshiba Corporation.
Specially designed for the 9 and 7, the multi-function grip lets you hold and use the camera vertically with the same ease the camera body gives you during horizontal operation. The grip allows you to use a choice of AA-size or lithium batteries to run the camera (the camera by itself accepts only lithium batteries).
Holding Straps HS-1 (9/7D/7) / HS-700 (800si/700si/600si) / HS-9xi (9xi) / HS-7xi (7xi)
These new straps help you maintain a firm grip on your Dynax camera in any holding position.
Accessory Shoe Cap SC-1000 (9/7D/7/60/5/40/4/3L/800si/700si/600si/505si /500si/404si/303si/5xi/3xi/2xi/SPxi) SC-7 (9xi/7000i) / SC7xi (7xi)
Used to protect the autolock accessory shoe on Dynax cameras.

9 303si

7D 9xi

60 5xi

40 2xi
800si 700si 600si 505si 500si 404si

SPxi 7000i

Vertical Control Grip VC-7D
This grip is made for the Dynax 7D to enhance its holding and operation when in a vertical position. An optional holding strap also gives you a more stable hold when in a horizontal position. The grip uses either 1 or two lithium-ion batteries, or 6 AA-size Ni-MH batteries which means youll have longer shooting time and more shooting opportunities.
Close-up Diffuser CD-1000
Attached to the cameras accessory shoe, the Close-up Diffuser provides soft lighting and helps produce natural close-up pictures with a builtin flash.
700si 600si 505si 500si 404si 303si

AA Battery Pack BP-200

This optional, external battery pack operates your camera with common AA-size batteries, so no matter where you are your Dynax 5, Dynax 4 and Dynax3L will always have power.
Remote Cord RC-1000 S (50cm)
Remote Cord RC-1000 L (5m)

Remote Cords RC-1000 S/L

Enables remote control of the shutter-release from a hidden location or apart from the camera to prevent blurring. Also provides remote autofocus control.

3L 9 7D 4 800si 700si 600si

7000i 5000i

Indicates 505si and 505si SUPER

Film Scanners

Konica Minolta invites you to experience the world of quality digital image creation, with its full lineup of high-performance film scanners.

DiMAGE Scan Elite 5400

Max.5400dpi input resolution Automatic image enhauncement with Digital ICETM, Pixel Polish and more Easy-to-adjust manual focus button High-speed USB 2.0 compatible Sophisticated design with slim body Quick Scan Button, and Easy Scan Utility equipped for the beginners
http://konicaminolta.com/dimage

DiMAGE Scan Multi PRO

Max. 4,800dpi input resolution 16bit A/D conversion and wide 4.8 dynamic range Wide film format compatibility Automatic image enhancement with Digital ICE3 TM technology Ultra SCSI and IEEE1394 (FireWire) interface Multi sample scanning Colour Matching

DiMAGE Scan Dual IV

Max.3200dpi input resolution Automatic image enhauncement with Digital ICETM, Pixel Polish and more Easy-to-adjust manual focus button High-speed USB 2.0 compatible Quick Scan Button, and Easy Scan Utility equipped for the beginners
Film Scanners Specifications
Usable Film Type DiMAGE Scan Multi PRO 35mm film Medium format film (120/220) 16mm film*, TEM film* *With the optional Multi Format Set 35mm film: 4,800dpi 120/220 film: 3,200dpi 16bits 4.8 Ultra SCSI IEEE1394 (FireWire) 168 x 128 x 377 mm DiMAGE Scan Elite 5400 35mm film DiMAGE Scan Dual IV 35mm film APS film
Optical Resolution A/D Conversion Dynamic Range Interface Dimensions (W x H x D)
5,400 dpi 16 bits 4.8 USB IEEE1394(FireWire) 65 x 163 x 360 mm
3,200 dpi 16 bits 4.8 USB 145 x 100 x 325 mm
*Specifications and accessories are based on the latest information available at the time of printing and are subject to change without notice. *All brand and product names are trademarks or registered trademarks of their respective owners.

Camera Cases

7/ 5/4/3L 60/40

CH-800SiL CH-800Si

CH-700SiL CH-700Si

CH-600SiL CH-600Si

505si SUPER/ 500si SUPER/ 505si/404si/303si 500si/300si
CH-301SiL CH-301Si CH-100L CH-100 CH-9xi

CH-7xi

CH-7xiL CH-5xi

CH-5xiL

3xi/2xi/SPxi

CS-700Si CH-3xi CH-3xiL

CS-700SN CS-700M CS-700L
AF 16/2.8 Fisheye AF 20/2.8 AF 24/2.8 AF 28/2 AF 28/2.8 AF 35/1.4 G AF 50/1.4 AF 50/1.7 AF 50/2.8 Macro AF 50/2.8 Macro (D) AF 50/3.5 Macro AF 100/2.8 Macro AF 100/2.8 Macro (D) AF 200/4 Macro AF 85/1.4 G AF 85/1.4 G (D) AF 100/2.8 SOFT FOCUS STF 135/2.8 [T5.6] AF 200/2.8 Apo G AF 300/2.8 Apo G (D) SSM AF 300/4 Apo G AF 400/4.5 Apo G AF Reflex 500/8 AF 600/4 Apo G AF 17-35/2.8-4 (D) NEW AF 17-35/3.5 G AF 20-35/3.5-4.5 AF 24-85/3.5-4.5 AF 24-105/3.5-4.5 (D) AF 28-70/2.8 G AF 28-75/2.8 (D) NEW AF 28-80/3.5-5.6 II AF 28-100/3.5-5.6 (D) AF 28-105/3.5-4.5 AF 35-80/4-5.6 II AF 70-200/2.8 Apo G (D) SSM AF 70-210/4.5-5.6 II AF 75-300/4.5-5.6 II AF 75-300/4.5-5.6 (D) AF 80-200/2.8 Apo G AF 100-300/4.5-5.6 Apo AF 100-300/4.5-5.6 Apo (D) AF 100-400/4.5-6.7 Apo * Consists of bottom cover and a front cover Specifications and accessories are based on the latest information available at the time of printing and are subject to change without notice.

 

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