System Accessories
The most comprehensive lineup of advanced AF-SLR lenses and accessories.
Konica Minolta Photo Imaging, Inc. Shinjuku Nomura Bldg., 1-26-2 Nishishinjuku, Shinjuku-ku, Tokyo 163-0512, Japan

http://konicaminolta.com

This brochure is printed with soy ink for environmental preservation. 2004 Konica Minolta Photo Imaging, Inc. 9242-4510-81 O409(ME-E)-G1 Printed in Japan
TAKE YOUR BEST SHOT, WITH THE MINOLTA DYNAX SYSTEM
The Dynax System features Konica Minoltas most innovative optical technology in a full range of exceptional lenses and accessories. Each is designed for optimum power, flexibility and compactness, to further expand your photographic horizons.

AF Wideangle Lenses

AF Wideangle Lenses offer an increased depth-offield perspective not possible with the human eye. They are ideal for photographing large group shots, landscapes or architecture.

AF 28 mm f/2

With a large maximum aperture of f/2, this wideangle lens is the perfect choice for high-speed photography and when working in dark situations.
Maximum Close Focus: 0.3 m Maximum Magnification: 13/100 life-size

AF 16 mm f/2.8 Fisheye

This fisheye lens covers a full 180 degrees view, from corner to corner of the picture. Four filters (normal, 056, FLW, B12) are built in.
Maximum Close Focus: 0.2 m Maximum Magnification: 3/20 life-size

AF 28 mm f/2.8

One of the most popular lightweight wide-angle lenses, featuring a compact design for ideal portability and mobility. Equipped with a built-in hood.

AF 20 mm f/2.8

This ultra-wideangle lens has a rear-focusing floating optical system that ensures quick, precise autofocusing and virtually eliminates close-focus aberrations. Its seven-blade aperture produces a circular opening to provide round, natural background highlights.
Maximum Close Focus: 0.25 m Maximum Magnification: 13/100 life-size

AF 35 mm f/1.4 G

This lens features a large maximum aperture that produces exceptionally bright viewfinder images. And its aspherical element and rear-focusing system contribute to the superb sharpness and high contrast of the lens.
Maximum Close Focus: 0.3 m Maximum Magnification: 1/50 life-size

AF 24 mm f/2.8

Compact and lightweight, this ultra-wideangle lens provides fast and precise autofocusing while virtually eliminating close-focus aberrations with a rear-focusing floating optical system. The seven-blade aperture provides round, natural-looking highlights with its circular opening.
Maximum Close Focus: 0.25 m Maximum Magnification: 4/25 life-size

G-Series Lenses

SSM Lenses

AD Glass

Aspherical Lens
Circular 7- or 9 -Blade Aperture

AF Standard Lenses

AF Standard Lenses were designed to closely duplicate the natural angle of the human eye. Their versatility, wide-angle coverage, and unmatched cost performance make them the most popular lenses used.

AF Telephoto Lenses

Commonly used for sports photography and portraits, AF Telephoto Lenses help isolate your subject while affording you greater shooting distance from your subject.
(D) indicates the distance encoder system. When attached to the Dynax 7D, 7, 60, 5, 40, 4 or 3L, the D lens makes features such as ADI (Advance Distance Integration) flash metering possible with Program Flash 5600 HS(D), 3600 HS(D) and 2500(D), as well as with each respective camera's built-in flash.

AF 50mm f/1.4

AF 85 mm f/1.4 G (D)
This new versatile lens offers superior and simple focusing operation due to a wider focusing ring, a non-rotating focusing ring while in AF, and a focus-hold button. It's highly effective for portrait and indoor photography. The lens has a circular aperture and features the floating focusing system to give you beautiful defocused images as well as high-resolution images.
Maximum Close Focus: 0.85 m Maximum Magnification: 16/125 life-size

AF 50 mm f/1.4

With a bright f/1.4 aperture lens, this is the most popular standard lens used.
Maximum Close Focus: 0.45 m Maximum Magnification: 3/20 life-size
AF 100 mm f/2.8 SOFT FOCUS AF 50 mm f/1.7
A standard lens with outstanding cost performance for a wide range of situations. Built-in hood.
This unique lens sharply autofocuses your subject and provides a soft surrounding effect. This softening effect can be chosen at or between three settings. When the soft effect is set to 0, it can be used as a normal 100mm lens. It features a circular aperture for a more natural-looking background.
Maximum Close Focus: 0.8 m Maximum Magnification: 17/100 life-size

STF 135 mm f/2.8 [T4.5]*

The lens construction includes an apodization filter to achieve a natural shift from focused to defocused areas. As a result, the original outline of the subject remains clear, the images are provided with depth, and the subject is visually outstanding. The lens is also designed to minimize aberrations that deteriorate defocused image areas.
Maximum Close Focus: 0.87 m Maximum Magnification: 1/4 life-size *The T-number shows the brightness of light which actually passes through the lens and is collected onto the film. It is used instead of the F-number when using an STF lens. *Exclusive for manual focus use.

AF 200 mm f/2.8 Apo G

This compact mid-telephoto lens uses AD (AnomalousDispersion) glass elements which provide apochromatic correction for top-quality images. In addition, its large maximum aperture enables shooting in low-light situations and its inner autofocusing element provides fast, precise focus adjustment. A focus-hold button is conveniently located on the side of the lens barrel, and adjusting the focusing range is easily done using the focusing range ring.

AF Reflex 500 mm f/8

The worlds first compact and lightweight autofocus reflex-type telephoto lens. A convenient built-in focus-hold button is located on the side of the lens barrel for quick and sure operation. It can also be used on the Dynax 3000i, 9000, 7000, and 5000 in manualfocusing mode (autofocusing and focus indicator will not function).
Maximum Close Focus: 4.0 m Maximum Magnification: 13/100 life-size

AF Macro Lenses

AF Macro Lenses are for people who enjoy close-up photography. These lenses allow you to take life-size pictures without having to use additional equipment, thus offering a new world of photographic possibilities.
AF 100 mm f/2.8 Macro (D)
This new medium telephoto Macro lens is capable of continuous shooting from infinity to 1:1 magnification ratio without the aid of attachments. The advanced focus ring has been widened and will not rotate while in AF. The lens is equipped with a focus-hold button and focus-range limiter for reduced focusing time and improved operation. Plus, it has a circular aperture, and utilizes a doublefloating element focusing design. It is ideal for macro shots of foliage, small wildlife, portraits and scenic photography.
Maximum Close Focus: 0.35 m Maximum Magnification: 1/1 life-size

AF 50 mm f/2.8 Macro (D)

This standard Macro lens comes with a double-floating element focusing design, and focuses from infinity to a 1:1 magnification ratio without the aid of attachments. The seven-blade circular aperture produces a softer, more natural-looking background. A focus-hold button and focus-range limiter enhance focusing operations.
Maximum Close Focus: 0.2 m Maximum Magnification: 1/1 life-size

AF 50 mm f/3.5 Macro

Compact and lightweight, this lens features a floating element focusing design that virtually eliminates aberrations in closefocus situations. This lens allows you to focus from infinity to a 1:2 magnification ratio.
Maximum Close Focus: 0.23 m Maximum Magnification: 1/2 life-size

AF Zoom Lenses

Less is more with Konica Minolta AF Zoom Lenses. Compact and lightweight, plus the flexible and high performance characteristics of several lenses in one.
AF 200 mm f/4 Macro Apo G
The 200mm Telephoto Macro lens can focus from infinity to a 1:1 magnification ratio using no attachments. Excellent contrast is achieved by use of AD (Anomalous-Dispersion) glass. And the circular aperture provides a pleasing, natural defocusing effect. Comprehensive and absolute focus control is obtained with a detachable tripod-mounting collar, focus-hold button and a focus range-limiter. Moreover, the focusing ring is automatically deactivated while the camera is in AF mode.

Maximum Close Focus: 0.5 m Maximum Magnification: 1/1 life-size
AF 17-35mm f/2.8-4 (D) AF Macro Zoom 3X-1X f/1.7-2.8
This is the world's first and only AF lens able to operate in the 3X to 1X magnification range. It also provides motorized zooming and framing for quick set-up. This compact and lightweight 2X zoom covers a wide-angle range from 17 to 35mm. It features a maximum aperture of f/2.8, a short minimum focus distance of 30cm, and a circular aperture (7 aperture blades).
Maximum Close Focus: 0.3m Magnification: 1/5.4 life-size

AF mm f/3.5 G

This flexible zoom gives you the freedom to compose in the superwide angle ranges as close as 0.3 metres to your subject. With aspherical lenses and Anomalous-Dispersion (AD) glass you can be assured of sharp, distortion-free images throughout the field - even at maximum wide angle at full-open aperture.
Maximum Close Focus: 0.3 m Maximum Magnification: 17/100 life-size

AF 20-35 mm f/3.5-4.5

With this ultra-wide angle zoom lens, you can capture landscapes, architecture, or interior photography in narrow rooms. Aspherical elements within the lens let you take high-quality pictures, while keeping it light and compact.
Maximum Close Focus: 0.5 m Maximum Magnification: 2/25 life-size

AF 2870 mm f/2.8 G

This lens allows you to use a maximum aperture of f/2.8 at any focal length from 28 to 70mm. It also has a nine-bladed circular aperture that produces rounded, more natural background highlights, in addition to a moving mask that blocks flare-causing light at any focal length.
Maximum Close Focus: 0.85 m Maximum Magnification: 9/100 life-size

AF 2485 mm f/3.5-4.5

This lens provides high image quality by using two compound aspherical elements to reduce aberrations common at wide focal lengths. Its wide 3.5X zoom range includes an ultra-wide 24mm focal length.
Maximum Close Focus: 0.5 m Maximum Magnification: 17/100 life-size

AF 28-75mm f/2.8 (D)

The AF 28-75mm f/2.8 (D) lens gives you a great performance with a portable body. It employs a maximum aperture of f/2.8 at any focal length between 28 to 75mm. This lens also delivers a short minimum focus distance of 33cm at any focal length.
Maximum Close Focus: 0.33m Magnification: 1/3.9 life-size
AF 24105 mm f/3.5-4.5 (D)
This ultra-compact standard 4.3X zoom lens covers a range from 24mm wide angle to 105mm medium telephoto. Its widened focusing ring will not rotate while in AF. And the lens features a circular aperture and aspherical lenses for clear and vivid images, as well as beautiful defocusing effects.

Maximum Close Focus: 0.5 m Maximum Magnification: 182/1000 life-size
AF 28-80 mm f/3.5-5.6 (D) (Also available in black)
By using three, double-sided, aspherical lenses, you can now get an incredibly accurate image from an ultra-small, ultra-light standard zoom lens. This lens provides excellent macro capabilities, and by using a circular aperture, it also produces an attractive defocused image description.
Maximum Close Focus: 0.4 m Maximum Magnification: 10/41 life-size
AF 28-100mm f/3.5-5.6 (D) (Also available in black)
This compact and lightweight 3.5X standard zoom lens covers from a wide-angle focal length of 28mm to a telephoto focal length of 100mm. It delivers high image quality by employing a single aspheric element, as well as a circular aperture for attractive defocused images.
Maximum Close Focus: 0.48 m Maximum Magnification: 1/4 life-size
AF 70-200mm f/2.8 Apo G (D) SSM
This lens uses 4 high-quality AD (anomalous dispersion) lenses that deliver outstanding sharpness to focused images. A circular aperture (9 aperture blades) is featured to give you smooth defocused images from the lens' widest aperture setting. This new lens also delivers the shortest minimum focus distance in its class. You get Direct Manual Focus as well as a Focus Range Limiter and 3-Focus hold buttons for greater control. What's more, its Supersonic Wave Motor guarantees you'll receive smooth, quiet AF operation.
Autofocus cannot be used with the camera models introduced before the Dynax 7 (excluding the updated Dynax 9). Available functions depend on lens and body combination. Maximum Close Focus: 1.2 m Maximum Magnification: 21/100 life-size
AF 35-80 mm f/4-5.6 II (Also available in Silver)
Though slim, this standard 2.3X zoom delivers excellent picture quality. This lens is suitable for simple snapshots, vacation photos, as well as portraits with high definition.
Maximum Close Focus: 0.38 m Maximum Magnification: 1/4 life-size
AF 70-210 mm f/4.5-5.6 I I
Our unique double-telephoto design makes this lens extremely compact and lightweight. It is ideal for portraits and travel shots.
Maximum Close Focus: 1.1 m Maximum Magnification: 13/50 life-size
AF 75-300 mm f/4.5-5.6 (D) (Also available in black)
This 4X zoom lens offers extremely wide coverage from short telephoto to full 300mm telephoto with image quality. It also utilises a circular aperture for beautiful image definition.

Maximum Close Focus: 2.0 m Maximum Magnification: 1/4 life-size
Konica Minolta retains a distinct advantage in the use of aspherical optics. With ordinary spherical lenses, the focal point varies according to whether the incident light passes through the central or peripheral part of the lens, thus producing spherical aberration. While perfect compensation has never been achieved, and is particularly difficult to compensate for in large diameter lenses, decreasing the lens curve or combining dispersion lenses are methods commonly used in an attempt to compensate for spherical aberration. Konica Minoltas aspherical lenses are developed not only to correct spherical aberration in large diameter lenses, but also to take high Focal plane contrast images with less blotting Spherical lens effects while in the largest aperture. Konica Minoltas aspherical lenses are effective in correcting distortion while Focal plane using wide and standard zooms. Whats more, the use of aspherical lenses Aspherical lens decreases the total number of lenses required to produce a complete lens. This Spherical aberration of spherical technology has enabled Konica Minolta lenses and corrected images using aspherical lenses. to create more compact lenses.
Circular 7- or 9 - Blade Aperture
G-Series Lenses Aspherical Lens

SSM CIR

AD AD Glass SSM Lenses Circular 7- or 9 -Blade Aperture
The closer the aperture shape is to becoming a perfect circle, the more beautiful your defocused effect will be. Thats why Konica Minoltas specially-designed aperture blades produce a circular opening from their widest setting down 1.5 steps to help smooth a scenes out-of-focus areas. When you take a picture with sunlight shining through foliage, a picture at sunset or a picture of neon lights, the source of the light can be defocused beautifully. The number of aperture blades must be maximized to make the aperture as perfectly circular as possible. Conversely, each blade can be curved to produce a circular aperture, and thus a desired blurring effect.

Angle Of View

Standards, Telephotos, Wideangles, Macros and Zooms. They change the way your camera sees a scene. They provide you with the right degree of coverage for each photographic situation.

WIDEANGLE

STANDARD

MIDDLE TELEPHOTO

100 mm

135 mm

TELEPHOTO

200 mm

300 mm

600 mm

Perspective
Your lens choice affects the size, position and importance of a pictures subjects in relation to each other. The wider your wide angle lens is, the larger the difference in size your subjects foreground and background will be. Further, the larger the telephoto lens used, the more your foreground and background will overlap.

Depth-Of-Field

The choice of lens influences the area of sharp focus in front of, and/or behind the main subject. The wider your aperture, the shallower your depth-of-field will be. This will allow you to further defocus your background. Whats more, the narrower your aperture, the deeper your depth-of-field will be. This enables you to capture a clear shot of your subject, as well as your background.

85 mm 200 mm

f/5.6 f/16

AF Lens Specifications

Lens AF 16/2.8 Fisheye AF 20/2.8 AF 24/2.8 AF 28/2 AF 28/2.8 AF 35/1.4 G AF 50/1.4 AF 50/1.7 AF 85/1.4 G (D) AF 100/2.8 SOFT FOCUS STF 135/2.8 [T4.5] (5) AF 200/2.8 Apo G AF 300/2.8 Apo G (D) SSM (7) AF 300/4 Apo G AF 400/4.5 Apo G AF Reflex 500/8 (6) AF 600/4 Apo G AF 1.4X Tele Converter Apo (D) (3) AF 2X Tele Converter Apo (D) (4) AF 50/2.8 Macro (D) AF 50/3.5 Macro AF 100/2.8 Macro (D) AF 200/4 Macro Apo G AF Macro Zoom 3X-1X/1.7-2.8 AF 17-35/2.8-4 (D) NEW AF 17-35/3.5 G AF 20-35/3.5-4.5 AF 24-85/3.5-4.5 AF 24-105/3.5-4.5 (D) AF 28-70/2.8 G AF 28-75/2.8 (D) NEW AF 28-80/3.5-5.6 (D) AF 28-100/3.5-5.6 (D) AF 35-80/4-5.6 II AF 70-200/2.8 Apo G (D) SSM (7) AF 70-210/4.5-5.6 II AF 75-300/4.5-5.6 (D) AF 100-300/4.5-5.6 Apo (D) AF 100-400/4.5-6.7 Apo Elements/ Groups 11/8 10/9 8/8 9/9 5/5 10/8 7/6 6/5 7/6 7/7 8/6 8/7 13/12 9/7 9/7 7/5 10/9 5/4 6/5 7/6 5/5 8/8 13/8 7/5 14/11 15/12 13/11 14/12 12/11 16/11 16/14 8/7 10/8 8/8 19/16 10/10 13/10 11/10 14/11 Angle of View 28.410 3X: 8 x 12 mm (1), 1X: 24 x 36 mm (1) 7532 75-248.Minimum Focus 0.2 m 0.25 m 0.25 m 0.3 m 0.3 m 0.3 m 0.45 m 0.45 m 0.85 m 0.8 m 0.87 m 1.5 m 2.0 m 2.5 m 3.0 m 4.0 m 6.0 m 0.2 m 0.23 m 0.35 m 0.5 m Working Distance 3X: 25 mm, 1X:40 mm 0.3 m 0.3 m 0.5 m 0.5 m 0.5 m 0.85 m 0.33 m 0.4 m 0.48 m 0.38 m 1.2 m 1.1 m 1.5 m 1.5 m 2.0 m

G designates Konica Minolta's exclusive G-Lens Series. (D) indicates the distance encoder system. When attached to the Dynax 7D, 7, 60, 5, 40, 4 or 3L, the D lens makes features such as ADI (Advance Distance Integration) flash metering possible with Program Flash 5600 HS(D), 3600 HS(D) and 2500(D), as well as with each respective camera's built-in flash.
Minimum Aperture f/22 f/22 f/22 f/22 f/22 f/22 f/22 f/22 f/22 f/32 f/2.8 (T4.5)-31 (T32) f/32 f/32 f/32 f/32 f/32 f/32 f/32 f/32 f/32 3X: f/16, 1X: f/27 f/22-32 f/22 f/22-27 f/22-27 f/22-27 f/22 f/32 f/22-38 f/22-38 f/22-32 f/32 f/22-27 f/32-38 f/32-38 f/32-45
Filter (dia.) integral 72 mm 55 mm 55 mm 49 mm 55 mm 55 mm 49 mm 72 mm 55 mm mm integral 42 mm integral integral integral 55 mm 55 mm 55 mm 72 mm 72 mm mm mm mm mm mm mm mm mm mm mm mm mm mm mm
Dimensions (dia. x length) 75 x 66.5 mm 78 x 53.5 mm 65.5 x 44 mm 66.5 x 49.5 mm 65.5 x 42.5 mm 68 x 76 mm 65.5 x 43 mm 65.5 x 39 mm 81.5 x 72.5 mm 71.5 x 78 mm 80 x 99 mm 86 x 134 mm 122 x 242.5 mm 91 x 220.5 mm 109 x 275 mm 89 x 118 mm 169 x 449 mm 64 x 20 mm 64 x 43.5 mm 71.5 x 60 mm 66 x 55 mm 75 x 98.5 mm 79 x 195 mm 86 x 117 x 94.5 mm 83 x 88.5 mm 82.5 x 90.5 mm 77.5 x 69.5 mm 74 x 73 mm 71 x 69 mm 83 x 114.5 mm 73 x 94 mm 63 x 68 mm 66 x 78 mm 63 x 66 mm 87 x 196.5 mm 69.5 x 93 mm 71 x 122 mm 73.5 x 101.5 mm 79.5 x 149 mm
Weight 400 g 285 g 215 g 285 g 185 g 490 g 235 g 170 g 560 g 440 g 730 g 790 g 2,310 g 1,410 g 1,920 g 665 g 5,500 g 170 g 200 g 295 g 240 g 510 g 1,130 g 1,100 g 430 g 600 g 325 g 415 g 395 g 850 g 510 g 190 g 240 g 150 g 1,340 g 320 g 460 g 485 g 840 g
(1) Size of image that fills the film plane. (2) W x D x H. (3)(4) For use with AF 300/2.8 Apo G (D) SSM*1, AF 70-200/2.8 Apo G (D) SSM*1, AF 200/2.8 Apo G, AF 300/4 Apo G*2, AF 400/4.5 Apo G*2, AF 600/4 Apo G*2, AF 200/4 Macro Apo G*3, and STF 135/2.8 [T4.5]*3 lenses only. Autofocus cant be used in the following combinations: AF 1.4X / AF 2X Tele Converter Apo (D), lenses displaying this sign (*1) and camera models introduced before Dynax 7 (excluding the up-dated Dynax 9). AF 2X Tele Converter Apo (D) and lenses displaying this sign (*2). AF 1.4X / AF 2X Tele Converter Apo (D) and lenses displaying this sign (*3). (5) Manual focus only.
(6) When attached to the 3000i, 9000, 7000 and 5000, neither AF nor Focus Indicator can be used. Focusing must be manual. (7) Autofocus cannot be used in the following combinations: With the camera models introduced before the Dynax7 (excluding the updated Dynax 9). With the former tele converters AF 1.4X Tele Converter II Apo / AF 2X Tele Converter II Apo. Notice: When used with si- and xi-Series cameras, all AF lenses can be operated in either autofocus or manual focus mode. Expert Autozoom features cannot be used. The above specifications are determined based on Konica Minolta test standards. The specifications are based on the information available at the time of printing and are subject to change without notification. The colour of the products shown may differ slightly from the actual units due to the printing proccess.

Flashes

The versatility and flexibility of Konica Minoltas flash systems offer you a multitude of creative options. Experiment with light and shade using the high performance Program Flash 5600HS(D)/3600HS(D), or the compact and highly capable Program Flash 2500(D).

0-90 upward

(D) indicates the distance encoder system. It makes features such as ADI (Advanced Distance Integration) flash metering with the Dynax 7D, 7, 60, 5, 40, 4, 3L and D lenses, as well as DiMAGE A2, A1, 7Hi, 7i, 7 and 5.

Program Flash 3600HS(D)

New and improved features take the Program Flash 3600HS(D) to another level in lighting photography simplicity. This unit provides the maximum guide number of 36 in metres (at 85mm and ISO 100). It offers high-speed synchronization in all shutter speeds. And it is equipped with a built-in auxiliary light. It boasts improved flash-metering performance that reduces or eliminates the effects of background conditions, all from an ultra-compact body.

Program Flash 5600HS(D)

This newly-developed high powered flash enhances your indoor and night photographs. It offers a maximum guide number of 56 in metres (at 85mm and ISO 100). And it aligns to all speeds of the high-speed shutter. This, coupled with its compact design, increases its effectiveness and versatility as a System Accessory. Operability
The innovative bounce flash head conveniently tilts 10 degrees downward, 90 degrees upward, 90 degrees clockwise, and 180 degrees counter-clockwise for optimum freedom in composing your images.
0-90 upward 10 downward 90 clockwise 180 counter -clockwise

Program Flash 2500(D)

Introducing the newest member of the Program flash family the progressive Program Flash 2500(D) with a guide number of 25 in metres at ISO 100. It provides flash coverage for lenses as wide as 28mm. It also features an ADI (Advanced Distance Integration) flash metering and bounce flash head that effortlessly tilts 90 upward. Plus, this unit is compatible to both SLRs and digital still cameras for a complete flash performance in a compact flash package.
High-Speed Sync (HSS) (5600HS(D)/3600HS(D))
High-Speed Sync synchronizes with all shutter speeds. This function is greatly helpful when taking a portrait picture with day-light sync. *Wireless/remote high-speed synchronization allows off-camera flash control at all shutter speeds. The wireless design makes setup fast and easy for dramatic and beautiful flash results in any lighting situation.
*Effective only when used with the Dynax 9, 7D, 7, 60, or 5.
Program Flash 5600HS(D) Specifications
Exposure control Guide number Power (in metres) AF illuminator range Manual Power level Setting Wireless Flash Contorol High Speed Sync Flash (with 9): Modelling Flash 17mm 24mm 28mm 35mm 50mm 70mm 85mm 32 0.5m-10m based on Konica Minoltas standard testing procedures using a 24mm lens. Power level; 1/1, 1/2, 1/4, 1/8, 1/16, 1/32 Maximum distance of control: approx. 5m 1/12000-1/200 s. Direct through-the-lens (TTL) flash metering in all exposure modes; manual flash control selectable.

A multiple flash mounting accessory to connect up to three Program Flashes* to the camera. The Program Flash 3600HS(D)/2500(D) 3500xi/2000xi/3200i/2000i are connected to the TC-1000 with a OS-1100 off-camera shoe and an extension cable. The 5600HS(D)/5400HS/5400xi/ 5200i are connected with an extension cable.

*Except for D-314i/316i

To use the Program Flash 5600HS(D)/3600HS(D)/2500(D) or other xi-/i- Series Program Flash separated from the camera, mount the flash on the OS-1100 and connect the flash and camera with the off-camera cable OC-1100.
Bounce Reflector II set I (5400HS/5400xi/5200i) / IV set (3500xi) V set (5600HS(D), 3600HS(D))
External Battery Pack EP-2
The ultra-compact and portable external battery pack is compatible with the Program Flash 5600HS(D). The unit requires the use of 6 AA size batteries.
This compact accessory attaches to the Program Flash 5600HS(D), 3600HS(D)/5400HS/5400xi, 5200i or 3500xi and provides a desirable bounce surface for a soft, natural effect, even outdoors. The direct TTL autoflash metering controls flash duration for proper exposure.
Used in combination with the off-camera shoe OS-1100 to use the Program Flash 3600HS(D)/2500(D)/3500xi/2000xi/3200i/2000i removed from the camera body, or can be used by itself to connect the Program Flash 5600HS(D), 5400HS, 5400xi or 5200i directly to the camera. Since the flash can be positioned at any angle to the subject, special light-dark contrast effects, close-up photography, and precise control of the lighting balance are possible.

Macro Flash Adapter Ring

A convenient ring that allows you to attach the AF Apo Tele-Macro 200mm f/4 G to the Macro Flash 1200 AF SET (N).
Flash Compatibility With AF Cameras

FL ASH FEATURE 9 7D 4 3L

800si/ 600si 505si 500si/ 300si SUPER 404si 700si/

9xi/ 7xi/ 5xi

8000i/ 5000i 3000i 7000i

5600 HS (D)

3600 HS (D)

2500 (D)

2000xi Macro Ring Flash Twin Flash
Program Reset Advanced Distance Integration Auto Zoom Ratio High Speed Sync Remote High Speed Sync Slow-shutter Sync Remote Off-camera Flash Modeling Multi-burst Manual Flash Control AF Illuminator Program Reset Advanced Distance Integration Auto Zoom Ratio High Speed Sync Remote High Speed Sync Slow-shutter Sync Remote Off-camera Flash AF Illuminator Advanced Distance Integration Ratio Slow-shutter Sync AF Illuminator Program Reset AF Illuminator Slow-shutter Sync Program Reset Slow-shutter Sync Modeling (4) Manual Flash Control

(6) (1) (6)

(3) (3)

Remote Flash Controller
(1) 4 segment flash metering (2) for 9xi wireless function is available only when used with 5600HS, 5400xi or the wireless remote controller (3) possible only with customised setting (4) only with twin flash (5) 9xi only (6) The zoom position is a slightly smaller focal length than when attached to the 35mm film SLR camera

Meters

Meter Accessories

Flash Meter VI

Konica Minolta brings a new dimension to integrated exposure meters with the Flash Meter VI. It provides unsurpassed balance and feel, as well as a large LCD readout, which displays incident or reflected-light Spot meter readings for ambient, flash or combinations with analysis of flash. Its unique Exposure Navigation System enables the displaying of the latitude of the final medium, while also displaying both incident and reflected-spot readings. This ensures that important details will be recorded as you envision them.
Viewfinder 5 degree Flat diffuser Reflected-Light Attachment II Mini Receptor Sync Cord III

Auto Meter V F

Auto Meter V F provides exposure analysis for flash measurements, showing the ratio of flash light to overall exposure. Additional easy-to-use functions that are included are the Brightness Difference function for adjusting lighting balance, the Memory With Analog Scale for previsualising results by measuring multiple points and the Calculation function for averaging stored measurements of biasing exposure readings for shadows or highlights.
The Colour Meter III F is a compact colour meter which measures both ambient and flash illumination. It has a 9 channel memory and displays measured values in LB and CC index, filter number and CC index, or photographic colour temperature to simplify the process of colour measurement and filtration.

Colour Meter II F I

Other Accessories
Minolta system accessories are designed to further complement and enhance the performance of your Dynax camera.

Eyepiece Corrector 1000

Eyepiece correctors adjust the viewfinder focus for varying degrees of hyperopia and myopia. Simply mount the eyepiece correctors on the finder to enable use without glasses. Nine strengths are available.

Slide Copy Unit 1000

This convenient unit can be quickly and easily coupled with the AF Macro Zoom 3X-1X lens for copying 35mm transparencies in mounts or strips. Magnifications up to 3X are easily set. Provision is made for easy attachment of the lighting unit of the Macro Flash 1200 AF as a transillumination source.

Magnifier VN

Ideal for close-up, macro, copying, and telephotography, this magnifier enlarges the viewfinder image approximately 2.3 times.

Holding Straps HS-1 (9/7D/7) / HS-700 (800si/700si/600si) / HS-9xi (9xi) / HS-7xi (7xi)
These new straps help you maintain a firm grip on your Dynax camera in any holding position.
Accessory Shoe Cap SC-1000 (9/7D/7/60/5/40/4/3L/800si/700si/600si/505si /500si/404si/303si/5xi/3xi/2xi/SPxi) SC-7 (9xi/7000i) / SC7xi (7xi)
Used to protect the autolock accessory shoe on Dynax cameras.

9 303si

7D 9xi

60 5xi

40 2xi
800si 700si 600si 505si 500si 404si

SPxi 7000i

Vertical Control Grip VC-7D
This grip is made for the Dynax 7D to enhance its holding and operation when in a vertical position. An optional holding strap also gives you a more stable hold when in a horizontal position. The grip uses either 1 or two lithium-ion batteries, or 6 AA-size Ni-MH batteries which means youll have longer shooting time and more shooting opportunities.
Close-up Diffuser CD-1000
Attached to the cameras accessory shoe, the Close-up Diffuser provides soft lighting and helps produce natural close-up pictures with a builtin flash.
700si 600si 505si 500si 404si 303si

AA Battery Pack BP-200

This optional, external battery pack operates your camera with common AA-size batteries, so no matter where you are your Dynax 5, Dynax 4 and Dynax3L will always have power.
Remote Cord RC-1000 S (50cm)
Remote Cord RC-1000 L (5m)

Remote Cords RC-1000 S/L

Enables remote control of the shutter-release from a hidden location or apart from the camera to prevent blurring. Also provides remote autofocus control.
3L 9 7D 4 800si 700si 600si

7000i 5000i

Indicates 505si and 505si SUPER

Film Scanners

Konica Minolta invites you to experience the world of quality digital image creation, with its full lineup of high-performance film scanners.

DiMAGE Scan Elite 5400

Max.5400dpi input resolution Automatic image enhauncement with Digital ICETM, Pixel Polish and more Easy-to-adjust manual focus button High-speed USB 2.0 compatible Sophisticated design with slim body Quick Scan Button, and Easy Scan Utility equipped for the beginners
http://konicaminolta.com/dimage

DiMAGE Scan Multi PRO

Max. 4,800dpi input resolution 16bit A/D conversion and wide 4.8 dynamic range Wide film format compatibility Automatic image enhancement with Digital ICE3 TM technology Ultra SCSI and IEEE1394 (FireWire) interface Multi sample scanning Colour Matching

Troubleshooting.....138 Care and storage....141 Camera care....141 Cleaning.....141 Storage.....141 Operating temperatures and conditions...142 Memory card care and handling...142 Batteries.....142 LCD monitor care....143 Copyright....143 Before important events or journeys...143 Questions and service....143 Technical specifications....144

NAMES OF PARTS

CAMERA BODY
* This camera is a sophisticated optical instrument. Care should be taken to keep these surfaces clean. Please read the care and storage instructions in the back of this manual (p. 141).
1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11.
Front control dial Shutter-release button Exposure-mode dial (p. 39) Dial Lock Release Flash (p. 31) Exposure-compensation dial (p. 48) Flash-compensation dial (p. 48) Flash sync. terminal (p. 119) Strap eyelet (p. 18) DC terminal (p. 114) Remote-control terminal (p. 45)
12. 13. 14. 15. 16. 17. 18. 19. 20. 21.
Focus-mode dial (p. 52) Lens release (p. 19) Lens mount Mirror* Lens contacts* Self-timer lamp (p. 57) Tripod socket Depth-of-field preview button (p. 53) Battery-chamber release (p. 22) Battery-chamber door (p. 22)
1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14.
Main switch Eyepiece sensors* Viewfinder* (p. 17) Eyepiece cup (p. 59) Accessory shoe Diopter-adjustment dial (p. 20) Drive-mode dial (p. 56) AE lock button (p. 46) Metering-mode dial (p. 50) White-balance button (p. 60) White-balance dial (p. 60) AF/MF button (p. 53) Rear control dial USB port/Video-out terminal (p. 105, 121)
15. 16. 17. 18. 19. 20. 21. 22. 23. 24. 25. 26. 27.
Card-slot door (p. 24) Controller & Spot-AF button (p. 54) Focus-area switch (p. 54) Access lamp Anti-Shake switch (p. 32) Camera-sensitivity (ISO) button (p. 51) Memory set button (p. 63) LCD monitor* (p. 16, 34) Playback button (p. 34) Delete button (p. 36) Magnification button (p. 38) Display button (p. 33, 37) Menu button

Names of parts

RECORDING MODE DISPLAY
The recording display shows information on camera operation in panels. The information displayed varies with the functions set. As the camera is rotated to a vertical position, the display automatically rotates to compensate for the camera position.

ATTACHING THE CAMERA STRAP
Thread the tip of the strap through the holder ring and the inside of the buckle and pull to tighten (2). Leave some slack in the camera strap so the tip may be threaded through the buckle easily. Each time the camera is turned on, it automatically focuses the lens to the infinity position, even in manual focus. This operation is necessary to ensure proper exposures.

REMOVING A LENS

Press the lens release all the way in and turn the lens counter-clockwise until it stops. Carefully remove the lens.
Push the holder ring toward the strap eyelet to secure the strap to the camera (3). Repeat with the other end of the camera strap.
Replace the caps on the lens and attach the body cap or another lens to the camera as soon as possible. Do not leave the interior of the camera exposed to dust or dirt. Check the body cap is clean and free from dust before mounting. Lens release

Getting up and running

DIOPTER ADJUSTMENT
The EVF has a built-in diopter that can be adjusted between 3.0 to +1.0. While looking through the EVF, turn the diopter-adjustment dial until the viewfinder focus frame is sharp.

CHARGING THE BATTERY

Before the camera can be used, the lithium-ion battery must be charged. Before charging the battery, read the safety warnings on page 4 of this manual. Only recharge the battery with the supplied battery charger. The battery should be recharged before each shooting session. See page 142 for battery care and storage.
INSTALLING THE MONITOR PROTECTION PANEL
Install the monitor protection panel by placing the top of the panel at the top of the monitor frame on the camera and lower panel until it clicks into place at the bottom.
Plug the power cord into the back of the charger unit (1). Plug the other end of the cord into a live household outlet. The included AC cord is designed for the current of the sales region. Only use the cord in the region it was purchased. For more on the AC cable, see page 114.
With the battery contacts toward the charger, align the channels on the bottom of the battery with the tabs on the charger unit. Slide the battery into the unit.
To remove the panel, lift from the bottom.
The indicator lamp (2) glows to show the battery is charging. The lamp goes out when the battery is charged. Charging time is approximately 150 minutes.
Slide and lift the battery to remove it from the charger. Unplug the power cord from the outlet.
INSTALLING AND CHANGING THE BATTERY
This digital camera uses one NP-400 lithium-ion battery. Before using the battery, read the safety warnings on pages 4 of this manual. When replacing batteries, the camera should be off. Open the battery-chamber door by sliding the batterychamber release toward the back of the camera.
BATTERY CONDITION INDICATOR
This camera is equipped with an automatic battery-condition indicator. When the camera is on, the indicator appears on the monitor. The indicator changes from white to red when battery power is low. If the monitor is blank, the battery may be exhausted.

Aperture f/2.8 f/3.5 f/4.0 f/5.6
Flash range (ISO 100) 1.0m ~ 4.3m (3.3 ft. ~ 14.1 ft.) 1.0m ~ 3.4m (3.3 ft. ~ 11.1 ft.) 1.0m ~ 3.0m (3.3 ft. ~ 9.8 ft.) 1.0m ~ 2.1m (3.3 ft. ~ 6.9 ft.)

Camera-shake warning 30

ANTI-SHAKE SYSTEM
The Anti-Shake system minimizes the affect of camera shake, a slight blurring caused by subtle hand motion. Camera shake is more pronounced at long focal lengths than short ones. AntiShake is less effective with moving subjects or when the camera is panned, shutter speeds of 1/4 second or longer, and short object distances. Anti-shake is disabled with bulb exposures (p. 45). When the system is active, the Anti-Shake scale in the viewfinder glows; the scale can be turned off in section 3 of the custom menu (p. 98). Anti-Shake can be turned off and on with the Anti-shake switch. Anti-shake switch Frame the subject as described in the basic operation section. Press the shutter-release button partway down to focus and set Anti-shake scale the exposure. The Anti-Shake scale indicates the degree of stabilization. The more LEDs displayed, the more unstable the image. Confirm the image has stabilized with the scale and press the shutterrelease button all the way down to take the picture. Anti-shake cannot be used with some lenses, see page 117. Turn Anti-Shake off when the camera is mounted on a tripod. The metered exposure may change when turning this function on and off.

DISPLAY BUTTON

Press the display button to switch the monitor display among full, basic, and off. For more on the full display, see page 16.
Basic 1. 2. 3. 4. 5. 6. 7. 8. Memory register (p. 63) Exposure mode (p. 39) Shutter speed display Aperture display Camera-sensitivity display (p. 51) Image-size display (p. 66) Image-quality display (p. 66) Frame counter (p. 67) 9. 10. 11. 12. 13. 14. 15. White-balance display (p. 60) Release priority indicator (p. 94) AF area display (p. 55) Battery condition indicator (p. 23) AE lock indicator (p. 46) Flash-compensation display (p. 48) Exposure-compensation display (p. 48)
The full display uses a scale to show the degree of flash and exposure compensation as well as the metered exposure value in manual exposure. The basic display uses a numerical value. Turning off the display conserves battery power.

BASIC PLAYBACK

Images can be viewed in the playback mode. This section covers the basic playback functions. The playback mode has additional menu functions, see page 82.

ROTATING IMAGES

Press the down key of the controller to rotate a displayed image 90 left, 90 right, or horizontally.

VIEWING IMAGES

HISTOGRAM DISPLAY
Press the playback button to activate the playback mode. The left/right keys of the controller and both control dials can be used to scrolls through the images. To view the histogram of the displayed image, press the up key. Press the down key to return to single-frame playback. The dark area of the histogram shows the luminance distribution of the recorded image from black (left) to white (right). Each one of the 256 vertical lines indicates the relative proportion of that light value in the image. The histogram can be used to evaluate exposure and contrast, but displays no color information. 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. Shutter speed Aperture Exposure mode (p. 39) Metering mode (p. 50) Date of recording Image size (p. 66) Image quality (p. 66) Exposure compensation (p. 48) Flash compensation (p. 48) White-balance mode (p. 60) Camera sensitivity (ISO) (p. 51) Folder name - file number (p. 126) Frame number / total number of images Areas of the image approaching the shadow and highlight luminance limit are indicated in the image thumbnail. The portions of image whose levels are close to 0 and 255 flash.
Image size (p. 66) Image quality (p. 66)
Time of recording Date of recording
Folder - file number (p. 126) Frame number / total number of images

Luminance limit display

To return to the recording mode, press the playback button or the shutter-release button.

Basic playback

DELETING SINGLE IMAGES
The displayed image can be deleted. Once deleted, an image cannot be recovered.
CHANGING THE PLAYBACK DISPLAY
The display button controls the display format. Each time the button is pressed, the display cycles through to the next format: full display, image only, index playback. The index display can be changed in section 1 of the playback menu.

To delete a displayed image, press the delete button; a confirmation screen opens.
Use the left/right keys to highlight Yes. No cancels the operation.
Delete this frame? Yes No
Press the controller to execute the command on the confirmation screen. The camera returns to playback mode.

Full display

Image only Index playback
The camera can play back images on a television set. See page 105 on how to connect the camera to a TV with the supplied video cable.
In index playback, the four-way keys of the controller move the yellow border to the adjacent image. When the image is highlighted with the border, the date of recording, the lock and printing status, and the frame number of the image are displayed at the bottom of the screen. The highlighted image can be deleted using the delete button (p. 36). When the display button is pressed again, the highlighted image is displayed in the single-frame playback mode. A four, nine, and sixteen image index can be displayed as well as a file browser. The index-playback format can be changed in section 1 of the playback menu (p. 82, 87).

ENLARGED PLAYBACK

An image can be enlarged for closer examination. The maximum magnification depends on image size from 2.4X for small images to 4.7X for large images. RAW images cannot be enlarged. Press the magnification button (1) to activate enlarged playback. The front control dial scrolls through the images. RAW images cancel enlarged playback.

ADVANCED RECORDING

This section contains detailed information on the cameras recording functions and operation. Read the sections pertaining to your interest and need.

EXPOSURE-MODE DIAL

The exposure-mode dial is used to select the exposure modes as well as memorized camera settings. See the following sections for more information on the exposure modes. While pressing the Dial Lock Release, turn the exposure dial to the appropriate position.
The rear control dial changes magnification.
The controllers four-way keys scrolls the magnification area.
Manual exposure (p. 44) Shutter priority (p. 43) Aperture priority (p. 42) Program exposure (p. 40) Full-auto program (p. 40)
The controllers four-way keys scrolls the magnified area. The locator (2) indicates the portion of the image displayed. The rear control dial changes the magnification.

About Shutter Speeds

The shutter speed used for each exposure is displayed on the monitor and in the viewfinder. The following notation is used:

Flash Sync. Speed

There is a limit to the maximum shutter speed when using the built-in flash. When Anti-Shake is on, the maximum shutter speed that can be used is 1/125s. With Anti-Shake off, the flash sync. speed is 1/160s. While a faster shutter speed cannot be used, there is no limit to the use of slower shutter speeds.
The reciprocal is used for shutter speeds from 1/4000 second to 1/3 second. 125 is 1/125 second. For shutter speeds of a half a second or longer, a quote mark is used to denote whole seconds. 15 is one and a half seconds and 15 is fifteen seconds.

MANUAL EXPOSURE - M

Manual exposure mode allows individual selection of shutter speeds and apertures. This mode overrides the exposure system giving the photographer total control over the final exposure. Bulb exposures can be made, see below. Manual exposure is set with the exposure-mode dial (p. 39). The front control dial changes the shutter speed.
The shutter speed and aperture value change depending on the position of the exposurecompensation dial, see camera notes on page 41. The operation of the control dials in the manual exposure mode can be changed with the custom menu (p. 96). When using flash, the shutter speed cannot exceed the flash-sync speed, see page 42. Flash range is dependent on the aperture, see page 51.
The rear control dial changes the aperture. Press and hold the AEL button (1) while turning the either control dial to shift the shutter speed and aperture without affecting the exposure.

Bulb exposures

Bulb photographs can be taken in the manual-exposure mode (M). The use of a tripod, remote cord. and eyepiece cap (p. 59) is recommended. The cameras exposure system cannot be used to calculate bulb exposures. The use of a separate light meter is recommended. Anti-Shake is disabled.
Use the front control dial to decrease the shutter-speed until BULB is displayed. The Ev scale on the monitor and in the viewfinder indicates the difference between the set exposure and the exposure determined by the camera meter. Press the shutter-release button partway down to activate the meter. The increments on the scale depend on the exposure-compensation dial position. The examples below are based on a 0.5 Ev increment. For more on Ev, see page 81. Use the rear control dial to set the appropriate aperture required for the exposure. To take the picture, press and hold the shutter-release button for the duration of the exposure. Releasing the shutter button ends the exposure. The monitor is blank during the exposure and remains blank after the exposure for up to 30 seconds while noise-reduction processing is applied to the image. The set exposure is 1.0Ev less () than the exposure determined by the meter. The monitor scale is uses the manual metering (M.M.) indicator.

WHAT IS AN EV?

Ev stands for exposure value. A change of one Ev adjusts the exposure calculated by the camera by a factor of two. An Ev and a stop are the same.
+2.0 Ev +1.0 Ev 0.0 Ev 1.0 Ev 2.0 Ev
4X as much light 2X as much light Calculated exposure 1/2 as much light 1/4 as much light
A short guide to photography

PLAYBACK MENU

In playback mode, press the menu button to open and close the menu. The four-way keys of the controller and the control dials move the cursor in the menu (p. 65). Pressing the central button of the controller enters a setting.
Delete Format View folder Folder name Lock Index format All folders 100KMframes
To delete images on the memory card (p. 84). To format the memory card (p. 85). To select one or all folders to view in playback (p. 85). To select the folder to view in playback (p. 85). To protect images from deletion (p. 86). To specify the index playback format (p. 87). To play back images automatically (p. 88) Use the left/right keys of the controller to highlight the appropriate menu tab; the menus change as the tabs are highlighted.
Slide show DPOF set Date imprint Index print Cancel print Off
NAVIGATING THE PLAYBACK MENU
Activate the playback menu with the menu button. Tab 1 at the top of the menu is highlighted.
To select images for DPOF printing (p. 89). To print the date of capture with each print (p. 90) To create an index print with the DPOF order (p. 90) To cancel DPOF print orders on the memory card (p. 90).
When the required menu section is displayed, use the up/down key to scroll through the menu options. Highlight the option whose setting needs to be changed.

FRAME-SELECTION SCREEN

When a marked-frames setting is chosen on a menu, the frame-selection screen appears so multiple files can be selected. The index format of the screen can be changed in section 1 of the playback menu (p. 87).
Use the up/down key to highlight the new setting. If Enter is displayed, press the central button of the controller to continue. The left/right keys of the controller move the yellow border to select the image. Press the central button of the controller to select the highlighted setting. The up key selects the frame; when selected, an indicator appears on the thumbnail. The down key deselects the image removing the indicator.

Once a setting has been selected, the cursor returns to the menu options and the new setting is displayed. Changes can continue to be made. To return to the playback mode, press the menu button.
Press the central button of the controller to complete the operation. Pressing the menu button cancels the screen and any operation made. 82

Playback menu

DELETE
Deleting permanently erases the image. Once deleted, an image cannot be recovered. Care should be taken when using the delete function.

FORMAT

When a memory card is formatted, all data on the card is erased. The formatting function in section 1 of the playback menu is used to erase all data on a memory card. Before formatting a card, copy the data to a computer or storage device. Locking files will not protect them from being deleted when the card is formatted. Always format the memory card using the camera; never use a computer to format a card. When the format option is selected and entered, a confirmation screen appears. Choosing Yes formats the card, choosing No cancels the operation. Never remove the card while it is being formatted. A screen appears to indicate the card has been formatted.
Single, multiple, or all images in a folder can be deleted with the playback menu. Before an image is deleted, a confirmation screen appears; choosing Yes executes the operation, No cancels it. Only the images in the view-folder option in section 1 of the playback menu (p. 82) can be viewed and deleted with the marked frames and all-in-folder options. Delete has three options:
Delete Format View folder Folder name Lock Index format

All folders 100KMframes

Marked frames - to delete multiple images. When this setting is chosen, the frame-selection screen is displayed. Use the left/right keys of the controller to highlight the first image to be deleted. Pressing the up key marks the thumbnail with the delete indicator. To deselect an image for deletion, highlight it with the yellow border and press the down key; the delete indicator disappears. Continue until all the images to be deleted are marked. Press the controller to continue (the confirmation screen appears), or press the menu button to cancel the operation and return to the playback menu. On the confirmation screen, highlighting and entering Yes deletes the marked images. All in folder - to delete unlocked images in a single folder specified by the view-folder option. All on card - all unlocked images on the card are deleted. The delete function can only erase unlocked images. If an image is locked, it must be unlocked before it can be deleted.

:select folder

SLIDE SHOW
Section 2 of the playback menu starts the slide-show function. This function automatically displays images every five seconds on the card or in the folder specified with the view-folder option in section 1 of the menu. Highlight Enter in the slide-show option in section 2 of the playback menu and press the center of the controller to begin the slide-show playback.
Slide show DPOF set Date imprint Index print Cancel print Enter

DPOF SETUP

The DPOF-set option is used to set an order for standard prints from digital images. Single, multiple, or all images on the memory card or in a folder specified with the view-folder option can be printed (p. 85). DPOF setup has three options:
Press the central button of the controller to pause and restart the presentation. Use the left/right keys of the controller to advance to the next image or return to the previous one. To cancel the presentation, press the down key of the controller or the menu button.
Marked frames - to choose a group of images to be printed or when the number of copies for each image varies. When selected, the frame-selection screen appears (p. 83). Use the left/right keys of the controller to highlight an image to be printed. Pressing the up key marks the image with the printer indicator. The number next to the indicator indicates the number of copies of that image will be printed. Pressing the up key increases the number of copies, pressing the down key decreases the number. A maximum of nine copies can be ordered. To deselect an image for printing, press the down key until the the number of copies reaches zero and the printer indicator disappears. Continue until all the images to be printed are marked. Press the controller to create the DPOF file, or press the menu button to cancel the operation and return to the playback menu. All in folder - to select images in the folder specified by the view-folder option. All on card - to select all images on the memory card for printing. When the all-in-folder or all-on-card option is chosen, a screen appears requesting the number of copies of each image; a maximum of nine copies can be ordered. Use the up/down keys of the controller to set the number of copies. If the all-on-card option was used to create a print order, any additional images saved afterwards in the folder are not be included in the order. DPOF files created with another camera are deleted when a DPOF file is created.

ABOUT DPOF

This camera is supported by DPOF version 1.1. The DPOF (Digital Print Order Format) allows direct printing of still images from digital cameras. After the DPOF file is created, the memory card is simply taken to a photofinishing service or inserted into the memory -card slot of DPOF compatible printers. When a DPOF file is created, a misc. folder is automatically made on the memory card to store it (p. 126). DPOF print files cannot be made for RAW images or images using the embedded Adobe RGB color mode (p. 68).

No. of prints: 5 Printer setup Printer setup Printer setup Printer setup
The number of prints in the print run are displayed as well as the print parameters selected with the menu. See the menu navigation section for more information (p. 134). Press the central button of the controller to begin printing, or press the menu button to return to the PictBridge screen.
Print size: Layout: Print quality: Data print: :start
Individual still images can be selected for printing on the PictBridge screen; RAW and images with the embedded Adobe RGB color profile (p. 68) are not displayed and cannot be selected. For other printing options, see the menu navigation section on page 134. Total number of prints Number of copies
Once printing begins, the operation can be canceled by pressing the center of the controller. The printing-finished message indicates the end of the operation; turn the camera off to end the routine.

Printing finished. OK

Use the left/right keys of the controller to display the image to be printed.

NOTES ON PRINTING ERRORS

If the battery is exhausted before the print run is complete, printing is canceled. Use a fully-charged battery or the optional AC adapter. If a minor problem occurs during printing, such as the paper runs out, follow the procedure recommended for the printer; no action is required for the camera. If a major printer error occurs, press the center of the controller to end the routine. Refer to the printer manual for the correct procedure for the printer problem. Check the printer settings before starting again and deselect the images that were printed.
Press the up key to select the number of copies to be printed. To deselect an image for printing, press the down key until the number of copies reaches zero. A maximum number of fifty images can be printed. Repeat the previous steps until all the images to be printed are selected. Press the central button of the controller to continue.

:select

:print

PictBridge screen

The display button switches between the single frame and index playback formats on the PictBridge screen. Enlarged playback, activated with the magnification button (p. 38), can be used to examine image files on the screen.
NAVIGATING THE PICTBRIDGE MENU
Pressing the menu button opens and closes the menu. The four-way keys of the controller and the control dials move the cursor in the menu. Pressing the central button of the controller enters a setting. The options that can be changed vary with the printer. Activate the menu with the menu button. Tab 1 at the top of the menu is highlighted. Use the left/right keys of the controller to highlight the appropriate menu tab; the menus change as the tabs are highlighted. Use the up/down key to scroll through the menu options. Highlight the option whose setting needs to be changed. With the menu option highlighted, press the right controller key; the settings are displayed with the current setting highlighted. If Start is displayed, press the center of the controller to continue. Index to menu functions Batch print, 135 Data print, 137 DPOF print, 137

Batch print Index print Paper size Layout Print quality Data print Printer setup Printer setup Printer setup Printer setup DPOF print
Index print, 135 Layout, 136 Paper size, 136

Print quality, 137

Batch print
Batch print in section 1 selects all still images on the memory card for printing. Two options are available: All-frames - to print all images on the card. A screen opens so the number of copies of each image can be specified. A total number of fifty images can be printed. Reset - to cancel changes made with the batch print option or with the print selection screen.
Use the up/down key to highlight the new setting.

Index print

Press the central button of the controller to select the highlighted setting. An index print of all still images on the memory card can be made. The quality and size of the print can be specified with the camera menu. The number of images per page varies with the printer. The print-setup confirmation screen is displayed before the print routine starts.
No. of prints: Print size: Layout: Print quality: Data print: :start 5 Printer setup Printer setup Printer setup Printer setup
Once a setting has been selected, the cursor returns to the menu options and the new setting is displayed. To return to the PictBridge screen, press the menu button. Read the following sections on information on the menu options.

Paper size

The paper size of the print can be specified in section 2 of the PictBridge menu. The printer-setup option uses the size set with the printer.
Paper size Layout Print quality Data print Printer setup

Print quality

The print quality can be set in section 2 of the PictBridge menu. The printer-setup option uses the quality set with the printer. The fine quality can be specified with the camera.

Data print

Data can be printed with the image in section 2 of the PictBridge menu. The printer-setup option uses the options set with the printer. The date of capture and the file name can be selected for printing. Data printing can also be disabled with the menu.
Highlight the current size setting in the menu and press the central button of the controller to open the paper-size screen.

:enter Language

DPOF print
2 x 3 card 100mm x 150mm 4 x x 10 Letter No. of prints: 5 Printer setup Printer setup Printer setup Printer setup

Use the four-way keys of the controller to highlight the paper size.
Printer setup L Postcard 2L
DPOF print in section 3 allows still images and an index print selected with the DPOF printing options in section 2 of the playback menu to be printed from a DPOF compatible PictBridge printer. Simply select the start option from the menu to begin the routine.
Press the central button of the controller to set the paper size.

A4 :sel.

Printing Notes
The following are the dimensions for postcard, L, and 2L paper sizes in both millimeters and inches for your reference:
The number of prints in the print run are displayed; an index print is counted as one. Press the central button of the controller to begin printing, or press the menu button to return to the PictBridge menu.

Postcard L 2L

100 X 148mm 89 X 127mm 127 X 178mm
3.9 X 5.9 in. 3.5 X 5.0 in. 5.0 X 7.0 in.
Once printing begins, the operation can be canceled by pressing the center of the controller. The printing-finished message indicates the end of the operation; press the center of the controller and turn the camera off to end the routine.

Layout

The layout of the print can be set in section 2 of the PictBridge menu. The printer-setup option uses the layout parameters of the printer. Borderless printing can be specified with the camera as well as the number of images per page.

TROUBLESHOOTING

The section covers minor problems with basic camera operation. For major problems or damage to the camera or charger, or if a problem continues to reoccur frequently, contact a Konica Minolta service facility. Problem Symptom Cause The batteries are dead. Nothing displayed on monitor. The camera will not work. The AC adapter is not connected properly. Display mode set to off. Solution Recharge battery (p. 21). Check that the adapter is connected to the camera and a live electrical outlet (p. 114). Change the display mode to full or basic (p. 33). Turn off the camera and allow it to cool. If Err is still displayed on the camera after it cools, remove and replace the battery or power cord.

Problem

Symptom

Solution

Subject is too close. Focus signal is blinking. A special situation is preventing the autofocus system from focusing (p. 29)
Make sure the subject is within the focus range of the lens.

Pictures are not sharp.

Use the focus-lock function to focus on an object at the same distance as the subject (p. 30) or use manual focus (p. 52).
Err displayed on the monitor.
The camera is hot or it has been left in a very hot environment.
Pictures are Use Anti-shake or a tripod, change taken indoors or Slow shutter speeds result in the camera sensitivity to a higher in low-light blurred images when the setting (p. 51), or use the flash (p. situations without camera is hand-held. 31). flash.

Memory card is full and 0000 is unable to store an image at displayed on the the image-quality or imageframe counter. size setting on the camera. Shutter will not release.
Insert a new memory card (p. 24), delete some images (p. 36), or change the image-quality or image-size setting (p. 64).
While using flash, the The subject is beyond the pictures are too flash range (p. 51). dark.
Move closer to the subject or change the camera sensitivity to a higher setting (p. 51).
---- is No memory card in the displayed on the camera. frame counter.
Insert a memory card (p. 24).

Focus signal blinks. 138

AF/Shutter release priority in See page 94 for more on this the custom menu is set to custom function. AF
A shadow Lens hood appears on the mounted when bottom of the using flash. image.
The lens hood blocks the light from the built-in flash.
Always remove the lens hood when using the built-in flash. Also see the lens shadowing section on page 115.

Troubleshooting

Symptom Shutter speed and/or aperture display blink.
Cause Subject or scene is outside the exposure control range of the camera.
Solution Adjust the exposure until the display stops blinking or change camera sensitivity (p. 51).

CARE AND STORAGE

Read this section in its entirety to get the best results from your camera. With proper care, your camera will provide years of service.

CAMERA CARE

Do not subject the camera to shock or impact. Turn off the camera when transporting. This camera is neither waterproof nor splashproof. Inserting or removing batteries or the memory card, or operating the camera with wet hands may damage the camera. When at the beach or near water, take care not to expose the camera to water or sand. Water, sand, dust, or salt can damage the camera. Do not leave the camera under direct sunlight. Do not point the lens directly at the sun; the CCD may be damaged.
Inaccurate exposures with very bright or dark scenes.
Arrows blink at each end of the Ev scale.
Subject or scene is outside the metering range of the camera.
In dark conditions, use the camera flash. Under bright light, use a neutral density filter on the lens to control the light levels.